The Kapil Sharma Show - 30th April 2025 Full Episode
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00:00We are from Punjab, and we are from UPM.
00:05You can tell us why you have come here.
00:12We have come to learn Marathi.
00:14Why do you need to learn Marathi?
00:17Why should you be in Mumbai?
00:20Why should you be in Mumbai?
00:22Why don't you say to learn Marathi?
00:30I am a happy birthday.
00:32Next week, my mother and grandmother are here.
00:40You don't work from grandma.
00:42You bring the whole village.
00:44You take all your clothes, clothes, clothes, clothes, clothes, clothes.
00:49All people who are in the village, put your house in our house.
00:52What is our thing?
00:56What is our thing?
00:57We will be in the village of the tree and put our house in our house.
01:00We will go to the tree.
01:02But I will stay in the tree.
01:05The tree?
01:06Yes.
01:12Are you going to shift?
01:13Where will I go?
01:14Yes, my mother is on the tree.
01:15You are going to shift here.
01:17You are going to shift here.
01:19You are going to go to the tree.
01:21Go to the tree.
01:22Oh my mother, my mother.
01:23There are so many times after this, by talking to her.
01:24What are you going to do to be, Kusum?
01:25Didi, everyone have so many shows you.
01:26Don't do so much, cause the sun is hurt.
01:27Oh, oh.
01:28Oh, oh, oh.
01:30Okay.
01:31You are going to try a comedy.
01:32Oh, oh.
01:33Oh, oh.
01:34What do you say?
01:35Oh, oh, oh.
01:36Oh, oh, oh.
01:37Oh, oh, oh, oh.
01:38Oh, oh.
01:39oh
01:43oh
01:47comedy
01:51oh
01:53didi
01:55we've come from Punjab
01:57here
01:59he's coming from Punjab
02:01here
02:03this is not
02:05Didi didi didi didi
02:07Aaj se aapka room
02:09Mera room
02:11Aap saaf rakhna
02:13Kyunki gandagi muze bilkul pasen nahi hai
02:19Eh, tumme ne minlega meera room, ok?
02:21Because I like my personal space
02:23Oh, meri baasun, yeh ameeromirom mali baatatar kuon hai?
02:27Personal space
02:29Uusin behans ke niche khadi hoge bol ri, arayi flyover kub ben gaya gaya gaya
02:33Eh, koon si personal space
02:35Kappo
02:37Tum family matter mein bad bolo
02:39Dekho, tummei meera kamra isli nye milega
02:41Cyanki meera yadi juri hai apni kamra ke saath
02:43Bata tu sari kauon se yadi juri teri?
02:45Chipkali ki pounch pe dhaga baan ke tini
02:47Mereko bhi diware pe chadhau
02:49Oh, mat kya kar yeh sari
02:51Kappo
02:53Bacha hai ki baat batau
02:55Eh, baabhi, tumhare pita ji tumhari shadi karke
02:57Yeh sab kar rhe de baatume
02:59Ha ha ha ha ha ha ha ha
03:01Dekho bhoori, tumh aapna kamra na kusum ko de do
03:05Or kuch dinon ke liye tumh jake chad pe machar ko company do jau
03:09One minute!
03:11I'm telling you that we give Kusum the room for a child.
03:16A child?
03:17Yes.
03:18Oh, my God!
03:19Oh, my God!
03:20Oh, my God!
03:28What do you mean by school?
03:30You changed the camera?
03:32Oh, my God!
03:34Oh, my God!
03:37Oh, my God!
03:38Oh, my God!
03:40This is a camera!
03:42It's not a social media video
03:44that no one share.
03:46Oh!
03:47Oh, my God!
03:48One piece, you listen to your mouth.
03:50You can't share your tongue-in-law.
03:52Okay?
03:53Oh, my God!
03:54Where are you?
03:55Where are you?
03:56With your tongue, bro!
03:58With your tongue?
03:59With your tongue, yeah!
04:00Bye!
04:01Oh!
04:02Oh!
04:03Where are we? Where are you?
04:06How can we wear our boots?
04:08Look, there are two boots on their boots.
04:11One boots on one day, another one on the other day.
04:16After that, we take it off and wear it.
04:19We go out four days.
04:20Oh my God!
04:24Baby, thank you for your three boots.
04:27It will be out of half.
04:29Oh my God!
04:31Why did you wear your boots on your father's boots?
04:34Why don't you wear your boots on the other side?
04:36Make a flat on the other side.
04:37We've heard that when your father's boots fit us,
04:39we get friends.
04:41Because your boots fit us.
04:43So what happened to us, tell us.
04:47What happened?
04:48Two boots on the other side.
04:54What happened?
04:55What happened?
04:56What happened?
04:57What happened?
04:58What happened?
04:59We said that we were talking about the jokes.
05:01First, we heard it.
05:02We will give her eight.
05:03Oh, boy!
05:08Oh, boy!
05:09Leave it all!
05:10This is your smile.
05:11You will sleep in your eyes.
05:13You will sleep in your room.
05:14Have fun!
05:15Have fun!
05:16Have fun!
05:17We'll sleep in your eyes.
05:18Oh, boy!
05:19I'll leave a little.
05:20You'll sleep in your eyes.
05:21Oh, boy!
05:22I'll leave a little.
05:23Oh, boy!
05:24Oh, boy!
05:25The first shoe, there's no doubt about the doll's boots.
05:26Hey!
05:27Hey!
05:28Hey!
05:29Hey!
05:30Hey!
05:32Hey!
05:33Hey!
05:34Hey!
05:35Hey!
05:36Hey!
05:37Hey!
05:38Hey!
05:39Hey!
05:40Hey!
05:41I will take my family to take my family.
05:44I will do this too,
05:46and I will take the C to take my family.
05:53Oh, big!
05:54Hey, Kusum, go inside.
05:57No, no, one minute.
05:58Where did we go?
05:59If we didn't live in our house,
06:00then we didn't live.
06:01This will not live?
06:02No.
06:03Then I will not live.
06:04I will also be going with this.
06:06And with this,
06:07I will also be going with this.
06:08I will take my hand back.
06:10Let's go.
06:14This is a great surprise for me.
06:17You will have 100 episodes.
06:18You will have a little bit of stuff.
06:20So,
06:21with this.
06:23Hey, Puri.
06:24We will stop here a second.
06:28Let's go.
06:29There is also no support.
06:31Let's go.
06:32Nidhi,
06:33there is no support,
06:34but where are the support?
06:36What?
06:37There is also no support.
06:39That's it.
06:40That's it.
06:41Chijo.
06:42You are so sweet.
06:43You are so sweet.
06:44You stay in love.
06:51Don't say so sweet.
06:54We won't stop yourself.
06:56I would like to stop the door.
07:01Who can stop the door?
07:04Before going, listen to the door.
07:08If I have opened your door, then you will hear from where?
07:12From where?
07:14What are you saying?
07:17Look, if you want to go, then go.
07:20But don't get out of your hands on the train.
07:25Oh, this is an O moment.
07:29Oh, O!
07:31Do you have so much of my mind?
07:34No, I don't have any mind.
07:36The last time you got out of the train,
07:38you got out of the train,
07:40you got out of the train.
07:42Be careful!
07:45So think, child,
07:47if I can handle the train and engine,
07:50then you will be a truck again.
07:53I will take you and take you to the train.
07:57Oh, boy.
07:58Why do you take you to the train?
07:59What did we do?
08:00What did we do?
08:01I can tell you.
08:03What are you talking about?
08:04What are you talking about?
08:05That day, Benz told me,
08:06I took you for years,
08:07now you took me.
08:08Oh!
08:09Oh!
08:10Oh!
08:11Oh!
08:12Oh!
08:13Oh!
08:14Oh!
08:15Oh!
08:16Oh!
08:17Oh, that's how my fear that everybody empieza.
08:19Oh!
08:20Oh!
08:21Oh!
08:22Oh, cluck!
08:23Oh, coming down!
08:25Oh!
08:26Oh!
08:27Oh, boy.
08:32Oh, boy.
08:33I'll take you off the road.
08:35Take a step.
08:37Look.
08:38One.
08:39Stop.
08:40Stop.
08:41Stop.
08:42Stop.
08:43Stop.
08:44Stop.
08:45Stop.
08:46Stop.
08:47One.
08:48One.
08:49One.
08:50One.
08:51One.
08:52Stop.
08:53Stop.
08:54Stop.
08:55One.
08:56One.
08:57One.
08:59One.
09:00Oh, my mom.
09:02You don't touch me.
09:05I don't touch me.
09:07I don't touch you.
09:12Get this.
09:14You see?
09:15I've never seen it yet.
09:16Who lost?
09:17Get this.
09:18Whatever it is,
09:21one will be visible here.
09:23We don't have to stay in the house. We have to stay in the house.
09:30That's you too. Why, Jeeju?
09:32Hey, little girl.
09:34Little girl.
09:35Father, we must have to stay in our house.
09:38Whatever.
09:39I will stay here or I will not stay here.
09:42This decision, Jeeju, I will leave you.
09:45Oh, sorry.
09:46This decision, I will leave you.
09:49Because in this house, it's only you.
09:52You're the only one in this house.
09:54Hey, one minute.
09:55You're the only one in this house.
09:56One minute.
09:57Who said this house?
09:59She said that it's only in this house.
10:04You know?
10:05She also said that our jokes are more than our father's jokes.
10:12I've heard this.
10:14Wow, boy.
10:19Wow, boy.
10:20This is what you said.
10:22Oh, no.
10:24Oh, no.
10:25Oh, no.
10:26Oh, no.
10:27Oh, wow.
10:29Oh, wow.
10:31Father, the dialogue of Govinda.
10:33When you try to become a Christian,
10:35then you have to become Govinda.
10:37Oh!
10:39So that the world also knows where the truth is and where the truth is.
10:43Oh, no.
10:44And listen.
10:45Oh, Govinda.
10:46You will stay in our house.
10:47And you,
10:48close your face and leave you from here.
10:50Oh, man.
10:51What's the truth?
10:52There's nothing to say about it.
10:53I don't say anything.
10:54I don't say anything.
10:55I don't say anything.
10:56I don't say anything.
10:57I don't say anything.
10:58I don't say anything.
10:59I don't say anything.
11:00I don't say anything.
11:02And come on.
11:03Don't smile.
11:04Fight for it.
11:05Hands on my knees.
11:06Get a réussite now.
11:07Diebru.
11:08Holy God.
11:09Come on.
11:10Smoke for it.
11:11Dream.
11:12What have you been given?
11:14Let me get the applause.
11:17Come on.
11:18Get out.
11:19damals.
11:20Hello.
11:21You detal.
11:22Taxeed.
11:23Put the away.
11:25Get back home.
11:26Get back home.
11:27Get back home.
11:28Get back, the house.
11:30There's no one here.
11:31Come, come, stop!
11:33Come, come, stop.
11:34Come, come, stop.
11:36No, no, no.
11:37You won't come.
11:52Let's leave the door open.
11:56Mind blade.
12:00Happy New Year!
12:25Happy New Year!
12:29Happy New Year!
12:54Happy New Year!
12:56Happy New Year!
13:01Happy New Year!
13:08Happy New Year!
13:13Happy New Year!
13:23Happy New Year!
13:25Happy New Year!
13:30Happy New Year!
13:32Happy New Year!
13:34Happy New Year!
13:35Happy New Year!
13:38Happy New Year!
14:11Look at me.
14:12Say.
14:13Ajay Paji's birthday is on 2nd April.
14:14Yes.
14:15It's on 2nd April.
14:16It's on 100 films today.
14:17Yes.
14:18It's on 100 episodes today.
14:19Yes.
14:20I've also come to this show today.
14:21You've also come to this show today.
14:23I've noticed that you're such a big fan.
14:29So I'm following you.
14:31It seems like you may follow me.
14:34The girl is coming first.
14:41Love you sir.
14:42Love you too.
14:44Come here.
14:45Come here.
14:46Come here sir.
14:52Ajay sir, how do you think about this subject?
14:57How do you think about this?
14:58I didn't know that this is my Soviet film.
15:00Okay.
15:01I realized that this is my Soviet film.
15:05Because this is such a big hero film.
15:08Yes.
15:09So we started a series.
15:11Unsung Warriors.
15:12Yes.
15:13Because we have warriors all over the country.
15:15Yes.
15:16So we will be from Punjab.
15:18Yes.
15:19Yes.
15:20So we will keep making these series.
15:23Oh, that's amazing.
15:24Wow.
15:28Okay.
15:29In the base day of the 1670s.
15:31And it's very difficult to create that environment.
15:34Sir, how difficult it is to make a period film?
15:37Actually it's very difficult.
15:38Because when the history is written,
15:41after that,
15:42many people have tried to change.
15:43Everyone has their own point of view.
15:45So you have to do homework.
15:46You have to do research.
15:48And after that,
15:49you have to do your imagination.
15:51Because when you are in history,
15:53you have to do things on the wall.
15:54Yes.
15:55It's not complete.
15:56Right.
15:57And when you have your clothes,
16:00you have to imagine that you have to be true too.
16:05Right.
16:06What was there.
16:07So it's a lot of work.
16:08It's a lot of work.
16:09It's a lot of work.
16:10It's a lot of work.
16:11It's a lot of work.
16:14I saw Ajay Sir's action.
16:16It's a lot of fun.
16:17It's a lot of work.
16:18I've seen such films,
16:19you're also flying from the mountains.
16:21But I heard about Shiva's time,
16:22you were so scared.
16:24That's a lot of work.
16:25That's a lot of work.
16:27It's a lot of work.
16:28When you're doing action,
16:29it's not scary.
16:30You're scared of the first time.
16:31You're scared of the first time.
16:32Yes.
16:33Does it hurt, sir?
16:35No, it's not.
16:36But it's like that.
16:37The idea,
16:38the thought,
16:39it's like,
16:40maybe it will hurt.
16:41Maybe it will hurt.
16:42But it's not.
16:43Okay. Very nice.
16:44This was a very important question.
16:49This was a question of Kajal.
16:51He said,
16:52Ajay Sir,
16:53so dangerous stunts
16:54when he entered Bollywood,
16:55he was on two motorcycles.
16:56He said,
16:57when he took one car,
16:58he took one car,
16:59or two cars?
17:02I didn't take one car.
17:03What?
17:04You didn't sit down?
17:05No.
17:06He came back from the house,
17:07he came back from the house.
17:08Okay.
17:09Why, sir?
17:10Why would you harm me to sit like this?
17:11No.
17:12I didn't get it.
17:13Okay.
17:14So,
17:15my husband was like this.
17:16We had to ask the horse.
17:17No.
17:18Your husband was like the horse.
17:19It's like the horse.
17:26Not pretty.
17:27Actually,
17:28a little bit happened.
17:29First,
17:30they said,
17:31it's so late.
17:32So,
17:33I thought,
17:34it's like this.
17:35I said,
17:36the horse came for two minutes.
17:37and he said,
17:38the horse came.
17:39No.
17:40He did it.
17:41The girls do it.
17:42They do it.
17:43The couple of you,
17:44the horse also did it.
17:45I'll tell you how you came here.
17:47I don't know,
17:48sir,
17:49sir,
17:50sir,
17:51sir,
17:52sir,
17:53sir,
17:54sir,
17:55sir,
17:56sir,
17:57sir,
17:58sir,
17:59sir,
18:00sir,
18:01sir,
18:02sir,
18:03sir,
18:04sir,
18:05sir,
18:06sir,
18:07sir,
18:08sir,
18:09sir,
18:10indeed,
18:11i have three locks,
18:12sir,
18:13sir,
18:14sir,
18:16come on,
18:17sir,
18:18sir,
18:19sir,
18:19sir,
18:21sir,
18:22some of my four.
18:24The things I think is,
18:25sir,
18:26sir,
18:27sir,
18:28dubbing and ads, their companies who work in visual effects
18:32and their own theaters.
18:34We heard the word that everyone is with us.
18:39You made the word that everyone is with us.
18:43So many of us have been.
18:49First, I asked the question in English.
18:51What?
18:54Tell me one thing.
18:56You've been in 103 episodes.
18:58Yes, sir.
18:59You've given someone to come here.
19:00You're sitting here, you're sitting here.
19:02Why are you doing everything?
19:06Yes.
19:07You're doing everything, Arshana Ji.
19:09Yes.
19:10You've been sitting there.
19:11Yes, you're a victim of another person.
19:13Okay, I've done all my work.
19:17You're doing all the work.
19:19You're doing all the work.
19:20They're also doctors.
19:21Yes.
19:22I want to show you the knowledge of this.
19:24Yes.
19:25Sir, what about you?
19:26You've kept your family as a doctor.
19:29That's right.
19:30How is it, sir?
19:32He has the knowledge of drugs.
19:35Okay.
19:36And the homeopathic.
19:37Okay.
19:38I'm a little brother.
19:40I'm a doctor.
19:41Okay.
19:42Dr. Ajay.
19:43Especially because he has a drug.
19:46If you have more 60-90,
19:49If you have more 60-90,
19:51If you have more 60-90,
19:52then everything will be fine.
19:53Really?
19:54Homeopathic.
19:55Yes, homeopathic.
19:56Homeopathic.
19:57Sir, take me a drink.
19:59Sir, and...
20:04And who will you treat?
20:07And who is your clients?
20:09I don't have any celebrity.
20:10I don't have any more than the people who drink.
20:13Oh, no!
20:18I'm sure they're...
20:19I'm sure they're...
20:20Because I understand this.
20:21I understand this.
20:22I understand this.
20:23I understand this.
20:24Sir, Archana had said a thing.
20:26He's also...
20:29No, I don't know.
20:30Ma'am,
20:31When your body is broken,
20:32then you go to the doctor or your doctor?
20:34He's also a doctor.
20:35Yes.
20:36Yes.
20:37We both have a board in our house.
20:39Okay.
20:40But...
20:41Senior doctor is this.
20:42Okay.
20:43Baba Ji Ajay Dezgan.
20:44Baba Ji Ajay Dezgan.
20:45Baba Ji Ajay Dezgan?
20:46Baba Ji.
20:47Baba Ji.
20:48Baba Ji.
20:49Baba Ji.
20:50Baba Ji.
20:51If you go to Baba Ji,
20:52then Baba Ji has a one-line answer with him.
20:54And he gives him the advice with him.
20:56Okay.
20:57Take this bottle and take this advice.
20:59You're a pro.
21:22Yeah.
21:24Sir, thank you, you're a bro!
21:26Yeah!
21:30Sir, yo man, look at that!
21:32That's what you're doing in the house!
21:36That's what you're doing in the house!
21:40Oh my god, man!
21:42AJ!
21:44AJ!
21:46AJ, AJ!
21:48AJ, AJ!
21:50Yes, sir!
21:54Sir, I'm saying that in life,
21:56when the cricketers make a century,
21:58we always cheer them like this, right?
22:00Sir, your century is complete,
22:02today we're going to be cheering!
22:08What do you mean by your passport?
22:12My name is Acha Yadav.
22:14I've been here,
22:16I'm a brother.
22:18I've come from London.
22:20Yes, sir.
22:22Shadi, you've asked for ice cream?
22:26I've seen the ice cream color.
22:28It's so cute, yeah?
22:30What do you do, sir?
22:32I'm a Boboree fan.
22:34Boboree!
22:36Boboree!
22:38Boboree!
22:40I'll tell them,
22:43I'm a Shadi.
22:44I'm a Shadi.
22:46I'll tell them,
22:48Thank you very much.
23:18Me?
23:19Keep it up, Prithvi.
23:20We will take our fate and we will die.
23:25But, if you are with me, then what is the matter of me?
23:30From the dream, from the dream, from the dream.
23:34How to become Prithvi?
23:36The Chakrvati Samrath Prithvi La Chauhan.
23:40The light.
23:42This is my rear.
23:48All the sweet, all the sweet.
23:54All the wild.
23:57And to impress you, takes time.
24:00The new Kama Sutra long-lasting condoms.
24:03With texture that turns her on.
24:05And climax delay lubricant that makes him last long.
24:09So we are always in sync.
24:11Kama Sutra long-lasting condoms.
24:14May a smooth lassi then?
24:20Cure baby smooth.
24:21Grab the new smooth lassi.
24:23You love, love, love it.
24:24Daku Bhago.
24:25Aye, pakdo.
24:26Aye, pakdo.
24:27Kitti garmi me kaiso.
24:28Aiso.
24:29Hava Chaudhari.
24:30Hava Chaudhari.
24:31Hava Chaudhari.
24:32Hava Chaudhari.
24:33Hava Chaudhari.
24:34Hava Chaudhari.
24:35Hava Chaudhari.
24:36Hava Chaudhari.
24:37Hava Chaudhari.
24:38Hava Chaudhari.
24:39Hava Chaudhari.
24:40Hava Chaudhari.
24:41Hava Chaudhari.
24:42Hava Chaudhari.
24:43Hava Chaudhari.
24:44Hava Chaudhari.
24:45Hava Chaudhari.
24:46Hava Chaudhari.
24:47Hava Chaudhari.
24:48Hava Chaudhari.
24:49Hava Chaudhari.
24:50Hava Chaudhari.
24:51Hava Chaudhari.
24:52Hava Chaudhari.
24:53Hava Chaudhari.
24:54Hava Chaudhari.
24:55Hava Chaudhari.
24:56Hava Chaudhari.
24:57Hava Chaudhari.
24:58Hava Chaudhari.
24:59Hava Chaudhari.
25:00Hava Chaudhari.
25:01Hava Chaudhari.
25:02Hava Chaudhari.
25:03Hava Chaudhari.
25:04Hava Chaudhari.
25:05Hava Chaudhari.
25:07Hava Chaudhari.
25:09Hava Chaudhari.
25:11Hava Chaudhari.
25:17General Kama Sutra Beingenےária.
25:19Boundaryaw Chaudhari.
25:23Hello.
25:25Hava Chaudhari.
25:26wild for shirini takes time the new kama sutra long-lasting condoms with texture that turns
25:34her on and climax delay lubricant that makes him last long so we are always in sync kama sutra
25:42long-lasting condoms 7 days
25:4840 views of cases and every case will do the most of the time
25:58now stay 7 days
26:0311am to 7am back to back 7 days only on zoni entertainment television
26:13shirini bali sani baba
26:16kala rat saab baje
26:20sir may dekhe aap igdam shurwaat mai aisa dhu bike ke upar karayokai shurwaat kiye
26:25per dekhe prabhu ka anupam kripa se uske baad aapke pas gari gari gari gari
26:30ho gai or itna saragari ho gai ke rovid shethi ke saath milke aap gari ura nebhi chalu
26:36kerti hai
26:41like in sir aap akali idha nahi uraate idha yarachana ji uraati hai
26:46you donna kaya ura ya?
26:46you donna siddhu ji ka uraati hai
26:49oh
26:57hang on
26:58aap
27:01You know that the escalators are in the mall or airport
27:05What do they say in Hindi in Hindi?
27:07What do they say?
27:08You should know the most because you introduced this thing
27:12The escalators say
27:14I'm flying, I'm flying, I'm flying
27:24She has to know that
27:26I'm flying, I'm flying
27:31Yeah, it's so cool
27:33But sir, you did a film
27:36So sir, I wanted to go to that
27:38Do you get fees or do you get fees?
27:43So I asked, sir, how do you feel?
27:47But sir, what do you say in your eyes?
27:53What do you say in your eyes?
27:56What do you say in your eyes?
27:57Kabo Sharma, what do you say in America's science center?
27:59Where do you work in your eyes?
28:00NASA
28:01NASA
28:01NASA, what do you say in your eyes?
28:03NASA
28:09I'm saying that
28:10If you look at the eyes of the eyes
28:12I mean, you will be sure
28:14What do you say in your eyes?
28:18Where do you come from?
28:20Mudse
28:20Mudse
28:21And what do you say in English?
28:22Horse
28:23Mud horse
28:24Mud horse
28:24He will be
28:25Mud horse
28:31Obviously
28:33If you look like this
28:34Then you will go
28:35Mud horse
28:35Mud horse
28:36Yeah
28:36Ma'am
28:37Your film came
28:39Gupt
28:40I ask you
28:41A question
28:42If your film Gupt
28:44Chandra Ma
28:45Shoot
28:46What was the name of it?
28:47What?
28:48Chandra Gupt
28:49Sorry
28:55Ma'am
28:55I'm sorry
29:00Ma'am
29:01Both random
29:01Big horse
29:02But I'm a fan of you
29:07But I'm a fan of you
29:09DDLJ
29:11Whoa
29:12Whoa
29:13Whoa
29:14What a film
29:16I mean, I've seen so many times the film
29:19And that's the scene of railway station
29:21At the end
29:23What are you talking about?
29:25What's your father?
29:26What's your father?
29:27What's your father?
29:27Baw
29:28Now you say Baw Ji
29:29Baw Ji
29:29Baw Ji
29:34Baw Ji
29:36Baw Ji
29:36I love her
29:37I want to go
29:38I want to go
29:38And see
29:39I mean
29:40That scene
29:41I see my eyes
29:42From my eyes
29:42The big big Anzunz
29:43What's it?
29:44Anzunz
29:45Anzunz
29:46We cry from the nickel when crying
29:54He says, Kajol Ji
29:56I want to give you a salad
29:59Tell me
30:00The thing is
30:01Something wrong with you
30:03Really?
30:04What?
30:04What?
30:05The last film on the show
30:07When you were new
30:08So you was asking for love
30:10Give your love
30:11Give your love
30:11Oh yeah
30:12Now you're asking for a to give it
30:14You are doing a surprise
30:16That
30:21Like
30:23Teresa, sir, who DJ
30:30Who's the DJ, who's the DJ?
30:32Dhan
30:33Dhan, a little dhan, DJ
30:34Sorry, ma'am, my phone came here
30:43Sir, can I take that?
30:44If you don't mind, yeah, sorry
30:46I'm a very famous person
30:48Oh, no, there's a Morgan Freeman, actor
30:51I'm calling, I'll talk
30:53Yeah, Morgan
30:55Hey, look
30:56You, Morgan, keep your gun in your house
30:59We have a dew gun
31:00Alright?
31:05And this also tells you
31:06You're a busy man
31:08You're a free man
31:09You're free
31:10Here are people, don't disturb us
31:13What?
31:14Okay, okay, okay
31:17Oh, ma'am, you're saying that their first love is Adhura
31:24So, you're asking that you'll have to complete it
31:27I'm telling you
31:35I'm telling you
31:36If you look at the episodes, you'll have to do it
31:38I'm telling you, maybe you'll have to do it
31:40Come on, Morgan, I'm cutting the phone
31:43How are you?
31:45I'm telling you
31:47I'm telling you
31:48I'm telling you
31:49I'm telling you
31:50But before going, I can speak of knowledge
31:52But before going, I can talk about knowledge
31:53I can speak
31:54I can speak
31:55I can speak
31:55Yes, I wanted to say that, sir, you can never see your eyes.
32:00How?
32:01Because the kajal is always with you.
32:05All right, bro.
32:06Thank you, sir.
32:07I'm watching.
32:08Nice meeting you.
32:10All right.
32:10Love you.
32:11Yeah.
32:12Thank you, sir.
32:13Yeah.
32:14Yeah, bro.
32:18Sir, this is your 100th film.
32:20Our 100 episodes are complete.
32:22I will ask you a few things.
32:24I will ask you a number of them.
32:26Out of 100.
32:27So, Ajay, sir, as a romantic person.
32:29As a romantic person?
32:31Yes.
32:32How much of a number of 100?
32:33Zero.
32:34Zero.
32:35I will give you the number of your own.
32:38Why zero, sir?
32:40In films, you have to romance in your eyes.
32:43We get money.
32:44Ajay, sir, as an Agyakar Pati.
32:48As an Agyakari Pati?
32:50Yes.
32:51Agyakari Pati, I am.
32:53Do you know how many weddings and awards shows I went to their place?
32:57Okay.
32:58Then, I am the good wife in this.
33:01You'll be asking me to sing it.
33:05So, again, zero number?
33:06Yes.
33:07Definitely.
33:09In the first two questions, you'll get zero number.
33:12Yes, okay.
33:13Now, what will happen?
33:16Ajay, sir, as a prankster.
33:18As a prankster?
33:19100 on 100.
33:20Oh.
33:21Yeah.
33:23Ajay, sir, as a prankster?
33:26100 on 100.
33:28Jidhi hai?
33:29Oh, it's good.
33:30Okay.
33:31Ajay, sir, as a prankster?
33:33Zero.
33:34Oh, that's nice.
33:36Wow.
33:37Ajay, sir, as a prankster?
33:39Ajay, sir, as a prankster?
33:44100 on 100.
33:45100 on 100.
33:47You'll also know how many times you'll ask him,
33:50that, sir, please, my shop is here.
33:51Yes, sir, I'm very busy.
33:52I'm shooting.
33:53I'm sitting on my bed,
33:55I'm shooting.
33:56I'm shooting on my bed.
33:57I'm not in a couple.
33:59It's bad for me.
34:00Okay.
34:01Anniversaries, birthday, all of these things.
34:04Very bad.
34:07Very bad?
34:08Yeah, I remember.
34:09How did it happen now?
34:10How did it happen?
34:11How did it happen?
34:12How did it happen?
34:13I don't remember from the beginning.
34:15Oh, this is a formula.
34:16If I'm talking about it,
34:17then my memory will be a little bit worse.
34:22Keep it up.
34:23Keep it up.
34:24Okay.
34:25In order to spend money?
34:26100 on 100.
34:28You have to balance.
34:31My?
34:32I'll give you a number too.
34:33No, I know they're good.
34:35It's not the answer.
34:38It's not the answer.
34:39It's not the answer.
34:40It's not the answer.
34:41It's not the answer.
34:43Just get the answer.
34:44I can meet with the show.
34:46The film is related to our attack and our attack is leading up to the attack,
34:49and there are many areas that we are learning.
34:51We learn from the attack today.
34:53Now let's see.
34:55So I'm going to know our intention.
34:56Thank you very much.
35:26Thank you very much.
35:56Thank you very much.
36:26Thank you very much.
36:56Thank you very much.
37:26Thank you very much.
37:56Thank you very much.
38:26Thank you very much.
38:28Thank you very much.
38:58Thank you very much.
39:00Thank you very much.
39:04Thank you very much.
39:10Thank you very much.
39:12Thank you very much.
40:18But that, Rania, doesn't happen to me today, right?
40:23Today, someone will show you something like this.
40:26They will sit down and stand up, right?
40:29Not to mention that this is illegal.
40:32This is illegal.
40:34Yes, illegal.
40:34You can't say something else.
40:36It's illegal.
40:37It's illegal.
40:38Let me tell you, it's illegal.
40:40This is a wrong thing, but personally, I think it's a good thing.
40:48In this show, who are you with?
40:51Your husband is with me.
40:52Your husband is with me.
40:53You can see your husband's face. Please stand up.
40:55We want to see you.
40:56What have you done in your life?
40:58Your baby has decided that you need to do this.
41:05I think this is their fault.
41:07Before they say, baby, you don't have anything.
41:09If you have any type of girlfriend,
41:11when they come, they will show their real face.
41:16Just keep attention.
41:17Do you have any type of girlfriend's face?
41:19Yes.
41:19Yes.
41:20No, that's it.
41:24And some of our friends.
41:26You want to keep your thoughts, ma'am?
41:28Sir, I want to bring history back to the same time
41:30when the girl's face was the same.
41:32Okay.
41:34Why?
41:35Then, let's go here and take a select one.
41:39And now, there's a lot of tension.
41:40Why?
41:41Now, there's one here.
41:42If it's good, it's good, it's good.
41:43If it's good, it's good.
41:45It's good.
41:45Like this?
41:47But what was it good?
41:50Sir, it was good.
41:51It's good.
41:52It's good.
41:53Now, there's so much time pass.
41:54Talk to the girls and understand them.
41:57And then, if a girl gets good, they get back to her.
42:01Oh.
42:01Now, there's so much girl's face.
42:04It's good.
42:05But in that sense, there was a choice between 15.
42:07It was one of the same things.
42:08Yes.
42:09And the other problem is that when you took a choice in 15,
42:11you had 99% wrong, then how many choices you had to do?
42:15You had so many choices.
42:16I had so many choices.
42:18Then I had so many choices.
42:19Then I had so many choices.
42:20I had so many choices.
42:21And if it's not, of course it's a game, the one that is a game that is very popular and the one that was a whole thing.
42:26And if someone does dance like that, then they can leave.
42:30And sing.
42:31It's a big thing.
42:33The big swamber is being an Indian idol.
42:37I think that when the swamber was there,
42:40one said that one had a task
42:43to kill a bird's eye,
42:45or do it, or do it,
42:46and you will be married.
42:47So 50 people came here.
42:49So a baby got one.
42:51Then there will be another swamber,
42:52and then they will be gone.
42:54How will one do the face?
42:55It didn't happen to me.
43:03What did the house say?
43:05Papa didn't get married.
43:07But it was interesting.
43:09What was your name?
43:10Surbhi.
43:11Will you get married?
43:12No, sir.
43:13I'm sitting in swamber.
43:15Thank you, Surbhi.
43:16Thank you, sir.
43:20Okay, I've seen, sir,
43:21like the Lord and the Lord was there before,
43:23the Lord was there,
43:25which was permanently there.
43:27And Rani didn't get angry,
43:29that what are you doing?
43:31That's what he was saying.
43:33Yes.
43:34In today's time,
43:35if Pramit, sir,
43:36call someone to tell someone
43:37that I want to play a dance,
43:38you're going to die.
43:39Why?
43:40I'll sit together and enjoy it.
43:42It's not like that.
43:43Yes, but yes.
43:44Very nice.
43:45So sweet of you.
43:46I said before,
43:48that you're the best of men.
43:55Oh.
43:56True.
43:58Hello, Kapoor.
44:00Oh.
44:07Oh, jeff.
44:08What is your fault,
44:09I shall go.
44:10I can't die.
44:11Why won't we go away?
44:12You don't die.
44:13Oh.
44:14Oh, dim.
44:15I've done.
44:16I have my love.
44:17I've heard my love.
44:18Oh.
44:19I've heard the first of you.
44:21I've been here, my love.
44:22Oh, my dear.
44:23My love.
44:24Oh,僕.
44:25Oh, my dear.
44:26Oh, my dear.
44:27Oh, my dear.
44:28I didn't know. I heard Aju Kaju after that. I bought four biscuits.
44:33Who gives biscuits like this?
44:36I don't know. In the film, the hero entry goes on the bike.
44:40His biscuits are also like this.
44:45Ma'am, this is my wife.
44:47It's from Delhi.
44:48My wife, what?
44:49You bought a franchise.
44:51My wife.
44:52I'm a mutual wife.
44:54I'm a single wife, Aju Kaju.
44:56Aju Kaju, what's the name of Aju Kaju?
44:58Nothing happens.
44:59You don't understand, Kapil.
45:03It's a big deal, right?
45:05I thought you watched all the films.
45:07I was like, oh, I'm sick.
45:09Then she would do it like this.
45:11I watched all the films.
45:13I'll tell you something.
45:15Aju, you're a Punjabi, right?
45:17Yes.
45:17She's a Bengali girl.
45:19Really?
45:20She eats the dishes at home.
45:22Then she eats the dishes at home.
45:23Then she eats the dishes at home.
45:24Then she eats the dishes at home.
45:26She's also the dishes at home.
45:28That's what we do.
45:29What's the dish?
45:30Maury Gantos.
45:31I'm going to eat the dishes.
45:32How much time will it take you to eat?
45:34I'm going to eat the dishes.
45:35How much time will it take you to eat?
45:36Maury Gantos.
45:38But now Pua is coming.
45:40Pua has made the dishes of the fruits of the fried rice.
45:42In a minute.
45:44In a minute.
45:45I am a kid.
45:46She's busy in the films.
45:48I am so proud of you.
45:50Come on, my dog.
45:52Come on, my dog.
45:54He is such a star.
45:57He will be such a star.
45:58You are such a star.
45:59I will be like this.
46:01He is such a star.
46:05He will be such a star.
46:07He will be like this.
46:09If you are going to give me a life jacket.
46:12Why?
46:13Oh, my dog is so sad.
46:15He will not fall.
46:18That's why I didn't talk to him.
46:21Why?
46:22In Delhi, there are so many shooting in Delhi.
46:24Pua is there, and I didn't get to meet him.
46:26Do you know him first?
46:28When did you kill me?
46:30Whatever the hero comes, you know.
46:32Pua doesn't know.
46:33Pua knows everyone.
46:34It was so funny.
46:35Veena Penji would leave me in my head.
46:40Why did he go to Penji?
46:42I remember him once in a while.
46:44Once upon a time, Pua's head.
46:46So funny, Pua is going to go in a diaper like this.
46:51The boy was going to look like this
46:53He was a little man who was a priest.
46:55First...
46:56Why didn't he go to that to do the diaper?
46:59No, no.
47:00He's going to leave you to sit around.
47:02Then he goes to your friend.
47:03He has to cut around his brother.
47:05Oh...
47:06He, he, he...
47:07Both of the brothers sit down.
47:09Jeez, Pua's head.
47:11Look at his partner, puts his coat.
47:13He puts hisantwort to his Globally.
47:15foreign
47:35foreign
47:45and then?
47:48What's the dog?
47:50He broke his ass.
48:04But tell me one thing.
48:06Do you know about him?
48:07Who?
48:08I don't know. Sorry, dog.
48:11What? Who?
48:12He took my house.
48:14He took my close friend.
48:16He left my mouth.
48:18Tell me who is talking about it.
48:20Rohe Chetty.
48:22He was scared.
48:24Rohe Chetty.
48:26He was scared.
48:32But tell me one thing.
48:34You both are very good.
48:36Whenever I see him,
48:38he comes to my love story.
48:40What does he look like?
48:42When I saw a movie,
48:44I was going to see you and your dog.
48:46I was going to see you and your dog.
48:48I was going to see you.
48:50They will see me and I will see them.
48:52They will see me and they will see me.
48:54What?
48:55The dog is going to die.
48:57But the dog is still alive today.
48:59The dog is still alive.
49:00There is no love.
49:01I am.
49:06I am too late for him.
49:07What?
49:08I was going to see you and my dog see me.
49:10I said,
49:11I see my love.
49:12The dog is so beautiful,
49:13it's a good time to die.
49:16foreign
49:30foreign
49:46I have a lot of money, I have a lot of money.
49:48I married them.
49:49Did you see me married?
49:50That's the thing that my need is a lot of money and my Jameer's money.
50:00I was like, I'm going to get a little bit of a break.
50:03But one thing I'll tell you.
50:05Today, Ajju and Pua are 100.
50:08His 100 film is my 100 kW.
50:12So, it's two more happy.
50:14I just said, I have 100 pounds of water.
50:17And the other thing, Tanah Ji, is super-duper-hit.
50:21I want to get uno...
50:23...aloo!
50:24I put a bunch at 15 minutes in my room.
50:28I put white milk on the stove.
50:29If you put the milk on the stove, then it's like this.
50:32And when you put the milk on the stove, then you get the other.
50:38I get a lot of food, Tanah Ji.
50:43I don't know.
50:45I don't know.
50:47I don't know.
50:49I don't know.
50:51I don't know.
50:57We have some questions here
51:01that are related to the daily life of the day.
51:03So, they wanted to ask you.
51:05They put my duty.
51:07So, who does this?
51:09Who does this?
51:11Who does this?
51:13No one.
51:15No one?
51:17Wow, both are muted.
51:19Okay.
51:21Who does the AC and the AC stop?
51:23Me.
51:25Actually, the AC stop.
51:27The AC stop.
51:29The AC stop.
51:31The AC stop.
51:33The AC stop.
51:35The AC stop.
51:37The AC stop.
51:39The AC stop.
51:41The AC stop.
51:43The AC stop.
51:45Don't look at me.
51:47What?
51:49Not all things he's wearing.
51:51The AC stop.
51:53The AC stop.
51:55The AC stop is about 15 to 20 minutes.
51:57The AC stop.
51:59The AC stop.
52:01The AC stop.
52:03Yes, in 10 seconds, you take a look at the clothes, but if you feel like one hour, then it's a problem.
52:08Statistically, we are actually well in time.
52:13It's time for them. They're talking about wearing and wearing.
52:17It's time for them to think that they're wearing today.
52:28Who's the best bargaining?
52:30I'm just a kajol.
52:33I don't have any bargaining.
52:36But last time, Ajay, you were saying that kajol should do online shopping.
52:40Yes, it doesn't have any bargaining.
52:42Yes.
52:43And she said, how much money I got.
52:46And she's very excited about it.
52:48If there are 20 rupees, she's very excited.
52:50No, but I believe that in our country, it's a part of bargaining.
52:55If you don't say how much money I want to do, it's normal, right?
52:59Yes, absolutely.
53:01If you have any tips, you can take it from Archana.
53:04That day, Archana was selling outside.
53:07She said, I'll give 500.
53:09She said, no, not 100.
53:10She said, no, I'll give 500.
53:12I'll give it to them.
53:14It's not 50 rupees.
53:16Come on.
53:20Where do you think this is?
53:22I'm thinking of seeing a person before you are looking at it.
53:26Where are you going to go on holiday?
53:27Who decides it between both?
53:30Yes, which decides it.
53:31Much checks.
53:32Today, children...
53:33Yes, children will decide.
53:35Okay. Who goes to parents' meetings in children?
53:38Me.
53:40The question is important. Thank you very much.
53:46I want to ask a question.
53:48Yes.
53:49If there is a fight, who is sorry?
53:52The wrong thing.
53:54But no one...
53:56Actually, the wrong thing.
54:00She's pointing to you, Ajay. The wrong thing.
54:02The wrong thing.
54:04No, the wrong thing.
54:06The superstars are very good.
54:08We do this.
54:10When the superstars come here, we don't believe it.
54:12We don't believe it.
54:14One thing about you is,
54:16that you are going to be the same way,
54:18because you say a part of your body.
54:20This is not a bad thing.
54:22That's right.
54:32Kajal ma'am, who was fallen in the film,
54:34in the film is a hit.
54:36This is why you use the points of the footage,
54:38and you put the stage on the footwork.
54:40After the stage, it would fall.
54:42It will be a pain.
54:43Then get him and then get him,
54:45then do this.
54:46I don't need to play the stage.
54:47I can't do it automatically like that.
54:49Kajal Ma'am, this is about your name
54:51that your name is going to be in the World Record book.
54:53Why?
54:54Because you put in your handbag
54:56with suitcases too.
55:00It's true.
55:02This is true.
55:04It's true that when you work in other producers' films,
55:08you need a different vanity.
55:10But when you do it yourself,
55:12you use one vanity.
55:14No, no, in our production,
55:16I don't want a vanity.
55:19Wow!
55:20These are the things you can learn.
55:25Ajay sir, I can show you anything.
55:27Yes.
55:28These are flowers,
55:29but some of the other flowers,
55:31I will confirm with you.
55:33They say that you,
55:34Kajal Ma'am's husband,
55:35Ajay sir,
55:36you call Jiju.
55:39Never!
55:44No.
55:45No.
55:46This is a gift.
55:47And this is a gift.
55:48With this expression,
55:49Jiju.
55:50Jiju.
55:51I don't call Jiju,
55:54but I'll probably start with it.
55:57I think, I'll probably start with it.
55:58I'll probably start with it.
55:59I'll probably start with it.
56:00I'll probably start with it.
56:01Jija ji,
56:02Namaskar.
56:03This is your new name.
56:04Did you start with Jiju?
56:05What was your question?
56:06I'll probably start with it.
56:07I'll probably start with it.
56:08I'll probably start with it.
56:09I'll probably start with it.
56:12No.
56:13Actually,
56:14the problem will happen.
56:15How?
56:16Because...
56:17Oh,
56:18Kajal Ma'am!
56:19It's not a problem.
56:20You'll be a problem.
56:21I'll probably start with it.
56:22Oh,
56:23Oh,
56:24Oh,
56:25Oh,
56:26Oh,
56:27Oh,
56:28Oh,
56:29Oh,
56:30Oh,
56:31Oh,
56:32Oh,
56:33Oh,
56:34Oh,
56:35Oh,
56:40Oh,
56:42Oh,
56:45Oh,
56:46Oh,
56:47Oh,
56:48Oh,
56:49Oh,
56:49Oh,
56:51Oh,
56:51Oh,
56:51Oh,
56:52Oh,
56:53Yeah.
56:54What's that.
56:56May I come face to children's?
56:58Why are they doing things to outfits for vaginal?
57:00Oh hey.
57:02Where do you look?
57:04Hey, how are you?
57:06Hey, how are you?
57:08Hey!
57:09You are also a pig.
57:10Today, you are a pig.
57:12Aha!
57:16Hey!
57:17Which pig is a pig?
57:19Tell me about Sidduji.
57:23Come on.
57:24Come on.
57:25Come on.
57:26Come on.
57:27Come on.
57:28Come on.
57:29My favorite couple.
57:31So, for them, I will take the best halwa of this season.
57:36The halwa of the halwa.
57:38The halwa of the halwa is a halwa of the halwa.
57:40If you take the halwa from the halwa, then it is the halwa of the halwa.
57:45Do you understand?
57:47In our halwa, my father, mother, brother.
58:01The halwa of the halwa is the halwa.
58:04These halwa are all the halwa and the halwa.
58:06A.C.P. Productions