#theagathachristiehour #cambridgespies #missmarplemurderiseasy @bethfreed25
An elderly woman ignores eviction notices for the condemned apartment building she lives in as she hopes to prove that it was not built to code. Starring: Patricia Routledge, Dominic Monaghan, Derek Benfield.
An elderly woman ignores eviction notices for the condemned apartment building she lives in as she hopes to prove that it was not built to code. Starring: Patricia Routledge, Dominic Monaghan, Derek Benfield.
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10:03Easily
10:09are selling the site too no gordon gregson builder that built this rotten pile in us place
10:18well perhaps he's learned a thing or two by now i'm sure next time he'll lay proper foundations
10:25for a start but he won't be building for council tenants there'll be apartments for young
10:31professionals and you want to expose this gregson as a jerry builder no need for me to do that that's
10:39for anyone to see with their own eyes no i want to nail him for corruption him and anyone else that
10:47were in with him we're talking over 25 years mrs weston if there was any wrongdoing don't you think
10:57people would have covered their tracks by now are you a detective or not yes then get a scent and go
11:03after it i got a scent all right the state she's living in i feel guilty tucking in she sounds
11:17batty to me no very much with it do you think we can do anything i don't know jeffrey one thing's
11:25certain she won't give up until she's convinced we've had a darn good try
11:33thanks that was great there's some pudding oh no thanks i'm full to bursty oh and there's something
11:40i've got to ask janet about ah about the car right so i'll see you later
11:46it's like i cut up the curtain since she took that lodger
11:54what have you been up to today doing a good turn over the road oh streaming
12:00noreen's put the word around no wonder she said you're never alone with a strimmer
12:16there's something wrong with the car oh do you want ady to have a look at it for you no all right jeff
12:33Hiya. Come in.
12:40There's something wrong with the car.
12:42Oh, do you want Adie to have a look at it for you?
12:44No. All right, Jeff. Adie. All right.
12:48I want you to have a look at it.
12:52We went for a pizza.
12:54For two hours? It's supposed to be fast food.
12:58He wanted to talk about his ex-girlfriend.
13:00They were together for more than a year. He's pretty cut up about it.
13:04Yes, you've said. And you're a shoulder to cry on.
13:08Is there something wrong with that?
13:10Depends.
13:11He doesn't fancy me, Jeff.
13:13How do you know?
13:14I know. That's all.
13:17Happy now?
13:18No.
13:19For pity's sake!
13:21How can I be happy? Him up there with you, sharing his pizzas and testing his shirts for dampness.
13:27I didn't say we shared a pizza.
13:28Well, did you?
13:30Yeah.
13:33Well, there you are then. Lies already.
13:36If you hadn't have been such a wimp with the Wainthrops, you could have been my lodger.
13:40You didn't give me time to tell them.
13:42I didn't have time!
13:44This isn't going to work, is it?
13:54No.
13:55Nice to see you.
14:06Nice to see you.
14:06Mr. Gregson?
14:21Mr. Gregson?
14:23Yes.
14:23Mrs. Wainthropp?
14:24Oh, yes.
14:25Your office said I might catch you here.
14:26Mr. Gregson?
14:27Mr. Gregson?
14:27Yes.
14:27Mrs. Wainthropp?
14:29Oh, yes.
14:30Your office said I might catch you here.
14:32Dithing now.
14:33I hope I'm not imposing.
14:34Well, that depends.
14:35What can I do for you?
14:38Enid Weston.
14:40What about her?
14:41You know her, of course.
14:42Yes, I know her, and no, I won't be proposing her for club membership.
14:45I like a man with a sense of humor, Mr. Gregson.
14:49What's your interest?
14:51I'd like Mrs. Weston to leave Glebe Hamlets before they fall down on top of her.
14:56Fine by me, not to mention the council, but if you're a friend, you'll know what we're
15:02up against.
15:03The money's there, if she wants it.
15:06You know she won't butch for money.
15:09What else is there?
15:10A confession, perhaps.
15:13You built Glebe Hamlets, didn't you?
15:16Oh, long time ago.
15:18Not long for bricks and mortar, though.
15:20It's no secret.
15:22Mistakes were made.
15:23And bribes taken.
15:26You don't strike me as the kind of woman who believes everything she hears.
15:29Ignorance and ambition.
15:31That's all I was guilty of.
15:32Oh, you didn't know you were building on an old landfill site.
15:36I've just said, mistakes were made.
15:39Then I'm surprised you want to buy the same site and start again.
15:43Knock the place down and build something to be proud of.
15:45What better way of repairing the damage?
15:48To your own reputation, maybe.
15:50But that's no consolation for the families who've lived there.
15:54Is there a point to this?
15:55If you've got Enid Weston's ear, tell her to take the money and move out now.
15:59Because take it from me, a sledgehammer will have the last word.
16:03And I'm sorry I can't invite you into the clubhouse.
16:05We do have rather a strict dress code.
16:08Mrs. Wainthropp?
16:28Yes?
16:28Would you like to come this way?
16:30The corridor's a power, eh, Geoffrey?
16:36Makes you think, doesn't it?
16:38Yeah.
16:39What of?
16:40The floor works, mostly.
16:42Yeah.
16:44We were never big fans of bureaucracy in my family.
16:47My grandfather always used to say, there's no government like no government.
16:54Still, I suppose the wheelie bin has been something of a success story.
16:57Hold on.
17:21Are you sure?
17:23Yeah.
17:25Let's have a look.
17:27What's the problem?
17:28It's done.
17:38Just checking.
17:52Well, it doesn't look as though they're trying to hide anything.
17:55Older's trick in the book, Geoffrey.
17:59Hit you with a blizzard of paper and you'll never find what you're looking for.
18:07Have you found something?
18:08No, it's all about repairs to Glebe Hamlet's.
18:12Nothing about the original building work.
18:16The name James Cardwell comes up a lot in these.
18:19Who was he?
18:21Who was he?
18:21The clerk of works.
18:23His job was to be on site to check the work.
18:29Any joy?
18:30No, not yet.
18:31No, not yet.
18:32If you need me for anything, just pick up the phone and dial 3491.
18:40Oh, there is something.
18:41Yes?
18:42Mr. James Cardwell, the clerk of works, is retired, I imagine.
18:48Oh, yes.
18:49A few years back now.
18:50You don't happen to have an address for him?
18:53I can check with personnel for you.
19:00Very obliging.
19:01I wonder why.
19:03Mrs. Wainthrop.
19:04Yes?
19:05Phil Hoskins, Director of Technical Services.
19:06Yes.
19:28Mrs. Wainthrop.
19:29Yes?
19:30Phil Hoskins, Director of Technical Services.
19:32Oh.
19:33Have you found what you're looking for?
19:35Not really, no.
19:36No.
19:37I understand you're interested in digging up some ancient dirt on the building of Glebe Hamlets?
19:45What gave you that idea?
19:47Why else would you bother?
19:48You are a private detective, aren't you?
19:50Well, there's no secret in that, Mr. Hoskins.
19:53We are in the Yellow Pages.
19:55I know.
19:56I checked.
19:57Enid Weston must have more money than I thought.
19:59We're very reasonable.
20:00My partner, Mr. Shawcross.
20:03I hope you'll tell her how helpful we've been.
20:05Well, there's nothing here about the building of Glebe Hamlets.
20:09Oh, I'm sure you'll find something if you look hard enough.
20:12Some dirt, you mean?
20:13Oh, I'm afraid that's all in Enid Weston's mind.
20:18Really?
20:20Glebe Hamlets does none of us any credit.
20:24On the other hand, everyone bar Mrs. Weston has been rehoused.
20:29Away from friends they've known for years.
20:32To make new starts in better places.
20:35We can't offer more.
20:37Go back and tell your client to stop wasting her money.
20:41Mr. Hoskins?
20:44Hmm?
20:45I've asked your secretary for Mr. James Cardwell's address.
20:50I'll see if she's found anything.
20:55The thing is, Reverend, it's not a heavy-duty stringer.
21:04Quite the opposite.
21:06Y-yes.
21:08Yes.
21:09Y-yes, so you've said.
21:11But I really feel that your grass is...
21:14I see.
21:16Well, I suppose I could have a look.
21:19Maureen Bainbridge told the vicar.
21:21Oh, you're well-blessed.
21:23Mr. Weston's waiting.
21:28So, when would you like me to come and have a...
21:30Good afternoon, Mr. Weston.
21:32Mr. Weston?
21:33I'm sorry to call without making an appointment.
21:35Oh, that's all right.
21:37We've nothing much to report, I'm afraid.
21:40I've heard enough already.
21:41Oh?
21:42You haven't told anybody it was me who set you on?
21:44No.
21:45Why?
21:46Questions from above.
21:48The chairman of the housing committee's had Hoskins on the blower.
21:51Wanting to know who's paying you.
21:54We're ruffling feathers.
21:56That's a good sign.
21:58Oh?
22:00You know what they say about omelettes and broken eggs, Mr. Weston?
22:03The thing is, Hoskins says that if it goes on much longer,
22:06then Gregson will back out of buying the site.
22:09Glebe Hamlets will stay derelict and the council will lose their money.
22:12Won't other builders be interested?
22:14Everybody knows it was an old tip.
22:16The cost of foundation work scared them off.
22:19We can stop making inquiries whenever you want, Mr. Weston.
22:23You can convince my mother that there's no point in her going on?
22:26No.
22:27Oh.
22:28I'm inclined to the opposite view.
22:31The choice is yours, of course.
22:33What?
22:34Over here.
22:35My lanes.
22:39They bought the house off the Cardwells eight years ago.
23:07Jim Cardwell died not long after.
23:10Oh.
23:12What about his widow?
23:13Still alive, she thinks, but she's no forward in address.
23:18Won't she still have his pension?
23:22They're usually very sticky about giving details.
23:26Besides, unless the Cardwells shared a mutual fascination for reinforced concrete,
23:32it's hard to see how she can be of help.
23:37You see the problem?
23:47You're asking a boy to do a man's job.
23:49We have two weddings on Saturday, and with my usual man off sick,
23:52I'm hard-pressed to get it looking straight.
23:55I'm only talking about tidying the graves on either side of the path.
23:58Hiya.
24:11Hiya.
24:11How's it going?
24:12Fine.
24:13What's up?
24:14Nothing.
24:15I just came out to see if you need any help.
24:17What's all to help?
24:20What is this?
24:22Well, don't make a fuss.
24:24Has he sent you?
24:27Just let me look like I'm looking, all right?
24:29No, it's not all right.
24:32I said it's not all right, Aidy!
24:34Janet!
24:40Why did you ask Aidy to check my work?
24:42Because I'm the gaffer.
24:43That's what I do here.
24:44Has a customer complained?
24:46No.
24:46Then why not ask me to check on him?
24:48Or anyone else in this repair shop come to that?
24:50I don't want to cool your boots, young lady.
24:52Lady, is that it?
24:54Is that why you don't think I'm equal to any of these blokes?
24:57Listen, if the boss wants to set you on, that's up to him.
25:01What you do here is down to me.
25:04So put up and shut up!
25:06Stick it.
25:06Ah, thank you for coming in.
25:20Do you like it?
25:22Is this a statue?
25:24A statue or a sculpture.
25:25Something by a local artist, perhaps.
25:27There's not much space for children to play, Mr Gregson.
25:31No, but this isn't designed for families.
25:33Couples, most likely, and singles, of course.
25:37It's a very big market today, the single person.
25:40And has it a name?
25:41No, but I'm open to suggestions.
25:44Something like Ascot House, perhaps, or Windsor Court.
25:47What about Gregson Towers?
25:50I'll put it on my list.
25:51How are you going to stabilise this?
25:55By pile-driving the foundations in deep.
25:59Why didn't you do that with glebe hamlets?
26:01Our test holes missed the soft spots.
26:04We thought we were going to build on solid ground.
26:07But you know this.
26:08Do I?
26:08You've been through the records, haven't you?
26:11The ones that matter are missing, Mr Gregson.
26:13Oh?
26:14The building inspection reports.
26:17But maybe your own office has copies.
26:19Can we cut the crap, Mrs Wainthrope?
26:22I don't know what your role is in this.
26:24You need Weston's friend, a go-between, or a busybody.
26:29Why don't you just tell me how much you want?
26:38Fill your lungs, Geoffrey.
26:41Pure, fresh air.
26:49Do you think she'll change her mind?
26:55No.
27:00The smell of corruption is very pungent, Geoffrey.
27:04Make sure it never sticks to you.
27:06Right.
27:08Still?
27:09Still what?
27:10The money would have come in handy.
27:14What for?
27:16A holiday.
27:17A new stereo system.
27:21Season ticket for Man United.
27:24And what's the good of all that if you can't look yourself in the face?
27:27No.
27:56Hiya.
28:03Hello.
28:05I called at the house. Next door said you'd be here.
28:08Why aren't you at work?
28:09I walked out.
28:11Oh, was that wise?
28:13No. What are you doing?
28:15Burning the strimmer out with any luck.
28:19How are you doing, Sir Winthrop?
28:20I'm overheating, Reverend.
28:22Oh, dear.
28:23You need a petrol-driven motor for this job?
28:25Yes, we've got one already, but it's out of commission, I'm afraid.
28:28Bust?
28:29Yes.
28:29Where is it?
28:30It's in the shed near the West Door.
28:32I'll take a look at it, if you like.
28:34Oh, yes, of course. Let me show you.
28:36Right.
28:48Right, I'll come with you.
28:50No, she'll be watching.
28:51I can't leave you here, Mrs Wayne.
28:53I'll be all right. Now, off to Janet's, and remember, lashings are sympathy.
28:58Yeah.
28:59Now, I'll collect you here in one hour.
29:01I'll collect you here, Mrs Wayne.
29:06Okay.
29:08Hey!
29:38Eat it! Eat it!
29:50It's steady Wainthrob, quickly, quickly!
30:04No, no, no. It'll steady you.
30:07No, I'm all right now, thank you.
30:11You say this happens all the time?
30:13As soon as it's dark.
30:15Who are they?
30:16I've never seen their faces. I just hear them.
30:19In the corridors. Down the stairwells. In the flats above.
30:23Gregson's men.
30:24Who else?
30:28I wish I had something to report that had persuade you once and for all to leave.
30:34As long as I know you're on the job, I'm happy.
30:37The technical services director let us see the council records.
30:44Hoskins.
30:45Hmm.
30:46We found nothing.
30:48No surprise there.
30:50He was the buildings inspector when this place were built.
30:54Hoskins authorised the certificates.
30:56So, if there was any wrongdoing, he and the clerk of works had to be in it together.
31:07Find Jim Cardwell and ask him.
31:09I can't. Jim Cardwell's dead.
31:15It wasn't Aidy's fault, Geoff.
31:17He should have stuck up for you.
31:19He didn't have a chance.
31:21He could have said no to checking your stuff.
31:23Yeah, and that would have meant two of us out of a job.
31:28Perhaps he could have a word with your boss.
31:30Get you back in.
31:31Forget it.
31:32I was living on borrowed time with that pig in the office.
31:35If I can't be trusted to do the job, then I don't want it.
31:38You shouldn't have left her there.
31:41I know.
31:43I told him to go, Robert.
31:45It's my own fault.
31:47Maybe so, but it was stupid and dangerous.
31:49Organised scare tactics.
31:52Nothing more.
31:53No more night calls.
31:56Flat.
31:59Your day seems to have left its mark as well.
32:02Aye.
32:04I'd be seeing tombstones in me sleep.
32:06I'd have got clearer way if Janet hadn't got their heavy-duty strimmer going.
32:11Blisters or not, we'd swap jobs with you at the moment.
32:15Gregson tried to buy us off.
32:17Oh?
32:18Very sunny he was at first.
32:20Like a busking shark.
32:22He must have thought you'd got something.
32:24I only wish we had.
32:27The clerk of works.
32:29What was his name again?
32:30Cardwell.
32:31Jim Cardwell.
32:32Why?
32:33I'm not sure.
32:36It just seems to ring a bell.
32:42You knew him?
32:43Very well.
32:44He was a sizeman here.
32:46Smashing fellow.
32:48We wrote a booklet on the church's history together.
32:51Really?
32:53Jim was a dear friend.
32:55And Lillian, too, his wife.
32:58Jim got all the facts together, and I did the scribble.
33:01He was keen on his facts, was he?
33:03Oh, yes.
33:04Very meticulous.
33:06He loved all aspects of local history.
33:08Made it part of his job, he said.
33:10As clerk of works.
33:11Wherever a site was being excavated, Jim would be there to make sure that nothing was lost
33:16to posterity.
33:19Do you still see Lillian, Cardwell?
33:23No, no.
33:23She's in her home.
33:25Rather fragile now, I believe.
33:27Still exchange Christmas cards.
33:37He's rather enjoying himself.
33:39I dare say he is, Reverend.
33:41He asked me where he should stop.
33:43Feel free, I said.
33:44The wall's the limit.
33:46Well, thank you for your time.
33:55She's just over here.
34:00You've got visitors, Lillian?
34:03Visitors?
34:04Hello, Mrs. Cardwell.
34:06It's Hetty Wainthrop.
34:07And I have a young man with me, Geoffrey Shawcross.
34:12Hello.
34:16Hetty Wainthrop?
34:17Yes.
34:19Hetty Wainthrop.
34:20Do I know you?
34:22No.
34:23Oh.
34:25We want to ask you about your husband, Mrs. Cardwell.
34:29Jim?
34:30My Jim?
34:31Yes.
34:32He isn't here.
34:34He passed away.
34:36Yes, we know.
34:37He's been gone some time.
34:39I'm sorry.
34:40I forget how long.
34:43What did you want to know?
34:45Can I help?
34:47I'm Mrs. Cardwell's daughter.
34:56Naturally, we would have checked if we'd known where to make contact.
35:00Oh, no harm done.
35:01All visitors welcome.
35:02How long has your mother been blind?
35:06Ten years or more.
35:08Partially blind for 20 before that.
35:09Oh, dear.
35:10That's hard.
35:12Yes.
35:13Hard on all the family.
35:15Yes, of course.
35:16Dad made it his mission to find a cure for her.
35:20Jackie, do you know where she keeps her photos?
35:22The album.
35:23No, I've got that.
35:24The loose photos.
35:25Obviously, he failed to find a cure.
35:30It wasn't for the want of trying.
35:32He even took her to the States to see a leading eye specialist.
35:35Oh, when was that?
35:36In the early 70s.
35:38He was still paying off the bills years later.
35:41Are these them?
35:42Yes.
35:43Thanks, Jackie.
35:44Did your father ever mention Glebe Hamlets?
35:51Glebe Hamlets?
35:52It's a block of council flats.
35:54Yes, I know.
35:55Why do you want to know about Glebe Hamlets?
35:57It's about to be demolished.
36:00As local historians following in your father's footsteps,
36:05we'd like to document its rise and fall.
36:08I see.
36:10Well, he was rather ashamed of it, to be honest.
36:12Ashamed of what?
36:14That he hadn't done his job properly.
36:16The building was going up at about the time
36:18my mother's condition was diagnosed.
36:21I don't think his mind was on it.
36:26That's Dad.
36:26Oh, very smart.
36:28Not really typical.
36:30He was more a cardigan and slippers sort of man.
36:35What's that a photo of?
36:38It's a topping out ceremony.
36:40When they lay the last brick on the building
36:42before the roof goes on.
36:43Did they take a photo of Glebe Hamlets
36:45when it was topped out?
36:46Oh, I expect so.
36:48They always do.
36:54Yes.
36:56Glebe Hamlets.
36:57You're in luck.
36:59May I borrow this?
36:59Yes, of course.
37:03I'll take the album downstairs.
37:06She likes to look through it.
37:07What would make a decent, God-fearing man
37:25desperate enough to take a bribe?
37:27To see his wife going blind?
37:32Well, if that's true,
37:33he must have been in a dreadful turmoil.
37:35Hello, yes, it's Jackie from Weston Grange Retirement Home.
38:02Yeah, you, um...
38:05He said to call if Mrs Cardwell had any visitors.
38:09Assuming we're right,
38:11we still can't prove anything.
38:13Perhaps somebody in this picture can help.
38:16A fair few will be dead by now.
38:19True.
38:21And by the time we've traced the rest,
38:23no doubt Brian Weston's money will have run out.
38:25Even so...
38:29What?
38:31Jim Cardwell was an amateur historian.
38:35He was passionate about reclaiming the past for posterity.
38:39What are you getting at?
38:42I'm not sure.
38:46Most people choose to take their guilty secrets to the grave, Jeffrey.
38:50But I don't think he was one of them.
39:10Nearly there.
39:15Nearly done.
39:15Aye.
39:17I've booked myself the end plot.
39:19Then I could just drop into it when I get there.
39:22Well, you've done a good job.
39:24He might persuade you to stay on.
39:26Oh, not likely.
39:27Oh, you missed Janet.
39:29Oh?
39:29She's taken the other strimmer back to Noreen Bainbridge for me.
39:33That woman threatened revenge on me,
39:35and by heck, she's had it.
39:36Only Jim don't recognise anybody else.
39:44But then, to be honest, I need my glasses.
39:46Same here.
39:48But I can just make out he's holding something.
39:50Jim is?
39:51Yes.
39:53Let's find my magnifying glass.
40:01There, that's better.
40:02Now then.
40:03You see, it looks like his thermos flask.
40:05Ah, no, no, no.
40:06It's a container, all right,
40:07but it's not for his tea, Mrs. Wainthrob.
40:10Time capsule, I think.
40:12Time capsule?
40:13Containing artefacts for future archaeologists to find.
40:20Mr. Gregson.
40:21It looks as though you're going to be received.
40:36It looks as though you're going to be received.
40:38But what use is an old photograph?
40:53You said the records were clean.
40:55Well, it's just a photograph.
40:57Well, isn't one supposed to be worth more than a thousand words?
41:00Are you sure that the council kept its own print?
41:02I mean, what sort of a system is this?
41:04For pity's sake, we're talking about 25 years' worth of photographs.
41:08I'll just find it.
41:13This picture was taken as the last brick was laid.
41:17And you think he put his capsule behind it?
41:20There or thereabouts in the cavity wall.
41:22You must know this place like the back of your hand.
41:28All right, hold on.
41:30That's the gable end.
41:32Which gable end?
41:33I'll look round for some tools.
41:37You can't see in this light.
41:40Come on outside so you can have a proper look.
41:48It's all right.
41:52Got it!
42:19Well?
42:21Nothing.
42:22See?
42:24It's just a photograph.
42:26What's that?
42:26What?
42:27That!
42:30I'll check the roof space.
42:32That's where the last course of bricks must be.
42:34I'll check in with you.
42:43Hey!
42:43I've got something.
43:11Hello?
43:13Hello?
43:15Hello?
43:16Hello?
43:20Hello?
43:28Hello?
43:34Hello?
43:41it's all here
43:46jim cardwell's confession everything does he name names all names are named all right
43:57so you've found some of the council's property mr hoskins will take charge of that not on you
44:07alive so you intend to steal it do you yes why don't you call the police i'm sure that her
44:13citizens arrest will do you're no citizen mr gregson you and the people in your pocket are
44:18poisoned to decent citizens and if it hadn't been for enid western you'd have got away with it
44:23scot-free i'm sorry but it's not me with my back against the wall you're going down both of you
44:28just hand the stuff over there's no need for anybody to get hurt scream
44:34finished okay so let's have it
44:43how did you know they were going down
44:57oh
45:06oh
45:15hi hi are you going somewhere i made up my girlfriend oh yeah i'm moving back in
45:19it's a bit awkward like for janet but it's one of those things yeah do you need any help no thanks
45:28i've uh i've finished i've just gotta load up you're best off in there right well i'll see you around yeah yeah okay all right
45:47i'll see you around yeah yeah okay all right
45:54hi
46:10hi
46:15he's gone then
46:17happy now
46:19of course not i thought you were worried he was gonna show me his ironing again
46:25good
46:34we got a result today
46:36good
46:37do you want to go out
46:39take adi
46:40he's in a celebration mood
46:42what are you going to do
46:44i'm gonna have an early night
46:46i've gotta find a job and a lodger tomorrow
46:48it's not my fault
46:49not all of it anyway
46:52bang the door as you go
46:54janet
46:55night jeff
46:57the city
47:10yes
47:11you can't be serious
47:16i'm not getting short of everything brian
47:19the city yes you can't be serious i'm not getting short of everything brian
47:27you're moving to a brand new flat it's a comfort it's a health hazard it's going
47:32let it rest or she'll be back behind the barricades and to think this is the day i've
47:41been praying for funny the way things turn out there was a moment when it looked as though you
47:47wanted us to call a halt yes well i hope i can still rely on your discretion really i thought
47:54politicians enjoyed taking the credit too much blood on the carpet for that i'm afraid besides
48:00when one of us blameless and who knows next time you might be gunning for me
48:17so
48:24so
48:31so
48:38so
48:45so
48:49so
48:55so
48:56so
48:57so