FULL MOVIES ENGLISH SUB
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Category
🎥
Short filmTranscript
00:00:00Hey, how much should I take you to my place, baby doll?
00:00:24Sorry, I don't do private dances.
00:00:26She'll strip her money, but you won't fuck a guy?
00:00:28I'm not a hooker. Show some respect.
00:00:32You fucking bitch. I'll show you respect.
00:00:35Mr. Morgan, I am so sorry.
00:00:37She's new here. I've got to train her better.
00:00:40Just have a seat. We'll be with you shortly.
00:00:42Sorry about that.
00:00:48You ungrateful bitch.
00:00:50You remember who saved your ass?
00:00:52When you were knee deep in debt?
00:00:54ME!
00:00:58And how are we doing with the search?
00:01:00Not good, boss. I'm still going.
00:01:02Find her. I don't care what it takes.
00:01:10I found the perfect one for you. It's about time you settle down and get married.
00:01:13Her name is Carla. She's a daughter of a friend of mine.
00:01:16Dad, we've been over this. I don't need you to find me the perfect woman.
00:01:20Of course I do. You're an Arduin. I have to make sure my son marries the perfect woman.
00:01:24So now all of a sudden you give a shit about me?
00:01:26You never care when you drove Mom away?
00:01:28Or when you sent me to that orphanage all by myself?
00:01:30Silence! How dare you?
00:01:32It's for the Arduin family business.
00:01:35You're marrying Carla Jennings. End of discussion.
00:01:38Dad. Dad.
00:01:44I paid your 500 grand debt. And I gave you a job.
00:01:48Now if you want to quit so bad, pay me back and get the fuck out of my clump.
00:01:53Please, you know I don't have $500,000. Just give me another chance!
00:01:57Then get the fuck back in there, apologize to that nice gentleman, and do whatever the fuck he tells you to do!
00:02:04Now if I get any more complaints from our clients, you will be sorry. Got it?
00:02:10Is there a problem here?
00:02:12No, sir. Everything's fine.
00:02:17She looks just like her.
00:02:19Will you marry me?
00:02:32Will you marry me?
00:02:37Now let's tell my father I've chosen a wife for myself.
00:02:39Are you sure, boss? She's a stripper.
00:02:42How about we make a deal? Name any price you want, and we get married.
00:02:47I owe my boss $500,000. He's not gonna let me go until I pay it.
00:02:56Anything else?
00:03:05This is your house?
00:03:07It's our house now. Welcome.
00:03:10All right.
00:03:17Sign this agreement, and we'll be contractually married for a year.
00:03:21After that, you can file for divorce.
00:03:23Until then, you're part of the richest family in the country.
00:03:27My heart belongs to somebody else, though. I want you to know that I'm not attracted to you. We're just gonna be married on paper.
00:03:44Is that so?
00:03:48Well, don't worry. I'm not attracted to you either. I just wanted the money.
00:03:53Hey, where am I staying, by the way?
00:04:08In the guest room.
00:04:10Wow.
00:04:11Total jerk, this is an ad.
00:04:17It's been over 10 years. I miss you so much.
00:04:31Nice.
00:05:00Nas, I need you to find out everything you can about the woman I just married.
00:05:04See if she grew up in the same orphanage.
00:05:21Sorry, I didn't mean to.
00:05:23This is my bathroom.
00:05:25What do you think you're doing?
00:05:27Nice try, trying to use your little tricks to get my attention.
00:05:30Not gonna work though, sorry.
00:05:33I wasn't trying to get your attention!
00:05:42You mind turning that off?
00:05:45I just thought the carpet needed some cleaning.
00:05:48You're here to be my wife, not a maid.
00:05:53Who are you?
00:05:55Wait, you're that stripper.
00:05:59What are you doing in Edward's house?
00:06:01I am. Who are you?
00:06:03I am Edward's fiancé.
00:06:09Edward, you're marrying a stripper?
00:06:11I thought I was your fiancé.
00:06:13My father arranged for us to get married only for the sake of our families.
00:06:18We wouldn't be happy even if we did get married.
00:06:20But I would be happy, Edward.
00:06:22Carla, you know I have someone that I love.
00:06:25She's the one I'm waiting for.
00:06:27I don't know who the fuck you are, but if you think you have a chance against me, you're
00:06:34dumber than I thought.
00:06:37Miss, get it straight.
00:06:39I'm not competing with you.
00:06:42Stop it.
00:06:44Edward!
00:06:45Are you defending her now?
00:06:48You're not a dumb bitch.
00:06:50Just wait.
00:06:52Wow.
00:06:53You got a lot of admirers, huh?
00:06:54Need more that I need to watch out for?
00:06:57Look, if you see me in the living room, don't show your face.
00:07:01Same will go for me.
00:07:03Your house, your rules.
00:07:04Big deal!
00:07:05Hi, I'm Velma.
00:07:15I've worked a lot of odd jobs in the city.
00:07:21Waitressing and working in nightclubs.
00:07:26All for a chance to act.
00:07:29I'm also looking for someone.
00:07:39And I hope that one day he sees me on screen.
00:07:48That way he knows that I'm still here.
00:07:52I hope you see me.
00:08:05Okay.
00:08:08I hope you see me.
00:08:22That's okay, Sarah.
00:08:24Velma doesn't need to dine with me.
00:08:27Bring my food to my room and I'll eat there.
00:08:29Yes.
00:08:31It's fine.
00:08:32I usually don't eat with people anyway.
00:08:35By the way, I'm going out for a bit today.
00:08:38Where you go is none of my concern.
00:08:42Fine!
00:08:46Is he always this big of a jerk?
00:08:48Excuse him, ma'am.
00:08:49He's just used to living alone.
00:08:52I'm sorry, Sarah.
00:08:53It must be difficult dealing with him every day.
00:08:55It's okay.
00:09:02Yeah!
00:09:03I'll be right there.
00:09:04Okay, sit.
00:09:05So, I heard a funny little rumor that you married the famous billionaire Edward Arduin.
00:09:10Is it true?
00:09:11I didn't know that he was a billionaire until after we were married.
00:09:14You're joking!
00:09:15How did you manage that?
00:09:16Shh!
00:09:17I just signed a contract.
00:09:18It's fake.
00:09:19What?
00:09:20Well, who cares?
00:09:21What are you waiting for?
00:09:22Seal the deal.
00:09:23I know that I can't think about anyone but Algar.
00:09:24No.
00:09:25T, it's been 10 years since you two escaped the orphanage.
00:09:26I mean, Elvar could be anywhere.
00:09:27He could be dead.
00:09:28He's not dead.
00:09:29Okay, it's okay.
00:09:30Okay, I'm sorry.
00:09:31Okay.
00:09:32Okay, we're going to go ahead and see him.
00:09:33Okay.
00:09:34I'm sorry.
00:09:35I'm sorry.
00:09:36I'm sorry.
00:09:37I don't know how to do this.
00:09:38I'm sorry.
00:09:39I'm sorry.
00:09:40I'm sorry.
00:09:41I'm sorry.
00:09:42I'm sorry.
00:09:43I'm sorry.
00:09:44I'm sorry.
00:09:45I'm sorry.
00:09:46to escape the orphanage.
00:09:47I mean, Oliver could be anywhere, he could be dead.
00:09:49He's not dead!
00:09:51Okay, um, it's okay, I'm sorry.
00:09:55So, what's your plan?
00:09:57Keep things the way they are, I guess,
00:10:00except now I can focus more on acting
00:10:03and not dancing in strip clubs.
00:10:05Hey, that's exciting, right?
00:10:07That's something you've always wanted to do
00:10:09since you were a kid.
00:10:10Is that audition today?
00:10:12Yeah.
00:10:16Hi, I'm here for the audition.
00:10:21You think you could just show up like that, you slut?
00:10:25What the f*** are you, you slut?
00:10:31Are you stalking me?
00:10:33Oh, don't flatter yourself.
00:10:35I'm the lead of this production.
00:10:37She's not auditioning.
00:10:38Sorry.
00:10:39You can't do this!
00:10:41I worked so hard for this opportunity!
00:10:44Oh, like stripping for men and f***ing them in strip clubs?
00:10:47Got it!
00:10:48I was dancing, that's it!
00:10:50What's the f***ing difference?
00:10:53I eat girls like you for breakfast.
00:10:56Let's go, Derek.
00:11:00No!
00:11:01Please!
00:11:02Wait!
00:11:03No!
00:11:09Be quiet!
00:11:10No!
00:11:10No!
00:11:11No!
00:11:11No!
00:11:11No!
00:11:12No!
00:11:12No!
00:11:13No!
00:11:13No!
00:11:13Yeah!
00:11:14We, you!
00:11:14No!
00:11:14No!
00:11:16No!
00:11:19No!
00:11:23No!
00:11:29No!
00:11:29No!
00:11:30No!
00:11:32No!
00:11:32I see!
00:11:33Boss, get the details.
00:11:50Thelma, she went to a high school not far from here.
00:11:54Dropped out, the husband auditioned for films.
00:11:57She worked at nightclubs to make a living.
00:12:00Bad relationship with her parents.
00:12:03But not an orphan, no name changes, and definitely never been to an orphanage.
00:12:23I wanted it to be her so bad.
00:12:27Of course it can't be Helen.
00:12:28You've been looking for this girl for 10 years.
00:12:32Who is she?
00:12:33Someone more important to me than life itself.
00:12:46Oh my god.
00:12:48It is her.
00:12:54Find me the location where this photo was sent.
00:12:56Got it.
00:12:57Photo's been sent.
00:12:59Good.
00:12:59Where is she?
00:13:01Oh.
00:13:02Out like a lame.
00:13:04I guess marrying Edward won't solve everything.
00:13:08How about I bet it?
00:13:09Do whatever you want with her.
00:13:11And clean it after you're done.
00:13:12Okay.
00:13:12I've been searching for you for so long, and you were right here.
00:13:32I've been searching for you for so long, and you were right here.
00:13:37Follow me.
00:13:37Then you were right here.
00:13:38Pause.
00:13:38You were right here.
00:13:39nie and entrepreneur.
00:13:48Boss.
00:13:52He's gone.
00:13:53You're right there.
00:13:54Stumble.
00:13:54Find him.
00:13:56And keep this between us.
00:13:57I got it.
00:13:58Algar, save me.
00:14:00Come on.
00:14:01I got you.
00:14:14Algar.
00:14:16I'm sorry.
00:14:19I can't tell you who I am.
00:14:22Not yet.
00:14:27We'll need your names once we're out of here, right?
00:14:42Yeah, we're starting a new life.
00:14:45I'll be...
00:14:46Thelma.
00:14:47What about you?
00:14:49Algar!
00:14:50Helen!
00:14:52Where are you?
00:14:54You have to run quick.
00:14:55Trying to escape again?
00:14:57I've warned you it's not gonna work.
00:14:59Looks like I gotta give you some real punishment.
00:15:03You go first.
00:15:04At least one of us needs to escape.
00:15:06No, you go.
00:15:07She's gonna kill you.
00:15:09I won't let her catch me.
00:15:10Just go, I'll find you.
00:15:12Let's send me to the amusement park.
00:15:18I'll wait for you, Algar.
00:15:20I'll wait for you, Algar.
00:15:21Oh, you're not going anywhere.
00:15:22I'll bring her back, rest assured.
00:15:23After I'm done with you.
00:15:24I'll wait for you, Algar.
00:15:25I'll wait for you, Algar.
00:15:26What happened?
00:15:27Nothing to worry about.
00:15:28Just some issues with the film crewman.
00:15:29Why are you being so nice to me?
00:15:30What happened?
00:15:31Nothing to worry about.
00:15:32Just some issues with the film crewman.
00:15:34Why are you being so nice to me?
00:15:35No reason.
00:15:36Here.
00:15:37Take this card.
00:15:38It's unlimited.
00:15:39Spend it however you want.
00:15:40Why are you doing this?
00:15:41I didn't see it.
00:15:42You haven't been doing it.
00:15:43What happened?
00:15:47I didn't see you.
00:15:48No.
00:15:49It's because of the film crewman.
00:15:50I'm sure I'm sure you'd be so nice to me.
00:15:53You know what?
00:15:55You'll be here.
00:15:56You'll be here.
00:15:57You'll be here.
00:15:58You'll be here.
00:15:59You'll be here.
00:16:00Never.
00:16:01You'll be here.
00:16:02You'll be here.
00:16:03Any more court.
00:16:04Don't want your money.
00:16:08Well, if you need money, just let me know,
00:16:10and you can stop working for odd jobs.
00:16:17Odd jobs?
00:16:19Acting is my dream.
00:16:21I danced in strip clubs for a living,
00:16:23but people like you, born from a silver spoon,
00:16:27wouldn't understand that.
00:16:28Then stop doing it.
00:16:31We're in a contract marriage, right?
00:16:34I won't interfere with your life,
00:16:35and you can't meddle in mine.
00:16:38Acting is something that I've always wanted.
00:16:42And besides, I'm not gonna take your money
00:16:45besides the number that we agreed on.
00:16:49You need to rest now.
00:16:53Do you mind?
00:17:04Look at this mess.
00:17:16Clean it up if you even think about going to bed.
00:17:18Eat up, you must be starving.
00:17:34Nah, you probably work hard for this.
00:17:36Come on, take it.
00:17:37I can't believe she locked you out for three days
00:17:38and made you do all this.
00:17:39Did she even feed you it all?
00:17:40You made it easier for me.
00:17:41No, get back before she sees you here.
00:17:42No, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no.
00:17:44I can't believe she locked you out for three days
00:17:47and made you do all this.
00:17:49Did she even feed you it all?
00:17:51You made it easier for me.
00:17:53No, get back before she sees you here.
00:17:55Excuse me, I'm calling to ask about my audition.
00:18:00I'm sorry, your name has been blacklisted from reproduction.
00:18:05What?
00:18:10Oh, I'm sorry.
00:18:11I'm sorry.
00:18:12I'm sorry.
00:18:13I'm sorry.
00:18:14You're sorry.
00:18:15I'm sorry.
00:18:16I'm sorry.
00:18:17I'm sorry.
00:18:18I'm sorry.
00:18:19I'm sorry.
00:18:20I'm sorry.
00:18:21I'm sorry.
00:18:22I'm sorry.
00:18:23I'm sorry.
00:18:24I'm sorry.
00:18:25You are sorry.
00:18:26You are a good guy.
00:18:27I'm sorry.
00:18:28I'm sorry.
00:18:29Okay.
00:18:30I'm sorry.
00:18:31I'm sorry.
00:18:32I'm sorry.
00:18:33I'm sorry.
00:18:34I'm sorry.
00:18:35I'm sorry.
00:18:36I'm sorry.
00:18:37I'm sorry.
00:18:38I am sorry.
00:18:39I'm sorry.
00:18:40I'm sorry.
00:18:41This is the dude who took them out
00:18:43and sent you those pictures.
00:18:44How about a drink?
00:18:46There are two glasses of scotch there.
00:18:48Pick one.
00:18:49I'm sorry, Mr. Edward.
00:18:50Please.
00:18:51Just a friendly gesture from The Boss.
00:18:52One more thing.
00:18:53One more thing, only one of those glasses is poison fruit.
00:18:58You should have known better that would happen when you kidnapped Emma.
00:19:02Here, I'll do it for you.
00:19:05Hold it.
00:19:09Go!
00:19:12Go!
00:19:19Take him away.
00:19:23This is what I've become, Thelma.
00:19:30I hope you never see me like this.
00:19:33Ruthless, merciless.
00:19:37Both glasses would have silenced the man.
00:19:41I simply can't forgive him for what he did.
00:19:47Thelma, will you forgive me?
00:19:53What?
00:19:57What the fuck happened to you?
00:19:59How did he find you?
00:20:00What happened?
00:20:02Oh, you can't even talk now?
00:20:05God, you fucking useless.
00:20:09Inform every production you can reach.
00:20:11Thelma will never be an actress.
00:20:15Make sure of it.
00:20:17Go!
00:20:30Are you okay?
00:20:34I've been blacklisted by every production company, even the Actors Guild.
00:20:38What am I gonna do?
00:20:40Hey, don't lose heart, okay?
00:20:41I happen to know of an audition going on today, if you're interested.
00:20:45Since when did...
00:20:46A good friend of mine tip me off.
00:20:47Now, come on.
00:20:48Let's go.
00:20:49All right?
00:20:50It's better than moping around here.
00:20:51Come on.
00:20:55Here it is.
00:20:56So I can just go in there, just like this?
00:20:59Yes, I got everything set up, okay?
00:21:00Just go ahead, go in, and do your thing.
00:21:04You got this!
00:21:05Break a leg!
00:21:06What is she doing here?
00:21:25Who is she?
00:21:27Nobody.
00:21:28She's not here for the audition too, is she?
00:21:31Well, in that case, we're in for a treat.
00:21:34Karla Jenne, you're up next.
00:21:58I can't believe it!
00:21:59It was you all along!
00:22:01That's right.
00:22:04I never thought you'd find me.
00:22:06But it must come to an end.
00:22:10Oh, no!
00:22:23Cut!
00:22:24I'm sorry, were you shot or did someone just step on your toe?
00:22:32Can I just try again?
00:22:33I was just a bit nervous.
00:22:35Miss Jennings, we are making a thriller with a tragic ending.
00:22:40What you just did was borderline comedy.
00:22:43Excuse me?
00:22:44Yeah?
00:22:45Do you know how close I am with your investor?
00:22:48Sir, she was indeed recommended for the role.
00:22:53May we give her another chance?
00:22:54No!
00:22:55No!
00:22:56No, no, no, no, no, no.
00:22:57We are creating art that appeals to our audience.
00:22:58And she is clearly not right for the role.
00:22:59Next!
00:23:00I'm sorry, Miss Jennings.
00:23:01That was great.
00:23:02Maybe another project or another...
00:23:03What are you still doing here?
00:23:04I thought you were a blacklist.
00:23:05So it was you.
00:23:06You know, if that's the best you got, then I'm not that worried.
00:23:10You think you could do better than me?
00:23:12And you're nothing.
00:23:15Yeah, show us what you got.
00:23:17Thelma, you're all the best.
00:23:18You know, I'm sorry, Miss Jennings.
00:23:20I'm sorry, Miss Jennings.
00:23:21And then I'm sorry, Miss Jennings.
00:23:23I'm sorry, Miss Jennings.
00:23:24That was great.
00:23:25Maybe another project or another...
00:23:26What are you still doing here?
00:23:27Thought you were blacklisted.
00:23:28So it was you.
00:23:29You know, if that's the best you got, then I'm not that worried.
00:23:32You think you could do better than me?
00:23:34You're nothing.
00:23:35Yeah!
00:23:36Mama?
00:23:51So it was you.
00:23:53All this time!
00:23:55That's right.
00:23:57I never thought you would find me.
00:24:01But now it must come to an end.
00:24:03No!
00:24:06This can't be it for us!
00:24:15Cut!
00:24:17Well, that was amazing!
00:24:21You fully captured that role!
00:24:24Congratulations, you get the part!
00:24:27What?!
00:24:33What about me? You promised me!
00:24:35Oh, come on, you have to admit, she was exceptional!
00:24:38She is perfect for the part!
00:24:40Girl, you killed it!
00:24:42You were great.
00:24:44I'm Alex.
00:24:45Looks like we're gonna be scene partners.
00:24:47Thelma.
00:24:48Hey, do you want to go somewhere more private?
00:24:50We can talk about the script.
00:24:51Yeah, sure.
00:25:03What the fuck?
00:25:07I'm hitting on the wrong girl, buddy.
00:25:09Edward, what are you doing?
00:25:12I need to go talk to Thelma.
00:25:14How about you shoot another day?
00:25:19What are you doing?!
00:25:21Gonna explain yourself?
00:25:22I don't owe you any explanations.
00:25:25So you're seeing new guys?
00:25:27What? No, we were just acting out a scene!
00:25:32A scene where you two get real close?
00:25:34Like a couple?
00:25:35I was just doing my job.
00:25:36There's nothing wrong with it!
00:25:38And besides, even if I was seeing someone,
00:25:40it would be none of your business!
00:25:49Yay!
00:25:50I heard you got the lead role.
00:25:52That's amazing!
00:25:53I knew you'd kill it!
00:25:55Janet, what is Edward doing here?
00:25:57Who?
00:25:58Come on, you know who I'm talking about.
00:26:01Oh.
00:26:02Um...
00:26:03Gosh, you still don't know, do you?
00:26:04You know what?
00:26:08Well, he's actually the investor of this movie.
00:26:11This is his project.
00:26:13Why did you bring me here then?
00:26:20Well, it was actually his idea.
00:26:27Hello?
00:26:28Hi, is this Jean?
00:26:30Who is this?
00:26:31This is Edward Arduin.
00:26:33I recently invested in a film project,
00:26:35and I want you to take your friend Thelma.
00:26:37I think she'll be great for a lead role.
00:26:39Wait, wait!
00:26:40You're Edward Arduin?!
00:26:42I wired the payment to your account.
00:26:45Wait, wait, wait!
00:26:50I still can't believe I spoke to the legendary Edward Arduin.
00:26:54I can't believe you knew all this time and you didn't tell me.
00:26:57Oh, well, don't look at me.
00:26:59I'm just the middle man doing somebody else a favor, okay?
00:27:02And you still got the lead.
00:27:04It's amazing.
00:27:07But, you know, a lot of people say that Edward's not very nice.
00:27:10He's like a stone-cold man.
00:27:11So why is he being so good to you?
00:27:13Yeah, I don't get it either.
00:27:15I mean, women must be throwing themselves at him.
00:27:19Why would he help me?
00:27:21Maybe he's fallen for you.
00:27:26Oh, come on.
00:27:27That's impossible.
00:27:28Why?
00:27:29He said some pretty harsh stuff earlier, so...
00:27:30Wow.
00:27:31Is that why you look all gloomy?
00:27:32What happened?
00:27:33Did you guys fight?
00:27:34He saw me doing a scene with another actor and...
00:27:36That's...
00:27:37Whatever.
00:27:38Why do you care what he thinks, though?
00:27:40Come on, girl.
00:27:41This does not sound like you.
00:27:42Are you sure you haven't fallen for him, too?
00:27:44No, it's just...
00:27:45There's something about him that's familiar, like...
00:27:50Like...
00:27:51I've seen him before.
00:27:52Hmm.
00:27:53Hmm.
00:27:54I've seen him before.
00:27:55Hmm.
00:27:56Hmm.
00:27:57Hmm.
00:27:58Hmm.
00:27:59Hmm.
00:28:00Hmm.
00:28:01Hmm.
00:28:02Hmm.
00:28:03Hmm.
00:28:04Come on, girl.
00:28:05This does not sound like you.
00:28:06Are you sure you haven't fallen for him, too?
00:28:07No, it's just...
00:28:08There's something about him that's...
00:28:10familiar, like...
00:28:11Like...
00:28:12I've seen him before.
00:28:13Hmm.
00:28:26Hmm.
00:28:32Thank goodness you're here, Helen.
00:28:33This place is depressing.
00:28:35I don't know if I can make it without you.
00:28:39You're the one protecting me.
00:28:41I can't stand watching you getting hurt.
00:28:43You're as sweet as a sugar pea.
00:28:45Can I call you sugar pea?
00:28:47Sure.
00:28:48As long as I can call you my little rock.
00:28:50Why little rock?
00:28:52Cause you make me feel safe.
00:28:53Like a rock that'll never break.
00:28:57Deal.
00:29:05Elker.
00:29:07What have you done to me?
00:29:14I see your face everywhere.
00:29:16Oh, good.
00:29:17Just in time.
00:29:35Dang it.
00:29:36Why are you being so nice to me?
00:29:44Look, I'm...
00:29:45Sorry about today.
00:29:47It was...
00:29:48Stupid of me...
00:29:49To react that way.
00:29:51No, I mean...
00:29:52Why did you help me get the role for your film?
00:29:54Well, you won't take my money.
00:29:55And...
00:29:56I can't allow the wife of Edward Ardoin to just work a regular job.
00:30:10Oh.
00:30:11Okay.
00:30:12So that's why.
00:30:13They're all rich people this one with themselves.
00:30:15What was that?
00:30:17Nothing.
00:30:18This is great.
00:30:23You know, you can be real sweet sometimes.
00:30:26This is delicious.
00:30:29I'm glad you like it.
00:30:32Sweet pea.
00:30:33Good morning, ma'am.
00:30:38Edward has left already.
00:30:42I saw you were cooking last night.
00:30:44I watched through utensils.
00:30:47Yeah.
00:30:48It was Edward.
00:30:50He was the cook.
00:30:52Edward.
00:30:53Gotta go.
00:30:54Are you cooking?
00:30:56Okay.
00:30:58What is going on?
00:31:03What are we waiting for?
00:31:04Let's get started.
00:31:05One of our lead roles is not here yet.
00:31:08Ugh.
00:31:10The one thing I ask everyone here is to be professional.
00:31:16Sorry, guys.
00:31:18Traffic was nightmare.
00:31:20Alright.
00:31:21I'm ready to start.
00:31:22Wait.
00:31:23I thought that she didn't get the part.
00:31:25Well, how about that?
00:31:26Looks like I'm gonna be playing your Misty.
00:31:30After this, nobody's even gonna remember you.
00:31:33We'll see about that.
00:31:3842 Delta, take two.
00:31:40Ready.
00:31:42And action.
00:31:44You have to leave now.
00:31:45Not without the love of my life.
00:31:47I'll wait for him no matter what.
00:31:48Cut.
00:31:49Cut.
00:31:50Cut.
00:31:51Cut.
00:31:52Cut.
00:31:53What do you think you're doing?
00:31:54Just playing my role.
00:31:55I don't want to say maybe I'm just using it.
00:31:56Carla.
00:31:57What the hell was that?
00:31:58That wasn't even in the script.
00:31:59I was just adding some extra touch to it.
00:32:00You know?
00:32:01For the sake of art.
00:32:02Art?
00:32:03A slap doesn't make any sense.
00:32:04And who gave you the authority to change my script?
00:32:06It's fine.
00:32:07She can hit me.
00:32:08Oh.
00:32:09Oh.
00:32:10Thelma, are you sure about that?
00:32:11It's all good if it's all for the sake of the effect.
00:32:12Wow.
00:32:13I knew I was right in choosing you as my lead.
00:32:14Okay.
00:32:15Okay.
00:32:16Back to ones, please.
00:32:17Yes, thank you.
00:32:18Can you pick up my script?
00:32:19And...
00:32:20Oh.
00:32:21Can you pick up my script?
00:32:22And...
00:32:23Oh.
00:32:24Oh.
00:32:25Oh.
00:32:26Oh.
00:32:27Oh.
00:32:28Oh.
00:32:29Oh.
00:32:30Oh.
00:32:31Oh.
00:32:32Oh.
00:32:33Oh.
00:32:34Oh.
00:32:35Oh.
00:32:36Oh.
00:32:37Oh.
00:32:38Oh.
00:32:39Oh.
00:32:40Oh.
00:32:41Action!
00:32:42You have to leave now!
00:32:44Not without the love of my life.
00:32:46I'll wait for him no matter what!
00:32:50Edward!
00:32:55Good to see you here.
00:32:57Were you watching me?
00:32:59Me and Thelma make a carpet.
00:33:01You know me.
00:33:02Jay, have these two switch roles.
00:33:04I want Thelma to do the slapping.
00:33:07Since it's all for the sake of art.
00:33:11but Thelma is the lead yeah that wouldn't make any sense we can't make more changes to the script
00:33:23Ed we're already behind better get right to it then you don't have to do this for me
00:33:28I'm not doing it for you I'm doing it for my own investment
00:33:32all right uh we have added a line to the script so now Thelma uh Carla's new line will be your cue
00:33:47for the slap got it all right and action you have to leave now not without the love of my life
00:33:58I'll wait for him no matter what but what if he's dead what if he finds somebody else
00:34:03you're just going to spend the rest of your life waiting for someone who will never come
00:34:07then I'll be sure to leave no room for regret
00:34:15cut oh bravo that was perfect Thelma you handled that perfectly
00:34:26Thelma were you not supposed to love Carla after that line
00:34:30uh no need for that I think that my character is above that kind of pettiness
00:34:35I'm going to expose you Thelma sooner or later
00:34:48where are you my little rock
00:35:00I'm doing fine don't you worry
00:35:05you know it's bad to waste food do you think you deserve to be punished
00:35:11yes headmistress I do
00:35:13ma'am Helen's sick that's that's why she couldn't finish
00:35:18isn't that sweet too bad she's getting more punishment because of you
00:35:23isn't that sweet well if you so insist you can take it for her
00:35:29oh get off
00:35:31you're all right
00:35:32found the worker who leaked info to our computer
00:35:47a manager who's worked with us for 20 years
00:35:50what do we do with him
00:35:52uh fire him
00:35:55sue him if we need to
00:35:57can't have disloyalty in the company
00:36:00it might ruin him and his family
00:36:02so be it
00:36:04all right
00:36:06so be it
00:36:20how good
00:36:47Elker?
00:36:53Elker?
00:37:17Elker?
00:37:21Where's my...
00:37:31Oh, no, no, no.
00:37:48Morning.
00:37:50What are you doing?
00:37:52Nothing.
00:38:01Nothing.
00:38:05I carried you to your bed last night, and that was it.
00:38:11No, seriously, what are you doing?
00:38:14Nothing, sweet pea.
00:38:15What did you just call me?
00:38:19Sweet pea.
00:38:21You sat in your sleep last night.
00:38:27I see. Well, don't ever do that again.
00:38:30Sure.
00:38:43Hi.
00:38:45Could you maybe explain this scene a little bit? I'm not sure if I get it.
00:38:49I mean, it is pretty straightforward to just do what it says without improvising.
00:38:56Thelma, you were so great yesterday.
00:39:00I want to go over this one part.
00:39:02Now, when you say this line, I'm about...
00:39:04We'll see who wins.
00:39:05We'll see who wins.
00:39:09Nos.
00:39:10What am I doing this afternoon?
00:39:12Well, it's kind of a very important meeting.
00:39:15Did you forget?
00:39:16Canceled.
00:39:17Canceled.
00:39:18Send them my apologies.
00:39:20What?
00:39:22So, what do you normally do when you're not working?
00:39:24Uh, I do striptease.
00:39:25Oh.
00:39:27I was thinking more along the lines of going to the movies.
00:39:33There's actually a good one out right now.
00:39:36I mean, maybe if you're interested, we could try to catch it together.
00:39:38Sorry, but I really need to focus on this job right now.
00:39:42Oh, yeah.
00:39:43Sure, sure.
00:39:45You're a really interesting person to talk to.
00:39:47You know that?
00:39:50Edward!
00:39:52Are you here to see me?
00:39:54Oh, you're brutal, Dad.
00:39:56Aw.
00:39:58Edward?
00:40:00It's not for you.
00:40:01I'm sorry.
00:40:02Why is she still talking about you?
00:40:05Go put the snacks in the lounge.
00:40:06Got it, boss.
00:40:08Edward?
00:40:13Edward?
00:40:15What's your name again?
00:40:17Actually, it doesn't matter.
00:40:19What were you talking to my wife about?
00:40:29Oh.
00:40:31Thelma, I...
00:40:32I had no idea that you were married.
00:40:35Oh, don't worry about it, man.
00:40:36We were just talking about stuff in the script.
00:40:38Is that right?
00:40:39Yeah.
00:40:40Hey, so you must be Edward Arduin.
00:40:43I've heard a lot about you.
00:40:44I'm Alex.
00:40:45Cool.
00:40:46Bye, Alex.
00:40:48Great. Yeah.
00:40:49Um, I'll see you later, Thelma.
00:40:51No, you won't.
00:40:53Good. You guys are all here.
00:40:54Edward brought snacks.
00:40:55They're in the lounge if anyone wants some.
00:40:57Yes, I'll come.
00:40:58Come on.
00:41:02Snacks.
00:41:06Edward doesn't usually come to set this often.
00:41:08He's quite the busy man.
00:41:10I think he's here to see you.
00:41:12He's here to see Carla, not me.
00:41:14Oh, please.
00:41:15I don't see the way he looks at you.
00:41:17Whatever.
00:41:19Oh.
00:41:20Speak of the devil.
00:41:22I will give you two some privacy.
00:41:23Wait.
00:41:24No, don't.
00:41:25Excuse me.
00:41:32You're getting out of hand.
00:41:34Don't forget, I'm the one who hired you.
00:41:36Excuse me?
00:41:38Stay away from Alex.
00:41:39Got it?
00:41:40What are you talking about?
00:41:41There's nothing going on between us.
00:41:42Besides, you came here to see Carla.
00:41:48So you're jealous.
00:41:50What are you talking about?
00:41:51I'm not jealous.
00:42:01What are you doing?
00:42:03Carla and I are together.
00:42:05I'm here for you.
00:42:06You really expect me to believe that?
00:42:08Thelma.
00:42:10Yeah, girl?
00:42:15What?
00:42:26Jean, are you absolutely sure?
00:42:28Yes.
00:42:29Positive.
00:42:30I used to know this guy from the streets and he and Al group drifted around for months.
00:42:34So where is he?
00:42:36Well, they later got separated so he has no idea after that.
00:42:39But that's gotta mean that Algar's still alive, right?
00:42:42Oh my goodness.
00:42:44Thank you so much.
00:42:45You have no idea how much this means to me.
00:42:47It's been ten years.
00:42:49Don't forget, you are married too.
00:42:53What are you gonna do?
00:42:55I'll divorce him once our contract is up.
00:42:57I needed the money.
00:42:59Algar will understand.
00:43:01I don't know.
00:43:02Edward seemed really into you.
00:43:04Actually, Jane, I think I should keep my distance from him.
00:43:09I need to keep my distance from him.
00:43:21You okay?
00:43:22Yeah.
00:43:27Wanna tell me what happened?
00:43:28I just wanna be alone for a bit.
00:43:31Okay?
00:43:33Is this about Carla?
00:43:35I told you I went to see you.
00:43:37Not her.
00:43:39Edward, I don't care who you're seeing.
00:43:41We're only married on paper, right?
00:43:46Is this because we're moving too fast?
00:43:49Sean?
00:43:54Is this because we're moving too fast?
00:43:59Edward, I don't care who you're seeing.
00:44:02We're only married on paper, right?
00:44:04Is this because we're moving too fast?
00:44:10I just think that we should keep our distance.
00:44:14Please.
00:44:15Please.
00:44:22Thought she was playing hard to get, huh?
00:44:25Maybe she doesn't want to seem too eager.
00:44:27I mean, why would anyone reject you?
00:44:30It's impossible.
00:44:32Come on. Let's get to the set.
00:44:39Hey Thelma, you'll be wearing this dress for the next scene. Is that okay?
00:44:42That's fine.
00:44:45So you think you could just take whatever you want?
00:44:52I thought this was my personal changing room like it's always been.
00:44:57Carla, this room is for the lead role. Yours is outside.
00:45:02Well, actually, I'm all done here.
00:45:04Carla loves taking things that aren't hers.
00:45:06Be my guest. Use it.
00:45:09Oh.
00:45:10Well, aren't you quite generous then, hmm?
00:45:14Edward's not here so you can drop the act.
00:45:16We actually need to get back to work if there's nothing else.
00:45:20Actually, I can finish my makeup myself.
00:45:27Go on. What do you want to talk about?
00:45:29Let's make a deal.
00:45:30A deal?
00:45:31What the fuck do you think you are?
00:45:36Well, as far as I know, I'm Edward's wife.
00:45:44What kind of deal?
00:45:46Stop picking fights with me.
00:45:47Stop giving me a hard time on set and I won't take anything away from you.
00:45:50I'll actually help you with whatever you and Edward have going on.
00:45:57All right, deal.
00:45:59I'm done with this room, by the way.
00:46:01It's yours if you still want it.
00:46:03I don't need your pity.
00:46:04Don't you have, like, business to run?
00:46:20What are you doing here all day?
00:46:22Hey, um, actually, about what happened.
00:46:31I think that we should talk.
00:46:34Why don't you meet me in the lounge after we wrap up?
00:46:37Why can't we talk now?
00:46:39I want it to be a surprise.
00:46:41See you later.
00:46:42What does she want to talk about?
00:46:54Does she not want to see me?
00:46:56Hi, Edward.
00:46:59Carla?
00:47:01Why are you here?
00:47:03Where's Stella?
00:47:04Who should I meet?
00:47:06Maybe you want to have a squirt?
00:47:09What are you doing?
00:47:10Are you trying to set those two up?
00:47:12Yeah, and if they're together, then they'll have nothing to do with me.
00:47:17Sounds like a terrible idea.
00:47:19Well, if you have a better idea, then let's hear it.
00:47:26Edward!
00:47:29If they're together, then they'll have nothing to do with me.
00:47:34Well, as long as you're okay with this.
00:47:37Of course I am. Why wouldn't I be?
00:47:40I mean, now I can just focus on what really matters.
00:47:45I can try to find Algar.
00:47:48Edward!
00:47:50What the fuck are you doing?
00:47:59Whatever games you're playing, you need to stop.
00:48:00What are you talking about?
00:48:01You came here to see Carlos, right?
00:48:05Thelma, come on.
00:48:07Edward, we're going to be divorced really soon.
00:48:09So?
00:48:11So if you're attracted to somebody, then go for it! I want you to be happy!
00:48:14The only person I love is you!
00:48:20Edward, how could you?
00:48:25Everything I do for you, Carla, I do for your father.
00:48:28He looked out for me, so this is me hanging back.
00:48:40I'm already in love with somebody else.
00:48:42It's never gonna be you.
00:48:45But if that man didn't exist, would you consider me?
00:48:47Stop it, Edward. It's never going to happen!
00:48:55What do I do, Algar?
00:48:58I know you're out there.
00:49:00What do I do?
00:49:01What do I do?
00:49:14Boss, you've been here for a while.
00:49:16Is everything okay?
00:49:20Why don't you tell her you're the one she's looking for?
00:49:24Do you remember what I did to return to the Arduin family?
00:49:31What do I do, Algar?
00:49:39About Algar.
00:49:41Are you telling me that Mr. Arduin knows his illegitimate son is Algar?
00:49:47Yes.
00:49:49And now the old man wants him back.
00:49:52Another brat to share their inheritance.
00:49:55If I could only get rid of his mother, getting rid of him shouldn't be a problem.
00:50:01Madam, it's our fault.
00:50:03Please don't withdraw your donation to the orphanage.
00:50:07If we work together on this, I could even help you.
00:50:13Get rid of Algar.
00:50:15For good.
00:50:21Take care of it.
00:50:23But make sure we lose it.
00:50:24Tell me we lose it.
00:50:28Shall we go to the hospital?
00:50:30Yes, please, sir.
00:50:31I have to see it, sir.
00:50:32I've heard it.
00:50:34Yes.
00:50:38I got rid of the woman who killed my mother and sent me to an orphanage.
00:50:44I eliminated everyone associated with her.
00:50:48Over the years.
00:50:55I did whatever it took.
00:50:57To gain my father's approval.
00:50:59To secure my inheritance.
00:51:01My methods were ruthless.
00:51:04My conscience.
00:51:07Callous.
00:51:09You did what you had to do.
00:51:11And now I'm a different man.
00:51:13A monster.
00:51:15She doesn't even recognize.
00:51:16If she finds out this is the man she's been looking for all these years, it'll drive her away.
00:51:24I can't lose her again.
00:51:29So it was true?
00:51:30Archon and I, we roamed the city for a winter and a lot of people say he made some enemies.
00:51:46One night, under the bridge where we slept, he got stabbed and he died.
00:51:53No.
00:51:55You're mistaken.
00:51:56He always had a ring with him.
00:51:59It was a nice ring.
00:52:01I think it had the letters A and H on it.
00:52:06I told him he could pawn it for a few bucks, but he just kept it with him.
00:52:13No, he can't just be gone. He can't just be gone.
00:52:17It's okay. It's okay.
00:52:18It's okay. It's okay.
00:52:26Oh, Thelma.
00:52:28Sweetie, what's wrong?
00:52:30Oh, my God.
00:52:32Baby, you have an evening three days.
00:52:35Can I get you something?
00:52:37Anything?
00:52:39It's not good for you.
00:52:41Oh, gosh.
00:52:43It's okay.
00:52:45It's okay.
00:52:47This is my fault.
00:52:50She's burning up.
00:52:52The doctor said it was from emotional distress and not eating.
00:52:57Go make her something light.
00:53:00I'll stay with her.
00:53:02Yes.
00:53:03You need to get some rest and let me handle this.
00:53:11No, it's okay.
00:53:13Leave it to me.
00:53:15Look, I know you care, but I've never seen you do this for anyone.
00:53:20And if the old lady were here, she'd be heartbroken to see you this exhausted.
00:53:26Don't worry about me, Sarah. You can go now.
00:53:28Oh, my God.
00:53:30I'm hungry.
00:53:32Oh, my God.
00:53:34Please eat and get better.
00:53:36Here.
00:53:38Do it.
00:53:40I'm not hungry.
00:53:44Please eat and get better.
00:53:46Please eat and get better.
00:53:47Thelma!
00:54:14Oh my god, are you okay?
00:54:15I've been trying to call you ten times!
00:54:17You haven't done something stupid, have you?
00:54:20I can't find a reason to go.
00:54:23Stop saying that, okay?
00:54:26Don't listen to what that guy said.
00:54:27He doesn't know what he's talking about.
00:54:29If he never found Algar's body, maybe he's still alive.
00:54:34You've waited ten years, okay?
00:54:37You sure you're gonna give up now?
00:54:39Don't you want to find out the truth for yourself?
00:54:42Yeah, you're right.
00:54:44I should keep going.
00:54:47Good.
00:54:48Now go get some sleep and get back to set, girl, okay?
00:54:51That is something that you've always wanted,
00:54:53and you're not gonna screw it up, alright?
00:54:55Yeah.
00:54:57Yeah.
00:54:58I understand.
00:54:59I'll keep going for Algar.
00:55:02I want that bitch, Ted.
00:55:07You got that thing ready?
00:55:09Sure, it would do the job.
00:55:12Great.
00:55:13Don't mess this up.
00:55:14Ready for first aid.
00:55:15Coming!
00:55:17Uh, you wanted to see me?
00:55:19Yes.
00:55:20It is about the scene where you're stabbed.
00:55:22We will be using this as a prop.
00:55:26So once the safety is clicked off, the blade will go back inside itself upon impact, so don't worry, it's not gonna hurt you.
00:55:33See?
00:55:34Nice.
00:55:35Exactly.
00:55:36Uh, Thelma, Carla, all set.
00:55:38All departments ready?
00:55:39And, you know, we're going to turn.
00:55:40All the departments ready?
00:55:41Okay.
00:55:42Okay, so we're not going to turn.
00:55:43Oh, no, we're going to turn.
00:55:44We're going to turn.
00:55:45Okay.
00:55:46Okay.
00:55:47Okay, so that's the scene where you're stabbed.
00:55:49So, we will be using this as a prop.
00:55:50So once the safety is clicked off, the blade will go back inside itself upon impact, so don't worry.
00:55:52It's not gonna hurt you.
00:55:53See?
00:55:54Nice.
00:55:55Exactly.
00:55:56Uh, Thelma, Karla, all set.
00:56:03All departments ready?
00:56:07And action!
00:56:14Wait!
00:56:16Cut! Cut! Edward? Are you okay?
00:56:19Oh God, how did this happen?
00:56:20Edward, don't die on me, please.
00:56:26I know that my past is complicated, and I'm not worthy of your time, or your love.
00:56:32What makes me so special?
00:56:38Okay, I admit, I think somewhere along the way, I became attracted to you.
00:56:43And I know that you keep this stone-cold face, but I know that that's not the real you.
00:56:52Please, show me the real you, let me in.
00:56:56What are you doing? That's not funny! I was worried sick! What's the matter with you?
00:57:10How else could I get such a lovely monologue?
00:57:14Okay, you know what, I'm gonna go get a doctor.
00:57:16No, no, no, no, no. I'm fine. No. Look, not even a scratch.
00:57:22Just need a minute.
00:57:24Are you sure? It seemed pretty serious.
00:57:26Yeah, the knife didn't even get to me. Something blocked it.
00:57:30Really? Where is it?
00:57:32Nothing. I'll find out what happened today.
00:57:37Meanwhile, be more careful on set, yeah?
00:57:40No, don't worry about it. You're the patient. Just rest up now.
00:57:47I heard everything you were saying, by the way.
00:57:50Okay, you know what? I'm really getting you a doctor now. Just shut up.
00:58:03You saved my life.
00:58:10How are you doing, boss?
00:58:12Not too shabby.
00:58:15So, what do you plan to do with karma?
00:58:19Karma, almost forgot. Let's get payback.
00:58:26I'm not sure what we're gonna do after your little incident.
00:58:30I'm sorry, I wasn't thinking. It won't happen again, I promise.
00:58:35Jay, get a replacement for her role. She's done.
00:58:37Edward, what are you saying?
00:58:44I told you to stop pulling these tricks behind my back.
00:58:47I didn't do anything. Don't listen to her. She's making it all up.
00:58:51Carla had someone on the prop team switch the fake knife with a real one.
00:58:55She almost killed Thelma.
00:58:56And myself.
00:58:57Edward, I'm sorry. I messed up. Please, please give me another chance.
00:59:03I've given you plenty of chances.
00:59:06Really, Edward? After all these years?
00:59:12Please stop embarrassing yourself.
00:59:16Hey, I...
00:59:17Doing all of this for a man, I hope it's worth it.
00:59:21Edward, you know everything I did is because I love you.
00:59:26If you try hurting her again, you will be sorry.
00:59:29Hand her over to the police.
00:59:41Well, now that that's over, we should talk about what you said to me earlier.
00:59:45Which is what?
00:59:47That you were attracted to me.
00:59:53No, we're not going to talk about that. That's not fair. You tricked me.
00:59:58Got it.
01:00:07What if the person you're looking for is me?
01:00:21Don't be ridiculous.
01:00:24Besides, you come from a rich and powerful family and he's an orphan like me.
01:00:29And he's incredibly kind. He wouldn't even step on an ant.
01:00:38I can't say the same thing about you.
01:00:43People can change.
01:00:45And I'll never stop searching for him.
01:00:47I'm afraid that you can't stop me.
01:00:49Am I even worthy of love?
01:01:03Am I even worthy of love?
01:01:06You're a billionaire. I'm sure that there's plenty of women fighting over you.
01:01:10Plus...
01:01:15I stand by what I said.
01:01:16I don't think that this Edward is the real you.
01:01:23Do you remember when we first met?
01:01:26You saved me.
01:01:28You're a good person.
01:01:30You're kind to Nos, to Sarah.
01:01:36You'll find the love that you deserve.
01:01:44He's gone.
01:01:46I waited 10 years and he's just gone.
01:01:55Do you like the man I am now?
01:01:58It doesn't matter. We're getting divorced in a year.
01:02:05If I give you all my properties and assets, can we not get a divorce?
01:02:09No problem.
01:02:23My head.
01:02:38Do you remember what happened?
01:02:40You said something about money and assets, and then after that, not a thing.
01:02:58All right, okay, back to work, come on.
01:03:04Can't be watching people get arrested.
01:03:09Hey, can we talk?
01:03:13I heard you've been looking for someone.
01:03:16Yes.
01:03:20I believe this could be helpful.
01:03:24This place is reopening soon.
01:03:27I'd like for you to come.
01:03:30What does this have to do with the man that I'm looking for?
01:03:33You'll see.
01:03:36Okay, I'll go.
01:03:38Good.
01:03:39I don't want to support the place.
01:03:42What does this have to do with Edward?
01:03:44You'll see.
01:03:49Look at that, see?
01:03:50Oh my God.
01:03:51Yes, I trusted you.
01:03:52Guys, we're blowing up.
01:03:53What do you mean?
01:03:54After we posted the behind the scenes, we went viral.
01:03:59Selma became a sensation.
01:04:01She's now trending number one.
01:04:03Big star.
01:04:04Trending?
01:04:05Does this mean more money?
01:04:06Of course it does, and that is just the easy part.
01:04:10I was thinking about my next movie, and I want you to be in it.
01:04:15Wow.
01:04:16This is a dream come true.
01:04:18And we're having a wrap party at the hottest bar tonight.
01:04:22All right.
01:04:23You wonder who's so generous.
01:04:33Boss, about this new contract.
01:04:35Do you think Selma will be surprised by the party I'm throwing for?
01:04:38Oh, definitely.
01:04:39So should I pick her up, or do I just show up at the party?
01:04:44You don't do this often, do you?
01:05:04Great party, Edward.
01:05:07It'll only be fitting, right?
01:05:08I'm not entirely bad.
01:05:11So, thank you.
01:05:14How would you like to thank me?
01:05:16Sorry, everybody.
01:05:17Attention, attention.
01:05:18Thank you, thank you.
01:05:20First off, this has been an amazing three months.
01:05:25I'd like to thank everybody in here.
01:05:28And here is to its huge success.
01:05:33Cheers.
01:05:34Cheers.
01:05:35Cheers.
01:05:36Mm-hmm.
01:05:37And now, a few words from Edward, the man, the big boss.
01:05:42Without him, none of this would be possible.
01:05:45Thank you all so much.
01:05:47I just want to say how grateful I am for the opportunity.
01:05:50Jay is an exceptional director.
01:05:51Jay is an exceptional director.
01:05:53He's casting remarkable.
01:05:56Thelma's performance in particular, out of this world.
01:06:00And I'd like to take this moment to tell her that I'll always be there to support her.
01:06:05Cheers.
01:06:07Thelma!
01:06:08The superstar!
01:06:09Stop it.
01:06:10By the way, do you think Algar will watch my new show?
01:06:11Do you think he'll recognize me?
01:06:12No.
01:06:13Thelma.
01:06:14I know this is really hard to hear, but you gotta let him go.
01:06:15Algar's gone.
01:06:16I'm not giving up until I know for sure.
01:06:17Hey!
01:06:18Let me out!
01:06:19Well, let me out!
01:06:26Hey!
01:06:35Let me out!
01:06:40Hey! Let me out!
01:06:51Thelma! Are you quitting?
01:06:54What are you talking about?
01:06:55Production told me you turned down Jay's new project.
01:06:58And you didn't show up for any of the promo events.
01:07:01What new project is this about? Who told you this?
01:07:04Oh. Oh no.
01:07:07It couldn't be Edward.
01:07:08Could it?
01:07:11Edward?
01:07:14So, he turned it down and he told everybody that I quit?
01:07:18Maybe he thought it was for your own good?
01:07:21Interfering with my career without telling me?
01:07:24How is that for my own good?
01:07:30Mr. Ardewin is in a meeting right now.
01:07:33He's got me. It's out of my way.
01:07:35Apologies, gentlemen. Let's take a break.
01:07:37We'll continue this afternoon.
01:07:42Did you turn down the offer for my new film?
01:07:50Can I explain?
01:07:52This will terminate our contract marriage.
01:07:54The deal is over.
01:07:54What do you mean?
01:07:58I'll pay the penalty for breaching our contract.
01:08:01Once it's settled, I don't want you meddling in my life anymore.
01:08:03You almost got hurt on set.
01:08:06I was trying to protect you.
01:08:07God, I don't need your protection, okay?
01:08:10I can look out for myself.
01:08:11This is my life.
01:08:12You're making a big mistake here.
01:08:16Just stay out of my work and my personal life, Edward.
01:08:19We're done.
01:08:27Hey, it's Thelma.
01:08:28Can I see you real quick?
01:08:32Thelma,
01:08:33You're very talented.
01:08:36It was such a shame just seeing you give up.
01:08:39But I knew you had it in you from this start.
01:08:43I saw it in you all the way.
01:08:48Now I strictly get to make decisions for myself.
01:08:52Now let's see this next project.
01:08:54Next project, next project.
01:08:56Next project, here it is.
01:09:01What do you think?
01:09:05Let's just say that it's a pleasure doing business with you, Jay.
01:09:13Congratulations.
01:09:26Come on.
01:09:28Please move.
01:09:28I'm leaving it.
01:09:29You need to calm down.
01:09:30What are you doing?
01:09:31Excuse me.
01:09:31I'm perfectly calm.
01:09:33How about we both compromise?
01:09:35You continue with your acting as long as it's through Ardoin investments.
01:09:39You still don't get it, do you?
01:09:41I'm not your accessory.
01:09:42I'm not a part of the Ardoin family.
01:09:45Plus, the only person that can make decisions for me is myself.
01:09:48Can't we talk about it for the sake of our relationship?
01:09:53Look.
01:09:53I'm thankful for everything you've done for me.
01:09:58You've crossed the line.
01:10:01Goodbye, Edward.
01:10:05Oh, Thelma.
01:10:07Look, I have rarely seen Edward smile since his father passed away.
01:10:12And he's like a new man now that you're here.
01:10:15I'm sorry, but I can't stay here.
01:10:20It's okay, Sarah.
01:10:23Let her go.
01:10:23Since when did we become stalkers?
01:10:43Where is she?
01:10:46I know she has a bunch of crazy fans trying to get her attention, but if those assholes think
01:10:49they have a shot with my woman...
01:10:50You've not seen the news?
01:10:52Thelma has announced she's single again.
01:10:55What?
01:10:56Yeah.
01:10:57Even a bunch of haters have turned into fans now.
01:11:00Especially after watching her show.
01:11:02I knew that guy was up to do good.
01:11:11I knew that guy was up to do good.
01:11:12Thelma, Thelma, Thelma, Thelma, Thelma, are you still working with Ardawan Investment Family?
01:11:25The Ardawan family's never officially announced your divorce.
01:11:27Is there something that they're hiding?
01:11:29Was your marriage to Edward Ardawan strictly business, like the tabloids say?
01:11:33Uh, why don't you ask the man himself?
01:11:41Hey, Mr. Ardawan, you gotta step in.
01:11:52I don't.
01:11:53I'm sorry.
01:11:53So, Mr. Ardawan, what brings you here?
01:12:00Thinking of joining the entertainment industry?
01:12:02You know why I'm here.
01:12:04Sorry, I can't help you with that.
01:12:07Uh, so this new film is a romantic drama with some comedy.
01:12:12You and Jay have a new script.
01:12:14I was like...
01:12:15You ever want any...
01:12:16Let's go!
01:12:18No.
01:12:19Not yet.
01:12:19I would love to thank our amazing director, Jay,
01:12:22for all of his amazing visions
01:12:25and everyone else who's helped me on this incredible journey.
01:12:29What?
01:12:30Well, specifically.
01:12:32And I'm so excited to get started
01:12:34because I know that this is going to be another hit.
01:12:36All right.
01:12:37Ready to check out the set for the new movie?
01:12:39I'll walk in.
01:12:40Uh, actually, do you want to check it out together?
01:12:43Sure.
01:12:46Thelma.
01:12:47Thelma, Thelma.
01:12:50How do you win back a little bit?
01:12:52Um, flowers, romance, gifts are always a good movie.
01:12:58How original?
01:12:59Let's get back to the office, all right?
01:13:09I, uh, got these for you.
01:13:14You can just leave them there.
01:13:15Thelma, I'm sorry.
01:13:23I was wrong.
01:13:29Please, give me another chance.
01:13:33I, I promise I won't be overbearing.
01:13:36I'll respect all your opinions.
01:13:38And I'll never interfere with your career again.
01:13:40The flowers look good.
01:13:53I'll take these, and we can talk about the rest later.
01:13:56Go, I don't want to see you again!
01:14:08Cuts!
01:14:10Well done, everybody.
01:14:11That is a wrap.
01:14:13You were great.
01:14:14Here, I got you a cup of coffee.
01:14:16Thanks, Alex.
01:14:17Oh, shoot!
01:14:18I need to know where she is.
01:14:44Now!
01:14:47Uh, I, I think I might know where she is.
01:14:49Why the hell would you know?
01:14:50Do you have something to do with it?
01:14:51No, man, look, all right, Carla was talking to some sketchy dude about Carla's basement.
01:14:55I think Thelma might be there.
01:14:57Trust me, man, I, I don't want anything bad to happen to her either.
01:15:00Believe me.
01:15:07Thelma?
01:15:07Thelma?
01:15:07Where are you?
01:15:20Let's not do anything stupid.
01:15:23Whatever you want, just name it.
01:15:27Edward, Edward, Edward.
01:15:32How did you find this place?
01:15:37You again?
01:15:41You didn't seriously believe I would just walk away, did you?
01:15:44You're a coward.
01:15:48Killer.
01:15:50And Edward, I want you to watch.
01:15:52If you touch her, I will skin you alive.
01:15:56I got it.
01:16:04Thelma, run!
01:16:05It's okay.
01:16:32It's over.
01:16:32It's over.
01:16:32It's all over.
01:16:58It's today.
01:16:59I promised Nas I would go.
01:17:11Wait, this is the amusement park I agreed to meet Little Rock at.
01:17:16I thought it closed down years ago.
01:17:19Thelma?
01:17:21Edward?
01:17:22What are you doing here?
01:17:24Nas told me to come.
01:17:26What are you doing here?
01:17:27Well, now that you're here, I need to tell you a little secret.
01:17:33Be right back.
01:17:34Edward!
01:17:47Don't be scared, sweet man.
01:17:49What did you just call me?
01:17:50I told you I'd meet you here, Alan.
01:17:59I told you I'd meet you here, Alan.
01:18:06I told you I'd meet you here, Alan.
01:18:10Algar, but how?
01:18:12Well, why didn't you tell me after all this time?
01:18:17After I escaped the orphanage, the headmistress sent people after me.
01:18:22So I had to fake my own death.
01:18:25I survived.
01:18:25But the price was becoming a different man.
01:18:30Cold.
01:18:32Ruthless.
01:18:33Even cruel.
01:18:36And I was so scared that if you found out this was the man I'd become, you wouldn't love me anymore.
01:18:43Besides, the Arduin family erased every trace of my past.
01:18:47If they find out you're the one I'm looking for, they'll use you against me.
01:18:53And I can't risk that.
01:18:56Algar, you know that I love you.
01:19:01You do?
01:19:05Yeah, with you by my side, I'm not afraid of anything.
01:19:10I don't want us to ever be apart again.
01:19:12Yes!