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About Iranefarda TV Network:
IraneFarda is an independent, 24-hour Persian language television station. Its offices and studios are in London, UK. Its American branch is in Los Angeles, US. Iranefarda is not affiliated with any political or government group. Iranefarda TV features political, economic and business world and local news, hourly news updates, current affairs opinion and analysis, and educational programming with a strong line-up of locally produced shows featuring subject matter experts.
About Iranefarda TV Network:
IraneFarda is an independent, 24-hour Persian language television station. Its offices and studios are in London, UK. Its American branch is in Los Angeles, US. Iranefarda is not affiliated with any political or government group. Iranefarda TV features political, economic and business world and local news, hourly news updates, current affairs opinion and analysis, and educational programming with a strong line-up of locally produced shows featuring subject matter experts.
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TVTranscript
01:00To be continued...
01:30You are very happy to see this film
01:34The film is 18403, 363 years old, 632 years old and 7 years old
01:49Do you understand this film?
01:54Hello and welcome to my friends
01:58This film is a film that I saw during the past
02:02It was a film that was made in the past
02:06It was a change in the genre of the genre
02:12It was a change in the past
02:18It was a change in the past
02:22But I'm sure that you should have done it on the real world and the general novels, or the world, or something like that.
02:30Or that a film, that is a film, that is a film that is a film that is a film that is a film about action.
02:34That is how it becomes and is a film about action of the film that is a film that is a film about action of action.
02:42They are so famous.
02:44because it was a natural, a real-time
02:48that it was a real,
02:50that it would be found
02:52or that it would be a real and real-time
02:56something that would have helped
02:58that was an investigation
03:00but also that
03:00I would say that
03:02I would say that
03:04I would say that
03:05I would say that
03:07that I would say
03:08that it was a really cool
03:11or a helicopter, or a helicopter, or something like that,
03:15in the context of this story, I think it was a fantasy story.
03:21And that's why three of you are important in this film.
03:27This is a big problem.
03:29If you have a lot of stories, and a lot of stories,
03:33you can see that you can see that you can see that you can see that you can see that you can see that you can see that you can see.
03:38It's better that the film itself will be able to do it and when it comes to the film, they will be able to choose the film.
03:53There is a person who may be able to do it.
03:56There is no one who can do it.
03:59Thank you very much.
04:08. . .
04:38There are three models.
04:39One model was the first one of Mr. Abrahim Hatham.
05:08One model was the first one of Mr. Abrahim Hatham.
05:38One model was the first one of Mr. Abrahim Hatham.
06:08One model was the first one of Mr. Abrahim Hatham.
06:38One model was the first one of Mr. Abrahim Hatham.
06:48One model was the first one of Mr. Abrahim Hatham.
06:50One model was the first one of Mr. Abrahim Hatham.
06:52One model was the first one of Mr. Abrahim Hatham.
07:02One model was the first one of Mr. Abrahim Hatham.
07:04One model was the first one of Mr. Abrahim Hatham.
07:08One model was the first one of Mr. Abrahim Hatham.
07:10One model was the first one of Mr. Abrahim Hatham.
07:12One model was the first one of Mr. Abrahim Hatham.
07:16One model was the first one of Mr. Abrahim Hatham.
07:18One model was the first one of Mr. Abrahim Hatham.
07:22One model was the first one of Mr. Abrahim Hatham.
07:24One model is the first one of Mr. Abrahim Hatham.
07:26of joshua and imsul
07:29it's a very interesting story
07:32if you want to go
07:35to the Iranian
07:38and the very big
07:41and the other way
07:44it's not possible
07:47you have to take advantage of your protagonist
07:50and you have to take advantage of your protagonist
07:53me
08:00this film is the best film
08:04the film is the greatest
08:07but it is now
08:10this film is 11 million dollars
08:13this film is not too bad
08:16I think it is a good answer
08:19. . .
08:49I think we can't get enough
08:52We can't say that we can't speak
08:55But we can't say that we can't get enough
08:58But we can't get enough
09:01But the last one was a big deal
09:04So we can't think that
09:06The same thing that we have to do
09:09Is to be a good deal
09:11But we can't get enough
09:12To do this
09:13But we can't get enough
09:15But we can't get enough
09:18It's a very good way for me
09:21the good work of the world
09:23I'll let you know
09:25I'll show you the whole world
09:27So that's the most important part
09:29I'll show you the most important part
09:32You can see this video
09:34I don't know
09:36You can see it
09:38I know
09:40It's not
09:41I think
09:43The film will be able to create an atomic bomb
09:51The film will be able to make it a little
09:53But when it comes to this stage, it will be able to make it a little
10:00And the film will be able to make it a little
10:05It will be able to make it a little
10:07It's just that we can make a difference in our own
10:11that we don't need to make a difference
10:15We don't need to make a difference
10:19I would like to tell you how much
10:27this guy is in this field
10:34I don't know, I don't know what to do
10:38But I don't want to be able to do the same thing
10:44They told me that Kurdistan is a man
10:47It's clear that there are a lot of people who are willing to do it
10:53Do you have a few stars on this film?
10:58Yes, I have one stars
11:00One stars
11:01It's a story
11:03It's a story that has a lot of experience
11:06It's very confident
11:08From what we have done
11:10I hope you will be in the book and in the book
11:12And you will be in the book
11:14Well, it became a story
11:16That this film, with regard to the fact that
11:19The reality of the people
11:21There is no way for it
11:23This film is a way for people
11:26Now, why do you have a reason?
11:29It's about the fact that you said
11:31That it's better than this
11:33And the fact that
11:35These six films
11:37The first film should be higher
11:39Why do you have so much
11:42These films
11:44I hope
11:46The world of the world
11:48The world of the world
11:50From this to this
11:51To the world
11:53And the real films
11:55And the real films
11:57The film
11:59The film
12:00I'm very happy
12:01For you
12:02To the world
12:03And the world of the world
12:04And the world of the world
12:05And the world of the world
12:07For your soul
12:13I想 thank you
12:14The Ahae
12:29The end of the world
12:32Shahnamah is because of the idea of the history of society and society in Iran
12:38for several thousand years, it is possible to see the art and art of art in this book.
12:46And this is the idea of the history of Shahnamah, for example, in Shahnamah in Shahnamah,
12:52he has been able to see the work of Shahnamah.
12:54In the description of the Shahnamah, in the description of Shahnamah,
12:58حدود 90 در شاهنامه راجب فرهنگ است
13:03تو گفتی که سام یرستی به جای
13:06به بالا و دیدار و فرهنگ و رای
13:09به گردی و مردی و جنگ و نجات
13:11به اورنگ و فرهنگ و سنگ و به داد
13:14این ها نمونه های از عبیاتیه که
13:17در اونها از فرهنگ در شاهنامه سخن رفته
13:20و جالب اینجاست که هر کدوم از این بیت ها به تنهایی
13:24نوعی فرهنگ و گاهی فرهنگی که اختزای زمانه بوده
13:29رو بیان بکنه گاهی فرهنگ و به طور عام
13:32و کلی برای همه زمانه ها به ما مدمنظورش رو میرسونه
13:37جز از نیکینامی و فرهنگ و داد
13:40ذکردار گیتی مگیریدیاد
13:42ببینیم که این بیت به تنهایی خودش
13:44یک دستور اخلاقی است
13:46و در این حال در هر زمانی دارای کار برده
13:50چنان که در اصنادی که از عهد کهان به فردوسی رسیده
13:54این بیت بوده یعنی از چند هزار سال پیش بوده
13:58حدود هزار سال پیش هم که فردوسی
14:00مشغول سرایش شاهنامه بوده
14:03یعنی در واقع داشته تاریخ منصور ایران رو
14:07به نظم در میورده این بیت کار برداشته
14:10امروز هم داره
14:11جز از نیکینامی و فرهنگ و داد
14:14ذکردار گیتی مگیریدیاد
14:17یا نکته مهمی که ارتباط مستقیم به فرهنگ داده شده
14:22در شاهنامه
14:24اینه که چشم تمه به مال دیگران کسی داشته باشه
14:28یا این که دست برد بزنه به مال دیگران
14:31به چیز کسان دست یا زد کسی
14:34که فرهنگ بهرش نواشد بسید
14:38یعنی در واقع به زبان خودمونی امروزی
14:40کسی دست رازی به مال مردم میکنه که
14:43آدم بی فرهنگیه
14:44فرهنگ مانه از انجام چنین کاری هست
14:48به مرد خردمند و فرهنگ و رای
14:51بود جاودان تخت شاهی به پای
14:54اینجا زمنن
14:56فرهنگ در مفهومی به کار رفته که
14:59لازمه داشتنه که صفات وکبرانه
15:02یعنی حکبران و فرمان روا
15:04زمنن باید انسان با فرهنگی باشه
15:08به مرد خردمند و فرهنگ و رای
15:11بود جاودان تخت شاهی به پای
15:14A new image is that is a relationship between a good and good,
15:19like this one is related to a better relationship with a change.
15:22It can be formed by a good life,
15:27so that is a relationship between a young and a young man.
15:33Because this relationship between a hard time and a long time,
15:39is a relationship between a young man.
15:415.MI's
15:55We have to talk to these kids about Pr venir 9 Το-3
16:00We have to talk Newmoder
16:04It doesn't differ throughout theirm
16:06These kids have products
16:07These kids aren't confused
16:09DER SHAHNAM SOOKEN REFTE W-GAHI- AUN BEYT-Y K-FAR-HANG DERISH BEKAR REFTE CHUDEISH
16:16DUNYA Y AZ MOANI K-MITOWAN RACIBE B-B-B-K-Y A-Z-O-N-O-N-O-N-A-M-G-A-M-ST-QU-IL-W-J-D-A-G-AN-E-K-C-K-M-L-L-W-SH-T-.
16:24F-R-A-T- گیرد از فرل و فرهنگ اوی.
16:27BE-�-ÁMUG Z-D-A-E-N-O-A-H-NG-E-O-Y.
16:29The same thing as DMS is about the experience of the Shepardy Lakshadar
16:35and the nature of the Shepardy Lakshadar
16:36and the nature of the Shepardent
16:42because of the tradition, when the Shepard is okay
16:48the nature of the Shepardent Lakshadar
16:51is that we can imagine a Shepardent Lakshadar
16:56It's a way to read.
17:26. . .
17:56. . .
18:26. . . .
18:56. . . . .
19:26The end of the game here is that during the time of banal is called
19:33having an arugment and important one in order to endure.
19:39At the end of the genre, the friendship, the arugment, the nehaq and the ridicule.
19:44Or even at the end of the legal rule, the jing, which is a lot of non-war's jing,
19:50which can be used in the charade, is already in the bar.
19:53Tohra rafd baayad be boste kamar.
19:56Yaki lashkari sاخte purkhunar.
19:59Ya, rajebe bahs diggari kye bazmerud be khunarhast,
20:02dherjai diggari aiz shahnamu aumadhe.
20:04Sokhan zindirazi če baayad kishid?
20:07Hunar bertar aaz gohar.
20:09Gohar napadid.
20:11Sokhan zindirazi če baayad kishid?
20:13Hunar bertar aaz gohar napadid.
20:16Yeki daastan zed baro piltan.
20:19Khe herkese khe sar berkishad aaz anjuman,
20:21خirat baayad o gohar naamdar.
20:24Hunaryar o fulheng djash ámoozgad.
20:28Khe nahi nimunahai aiz awiyat shahnamu bude
20:30khe dheron ve hunar pardakhthe shudhast.
20:33Ba, stifas aaz tavozre shumad.
20:35On dirce sjeb,
20:52unaryakangole.
20:55Unam sabzi, unam sjeb.
20:58Unetum gimaje,
21:01katruč aize tamaje.
21:03The art of art is 14 years old.
21:10The art of art is 14 years old.
21:13It is a very special experience.
21:18With children from 4 years old, 6 years old,
21:23they are being a part of the art of art.
21:25This is a special experience that you have been able to do with art.
21:29The foundation of the Arts of the year of the year of the year of December, the holiday of the year of the year of the year of the year of the year.
21:45بالای 1500 خورده اثر به این نمایشگاه ارسال شده
21:51از بین این ها 100 اثر برگذیده شده
21:54و ارزم به حضورتون که از شهرها و کشورهای مختلف اعور کرده
22:01تا به تهران بزرگ است
22:0312 استان 12 شهر در ایران هم مهمان پذیر بوده
22:09برای این نمایشگاه و آتلی دانه هم
22:13and I will be able to meet these people in the sea.
22:18The first one is the most powerful and powerful
22:23The first one is the presence of the NunoZ
22:30and the presence of the NunoZ in front of the NunoZ
22:34and especially Phearsy Zabon in front of the NunoZ
22:41and I think that what they could do,
22:46they would still be in their situation,
22:48and that they would still be in their situation.
22:51In this case, these are the best friends of mine.
22:54They would have been in their own family.
22:57I would have done this again.
22:59And now they have to be in their situation.
23:02And their parents would be in their situation.
23:05They would have been in their family.
23:08They are a city
23:18This is for me one of them
23:22One of them, one of them
23:24One of them
23:26One of them
23:28One of them
23:30For me
23:32One of them
23:34One of them
23:36One of them
23:38The soul of my children
23:40When I talk about the marriage
23:46How many
23:48How many
23:50How many
23:52How many
23:54How many
23:56How many
23:58How many
24:00How many
24:02How many
24:04How many
24:06How many
24:08like
24:10They shall
24:12How many
24:14How many
24:16In
24:20They
24:23How many
24:24Any
24:27As
24:29Good
24:31And one thing that is very nice in this painting is that you can see different dresses in this painting.
24:44The clothing that my dear friends do is unique in this painting.
24:50The clothing that they have, the clothes that they have, the clothes they have, the clothes they have in their lives.
25:04They have images from the world of every city and every city.
25:10with Haji Firoz, which is a highlight of the past few years ago in the past few years
25:19who ran his father to the sky and had a red color of the sky
25:26and put it back into the sky and put it back into the sky
25:30and put it back into the sky and put it back into the sky
25:40you