Ünlü bir sinema oyuncusu Zerrin gangasterler tarafından kaçırılır onu kurtarma işi ise Aydemir Akbaş'a düşecektir
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00:00Merde, where did this son of a donkey go after leaving the coffee face down, son of a dog again?
00:07Where will Uncle Musta go? Look at the cinema.
00:10Zerrin Egeller's movie is playing
00:23You know that when it's Zerrin Egeller's movie, Hasan won't be of any use to you.
00:27Now inside, go back and forth to Konya for six to six hours.
00:31I'll show him how big the world is
00:34The only left donkey
00:36He's inside now, he's finished his work, if you want, uncle Musta, you can get in a wheelbarrow too.
00:40I may want to or not want to, is that okay, mom?
00:49Look at this woman, master. For God's sake, look at this woman.
00:53What's it to you, you son of a bitch?
00:56Oh, master, whatever you say to me, yes, yes.
01:00Call me whatever you want, but I won't let her say a word.
01:05Man, I'm turning into a skeleton from watching this woman's movies and driving a wheelbarrow.
01:10Hold on to that, my dear, please.
01:13Let it be, let it remain
01:15He is a breathtaking darling
01:17May Zerrin be sacrificed for Egeller
01:21My baby
01:23Oh
01:24Oh
01:25We are pulling the engine
02:33Wait a minute, I won't come back again.
02:34Ok.
02:37Here you go.
02:39They come to Ben Zerrin.
02:43This is the Yıldırım concert office.
02:45My dear Miss Zerrin.
02:46I am the organizer Engin.
02:48Here you go, Mr. Engin.
02:51I wanted to talk to you about a business matter, Ms. Zerrin.
02:55I wonder when we can be together?
02:57One minute.
02:58What time will I finish my work, Mr. Ilku?
03:00We have half an hour of scenes left, Ms. Zerrin.
03:03I'm leaving here in a scene.
03:05I'm waiting for you at my house, Mr. Engin.
03:08Yes, my dear Zerrin.
03:10Subject to.
03:11I'll be with you at four o'clock.
03:13Thanks.
03:20Going up the tunnel?
03:23You are really nice, Mr. Engin.
03:25Everything would come to my mind
03:27I never thought I would go through a tunnel in Anatolia.
03:29From where?
03:30You have millions of fans in Anatolia.
03:33I have received so many offers to take you to Tunli that I cannot tell you.
03:38I understand.
03:39I understand, but what can I do from Tünliye?
03:42What can I do to sing?
03:44Nor how to speak properly.
03:46Look at what you're thinking, Ms. Zerrin.
03:50Which one of those who come from the cinema to the stage does he fuck?
03:54Two bellies and one hip, republic money in the pocket.
03:57Don't be stupid, girl.
04:00This opportunity doesn't always come along.
04:03I think Engin Bey is right.
04:05We have no life guarantee or insurance for the future.
04:09Your mother sold it.
04:10You have been working for all these years, Ms. Zerrin.
04:12What's wrong with you?
04:14Oh, what will happen?
04:15A dummy car given as a gift by the manufacturer Mr. Hüssen.
04:19A necklace and a few bracelets from the odds and ends gentleman.
04:23Oh, if I'm not mistaken.
04:25Who was that girl, the guy from Adana?
04:26Mother.
04:28I think he was a cotton merchant.
04:30He also opened an account with a bank account worth one hundred thousand lira.
04:33Don't worry.
04:34This is the end of the artist for us.
04:37Are you still thinking about going on tour, Ms. Zerrin?
04:40The filmmaker Huseyin brother told me.
04:51Zerrin Egeller is coming to our town.
04:54What is he going to do, shoot a movie in our town?
04:57No, this master theater is next door.
04:59Oh fuck.
05:00Oh I sewed, I sewed a lot.
05:01I sewed it and it was coming.
05:03Tell me, Gundogdu.
05:05Up until now, you had been turning into an imaginary lantern in my movies.
05:08When you see him, you'll have a funeral.
05:11You can lift it too.
05:13My father will be left to you.
05:17Look, there's an old one there.
05:19Oh, my dear.
05:20Cut this guy up.
05:26Look at the situation.
05:27Oh, my dear.
05:29Look at this beauty.
05:30Look at this beauty.
05:33Look at that hair.
05:34The color of those bowls.
05:38Look at those tits.
05:41Those tits.
05:42Look at this box.
05:43Look at this box.
05:45In that box.
05:52Honey pot.
05:54Hlemeli that box.
05:57I wouldn't put my head in that box.
05:59Look at your siren.
06:01That son of a bitch is a donkey.
06:03You should smell that whore instead.
06:05I also recommend the customers' tea.
06:06Master, I'm getting upset.
06:07What do you mean she's not a whore?
06:10Master master.
06:11Come to your senses.
06:12The one who called her a whore.
06:14I'm just saying, let me see what you do.
06:16Bitch.
06:17The one who called her a whore.
06:19I am his mother.
06:20Your wife.
06:21His cinema.
06:22That he has come.
06:23Your past.
06:24Let me see what you do.
06:25He married his mother.
06:27I'll take you to the movies.
13:27M.K.
25:17They are leaving!
25:19They are leaving!
25:21They are leaving!
25:32My dear, my beautiful!
25:35Bye!
25:41They're going, they're going!
25:43Cube!
25:57Goodbye to me There!
25:59Exponential!!
26:01dan face, sent!
26:03They are leaving!
26:05No, you bastard!
26:07Eekucuş Prix!
26:11Wait a minute!
26:13Hurry up, let's move on, kids.
26:21You fan, where are you going, common people?
26:23Come on, you wonderful person.
26:26There's thyme up there, man, this guy is tall.
27:13M.K.
27:43M.K.
28:13M.K.
28:43M.K.
29:13M.K.
29:43M.K.
30:13M.K.
30:43M.K.
30:45M.K.
30:47M.K.
30:49M.K.
30:53M.K.
30:55M.K.
30:57M.K.
30:59M.K.
31:05M.K.
31:07M.K.
31:09M.K.
31:15M.K.
31:17M.K.
31:19M.K.
31:21M.K.
31:31M.K.
31:33M.K.
31:35M.K.
31:37M.K.
31:43M.K.
31:47M.K.
31:49M.K.
31:51M.K.
31:53M.K.
32:55Wait a minute, I'm done.
33:00Now it's time for our friends.
33:02If you want to get out of here alive and return to the city safe and sound, you do what we say.
33:09Crazy people, maniacs!
33:18Come on, it's your turn.
33:29Was it nice, brother?
33:31Peanuts, honey box.
33:34I couldn't get enough.
33:35Oh my mother and my wife, I can't get enough of it.
34:08What happened, you look like you're dead?
34:11Is the person inside happy at least?
34:13Oh, how he fainted because of the color.
34:17Don't say a word to anyone.
34:21Are we caught or burned?
34:22Keep your mouths shut, kids.
34:28If it is heard that we are beating every single woman, it is a sign that we are being thrown into prison.
34:33You looked right.
34:36Then it would be bad.
34:37What kind of tits were those?
34:38That's what it is, just like that.
34:39That's right, you're right.
34:41Still on your mind.
34:42What should you do?
34:43What was that?
34:43Deliciously dynamic.
34:45Yes.
34:47So what will happen now, the woman is unconscious?
34:50Really, we left the woman unconscious.
34:55We left him unconscious, but we made a mistake.
34:57It seems that way to me too.
34:58We made a big mistake.
34:59What happens if he comes to?
35:02Who is the one who will come to himself?
35:04Zerinegels?
35:05Don't talk like you don't know.
35:07So where is it?
35:08You were the last one to leave.
35:10Didn't we leave it in the stable of our elder uncle?
35:12Your grandfather's barn?
35:16I hope they don't find it.
35:17Otherwise, we've gotten ourselves into trouble.
35:27My brother.
35:29Ah, ah, may they love your flower.
35:33Was I going to see that you were sacrificed to the Most Creator one of these days?
35:37Ah, now that you see it.
35:39Even if you die, I won't eat you.
35:41Oh, oh, my dear.
35:52Thank you for watching.
36:22Thank you for watching.
36:52I'm done.
36:54Are you finished?
36:56Already!
37:00Well...
37:02...isn't there anything you want from me?
37:06No.
37:08Thank you for watching.
37:10What if there is something I want from you?
37:16Order me, I will give you my life.
37:20Now run straight to the police station.
37:24Good morning my baby.
37:26Is there an incident?
37:28They kidnapped me.
37:30Oh no.
37:32Really?
37:34They kidnapped you, right in your face.
37:36Run to the police station.
37:38Tell him I'm here.
37:40Is it possible?
37:42What happened?
37:44Now...
37:46I will run to Hadise and inform the police station.
37:48To the police station...
37:50Incident...
37:52...we returned to this...
37:54...we returned to this...
37:56...we returned to this.
37:58...we returned to this.
38:00...we returned to this.
38:02This...
38:04...we returned to this.
38:06I might go crazy, Mr. Engin.
38:08I beg you, help me.
38:10I am as upset as you are.
38:12But there is nothing we can do.
38:14It's my baby.
38:15My only daughter.
38:16I feel guilty.
38:18Guilty.
38:19I wish I had stopped him from leaving.
38:20All security forces were mobilized.
38:22The surroundings of the town they left...
38:24...was being searched thoroughly.
38:26I think we may get some news soon.
38:28I mean, all those soda scenes...
38:32...sleeping with men like that...
38:35...he...
38:36...he...
38:37...men like Ayu...
38:38...excuse me...
38:39...passing over...
38:40...isn't it real?
38:41Are they all lies?
38:43This is a common movie trick.
38:45If all those scenes were real...
38:47...can you imagine my situation?
38:49How do I know...
38:51...I've always watched you like that in movies...
38:55I never thought I would meet such a pure person.
38:59This favor you did to me...
39:01...go to the police station and report it...
39:03...I will never forget it as long as I live.
39:07What is your name?
39:10Tell me, what is your name?
39:12Hassan.
39:14If you invite me one day...
39:16...Will you come to Istanbul and be my guest?
39:18Well done, will you?
39:21No, they'll come for nothing...
39:23...it's like making love...
39:24...like sleeping with men...
39:26...if it is a lie...
39:27...what do I do then?
39:29No...
39:30...this invitation is really...
39:32...from the heart...
39:33...sincere...
39:35...yes?
39:36...never mind Istanbulites...
39:38...to me in the movies...
39:40...your imagination in the cinema is enough...
39:42...your truth...
39:43...your truth...
39:44...let there be liars in the city...
39:46...your dream is enough for me.
39:48Thank...
39:50...get well soon.
39:52Get well soon.
39:54Thank.
39:56Get well soon.
39:57Thank.
39:58Thank.
39:59Thank.
40:00Thank.
40:17Thank you for everything.
40:18Are you leaving?
40:26I am going
40:27Goodbye
40:48I would like you to tell us about the events that happened to you, Ms. Zerrin.
41:10There is no incident to tell
41:13It was an interesting perch
41:15I recognized myself
41:17My fans
41:18I am devoted to those who love me
41:20Do you have any complaints or anyone to complain to?
41:33I have no complaints about anyone.
41:34I wanted this tunnel
41:36The outcome also interests me.
41:38Both
41:39I told you
41:41I have no complaints about anyone.
41:44Thank you for your interest, commissioner.
41:53There are no events
41:55My fans invited me
41:57I couldn't say no to these invitations.
42:00I was a guest for two nights
42:03You seem to have forgotten the events
42:12Events yes
42:14But I had a fan who
42:17His name is Hassan
42:18I can't forget him for a lifetime.
42:21Me too
42:32Me too
42:32Me too
42:35Me too
42:37Apparently he sent me his signed picture
42:44He says, "To my Hasan, with love."
43:14Thank you for watching.
43:44Thank you for watching.