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00:00I will do a lot of the time
00:02I will do a lot of the time
00:24I will do a lot of the time
00:26Because in the election you will stand alone in the election.
00:56The news is most common.
01:05What's the same?
01:08Hello, Mr. Javan.
01:10Hello.
01:13What about you, Mr. Javan?
01:16Mr. Javan?
01:18Anything you want, Mr. Javan?
01:21Well, everything is fine.
01:22How are you?
01:23Alhamdulillah
01:24How are you feeling?
01:25Are you tired?
01:26No, it's just that it's an assembly session.
01:29We need to prepare it.
01:31Okay.
01:32Let's go.
01:33Do you think?
01:34There are opportunities.
01:35Of course.
01:48Okay.
01:49You're coming.
01:50You're coming.
01:51You're coming.
01:52You're coming.
01:57I'm coming.
01:58I'm coming.
01:59I'm coming.
02:00What are you doing?
02:01I'm coming.
02:02I'm coming.
02:03I'm coming.
02:04I'm coming.
02:05I'm coming.
02:06Good.
02:07What's your idea?
02:08What's your idea?
02:09The habit of surprise is my dad.
02:13It was a big shock.
02:15He had surprise.
02:17He's coming.
02:18This habit of surprise is my dad.
02:19He's coming.
02:20He's coming.
02:21He's coming.
02:22He's coming.
02:23He's coming.
02:24I'm coming.
02:25He's coming.
02:26What?
02:27What are you talking about, Dadaji?
02:30This...
02:32...is a little bit nervous. Everyone's fine.
02:36He's getting nervous.
02:39...because Bukhtawar Shah is not with him.
02:44Now?
02:47I'm going to do a bi-election.
02:50The time has gone on these people.
02:56I'm going to do this.
02:58Oh, man.
02:59Tell me, man.
03:01I need you.
03:03What do I mean?
03:05I understand you.
03:08Look.
03:09Your brother is Bukhtawar Shah.
03:12He's not with him.
03:15He's with him.
03:18And if he doesn't even know anyone...
03:21...then he has a happy happy.
03:24That's why I'm telling you...
03:26...be like your brother.
03:28I'm right.
03:29I'm wrong.
03:30I'm wrong.
03:31I'm wrong.
03:32Correct.
03:33Yeah, man.
03:34Don't drink food.
03:36Do something.
03:37Yeah, man.
03:39You are a big brother.
03:40No.
03:41No.
03:42No.
03:43No.
03:44No.
03:45No.
03:46No.
03:47No.
03:48No.
03:49No.
03:50How can you do this with him?
03:51That's his heart.
03:52That's so much.
03:53No.
03:54No.
03:55No.
03:56No.
03:57That you don't have time to ask for your line.
04:00It's like that the father of Ronak comes to meet your husband
04:04and doesn't have to say anything in the answer.
04:06Then they say this line.
04:07You can't say this.
04:09Yes, dad.
04:12We were late at that time.
04:16The mood was off.
04:18And you know that when the mood was off,
04:20the mood was disturbed by the whole house.
04:23I thought, take your mood and take your mood.
04:27Let's chill and then I'll talk to my mother myself.
04:30I'll call my dad as well.
04:32He said,
04:33He said,
04:34He said,
04:35He said,
04:36He'll die.
04:37He'll die.
04:38He said something.
04:40Come on, come on, come on, come on.
04:42The new actors,
04:44Roshir Tarlye,
04:45has taken all the time.
04:47You have to take all the tangents.
04:49You just give me the form.
04:51You have to take all the tangents.
04:53Rashi Sahib,
04:54everything will happen.
04:55First we drink tea,
04:57then we'll do it.
04:58No, no.
04:59This tea is not tea.
05:01You drink tea with Koveta.
05:03I don't know.
05:04It's very hard, Jibran.
05:09I don't have to do this.
05:11I don't have to do this.
05:21I don't have to do this.
05:22Your God.
05:25Anything.
05:26What are you saying?
05:27What are you saying?
05:28Your God.
05:29Please.
05:30I'm sorry.
05:31My God.
05:32I'm sorry.
05:33I'm sorry.
05:34All right.
05:35You're sorry.
05:36I'm sorry.
05:37I'm sorry.
05:38You've no one day.
05:39He is not a good person. He killed our child.
05:45You gave me many people in my hands?
05:47My son, these are all God's hands.
05:49Why are you thinking about these things and making your relationship wrong?
05:52No, no, ma.
05:54He told me my mother.
05:56He told me that he gave me the juice in the juice.
06:00He killed my child.
06:01I killed my child.
06:03I killed my child.
06:04How is this a mother?
06:06He killed my child.
06:09Oh, my God!
06:10You are so angry with me.
06:12You are so angry with me.
06:14You are so angry with me.
06:16My mother, you have always looked at me.
06:21You are crazy.
06:23What are you talking about?
06:25I'm right.
06:26You always have to say that.
06:28You don't have to say that.
06:30She has to take me for her child.
06:34Oh, your father is Islamabad.
06:36When I talk to you,
06:38you don't be afraid.
06:39You are so angry.
06:40Maktawad,
06:41he is also Islamabad.
06:44God bless you.
06:46police...
06:48Today's the irlвал hearts attached,
06:49let's pray.
06:50Now let's pray for your doom.
06:51Yes.
06:52Good Robinson!
06:53I will pray for your suit.
06:54For your second be
07:13How are you going to meet me?
07:16Go and tell me,
07:18there is a king's name.
07:20Go and tell him to the king's name.
07:22Okay.
07:24Yes.
07:33The script is complete.
07:35One thing I've observed.
07:37If you don't look at accounts,
07:39you don't look at me.
07:41They are artists.
07:43You don't look at them.
07:45I don't look at them.
07:47Where are artists?
07:49How do you look at them?
07:51How do you look at them?
07:53They look at them.
07:55Why are they looking at them?
07:57They keep their eyes.
07:59Where are they going?
08:01You're going to sit down.
08:03They're going to take care of them.
08:05I'm going to say,
08:07I'm going to say,
08:09how do you look at them?
08:11How do you look at them?
08:17They're not taking care of them.
08:19Oh, man.
08:20Go and tell them to the king's name.
08:22Why don't you go to the king's name?
08:24Why don't you go to the king's name?
08:26No.
08:27We don't go to the king's name.
08:29No.
08:30That's why we did not.
08:31We are going to wait.
08:32You're going to the king's name.
08:34You're going to tell them.
08:35Come on.
08:36You're going to...
08:38That's right.
08:39That's right.
08:40. . . . . . .
09:10. . .
09:40. . . .
09:48. . . .
10:10What are you guys doing?
10:12What are you guys doing?
10:14Oh my brother!
10:16Look at that!
10:18Our work is in front of us!
10:30You're a very creative man!
10:32Mashallah!
10:34It's amazing!
10:36It's amazing!
10:38You're a very creative man!
10:40You're a very creative man!
10:42You're a very creative man!
10:44You're a creative man!
10:46You're a creative man!
10:48You're a creative man!
10:50You're a creative man!
10:52Start!
10:54Come on, brother!
10:56I'll see you guys!
10:58How do you play?
11:00Open the door!
11:08Clinic is a brilliant man!
11:10We have a very creative man!
11:12We'll hide!
11:14I've never found one!
11:16You're a modern man!!
11:18Oh my God!
11:20That's the truth!
11:22I think it's all about another problem!
11:24This is his power of Life I Have A No Radio,
11:25which is so socio-to-
11:29Allah Khaldir Neh Putt Rukho, Haa, Dekho, Now Kya Bukhtawar Se Baat Hoti
11:54I'm not sure what I'm gonna do
11:56I'm
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21:02Good morning, chote shah sahab.
21:19Good morning, bhai sahab.
21:22Time to wait, good morning.
21:25Sir, the tension is over.
21:29Come on, play yourself, play yourself.
21:33Don't go back again.
21:35Bhai, when you talk about it, your heart looks good.
21:39For two days, your software had come.
21:43Now, look, you look at your face.
21:45Mashallah, mashallah, how did you grow up?
21:48Bhai, you can understand me.
21:50Oh, my dear.
21:52This is my brother.
21:55I enjoy it.
21:58And it's also because of it.
22:00You need to learn how to teach people.
22:02How do you teach young people?
22:05Love you, boy.
22:07Bhai, I'll go back with you.
22:10Tell me, what's your life?
22:14Don't call me.
22:16If you go back with me, if you go back with me, what's your investment?
22:25What's your investment?
22:27Bhai, you're building my money.
22:28No, hey, no.
22:29I'm gonna give you how...
22:30What's your investment?
22:31Bhai, you're doing my money.
22:33No, don't.
22:34I'm giving your money.
22:35What do you do?
22:36What do you do?
22:37Ba-dha.
22:38What do you do?
22:40I'm arbeite.
22:41It's a lot of people who are living in the house
22:49and who are living in the house
22:54and who are living in the house
22:58so that those people who want to see the house
23:02they are living in the house
23:06because they are working for the house
23:10and you don't have to worry about it.
23:13This is so much, my dear,
23:16this is the four walls of each other.
23:19In the middle, you don't have to know anything about it.
23:23Don't forget it.
23:33What are you talking about?
23:36What's up, brother?
23:39We're saying something to you.
23:43Everything is my love.
23:45You're happy.
23:47I love you too.
23:51You're happy.
23:52You're happy.
23:54You're happy.
23:56I love you too.
23:57What's up?
23:58What's up?
23:59What's up, brother?
24:00What's up?
24:01What's up?
24:02What's up, brother?
24:03What's up, brother?
24:04What's up?
24:05What's up?
24:06What's up?
24:08What's up, brother?
24:09It's not to be that same.
24:11It's not to be the same.
24:12You get dirty, you get dirty.
24:13Then you get dirty.
24:14Gibran, listen.
24:16Get dirty, go dirty.
24:18Same to you.
24:21Rishit,
24:22You were very motivated to motivate us. Thank you.
24:25You are the only reason why we are in the showbiz.
24:28Don't give up.
24:31Don't give up. Don't give up.
24:34Don't give up.
24:37Don't give up.
24:39Don't give up.
24:42Don't give up.
24:44Don't give up.
24:52Don't give up.
24:58You won't ride.
24:59You don't fight.
25:01I had a watch marketplace.
25:04I was like, hug.
25:07You must be asked.
25:09Don't give up, anyone?
25:10Trying men.
25:11Don't give up.
25:13of C body of this bike.
25:16Very nice.
25:17Very nice.
25:18Very nice.
25:20You've done a great job, Rashid.
25:23What are you talking about, Chacha Keidu?
25:25That's right, Rashid.
25:27You'll like to say something about your performance.
25:30I mean, you're saying this copy.
25:33Copy?
25:35Yes.
25:37I remember the script from a big man.
25:40Sitting, late, late, and running, running.
25:43But I didn't understand anything.
25:46I felt like I was hitting the stone in the empty sea.
25:49And then I got a mobile from my house.
25:52And I got a horse and got a horse.
25:55And I got a horse.
25:57That's what you've done for me.
26:01That's why it was for me.
26:03That's why it was for me.
26:05And that's why it was for me.
26:07And that's why it was for me.
26:09G1.
26:16G1.
26:17G1.
26:18G1.
26:19G1.
26:20G1.
26:21G1.
26:22G1.
26:26Sir,
26:38Do the job.
26:39Yes sir.
26:40Parts will advance.
26:42Yes better.
26:44And tell them that when you will be there, you will be able to get rid of them.
26:47Yes sir.
26:56Hello?
27:09What the hell?
27:11Did you tell me that you went there or not?
27:14I went there, Sajabal.
27:16I also had an audition.
27:18But I don't know.
27:20I think they will not select me.
27:22Sir, you don't have to think about anything.
27:25It's good.
27:27Sajabal, you have no answer to your brother.
27:30That they are when they are coming?
27:32You are just ready.
27:34We will meet.
27:37And tell them to tell you,
27:40that you will not be right.
27:43I can't do this every day.
27:46This is why my position is bad.
27:48If someone will be able to get rid of it.
27:50What is it?
27:52You will not be able to get rid of it.
27:55You are just ready.
27:58I will be able to get rid of it.
28:00I will be able to get rid of it.
28:02I will call you again.
28:04Okay?
28:05Okay.
28:06Bye.
28:07Take care of the time.
28:09Bye.
28:10Bye.
28:11Rishid Bhai, you have your performance, right?
28:24You have to say a lot.
28:26Allah, don't say that, don't say that.
28:28Don't say that again.
28:30No, Rishid Bhai, I'm telling you.
28:32What is going on in this situation?
28:34You have such a good job.
28:36You have given us all a challenge.
28:38How do we show ourselves and love you?
28:41Yes, it will come.
28:43The acting is all about the action and reaction.
28:46If Gibran doesn't give me good reactions,
28:49it wouldn't be any benefit to my action.
28:51I've never done it.
28:53Oh, wait a minute.
28:56Who's the name?
28:57Oh, Sujabal Sahib's phone.
28:59One minute.
29:01Hello?
29:02How are you?
29:03We're updating it, sir.
29:05I was trying to see you.
29:08I was trying to see your admission and experience.
29:10I was trying to see you acting.
29:11I'm trying to do it.
29:13It's a good job.
29:15It's a good job.
29:16I'm trying to do it.
29:18What are you doing?
29:19Nothing.
29:20We're going to Academy.
29:22We're going to the theater.
29:24We're going to the theater.
29:26It's okay.
29:27I'm going to go.
29:28The future.
29:29Come, come, come.
29:30Come, come.
29:31Come, come.
29:32Come, come.
29:33Come, come.
29:34Come, come.
29:35Come, come.
29:36Come, come.
29:37Come, come.
29:38Oh, Sujabal Sahib.
29:39Oh, Sujabal Sahib.
29:42I don't understand.
29:44Why do you want to do Sujabal acting?
29:48He's going to act with us.
29:50If he wants to act with you,
29:52then do it.
29:54Yes.
29:55But he's an investor.
29:56I think he needs to be an investor.
29:58One, two, two things.
30:00Why are you so happy?
30:02If he wants to act with you,
30:03then do it.
30:04He's not happy.
30:05He was concerned.
30:07Anyway,
30:08what will you make the story?
30:10When will I come to the computer?
30:11Script.
30:12Script.
30:13Inshallah,
30:14we'll come back tomorrow.
30:15Inshallah.
30:16Hey,
30:17how are they?
30:18How are they?
30:19How are they?
30:20I don't have to ask.
30:21How are they all right?
30:23How are you concerned about it?
30:25Call me and ask.
30:26You didn't tell me that
30:27I have to call Dadu.
30:28I said,
30:29Don't do it.
30:30You can tell me what to do.
30:32Okay, let's go.
30:34Oh, hi.
30:36I'm Dadu.
30:37Oh, boy.
30:41Dude,
30:42Mohsin and Naveed told him.
30:44Great.
30:45Where did he stay?
30:46In the studio.
30:47And Tarlabhai went to the gate
30:48to take care of Sujabal.
30:50Okay.
30:51How are you going to meet him?
30:53Well,
30:54you're still there.
30:55Go back.
30:56It's fine to go.
30:57It's fine.
30:58It's fine.
31:00It's fine.
31:01It's fine.
31:02It's fine.
31:03Ah,
31:04it's fine.
31:05Thank you, Dadu.
31:07How are you?
31:08I don't know.
31:09I am fine.
31:10I don't know.
31:11I don't know.
31:12I don't know?
31:14But Dadu said that you're okay?
31:17I don't know what I'm going to do at home. I didn't care about it.
31:21What happened to you?
31:22I...
31:23I...
31:27I...
31:28I'm a good one.
31:30You've been so upset with me, right?
31:32No.
31:34I've been so upset with you.
31:36Then who was upset with you?
31:38By your way.
31:40By your way?
31:42By your way?
31:43By my way, how can you upset with me?
31:45By your way, you came to my home and left your happiness.
31:50That's because of it.
31:52And you?
31:53I'm saying the truth.
31:56Because of my own home, you've got to be a good job.
32:01You'll end up in your life with a mask.
32:06Then you'll get used to be a habit of your happiness.
32:11Don't worry, Dad.
32:13What are you doing here?
32:16Just do it.
32:17You'll fix Dad's what will you do.
32:19Then you'll come to the cafe.
32:23Dad,
32:24I'm calling the phone.
32:25Don't worry, Dad.
32:27Okay.
32:28God bless you.
32:29God bless you.
32:30I'm calling the police.
32:31Why?
32:32Lion.
32:33I'm calling you, Mr. Durf.
32:35I'm calling you huge.
32:36You're a big mackerel.
32:37You're a big mackerel.
32:38I want to say something to you.
32:39Did you say something to you?
32:40You're a big mackerel.
32:41Are you lying to me?
32:42I don't say something to you.
32:43Let's say that in your life, hey.
32:44No.
32:44I don't say anything to you, and I'm listening to everyone.
32:46No, the not.
32:48It's not the law.
32:49It's only a small request.
32:51What do you say?
32:52How do I say?
32:53because I am now blessed to be a brotherhood that has become a family
32:56so I want to say that you don't say that
32:59and we have to pay for the money to sell that's the house
33:03I want to sell it
33:04I'm also having friends and I'm not having a family
33:09I'm going to give you a feeling that I have been there
33:13so that's why I want to give you a pardon
33:15I don't say that I don't like you
33:17but I have you myself so understood
33:19you have your own place or you have your own
33:21Now all the confusion is far away, now we are friends.
33:24I want to say one more thing.
33:27Then you're stuck.
33:28No, no.
33:29I don't believe it.
33:30It's just a request.
33:31Why don't you sit and talk about it?
33:33You do what you have to talk about, just like you are fine.
33:36Look, what can I do?
33:39When the person has taken himself and has not given himself to him,
33:44then no one can stop him.
33:46So, we need to exchange numbers of each other.
33:51It's good that you know the knowledge and knowledge.
33:53Let's do it.
33:55We are doing our work.
33:56We are going to note all of our numbers.
33:57We are going to message you.
33:59Yes, please.
34:000-3-2-1
34:07What about double-two?
34:09Triple-two.
34:11I'm going to go to Gulberg's side.
34:14So, if someone has dropped, I can drop them.
34:18Oh, there Natasha is also there.
34:20Tell Natasha.
34:21Tell Natasha.
34:22It's good.
34:23It's good.
34:24No.
34:25No.
34:26It's not.
34:27I can go out of the way for friends.
34:29Let's go.
34:30Let's go.
34:31Let's see, Mohsen and Naveed have worked.
34:33Yes, let's go.
34:34I'm like, if you have any other work, please tell me.
34:37No.
34:38Keep going.
34:39I will try.
34:40I have no problem.
34:41Okay, take care.
34:56Is it how many times?
34:59It has been a day that I've recently lost.
35:02I've already joined.
35:03I'm a new one.
35:04I'm a little old one.
35:05Tell me, please give me your permission.
35:09Inshallah, there will be a chance.
35:11If you want someone to drop, I can drop it.
35:14No, thank you.
35:15I guess Natasha is on your way.
35:18You can ask her.
35:20Inshallah, there will be a chance.
35:35login for playing really hard.
35:40Now w
35:54You know?
35:58Yeah, you don't really know.