A detective investigating the murder of a teenage girl begins to focus his suspicions on the three girlfriends of the victim, who call themselves "The Inseparables."
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00:03:00Why do you have to steal?
00:03:02Oh, for fun.
00:03:05You are a naughty little girl.
00:03:08Oh, no.
00:03:10Oh, yes.
00:03:18No, I'm just doing a little pitching.
00:03:22I'll be there in 10 minutes.
00:03:23I'm sorry.
00:03:25I'm sorry.
00:03:26I really am, but I have to go.
00:03:28Don't worry.
00:03:28I'll be back one day.
00:03:29That's what Columbus probably told his wife.
00:03:32Funny.
00:03:32Well, what'll you do now?
00:03:39Curl up with a nice book.
00:03:42See you.
00:03:43Bye.
00:03:45Hi.
00:03:46Hi, Lewis.
00:04:04What have you got this time?
00:04:05You'll see.
00:04:05Sorry to call you at home.
00:04:07When they told me you weren't in the office, I...
00:04:09The suspense is killing you, Lewis.
00:04:10The girl's 16 or 17.
00:04:11She can't be more.
00:04:12They found her a half hour ago.
00:04:14Murder or suicide?
00:04:15Murder.
00:04:15Somebody really made a mess of her belly.
00:04:17Cut about this long.
00:04:18Really awesome.
00:04:19Come up with the strangest choice of words someday.
00:04:21I improve my vocabulary by studying the Reader's Digest.
00:04:26Well, now you're here.
00:04:27You better listen to what the doc has to say.
00:04:29Right.
00:04:30I can't be specific until after the autopsy.
00:04:33But off the record, I can tell you that she's in her late teens
00:04:35and was probably killed about 24 hours ago, give or take an hour.
00:04:39Her lower abdomen has been torn open by an instrument
00:04:42that was anything but sharp.
00:04:43Death was probably due to loss of blood.
00:04:46Her face is composed, which suggests that she was unconscious
00:04:48before being butchered.
00:04:52Well, it's up to you now.
00:04:55Crack down the killer before he carves up somebody else.
00:04:58I'll put Santini in the case you're investigating at the moment.
00:05:03George, do me a favor.
00:05:04Go to the morgue with the cadaver and see if the sack and the rope get to the lab.
00:05:09Then get on to missing persons and check out her age back.
00:05:13Come on, put some snap into it, kid.
00:05:29It's got to be ready for this evening.
00:05:30And you two, get her a new paint job and see covers.
00:05:33Get moving, will you?
00:05:34The lady's looking for you, inspector.
00:05:50Angela, my God, no!
00:06:10Who would have wanted to kill my Angela?
00:06:12She was such a good girl.
00:06:14You can go home now.
00:06:38Don't cry, Mom.
00:06:48Don't cry, Mom.
00:06:48I hear we've had some progress.
00:07:06Yeah.
00:07:06And?
00:07:08Yeah, we've got a make on her.
00:07:09Good.
00:07:10Her name was Angela Russo.
00:07:12She was 16.
00:07:13That's the mother and the little sister.
00:07:32Was the doc right?
00:07:34Yeah, it was the hemorrhaging.
00:07:35It seemed she was really chewed up inside.
00:07:40Must have been somebody who's got a pretty developed sense of perversion.
00:07:45What did he use?
00:07:46I wish I knew.
00:07:48But he did have the grace to knock her out first.
00:07:52You on your way to the office?
00:07:53Yeah.
00:07:53Oh, she did.
00:08:05Oh, she did.
00:08:12Oh, she's not.
00:08:15Oh.
00:08:20Oh.
00:08:21Oh.
00:08:22Oh.
00:08:22Oh.
00:08:23Come on, come on.
00:08:53I sent her to a boarding school, so she wouldn't miss her father so much.
00:09:03Did you give her an allowance?
00:09:07Oh, yes, a small one.
00:09:10Enough for a few things she needed at school.
00:09:17Tell me, was Angela going steady?
00:09:21I mean, did she have a boy she was going out with?
00:09:25Oh, I don't think so, Inspector.
00:09:27On the weekends, she was at home.
00:09:30Or else she'd go out with her girlfriends.
00:09:33Um, they were called the inseparables.
00:09:36Angela, Franca, Paola, and Virginia.
00:09:44Hey, come on!
00:09:45Come on!
00:09:46Come here, Paola!
00:09:47Come on!
00:09:48Come on!
00:09:49Come on!
00:09:49Here!
00:09:50Here!
00:09:50Come on!
00:09:51Come on!
00:09:52Yeah!
00:09:54Pause it!
00:09:54Pause it!
00:09:55No!
00:09:55Come on!
00:09:56Come on!
00:09:57Come on!
00:09:57Yeah!
00:09:58Pass it.
00:09:58No!
00:09:59Come on!
00:09:59Now!
00:10:00Touch me!
00:10:00Yes, please!
00:10:01Come on!
00:10:02Here!
00:10:02Here!
00:10:02Oh!
00:10:03Oh!
00:10:04Here!
00:10:05Wait!
00:10:06Meet!
00:10:06Meet!
00:10:07Kenyon!
00:10:07Here!
00:10:08All of them!
00:10:09Here!
00:10:10Come on!
00:10:11Come on!
00:10:11Oh!
00:10:12Come on, come on!
00:10:13Come on!
00:10:14Here!
00:10:15Come on!
00:10:16Here!
00:10:16Pass it to me. Come on.
00:10:25If you'll come with me, I'll show you around the school.
00:10:28Our teachers will see you at 11.45.
00:10:29Fine, thank you.
00:10:30This way.
00:10:32I want to make quite sure you understand
00:10:34that we are not used to having police officers on the premises.
00:10:36I don't see why you should be.
00:10:38I hope you're not used to having your students murdered, either.
00:10:40In case you don't already know,
00:10:48we are considered an exclusive school.
00:10:50Our girls come from the very best families.
00:10:53Oh, I believe Angela's parents were divorced recently.
00:10:56Is that so?
00:10:57We are not concerned with the parents' domestic arrangements,
00:10:59as long as the fees are paid, of course.
00:11:03The part here classroom.
00:11:06In the fifth row, third on the right.
00:11:08That was Angela's desk.
00:11:10This one?
00:11:22Yes.
00:11:23She was rather backward.
00:11:26And following our normal practice,
00:11:28she slept in the same room
00:11:29as the two brightest members of the class.
00:11:32I'll have to talk to them later.
00:11:34I only hope this unfortunate business
00:11:36will not affect our reputation.
00:11:37Could you tell me the names of these roommates?
00:11:53Yes, of course.
00:11:54Father Matthews and Virginia Breeden.
00:11:55But once again.
00:11:56Oh, you guys haveятно.
00:11:57How do you love him?
00:12:01Come on, get off.
00:12:04How do you love him?
00:12:07Come on.
00:12:07Yeah.
00:12:37Yeah.
00:13:07Oh, oh.
00:13:09Oh, oh.
00:13:10Oh, oh.
00:13:11Franka, Paula.
00:13:14What's the matter?
00:13:15What is it?
00:13:16What is it?
00:13:17What's the matter?
00:13:18What is it?
00:13:20I'm sorry.
00:13:21I've been trying to help you.
00:13:24I'm scared.
00:13:25But I have been trying to help you.
00:13:26What is it?
00:13:28What is it?
00:13:30What is it?
00:13:33I was so scared.
00:13:34I'm scared, but you're scared.
00:13:36I'm scared.
00:13:37I'll be over a few days.
00:13:42Before you meet the girls, I'll take you to the teacher's room.
00:13:45I don't like to keep them waiting.
00:13:46Of course not.
00:13:47This way.
00:13:50Good morning.
00:13:51Good morning, Miss Graham.
00:13:53A little less noise, please, girls.
00:14:03Mr. Sartaro, our maths teacher.
00:14:05Pleased to meet you.
00:14:05Mr. Mandel, Greek.
00:14:09And man, too.
00:14:11Mr. Mandel is also our assistant headmaster.
00:14:15Mademoiselle Blanche Duprois, French.
00:14:17How do you do?
00:14:19The Reverend Carlo Mariani, our theology teacher and school chaplain.
00:14:24Mr. Van de Weyden, English and German.
00:14:27Pleased to meet you.
00:14:29Mr. Riva, phys ed and sports.
00:14:32How do you do?
00:14:32Oh, sorry.
00:14:36I'm Umberto Conti, history and philosophy.
00:14:38I thought the meeting was supposed to be at noon.
00:14:40Do excuse me.
00:14:41Pleased to meet you.
00:14:46Miss Graham, please excuse my ignorance, but I'm familiar with private schools.
00:14:50Do the teachers sleep here?
00:14:53Well, that depends.
00:14:54There's no fixed board.
00:14:54I don't, for example.
00:14:56I have a room outside.
00:14:58It's less confining.
00:15:00I take it the students always sleep here.
00:15:02No, no.
00:15:02They can sleep at home if they like.
00:15:04We're quite liberal about such things.
00:15:07I see.
00:15:07Very progressive.
00:15:09It must be rewarding to work in such an inspired establishment.
00:15:12From the day it was founded until the present time, in this lovely building, there has been a tradition.
00:15:16Somebody with a cock this big raped Angela Russo and threw her in the river.
00:15:19Stop.
00:15:19Please, stop.
00:15:20We all read the papers.
00:15:22So you can spare us the details.
00:15:24Why, are the facts of life too offensive for the hallowed halls of St. Therese's school for girls?
00:15:28The truth can never be ignored.
00:15:37Hey, mister.
00:15:39Hey.
00:15:42It's very important.
00:15:44Wait for me down that path, but don't let them see you.
00:15:48Okay, fine.
00:15:58How do I know I can trust you?
00:16:05Well, I am a policeman.
00:16:08Here.
00:16:09It was in my sister's locker.
00:16:13Well, see what's inside it.
00:16:15Go on.
00:16:17Did you look?
00:16:18Sure.
00:16:20Okay.
00:16:28Why don't you get all this money?
00:16:31Why don't you go ask them?
00:16:33They were her best friends.
00:16:42If anybody knows what Angela was up to, it's them.
00:16:50Saturday, May 20th.
00:16:55Saturday, May 27th.
00:16:58Strange.
00:17:00Every Saturday, a cat.
00:17:02Saturday?
00:17:04June 10th.
00:17:17Here's the coffee, Johnny.
00:17:18Thanks.
00:17:20All that money in a diary.
00:17:22Full of revealing secrets?
00:17:23I don't know.
00:17:25This cat must mean something.
00:17:27Don't stir it.
00:17:29Put too much sugar in.
00:17:30Great.
00:17:33I wouldn't have kicked her out of my bed.
00:17:34Wow, this is terrific.
00:18:01Where'd you get it?
00:18:02Somebody put it in my locker.
00:18:03Let me see.
00:18:05Let me see.
00:18:10Towards the black shadow.
00:18:12Death will come to meet you.
00:18:14And your deepest desires will then come true.
00:18:17Nemesis.
00:18:17Nemesis.
00:18:18And your deepest吸召 papier.
00:18:33Yes.
00:18:33David.
00:18:38Away.
00:18:41Go.
00:21:14Twenty-two of which are unsolved.
00:21:17I know.
00:21:20But she wasn't only raped.
00:21:22How many cases are there like that?
00:21:25Not one.
00:21:26She's in a different category.
00:21:29Coffee?
00:21:30Without sugar, please.
00:21:31Yes, sir.
00:21:32Okay, what's bothering you, Lewis?
00:21:38You didn't invite me to dinner to discuss statistics.
00:21:41No, specifically the Russo case.
00:21:43I'm in a quandary.
00:21:45St. Teresa's is not the local high school.
00:21:46The students are all money and class, and no one wants a scandal, no matter what.
00:21:53And that means we have to close the case, quickly and cleanly, solved or not.
00:21:59And now tell me the news.
00:22:02How far have you got?
00:22:03I've got a lot of information.
00:22:07You might say every ball's a strike, and I'm batting zero.
00:22:13Here, you can have this back.
00:22:15Lewis, I'll close the file if you like.
00:22:17But first, I'm going to find out who killed her.
00:22:18I'm going to find out who killed her.
00:22:48Christina.
00:23:16You here?
00:23:18Hey, why didn't you answer?
00:23:27Sorry, I was meditating.
00:23:30I hope you didn't steal that stuff in the supermarket.
00:23:35I was brought up too honest.
00:23:37Well, nobody's perfect.
00:23:39I fed all those teachers' names into the computer.
00:23:41It blew a fuse. Too much culture, I guess.
00:23:43So I resorted to walking around asking questions.
00:23:46It's amazing, the results you come up with.
00:23:49What have you found out?
00:23:50Nothing, except all the girls are stinking rich.
00:23:53And she knew that already.
00:23:55None of the teachers has a police record.
00:23:56Hey, wait a minute. Stop the car.
00:24:08Look at that. Where have you seen it before?
00:24:10Oh, you are gorgeous.
00:24:13What do you think of the police?
00:24:15Huh?
00:24:16Hey, not the ass. The cat.
00:24:19The cat.
00:24:21It's not what you call the focal point of the poster, is it?
00:24:25Look at this. It's the Russo girl's diary.
00:24:28It's the same, right?
00:24:29Uh...
00:24:31Well, I...
00:24:32Forget it. Let's go.
00:24:33Let's go.
00:24:42Excuse me, feline jeans.
00:25:03On the rack over there, sir.
00:25:06Oh, yeah, thanks.
00:25:06Sure.
00:25:12Uh, Miss?
00:25:35Yes?
00:25:36Do me a favor and see if they fit, will you?
00:25:37My core was supposed to come with me, but, oh, sorry.
00:25:40How do they look?
00:25:41Great, just great, okay.
00:25:43Around the ass, huh?
00:25:44Sure.
00:25:44Good, what do I owe you?
00:25:45Uh, 1680.
00:25:52Hey, don't look too close.
00:25:53I'm one of my best.
00:25:59Have you seen Angela, sweetheart?
00:26:01Angela?
00:26:01Yeah.
00:26:02No, sorry.
00:26:02You don't know her, huh?
00:26:03No, I'm sorry.
00:26:04She's always in here.
00:26:06Wait a minute, I got a photograph.
00:26:08You recognize it, don't you?
00:26:08No, I'm sorry, I really don't know it.
00:26:10Take a better look.
00:26:10Oh, there's your change.
00:26:12You want a bag to put those in?
00:26:14Bye.
00:26:14Well.
00:26:15Oh, boy, would I like to get my hands on you, flat out.
00:26:41Move that bike.
00:26:46I want to park.
00:26:47What do you mean, move it?
00:26:48That's a thing of beauty you're talking about.
00:26:51Have a nice day.
00:26:53Son of a bitch.
00:26:54Alright.
00:26:55I want to.
00:26:55Okay.
00:26:55What do you mean, I want to do this?
00:26:55I want to do something.
00:27:07I can't do this.
00:27:08I want to do this.
00:27:08I can't do this.
00:27:08I can do this.
00:27:09I can do this.
00:27:11I can do this.
00:27:11I can do this.
00:27:12I can do it.
00:27:44Oh, God! Help!
00:27:49I can't hold him!
00:27:55Help!
00:27:58Oh, God!
00:28:02Help! Help me!
00:28:05Help!
00:28:07Franca! Franca!
00:28:14Are you okay?
00:28:18Oh, Matt!
00:28:21It's all right.
00:28:31Look!
00:28:32No wonder he bolted.
00:28:45There. You see? I stole it from their room.
00:28:53Okay. Now, what happened and who got hurt?
00:28:55I already told you, Inspector, Franca's horse Bolton after what this happened to be sticking in its side.
00:29:00How did it get there, huh?
00:29:05You're not trying to put me on, are you?
00:29:07Oh, sure. That red stuff is ink, right?
00:29:09Okay.
00:29:20Let's go, Starsky. It's time we put the cat among the pigeons.
00:29:23Hey, we should have phoned first.
00:29:47What? What do you say? Huh?
00:29:50I don't know.
00:30:05Who is it?
00:30:07Police.
00:30:08Inspector DiSalvo.
00:30:09Open the door.
00:30:10Oh, no. I have to inform Miss Graham first, sir.
00:30:12You heard me.
00:30:13It's the police. Open up.
00:30:13If you wait in the hall, will I announce you?
00:30:16Don't worry. I'll announce myself.
00:30:18Inspector! No, you can't.
00:30:20What is the meaning of this intrusion, Inspector?
00:30:21I'll explain later.
00:30:22Do you realize what time it is?
00:30:23You have no authority to force your way in here.
00:30:26Where are you going?
00:30:27If you want to speak to somebody, let me call him for you.
00:30:29You can see him in my office.
00:30:30Inspector, please. What is the meaning of this?
00:30:32You owe me an explanation.
00:30:34Oh, my God.
00:30:35Everyone's asleep. Ask me what you want to know.
00:30:37Right. I'll be everything you know about Angela Russo and about the accident today.
00:30:41What accident? I don't know what you're talking about.
00:30:42Is that a fact?
00:30:43That's Mr. Barton. No!
00:30:45Please, what's going on?
00:30:46Who killed Angela Russo?
00:30:47I don't know. Honestly, I don't know.
00:30:50You all pay for this. You have no warrant. This is trespassing.
00:30:53I came here to find out who murdered Angela Russo.
00:30:55I hope you explain that to your superiors.
00:30:57What's going on? Oh, Inspector.
00:30:58Who killed Angela Russo?
00:31:00Dear me, you have absolutely no idea.
00:31:01This is outrageous.
00:31:02I must ask you to leave, Inspector, before I call the police.
00:31:04Oh, look who's here.
00:31:05I thought you didn't sleep in the school, Mr. Van Der Veen.
00:31:07I don't understand. What is this?
00:31:09Tell me all you know about Angela Russo.
00:31:10Nothing.
00:31:11That's enough, Inspector. You have no right to question my staff in this manner.
00:31:14I can only presume that you are under some stress, and it has affected your brain.
00:31:16One of your students has been murdered, and I'm doing my job.
00:31:19Now, where do the girls leave?
00:31:20Oh, no. That's out of the question.
00:31:22You will please leave this school at once.
00:31:24Where are you going?
00:31:24Where are you going?
00:31:25You are not to wake up the girls.
00:31:27You have no right to go in there.
00:31:28No right.
00:31:35Game's over, girls.
00:31:36No, I want you to tell me the truth.
00:31:38Get it through your heads that your friend was raped and murdered,
00:31:41and that the same thing could happen to you,
00:31:43unless you tell me everything you know.
00:31:45But please, we don't know anything.
00:31:47Then what the hell is this?
00:31:47It's the thing that made my horse bolt this morning.
00:31:54I guess somebody threw it.
00:31:56I didn't see anything.
00:31:57Give me that.
00:31:59And how about this?
00:32:00Okay, I'll listen to you one at a time.
00:32:12There it is there.
00:32:13He only comes down on weekends.
00:32:15Good, I'll let myself in.
00:32:17I don't believe those three little angels were lying.
00:32:20They were too frightened.
00:32:22So he's the one who can give us the juicy details.
00:32:26I don't hear any applause.
00:32:27Sorry, I think you're terrific.
00:32:29Thanks, sweetheart.
00:32:30See you around.
00:32:32What do you mean?
00:32:33Around where?
00:32:34Listen, I want to talk to him alone.
00:32:37Let me just toddle on back to town and keep an eye on that gene shop, okay?
00:32:40Okay.
00:33:00Stillman.
00:33:02I'm just kidding.
00:33:03I'm sorry.
00:33:03Whatever.
00:33:03kann out where?
00:33:04I have to turn.
00:33:05L communicator, yeah?
00:33:07I can't help.
00:33:08No, no, no, no.
00:33:10I can't, no, no, no.
00:33:11I can't help.
00:33:12I can't help.
00:33:12Okay.
00:33:13It's fine.
00:33:13I can't help.
00:33:14Oh, no, no, no.
00:33:17I can't call it.
00:33:21And I can't help.
00:33:21There it is.
00:33:21I can't help.
00:33:23Nice call.
00:33:23This is tangible.
00:33:23Yeah, I can't help.
00:33:24This particular form is what you open your altcida check on.
00:33:26But here it might be.
00:33:26I can't help you.
00:33:28I don't know.
00:33:58I don't know.
00:34:28I don't know.
00:34:58I don't know.
00:35:28I don't know.
00:35:58I don't know.
00:36:28I don't know.
00:36:58Run towards the black shadow.
00:37:01Death will come to meet you or your deepest nemesis.
00:37:28I don't know.
00:37:58I don't know.
00:38:27I don't know.
00:38:57I don't know.
00:39:27I don't know.
00:39:57I don't know.
00:40:27Hi.
00:40:28How come you're home so early?
00:40:30I wanted to see you.
00:40:31That's nice.
00:40:31Yeah, you've been on your own too much recently.
00:40:34You know, I don't think I deserve someone like you.
00:40:37Oh, I think every policeman deserves a shoplifter.
00:40:39It keeps things in the right perspective.
00:40:41Yeah, I'll come in the right, I'll come in the right, I'll come in the right.
00:40:55Yeah.
00:40:55I'll come in my own car.
00:40:56I'll come in the right, I'll come in the right, but I'll come in the right.
00:41:11I'll come in the right.
00:41:12I'm sorry.
00:41:13I'm being paged by the chief.
00:41:19Take care.
00:41:49Take care.
00:42:19Take care.
00:42:49Take care.
00:42:59Excuse me, but...
00:43:00Shh. Outside.
00:43:03Well, the case is solved, and the culprit conveniently dead.
00:43:05Yes, indeed, Chief Inspector.
00:43:07It is never wise to prolong certain investigations, which unfortunately appeal to the media's appetite for sordid detail.
00:43:13Of course not.
00:43:14I dined with the Minister of the Interior last night.
00:43:17Ah.
00:43:17Oh, yes, and your name was mentioned in a favorable light.
00:43:21It's been a pleasure, Chief Inspector.
00:43:22Always happy to have you.
00:43:22Good-bye.
00:43:31I don't know whether to congratulate you or ring your neck.
00:43:42Your behavior at the school was inexcusable.
00:43:44Lewis, I have to reassess you.
00:43:46I see you have influential friends.
00:43:47Oh, we shared a room at college.
00:43:48I want an explanation.
00:43:51Oh, I know what put the finger on the Dutchman, but even so...
00:43:54It's not that simple.
00:43:56Sorry.
00:43:57You got pressure on you to solve the case, and you're grabbing at straws.
00:44:00I can prove Vandervaiden was innocent.
00:44:04What?
00:44:04Come on, you ride back with me.
00:44:11Sorry, we're closed.
00:44:12We're closed.
00:44:13I know, we're police officers.
00:44:15Open the door.
00:44:16Come on, let us in.
00:44:22What can I do, eh?
00:44:23Is the boss in?
00:44:24Yeah, he has an apartment at the top of the stairs.
00:44:27Oh.
00:44:30I'm Michael Paravicini.
00:44:50I'm sorry to have kept you waiting.
00:44:53Please, I know you.
00:44:54How do you do?
00:44:55Chief Inspector Ocaglio.
00:44:56This is Inspector De Salva.
00:44:57Paravicini.
00:44:58I must confess, I can't guess the reason for this visit, but if you'll forgive my appearance, I'll be glad too.
00:45:08Go on, let's see.
00:45:14We can talk in my den.
00:45:15Well, Mr. Paravicini, this won't take too long.
00:45:22Inspector De Salva would like to ask you one or two questions in connection with an investigation.
00:45:26He's winding up.
00:45:27Do you have the photograph?
00:45:30Do you recognize this girl?
00:45:34Yes, I do.
00:45:35Oh, no.
00:45:36Wait a minute.
00:45:37Well, I remember.
00:45:38Well, this is the same photograph that a plainclothes policeman showed to one of my sales girls the other day.
00:45:43Yes, that's why I recognized her.
00:45:47So you don't recognize her?
00:45:48No, I'm afraid not.
00:45:49Can I offer you a coffee?
00:45:51No, thank you.
00:45:52And, of course, you've never heard of a Dutchman named Max van der Veiden.
00:45:55He was killed yesterday in a road accident, and somebody set fire to his weekend retreat.
00:45:59I don't understand.
00:46:01Why?
00:46:01Should I have heard of him?
00:46:04This was found in the man's pocket.
00:46:06The Dutchman's?
00:46:07You didn't tell me about this.
00:46:08I forgot.
00:46:12Run towards the black shadow.
00:46:19Nemesis.
00:46:20Someone with a macabre sense of humor.
00:46:24Well, I prefer Dante.
00:46:26And motorcycles.
00:46:30Sorry?
00:46:36Lander Veiden's Kawasaki was seen parked outside your store recently.
00:46:40Interesting collection of paintings you have here.
00:46:43It's a connoisseur's collection.
00:46:45Oh, sure.
00:46:46Personally, I have difficulty telling the difference between a connoisseur and a constable.
00:46:51But could these be the same pictures that were involved in that art forgery case a few years ago?
00:46:56The principal defendant was you, I believe.
00:46:58My name was familiar, so I looked up the file.
00:47:01It was one of my men who blew the whistle on you.
00:47:03I presume you also found out the case was dismissed.
00:47:06My name was cleared.
00:47:08Well, if you don't have any more questions, I think we can be on our way.
00:47:11No more questions.
00:47:12By the way, I know this girl who draws cat silhouettes.
00:47:22Just like the one on your jeans.
00:47:26Coincidence, huh?
00:47:27Really?
00:47:29Yes.
00:47:30Come on.
00:47:42Here.
00:47:43What are you doing?
00:47:44Not here?
00:47:45Not here.
00:47:52This is my share.
00:47:54Are you afraid?
00:47:56A little, yes.
00:47:57It'll be okay.
00:47:57Don't worry.
00:47:58I know.
00:48:02It's fine, too.
00:48:03You better go.
00:48:12Jenny.
00:48:14Here, have a piece of gum.
00:48:16Thanks.
00:48:16Come with me.
00:48:38Come with me.
00:48:38Mm-hmm.
00:48:46You're not scared, are you?
00:48:50Oh, yes, I am.
00:48:53Did you, uh, bring the...
00:48:55Oh, yes.
00:48:58Mm-hmm.
00:48:59What?
00:49:24Shh.
00:49:25Oh, my God.
00:49:55Oh, my God.
00:50:25Oh, my God.
00:50:55Oh, my God.
00:51:25Oh, my God.
00:51:55If I can go slower than this, I'm liable to have an accident.
00:51:57It's not speed that kills, it's snails.
00:52:01Here you are, girls.
00:52:03Keep the change.
00:52:05Come on, Ginny, careful.
00:52:19We're gonna take you right upstairs and put you to bed.
00:52:21Yes, thank you.
00:52:22And I'll tell Miss Graham you're having a bad time with your period.
00:52:24Don't make me laugh, it hurts.
00:52:49What's the matter?
00:52:50I'm gonna go to the bathroom.
00:52:52Just a minute, I'll help you.
00:52:53No.
00:52:54I'll be okay on my own.
00:52:55Leave you there.
00:52:57Come on.
00:52:58No.
00:53:00I'll help you.
00:53:01Leave.
00:53:02Oh, no, no, no, no, no, no.
00:53:03You're a virgin and you neutered.
00:53:04What?
00:53:05ана why are they enormess at me?
00:53:06Yes, Mar refill no wonder.
00:53:08Do you want us to make a difference?
00:54:09I must see her.
00:54:10Very sorry.
00:54:11No visitors until tomorrow.
00:54:13I'm investigating a homicide doctor.
00:54:16Call your superior and discuss.
00:54:18Oh, there's a girl's parents.
00:54:26How is your daughter, ma'am?
00:54:29Who are you?
00:54:32Inspector DiSalvo.
00:54:33I don't understand.
00:54:34We didn't file a complaint.
00:54:36I know you haven't.
00:54:38But Virginia's accident was not...
00:54:39We're not interested.
00:54:40I hope you respect Virginia's privacy.
00:54:42Just a second.
00:54:43A girl from the same school was murdered recently.
00:54:45I don't see what that has to do with my daughter's accident.
00:54:48Her friends have told us what happened.
00:54:50She got up to go to the bathroom and slipped on the stairs.
00:54:53Unfortunately, it's not quite that simple, Mrs. Nardini.
00:54:56Somebody who hoped she'd break her neck.
00:54:58Threw these on the stairs.
00:55:00That's why she slipped.
00:55:02It was no accident!
00:55:03I can't believe it, Inspector.
00:55:09Why would anybody want to...
00:55:10I'll need statements from both.
00:55:11Tomorrow morning be convenient.
00:55:12Yes, Inspector.
00:55:13Whenever you wish.
00:55:14Oh, Inspector.
00:55:15Are you sure it wasn't an accident?
00:55:19Of course.
00:55:20Why?
00:55:21Oh, nothing.
00:55:21But could I talk to you about...
00:55:22I understand you wish to see Miss Nardini, sir.
00:55:26I'm not in the habit of having to walk away while I'm addressing them.
00:55:30I'm sorry, Doctor.
00:55:31Yes, I have to see her if she can talk.
00:55:33Yes, yes, but it's out of the question.
00:55:34Miss Nardini can have no visitors for 24 hours.
00:55:37She's under observation and still in deep shock.
00:55:39Try again tomorrow, Inspector.
00:55:43Where's the big hurry?
00:55:44Did you see a blonde girl come out just now?
00:55:46No.
00:55:47Oh, shit, there she goes.
00:55:48Would you mind telling me what this is all about?
00:55:51She's one of the girls from the school.
00:55:52She wanted to talk to me.
00:55:53For obvious reasons, she's scared to death.
00:56:01I've got a
00:56:16living in três
00:56:20in a different way.
00:56:21You start?
00:56:22You startllろ.
00:56:22Oh, shit, it's all about food.
00:56:23You start to work with her.
00:56:24You start all about food.
00:56:25All about food.
00:56:25You start with time to take 5 to 5,000 people.
00:56:26And you start to proceed with me.
00:56:27Or, come down to thoughts?
00:56:28You start to overcome your boss.
00:56:29I don't know.
00:56:59I don't know.
00:57:29I don't know.
00:57:59I don't know.
00:58:29I don't know.
00:58:58If I hadn't left her alone, this wouldn't have happened.
00:59:00She usually slept at school, right?
00:59:04Yes.
00:59:05She only came home at vacation time.
00:59:09I find this in her school books.
00:59:12It's identical.
00:59:12Read it.
00:59:22Run towards the black, come to meet you.
00:59:25Run towards the black shadow, death will come to meet you.
00:59:34And all your desires will come true.
00:59:36Nemesis.
00:59:38It's a 16th century English poem attributed to Anonymous.
00:59:42Does it mean anything to you?
00:59:45No.
00:59:46But death came to meet her, all right.
00:59:51Poor Palmer.
00:59:52Well, I hope you find him quickly.
00:59:55I hope you find him quickly.
00:59:57Yeah.
01:00:06Well, were there any help?
01:00:09Those marbles I gave you, were there any help?
01:00:11Oh, yeah, sure.
01:00:13By the way, Emily, did your sister ever receive a letter like this?
01:00:18No, what does nemesis mean?
01:00:31You tell her, professor.
01:00:33Well?
01:00:35Nemesis is a Greek word which means justice or revenge.
01:00:44There.
01:00:45That's the place.
01:00:48Give me the keys.
01:00:53Sure.
01:00:53You can take Emily back to the school in a taxi.
01:00:56Bye.
01:00:56See ya.
01:01:18After you.
01:01:32That car over there.
01:01:34What is this?
01:01:36We're going to take a little trip.
01:01:39You drive.
01:01:39Hmm.
01:01:48I think you owe me an explanation.
01:01:54What the hell do you want from me?
01:01:56Well, I thought we could discuss our mutual friends.
01:01:58Nothing in particular.
01:02:01Come on, get in and hold tight.
01:02:10Oh, no.
01:02:10What was your connection with Vandervaed?
01:02:26Was it you who killed him?
01:02:27Oh, no.
01:02:28Tell me the truth or I'll break you.
01:02:31Why did you kill the two girls?
01:02:32It wasn't me.
01:02:33It wasn't me.
01:02:34I know they used to come to your shop.
01:02:35Come on.
01:02:36Ah, talk.
01:02:38Please.
01:02:39I'll tell you.
01:02:40I'll talk.
01:02:41They were Max's friends.
01:02:44But I didn't kill them.
01:02:52Max sold pictures for me.
01:02:54He bought the girls.
01:03:00What else do you know?
01:03:03Nothing.
01:03:06I'm afraid they'll kill me, too.
01:03:18Oh, no.
01:03:18Have another one on me.
01:03:19No.
01:03:21No.
01:03:36Oh, no.
01:03:58Oh, no.
01:04:00Oh, thank you.
01:04:00Oh.
01:04:00I don't know.
01:04:30I'll see you next time.
01:05:00I'll see you next time.
01:05:30It was you who said it was too dangerous.
01:05:35Quick.
01:05:37Come in before you're seen by somebody.
01:05:40You know who I saw this evening?
01:05:42That policeman.
01:05:44His elbow.
01:05:45Tried to give me the third degree.
01:05:47Question after question after question.
01:05:49In the end, he tried offering me money.
01:05:51As if he could buy me.
01:05:52One thing's clear.
01:05:55He's on the wrong track.
01:05:58Drink.
01:06:01Ah, this morning there were two little darlings in the shop.
01:06:04Both sixteen.
01:06:05Just beginning to bloom.
01:06:06I gave them a pair of jeans each.
01:06:08But it's best to wait until things have calmed down before going any further.
01:06:11Quiet, Rex.
01:06:12He's away.
01:06:13Quiet!
01:06:25Let's go.
01:06:27Ha, ha, ha, ha!
01:06:57Ha, ha, ha, ha!
01:07:27Hello? I'm a pair of machines. Get over here quick, he's dead. What a way to go.
01:07:45I don't get it. Every time there's a lead, the black shadow beats us to it.
01:07:58Hey, listen, when exactly was that business with the fate of paintings?
01:08:01Let me see. September three years ago.
01:08:08Now look, I want you to stay here and keep this under wraps for now, okay?
01:08:12Okay.
01:08:13Good man.
01:08:15Good man.
01:08:17Thank you very much, no?
01:08:19I'm going to go back and
01:08:33Well, love you a moment.
01:08:35縮.
01:08:40That's all.
01:08:43That's all.
01:08:44Identification, please.
01:09:05I'm sorry, Inspector. I didn't recognize you.
01:09:07I have to go down to records and check out an old case.
01:09:09There's nobody in records now, sir.
01:09:11That's all right. I know my way around.
01:09:13Sign when you leave, sir.
01:09:14Let the inspector in.
01:09:16You know where the lights are, sir.
01:09:18Uh-huh.
01:09:18You know where the lights are, sir?
01:09:19You know where the lights are, sir?
01:09:21You know where the lights are, sir?
01:09:25I'm sorry.
01:09:26I don't know.
01:09:56I don't know.
01:10:26I don't know.
01:10:56I don't know.
01:11:26I don't know.
01:11:56Yes, that's fine.
01:12:00I'll see you there.
01:12:01Shall I make some coffee?
01:12:02No, thank you.
01:12:02I don't have time.
01:12:03Excuse me, Miss Graham, but today's Virginia Nardini's birthday.
01:12:28May I go see her in the clinic, please?
01:12:30Passed by my office in an hour for written permission.
01:12:32Thank you, Miss Graham.
01:12:33Hello.
01:12:34Hello.
01:12:47Hello.
01:12:47Whoever the murderer is, he's methodical.
01:13:07Must have a thing about this dam.
01:13:08Go across to the other side.
01:13:13Come up on the inside.
01:13:17We're on to your left.
01:13:23What the hell are you doing down there?
01:13:25You're going to push it over the edge.
01:13:27Use the boat, Hook.
01:13:47What the hell are you doing down there?
01:13:51You're going to push it over.
01:13:53Get out of here.
01:13:54Put a little bit of a feeling.
01:13:56I'll do that.
01:13:57I'll do that.
01:13:59Okay.
01:14:01Okay.
01:14:01I don't know how to do it.
01:14:21Well, do you recognize that?
01:14:25How the hell did it get here?
01:14:28It's the file on the state versus Paravicini.
01:14:31It was your evidence that got him off the hook.
01:14:36So why should you pretend you were perfect strangers?
01:14:39That day we went to see you.
01:14:57It was Vanderveyden who procured the girls from the school.
01:15:01Paravicini set up the appointments.
01:15:03And I guaranteed protection.
01:15:05The Russo girl's death was an accident.
01:15:07What can I tell you?
01:15:08Never should have happened.
01:15:09If I'd been there, I would have stopped.
01:15:11Why did you kill the Dutchman?
01:15:12Is he blackmailing you?
01:15:13No.
01:15:14No, Paravicini just wanted to scare me.
01:15:15What about the girl on the scooter?
01:15:16That was you.
01:15:17Yes.
01:15:18Of course.
01:15:19I was the one who told you she wanted to talk.
01:15:20But why did Paravicini have to go as well?
01:15:22You were getting too close.
01:15:23Paravicini was...
01:15:24He would have talked.
01:15:25We'd known each other for years.
01:15:26We were always looking for ways to make money and the little extras attractive to anybody.
01:15:29When he was indicted, I had access to all the evidence.
01:15:31In my case, I had access to all the evidence.
01:15:32And my case was the one who told you she wanted to talk.
01:15:34I was the one who told you she wanted to talk.
01:15:35But why did Paravicini have to go as well?
01:15:37You were getting too close.
01:15:38You were getting too close.
01:15:39Paravicini was...
01:15:40He would have talked.
01:15:41We'd known each other for years.
01:15:44We'd been always looking for ways to make money and the little extras attractive to anybody.
01:15:53I was indicted, I had access to all the evidence.
01:15:55And my statement in court was sufficient to obscure the truth.
01:15:58After that, it was the girls.
01:16:01Rich, influential men pay well for teenage favors.
01:16:04The shop was the bait.
01:16:07And I was too greedy.
01:16:17As far as these are concerned, there I can help you.
01:16:23And I'm not nemesis either.
01:16:25So the case isn't closed yet.
01:16:27As far as these are encouraging people.
01:16:29The shop were anonymous.
01:16:32Tarantum got arrested.
01:16:33And that's two more情况.
01:16:35In the fall, there is an alarm wave.
01:16:47I was very clear to Mr. Hector.
01:16:50And I heard him talk about this.
01:17:54Whose car is that?
01:17:55I don't know.
01:17:56Rocaglio's, I guess.
01:17:57Get in and drive.
01:18:24Excuse me, I want to see Virginia Nardini, please.
01:18:31Oh, yes, she's on the second floor.
01:18:32When you come out of the elevator, it's the first door on your left.
01:18:35Oh, this is the Sacred Heart Clinic.
01:18:43I'm trying to locate Dr. Costanzo.
01:18:46Oh, he is?
01:18:47Fine, thank you.
01:18:48Come in.
01:19:14Hi, Virginia.
01:19:17Oh, hello.
01:19:18How are you feeling?
01:19:19What are you doing here?
01:19:20I came to see you.
01:19:21I brought you a present.
01:19:23But you never could stand the sight of us, of me and the others.
01:19:25I know.
01:19:26It was really horrible to you.
01:19:28And I came to ask your forgiveness.
01:19:30Here, take it.
01:19:31Well, thanks.
01:19:33Please, why don't you open it?
01:19:34I can hardly move.
01:19:36It's chocolates, isn't it?
01:19:38Angela must have told you I'd go crazy for them.
01:19:41Oh, thanks.
01:19:43They're awfully fattening.
01:19:49Will you take the paper off, please?
01:19:51My mouth is watering.
01:19:55Thanks.
01:19:55It's delicious.
01:20:01Thanks, Emily.
01:20:02And to think you were always such a little brat.
01:20:05You killed Angela.
01:20:07First you made her do bad things.
01:20:09And then you made her die.
01:20:12It was all your fault.
01:20:14Paul already got her.
01:20:15And I don't know who did it.
01:20:18And now it's your turn.
01:20:21I'll try again with Frank or two.
01:20:23It's all your fault.
01:20:24It's all your fault.
01:20:27Yes.
01:20:28You all have to die like Angela.
01:20:30You have to die.
01:20:31Emily.
01:20:43Go away.
01:20:44Go away.
01:20:45Why did you have to stop me?
01:20:47I hate you.
01:20:48I hate you.
01:20:49Why?
01:20:51It was telling you who killed Angela.
01:20:53Why did you stop me?
01:20:56Why did you stop me?
01:20:57Why did you stop me?
01:21:07Come on, Emily.
01:21:08Come with me.
01:21:08Come on, los.
01:21:22How did you find me out?
01:21:24How did I find you out?
01:21:26Well, the poem, the dart, and then these.
01:21:40How shall I put it?
01:21:42Well, in all the actions of Nemesis, there was something, well, Emily, there was something ingenuous.
01:21:48You mean it had to have been a kid?
01:21:51A very sharp kid, though.
01:21:53Well, I'm glad it was you who found me out.
01:22:02Will I be taken to prison now?
01:22:08Here.
01:22:15Make sure you don't go playing with them on the school stairs.
01:22:21Thanks.
01:22:23Bye.
01:22:47Bye.
01:22:48Bye.
01:22:48Bye.