Architect Paul Kersey once again becomes a vigilante when he tries to find the five street punks who murdered his daughter and housekeeper, this time on the dark streets of Los Angeles.
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00:00:00The End
00:00:30The End
00:01:00This is KABC Radio. I'm Jerry Nichols.
00:01:23Vakist crime statistics released today show an alarming rise in violence.
00:01:29In the last five years, homicides in Los Angeles County are up 79%.
00:01:33Robberies are up 68%.
00:01:36Aggravated assault, another violent crime, shows an increase of 59%.
00:01:41Rapes have increased 61% and lesser crimes are up 2%.
00:01:45Today, I spoke to Los Angeles Police Commissioner Herman Baldwin.
00:01:49The fear of crime has brought a deterioration of our community.
00:01:54It's almost as if we've been struck by enemy bombs.
00:01:58The number of citizens killed and maimed by criminal violence has produced in me a great and personal resolve.
00:02:05The only way we're going to win, and make no mistake, this is a war.
00:02:10The only way we'll win is by assuming the offensive.
00:02:14Positive policing is the answer.
00:02:17We've got to deploy all our resources, or criminal violence will destroy our community.
00:02:21But what are the resources needed to diminish the alarming rise in crimes?
00:02:28There are those who say heavier prison sentences and an increased police facility are enough.
00:02:33Yeah, I'm one of them.
00:02:34There are others who believe that prison never cured anyone.
00:02:37And judging by the rise in violence, it never deterred anyone either.
00:02:41Here comes the commercial.
00:02:42I know it's your radio station, and that's your life, Ms. Nichols, but I can't take this.
00:02:50It's not my radio station. I'm only the architect for the new one.
00:02:54And Ms. Nichols is late.
00:02:55She's still on the radio.
00:02:57They recorded that earlier.
00:03:00Hey, there she is now.
00:03:02Don't you be late for dinner.
00:03:03Your daughter sure ate well last time.
00:03:05That's because of your great cooking.
00:03:07For her, nothing is too much.
00:03:09We won't be late.
00:03:12We're supposed to be there at 10.30.
00:03:15We'll make it.
00:03:16The senator's aide would not get off the phone.
00:03:19Oh, and Los Angeles Magazine's gone for my idea of a series of articles on criminal rehabilitation.
00:03:24That's great.
00:03:33Hello, baby.
00:03:34You look really good.
00:03:36Hi, Carol.
00:03:38We're not late, are we?
00:03:39Has there been any progress this week, doctor?
00:03:44Nurse tells me she asked for dinner on Thursday night.
00:03:47That's the fifth week running.
00:03:49She said a few words.
00:03:50No, that's not much after two years.
00:03:55Will she ever come back to me?
00:03:58Will she ever be normal again?
00:04:00You're her father, Mr. Kersey.
00:04:02You can only give her your love.
00:04:05And your prayers, too.
00:04:06I remember you liked kites when you were a kid.
00:04:15You still like them?
00:04:16We haven't bought you your ice cream yet.
00:04:25You mean we haven't bought you your ice cream yet?
00:04:39A man has to have some vices.
00:04:42But I'll tell you what.
00:04:44You choose whatever you want from this table.
00:04:46I'll go off and buy the ice cream.
00:05:00Look at him.
00:05:01I'll go off and buy the ice cream yet.
00:05:08I'll go off and buy the ice cream yet.
00:05:09I don't know what they want.
00:05:10That's the way they look like.
00:05:14Let's do it.
00:05:22You wait.
00:05:23Eat your food!
00:05:24Eat your food!
00:05:25Watch out, asshole!
00:05:26You're a smoo!
00:05:27No!
00:05:29Get your ice cream!
00:05:30No!
00:05:31No!
00:05:32No!
00:05:33No!
00:05:34No!
00:05:35No!
00:05:36No!
00:05:37Hey!
00:05:38I'm gonna go pull it!
00:05:45That's nice.
00:05:53Where's my wallet?
00:06:16I ain't got it.
00:06:18Let's go.
00:06:37Guess what?
00:06:38I got up to the front of the line and discovered I forgot my wallet.
00:06:42This time you two come with me.
00:06:45But I'm gonna have to borrow some money.
00:06:47I think we can manage that.
00:06:51Carol!
00:06:52Where have you been?
00:06:55I haven't seen you for a couple of weeks.
00:06:57I thought you deserted me.
00:07:00What happened, Paul?
00:07:02Nothing.
00:07:04Well, you didn't forget your wallet.
00:07:06You never forget anything.
00:07:07I'll tell you about it later.
00:07:09I could stay.
00:07:11I could do the interview another time.
00:07:13The senator's only here for a day.
00:07:17If I were you, I wouldn't miss the opportunity.
00:07:19I'll see you at dinner.
00:07:20Okay?
00:07:21Okay.
00:07:22Hey, Paul!
00:07:23Are you covering the board?
00:07:25I could do a little better.
00:07:31Let me get you covered.
00:07:32Goodbye, Paul.
00:07:33I'm covering the board.
00:07:35I'm covering the board.
00:07:37I'm covering the board.
00:07:39I'll cover the board.
00:07:41I'll cover the board.
00:07:43Oh, my God.
00:08:13This is the place.
00:08:36Superbite.
00:08:39Easy, my man. We got business.
00:08:43Superbite.
00:09:13Mark, I thought you weren't coming.
00:09:17Oh, you know I wouldn't.
00:09:20You are going to.
00:09:26Have you told her?
00:09:28I will.
00:09:31You said you were going to tell her last night.
00:09:33Who is it?
00:09:34I got a delivery from Mr. Kersey.
00:09:37You know, I...
00:09:38Who from?
00:09:39Before that last week.
00:09:44Who is this delivery from?
00:09:46That's not fair.
00:09:47I can't rub out ten years of marriage like it never happened.
00:09:52I've got to think of the children.
00:09:55Ah!
00:10:01Ah!
00:10:02Ah!
00:10:03I love you.
00:10:04Ah!
00:10:05Ah!
00:10:05I can't see you like this man.
00:10:07No!
00:10:08No!
00:10:08Don't tell her.
00:10:09No!
00:10:13Just heard of no one else here.
00:10:15And we wanted to give Mr. Kersey his wallet back.
00:10:19Personally.
00:10:20Hey, man.
00:10:21Look at that.
00:10:23Isn't that pretty?
00:10:26No!
00:10:27No!
00:10:28No!
00:10:29No!
00:10:30No!
00:10:32Lady, you disturb the neighbors when I cut you into little pieces.
00:10:35I need you for dinner.
00:10:55Ah!
00:10:55Ah!
00:10:56Ah!
00:10:56Ah!
00:10:57Ah!
00:10:58Ah!
00:10:59Hey, Jiver, say something for me, man!
00:11:11What am I turned down, man?
00:11:18Your Honor, Inger in the bedroom.
00:11:21Jiver, check out the window for the man.
00:11:29We can't hang in here forever.
00:11:41Hey, I want him.
00:11:44Just be cool, man.
00:11:47You come.
00:11:51I got it.
00:11:59You weren't here once for the man.
00:12:11All right, now, lady.
00:12:12Quietly.
00:12:14Do it nice.
00:12:29Are you hungry?
00:12:37Let's see what Rosaria has for dinner.
00:12:53Rosaria?
00:12:54Rosaria?
00:12:57We're home.
00:12:59We're home.
00:13:08Get in.
00:13:09Get in.
00:13:18Man, you've seen...
00:13:21Get the whore!
00:13:21Get her, man!
00:13:22Get it!
00:13:28Get the fuck outta here!
00:13:30Use the back!
00:13:31Take her. She's seen her. She can figure us off.
00:13:47Come on.
00:13:49Keep moving. Get in there, girl.
00:13:52Come on.
00:14:03There is only one truth about the use of the death penalty.
00:14:07Why do we kill people who kill people?
00:14:10To show that killing is wrong.
00:14:13Thank you, Senator.
00:14:15That was Senator Robert McClain.
00:14:17And this has been News Desk.
00:14:19Brought to you by KBC Los Angeles.
00:14:22I'm Jerry Nichols.
00:14:23I'm Jerry Nichols.
00:14:32Irvana.
00:14:33How long are we gonna stay here?
00:14:35Oh, it's nice here.
00:14:37Yeah, we got a nice little lady.
00:14:40What are we gonna do?
00:14:42Wasted?
00:14:44She's seen us.
00:14:45She can figure us all.
00:14:47The man saw me twice.
00:14:49Up close.
00:14:50Aw, man.
00:14:53We look all the same to Whitey anyway.
00:14:56He'll never pick you out, Jarvis.
00:14:58He'll never pick you out, Jarvis.
00:15:26Paul!
00:15:41Paul?
00:15:42Paul, is that you?
00:15:45Paul, is that you?
00:16:15Ma'am!
00:16:17Ha'am!
00:16:20What?
00:16:22He's a thief.
00:16:27He's a thief.
00:16:29He's a thief.
00:16:32I love you.
00:16:34You make youratorship.
00:16:36I love you.
00:16:37He's a thief.
00:16:39I love you.
00:16:40Mr. Kersey, I'm Inspector Mankiewicz.
00:17:02I know it's a terrible time.
00:17:04Any news of my daughter?
00:17:05Not yet, but as soon as we hear anything, we'll let you know.
00:17:08Mr. Kersey, the descriptions you gave the officers about your attackers, they're very unclear.
00:17:16Is there anything that you can add?
00:17:20I came in this front door. There were two men standing there.
00:17:23There were at least two men back there.
00:17:25One of them hits me on the head, and I'm knocked unconscious.
00:17:28Well, surely you saw one of them before you were attacked.
00:17:32Hey, I told your man everything I know.
00:17:38We understand that the same sort of thing happened in New York City.
00:17:45We ran it down in our computer.
00:17:48Yeah, that's right.
00:17:50Some muggers followed my wife and daughter home from the market.
00:17:54The police there got a very good description of the muggers, too.
00:17:58But it didn't do any good.
00:18:00We do what we can.
00:18:01Oh, one of my men found us on the floor.
00:18:14Oh, honey, if they don't need us anymore, let's go back to my place.
00:18:18They're going to be all night.
00:18:19Mr. Kersey, we just got some news about your daughter.
00:18:23How is she?
00:18:24Is this your daughter, Mr. Kersey?
00:18:31Mr. Kersey, is that Carol?
00:18:33Get some sleep, darling.
00:18:56You go on back to bed.
00:18:58I want to stay here a while.
00:18:59I'll be alone in a moment.
00:19:03I'll be alone in a moment.
00:19:33Don't worry about the new building, Paul.
00:19:38It can wait.
00:19:40Oh, I'll be back soon.
00:19:43It's not necessary.
00:19:46It is for me.
00:19:51Thanks for the use of your cabin.
00:19:52It's for me.
00:20:12Oh, my God.
00:20:42Oh, my God.
00:21:12Oh, my God.
00:21:14Oh, my God.
00:21:16Oh, my God.
00:21:48Oh, my God.
00:21:50Oh, my God.
00:21:52Oh, my God.
00:21:54Oh, my God.
00:21:56Why didn't somebody tell me you were here?
00:21:58I've got some news for you.
00:22:00Your building's been approved.
00:22:02What's it gonna cost me?
00:22:04Well, if you get it in a steel frame with reflective glass, it'll cost you $250 a square foot.
00:22:10One hundred dollars a square foot.
00:22:14Comprete, $150 a square foot.
00:22:17All the figures are right here.
00:22:22I can't believe these prices.
00:22:24Welcome back.
00:22:26I see you made a noisy comeback.
00:22:28Hello?
00:22:29Yeah, yeah, go ahead.
00:22:30Yeah.
00:22:31I heard you were in the building.
00:22:32I was just gonna drop by and see you.
00:22:34See you tonight.
00:22:36Uh, Jerry, you know, I don't feel like I'm fit company for socializing. Not yet, anyway.
00:22:43Paul!
00:22:44Are you out there?
00:22:45Come on back.
00:22:47Mr. Kersey, I was at your office. They told me you'd be here.
00:22:52We were hoping you'd come down and look at some mug shots.
00:22:55See if you could pick out some of those people that were in your apartment.
00:22:58You know, it happened so fast.
00:23:01Uh, no, I don't think so.
00:23:04The pictures might jog your memory.
00:23:07There really isn't any use.
00:23:10Excuse me.
00:23:17Eh!
00:23:33Eh!
00:23:38Eh.
00:27:30Shall I join you?
00:27:31Oh.
00:27:32It's you.
00:27:33Well, who were you expecting?
00:27:36Raquel Welch?
00:27:44What brings you here?
00:27:46I thought I'd come and see you.
00:27:48Well, it doesn't happen too often these days.
00:27:50Half my wardrobe's here.
00:27:52I'm getting very bored with wearing the other half.
00:27:59Jerry, I'm gonna be a while.
00:28:03Why don't you go on and do what you're gonna do,
00:28:05and I'll see you back in the office.
00:28:20Thank you for calling General Lock Company.
00:28:40Hello, yes.
00:28:42I have some locks here that need changing.
00:28:44Could you do it for me today, please?
00:28:50I'll see you next time.
00:29:20And I'm my partner.
00:29:22I know you should do it for me today.
00:29:24You can hold me up.
00:29:26I'll see you next time.
00:29:28I hope you enjoyed it.
00:29:30You will see you next time.
00:29:32See you next time.
00:29:34Enough, man.
00:29:36See you next time.
00:29:38See you next time.
00:29:40Bye, bye.
00:29:42Bye, bye.
00:29:46Oh!
00:29:48Oh, come on!
00:29:52Oh, come on!
00:29:55Oh, come on!
00:29:59Oh!
00:30:10Catch them.
00:30:14There they are.
00:30:16Let's go.
00:30:46Let's go.
00:31:16Let's go.
00:31:46Let's go.
00:32:16You and you out, not you.
00:32:46You believe in Jesus?
00:32:48Yes, sir.
00:32:50Well, you're going to meet him.
00:32:53Let's go.
00:32:55Let's go.
00:32:57Let's go.
00:33:01Let's go.
00:33:09Let's go.
00:33:11Let's go.
00:33:12Let's go.
00:33:13Let's go.
00:33:15Let's go.
00:33:17Let's go.
00:33:19Let's go.
00:33:23Let's go.
00:33:25Let's go.
00:33:27Let's go.
00:33:31Let's go.
00:33:33Let's go.
00:33:35Let's go.
00:33:36Let's go.
00:33:37Let's go.
00:33:39Let's go.
00:33:40Let's go.
00:33:41Let's go.
00:33:42Let's go.
00:33:43Let's go.
00:33:44Let's go.
00:33:45Let's go.
00:33:46Let's go.
00:33:47Let's go.
00:33:48Let's go.
00:33:49Let's go.
00:33:50Let's go.
00:33:51Let's go.
00:33:52Let's go.
00:33:53Let's go.
00:33:54Let's go.
00:33:55Oh, yeah!
00:33:57Hey, excuse we're filling the car's pipe?
00:33:59You want to join the party?
00:34:00No, thank you.
00:34:19Steering on the Sausalito area San Francisco.
00:34:22Killed three people, losing over one time.
00:34:25Hello.
00:34:27You're in.
00:34:29Been in all night.
00:34:31I called.
00:34:33I haven't been answering the phone.
00:34:35Those newspaper people keep calling me ever since.
00:34:38Well, I just haven't answered.
00:34:40Can I cook dinner for you tomorrow night?
00:34:44Friday night's better.
00:34:46Friday night, then.
00:34:48Okay.
00:34:48Bye.
00:34:49Of course, the two men were shot dead in the now-vacant Hollywood Hotel on Hollywood Boulevard.
00:34:55Police believe the two deaths are drug-related.
00:34:58Names have been withheld, pending notification of the families.
00:35:04Six. Yes, six.
00:35:06Three bills to go on your campus.
00:35:07Four.
00:35:07Four.
00:35:08Three.
00:35:08$24.
00:35:10$24.
00:35:10$24.
00:35:11$24.
00:35:12$24.
00:35:13$24.
00:35:14$24.
00:35:15$24.
00:35:16See you there.
00:35:17It's 9 o'clock here in Long Island.
00:35:19We'll go over to Jane Saunders, Mr. Sackley.
00:35:22There's a hold-up on Hollywood Boulevard at Western, where a traffic accident has tailbacks for half a mile.
00:35:29So drivers, be sure to avoid Hollywood at Western.
00:35:32That's it, Cheeto.
00:35:33That's it, Cheeto.
00:35:34Give them the logo, guys.
00:35:35Be careful, folks.
00:35:36Is that brand new car wreck?
00:35:37Of course, in my case, my car's such a mess anyway.
00:35:39A few more bangs wouldn't make much difference.
00:35:41Now, here's Jerry Nichols with some news of an experiment in Illinois taking young people away from crime.
00:35:47In Illinois, stay clear.
00:35:48In Illinois State, please.
00:35:52In Illinois State, please.
00:35:54Oh, I'm here, everywhere, oh, tell me on my heart, thank Jesus Christ.
00:36:04Oh, I would not be enough enough, I'll tell you the reason why, I'm afraid of the Lord that you've fallen on me, and I wouldn't see you when you die.
00:36:21Oh, my Lord, thank Jesus.
00:36:39No, no, no, no, no!
00:36:50Whoo!
00:37:01Whoo!
00:37:04Come on! Come on! Come on! Come on!
00:37:09Whoo!
00:37:16Come on!
00:37:19Stop! Do this! Stop!
00:37:23Get out of here!
00:37:26Ah, please!
00:37:30I will be good.
00:37:31Mary!
00:37:32We will find your mama, motherfucker!
00:37:36Oh, no!
00:37:37Oh!
00:37:38Don't, old Mary!
00:37:50Ah!
00:37:51Ah!
00:37:52Ah!
00:37:53Ah!
00:37:54Ah!
00:37:55Ah!
00:38:04Ah!
00:38:05Get back!
00:38:08Oh, God!
00:38:12Oh, God!
00:38:13Oh, God!
00:38:17No!
00:38:18Please!
00:38:19Please!
00:38:20Stop!
00:38:21Stop!
00:38:22Stop!
00:38:23Ah!
00:38:26Ah!
00:38:28Oh!
00:38:30Ah!
00:38:31Ah!
00:38:32Ah!
00:38:34Ah!
00:38:36Ah!
00:38:37Ah!
00:38:38Ah!
00:38:39Ah!
00:38:40Ah!
00:38:44Ah!
00:38:45Ah!
00:38:46Ah!
00:38:49Ah!
00:38:51Ah!
00:38:52Ah!
00:40:09Hey, watch out, asshole!
00:40:28Goodbye.
00:40:30Hey, over here!
00:40:35Hold it a minute.
00:40:37Let me get this straight.
00:40:41Some guy pops up out of nowhere, he starts shooting, and you and your wife don't know what he looks like.
00:40:51That guy saved our lives, damn it.
00:40:53Where the hell were you guys, giving out parking tickets?
00:40:57Hold it.
00:40:58Hold it.
00:40:59Hold it.
00:41:00Hold it.
00:41:01Hold it.
00:41:02Hold it.
00:41:03Hold it.
00:41:04Hold it.
00:41:05Hold it.
00:41:06Hold it.
00:41:07Hold it.
00:41:08Hey, Ben, over here.
00:41:09What'd he look like?
00:41:10He was, uh...
00:41:11He was, uh...
00:41:12He was a very good citizen.
00:41:13That's what he was.
00:41:14He was a killer.
00:41:15Now you want to stay here forever?
00:41:16Why it that way?
00:41:17You're vital witnesses.
00:41:18Now don't play games with me.
00:41:19You both saw him.
00:41:20Now I want the description.
00:41:21He's 21.
00:41:22Blonde with a club foot.
00:41:26It's funny.
00:41:27From where I was, he was a large black man with a red beard.
00:41:30Now you let these guys get me to the hospital, or I'm gonna give the pressure of you.
00:41:36Now I want the description.
00:41:38He's 21.
00:41:40Blonde with a club foot.
00:41:42It's funny.
00:41:44From where I was, he was a large black man with a red beard.
00:41:47Now, you let these guys get me to the hospital,
00:41:50or I'm gonna give the press interviews you won't believe.
00:41:53Take it.
00:42:00You know what we got here, don't you?
00:42:02A goddamn vigilante.
00:42:06My wife goes to mace class, would you believe that?
00:42:11The police commissioner's wife at mace class learning to spray attackers.
00:42:16Now you tell me there's a vigilante out there.
00:42:19Thank God.
00:42:21The lid's only just kept down as it is.
00:42:24I can just see all kinds of panicked citizens taking to the streets if this gets out.
00:42:28They'll knock off anyone with long hair or tacky clothes.
00:42:31I think that I can find them.
00:42:33If we even start an investigation, the press will hear of it.
00:42:35I learned half of what goes on in my own flaws from the newspapers.
00:42:39Tell me.
00:42:41Wasn't there a vigilante in Boston about five years ago?
00:42:45New York.
00:42:47New York. Right.
00:42:49Get on to them. See how they handled it.
00:42:51It stopped there.
00:42:53Hey, what about this report? You've, uh...
00:42:55I know.
00:42:56The Los Angeles police has asked for advice in their vigilante situation.
00:43:01But, uh, there's something else you should know, sir.
00:43:05Paul Kersey now lives in Los Angeles.
00:43:08You suggesting that Kersey's out there killing again?
00:43:11Paul Kersey was an interesting man.
00:43:14So I kept a loose tab on him.
00:43:17He worked in Chicago for a while.
00:43:19Where he met an old friend of his who ran a radio station in L.A.
00:43:23And, uh, he transferred his business out there.
00:43:26But that doesn't mean that he's the Los Angeles vigilante.
00:43:29No, sir.
00:43:32But, Christ, what if he is?
00:43:35Yes, sir.
00:43:37If he is, and if he's caught, the trail leads straight back to us.
00:43:42We had him and we didn't prosecute.
00:43:44For damn good reason.
00:43:46Street crime was down 50%.
00:43:49Muggers were afraid to go out on the streets.
00:43:51Never mind that, Commissioner.
00:43:53We know we'd have a martyr on our hands if we brought him to trial.
00:43:56But the fact is, we let him go.
00:43:58If he's caught now, we'll tell the world we let him go.
00:44:03We'd be disbarred.
00:44:04We'd be the end of your career, Mr. Commissioner.
00:44:07And you, Inspector, would not collect your pension.
00:44:11And I retired this year.
00:44:13Well, it's quite simple.
00:44:15We have to get him before they get him.
00:44:17We?
00:44:18You.
00:44:21Well, uh, I could go to Los Angeles and answer to their request.
00:44:26And, uh, I'll try to find out if Curse is up to his old tricks again.
00:44:31And if he is, I'll try to stop him.
00:44:35Quietly.
00:44:36Kill him.
00:44:56Kill us.
00:44:57Oh, my God, we did.
00:44:58So, I think we did.
00:44:59I'm sorry.
00:45:00Okay.
00:45:01I'm sorry.
00:45:02Hurl.
00:45:03Okay.
00:45:05Good.
00:45:06Okay.
00:45:08Good.
00:45:09Okay.
00:45:10Oh, my God.
00:45:11I'm sorry.
00:45:12I'll try.
00:45:13I'm sorry.
00:45:14Okay.
00:45:15Okay.
00:45:16Mauna.
00:45:17I don't see him.
00:45:18It's okay.
00:45:19I don't see a big armor.
00:45:20I'm sorry.
00:45:21Oh, my God.
00:45:22I'm sorry.
00:45:23How can I tell you?
00:45:24Hi, Frank. Over here.
00:45:33Mike, good to see you.
00:45:34Frank, welcome to L.A.
00:45:37Gesundheit.
00:45:40Thank you. Is this the file?
00:45:42Newspaper clippings and police photographs on Paul Kersey.
00:45:45Most of them, of course, are about how his daughter
00:45:48and his housekeeper were killed by muggers.
00:45:50To check out every person who suffered a loss through muggings
00:45:54in the last six months, particularly a death.
00:45:57How many people did I give you?
00:46:00Deaths, 96. Seriously injured, 1,500.
00:46:03Rapes, 579. I can go on.
00:46:07Tied down a lot of men that way.
00:46:10What did you do?
00:46:12We tried that route, but we gave up.
00:46:15I'm going back to the hotel.
00:46:16I want to lie down.
00:46:17I think I caught a call on the plane.
00:46:19And the schmog doesn't help anyway.
00:46:21Hey, babe.
00:46:22Yeah.
00:46:23You're not holding out on me, are you?
00:46:26Hey.
00:46:27One cop to another.
00:46:28Would I do a thing like that?
00:46:31Yeah.
00:46:42It's all right, Miss Nichols.
00:46:44I'm a policeman.
00:46:45How did you get in?
00:46:46It comes with the jar.
00:46:47You'd be amazed at the things they teach us.
00:46:49Now, what's a New York cop doing breaking into my apartment?
00:46:51It's about your friend, Mr. Paul Cursey.
00:46:52How do you know it?
00:46:53It comes with the jar.
00:46:54He killed nine people in New York City four years ago.
00:46:58You're not serious.
00:46:59I'm very serious.
00:47:00What station are you from?
00:47:01How do you know it comes with the jar?
00:47:06He killed nine people in New York City four years ago.
00:47:12You're not serious.
00:47:15I'm very serious.
00:47:18What station are you from?
00:47:20West 71st Street. Ah, ah, ah.
00:47:22They won't help calling anybody.
00:47:24Well, they sent you, didn't they?
00:47:25Well, not exactly.
00:47:28Was Mr. Kersey charged with killing nine people?
00:47:31He was not.
00:47:33You see, the people he killed were muggers.
00:47:37Even though the public never knew who he was, he became a hero.
00:47:44And, ah, there were those that felt we should encourage him to stop and leave it at that.
00:47:49But, ah, now you see, he's doing it again.
00:47:54Here. In Los Angeles.
00:47:59But there's no one I can call to verify all this.
00:48:02My chief thinks I'm on vacation.
00:48:05You break in here and you tell me you think Paul's a murderer.
00:48:09What else are you entitled to tell me?
00:48:11We think it would be better if he stopped.
00:48:14I asked him once. Didn't seem to work.
00:48:17I think maybe he'll listen to you.
00:48:19I hardly ever see him outside of the radio station.
00:48:22Doesn't it make you wonder what he may be doing at night?
00:48:25What's wrong with you? Haven't you got one?
00:48:27Fuck you!
00:48:28What's wrong with you? Haven't you got one?
00:48:30Fuck you!
00:48:31What's wrong with you? Haven't you got one?
00:48:33Fuck you!
00:48:34Hey, Mr. Have you got a map out in this room?
00:48:35What's wrong with you? Haven't you got one?
00:48:36Fuck you!
00:48:38What's wrong with you? Have you got one?
00:48:49Fuck you!
00:49:03Paul, where have you been?
00:49:04Oh, it's just out.
00:49:05Well, out where?
00:49:07It was with a friend.
00:49:08A man.
00:49:09What man?
00:49:11Calm down.
00:49:16Where do you think I've been?
00:49:19Killing muggers.
00:49:27You're crazy.
00:49:29A New York cop broke into my place tonight.
00:49:33Not that, uh, what the hell's his name?
00:49:36Frank Ochoa.
00:49:37Well, he said he talked to you once.
00:49:40He asked me not to kill muggers.
00:49:42He told me that.
00:49:45Yes, that's true.
00:49:47That you killed muggers?
00:49:48No, that he asked me not to.
00:49:50Why would he ask you not to if you weren't doing it in the first place?
00:49:55Listen, when a policeman finds a killer, what does he do?
00:49:59Well, they arrest him.
00:50:00Well, he did seem a bit odd.
00:50:04Not only odd, the guy is crazy.
00:50:06It's that simple.
00:50:07He had a moment in his life when he was somebody, he was in charge of the vigilante killings in New York.
00:50:14He was all over the newspapers, the television, asked a lot of questions, and the most important question they asked him was, who is the vigilante?
00:50:25I mean, if you found the vigilante, and of course he had him, and me, I was one on a long list of people who had family killed by the muggers.
00:50:34For all I know, he might have accused every one of them.
00:50:36But he became such a damned pest that I left New York.
00:50:41But I'll be damned if I leave Los Angeles.
00:50:44I'm not going to let him come between you and me.
00:50:49I thought things had.
00:50:51What?
00:50:52Come between us.
00:50:54Hell no.
00:50:58Stay the night?
00:51:00I thought you'd never ask.
00:51:06Do I get a key again?
00:51:22Oh, yeah.
00:51:24Here, you can have a copy.
00:51:26Now, don't lose it.
00:51:27We may not be able to get back in tonight.
00:51:29Oh, I can't see you tonight.
00:51:31Why not?
00:51:32It's Judah's birthday, and I'm staying over with her in Carmel after the party.
00:51:36Now, who's keeping us apart?
00:51:46Hello?
00:51:47Frank, hi.
00:51:49Mike?
00:51:51I hate to ask you this after you've been so helpful, but could you do something for me tonight?
00:51:57Yeah, go ahead.
00:51:58What is it?
00:51:58I want you to take my car and park it outside the front of Paul Curz's house.
00:52:06I want you to take my car and park it outside the front of Paul Curz's house?
00:52:07No.
00:52:08No!
00:52:09Bye-bye.
00:52:10I want you to take it outside the front of Paul Curz.
00:52:11Oh, my God.
00:52:41Oh, my God.
00:53:11Oh, my God.
00:53:41Oh, my God.
00:53:43Oh, my God.
00:53:45Oh, my God.
00:53:47Oh, my God.
00:53:49Oh, my God.
00:53:51Oh, my God.
00:53:53Oh, my God.
00:53:55Oh, my God.
00:53:57Oh, my God.
00:53:59Oh, my God.
00:54:01Oh, my God.
00:54:03Oh, my God.
00:54:05Oh, my God.
00:54:07Oh, my God.
00:54:09Oh, my God.
00:54:11Oh, my God.
00:54:13Oh, my God.
00:54:15Oh, my God.
00:54:17Oh, my God.
00:54:19Oh, my God.
00:54:21Oh, my God.
00:54:23Oh, my God.
00:54:25Oh, my God.
00:54:27Oh, my God.
00:54:31Oh, my God.
00:54:33Oh.
00:54:43Come on, will you?
00:54:45Follow that bus.
00:54:49It isn't moving.
00:54:51When it moves, follow it.
00:55:13What do we do now?
00:55:15We wait.
00:55:43Come on.
00:56:06Achoo!
00:56:13Come on.
00:56:27Can I see something here?
00:56:29Hey, stop it! Stop it!
00:56:31Just let me check the color out for one second.
00:56:34Damn!
00:56:36Yeah, I really am a nice guy, but jack like a fool around me.
00:56:43Come on.
00:56:59Now, that bus there.
00:57:01I hope you got the bread for this.
00:57:03This is police business.
00:57:05I ain't known for my community spirit.
00:57:07Show me some money.
00:57:09Here. Start with this.
00:57:11Go ahead, will you?
00:57:29Stop it!
00:57:30Go ahead, will you?
00:57:31Hey!
00:57:38Oh, come on.
00:57:39Leave me alone.
00:57:41Oh, give me a break, you guys.
00:58:00guitar solo
00:58:30guitar solo
00:59:00What's down there?
00:59:14Point Furman.
00:59:18What's that?
00:59:19It's one of those historical monuments.
00:59:21There's nothing there this time of night.
00:59:22You wait here.
00:59:24You get the other half when I get back.
00:59:26Whatever happens, wait here.
00:59:31If you're here shooting, don't worry.
00:59:33It's just target practice.
00:59:34What's happening, don't they?
01:00:03What are you going to hide now?
01:00:08Ow!
01:00:09Jesus Christ.
01:00:10All right, let's see the stuff.
01:00:15Show the man.
01:00:16This is the best.
01:00:17This stuff is sweet like sugar.
01:00:19I don't want to get through it.
01:00:25We'll get through it.
01:00:31You're my friend.
01:00:31Lift it up.
01:00:31This is what you think it's like.
01:00:33This is the best.
01:00:34This is the best.
01:00:35This is behind you.
01:00:36One credit, doctor.
01:00:38Don't hold it.
01:00:39Get through it.
01:00:40He's letting you retire.
01:00:40The house isälš.
01:00:41This is the best.
01:00:41Watch out!
01:01:05What the fuck is going on?
01:01:07He's over there, man.
01:01:11What the fuck is this?
01:01:15Come on, come on!
01:01:18Come on, come on!
01:01:20Come on, come on!
01:01:41Come on!
01:01:43Come on!
01:01:46Come on, come on!
01:01:48Clicked.
01:01:50Clicked!
01:01:55Cool!
01:01:58Oh, my God!
01:02:14No! No!
01:02:28No!
01:02:54I'll be damned, you.
01:02:56You stuck your neck out for me?
01:02:59It was you or them.
01:03:04Did you get them all?
01:03:06One of them got away.
01:03:09Get the motherfucker for me.
01:03:15Oh, Father, who art in heaven,
01:03:18hallowed be right here.
01:03:26He's dead.
01:03:27Poor bastard. I knew he was holding out on me.
01:03:32Lieutenant! Over here!
01:03:34Listen, I have a point from it in San Pedro.
01:03:35He's dead.
01:03:36Poor bastard.
01:03:37I knew he was holding out on me.
01:03:38Lieutenant! Over here!
01:03:39Listen, I have a point from it in San Pedro.
01:03:41He's dead.
01:03:42Poor bastard.
01:03:43I knew he was holding out on me.
01:03:45Lieutenant! Over here!
01:03:47Listen, I have a point from it in San Pedro.
01:03:49It's more of a door to me.
01:03:50Who blew away the cops?
01:03:56Who blew away the cops?
01:03:57I'm bleeding, Matt.
01:03:58Who did it?
01:03:59I don't know.
01:04:00I don't know.
01:04:01Get the ambulance!
01:04:02There's a sign of a cab that called in.
01:04:04The cab service said that he was just passing by.
01:04:06He didn't see anything.
01:04:07Yeah, they just want to stay out of trouble.
01:04:09Give us a hand.
01:04:13Listen, you're gonna die right here.
01:04:16If I don't hear, who killed that cop?
01:04:18Nevada! He got away!
01:04:20Who's that?
01:04:21Nevada!
01:04:23Nevada!
01:04:24Charles Wilson!
01:04:26Hey!
01:04:27How the fuck?
01:04:28Put out a tracer on Nirvana, also known as Charles Wilson, for murder.
01:04:38No hurry.
01:04:42How can an entrance door cost $500,000?
01:04:46Your wife is a very expensive designer.
01:04:49She wants to tell you marble, Mexican mosaic,
01:04:52sculpted angels blowing horns on either side of the doorway.
01:04:57Costs a lot of money.
01:04:59But here, we've drawn it up in concrete.
01:05:02Even has the angels on either side of the door.
01:05:05Costs a hell of a lot less.
01:05:07Why don't you ask your wife about it?
01:05:09She'll hate it.
01:05:10Ask her anyhow.
01:05:13Let me know one way or the other, will you?
01:05:19Well, do you know what time they're gonna make their move?
01:05:22Uh-huh.
01:05:23Well, thanks, Sergeant.
01:05:24Will you please keep those calls coming in?
01:05:26All right.
01:05:27Hiya, Fred.
01:05:28What's happening?
01:05:29Well, there was a big shootout last night at Point Furman down San Pedro.
01:05:31There were five people killed, including a New York cop.
01:05:34Our manager's department says that the tax squad's been called in.
01:05:37I want you glued to those police monitors.
01:05:40Glued.
01:05:41A man called Wilson.
01:05:42He got away from the shootout last night.
01:05:43And the word is they may move to take them sometime this afternoon.
01:05:47And if they do, I want someone there.
01:05:49We could use a good exclusive.
01:05:51Say, Fred, where do you get these monitors?
01:05:53Oh, we adapt them ourselves. Lots of people do.
01:05:57Happened to have a spare one lying around?
01:05:59Uh, there was one that we were gonna get rid of.
01:06:01Uh...
01:06:04Here, we got better ones now, but this one still works pretty well.
01:06:07A gift from KABC Radio.
01:06:12Now, the tax squad, they operate on this band.
01:06:15And they identify with 3A-90.
01:06:17And the truth is, the programs are a lot more interesting than ours.
01:06:21Thanks, Fred.
01:06:22Thanks, Fred.
01:06:25Hi.
01:06:29425, this is the guy. Thank you.
01:06:31Charlie available. That will handle.
01:06:34Charlie, that's the 2th West 9, 7 apartment.
01:06:374 feet.
01:06:383A-68, subjects residence located as 914 Fillmore.
01:06:43Unit's moving into position.
01:06:485, age 13, this is 3A-90.
01:06:503A-90, we can use a definite 10-20.
01:06:53Affirmative, 914 Fillmore.
01:06:55Stay clear.
01:06:56No units to move in till I get the word.
01:07:00Quad 3, moving into position.
01:07:01Over.
01:07:055, age 13, this is 3A-90.
01:07:07We have eyeball on your 10-30.
01:07:09Over.
01:07:10Has he spotted you?
01:07:11Negative.
01:07:12We're across the street from the 10-20.
01:07:14Can take him now.
01:07:15Hold it, he's mine.
01:07:17Standing by.
01:07:183A-90.
01:07:19This is 5C-6-1.
01:07:21Cervic just entered 10-20 for the two exits.
01:07:293A-4-6.
01:07:30Subject lighting.
01:07:31Object.
01:07:32Appears to be narcotics.
01:07:33Permission to move in.
01:07:34Negative.
01:07:35I don't want to swim in his brawl.
01:07:37Wait till he comes out.
01:07:38George, you got a cigarette?
01:07:39C-6-3 are in position.
01:07:40Section 804, await instructions.
01:07:53Where's the other one inside?
01:07:54The other one in the building.
01:07:55Come on.
01:07:56The other one in the building.
01:07:57As have you at the scene.
01:07:58Black, you don't want to see.
01:07:59I have to see where you are.
01:08:00The other one in the building.
01:08:01The other one in the building.
01:08:02The other one in the building.
01:08:03The other three weeks.
01:08:042A-90.
01:08:05This is 3A90. Someone just jumped onto the roof of 914.
01:08:20Confirm it was one of us. Over.
01:08:23How the hell do I know who it is? Hold your positions!
01:08:35Don't give me that shit, you fucking bitch!
01:08:53Give me that fucking gun!
01:09:05Watch out!
01:09:23The streets are too crowded! Hold your fire!
01:09:29Hold your fire!
01:09:37Okay, fellas, let's get it.
01:09:39Hold it up.
01:09:59800-5000房
01:10:18We're waiting for you to get back to me.
01:10:22Let's go.
01:10:42Hi. Hi.
01:10:44How was the birthday party?
01:10:46Oh, we're getting a bit old for birthdays.
01:10:48Have you seen this?
01:10:50I saw it.
01:10:52Do you know anything about it?
01:10:54No more than you do.
01:10:56I understand your station, KABC,
01:10:58got an exclusive this afternoon
01:11:00when they caught the guy who killed him.
01:11:02I heard it in the car.
01:11:04Have you eaten?
01:11:05No, I drove straight here when I heard the news.
01:11:07Let's go to a nice place tonight.
01:11:09Okay, but I'd like to freshen up first.
01:11:11How long will it take you, about an hour?
01:11:13Not that.
01:11:14It'll pick you up in an hour.
01:11:16You know, I rather liked him.
01:11:19He was nutty, just like I told you.
01:11:21Well, at least they caught the man that killed him.
01:11:23See you later.
01:11:25The prosecution has presented only circumstantial evidence that Charles Wilson was the person that shot and killed Detective Frank Ochoa on the night of May 14th.
01:11:43It is proven that the defendant attacked several police officers on May 15th.
01:11:49But psychiatric testimony indicates that he was under the influence of PCP, a mind-altering drug.
01:11:55Charles I. Wilson was remanded to the McLaren State Hospital until such time as the medical examining board finds him fit to resume his place in society.
01:12:10And I suppose this is the Dr. Clark that's going to turn him into a little angel, hmm?
01:12:16Would a normal prison do any better?
01:12:19Keep him from killing somebody else for a while.
01:12:23This all the stuff that's going into your article? When's it come out?
01:12:27Well, I've got a couple more sessions at the hospital. It's due to go on the July issue.
01:12:33You really believe all this?
01:12:37Yes, I do. And you might too if you hurt Clark.
01:12:42You think he could swing me over?
01:12:44Well, if you met him, you might learn something.
01:12:49Maybe you're right. Maybe you're right.
01:13:09I'm so sorry to have kept you waiting.
01:13:12Dr. Clark, this is Mr. Kersey.
01:13:14I'm so glad you wanted to come along.
01:13:16The more people that understand our work, the better.
01:13:19I appreciate your letting me come.
01:13:21Come.
01:13:22Say, Doctor, where is the men's room?
01:13:25Oh, let me show you.
01:13:26You go straight down the hall, around the corner, and second on your left.
01:13:34The right.
01:13:42Will Dr. Ferguson report for the intensive care unit?
01:13:43Dr. Al Ferguson, the intensive care unit.
01:13:48I'm so glad.
01:13:49Will Dr. Ferguson report for the intensive care unit?
01:13:50Dr. Al Ferguson, the intensive care unit.
01:13:52I'm back.
01:13:56I'm back.
01:15:27But that's all right.
01:15:33Will you marry me?
01:15:35Are you serious?
01:15:42Yes, I'm serious.
01:15:44You're not sick?
01:15:46Might be after I see the check, but I feel fine now.
01:15:50Easy, easy.
01:15:51This stuff costs $3 a drop.
01:15:53That was a $9 kiss.
01:15:55I accept.
01:15:56That'll teach you.
01:16:00This is the way it'll go.
01:16:02Next Wednesday, we'll catch the midnight flight to Acupuco and get married in Mexico.
01:16:07And I thought you weren't a romantic.
01:16:09After the program, you drive to my place.
01:16:11Then off we go.
01:16:12Let's get smashed.
01:16:16Then I wanted a writing.
01:16:17I love you.
01:16:27I love you.
01:16:37Oh, no, no, no, no, no.
01:17:07Oh, no, no, no, no.
01:17:37Oh, no, no, no, no, no, no.
01:17:41I know it's ridiculous.
01:17:43Excuse me.
01:17:45I'm looking for a patient, Charles Wilson.
01:17:47I believe he's in C Block, right?
01:17:52Yes, C Block, Section 6, Room 30.
01:17:57It's that way.
01:18:01Dr. Duff, report to the emergency room.
01:18:04Dr. Duff, report to the emergency room.
01:18:05Dr. Duff, report to the emergency room.
01:18:21I'm Dr. Carter.
01:18:22The court appointing the therapist for Charles Wilson.
01:18:28You don't have your name down here.
01:18:30My appointment is for 9 o'clock.
01:18:32Well, they usually give me a list with doctors coming through.
01:18:35I was told that Mr. K would be here on duty.
01:18:37Well, that's me, but I can't let you through on this.
01:18:39Well, Mr. K, I'm already late.
01:18:42I'd like to finish up and get back home to dinner.
01:18:45Now, if you don't mind, would you please show me to room 30?
01:18:55Hi, Eileen. Cookin' all by yourself, did you?
01:18:58That's right.
01:18:59If you don't want to stay for dinner, just punch 3600 to get out.
01:19:043600?
01:19:05I've got to take the doctor down here.
01:19:07Enjoy the food, then.
01:19:08Will Dr. David Middlemast please go to Ward 16?
01:19:18Dr. Middlemast to Ward 16, please.
01:19:20The score will remain as the call is upside against the rough riders.
01:19:25The Tigers have declined to score.
01:19:30Do you want to use the interview room here or see him in the cell?
01:19:33This'll do.
01:19:34What's all that back there?
01:19:35Well, that's the electroshock room.
01:19:37Since you fellas took over, they don't use it very much.
01:19:41It's all done with kindness now.
01:19:43Isn't that right, doctor?
01:19:44Therapy.
01:19:45All of which you like.
01:19:52Okay, Wilson. You got a visitor.
01:19:54Let's go. You know the routine.
01:19:56You, uh, want me to stay?
01:20:11It's not necessary.
01:20:12Oh, if you need me, just, uh, pull this.
01:20:15I'll get my dinner.
01:20:29I said to my wife,
01:20:30Where do you want to go for your antivirus, Richard?
01:20:32I want to go somewhere I've never met before.
01:20:34I should try the kitchen.
01:20:35I should try the kitchen.
01:20:36I'll get my dinner.
01:20:37I'll do my homework.
01:20:38I'll get it when you go somewhere.
01:20:39I'll get my dinner.
01:20:40Oh, my God!
01:20:41Yeah!
01:20:42Oh, my God!
01:20:43Oh, my God!
01:20:52Oh, my God!
01:20:54Oh, my God!
01:20:55Oh, my God!
01:20:56Oh, my God!
01:20:58Oh, my God!
01:20:59Oh, my God!
01:21:03Oh, my God!
01:21:04Oh, my God.
01:21:34Oh, my God.
01:22:04He raped and killed my daughter.
01:22:15I read about it.
01:22:21I'll give you three minutes
01:22:22until I ring the alarm.
01:22:24You're wasting time.
01:22:41To open the door, you punch out, uh...
01:22:43Three six hundred?
01:22:44That's right.
01:22:44Four six hundred?
01:23:06Hey, man, what's wrong with you? You got a problem or something?
01:23:22What's your fucking problem, man?
01:23:24Hey, man, watch this car, will ya?
01:23:36Hey, man, watch this car, will ya?
01:24:06And that ends our presentation of Music on the Sweet Side for now.
01:24:22But I'll be back at midnight with some more relaxing kind of restful sounds for your late-night listening.
01:24:29KABC Newstime at 10.30.
01:24:31The murder of Charles Wilson in McLaren Hospital has just been revealed by authorities.
01:24:37The murder took place tonight of the man accused of murdering New York policeman Frank Ochoa.
01:24:42Charles Wilson was undergoing psychiatric treatment in the hospital.
01:24:46It is not clear at this time whether the killing was by other prisoners,
01:24:50but there seems to be evidence that a man entered Wilson's cell disguised as a doctor.
01:24:55Dane warfare in downtown Los Angeles tonight
01:24:59charges a looting and violence against the police from a mixed battle in Boston's victims.
01:25:0415 arrests were made and 7 police were buried.
01:25:0715 arrests after nighttime
01:25:08Arise
01:25:12Mar rented
01:25:13An
01:25:16Arise
01:25:18Marjorie
01:25:18Amen
01:25:18Arise
01:25:19Ochoa
01:25:23Arise
01:25:34K.A.B.C. Radio News for Tuesday, October the 10th.
01:25:53At a press conference this morning, Inspector Mankiewicz denied that two murders in downtown Los Angeles were the work of a vigilante.
01:26:00But rumors still persist that the spate of street killings by a person unknown may be by a citizen turned vigilante.
01:26:07It doesn't happen much these days. My wife wants it, we'll have it. You got it.
01:26:11Don't put up a building every day nowadays.
01:26:13Okay.
01:26:15Hey, poor old. You've been pals for a long time.
01:26:19Yep.
01:26:20I know Jerry's going must have hit you. Have you been drinking?
01:26:25Hey, you know better than that. Where the hell have you been at night? I've called you dozens of times.
01:26:31Oh, well, I don't often answer the phone.
01:26:35I ring, sometimes I answer, sometimes I don't, but I'm fine.
01:26:40Betty's giving a new building party next Thursday. We'd like you to join us.
01:26:44I'll be there.
01:26:46You sure you're free?
01:26:48What else would I be doing?
01:27:16We'll be there.
01:27:17We'll be there.
01:27:18We'll be there.
01:27:19We'll be there.
01:27:20We'll be there.
01:27:21We'll be there.
01:27:22We'll be there.
01:27:23We'll be there.
01:27:24We'll be there.
01:27:25We'll be there.
01:27:26We'll be there.
01:27:27We'll be there.
01:27:28We'll be there.
01:27:29We'll be there.
01:27:30We'll be there.
01:27:31We'll be there.
01:27:32We'll be there.
01:27:33We'll be there.
01:27:34We'll be there.
01:27:35We'll be there.
01:27:36We'll be there.
01:27:37We'll be there.
01:27:38We'll be there.
01:27:39We'll be there.
01:27:40We'll be there.
01:27:41We'll be there.
01:27:42We'll be there.
01:27:43We'll be there.
01:27:44guitar solo
01:28:14guitar solo
01:28:44guitar solo