Category
๐ฎ๏ธ
GamingTranscript
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00:30I asked you, but I didn't respond to you.
00:34That's right.
00:35You don't have the number on the other side.
00:37I'm going to try one thing.
00:39I'm going to try one thing.
00:41Okay.
00:42I'll tell you.
01:00You've got two heads.
01:20You've got two heads.
01:27When science has progressed so much, how can you prove the existence of ghosts or paranormal beings?
01:46We cannot prove.
01:48You see, the thing with science is, you want to try and duplicate it in a controlled environment,
01:53and that is not possible with paranormal activity.
01:57What are the devices that you depend on?
02:00My inner vibrations.
02:02But hey, my go-to devices are the EMF meter that tells me about the ambient electromagnetic field,
02:10the EVP meter which captures any unexplained voice phenomenon,
02:16and the laser thermometer which tells me about the temperature.
02:19What was your scariest paranormal haunting experience ever?
02:22Scariest.
02:24I think reality is more scary.
02:28Love and loss is reality, for example.
02:30And human brain is incredibly complex when dealing with love and loss.
02:36But I think it's in those gray areas where ghosts are born.
02:41What was the best evidence that you crossed that made you believe in the world of the paranormal?
02:49In one of my sessions like this, I had a strange visitor, a senior member of the International Association of Exorcism.
02:58Yes, the school of exorcism, backed by the Vatican.
03:02He wanted me to meet one of his subjects, a very interesting subject.
03:06Annalyn, a self-styled satanic high priestess.
03:12She called herself a witch, Satan's lover, and dressed the part.
03:18In the name of the Father, and of the Son, and of the Holy Ghost.
03:23Amen.
03:24Most glorious prince of the heavenly armies,
03:27Saint Michael the Archangel,
03:29defend us in our battle against principalities and warfare,
03:32against the rulers of the world of darkness,
03:35and the wickedness of the nightless,
03:39and the holy church,
03:40and the darkness of the darkness of the darkness.
03:44She could tell some people their traumas,
03:47like the bishop's secrets.
03:49She would know how people she never knew die,
03:52like my grandmother.
03:54I'm a tool of a liar.
03:56Don't worry, my child.
03:59This was not psychosis.
04:01It was what I can only describe as paranormal ability.
04:07And I concluded that she was possessed.
04:10Lord is welcome.
04:12He will protect you against the darkness.
04:13And raise his fear for the darkness.
04:16Don't worry about something.
08:40And I think there is something more to this case.
08:46And I think this is the case we've been looking for.
08:51We are going to Kerala.
08:52We are going to Kerala.
08:53What?
08:54We are going to John.
08:56We are going to Kerala.
09:00I don't know.
09:30Hi.
09:42Hi.
09:43Hi.
09:44Hi.
09:44Hi.
09:46Hi.
09:52Please come.
09:55Hello, sir.
09:57Hello.
09:58I'm Joseph.
09:59Yes, sir.
10:00Ramana.
10:06Why did you come here?
10:10She's Anna.
10:11I'm going to research here.
10:12Oh, sure, sure.
10:14That's okay.
10:15My friend,
10:17I'm going to research this thing.
10:26Joseph will come here.
10:29Yes, sir.
10:30Yes, sir.
10:31I'm going to stay here now.
10:36He's gone.
10:38He's gone.
10:39He's gone.
10:40He's gone.
10:41He's gone.
10:42He's gone.
10:43He's gone.
10:44He came.
10:46He called me.
10:51I'm not going to be able to call it.
10:52He's gone.
10:57I'm not going to call it.
10:58I don't know how to do that.
11:06I don't know how to do that.
11:12That's why I'm trying to make a show.
11:19I don't know how to do that.
11:23I'll see you later.
11:28I would like to keep going.
11:37I'm sorry.
11:42I'm sorry.
11:52Okay, what's wrong?
11:56I don't know what you expect me to do.
12:13I don't know, Raman.
12:16I don't know.
12:17In the police investigations, there are no more vishwas.
12:22Sterem acquisitions, sterem conclusions.
12:25It's the same situation.
12:26That's how I live here.
12:28And the third time, Raman has been telling me,
12:32we were going to get the same situation.
12:34Joseph Sarnaut was not mistaken.
12:36That's why I have to get the irritation.
12:38Please, come back at the front of me.
12:43I know, I'm not sure.
12:44We're going to talk about the same situation.
12:46Our relationship is not a good company.
12:50I got to go.
12:52I got to go.
12:54Pre-boy! Pre-boy!
12:59You are Raman Sarumegi in college.
13:03You are very proud of me.
13:07You are so proud of me.
13:09You are so proud of me.
13:15I am so proud of you.
13:18I am so proud of you.
13:21There, Sir.
13:26There are the first pictures.
13:29In my channel,
13:30the ones who have been shooting music and edited.
13:34Okay,
13:36just one verse.
13:37This image is a good result.
13:40By the way,
13:42the world's history.
13:44It is a good result.
13:46I am the only one that I have done.
13:49I am the only one that I have done.
13:51I will tell you a little about my work.
13:55I will find you in the studio.
13:58And I will get you.
14:07Ready?
14:09Yes.
14:10So finally, Ravivarma was a famous podcaster when it comes to crime and mysterious stories.
14:29That's the first step.
14:40My name is Mirananda Kumar.
14:50I'm 24 years old and this is my property.
14:54My name is Shambhi.
14:59I'm a Thamasi.
15:01My voice is Erotnala and height is 5'11".
15:04I'm a BCom student.
15:05I studied Manipala.
15:07My name is Elina.
15:08I'm 25 years old.
15:10My name is Bangalore.
15:12My name is Bijoy.
15:13I'm 27 years old.
15:15My name is New Mumbai.
15:16I'm Elina.
15:17Hi.
15:18My name is Tashu.
15:19I'm 5'6".
15:20I'm based off in Bangalore.
15:21And these are my profiles.
15:22My name is P.
15:24I'm 6'11".
15:25I'm 6'11".
15:26I'm 6'11".
15:27I'm 6'11".
15:28I'm 6'11".
15:29I'm 6'11".
15:30I'm 6'11".
15:31I'm 6'11".
15:32I'm 6'11".
15:33I'm 6'11".
15:34I'm 6'11".
15:36I'm 6'11".
15:37I'm 7'11".
15:40I'm 3'11".
15:41If you cut that out, you will have an ad to cut that out.
15:46Now, I'm going to get a little bit of a hoarding.
15:50Do you have a business?
15:52Yes, that's good.
15:53If you have a new business,
15:56you will have a great deal.
15:59Yeah?
16:00If you have a little bit of a depression,
16:04you will have a lot of money.
16:06In our country, there is a lot of reality.
16:08You will have a lot of dance and dance.
16:10That's why you are a haunted house.
16:13What do you think of a reality show?
16:16I've seen a paranormal energy experience.
16:20I've seen a university stadium in Bombay.
16:25What do you think of a proper shadow moment?
16:28Hobbies are your favourite.
16:31I've seen a playstation in Thailand.
16:35What do you think of a playstation?
16:37I'm not a playstation.
16:39One thing I can't live without would be...
16:42Freedom.
16:43Youpon.com
16:45I've seen a lot in the haunted house.
16:47I've seen a lot of people here.
16:49I've seen a lot of people here.
16:52I've seen a lot of people here.
17:04This is your face.
17:05I've seen a lot of people here.
17:06I've seen a lot of people here.
17:08You do not have to and you can't find one.
17:09It's full of effects.
17:10That's your life.
17:11It's that you can't find ghosts.
17:13What are you talking about?
17:14If you're making a gang noise, then it's going to make the cast.
17:16You're messing with the cast.
17:19It's going to make you look at it.
17:20You're putting a grunt of cheese and wheat.
17:22I'm doing them for a demo.
17:24Come on.
17:26Here is a trial.
17:28You know a roof.
17:30You know a head strike.
17:32But there is a hydraulic.
17:34Now I have to press a button here.
17:37If you don't know how Korean,
17:39you can get out of here.
17:41Ready?
17:43Ready?
17:443, 2, 1, go!
17:49I'm going to ask you a couple of questions.
17:52I'm going to ask you a couple of questions.
17:54I'm going to ask you a couple of questions.
17:56I'm going to ask you a couple of questions.
18:04Okay, listen up, guys.
18:06How are our contestants here?
18:08I don't want anybody who is not required in this control room here.
18:12Out. Clear out, please.
18:15We have a phone.
18:18Phone?
18:20I'm not sure if you are on the phone,
18:22it's a problem.
18:23We can't get a phone call.
18:24We can't get a phone call.
18:26We can't get a phone call.
18:32They come in from a lake,
18:34they come in from a boat.
18:36I'm going to go for a ride.
18:38I'm going to go for a ride.
18:40I think I'm going to take a look at the pinnye and the pinnye and the pinnye and the pinnye and the pinnye.
19:10The whole line is an image to a
19:13image to a
19:14image of the
19:15image.
19:16It's not too much.
19:17I don't have a picture.
19:19It's not that funny.
19:20It's not a picture.
19:30What?
19:32It's not a picture of a
19:34picture.
19:34It's not a picture.
19:34It's a picture.
19:38A picture.
19:39I don't know.
19:41I don't know.
19:43So, I'll take a look at you.
19:47I'm going to take a look at this.
19:51I'm going to take a look at all rules and regulations.
19:54I'm going to take a look at you.
19:56I'm going to take a look at this boat.
19:58Okay?
19:59That's the rule.
20:01I'll shoot you in a walk.
20:03One day, one task.
20:05I'm going to go full free.
20:07I'm going to take a look at you.
20:09EVP, EMF, meters, microphones, night vision cameras.
20:13What is that?
20:15I'm going to take a flashlight.
20:17This flashlight is connected to a camera.
20:19If we go to the night,
20:21if we go to the flashlight,
20:23we will capture this camera.
20:27You don't have to worry about it.
20:29You don't feel it.
20:31You don't feel it.
20:33You don't feel it.
20:35Okay?
20:36You don't feel it.
20:38That's all.
20:39You don't feel it.
20:40I'm going to take a look at you.
20:42I'm going to take a look at you.
20:44I am going to take a look at you.
20:46Let's go to the room.
20:48All the best.
20:50And welcome to the Undead House.
20:58I have to go to the room.
21:01Hayati.
21:03Where are we?
21:04Tango.
21:05No?
21:07No.
21:08No.
21:08No.
21:10No.
21:11No.
21:12No.
21:14No.
21:15No.
21:15No.
21:16No.
21:16No.
21:17It's not worth making.
21:17I don't know what that is.
21:18I don't know.
21:18There's no clue to him now.
21:21Fly by theใใ.
21:23Go on the way.
21:25The bye zap me.
21:27There's a couple of things.
21:29I don't know.
21:30What's your name?
21:313, 2, 1, go!
21:48What is this?
21:49It's a big deal.
21:50I don't have a big deal.
21:52It's a big deal.
21:54It's a big deal.
21:58What?
21:59It's a big deal.
22:00What is it?
22:01I know not a big deal.
22:02It's not a big deal.
22:03How much?
22:04You don't have to pay attention.
22:05You are a lot of money.
22:06Yes, you are a lot of money.
22:08This is a year old.
22:10I've been working for a long time.
22:11You are a lot of money.
22:12You are a lot of money.
22:13I forgot what I got.
22:14It's not just a year old.
22:15What?
22:16I was a lot of money on money.
22:17You should have to pay it on the phone.
22:18That's what I'm trying to pay.
22:19They are more money.
22:20Unplugable than it is.
22:21You must pay the album.
22:22I know.
22:23I can pay the album.
22:24I can't pay the album.
22:25You are a man.
22:26Guys, wait, move on there.
22:40Huh?
22:41Under the box.
22:45Bijoy Sakriya.
22:47Mira.
22:48Sasha.
22:51Open it.
22:53Chabi.
22:56What are you doing?
22:57No, I'm not.
22:58I'm going to go for a while.
23:00I'm going to go for that side.
23:02Ah, that's right.
23:03Okay, let's go for that.
23:04We'll see some of you.
23:05We'll see some of you.
23:06We'll find some of you.
23:07We'll figure out.
23:08Elino?
23:09Do you see anything from me at the same time?
23:12I'm not sure if you do it.
23:17I'm not sure if you are with me.
23:19There's no one here.
23:26Okay, let's take a look at them.
23:53On it boss.
23:56Let's start with Meera.
23:57Meera.
24:22Elina.
24:25It's working, it's working.
24:28You got him.
24:30I got him.
24:31I got him.
24:32I got him.
24:33I got him.
24:34I got him.
24:35I got him.
24:36I'm not going on.
24:37He's not going to die.
24:38Go to the house.
24:42No!
24:43Meera!
24:46What?
24:48Meera!
24:51What did you do?
24:52What did you do?
24:53Where did you go?
24:55Where did you go?
25:03Good one, good one, good one.
25:05What did you do?
25:07Scary night.
25:08I'm a vegan.
25:13But not vegan.
25:15I don't like that.
25:17I'll get to adjust for the fruits.
25:20I'm a big fan of you.
25:22I'm a big fan of you.
25:24You can't get down to the house.
25:26I'm a big fan of you.
25:28I'm a big fan of you.
25:30I'm a big fan of you.
25:32When you look at the house,
25:36you're a big fan of me.
25:38I put on my mind and walk myself around.
25:40I'm a big fan of you.
25:41I'm a big fan.
25:42Meera!
25:43Is there anything born in the farm?
25:45What?
25:46I'm a big fan of Meera.
25:48I'm a big fan of him.
25:50I've the Viktor Lyok.
25:51I've also been in the treehouse.
25:53And then we went towards the forest area.
25:56Forest area was a little creepy, I think.
25:58Because there was a lot of ruins.
26:01I'm a very good one.
26:03I don't want to get away from that.
26:06I don't want to get away from that.
26:10I don't want to get away from that.
26:12I don't want to get away from that.
26:14I don't want to get away from that.
26:16I'm not sure if I get away from that.
26:18There's an island on the exploring.
26:21Then there's a boiler room.
26:24That's why I'm saying that
26:26I'm going to get away from music.
26:28Because there's a lot of boiler rooms.
26:32Oh my god!
26:33What's going on?
26:37Why don't you go to Banglawa?
26:41I don't want to get away from that.
26:43I don't want to get away from that.
26:45I don't want to get away from the evening.
26:47I don't want to get away from Banglawa.
26:49Now, let's see,
26:51I'll get away from her.
26:52I'll get away from the camera.
26:54Oh my god!
26:56I'll get away from the camera.
26:58I'll get away from the camera.
27:04I won't have to get away from the camera.
27:05You can't get away from the camera.
27:06My name is Anandaika.
27:08I'll get back here.
27:09How is it?
27:10What the hell?
27:18What the hell?
27:22Good evening boys and girls.
27:24Your first task of this series will happen tonight.
27:29Switch into two teams of your choice.
27:32Where are you?
27:33Where are we?
27:34We are.
27:35I am.
27:36We are.
27:37The house has two corners, the room A is in the southern wing, the room B is interesting.
27:49This room was where Arthur Williams, an East India Company estate manager, rounded up his
27:57wife and two children and shot them dead.
28:03What?
28:04Here he is a friend of mine.
28:09His name is Arthur Williams.
28:12He is from the east and the villager.
28:17I cannot take care of that villager.
28:21This place is from here to the village.
28:25He is his soul.
28:29That's a problem.
28:35Basically, what we are doing is we have two groups.
28:39However, when we are doing that,
28:41we have to find the room in the room.
28:49Now, we have to investigate the EVP meter,
28:53night vision camera and other gadgets.
28:56We have to investigate that.
28:59We have to investigate the EVP meter.
29:01We have to investigate the EVP meter.
29:03How do we investigate the EVP meter?
29:06Guys, we need some heavy duty fireworks tonight.
29:09We will be seeing the EVP meter.
29:17Hey!
29:18Hey, man.
29:19There's a lot of fire.
29:21I have to go to the EVP meter.
29:25I'm going to leave the EVP meter.
29:27How can we escape?
29:28No.
29:31What are we doing?
29:32No, do you decide to go to the EVP meter.
29:33No, I don't know.
29:34I'm going to leave the EVP meter.
29:35I am going to leave the EVP meter.
29:36But,
29:37do you even know what to do when you go inside?
29:39You told me that there is a TV.
29:45That's where you have a camera.
29:48If you are not sure, look at me.
29:51I am not sure what you are doing.
29:54I am not sure what you are doing.
29:57You are not sure what you are doing.
30:00That's why you are capturing the camera.
30:03You are not sure what you are doing.
30:06Just switch it on here.
30:08If you have a little magnetic field,
30:10you can see that.
30:12Look at that.
30:14Hello?
30:16In the CRT screen,
30:18you can see the manifestations of these manifestations.
30:22I mean,
30:24magnetic field.
30:28Bye, boy!
30:32Where are you?
30:34Where are you?
30:36Okay.
30:38Let's go.
30:40You go there.
30:42You go there.
30:44Okay.
30:46Let's go.
30:48Let's go.
30:50Let's go.
30:52Let's go.
30:54Let's go.
31:00Let's go.
31:02Let's go.
31:12Let's go.
31:14goodness,
31:16let's look for a bromine.
31:18Alright, let's go
32:08Come on, come on.
32:10Come on, come on.
33:00Come on, come on.
33:22Elina!
33:24Elina!
33:25Elina!
33:28Elina!
33:30Elina!
33:32Who is this?
33:33What?
33:35What?
33:36What?
33:37Elina!
33:38Elina!
33:40You're okay?
33:41Elina!
33:42Elina!
33:43Elina!
33:58Don't leave me!
34:00I'm sorry!
34:07Mere! Mere, what are you doing?
34:09Mere! You're doing what you're doing.
34:19Now...
34:22I have no idea about this standpoint.
34:25Oh, super!
34:41The second task, the pressure hunt.
34:43Plot is simple.
34:45One clue will lead you to another.
34:48If you have a clue,
34:51you will come back to this clue.
34:54The first clue is,
34:56you can find it in God,
34:58not in devil.
35:00The question is for me.
35:02Let's have a look.
35:04And the most important thing is,
35:07the losing team
35:09will be eliminated.
35:12Oh my God.
35:14What are you doing?
35:16What are you doing here?
35:20Lakshmi,
35:22what are you doing here?
35:24Oh my God.
35:26Oh my God.
35:28Oh my God.
35:30Oh my God.
35:32Oh my God.
35:34I'll be lost in the past.
35:36I'm going to go back and take a look.
35:38I've got a look.
35:40Come on, come on, come on.
35:42Come on, come on.
35:43Come on, come on.
35:44Come on, come on.
35:46Why don't you leave me alone?
35:50I'm going to go home.
35:51I'm not going to go home.
35:53Oh!
35:54They're going to the wrong direction.
35:57I'm going to go home here.
36:00Come here!
36:03I need to close this to my house.
36:05Here, come here.
36:06Come here.
36:07Come here.
36:08I'm not going to come home.
36:10I'm going to come home there.
36:12Don't worry.
36:16Tashu!
36:17Tashu, come! Work with me!
36:22Hey, come here!
36:31I'm going to go to the floor.
36:33Where are you?
36:43Hey, this is...
36:44What's wrong?
36:45I'm going to get some money.
36:47Right, right.
36:49Shambhu, why are you here?
36:51I'm going to get a clue.
36:53Come on, Shambhu.
36:55Come on, Shambhu.
36:57Come on, Shambhu.
36:59Come on, Shambhu.
37:09Shambhu, come on.
37:11Come on, come on.
37:13Come on, Shambhu.
37:15Come on, come on.
37:17Come on, come on.
37:21Shambhu, what the hell?
37:25It's burning, Shambhu.
37:29Why are you going to go to your feet?
37:31Why are you going to go to your feet?
37:35Bitch.
37:36Why are you coming?
37:38Why are you coming?
37:40What is your feet?
37:41Please don't even go to your feet.
37:42You come to your feet.
37:43Really?
37:44No!
37:45You don't go to your feet.
37:46Why are you here?
37:48You're going to get enough to go.
37:49Fine.
37:50You don't have to get enough to get enough to get enough to get enough to get enough?
37:55Why are you coming?
37:56Who are you?!
37:57Shambhu, come and get out!
38:00Shambhu! Shambhu!
38:03Shambhu!
38:04Vijay, you're coming in a new one.
38:06Shambhu!
38:07You're leaving.
38:09What's up?
38:09Raju, I'm waiting for you.
38:13I'm not behind you.
38:15Come here, come here!
38:16Come here, come here.
38:17Come here.
38:18Shambhu!
38:22Come here, come here.
38:23Shambhu.
38:24Oh God.
38:25Is he sorry?
38:26Just to reach out.
38:27Yeah, it's fine.
38:28Hey, Shiri, I can go to the show.
38:50Okay, guys.
38:52I only have a couple of days.
38:54I have to go to the conclude.
38:56I can go to the resurrection.
38:58Please do this.
39:00I'll turn this over to Lakshmi.
39:02Yes!
39:03I can definitely get to learn to the tasks like this.
39:06But,
39:07I can only go to the clinic in two days.
39:09I feel better now.
39:11Jalina,
39:13I like that again.
39:15I want to try everybody to break.
39:18We are so happy with that.
39:20I'll show you the same thing,
39:22I'll show you the same thing.
39:29A little girl?
39:30A lesbian?
39:31No, it's not.
39:33They'll go to the bathroom and dance.
39:41I'll go to my kids.
39:44They'll go to the bathroom.
39:46I don't know.
39:50What's going on here?
39:52I'll show you.
39:56Hello, my friend.
39:58Why are they here?
40:00There's no body.
40:02There's no body.
40:08There!
40:10There's no body.
40:12There's no body.
40:14What are you doing?
40:16I don't know.
40:18That's okay.
40:20What are you doing?
40:22You're doing it.
40:34There's no body.
40:40There's no body.
40:42There's no body.
40:44There's no body.
40:46Shambhu, come on.
40:48Shambhu, come on.
40:50There's no body.
40:52There's no body.
40:54You're making sure that you're living in a way.
40:56Hey!
40:58Look!
41:00Look at that!
41:02Look!
41:04Look, look at the picture.
41:06What's going on here?
41:08Look!
41:09Look!
41:10Look at the picture!
41:12Look, look!
41:14Look at the picture.
41:16Narana, it's not the sound of the chennan.
41:21You're ripping them.
41:24Rajam, come on.
41:32Rajam, come on.
41:35Rajam, come on.
41:40Rajam, come on.
41:43I will kill you.
41:45You won't struggle with me.
41:55What happened?
41:57You were even sitting there...
42:11Where am I from?
42:13Hey no!
42:14You're a frog!
42:17I'm going to get a fish.
42:19I'm going to get a fish.
42:21You're a frog!
42:23Eliam Babu!
42:25My Eliam!
42:27He's a frog!
42:29He's a frog!
42:31You're a frog!
42:33I'm going to get a frog!
42:34What?
42:35I'm going to get a frog!
42:37Look!
42:39You're a frog!
42:41Come on, come on.
42:53This was a unique event unparalleled in the history of India.
42:59Sorry, once more. World is the event.
43:02Sorry.
43:04I call that today.
43:11Hello.
43:12Hello, ma'am.
43:13Ramani.
43:14What is that price?
43:16How much did you get to see it?
43:18Ma'am, I have a reality show footage.
43:21I have a few doubts.
43:23Ma'am, I have a few questions.
43:26Hello?
43:28I am familiar with the Brahmagiri.
43:31The Brahmagiri remains so famous in our cave.
43:38The Brahmagiri, cave paintings, rock art.
43:41The Brahmagiri remains so famous.
43:43The Brahmagiri remains so famous.
43:57And I will contact you if I have some information.
44:00Yeah, perfect.
44:02Do get back to me.
44:03All right.
44:04See you. Bye.
44:05Talk to me about the car.
44:07Hmm.
44:15Ah.
44:16That was Aisha man.
44:18Folklore and anthropology expert.
44:20She is the last word when it comes to Dravidian mythology...
44:26and culture.
44:27And she will be a very big help on this.
44:53Okay, okay.
45:23I'm just lost.
45:53Light and dark?
45:56Yeah.
45:57Are you there?
45:58No.
45:59Come on.
46:00No.
46:01Come on.
46:03Shumble?
46:07No.
46:08No.
46:12Shumble?
46:14No.
46:15No.
46:17No.
46:19No.
46:20No.
46:22No.
46:24No.
46:31No.
46:33No.
46:34Take your back!
46:37Shambhu?
46:57Shambhu!!
46:59Shambhu!
47:02Run!
47:04No, no, no, no, no.
47:06I'm not going to go.
47:12Come on, come on, come on.
47:14Come on, come on.
47:16Come on, come on.
47:34Come on, come on.
47:40It's not.
47:42It's so cold.
48:00It's okay. It's okay.
48:04It's okay.
48:12Meera!
48:14Meera!
48:15Meera!
48:16Meera!
48:17Ellie!
48:18Go!
48:19Go!
48:25Go!
48:26Go!
48:27Go!
48:28Ellie!
48:29Go!
48:30Go!
48:31Go!
48:32No!
48:33Shelly!
48:34Go!
48:35Meera!
48:36Asha!
48:37It's okay.
48:38It's okay.
48:39It's okay.
48:40Meera!
48:41Hello!
48:42Hello!
48:43Hello!
48:44Hello!
48:45Hello!
48:46Hello!
48:47Hello!
48:48Hello!
48:49Hello!
48:50Hello!
48:51Hello!
48:52Hello!
48:53Hello!
48:54Can you hear us?
48:55Please help!
48:56Joel!
48:57Help!
48:58Help!
48:59Help!
49:00Help!
49:01Please help us!
49:03We're all out!
49:05We're all out!
49:06Please help!
49:07Please help us!
49:08Hello!
49:09Hello!
49:10Hello!
49:11Hello!
49:12Help us!
49:25Hello!
49:29Hello!
49:34Hello!
49:35Hello!
49:37No.
49:38No.
49:40No.
49:41Turn away.
49:42Don't he go!
49:43Don't rush me.
49:45Stop.
49:46And Vithay, come on.
49:47By the way.
49:48Now we have a presser.
49:49Don't push me.
49:50What the fuck?
49:51Come here.
49:52Come here.
49:54Shhh.
49:56Wow!
49:56Bye.
49:57Bye.
49:58Bye.
49:59Ugh!
50:00Bye.
50:03Ah.
50:04Bye.
50:05Do it.
50:06Come on, come on!
50:13Come on, come on!
50:18Come on, come on!
50:36Come on, come on!
50:40Bijoy!
50:41Bijoy!
50:43Bijoy!
50:44Bijoy, Bijoy!
50:45Bijoy, Bijoy!
50:47Bijoy, what's up there?
50:49Why did you do that?
50:51Come on, come on, come on!
50:54Come on, come on.
50:57Where are you coming from?
50:59They didn't see you.
51:04Why?
51:28Why?
51:32Why?
51:34Why?
52:04I don't know.
52:34I don't know.
53:04I don't know.
53:14Come on, Come on, Heere!
53:20You get to go.
53:22Come on.
53:24Mary!
53:25Mary!
53:26Mary.
53:27Mary!
53:28Come.
53:29Come.
53:30Come.
53:31Come.
53:32This is the only one.
53:34Come!
53:38Come!
53:39Come!
53:46Get him!
53:47Get him!
53:48Get him!
53:49Get him!
53:50It's time.
53:52It's time.
54:20I'm sorry, I'm sorry.
54:50Let's go.
55:20the team was there.
55:21In that time, I became a PhD.
55:23I wanted to write a book on that.
55:25I knew that many people were able to experience that.
55:30I was the one who taught me that they were all taught.
55:34I was the one who taught me that I was taught.
55:37I didn't know what the name of Brahmagiri.
55:40This is my family.
55:43That's black tea.
55:45Oh, thank you.
55:46Pinna?
55:47But I never have any history in the news of the universe.
55:52I've seen some of our people who tell us about the people.
55:55We've made all of these people that do not like it.
55:57I've seen some of these people that can find,
56:01if you don't know the people who are not afraid of us,
56:04I can't find them.
56:07I don't think that I am.
56:08Oh, I knew it. Oh, what's wrong? What's wrong?
56:22Oh, I don't know. You can't tell me you.
56:29I've been telling you, I've been telling you, I've been telling you.
56:35Why is wrong?
56:38MRS.
57:00MRS.
57:02MRS.
57:08And God gave a hint of a
57:10he said
57:11I didn't want it
57:12He asked me
57:13He asked me
57:13He said
57:14He said
57:15I have to
57:15find me
57:16He said
57:17He said
57:17That's what
57:17His arm ๋ดed
57:18He's