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Short filmTranscript
00:00I'll be able to get an election.
00:24I'll be able to get an election.
00:26Because in the election you will stand alone in the election.
00:56Where are you?
00:58Where are you?
01:08Good evening, Mr. Jamil.
01:12How are you doing, Mr. Jamil?
01:15Good evening, Mr. Jamil.
01:16Good evening, Mr. Jamil.
01:18Good evening.
01:20What do you mean, Mr. Jamil?
01:22How are you?
01:23Alhamdulillah
01:24How are you feeling?
01:25Are you tired?
01:26No, it's just that it's an American session.
01:29So you have to prepare for it.
01:31Okay, okay.
01:32Let's go.
01:33Do you think?
01:34There are opportunities.
01:35Of course.
01:48Okay.
01:49I'm coming.
01:50You're coming.
01:51I'm coming.
01:56Let's go.
01:57I'm coming.
01:58I'm coming.
01:59You're coming.
02:00What have you done?
02:01Okay.
02:02I'm coming.
02:03I'm coming.
02:04I'm coming.
02:05I'm coming.
02:06It's good.
02:07What's your thing?
02:08What's your thing?
02:09The habit of the surprise that I got from my dad.
02:13It was a big shock, brother.
02:15You were getting surprise.
02:17They were all surprised and all.
02:21They were all surprised.
02:22They were all with the surprise.
02:24They were all with the surprise.
02:26They were all with the surprise.
02:27What's that, Dad?
02:28Hmm.
02:29This...
02:32This is a little bit of a problem.
02:34All are fine.
02:35I'm going to get angry because the king of the king is not with us.
02:42Now?
02:45I'm going to go to the election.
02:48I'm going to go to the people's house.
02:52I'm going to go to the house.
02:56I'm going to go to the house.
02:58Oh, my God.
03:00You have to be a big need for me.
03:02What do you mean?
03:04I'm going to go to the house.
03:07Look.
03:09Your brother, Bakhtavar Shah.
03:12He's not from his days.
03:15He's from his days.
03:17And if he doesn't even know anyone,
03:21he's going to be happy.
03:24That's why I'm going to be like your brother.
03:28I'm going to say it right.
03:30I'm going to say it right.
03:31That's correct.
03:33Manjai.
03:35Don't drink anything.
03:37Yes, man.
03:38You're going to come for me.
03:40No.
03:41Come.
03:42Come.
03:43I'm going to come for you.
03:45I'm going to come for you.
03:46I'm going to come for you.
03:47I'm going to come for you.
03:48How are you doing that?
03:49How can I do that?
03:50That thought of me.
03:51I didn't have any thought.
03:52I've done a bit of time.
03:53I'm going to ask you some time.
03:56Oh, hello.
03:57You're supposed to ask you?
03:59Yes, you're not.
04:00It's like that you're going to see your brother's father.
04:03and when they don't say anything in the answer,
04:05then they say this line.
04:07You can't say this.
04:09Yes, Dad.
04:11Man,
04:13we were late at home.
04:15My mom got a little mood
04:17off.
04:19And then you know, when my mom got a mood off,
04:21the whole mood was disrupted.
04:23I thought, take a half a day,
04:25take a good mood,
04:27take a chill, I'll talk to my mom myself.
04:29I'll call my dad too.
04:31I'll call my dad too.
04:33I'll call my dad too.
04:35He'll die.
04:37He'll die.
04:39They say something, right?
04:41Come on, come on, come on, come on.
04:43The new actor's job is Rashi Itar.
04:45He took his head.
04:47He didn't take his head.
04:49You just give me a phone,
04:51I'll give him a friend.
04:53Rashi Sahib, everything will happen.
04:55First we'll drink tea,
04:57then we'll do it.
04:59You don't drink tea.
05:01You drink tea, right?
05:03I don't know.
05:05It's very good, Jivran.
05:09I don't like that.
05:11I don't like that.
05:13You, I don't like that.
05:15Hello?
05:19Your mother?
05:21What happened?
05:25My mother.
05:27Hello, my mother.
05:32What happened, Zarina?
05:35My mother, I told you,
05:38I'm not a good person.
05:41She killed our child.
05:44You gave me to me, my mother.
05:47My mother, these are all God's hands.
05:49Why are you thinking about these things
05:51and you're wrong with your relationship?
05:53No, my mother,
05:55she told me my mother.
05:57She told me,
05:59she put it in the juice,
06:01and she killed my child.
06:03She killed my child.
06:05She killed my child.
06:07She killed my mother.
06:09Oh, my God.
06:11Zarina, you're in trouble with me.
06:13Don't worry, people.
06:15Your mind is broken.
06:17Mother, you've always looked at me.
06:21You're crazy.
06:23What are you saying?
06:25I'm right.
06:26You're always doing this.
06:27You don't believe me.
06:29She killed my child.
06:31She killed my child.
06:33Mother, your father died in Islamabad.
06:35Okay, your father died in Islamabad.
06:37I'm talking to her.
06:38Don't worry about it.
06:40Pekhtawad,
06:42he also died in Islamabad.
06:44Peace.
06:46So,
06:48And,
06:49and,
06:51,,
06:52,,
06:53,,
06:56well,
06:57,,
06:58,,
07:00,,
07:02Oh
07:03Oh
07:05Oh
07:07Oh
07:08Oh
07:09Oh
07:11Oh
07:12Oh
07:13Oh
07:15Islaam Sop
07:16Kishe Mild Neha Sop
07:17O antar jakep batao bhehi khe
07:19Malak amana ta hai
07:21Bachtawar Seja ke kau malak saab ko
07:23Acha jake
07:25Acha jake
07:26The script is complete.
07:36One thing I've observed is that you don't look at the accounts.
07:41There are so many great artists and many great artists.
07:44You don't look at them?
07:46I don't look at them. Where are these artists like artists?
07:49How do you look at them?
07:52You look at them. Why are they looking at them?
07:56Because they kept them looking at them.
07:59Are you going to see them?
08:01You're going to see them.
08:03You're going to see them.
08:04This is a matter of fact.
08:06I'm going to tell them that you're looking at them.
08:09If you don't look at them, how can you look at them?
08:17They're taking the phone.
08:20Go inside and tell them not to tell them that they are the king.
08:25Why don't you understand? Go inside.
08:27No, no.
08:28We don't want to go inside.
08:30No.
08:31We don't want to tell them.
08:33We're going to tell them.
08:35You tell them to tell them.
08:39Go inside.
08:41Go inside.
08:54Oh, this is a policy, right? This is not the work of corruption.
08:57One time, you can close your mouth.
09:00After that, I don't have a chance to speak.
09:02Stop it. I'll be in front of her.
09:05That's okay. You better understand it.
09:09I'll be waiting for you.
09:10Stop it. Stop it. Stop it.
09:20How are you, artist?
09:21Are you?
09:23Rشید صاحب آئی کوئی کام کریں
09:25آپ آنکھیں بند کریں
09:35میں اگر آنکھیں بند کر لوں گا تو دیکھوں گا جیسے جناب
09:40یہ بھی کر لیتے ہیں
09:42رشید بھائی اب آپ جب آنکھیں کھولیں گے آپ کے سامنے بہت امدہ آرٹس لا جواب اداکار نظر آئے گا
09:56ہم
09:57بھولے آنکھیں
09:58دو جی
09:59بھولے لگوں
10:00وان
10:02ٹو
10:03ٹری
10:04ٹو
10:07ٹو
10:10اچھے بھلے بندے کا مزاق بنا دیا آپ لوگوں نے
10:12ہیں
10:13نکاہ آئیں اداکار
10:14Oh, my brother! Look at that!
10:18Our fun guy, our brother!
10:31You're a creative man!
10:34Mashallah, Mashallah!
10:36It's amazing, it's amazing!
10:39Do you work?
10:41Rashi sahab ko leja ke rail sale karvao
10:43Amin?
10:44Hathom
10:45Aur khiyar rakhna
10:47Inko character me is tarah in karvao ke inhae bhaar ki dunya ki kooi tension kooi figure yad nahi rahe
10:51Start kar do
10:55Oh, chalo bhaji jivrana bhaai
10:57Ab dekhna me kaise bhajephan ho
11:00Uy!
11:01Dermazha khol do
11:11Uy!
11:24Shah!
11:28Uy!
11:30Midwestern
11:312018
11:35tım
11:36Allah Khaldir Nekut Rukho
11:51Let's see what we're talking about
11:54Loi Jee, Chacha Jee
12:06There is a big difference between the city and the city.
12:11Excuse me.
12:14In the city, the doors are open and open.
12:19Here you can see, you can tell yourself in the city.
12:24I don't understand you. I don't understand you.
12:27I don't understand you.
12:29Chacha ji, you can understand.
12:32But I think that Mustafa's father is behind him.
12:38That will also understand you.
12:40Which one thing is small?
12:42What happened?
12:43Yes.
12:44This thing is bad.
12:46It's bad.
12:48Okay.
12:49Which one thing is bad for my daughter?
12:51That's it.
12:53You will understand.
12:56Chacha ji.
12:58Chacha ji, you will remember your name.
13:02Why did you keep it?
13:03Why did you keep it?
13:05Why did your daughter keep it?
13:08Why did my daughter keep it?
13:10Why did you keep it?
13:11Why did you keep it?
13:12Chacha ji,
13:14the church was also a good idea.
13:18The Lord had a hard word for the Messiah from the Messiah.
13:27I don't have to read it, then read it.
13:29So why did you say that your father,
13:31the king, the king, the king, the king, the king?
13:34Don't forget it, father.
13:36Don't forget it.
13:38Don't forget it.
13:40When our family came to help,
13:44what did you have done with us?
13:47My father, I remember everything.
13:53That's why your father,
13:54if you don't understand it,
13:57why did you understand it?
13:59Hey, my father,
14:02this is also a bad thing.
14:05You have to go,
14:08you have to go,
14:10but you have to go,
14:13you have to go.
14:16Oh, my father,
14:18I'm very proud of you,
14:19your father,
14:20you have to think about it.
14:21You have to think about it.
14:22You have to think about it.
14:25What's the difference?
14:26Listen to me.
14:27Listen to me.
14:28Listen to me.
14:29You have to say that.
14:31Today, you will be a servant,
14:34or a servant,
14:36you will not have to go.
14:38You know?
14:39You have to go,
14:40and you have to go,
14:44you have to go,
14:46So,
14:46until you've got to go,
14:48you have to go.
14:49Now,
14:50you're not going to be my availability.
14:54First time,
14:56first time,
14:57First of all, my brother, someone took a picture on my friends.
15:04No, you're a young man, my brother.
15:07He is in a new society.
15:09You understand?
15:10There was a pressure of 100 crore on his head.
15:12What did I tell you?
15:14I said, listen, my brother.
15:15I'm going to go to another house.
15:17Whatever you want.
15:18We're just standing with Bokhtavar's father.
15:22Hey, you're alone.
15:25Chacha ji, you've come.
15:28Do you want to stop drinking?
15:31No, no.
15:32What do you do?
15:33Do you want to drink?
15:34Or do you want to eat?
15:35No, no.
15:36I'll teach you later.
15:37I told you.
15:38You have to come to another house.
15:40God has given you.
15:55I'm learning everything with you.
15:56Hmm.
15:57What are you learning?
15:58How do you ignore someone?
16:01Why would I ignore you?
16:02Why would I ignore you?
16:03Why would I ignore you?
16:04Why would I ignore you?
16:05Why would I ignore you?
16:06Because I had to come to the house.
16:08Why would you ignore him?
16:10Why would I ignore you?
16:11Why would I ignore you?
16:12Why would I ignore you?
16:13Why would I ignore you?
16:14Because I would have meant to come to my dad.
16:18Why would I do you?
16:20Because I meant to come to my dad.
16:27What's the matter of it?
16:29Tell me about it in a good way.
16:31Today is not today, right?
16:34Inshallah.
16:36I don't want to be angry?
16:38No.
16:40I'm sure.
16:42I'm sure.
16:44What are you writing?
16:46Let's go.
16:47How much?
16:48Let's see.
16:54Keep your hands.
16:56This is good.
17:04You don't have to do anything like this.
17:06You do a job.
17:08Try to do something in the character.
17:11Look at this.
17:12This is the polio.
17:14What are you doing?
17:16Did you have to do something?
17:18Yes, I did.
17:20And you both know them very well.
17:23Okay?
17:24Who is that?
17:26Mr. Sijawal.
17:28You both want to join.
17:30There is also a big deal of acting.
17:34Happy?
17:35I'm saying that tension is not.
17:37The Rashiita lies here from nowhere.
17:39He's going to go to the ground.
17:41I'm going to the ground.
17:42Okay.
17:43You're coming with me, Rashiita.
17:44You check this.
17:45I told him how to make a stick.
17:47You're sending me in the ground.
17:49How can I do it?
17:50I'll do it.
17:51I'll do it.
17:52I'm going to get out of here.
17:54I'm going to get out of here.
17:56I'll do it.
17:57If I'm going to get out of here,
18:12you can't get out of here.
18:14What the hell is this? Why are you mad at this point?
18:37Tell me what he pointed out.
18:39Oh yes, Ronak is a writer.
18:42And the writer knows where to put an int.
18:46Okay, okay.
18:48Take a class.
18:50But you have to do it right.
18:52And you have to do it right.
18:54And you have to do it right.
18:56It's wrong, Natasha.
19:01You have to do it right.
19:03So what do we say?
19:05That's a wrong, Japan.
19:15I have to do it right.
19:16I have to give a half time for Tarle.
19:17That's why I offered an acting.
19:18And they accepted it.
19:19What do you do?
19:20Why did he accept it?
19:21Why did he accept it?
19:22He took the role of Kiyadu,
19:24and took the role of Kiyadu.
19:26He took the role of Kiyadu and gave him a role.
19:28That's a great character.
19:29That's a wrong, Japan.
19:31What's that?
19:32What's that?
19:33No one has to do it right.
19:34No one has to do it right.
19:36Yes, no one has to do it right.
19:38But he can perform good.
19:40He's done it right.
19:41He's done it right.
19:43So the character is his?
19:45But he'll die from the end.
19:47He's a little bit.
19:49I mean, he's a cowardly man.
19:51I mean, he's a cowardly man.
19:53He's a cowardly man.
19:54He's a cowardly man.
19:55He's still standing there.
19:56No, sir.
19:57The small government has to do a little late.
20:00It's fun.
20:01Let's go and take him.
20:03Yes, sir.
20:05No, sir.
20:07What are the lights of the car?
20:09Are the cars ready, sir?
20:11Oh, man.
20:13He's a cowardly man.
20:14He's a cowardly man.
20:15He's a cowardly man.
20:16What's that, sir?
20:23Sir?
20:27Who?
20:28Yes, sir.
20:29I'm a cowardly man.
20:31What is it?
20:32Yes, sir.
20:33You're calling a cowardly man.
20:41Where are you?
20:42Yes, sir.
20:43Yes, better.
20:56Good morning, Chhote Shah Sahib.
21:17Good morning, Bhai Sahib.
21:21You're being a cowardly man.
21:22You're not in the world anymore.
21:26Tension is completely finished.
21:28Come, do you play at the same time?
21:33I'll go back again.
21:34Oh, sir.
21:35When you come up, you're a bit better.
21:38You've been a good partner.
21:39From when you come to your software came to your craft.
21:43Come, come, you're going to see yourself.
21:45I said, you're a good man.
21:47How did you get out of it?
21:49You're a good man.
21:51Oh my goodness,
21:53I love our brother,
21:55I love him.
21:57And that's also because of it.
21:59You need to learn how to learn
22:02about the old and old people's ideas.
22:05Love you, hey.
22:07I'll go with you again.
22:10What is your life?
22:13What?
22:15Don't call me.
22:19If you go back with me,
22:21whatever your investment is,
22:25what will it be?
22:31What are you doing now?
22:33No, no, no.
22:35I'm giving you money.
22:37What do I do?
22:39What?
22:41What?
22:43What?
22:45What?
22:47What?
22:49What?
22:51What?
22:53What?
22:55What?
22:57What?
22:59What?
23:01What?
23:03What?
23:05What?
23:07What?
23:09What?
23:11What?
23:13What?
23:15What?
23:17What?
23:19What?
23:21What?
23:23What?
23:25What?
23:27What?
23:29What?
23:31What?
23:33How?
23:35What?
23:37What?
23:39What?
23:41I'm saying,
23:43what?
23:45What?
23:47What?
23:49You are so happy.
23:51You are so happy.
24:03What a joke, brother!
24:05What a walk!
24:07What a walk!
24:09For any work, you have to be dirty with dirty.
24:12Then you become a victim.
24:14Gibran brother, listen to me.
24:17Get dirty, get dirty.
24:19Same to you.
24:20Rishid bhai,
24:22you have motivated us all.
24:25You are so happy that you are in the showbiz.
24:28Don't let go of that shit.
24:31Don't let go of that shit.
24:33Don't let go of that shit.
24:36Don't let go of that shit.
24:38You are so happy.
24:41Don't let go of that shit.
24:43Don't let go of that shit.
24:46Don't let go of that shit.
24:49Don't let go of that shit.
24:51Come on.
24:52Just do that shit.
24:53Don't.
24:55á
25:16Very nice.
25:19Very nice.
25:20You've done great, Rashid.
25:23What are you talking about?
25:26Rashid, you'll like to say something about your performance?
25:30I mean, you're saying this copy.
25:33Copy?
25:34Yes.
25:35Niranak, brother.
25:37I remember the script from a big man.
25:40Sit, late, late, late, late, and run.
25:43But I didn't understand anything.
25:45I was like that being hit in a white sea.
25:49And then I was taking a mobile off my own.
25:52And I was being paid for every single day.
25:57That means that the people who are for me have cut it for me.
26:01Actually, that was for the Buddhist and Buddhist.
26:04And the people who are being paid for me.
26:06And the people who are being paid for me.
26:07Ahhhh.
26:08Ahhhh.
26:09And the people who are being paid for me.
26:12Ahhhh.
26:13G1
26:15G1
26:17G1
26:19Fon lana me ra
26:21G1
26:29G1
26:31G1
26:33G1
26:35G1
26:37G1
26:39G1
26:41G1
26:43G1
26:44G1
26:47G1
26:48G1
27:07G1
27:08G1
27:09What the hell?
27:11Did you tell me that you went there or not?
27:14I went there, Sajawal. I also gave an audition.
27:18But, I don't know. I think that those people will not select me.
27:22Sir, I don't have to think about anything about it.
27:26Whatever will happen, whatever will happen.
27:28Sajawal, there's no answer to my brother when he comes back.
27:32You're just ready, Ajrat.
27:35We'll meet.
27:36And tell me that you're going to leave your right place.
27:42I can't do this every day.
27:45My position is wrong. If someone is confused.
27:49What's wrong with you?
27:52Everything will happen.
27:55You're just ready.
27:59I'm going to get out of here.
28:02When I come back, I'll call you, okay?
28:04Okay.
28:06Bye.
28:20Rishid, you've got your performance, right?
28:23You've got to stop talking.
28:25You've got to stop talking.
28:26God, don't say that.
28:27Don't say that again.
28:28Don't say that again.
28:29Don't say that again.
28:30No, Rishid.
28:31I'm telling you.
28:32What's wrong with you?
28:33What's wrong with you?
28:34You're such a good actor.
28:35You've given us all a challenge.
28:38How do we show you?
28:40I'm so...
28:41I'm not going to do that.
28:42Hey!
28:43I've done this.
28:44I've done this.
28:45We'll have to.
28:46The action is all.
28:47The action is all.
28:48The action is all.
28:49The action is all.
28:50The action is all.
28:51I didn't say that I didn't give up.
28:54Oh, wait a minute.
28:55Oh, who is that?
28:57Oh, Sajabal Sahib's phone.
28:59Oh, wait a minute.
29:00Hello?
29:02How are you?
29:03We're up there, sir.
29:05Oh, I was here looking at your admission
29:07and I wanted to interview you.
29:09Oh, I wanted to interview you in acting.
29:11Huh?
29:13Well, it's been a while.
29:15It's been a while.
29:17Can you tell me what's happening?
29:19Oh, nothing.
29:20We're all in the academy.
29:22We're all in the theater.
29:24Oh, okay.
29:26Then I'm coming.
29:28Oh, come on.
29:30Come on, come on.
29:32Rashi Tala will receive you in the gate.
29:34Inshallah.
29:36Oh, okay.
29:38Oh, Sajabal Sahib.
29:40Oh.
29:42I don't understand my father.
29:46Why does Sajabal have to do acting?
29:48He will be acting with us.
29:50If he wants to do Skype,
29:52then do it.
29:54Yes, but he's an investor
29:56so I think he needs to be an investor.
29:58One, two, two things.
30:00Why are you so touching?
30:01If he wants to do it,
30:02then do it.
30:03It's not touching.
30:04He was concerned.
30:06Okay.
30:07Anyways.
30:08What will you make the story?
30:09When will I compute the story?
30:10Script.
30:11Script.
30:12Inshallah,
30:13I'll be able to improve the night.
30:14Inshallah.
30:15Hey!
30:16Dadu, how are they?
30:17How are they?
30:18How are they?
30:19I haven't asked.
30:20Dadu, totally fine.
30:22How are you concerned about it?
30:24Call me and ask.
30:25Tell me.
30:26Tell me that I have to call Dadu.
30:28I'll tell you.
30:29Don't do it.
30:30You can tell me when to do it.
30:32Okay, let's go.
30:34Oh, hi.
30:36I'm Dadu.
30:37Oh, boy.
30:40Dude,
30:41Mohsin and Naveed told him to take care of him.
30:43Great.
30:44Where did he stay?
30:45In the studio.
30:46And he went to the gate
30:48to help him.
30:49Okay.
30:50How are you going to meet him?
31:00Hello, Dadu!
31:01How are you?
31:02I'm not fine.
31:03I'm not fine.
31:04You're fine?
31:05But Dadu,
31:06didn't tell him that you're okay?
31:07How are you doing?
31:08I don't care.
31:09I don't care.
31:10I don't care.
31:11I don't care.
31:12But Dadu,
31:13I thought that you were fine.
31:15Well, I'm fine.
31:16What does he know?
31:17I don't care about it.
31:18I don't care about it.
31:19I don't care about it.
31:21What happened to you?
31:22I...
31:23I...
31:28Two people who are sweet.
31:29I'm sorry.
31:30It's a good thing.
31:31You've been so bad.
31:32I've never done anything.
31:33I've never done anything.
31:34But then, what kind of thing happened to you?
31:35For you.
31:36For me?
31:37For me.
31:38For me?
31:39For me.
31:40For me?
31:41For me?
31:42For me?
31:43For me?
31:44For me?
31:45For me?
31:46For you who came to the house and left me.
31:49For me?
31:50For me?
31:51For you?
31:52I'm not saying the truth.
31:55For me, I'm not saying the truth.
31:57For me, I'm not saying the truth of my life.
32:00If you come to my life, I'll end up in a mask.
32:06My brother, I'll get used for this truth.
32:09Give me a lot to you dad.
32:13What are you doing?
32:15Just do it.
32:16What will you do to dad?
32:18Then come to the cafe.
32:22Dadu, I'm taking my phone.
32:24I'm not asking you to cry.
32:26He is the only man of the world.
32:28Okay, good luck, good luck.
32:32Hey, look, I can't see anything?
32:36This is a dumb guy...
32:43I want to tell you something.
32:45Say, sir, let's do this. We all hear it.
32:48Oh, no, no, it's not a law.
32:50It's only a small request.
32:52Where?
32:53Because I've become a brother-in-law, so I want to say that you don't say that you don't say that.
33:00And in the middle of my money, I'm going to give you a gift.
33:05I've come to make friends and make friends.
33:10I've come to give you a relief, so I want you to forgive me.
33:15I don't want to forgive you.
33:17I've kept myself so I can understand.
33:19You're okay with your own.
33:21Now all the confusion has been delayed.
33:23Now we're friends.
33:24I'm going to say one more thing.
33:27You're not going to believe it.
33:28No, no, I'm not going to believe it.
33:30It's just a request.
33:31Why don't you sit and talk about it?
33:33You do what you have to talk about, just like you are okay.
33:36Look, what can you do?
33:39When the person has taken himself to give him a gift to him,
33:44then no one can stop him.
33:46So, we need to exchange numbers of each other.
33:51It's good that the knowledge of each other will grow.
33:53Let's do it.
33:54Let's do it.
33:55Let's do it.
33:56Let's do it.
33:57Let's do it.
33:58Let's do it.
33:59Yes.
34:00Please.
34:01Zero, three, two, one.
34:07What about double two?
34:09Triple two.
34:11I'm going to go to Gulberg's side.
34:14So, if someone has dropped, I can drop them.
34:18There's Natasha too.
34:19There's Natasha too.
34:20Tell Natasha.
34:21It's good.
34:22It's good.
34:23It's good.
34:24No.
34:25No.
34:26It's not.
34:27I could go out of the way for friends.
34:29Let's go.
34:30Let's go.
34:31Let's see.
34:32Mohsen and Naveed have worked.
34:33Yes.
34:34Let's do it.
34:35If you have any other work, please tell me.
34:37No.
34:38Let's do it.
34:39Okay.
34:40Take care.
34:41Okay.
34:42Take care.
34:55How many times are you coming to the academy?
34:58MashaAllah.
34:59I think it's been a few days now.
35:01I've joined now.
35:02I'm a new one.
35:03I'm a very old one.
35:05No.
35:06No.
35:07No.
35:09I guess Natasha too.
35:10You can ask her.
35:11Okay.
35:12Inshallah.
35:13Inshallah.
35:14Inshallah.
35:15I think it's aku for the future.
35:17I guess Natasha is coming to the side.
35:18So you can ask her.
35:20Okay.
35:21Inshallah next situation.
35:22Di endlich bir ne.
35:23Sure.