NYPD Blue Season 3 Episode 14 The Nutty Confessor
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TVTranscript
00:00Good morning.
00:13Hi.
00:16Hi, Donna.
00:17Hi.
00:19So, uh, tonight's a pretty big night for me.
00:24Yeah? In what regards?
00:26What? In confidence? I've been seeing someone we're both acquainted with.
00:31Oh, James Martinez. I thought you'd been so discreet.
00:36It's all this time working around detectives.
00:40Anyway, tonight, tonight will be kind of the last hurdle.
00:46You haven't made love yet?
00:48I wanted to wait, see if we were compatible in other areas first.
00:53Makes sense.
00:53Well, we wanted to wait two months. I decided. James went along.
00:59But he's really been a doll about it.
01:02So, tonight's the night.
01:05Yeah.
01:07I bought some things at Victoria's Secret.
01:10What'd you get?
01:11Stockings and a garter and a teddy.
01:14Don't try to fit into the teddy.
01:16What, you don't think?
01:17Hmm. It'll interrupt the natural course of events.
01:21Save the teddy for another time.
01:23Yeah.
01:25I see.
01:27I hope it goes great for you.
01:29Yeah.
01:30Thanks a lot, Donna.
01:37Good morning, James.
01:38Good morning, Benjamin.
01:39I'll cut it out for you, isn't it?
01:43Mission control.
01:44All systems are gone.
01:46I'll cut it out for you, isn't it?
01:52Simone and Sipwitz.
01:54Homicide in the village.
01:56Adrian.
01:57Work back up with James.
01:59Met a boy.
02:00I'm shooting on 4th Street.
02:02Take Russell.
02:03James is in the locker room, huh?
02:07Uh, yeah.
02:10I'll get him.
02:12Hey.
02:19Hey, James.
02:20Yeah.
02:21Well, we got a homicide.
02:22Uh, you and Adrian, you want to give us a hand?
02:25Yeah, all right.
02:30How you feeling, man?
02:31You good?
02:31Yeah.
02:32What do you mean?
02:34No, I was just asking how you felt.
02:39You know, too?
02:39I hear some things.
02:43That Greg's got such a mouth.
02:45You know, I'm no Don Juan or nothing, but normally an event like this wouldn't be such
02:50a big deal.
02:51Adrian marking a day on a calendar, thinking about it so long, it's like training for the
02:57Golden Gloves.
02:58Going over my combinations, footwork.
03:01You the man, James.
03:03No, you the man.
03:03No, no, no.
03:04Bobby.
03:05Yeah.
03:05Give me some advice.
03:07Sure.
03:08Well, usually I use this ultra-sensitive type thing, but tonight I was thinking, you
03:15know, I'd go ribbed.
03:16Sure, I'm not just concerned about me and what do you think?
03:23Hmm.
03:38The movie was представographics that Bergman wasn't quite the best.
03:47You know, that's what we do.
03:47Hmm.
03:53They did.
03:54They did.
03:55Movedad.
03:56They did.
03:57They did.
03:57They did.
03:59They did.
04:00They did.
04:01They did.
04:02They did.
04:02They did.
04:03The largest is quality girl.
05:34Me and Adrian, I'll stop canvassing.
05:36Sorry.
05:37Victim's Felicia Atkins, 26.
05:39Her mother called the super after she couldn't reach her on the phone.
05:43Super came in, found this, and called 911.
05:46Where's the super at?
05:47I'll go get him.
05:48The way I figured, he dipped these panties in the blood, and then used those to write those names on the wall.
05:54Then he must have come back, left them in here.
05:56Didn't you say something about a super?
05:58Yeah, I'm gonna go get him.
05:59Unless you caught this one.
06:00Did you catch this case and I didn't realize?
06:02No.
06:03Hey.
06:03Somebody turned this on?
06:05No, sir.
06:05It was on when we arrived.
06:07Let me go get the super.
06:11Black girl listening to country and westerns.
06:13Does that make sense?
06:15Maybe the killer's a good old boy.
06:16It's the super, Mr. Chernick.
06:35I'm Texas Simone, Mr. Texas Sipwitz.
06:38You found me sakins.
06:40Yeah, her mother called.
06:42Said her daughter wasn't answering the phone.
06:44Wanted me to go up and check on her.
06:46You live on the first floor?
06:48I got a room on a basement.
06:50Did you know the victim at all?
06:52Not really.
06:53You noticed the kind of guys she dated?
06:54Mainly in a racial.
06:56Oh, yeah?
06:57Anything particular about any of her dates?
07:00Western type guys?
07:01Anything like that?
07:03Like cowboy hats?
07:04Uh.
07:05Not that I noticed.
07:06I can't believe what I saw in that apartment.
07:10I mean, you know, what he did to her.
07:12Yeah, all right, listen, thanks a lot.
07:13We may have to talk to you again, all right?
07:16Newsstand guy down the block saw a guy with a bloody hand crossing the street at 2 a.m.
07:21I got crime scene looking for bloodstains on the pavement.
07:24And we'll check the emergency rooms for cut hands they may have treated last night.
07:28Uh-huh.
07:28What a mess in there, huh?
07:30Yeah.
07:30Let's check out this DOA.
07:45I'm not going to go in that ambulance.
07:48I don't want to go where you are trying to take me.
07:50Hey, John.
07:51Hey, victim Sidney Herman.
07:53A couple black guys stuck him up on the street.
07:55Took one shot in the shoulder, made it over here, and then collapsed.
07:59You better call a car service, Dale.
08:01I'll never get a cab on the street in this neighborhood.
08:04Excuse me, I'm Detective Medavoy.
08:05This is Detective Russell with the 15th Squad.
08:08The hospital I have to get to is the hospital for special surgery.
08:12I'm in danger of losing the use of my arm here.
08:14They took my car.
08:15Can you drive me?
08:16It's on 70th Street.
08:17Take it easy, sir.
08:18I told him we have to take him to the nearest trauma hospital, which is Bellevue.
08:23No, I am a physician.
08:24I am in danger of losing the use of my arm.
08:27I'm a surgeon.
08:27If there is nerve damage in this arm, I can't work.
08:31Why don't you take him where he wants, professional courtesy, all right?
08:35Yeah, okay.
08:36Excuse me, miss.
08:38Miss, who are you?
08:39I'm Dr. Herman's office manager.
08:42My name is Dale Efton.
08:43Dale, call Ian Miller at special surgery.
08:46Tell him I might need a procedure.
08:47I want him to consult.
08:49I will, Sid.
08:50Tell him the feeling isn't returning.
08:52There's no sensation in the arm.
08:54Do you have the phone number and the address at this special hospital?
08:57Dale, I need you there.
08:59As soon as I can, Siddy.
09:02And I guess you better call Scarsdale.
09:06What's in Scarsdale?
09:10His wife.
09:13Miss Efton, please.
09:14Can you please help us out with what happened here?
09:18Um, Dr. Herman called me from his car when he was about a block away.
09:23The buzzer's broken.
09:25The buzzer to where?
09:27I live in this building.
09:29Huh?
09:29The office is on 61st, but we're closed today, and Dr. Herman had to drop off some papers.
09:35I see.
09:36So you weren't a witness to him being shot?
09:38No, I heard him shout from his cellular phone.
09:42And I came downstairs, and he'd made it to the sidewalk.
09:45He said two black guys grabbed him and got his keys.
09:49He said he was trying to cooperate to give him the wallet, but they shot him anyway.
09:53Uh, he said there were two black men.
09:55Uh, did he mention anything else about him?
09:58Yeah, he said, uh, the one with the gun, uh, was tall, and he had a shaved head, and, and he had an earring.
10:06What kind of car does Dr. Herman drive?
10:09A Mercedes 500 sedan.
10:11Oh, and the wallet they took was black calfskin, and, and it had its initials embossed on the front with sort of, like, fancy, uh, Roman lettering.
10:20You gave him the wallet?
10:22Yeah.
10:24All right.
10:26Here's his service number, and mine underneath.
10:30Look, I really need to be with Citi.
10:34I'm his personal assistant.
10:36Yeah, sure.
10:37All right, go ahead.
10:38Here.
10:40Taxi!
10:42Oh, she needs to be with Citi.
10:44Yeah.
10:45She was dropping off the papers.
10:47Woman's murdered with a knife, disemboweled, satanic, spreading on the walls in blood.
11:07Jay and Dave.
11:08Hmm.
11:08What's that about?
11:09I don't know.
11:10You tell me.
11:12Nobody in the building heard any commotion.
11:14The news vendor saw some guy running from the building around 2 a.m.
11:18Looked like he was bleeding from his hand or his arm.
11:22Martinez and Lesniak are checking with the ERs and that, and we're looking at the recent releases from the psychiatric ward.
11:28Any chance the psycho stuff's a misdirect?
11:31Sure.
11:32Bobby's in there with one of the DOA's work friends.
11:35See what she knows.
11:36Okay.
11:38What happened to her?
11:39What did he do to her?
11:40Well, let's not talk about that right now, Patty.
11:42The way that you can really help us is to let us know what your connection with Felicia was.
11:47Okay, sure.
11:48Um, we worked together at Feldman and Haas.
11:51We're legal secretaries.
11:53Did she have any enemies?
11:54Anyone that might have wanted to hurt her?
11:56No one I knew of.
11:58Look, I actually feel awkward about this.
12:01Why?
12:02Because Felicia was really nice, and I don't want to say anything bad about her.
12:07Uh-huh.
12:09Well, uh...
12:10Excuse me.
12:16She's a deep thinker.
12:18We got a possible over at NYU.
12:20The infirmary treated a Gordon computer barrel last night.
12:24Its home address is bogus, but we got an employee address, office health insurance.
12:28Some baby store.
12:30Me and Adrian are heading over there.
12:31Oh, Patty.
12:37Don't worry about what our impression about what Felicia is going to be, all right?
12:42We're trying to find her killers.
12:46Felicia had this plan, I guess you would call it.
12:51Um, she wanted to marry a rich guy, okay?
12:55I mean, who doesn't, right?
12:56But she really wanted to.
12:59I mean, we work with these lawyers that make tons of money,
13:03and their wives spend all day shopping and getting facials, and that's what she wanted.
13:07And then I'd say about a month ago, she started talking really different, you know?
13:13Like, to hell with these uptight jerks, and so on.
13:17And finally she asked, had I ever tried ecstasy?
13:23Do you know what I'm talking about?
13:24Um, ecstasy, the drug.
13:25Yeah, she said she had gotten into ecstasy,
13:28and that it had really opened doors for her in terms of, um, you know.
13:34Sex.
13:37Right.
13:39And that was what she was into now, you know, partying with guys she'd meet at clubs.
13:44And I went out with her once, and, I mean, she was into these guys that she and I would never have looked at before.
13:56And I was, like, shocked.
13:58And I wanted to believe that it was a phase, but now I see it got her killed.
14:04Do you know what clubs it was that she went to?
14:06Um, Double L, um, Streets of Laredo.
14:11And these were still white guys that she was interested in.
14:13Yeah, but a totally different type.
14:16And do you remember anyone specific from that night that you went out with her?
14:19No, that's what I keep trying to think of, and not, can't come up with one specific face.
14:24It's just this type.
14:27A non-lawyer.
14:28Yeah, and I got out of there before she picked one up.
14:32How about the last few days?
14:34Did she mention anybody she met recently?
14:38But I wasn't at work on Friday, so...
14:50He's not here right now.
14:53Yeah, I'll let him know.
14:57Yeah.
14:58Okay, well, I'll write it down, then.
15:02Okay.
15:04Will you put that person on hold?
15:09Five, five, five.
15:11Oh, one, nine, nine.
15:13Got it.
15:16Don't smack your hand on my desk.
15:18Then do your job and stop gabbing on the phone.
15:22I need to see Detective Medavoy or Russell.
15:25Ma'am.
15:26I'm Detective Medavoy.
15:30I'm Jessica Herman, Dr. Herman's wife.
15:33How's your husband doing?
15:34Well, we won't know for a few hours.
15:36The doctors in special surgery are not optimistic.
15:39Oh, I'm sorry.
15:41Someone needs to pay for this detective,
15:42and I'm not talking about Sidney's woefully inadequate disability insurance.
15:47I want to file charges.
15:49Uh, ma'am?
15:51Uh, charges can't be filed until, uh, until we know who the perpetrators are.
15:58I want to file charges against Dale Epton, my husband's assistant.
16:02Miss Epton isn't a suspect.
16:05She's the cause of this whole thing.
16:08She enticed Sidney into that wretched neighborhood.
16:11She's as responsible as if she was the man who pulled the trigger.
16:15Uh, no offense, ma'am, but what you're saying sounds a little, uh, silly.
16:21Who's your supervisor?
16:26Uh, that would be Lieutenant Fancy.
16:28Get Lieutenant Fancy.
16:34Lou, um, this is Dr. Herman's wife.
16:39She would like to speak with my supervisor.
16:42Yeah, I'm Detective Medavoy's supervisor.
16:45Detective Medavoy is being completely uncooperative.
16:48I want to file charges against Dale Epton.
16:50Dale Epton is the woman the surgeon was visiting, Lou.
16:54And what do you want to charge her with?
16:56Contributing to the shooting of a citizen, uh, uh, accessory to a crime?
17:00I don't know.
17:01That's for you to figure out that's what my tax dollars are for.
17:05Actually, your tax dollars pay for the Scottsdale police.
17:09I know this is an awkward situation, Mrs. Herman,
17:12but having a personal relationship with your boss isn't illegal.
17:17Do they train you people to be insensitive?
17:20Excuse me.
17:23You won't be so cavalier when you're all dragged into court.
17:27Do you think that I haven't read about your zero tolerance zone,
17:31no crimes allowed?
17:33I bet that wretched neighborhood was a zero tolerance zone.
17:37Could be.
17:38Why don't you confer with your lawyer?
17:40I'm going to show that you knew that a shooting was likely to occur and you did nothing.
17:47I want all your crime statistics.
17:49Ma'am, you cannot order our personnel around like that.
17:53Why won't somebody help me?
17:57How can you expect people to help you when you talk to them like there's something the cat dragged in?
18:03Donna.
18:04I may not have a marriage, and if I do, my husband may not be able to work.
18:09What am I supposed to do?
18:12Grow up.
18:18I'm going to have that bitch fired.
18:22Shall I pack my desk, detective?
18:27There's an old car down by.
18:52You must have taken the wrong wine road.
18:59Hey.
19:00Hi.
19:02I'm Tucker Simone.
19:04This is Tucker Stipwoods.
19:06You, uh, recognize this girl in this picture here?
19:11Yeah.
19:12I think she's been in here a few times.
19:14Who does Felicia come in with?
19:17Oh.
19:18Well, I think I remember her being in here with, um, blonde-haired guy and another girl.
19:27Is she in trouble?
19:28She's a man.
19:31Wow.
19:31You know either of the people she was with?
19:34Not really.
19:35What'd the guy look like?
19:38I don't know.
19:39That was three, four days ago.
19:41Drop your coat here, man.
19:45Nice coat.
19:47Thanks.
19:48Thanks.
19:49You worried about what I'm going to find if I look in this pocket here?
19:52Never more to go so fast
19:54That a young girl in the backseat is so young
19:59I better want to be a man
20:02He had, uh, short hair, long sideburns.
20:06His skin looked pretty bad, and, uh, the girls here were doing kamikazes.
20:12And, uh, a guy paid with a check.
20:14That's right, I remember that, because he didn't have his phone number on it, so I had to give him a pin.
20:19Should I go to the bank yet?
20:20No, we don't take him in on Saturdays or Sundays.
20:24It might still be in the office.
20:27I'll go take a look.
20:28James, I don't want to go out to dinner.
20:42No, huh?
20:43Unless you really do.
20:44No, I ain't got no big thing for going out.
20:47We could stop at the grocery.
20:49I could make some of that pasta.
20:51Green, sure.
20:51I just want to be with you as close as possible, as soon as possible.
20:57Hey, I'll take a sick day right now.
21:00Excuse me, but my entire existence has just been turned topsy-turvy,
21:05and you two are having a casual conversation about your evening plans.
21:10Well, we try not to get attached to people we bring in for questioning.
21:14There's the detectives you're going to be talking to.
21:16Can I get you coffee or something?
21:19Yes, I would like that very much.
21:21Cream and two sugars, please.
21:23No problem.
21:24I appreciate that.
21:26Okay.
21:27Yeah, sure.
21:28I'll hold.
21:30Grab it the cut hand, leading in DOA's apartment.
21:34Board in Pewterbach.
21:35All right.
21:35Thanks, Andrew.
21:36Can you do this every pickup with BCI?
21:39We're running a Clyde Fulmer.
21:41He bought the DOA some drinks.
21:43Oh, he wants a coffee with cream and two sugars, if you want to make friends.
21:48Yeah, I'm still holding.
21:50Hey, Bob.
21:51All right, James.
21:52Mr. Pewterbach, I'm Detective Simone.
21:55This is Detective Sippers.
21:56We'll be talking in there.
21:58I guess I don't have much choice.
22:00Can I get some coffee or something?
22:02I think that female detective is getting me something.
22:06I'll be getting it for you.
22:07How do you take it?
22:09Cream and two sugars.
22:10All right, this way.
22:11Come on.
22:11Have a seat.
22:20This is a living nightmare.
22:22I just need to ask you a few questions.
22:25What, and then I can go home?
22:27Where were you last night?
22:29If that's what you want to know, I could have told the other detectives that in the car.
22:34Tell them me.
22:37Well, I closed the baby shop where I work at seven.
22:42Then I went to the store to buy some things and went to Mrs. Patoo's to make dinner.
22:47Who's that?
22:48You're really frightening me with your tone.
22:51Well, then let's try to take it easy, Gordon.
23:16Okay, I'm better now.
23:17Good.
23:19Who is Mrs. Patoo?
23:21An elderly shut-in.
23:24I'm a volunteer at the community center.
23:27I prepare home-cooked meals for old people in the neighborhood.
23:31Last night was my first time with her.
23:34I made a vegetarian lasagna.
23:37Where does this Mrs. Patoo live?
23:39Uh, barrow between, uh, Grenich and Hudson.
23:43What time did you leave her place?
23:45About two.
23:46Two, huh?
23:48Well, that was a long dinner, huh?
23:49Well, after dinner, we, Mrs. Patoo and I fell asleep watching television.
23:55Before I knew it, it was already past one.
23:58I still hadn't done the dishes.
24:00You like to go club at all?
24:01You know, line dance?
24:03You ever go to the streets of Laredo, double L?
24:05Well, no.
24:11What happened to your hand?
24:13Uh, I, I was washing Mrs. Patoo's dishes and put my hand into the soapy water and somehow cut myself on a paring knife.
24:22There was a woman who was murdered at the building that you were visiting last night.
24:26She was cut up with a knife.
24:28Oh, my God.
24:32Wait, you, you don't think I...
24:34I, I, I would never harm another person.
24:40Then why'd you give NYU Infirmary a phony address?
24:43I, I didn't.
24:456820 Perry.
24:48That's the Hudson River.
24:50I put 682, which is my address.
25:01It could be a piece of dirt from the photocopper.
25:07Stand up for a second.
25:10Stand up.
25:13You're still gonna have to stay here until we talk to this Mrs. Patoo.
25:19What the hell kind of name is that?
25:21I feel I knew her well enough to ask.
25:23You, you, you, you, she'll verify everything I said.
25:27Believe me.
25:28Hey.
25:30Here's your coffee.
25:35Weeble.
25:37What's that?
25:37Guy named Cutervow probably didn't figure Patoo for such a strange name.
25:47Sounds like somebody working up a loogie.
25:50What's open, Bob?
25:51We got somebody in two.
25:52I think three's open.
25:54Okay.
25:54You like this guy for the doctor, gotcha?
25:57Two uniforms picked him up for shoplifting over a pair of gun sports.
26:00They're vouchering his possessions.
26:02Find the doctor's wallet.
26:03She heard that loogie remark?
26:11Hey.
26:12Clyde Fulmer came with four collars for drug possession, two for menacing, and one for a bad check at Aqueduct.
26:18So Clyde Fulmer reads right.
26:20Nothing puts him at the scene.
26:22Pewter bows, runner from the building, blood on his hands, comes up like a Sunday school teacher.
26:27All right, let's try this, Mrs. Pet, too.
26:31Thanks, Adrian.
26:32Good night.
26:33Good night.
26:33Good night.
26:38Mm.
26:41A lot of voices Martinez and Lesniak are here in Iraq tonight.
26:45You know, if Craig would have known the plans for D-Day, we'd all be talking German.
26:49All right.
26:50I bought that wallet.
27:02Yeah?
27:03I guess they accidentally put the wrong initials on it.
27:06Huh?
27:07Well, that's...
27:08That's from my street name.
27:11Yeah?
27:12What's that?
27:13Sugar Bear.
27:17Sugar House.
27:18What were you, one o'clock today?
27:21Hanging up.
27:22You missed the joint, Sugar House?
27:24Because the man owns that wallet, got shot, and he's fighting for his life.
27:28I found that wallet.
27:29Oh, now you found it.
27:31That's the truth, man.
27:32There was nothing in it.
27:33No cards of cash.
27:34Well, I thought it's cool.
27:35Where'd you find it?
27:37Allie.
27:38Over by the park.
27:39Dude tossed it.
27:40Who tossed it?
27:42Clarence.
27:44Do better, Kenny.
27:45That's all I know.
27:46I-I seen him around, but I heard this other dude say Clarence might not be his name.
27:52What's Clarence look like?
27:53I ain't seen much.
27:55He's African-American.
27:56All right.
27:57Let's say Clarence owed you $100,000, and he's late.
28:02Where would you go looking?
28:04You saying, like, hypocritically, if he really owed me this money?
28:08We're saying, right now, you're our only suspect.
28:11I guess I check Leo's, up 125th and Lex.
28:18Barbershop.
28:19They shoot dice in the back room.
28:21Clarence hangs out.
28:23Looks to roll the winners.
28:24I can't believe I didn't bring a fresh change of clothes.
28:43You'll stop home in the morning.
28:45Yeah, it's just, you know, as much as we planned this all out.
28:49Know what I mean?
28:51Yeah, I know.
28:53Hey, Adrienne?
28:55Yeah?
28:56You know, you got me hooked on that fresh pasta stuff now.
29:00I eat the boxed stuff that tastes like cardboard.
29:03Oh, it's so much better.
29:05Yeah.
29:06Okay, we need two cooking pots and one skillet.
29:12You real hungry?
29:14Not real.
29:16Me neither.
29:17You think we should hold off cooking until we're hungry?
29:22Yeah, maybe we should, you know.
29:24That's the beauty of eating at home.
29:26You eat when you want to eat, right?
29:28Yeah.
29:29It's not like we can't get a later reservation.
29:32That's right.
29:33No reservations, no bad tables.
29:37No tipping.
29:38James, you want to do the other thing first?
29:48Do you?
29:51Yeah.
29:53I do if you do.
29:56Yeah.
29:58All right.
29:59Do you want to come into the bedroom?
30:19Yeah, I do.
30:20It's just that old Maurice is in there, right?
30:24I took the dog to my mom's house.
30:26That's why I don't hear him yapping, huh?
30:29That's when he bumps into walls.
30:40Here we are.
30:41Here we are.
30:58James?
31:14Yeah?
31:15Will you unhook my bra?
31:17Is that a front loader or a back loader?
31:19Oh, sorry.
31:33That's my bow buckle.
31:48Hey, hey.
32:14Hey, James.
32:15So, what's new?
32:21We had a great time.
32:22Yeah, huh?
32:25What do you say?
32:26Some country America, huh?
32:29Morning, James.
32:30Morning.
32:31Bobby, we got a use on one of the credit cards stolen from your DOA in the casino in Atlantic
32:36City about an hour ago.
32:38And he's on standby at court right now.
32:40Are you going to take a run down to the casino with Bobby?
32:42Yeah, all right.
32:43BC, I sent this guy's photo over, so I'll just fax it ahead to the cops in Atlantic City,
32:48huh?
32:49Where are you with your shot, doctor?
32:51Oh, um, uh, we're going to go up to the barbershop, see if we can locate this clearance.
32:56It's supposed to have had the doctor's wallet.
32:57You hear how the doctor's doing?
32:59The hospital said his arm's going to be all right.
33:01Yeah, now's the only problems that battle actually has got for a wife.
33:05Hey, Bobby, you, um, pass the roulette wheel.
33:17Get five bucks on 22, and, um, get that wind sped, um, half-back on 8.
33:33Hi, Donna.
33:34Morning.
33:35Morning, James.
33:37Morning, everyone.
33:38Morning.
33:39Morning.
33:39Morning.
33:40Morning.
33:41Morning.
33:42Great day, huh?
33:51Morning.
33:52Morning.
33:54Putting your coat on.
33:56Yeah, I'm going down to Atlantic City with Bobby.
33:58Is that right?
34:01Yeah, we're going to look for this perk.
34:03What time are you going to be back?
34:04Uh, we got to talk to all these people at the casinos, you know, pass this guy's picture
34:12around.
34:13We should be back this afternoon sometime.
34:17I'll see you later, all right?
34:20See you later.
34:22I'll meet you outside.
34:23Yeah, Bob.
34:24All right.
34:26I will meet you outside.
34:27Bye.
34:29Bye.
34:32Bye.
34:34Bye.
34:34Bye.
34:35Bye.
34:36Bye.
34:36Bye.
34:48Bye.
34:49Bye.
34:50Let's see if this Clarence is inside.
34:54You guys cover the rear exit.
34:56Okay.
34:58Come on, folks.
35:00Take your hands.
35:02You should say the phone.
35:10All right, there you go, baby.
35:12Come on.
35:14Oh!
35:18Huh. Thriving business.
35:20Here we go.
35:28Detectives.
35:30Okay, just keep your hands where I can see them.
35:32We're just looking for a guy nothing to get excited about.
35:36I don't see him.
35:38Katie said Clarence was about 25, but these guys are too old.
35:42Anybody know where we can find Clarence?
35:48What a surprise.
35:50We're Detectives Medavoy and Russell from the 15th Squad.
35:54Is something in it any help on a guy named Clarence?
35:58You come in here hassling people and you expect them to cooperate back?
36:07Well, that's an interesting point.
36:09We'll take it up with our boss.
36:11Hey, don't you have some traffic tickets to pass out?
36:15Yeah, yeah, yeah.
36:17No, no.
36:18Let me talk to you a minute.
36:20Look here, I'm Norval Stevens.
36:22I don't mean you no disrespect.
36:24Yeah, well, what's going on, Norval?
36:25Well, I didn't want to establish an atmosphere.
36:27You know, there's other people watching.
36:29You know where Clarence is at?
36:31Well, I know where a lot of people are.
36:33What are you looking for?
36:36I hold some bets once in a while.
36:39Friendly thing.
36:40TV games only.
36:41Oh, you're a bookmaker.
36:43I took my car last week behind some bed slips and a glove compartment and some cough medicine.
36:49That's a sad story, Norval.
36:51My rides are 93 DeVille, Concourse, Seamus Green with the burnt cappuccino leather.
36:59I've been in them and everything.
37:01So you want your car back and we want Clarence.
37:04Clarence gets his methadone 97 in Amsterdam, 3 o'clock.
37:10Pick up.
37:11We'll need you to come with us.
37:12Anonymous, right?
37:13Yeah, yeah.
37:14You walk after you point them out and before we grab them up.
37:19That's going to get me my car.
37:21If the victims ID them in a lineup, Norval will try to get advice to give your car back.
37:27That cough medicine, that's a prescription.
37:30I don't know how that label got scraped off.
37:33Come on.
37:34Come on, this guy.
37:42I'm going to take you upstairs to the monitor room.
37:44Every square foot in the casino is covered with cameras.
37:47Yeah, we appreciate that.
37:48So that wasn't even close, huh?
37:50Lose play on the roulette?
37:51Yeah.
37:52It's like this buddy of mine, he plays the Brooklyn number every day.
37:55Whatever came out, you know, the number could have been 336.
37:58He's going like, oh, I had 492, you know, like he just missed it.
38:02What's this?
38:03What?
38:04What's that over there?
38:05Everywhere.
38:06It's a picture of formal.
38:07What's it doing out in public view?
38:08What, you figure to make it a fair fight, eliminate the element of surprise?
38:12Jerry?
38:13Yes, sir.
38:1486, all these flyers, we specifically instructed, do not post in public access area.
38:21Hang on.
38:23Northeast quadrant.
38:24I may be able to make it up to you.
38:29Got a possible sighting.
38:30All right.
38:43Hey, there he is.
38:44How many doors in here?
38:45Just this one.
38:46Police, don't move, Clyde.
39:00Hey, stay away from me.
39:02Don't shoot me.
39:03I'm out of here.
39:04I'm out of here, this guy's dead.
39:06Drop that knife, Clyde.
39:07Stay away from me.
39:08I'll slit his throat.
39:09I got a heart condition.
39:10Don't you hurt this man.
39:11Come on.
39:12Hey.
39:13We got a situation coming onto the floor.
39:14Hey, get out of the way.
39:15Hey, man.
39:16Police, here we go the other way.
39:18Move.
39:19Don't take him out of here.
39:20I got a lot of problems if you take him out of the premises.
39:22You guy is not getting out of here.
39:34Go, James.
39:35Clyde, stay back.
39:37Stay away from me.
39:38Right here.
39:39This is where it stops, Clyde.
39:40Everything stops right here.
39:41Hey, then this guy is dead.
39:42We're not getting out this door.
39:43You want to see us whack you without whacking him?
39:45That's what we're going to do, but you will not get out of here.
39:47You will not get out of here.
39:49That's what we're going to do, but you will not get out of here.
39:51You dare not shoot me?
39:54Oh, yeah. We dare, Clyde. Believe that.
39:57Honest to God.
39:58Clyde, listen to me.
40:00Drop the knife.
40:01Boy, I'm going to drop you right now.
40:10Jay.
40:12Jay and Dave made me do this.
40:14Talk show, guys?
40:15Yeah.
40:16My punishment was ordained.
40:19They ordained it.
40:21Yeah.
40:22You see what's ordained for you in New York.
40:26Thanks.
40:42Dave wanted his name on the wall, and then Jay did, too.
40:45Well, you know, Jay and Dave, they always compete.
40:48Yeah, they wanted it written in her blood.
40:50Hey, Clyde, shut up.
40:52James, put this guy in an interview room.
40:54I'm going to run this for a lieutenant.
40:56You happen to see Adrian? Let him know what back's?
40:58Yeah.
40:59All right.
40:59What's that guy like?
41:01What's that guy like?
41:02Well, he was acting pretty sane until he couldn't escape from that casino.
41:06And he starts selling like it's from Mars.
41:09So you figure that psycho stuff, writing on the wall with her blood, that was all bogus?
41:14Oh, yeah.
41:15Hey, Andy.
41:16Those humps never got to my case.
41:18So you and Martinez collared up on that guy?
41:21Yeah, he's using one of the DOA's credit cards in the casino.
41:24We go to grab him up.
41:26He starts coming out wacky.
41:27Why not?
41:28He makes it into one of them minimum security puzzle houses.
41:31Some orderly leaves the door unlocked.
41:33He's back on the streets getting high and flaying his dates.
41:36Let's call that guy PewDiePie.
41:38Apologize for the inconvenience.
41:40I gotta take a piss.
41:41See if I can move Clyde on the bright side or go under the joint.
41:45Oh, yeah, boss.
41:482,200 roulette?
41:50No good.
41:50You want to work this with me?
41:56Yeah.
41:57You already built a rapport.
42:01Hey.
42:01Hi.
42:05Is one open, Don?
42:07Yeah.
42:08Right through here.
42:10That's Clarence Rutherford.
42:12Might be our stick-up guy.
42:14We're gonna get some fillers, put him in a lineup for that doctor.
42:16You've gotten four phone calls from a Norval Stevens about getting a car out of impound?
42:22He's a bookmaker gave us this guy.
42:24Vice took his caddy.
42:25If the guy's right, we're gonna get it back.
42:27Okay.
42:31I know what Garth Brooks told me.
42:34It's channeled through Jay.
42:37Who's that?
42:38Clyde.
42:39Clyde who?
42:40Hey.
42:42Look, I don't know what you read in the papers,
42:44but this crazy man defense, people aren't buying it anymore.
42:47They're sick of it.
42:47I'm not crazy.
42:50My devils told me it was preordained.
42:53So your devils work through Jay and Dave.
42:55Yeah.
42:55Yeah.
42:56Actually, those are the cases the prosecutors, they work harder on.
43:00Because none of them wants to be the one that loses to an insanity plea.
43:03That girl insulted Travis Tritt.
43:06Jay and Dave told me to take her in trails to the well.
43:11Yeah, right.
43:12Here's the thing, Clyde.
43:15I don't see any psycho hospitalizations here on your rap sheet.
43:20On the other hand, what I do see are four collars for narcotics possession and one for menacing.
43:25Now, I make you for a guy with some habits and a temper.
43:30Maybe he got the mix wrong on a little coke, some ecstasy while he's out partying.
43:34Something happened he never meant.
43:37Now, that's the manslaughter beef that we're talking about.
43:39I gutted her because Jay ordered me to.
43:44All this crazy man said, uh, you're still confessing to the crime.
43:49They throw out the craziness and all you are left with is a confession.
43:53My devils told me to kill her.
43:58I'd make a statement explaining the circumstances there, Clyde.
44:02The drugs, they overcame me.
44:04Take a shot to five years in a joint with guys who don't hear voices.
44:10Now, maybe that's just me.
44:12Jay.
44:13Dave.
44:14Dave.
44:19And Ted Koppel.
44:22You know Tom Snyder?
44:23No.
44:23No.
44:28Hey.
44:35James, uh...
44:36Yeah?
44:37I didn't even know what's going on.
44:38Tell him to take this phony down to holding.
44:40Okay.
44:42Clyde, come on.
44:43We're going to do it your way.
44:44Come on.
44:45In there?
44:46Nope.
44:46We're going to print you and take you downstairs.
44:53Which one's for transport to Bellevue?
44:55Uh, last one on the right.
44:57Down here, Clyde.
44:59Well, with who?
45:01Maybe Napoleon.
45:03Ask him.
45:04Get in.
45:07Play nice.
45:08Oh, crap.
45:28Hi.
45:29Hello.
45:30Hello.
45:30Who are you?
45:32I don't want to talk.
45:34I'm Andy.
45:36Yeah, good.
45:37Can you honestly tell me the difference between cow meat and man meat?
45:42Don't get stupid with me, man.
45:48How many did you get?
45:50How many what?
45:51I don't know.
45:52You tell me.
45:53No, shut up.
45:55All right?
45:56You hit me in the face as hard as you can, and, uh...
45:59And I'll bite you with my teeth.
46:01You bite me with your teeth, and I'll knock your teeth on your throat.
46:06Let's both dump on the floor.
46:11Gun!
46:12Come on.
46:13Give me a free shot in the face, and I'll bite your arm off.
46:16All right.
46:17Hey!
46:18Hey!
46:19All right.
46:19Now, here.
46:20Okay, this is...
46:21This is you hitting me.
46:23And now, here comes me.
46:25Oh, get the hell away from me!
46:27Hey!
46:28Hey!
46:28Hey, shut up!
46:30Hey, hey!
46:31Back off!
46:31Yeah, yeah, yeah!
46:32Put that finger at me!
46:33Come on.
46:33You got a damn cannibal in here, man!
46:36Back off!
46:36Back off!
46:37Hey!
46:38Give me that!
46:39Well, why don't you take Jay and Dave on him, huh?
46:42Feeling your boys?
46:43Hey, wait.
46:45Look, can you get me a five-year bed?
46:47I can get you a conversation with the D.A.
46:49Well, give me...
46:50All right.
46:51Back off!
46:52Back off!
46:54Hey!
46:54Hey!
46:58Hey, who's hungry?
47:13Hey, James.
47:15Hey, Adrian.
47:16I heard you guys giving a straight story.
47:18Yeah, the D.A. just finished up with him.
47:20Me and Bobby are doing the fives.
47:23Hmm.
47:24James, I hope I didn't convey a wrong impression before
47:27when you were leaving for Atlantic City.
47:29My, you sounded a little strict, huh?
47:31Yeah, well, my act is, when I'm feeling so happy,
47:35I worry something's gonna reach out and take it away.
47:38You shouldn't worry like that.
47:40I worry about highway conditions, everything else.
47:43And I could also sound like I'm wanting you to account for your whereabouts.
47:47Anyways, uh, it was a misunderstanding.
47:50Well, you know, the worst thing I could do if I start worrying about everything
47:53is I could create exactly what I want to avoid by making you feel claustrophobic.
47:58It's growing pains, that's all.
48:00I mean, it's a process of, uh, getting to know each other.
48:04You know what I mean?
48:06Yeah.
48:10So, what time do you feel I'll be going home?
48:12I, I, I don't know, um, let me just find Bobby and go with those fives again.
48:22Right?
48:23Okay.
48:32Number three.
48:33And where do you recognize him from?
48:35He's one of the sons of bitches who nearly destroyed my life.
48:39Uh, you need to say the time and location where he nearly did this.
48:45Yesterday morning, he yanked me out of my car before the other one shot me in the shoulder
48:50and nearly caused massive nerve damage, which could have deprived me of my livelihood.
48:55Which happened where?
48:59In front of Miss Apton's apartment.
49:05We've got a hit ray.
49:06Take him in, start the paperwork.
49:07The others can relax.
49:16Thanks for your cooperation, doctor.
49:18Was he in there?
49:19One of the son of a bitches was.
49:21The son of a bitch who yanked me from the car.
49:24You son of a bitch!
49:26You scream like a little girl.
49:28Darnell shot you to get loose from you, back at his ankle.
49:33Have a nice bus ride, Clarence.
49:35Will you be able to capture the other one?
49:37Yeah, Clarence isn't too shy about giving up his name.
49:40Clarence didn't have the gun.
49:42No, it was the other SOB.
49:44All right, Sidney.
49:45Okay.
49:46All right, we'll call you if we need you for another lineup.
49:47Yeah, and we're glad your worst fears weren't realized.
49:52Losing the use of your hand, though.
49:54Yeah, I would say that being shot, detective, was sufficiently traumatic.
49:59That and knowing that some SOB is driving around in my Mercedes.
50:03Well, the woods are full of SOBs.
50:06If we need to reach you again, it'd be easier if we didn't have to go through your phone service.
50:10Yes, you can use my number.
50:12Do you have my number in Scarsdale?
50:14Uh, no.
50:15We'll need that.
50:16Why would they need the number in Scarsdale?
50:19Dale, we'll discuss the logistics of this later.
50:22You know, you can call us and let us know what number you want us to use.
50:26Oh, no, no, no.
50:27We're going to let you know right now.
50:29Why would they need the number in Scarsdale, Sid, you son of a bitch?
50:33Detectives, thank you very much.
50:35Appreciate it.
50:35All pleasure.
50:37Dale, I told you, I was not going to believe the barracuda this guy is going back to.
50:42The secretary might not know it yet, but today's her lucky day.
50:46Dale, no, sweetheart, come on.
50:48Who's having the party?
50:49Oh, our guy that got shot in a stick up.
50:52Wait.
50:52That doctor.
50:53His, uh, secretary just found out they're not going to be an item.
51:00Oh.
51:01Hey.
51:04Avi says you should go up for the Oscar.
51:06We had a hungry inmate.
51:09Andy moved her perp off of playing nuts.
51:12Oh, yeah?
51:13Andy's in the same cell with the guy playing a wacko cannibal.
51:17The guy's climbing the bars to give up his loony act.
51:20He's yelling to make a deal with the DA.
51:22Oh, so he's in with the DA now, finding out what getting eaten alive's all about.
51:26Oh, yeah.
51:27Oh.
51:28Yeah, I moved a guy once.
51:30He was con on homely women.
51:32I'm in a cell with him.
51:33He makes me for another grifter.
51:35Gives up his scam to me.
51:39I remember that, but the guy with the big thing on his head, right?
51:42Yeah.
51:42Yeah.
51:43Remember, Adrian?
51:44Yeah, the black box guy.
51:46Okay.
51:46Anyways, yeah.
51:56Yeah.
52:01Uh, Andy, uh, thanks, Sylvia, for that casserole, will you?
52:05Oh, yeah.
52:05She said, uh, drop off the dish whenever you're done.
52:09Uh, you know, I could go up and get it right now if you want.
52:11Uh-uh.
52:12No, Russ.
52:13You can drop it off tomorrow in your jammies.
52:15Ah.
52:17Night off.
52:18Night.
52:18Oh, Craig.
52:19Remember, we have to reach out to Vice tomorrow.
52:21Oh, yeah.
52:22Get that Norvalist car back.
52:24That's right.
52:25Night, then.
52:26Good night.
52:29I didn't mean to hurry you.
52:31No, you didn't hurry me.
52:32Yeah, Bobby, the boss said tomorrow's good for the fives, right?
52:35Oh, yeah, definitely.
52:35Let's see how it was all done.
52:38Okay.
52:38Let's see how it was all done.
53:05Let's see how it was all done.
53:35Let's see how it was all done.
53:38Let's see how it was all done.
53:39Let's see how it was all done.
53:40Let's see how it was all done.
53:41Let's see how it was all done.
53:42Let's see how it was all done.
53:43Let's see how it was all done.
53:44Let's see how it was all done.
53:45Let's see how it was all done.
53:46Let's see how it was all done.
53:47Let's see how it was all done.
53:48Let's see how it was done.
53:49Let's see how it was done.
53:50Let's see how it was done.
53:51Let's see how it was done.
53:52Let's see how it was done.
53:53Let's see how it was done.
53:54Let's see how it was done.
53:55Let's see how it was done.
53:56Let's see how it was done.
53:57Let's see how it was done.