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Transcript
00:00:01I would say each of them had their own motives for doing it.
00:00:05I didn't put them under a spell or slip GHB into their Red Bull.
00:00:09I have to put your shoulders back.
00:00:11In fact, a lot of them came to me after they saw the shots I did.
00:00:17That's great, right there.
00:00:20So they were so blown away by your photography that they came to you and they begged you to photograph them in the buff and then post their pictures on the net.
00:00:29It's not a porn thing like you're making it out to be.
00:00:36Did you have sex with these girls?
00:00:38They were rules.
00:00:41Rules? Really?
00:00:45I would never shoot the same girl twice. I would never post anything that would reveal their faces.
00:00:50These are simple rules that I came up with so I wouldn't end up in a situation like this.
00:00:58The most important rule was no sex, just pictures.
00:01:03We found ten girls on the site. Does that sound about right?
00:01:09Honey Delight, Ruby Satin, Sherrylicious.
00:01:14Where'd you get these names?
00:01:17Lipsticks.
00:01:20Your favorite shade.
00:01:23So, since we can't see their faces, why don't you just tell us who they really are?
00:01:27It was agreed that their names weren't going to remain out of this.
00:01:30How many of them were underage again?
00:01:32None of them are underage. I've said that a number of times. They're all my year.
00:01:35Can you prove that?
00:01:36Stop, stop, stop.
00:01:39Now, are you going to charge them with a crime or not?
00:01:41I'm still trying to work that out.
00:01:42What is there to work out?
00:01:44No one has leveled a charge against Jordan, and no one's even come forward to admit that they're on the site.
00:01:48So, the only thing that you're going to accomplish by letting this out of closed doors is to tarnish Xavier's reputation.
00:01:54And not to mention your family's good name.
00:01:57Well, I'm sure the press will love it, but it's not in the best interests of Xavier.
00:02:01Dean Mullen, it's your call. If you want me to pursue this, I will.
00:02:06I don't think that'll be necessary, detective.
00:02:11Jordan, I think I speak for both your parents and myself when I say that you have placed us in an extremely precarious position.
00:02:20Your father has rendered invaluable counsel service to this school over the years, not to mention our personal friendship.
00:02:26And even so, after speaking to the headmaster and the trustees, the only solution we can come up with is expulsion.
00:02:35Deep down, I didn't care that the pictures got me kicked out.
00:02:49Or that they landed me here, Edgerton High, three miles from Xavier, but it felt more like a million.
00:03:00My name is Jordan Wells.
00:03:03A marketer's report on me would read something like this.
00:03:07Rich, privileged, future doctor, future lawyer, future somebody.
00:03:12It would be accurate, but incomplete.
00:03:17It probably wouldn't include confused, indecisive, lax confidence.
00:03:23Kids like me, our lives don't happen by accident.
00:03:29They're scripted very tightly.
00:03:31At Edgerton, I thought I could loosen things up a bit.
00:03:36The record will show that I started my new school on September 23rd.
00:03:46I enrolled in some AP classes.
00:03:50Joined the photo club.
00:03:54Figured I'd just fly under the radar for a while.
00:03:58Write my own story.
00:03:59Of course, my dad had a few ideas of his own.
00:04:07Mm-hmm.
00:04:09Look at this.
00:04:11Yeah, all right, well, keep me posted, because I want to close by next week.
00:04:15All right, bye-bye.
00:04:19What do you think?
00:04:21It's an art school for troubled kids.
00:04:23Mm-hmm.
00:04:24Whose funding is on the chopping block.
00:04:26I'm considering chairing their foundation.
00:04:29I was thinking you and I could co-chair.
00:04:32I don't really know anything about chairing a foundation, Dad.
00:04:35Well, so what?
00:04:37Jordan.
00:04:39Getting decent grades in chem lab and world studies might move your resume to the top of the stack if you're looking to make a career steaming milk at some coffee bar.
00:04:47But if you aspire to greater heights, Jordan, then you've got to distinguish yourself from the pack.
00:04:53Fine.
00:04:54Your friend Desiree chaired the chocolate ball at the club last winter. Why don't you give her a call? Maybe she could help us.
00:05:06I'll think about it.
00:05:12I want to make sure it's worth my time.
00:05:14How could it not be? We're talking about saving an art school for city kids. I mean, come on.
00:05:18Well, it's not the kids. If I'm going to be putting in the hours, I want to make sure you're really in with this. I'm a busy girl.
00:05:26You're still at your dad's office?
00:05:28Yeah. I'm officially a New Visions Justice professional.
00:05:32Which is, what, a glorified name for someone who delivers coffee to the assistant DA's?
00:05:37Ha. Lunches, too. Yeah. And I pick up their laundry. You know, there's a lot of aspects to fighting crime. Which brings us back to you.
00:05:46Oh.
00:05:47How did Ben talk you into this?
00:05:49This?
00:05:50Yeah, this. Art project, museum kids, and... I mean, I bet your little sabotage effort really knocked him on his ass.
00:05:57And don't bother telling me that's not what it was. I know you. Sometimes even better than you know yourself.
00:06:03Then I bet you know the answer, Des.
00:06:06Jordan, they just want what's best for you. Is that so bad?
00:06:09I guess not.
00:06:39Here you go.
00:06:41Mel Creative Sheetzle, you got it?
00:06:42Here you go!
00:06:44Anna, we got it.
00:06:45Go.
00:06:46Hey!
00:06:47Hey, man.
00:06:48Let me go.
00:06:49chef Byron.
00:07:02.
00:07:03There you go.
00:07:05Yeah,��고.
00:07:07.
00:07:09If you were at the game that night, you would have noticed her too.
00:07:26We all have ways of showing our defiance.
00:07:30She flashed hers like a roadside attraction, daring you to drive by without taking a look.
00:07:38Of course, I wanted to shoot her the moment I saw her.
00:07:54She had everything I looked for in a subject, loneliness, mystery.
00:08:05You guys look miserable, okay?
00:08:17Yearbooks for a lifetime with smile.
00:08:21A lot of kids hide who they really are.
00:08:25They become masters at doing it, behind perfect GPAs, behind fixed smiles, designer clothes,
00:08:40the kids they hang out with.
00:08:46Some have been hiding so long they don't know who they are anymore.
00:08:57That's what I've tried to find with my camera.
00:09:02Who they really are.
00:09:07Any recommendation on a good read?
00:09:28By a woman, about a woman, but required reading for men.
00:09:32The Awakening.
00:09:33Hmm.
00:09:34Doesn't this end with a suicidal drowning?
00:09:37It's like the ultimate form of sleeping.
00:09:40It's kind of a contrast, wouldn't you say?
00:09:43Edna awakened to the fact that in her society, she was nothing more than chattel.
00:09:47And her mentor, Mademoiselle Rice, taught her that the artist must possess a courageous
00:09:52soul which dares and defies.
00:09:54She felt like the only way she could courageously act in such a society was to refuse to live
00:09:58in it.
00:09:59To defy it by death.
00:10:00That's a very fair assessment.
00:10:02But wouldn't you say the ending's kind of weak?
00:10:05You'd do it differently?
00:10:06Sure.
00:10:07I'd fake my own death.
00:10:08Set up shop on some tropical island.
00:10:10You'd run away.
00:10:11I would live to fight another day.
00:10:13And paint many, many more.
00:10:15We're out.
00:10:16Shay, you coming?
00:10:17No, I think I'm gonna stay and finish this.
00:10:19Whatever.
00:10:20What's your name?
00:10:23Jordan Wells.
00:10:25Shay Betancourt.
00:10:26What are you doing after school today?
00:10:27Do you have a car?
00:10:32It's right here.
00:10:50Thanks.
00:10:51Thanks?
00:10:52That's all I got?
00:10:53I thought we were going to get to hang out.
00:10:54I'm sorry, I have work.
00:10:55Can't you get someone to cover your shift?
00:10:57My boss doesn't like it when we do that.
00:10:58Where's that?
00:10:59Hope Valley.
00:11:00The country club or my father's a member.
00:11:03I've done your brunches.
00:11:04It's not really my scene.
00:11:05I don't know.
00:11:06I don't know.
00:11:07I don't know.
00:11:08I don't know.
00:11:09I don't know.
00:11:10I don't know.
00:11:11I don't know.
00:11:12I don't know.
00:11:13I don't know.
00:11:14I don't know.
00:11:15I don't know.
00:11:16I don't know.
00:11:17I don't know the brunches.
00:11:18It's not really my scene.
00:11:19Why?
00:11:20You don't like the food?
00:11:21I don't like the cigar smoke.
00:11:24I guess you haven't been in a while.
00:11:26There's a new no-smoking policy in the main dining room.
00:11:29It's not the smoke that bothers me.
00:11:31Thanks for the ride.
00:11:34Good afternoon and welcome to Mocha.
00:11:38This is some useful information you guys are going to need tomorrow for the press release.
00:11:42Wonderful.
00:11:43Thank you, sir.
00:11:44You're welcome.
00:11:45Nice one.
00:11:46There you go.
00:11:47Thank you, dear.
00:11:48There you go.
00:11:49Okay.
00:11:50Well, let's begin.
00:12:03Desiree Thomas.
00:12:04She fit perfectly in the scripted world.
00:12:07Did everything with a natural grace.
00:12:10comfortable wherever she was.
00:12:13Effortless.
00:12:16It seems everything I did was calculated to get me somewhere else.
00:12:21Took me twice as much energy for half the result.
00:12:27We dated a few times, but there was no mystery.
00:12:33A good relationship needs mystery.
00:12:46Yes?
00:12:47Hi.
00:12:48Is Shea home?
00:12:49I'm sorry.
00:12:50Shea?
00:12:51We go to Edgerton together.
00:12:53I think you have the wrong house.
00:12:55Is this the bet in courts?
00:12:58No.
00:12:59What up?
00:13:04Would you like to prove it hmm?
00:13:06If you like the other way?
00:13:08Do you agree with the way?
00:13:09Yes.
00:13:10Come in.
00:13:11Come in.
00:13:12Can you do it?
00:13:13I don't expect additional him for the.\
00:13:14Tor開 Houche.
00:13:15But just for your last scene.
00:13:16Were you a book?
00:13:17For the last day?
00:13:18It was time to a proper idea.
00:13:23I dropped my lipstick.
00:13:44I noticed.
00:13:48Aren't you going to ask?
00:13:50What? Your real address?
00:13:53Nice fake. You trying to throw me off balance?
00:13:55No, not really. I just didn't want to tell you where I live.
00:13:58Why is that?
00:13:59Because it's not Ambassador Heights.
00:14:01Oh, I'm sorry.
00:14:03So you think I'm so shallow that I would judge you by where you live?
00:14:06Look, we can talk about my class inferiority complex later.
00:14:12Wouldn't you prefer to discuss my favorite shade?
00:14:16Hmm.
00:14:17Hi, Astron.
00:14:23I heard all about you and your little lipstick fetish.
00:14:29You want to add me to your collection?
00:14:31Oh, come on.
00:14:33Those other ones were like...
00:14:36homework assignments.
00:14:38And I'm like, the final exam?
00:14:40Yeah.
00:14:41And that's a good thing, because I always ace my finals.
00:14:44So what exactly do I get if you ace me?
00:14:48Some unbelievable pictures of yourself.
00:14:50Yeah, but those are for you.
00:14:53I guess I'm just cashed out then, huh?
00:14:56Maybe not.
00:14:57She learned the cello taking night classes at Rutherford Music School.
00:15:17Her mom's idea.
00:15:20Thought it would add a little refinement to an otherwise shaky upbringing.
00:15:24She told me her mom died a few years back.
00:15:30Now she lived with her sister, who wasn't around very much.
00:15:37How's this?
00:15:39I'll let you shoot a roll of pictures of me.
00:15:42If you take some pictures for me first.
00:15:44I'm sorry.
00:15:45I'm kind of slow on the uptake here.
00:15:47Can you...
00:15:48Can you translate that for me?
00:15:51I'm in a bit of a situation.
00:15:52A situation?
00:15:54Relationship.
00:15:55Somebody at school?
00:15:57It's complicated.
00:15:59How so?
00:16:00He's older.
00:16:02Married.
00:16:03No, not married.
00:16:04Not anymore.
00:16:06But let's just say in his position, he definitely shouldn't be hooking up with me.
00:16:09Now what position is that?
00:16:11That would be the fact that I'm still in high school.
00:16:13Okay.
00:16:14I'm listening.
00:16:15Okay.
00:16:17So I'm not exactly sure where things are going right now, but it seems to be getting out of control.
00:16:23So how does my camera fit in in all this?
00:16:25I'd like you to follow us.
00:16:27Capture a few moments, if you know what I mean.
00:16:29Just in case something happens.
00:16:31My advice is you should call a cop.
00:16:33Look, he made me a promise and I just need to make sure that he keeps it.
00:16:35So I take pictures for you, and you let me take pictures of you.
00:16:40Exactly.
00:16:42I don't know if I'm the right person for this.
00:16:45I've got my own problems at the moment.
00:16:47Okay.
00:16:49There's the door.
00:16:59It seemed like a reasonable deal.
00:17:04Pictures for pictures.
00:17:05But the more I shot, the more intrigued I was by her.
00:17:21And it made me realize how bored I'd been.
00:17:23Every picture I took peeled away another layer.
00:17:43But every time I peeled one away, it seemed like I discovered two more.
00:17:49For the first time in a while, I felt excited by a challenge.
00:17:58His name's Wade Chandling.
00:18:00He's a member at Oak Valley and a partner in a law firm downtown.
00:18:04We had a recital last winter at Rutherford for supporting patrons, and he was there.
00:18:13And he came up to me and said he remembered me from the club.
00:18:17And he liked how I played.
00:18:20And he promised how we'd get into this program at Hartley.
00:18:24A performance scholarship awarded to four students every year.
00:18:27Full ride.
00:18:28All expenses.
00:18:32Do you know what Hartley means?
00:18:34That's one of the best music schools in the country.
00:18:37It means freedom, Jordan.
00:18:39Not being trapped.
00:18:40Not having my options limited.
00:18:43The fast lane into any philharmonic in the world.
00:18:48And he's just gonna set you up?
00:18:52I guess I'm friends on the advisory committee.
00:18:54Huh.
00:18:55So, this beautiful young cellist who, uh, basically lives on her own.
00:19:04He takes this young artist under his wing.
00:19:06It wasn't like that.
00:19:08It just slowly developed into more.
00:19:11And how many other musicians is he helping?
00:19:14Any overweight tuba players with club feet and bad cases of acne?
00:19:19You don't do jealous well.
00:19:20Has anyone ever told you that?
00:19:21Really?
00:19:22It feels very natural.
00:19:24Well, I'm glad you think you know everything.
00:19:26You have it all figured out.
00:19:26I'm sorry.
00:19:28You're the one who's having me take the pictures.
00:19:29Clearly you're having doubts.
00:19:31Can I see the pictures?
00:19:38Thanks.
00:19:46Good.
00:19:48Okay.
00:19:49So, your place after school?
00:19:51Better make it yours.
00:19:54It's been said a good photographer captures the subject.
00:19:58But a good subject captures the photographer.
00:20:05She had me.
00:20:06There was no doubt about it.
00:20:10She wasn't like the Xavier girls.
00:20:14But that's what drew me to her.
00:20:25Sir.
00:20:28I was like, oh, fucking cool.
00:20:58I'm like, oh.
00:20:58Play.
00:21:07Play Bach.
00:21:28Look at me.
00:21:37Her face spoke volumes.
00:21:41I became addicted to it.
00:21:50Her haunted eyes challenged me.
00:21:58It's a strange thing that happens when an artist and a subject click.
00:22:07A synergy is created.
00:22:13Each senses that they're playing a role in something that's very powerful.
00:22:29But it's unspoken.
00:22:35Say that out loud and you might kill it.
00:22:37Yeah.
00:22:57Hey.
00:22:59You wanna shoot some more?
00:23:00Absolutely.
00:23:02Meet me at my place after school.
00:23:12Like this?
00:23:13Okay.
00:23:22I could take your picture every day.
00:23:26I'm gonna take a good picture.
00:23:28One more?
00:23:30Perfect.
00:23:32I like that.
00:23:34How about this right here?
00:23:36Yeah, that's it.
00:23:46You gotta change roles?
00:23:48No, I've got one more shot.
00:23:50Cute.
00:23:52What's it gonna be?
00:23:53What's it gonna be?
00:24:05You're on a phone?
00:24:07No.
00:24:12Three.
00:24:13What is this shit?
00:24:17T?
00:24:21Why aren't you answering yourself?
00:24:23T, this is Jordan from school.
00:24:25Jordan, this is my sister Tara.
00:24:27You should answer your goddamn cell.
00:24:28I've been calling you since yesterday.
00:24:30I haven't gotten any phone calls from you.
00:24:32Are you sure you're dialing the right number, honey?
00:24:34What the fuck are you trying to say?
00:24:36You should go now.
00:24:38Are you gonna be okay?
00:24:40Shay, where the fuck is it?
00:24:41Where the fuck is it?
00:24:42Where's what, Tara?
00:24:44You fucking know what?
00:24:47Tara, you have to be more specific than you want to.
00:24:50Picasso once said that every child is an artist,
00:24:53but that the secret is to remain one once you grow up.
00:24:58The Museum of Kids Art,
00:25:00the reason why you're all here today,
00:25:02helps artistically inclined children do just that.
00:25:05But Mocha's good intentions
00:25:06will remain intentions without commitment, without action,
00:25:10without a few checkbooks behind them.
00:25:16We started this foundation to let Mocha know
00:25:21that they do not stand alone in their efforts,
00:25:24that there are a number of other people that will support them.
00:25:26And he told me that if you get me $10 million, I can retire.
00:25:39And I never heard from him again.
00:25:41Jordan!
00:25:43Someone I want you to meet.
00:25:44Jordan, this is Wade Chandling.
00:25:46How are you?
00:25:48Mr. Chandling is a bankruptcy lawyer.
00:25:49He's got a fern downtown.
00:25:50Hopefully you'll never need our services.
00:25:52You're cleaning up that High Falls mess.
00:25:56Yeah, if I can get the federal auditors off my ass.
00:25:59Yeah, well, after what happened to Norma,
00:26:00those guys are going to peel back
00:26:01every state-funded urban renewal project.
00:26:03Yeah, it's a dead end.
00:26:05You're never going to find anything in my guy.
00:26:07I liked your speech.
00:26:11Listen, if you ever need anything for your foundation,
00:26:13you just give me a call.
00:26:15I will.
00:26:16Jesus, Jordan, what are you doing?
00:26:21I'm adopting you.
00:26:23If you scream, I'll be forced to cover your mouth.
00:26:25No, Jordan, I didn't know he was going to be here.
00:26:27What if he catches us?
00:26:28Let him.
00:26:31What did you guys talk about?
00:26:33Some pictures that I was going to show him.
00:26:35Right, yeah.
00:26:37I gotta go.
00:26:38Hey.
00:26:39I gotta go.
00:26:40Kiss me.
00:26:41I gotta go.
00:26:42Shane.
00:26:43Shane.
00:26:44Tell me, tell me true.
00:27:07Do you speak with the spirits the way I do?
00:27:10Do you dance the dance with the hands on you?
00:27:15Do you sleep at night?
00:27:18Alright, look right at me.
00:27:22Perfect.
00:27:23Perfect.
00:27:40Magenta Madness.
00:27:50Nope.
00:27:54Cotton Candy?
00:27:55No.
00:28:01Crimson Red?
00:28:02No.
00:28:06You're not gonna tell me?
00:28:08Not until you tell me something first.
00:28:11Okay. What?
00:28:13I don't know. Anything.
00:28:16Something no one else in the world knows except you.
00:28:21You scare me.
00:28:22I already knew that. I said, tell me something that no one else knows.
00:28:25You scare me and I like it.
00:28:29You're such a charmer.
00:28:31Oh, yeah?
00:28:32Mm-hmm.
00:28:38You, too.
00:28:39You're, too.
00:28:41Okay.
00:28:42You're gonna keep you.
00:28:43...
00:28:50You're going to have anologian, gonna try itZza irzzi.
00:28:56You're someone who needs help if you get it.
00:28:57I'm sorry, I'm sorry.
00:29:27I knew her so perfectly that I didn't know whether to believe her or not.
00:29:36One thing I did know, there was something different about her.
00:29:46She felt like something I needed more than I wanted.
00:29:57That maybe I was crossing some line without realizing it.
00:30:05You know, that uniform would look great on the deck next to my hot tub.
00:30:24Jordan Wells.
00:30:25Mr. Chandler.
00:30:27Call me Wade.
00:30:29What are you drinking?
00:30:31Coke.
00:30:32Ooh, boy.
00:30:33Drinking this man a Coke, Gary.
00:30:37The speech you made really impressed me.
00:30:42Thanks.
00:30:43Thanks, Gary.
00:30:44Funny thing is, watching you that day really reminded me of myself at your age.
00:30:59How is that?
00:31:01High-powered father.
00:31:04Gives you a lot, but nothing without strings attached.
00:31:09My clothes?
00:31:10Yeah.
00:31:11Got to give your father some credit, though.
00:31:16He must have a lot of control.
00:31:23After that savior business.
00:31:29Can't keep a secret too long in the age of information, can you?
00:31:35Chairing the foundation.
00:31:36Your father's idea?
00:31:37Yeah.
00:31:38Mm-hmm.
00:31:39Got your eye on Cornell?
00:31:40What's the plan?
00:31:41Look.
00:31:42Very few kids grow up wanting to be lawyers.
00:31:45I mean, growing up, you want to be a ball player, an astronaut, a rock star, not a lawyer.
00:31:50Christ, do you think I grew up wanting to be a bankruptcy attorney?
00:32:08Fuck, no.
00:32:09You know what lawyers are, Jordan?
00:32:12Lawyers are translators.
00:32:15Translating the language of the land.
00:32:19What is the language of the land?
00:32:25Money.
00:32:26Money.
00:32:27Fuck yeah.
00:32:28You got that right.
00:32:29The question is, are you going to speak the language of the land?
00:32:35Or are you going to have it spoken to you?
00:32:38Freud had it right.
00:32:40Two most important things in this life.
00:32:44Your work, your sex.
00:32:47Don't need to make it complicated, Jordan.
00:32:52Just don't let anyone fuck with your money.
00:32:56Or your pussy.
00:32:58Drink your coke.
00:32:59God, I was so nervous watching you two.
00:33:08He's fearless.
00:33:09I mean, he's the kind of guy that just dries through red lights to let the world know they can't fuck with them.
00:33:18You know how they catch monkeys in Southeast Asia?
00:33:19No, I do not know how they catch monkeys in Southeast Asia.
00:33:24Would you like to know?
00:33:25Would you like to know?
00:33:26Or the basket?
00:33:27They cut a little hole in the basket.
00:33:28That's just big enough for the monkey to put his hand into.
00:33:29And they put fruit in it.
00:33:30So, when the monkey puts his hand in the basket, it's just big enough for the monkey to put his hand into.
00:33:31And they put fruit in it.
00:33:32So, when the monkey puts his hand in and he grabs the fruit, his closed fist is too big enough for the monkey to put his hand into.
00:33:37So, instead of just letting the fruit go, and running free, I'm trying to find the monkey to put his hand in the basket.
00:33:48What about the monkey when the monkey puts the fruit in the basket?
00:33:53And that's what they call the monkey?
00:33:56They don't know how to catch monkeys in Southeast Asia.
00:33:59No, I do not know how to catch monkeys in Southeast Asia.
00:34:04instead of just letting the fruit go and running free he just waits there until the trappers come
00:34:14is that true sucks for the monkey
00:34:21it's kind of like most guys i know once they get a taste of it they just can't help themselves
00:34:28even though logic is telling them to just back off
00:34:31i can't i just keep coming back for more her life wasn't easy that much i was certain of
00:34:44there was something tragic and sad just under her skin
00:34:50a feeling that she had limited time
00:34:56and at any moment her world might cave in
00:35:01hey jordan what's wrong i need to see you
00:35:12i called hartley they said the letters went on two weeks ago
00:35:17did you call him i'm gonna show him the pictures jordan
00:35:22what she you gotta think this through no
00:35:32fuck him he's not getting away with this shit
00:35:34fuck him treating me like i'm some barbie doll like he can just play with me whenever he wants to
00:35:41fuck that i'm gonna take these to the cops i'm gonna show his friends a lawyer i don't know but i'm gonna
00:35:47show somebody because someone's gonna fucking listen to me
00:35:51shay i don't think that's such a good idea
00:35:55it's too late we're meeting by the glenn tonight
00:36:01i can't let you do that
00:36:04it's not up to you jordan i'm involved in this
00:36:08you made me a part of this shay oh i did i did i'm sorry okay then your excuse how about that is that
00:36:15better for you
00:36:18one way or another he's gonna help me get into this program
00:36:21without a scholarship what do you think he's just gonna snap his fingers just wave a magic wand
00:36:29no they want me i know that they want me i just need the money and he's got the money trust me he's got the money
00:36:37did you know that he's been under investigation
00:36:41have you seen these
00:36:45yes
00:36:46and they haven't found anything there's a metal box bolted to the floor in his bedroom closet
00:36:52it's not really a safe but one of those fireproof things that you put really important documents
00:36:55in you know what i mean i was at his place once and i could have sworn i saw wade put cash into it
00:37:00a lot of cash
00:37:01what
00:37:06say it tell me what you're thinking
00:37:09tell me how naive i am tell me i'm really stupid for thinking that he might actually
00:37:15care about me i think you should forget about him and you should let it go it's easy for you to say
00:37:20right easy for you to say because you could just hop back into your cozy silk covers whenever you need to
00:37:25it doesn't work like that for me the world doesn't work like that okay
00:37:30okay i needed this i really needed it
00:37:43you
00:37:56Are you okay?
00:38:01I just wanted to hear you.
00:38:03We should come up with a signal or something.
00:38:05Four?
00:38:07In case you get the feeling that something bad is happening.
00:38:09I'll deal with it.
00:38:13Just open up the door and get out of the car.
00:38:16Okay, and then what?
00:38:18And then I'll come and save you.
00:38:25Jordan?
00:38:26Yeah.
00:38:27I'm glad you're here.
00:38:28I'm glad you're here.
00:38:30Okay.
00:38:31Let's go.
00:39:01Let's go.
00:39:31What the hell happened?
00:39:49I've been waiting for an hour.
00:39:51What?
00:39:52We're supposed to meet about the charity auction?
00:39:54What?
00:39:55You totally blew me off.
00:39:58Jesus, what happened to you?
00:40:06I'm okay.
00:40:07Okay?
00:40:08No, you're not okay.
00:40:09I'm okay.
00:40:10Please.
00:40:11Jordan, look at you.
00:40:12You're not okay.
00:40:13What happened?
00:40:15What happened?
00:40:22I've been waiting here an hour and you're not going to give me the courtesy of an explanation?
00:40:28I'm sorry.
00:40:29Whatever.
00:40:35Just take it easy.
00:40:36You're fucking in on this with her?
00:40:37What?
00:40:38You're trying to take my fucking money?
00:40:39You want to take my fucking money?
00:40:40You want to take my fucking money?
00:40:45You want to take my fucking money?
00:40:46You want to take my fucking money?
00:40:52You're trying to take my fucking money?
00:40:53You're trying to take my fucking money?
00:40:54You're trying to take my fucking money?
00:40:55You're trying to take my fucking money?
00:40:56You're trying to take my fucking money?
00:40:57You're trying to take my fucking money?
00:40:58You're trying to take my fucking money?
00:40:59You're trying to take my fucking money?
00:41:00You're trying to take my fucking money?
00:41:01You're trying to take my fucking money?
00:41:02You're trying to take my fucking money?
00:41:03You're trying to take my fucking money?
00:41:04You're trying to take my fucking money?
00:41:05You're trying to take my fucking money?
00:41:06You're trying to take my fucking money?
00:41:07You're trying to take my fucking money?
00:41:08You're trying to take my fucking money?
00:41:09You're trying to take my fucking money?
00:41:10You're trying to take my fucking money?
00:41:11You're trying to take my fucking money?
00:42:42I don't think you and I should be seen together for a few days.
00:42:55Okay?
00:42:57Yeah.
00:43:03Where are White's keys?
00:43:05I've got them.
00:43:07Let me see.
00:43:07One of these keys unlocks that box.
00:43:20I know his security code.
00:43:26He left me a key that time I was there.
00:43:29Look, I think the only thing you and I should be focused on right now is how to keep us breathing free air for the rest of our lives.
00:43:39Let's go.
00:43:53Let's go.
00:44:28I've replayed it a thousand times in my mind, frame by frame, and come up with a thousand
00:44:42things we should have done differently.
00:44:47But life doesn't give you the chance to go back and edit.
00:44:56Should we have come clean?
00:44:59Called the cops, called my dad, pleaded self-defense.
00:45:05Or should we have been more drastic?
00:45:08Driven his body hundreds of miles away, dropped into a river somewhere and hoped we weren't
00:45:13seen.
00:45:16A thousand things we should have done differently.
00:45:18But all we're left with is what we did.
00:45:23His assistant became concerned when no one heard from him Tuesday morning.
00:45:29Police searched for signs of Chandling in places he frequented, but found no traces of him.
00:45:35Early this morning, his body was discovered in the woods near Corbett's Glen.
00:45:40Sarah Cowan is at the scene.
00:45:41They found Wade Chandling's body in the park.
00:45:43Local attorney Wade Chandling was discovered early this morning by hikers.
00:45:47As you can see, police are still on the scene.
00:45:49He'd been missing for a couple of days.
00:45:50And as we have more information...
00:45:52A hiker found him near the Glen, beaten to death.
00:45:53I'm Sarah Cowan, Channel 6 News.
00:45:56That's Mezzo Forte in the second measure, Elena.
00:46:14Help you?
00:46:19Shae's not here.
00:46:20She didn't show up for practice today.
00:46:22Elena, please listen.
00:46:27She's sick.
00:46:29The office said there was no call.
00:46:34Thanks.
00:46:49Is Shae home?
00:46:50No, she's not home.
00:46:53Do you know where she is?
00:46:55No, I thought you might know where she is.
00:46:59Gordy, right?
00:47:00What?
00:47:02Gordon.
00:47:03Jordan.
00:47:05What do you want with her, anyway?
00:47:08Nothing.
00:47:10We were just...
00:47:10We were going to meet up later.
00:47:18Hey, this is Shae.
00:47:19Leave me a message after the beep and I'll call you back.
00:47:22Thanks.
00:47:23Shae, it's Jordan.
00:47:25I know I keep calling.
00:47:25I'm just trying to track you down.
00:47:27So, I'm on my cell if you could call me.
00:47:29Thanks.
00:47:30So, the, uh, donations that we got for the auction are several paintings and drawings from
00:47:41Elliot Damien, Gary Fine, and Robert Walker.
00:47:45And they're all estimated at over a quarter of a million dollars.
00:47:48So, we got very lucky.
00:47:50I don't know what to happen.
00:47:54Mm-hmm.
00:47:55That's interesting.
00:47:57Really?
00:47:58Totally.
00:47:58Very interesting.
00:48:00Put the phone on.
00:48:03What's up?
00:48:05What do you mean?
00:48:06You didn't say two words in there.
00:48:09Well, there's not much to say.
00:48:10I mean, Desiree has got a handle on it.
00:48:12Well, who's co-chairing this with me?
00:48:13You or her?
00:48:15Besides, last I heard, Desiree's already been accepted to Yale for the fall.
00:48:19Ah, yeah.
00:48:20I swear, Jordan, sometimes I just want to shake you out of your complacency.
00:48:28You do your homework before the next meeting.
00:48:31If you sit there with your thumb up your ass again, I'm going to break it off and leave
00:48:34it there permanently.
00:48:37Put the phone away.
00:48:44Remember me, Detective Griffin?
00:49:02We met when you had that little problem at Xavier.
00:49:05Yeah.
00:49:07Did you take these?
00:49:09Yes.
00:49:11Not bad.
00:49:11You're a regular Andy Warhol, huh?
00:49:15No, not really.
00:49:18He was more of a painter.
00:49:21You know, you're just the guy I want to see.
00:49:23I'm thinking about getting a digital camera.
00:49:26Any suggestions?
00:49:28All that mega-pixel stuff?
00:49:30Makes my head spin.
00:49:35How much are you looking to spend?
00:49:37Not a lot.
00:49:38I'll give it some thought.
00:49:43I understand you're a friend of Shea Bettencourt's.
00:49:47Yeah, that's right.
00:49:49Any idea where she is?
00:49:51She's been out the last few days.
00:49:53You know, I think she's sick.
00:49:54Don't think so.
00:49:56I checked her place.
00:49:57She's not there.
00:49:58You and Shea pretty tight?
00:49:59We hang out, man.
00:50:03She like having her picture taken?
00:50:09What's this about?
00:50:10How much do you really know about her?
00:50:14What do you mean?
00:50:16You know about her mom, right?
00:50:19Yeah, that she's dead.
00:50:22Who told you that?
00:50:24Shea mentioned her.
00:50:25Well, no.
00:50:28Her mom's alive and well.
00:50:30And living in the Attica State Correctional Facility for Women.
00:50:36How's that?
00:50:39She carved up Shea's stepdad with a steak knife a couple years back.
00:50:46Yeah, I think we're talking about two totally different people here.
00:50:49Don't think so.
00:50:50How long has she been seeing Wade Chandling?
00:50:52You know who he is, right?
00:50:56Never mentioned him.
00:50:58Yeah, I guess dating a guy I told him to be your dad, that's not something you want to advertise.
00:51:03How do you know this?
00:51:04Well, Wade Chandling is a...
00:51:07was a member of the Oak Valley Country Club.
00:51:09Same place Shea works.
00:51:11Some of the members had a problem with their cars being vandalized in the past few months,
00:51:15so they put a video camera in the parking lot to keep an eye on things.
00:51:19We got a look at the tapes.
00:51:21Lots of video of Shea climbing into Chandling's car after hours.
00:51:26Yeah, that's a real head-scratcher, isn't it?
00:51:33If you see Shea, it's important she contact me.
00:51:39Take care, Warhol.
00:51:40My office is really just getting up to speed on this case.
00:51:47Now, I've spoken to Chief Malley several times over the past few hours.
00:51:50I've made it very clear to him that he is our full support.
00:51:53You have to understand that an investigation of this type...
00:51:56Ms. Desiree?
00:51:57Dee, it's me.
00:51:58What are you doing?
00:52:00Watching my dad feed the media a few sound bites.
00:52:02What's up?
00:52:03I need to see you.
00:52:06Jordan Wells asking me for a favor.
00:52:08What are the odds?
00:52:09Can you meet me in an hour?
00:52:10Are you going to stand me up again?
00:52:12Dee, come on.
00:52:15Yeah, okay.
00:52:16Where?
00:52:16With soy milk?
00:52:41Yeah.
00:52:42Hmm.
00:52:43You must be desperate.
00:52:45Thanks.
00:52:46I wanted to talk to you about the other night.
00:52:54And you've just got to trust me when I tell you that it's okay.
00:52:57And that I'm sorry.
00:53:01Okay.
00:53:03I wanted to get together and thank you for everything you've been doing for the Foundation, Dee.
00:53:06I mean...
00:53:07You're saving my ass.
00:53:13Right.
00:53:14So how's everything going with you?
00:53:15I mean, how's everything going in your dad's office?
00:53:18Everything's fine.
00:53:20You guys must be on this channeling thing.
00:53:22Not officially.
00:53:23But, you know, they're moving kind of fast.
00:53:27Dude, you have any suspects?
00:53:30Well, I'm an intern, Jordan.
00:53:32They don't really tell me anything.
00:53:35That's never really stopped you before, though.
00:53:37True.
00:53:37I mean...
00:53:37True.
00:53:41Okay.
00:53:42So, off the record...
00:53:44It looks like they haven't been able to pull that much from the scene.
00:53:47What do you mean?
00:53:48Well, it means that whoever did it covered their tracks pretty well.
00:53:52They are hoping to catch a break when they find Chandling's car.
00:53:54And what about this whole audit thing that everybody's been talking about?
00:54:00What about it?
00:54:01Well, I mean, if he was shuffling around money for some of his clients, things could have gone bad.
00:54:05Yeah.
00:54:06Okay.
00:54:08Okay, what's the deal?
00:54:10You trade in your camera for a pen and paper?
00:54:13Or does the Edgerton Bugle have the whole staff working on the story?
00:54:16I'm just interested in what you do.
00:54:18I'm trying to keep up.
00:54:23Okay.
00:54:25You know, I'm gonna go.
00:54:27I don't really feel like hanging out with a stranger.
00:54:30Especially when it's a stranger I've known my whole life.
00:54:35Thanks for the chai.
00:54:46What are you doing here?
00:54:55I freaked out.
00:54:57We talked about not doing anything out of the ordinary.
00:55:00Do you remember that?
00:55:03I'm just really confused right now.
00:55:07Where have you been?
00:55:09I went to the abandoned house on the Bluffs.
00:55:12Huh.
00:55:13I just had to sort some things out of my head, you know?
00:55:17I got a visit from the police today.
00:55:21They know about Wade and me, don't they?
00:55:24Yeah, well, they have security cameras installed in the parking lot of the country called.
00:55:29So, yeah, they do.
00:55:35Why don't you tell me about your mother?
00:55:39My mother?
00:55:40You know what I mean.
00:55:43Because I was afraid, Jordan.
00:55:44Well, you made it out like she was dead.
00:55:47As far as I'm concerned, she is dead.
00:55:52You didn't have to hide it from me.
00:55:55Not that.
00:55:59You have to go in there and you have to talk to them.
00:56:01What if they put everything together?
00:56:04I just talked to my friend who interns and DAs on this.
00:56:08They don't know anything.
00:56:10What if they find his car and then they find my fingerprints in it?
00:56:12You know, you already know that you were in the car.
00:56:14They just don't know you were in the car that night.
00:56:15If you keep letting us hang out there, they're going to get really suspicious about you.
00:56:25And then they could become really suspicious about me.
00:56:27What do I tell them?
00:56:35This is amazing.
00:56:39Amazing.
00:56:40I mean, in my wildest dreams, when I first decided to enter into this with my father,
00:56:44I did not think that we'd get this much support.
00:56:48And so many of you tonight have been given so much.
00:56:51Not that I'm implying you haven't worked for what you have.
00:56:53But there is some money in here that is so old,
00:56:57I don't think there's a carbon dating test to trace its origins.
00:57:02What we've all been given, what is worth more than money, though,
00:57:06is the invaluable blessings of our supportive families.
00:57:10A respect for education and belief in our hopes and dreams.
00:57:21Shea walked into the Edgerton Police Department.
00:57:23And lied her way out of it.
00:57:27Later that day, I put the finishing touches on my own story.
00:57:32I completed my image transformation from prep school bad boy
00:57:36to a shiny crusader for children's art.
00:57:40Right back into the Ivy League and beyond.
00:57:45Sometimes it feels like a charmed life, doesn't it?
00:57:50Sold for $4,500.
00:57:52There we go.
00:57:53Hey, awesome job.
00:57:55Awesome job.
00:57:57Thanks.
00:57:57You had a good night tonight.
00:58:15Probably made enough to keep Mocha running for years.
00:58:18I should definitely turn a few heads at Cornell.
00:58:19Well, you sure know how to throw a great party at Dee.
00:58:23I know.
00:58:23What do you want me to say?
00:58:25I do.
00:58:27It's in my blood.
00:58:30Yeah, the question is, though, is it in yours?
00:58:35What does that mean?
00:58:35They found Chandling's card today.
00:58:40It was parked on the roof of the city garage.
00:58:45They're pretty sure that he didn't leave it there
00:58:46because they found some muddy footprints in the size 10.
00:58:50He's a 12.
00:58:51The mud matches the samples that they took from the woods near the Glen.
00:58:58They also found a few partial latents that, uh, someone didn't do a very good job wiping off.
00:59:05The police got a tip today, Jordan, that a blue Audi was parked at the Glen for a few hours.
00:59:18The night Chandling went missing right about the same time you and I were supposed to get together.
00:59:25You know the girl they interviewed today, right?
00:59:27Yeah.
00:59:37Jesus, Jordan.
00:59:39That's what the chai latte was all about yesterday, huh?
00:59:42No, you don't.
00:59:42Oh, come on, don't.
00:59:44Don't you dare.
00:59:46I saw you that night.
00:59:47I saw the mud all over you, and I hope to God I was the only one.
00:59:51Look, you know something.
00:59:52Let's go to my dad right now.
00:59:57I know that she was involved with Wade Chandling, but that's, that's really just all I know, Dane.
01:00:20They cleared me.
01:00:22I'm free.
01:00:27Uh-huh.
01:00:35Uh-huh.
01:00:36Uh-huh.
01:00:39Uh-huh.
01:00:40Oh, my God.
01:01:10Hello?
01:01:32Hey, Warhol.
01:01:35Griffin.
01:01:35We're going to talk, you and me.
01:01:40I'm kind of in the middle of something right now.
01:01:42I suggest you drop it and meet me at the ball field in 20 minutes.
01:01:46This was my school, too.
01:02:09You might not believe it, but I was kind of a nobody back then.
01:02:15Turned football games.
01:02:16I'd sit on that hill over there by myself, observing life like it was being lived without me.
01:02:25Football players on the field, cheerleaders on the sideline, guys like you, Wade Chandling
01:02:33in the stands, smiles on their faces, not a care in the world.
01:02:39I've got to get to class.
01:02:42Hey, I'll write you an excuse.
01:02:45Your girl's off the hook.
01:03:00Did she tell you?
01:03:01Yeah.
01:03:01And, uh, look what landed in my lap this morning.
01:03:10You already know what's in there.
01:03:12But open it anyway.
01:03:14I want to see your reaction.
01:03:15Now, there's two ways we can play this.
01:03:28One, I take those pictures to a judge, and I get a subpoena to check your shoe size and fingerprints.
01:03:36Your previous history with photography should make that almost a lock.
01:03:40Or two, you help me conduct a little experiment that just might save your ass.
01:03:49I've never seen those pictures before in my life.
01:03:52Right.
01:03:53And your A4 wasn't at the Glen the other night.
01:03:56I got you, Warhol.
01:03:59And the thing is, I'm pretty sure it wasn't your idea.
01:04:04It was all hers.
01:04:10You know anything about metadata files?
01:04:20It's the most amazing concept in digital photography.
01:04:24You store a file with a photo on a disc.
01:04:29All sorts of juicy stuff gets encoded in there.
01:04:33Date, time, what kind of camera, serial number.
01:04:37It's like a digital fingerprint.
01:04:42It's the nail in your coffin if somebody decides to cross-check those files against the number on your camera.
01:04:56It's a scholarship.
01:04:59You was going to help her get a scholarship?
01:05:03A scholarship?
01:05:04To Harley.
01:05:05Harley.
01:05:07Oh, man.
01:05:10That's beautiful.
01:05:12All for the advancement of art, eh?
01:05:15I don't think that was it, Warhol.
01:05:18It's just a theory I'm working on.
01:05:20I don't have it all put together yet.
01:05:22But it involves chandling.
01:05:25And a whole pile of money I think your girl was trying to get her hands on.
01:05:29And I am not talking tuition money.
01:05:35I'm talking about something in excess of one million bucks.
01:05:38Come on.
01:05:42See, I think Shea made you think that it was about the music.
01:05:48But really, chandling was sitting on something big.
01:05:52And she knew it.
01:05:53So she tried to squeeze him, to get him to pair, to keep her mouth shut.
01:05:59Things went bad.
01:06:01And then you came along to help clean up the mess.
01:06:04You're supposed to be of a scholarship.
01:06:06Well, like I said, it's only a theory.
01:06:07But we can test it.
01:06:14I'm thinking once I run your prints, they're going to do a whole lot of talking.
01:06:20Maybe not enough to put one of Ben Wells' kids in Attica for the rest of his days.
01:06:25But do you think for one second that your life's going to be the same?
01:06:30Which brings us back to our little experiment.
01:06:33I want one million dollars.
01:06:36What?
01:06:37One million.
01:06:40I don't have that.
01:06:42But she does.
01:06:44And maybe you already know that, Laurel.
01:06:54Here's my number.
01:06:57I want to hear from you by the end of the day.
01:07:02Now get the fuck out of here.
01:07:03I want to hear from you by the end of the day.
01:07:12I'll never forget.
01:07:17I want to hear from you.
01:07:19I'm so happy.
01:07:20Here's my number.
01:07:21I want to hear from you.
01:07:22Come on.
01:07:22Here's my number.
01:07:23Come on.
01:07:24Here's my number.
01:07:24I want to hear from you.
01:07:24I want to hear from you.
01:07:25Woo-hoo!
01:07:25Now get the fuck out of here.
01:07:26I want to hear from you.
01:07:26Come on.
01:07:27Yeah.
01:07:27Here we are.
01:07:28Here.
01:07:28Come on.
01:07:29Jordan?
01:07:29Jordan?
01:07:35What happened to my house?
01:07:37You went back for the keys, Shay.
01:07:43Why would you say that?
01:07:46I met with the cop Griffin earlier today.
01:07:50What did he tell you?
01:07:53That he found the box in Wade's bedroom.
01:07:57Empty.
01:07:59Was this ever about the music?
01:08:05Of course it was.
01:08:07He's trying to get us against each other.
01:08:08Can't you see that?
01:08:13I'm telling you the truth, Jordan.
01:08:14What do you want me to do to prove that to you?
01:08:21Where's the money, Shay?
01:08:23It's not here.
01:08:25I hid it someplace safe.
01:08:26In a few hours, Griffin is going to get a subpoena
01:08:28so they can check my prints.
01:08:30If you want to prove it, I need that money.
01:08:33Okay, you pay him, and then what?
01:08:35He could arrest you.
01:08:36He could even kill you.
01:08:38We have two options right now.
01:08:40We can either get out of here as fast as we can,
01:08:42or we kill him, and we're not killers.
01:08:45We're not?
01:08:46No, we're not.
01:08:48I know a place where we could go where no one would ever find us,
01:08:51and the cops couldn't touch us.
01:08:57I can't live looking over my shoulder, Jordan.
01:08:59I told her I'd go with her, but it was a lie.
01:09:18The only place I wanted to go was back.
01:09:21Back to simple.
01:09:24Back to scripted.
01:09:25Shea could ad-lib.
01:09:31She could make it up as she went along.
01:09:34She'd been doing it her whole life.
01:09:38And my whole life had been mapped out for me.
01:09:44I wasn't going anywhere.
01:09:45Griffith.
01:09:54You'll have it in an hour.
01:09:57The life everyone lives in their minds is so much better.
01:10:02So much more appealing
01:10:04than the one they're actually living.
01:10:07But almost always
01:10:11the moment they have to give up
01:10:13the real one for the imagined
01:10:15the equation changes.
01:10:18How much is there?
01:10:46A little over a million.
01:10:56We're going to be okay, Jordan.
01:11:00Shea, I can't.
01:11:05What do you mean?
01:11:06Sorry.
01:11:07Sorry.
01:11:11No, but everything was all set.
01:11:12I have to take this to Griffin.
01:11:17Just wait, all right?
01:11:17Just think this through.
01:11:18I already have.
01:11:27Where'd you get that?
01:11:29It was in the box with the money.
01:11:32What are you going to do?
01:11:33Shoot me?
01:11:34I'm sorry, but I can't let you go.
01:11:36Do whatever you got to do.
01:11:48Jordan!
01:11:51Jordan!
01:11:56Jordan!
01:14:27Mark, check out your girlfriend's story.
01:14:29There was no scholarship, Warhol.
01:14:32She never auditioned.
01:14:34Hell, she never even filled out an application.
01:14:36Nobody there knew anything about a shade Betancourt.
01:14:41Get away from him.
01:14:44I'll do it.
01:14:45Let him go.
01:14:45Jake's out of here.
01:14:46Shut up, Jordan.
01:14:48Throw me your gun.
01:14:49It's not gonna happen.
01:14:51No, no, Jake!
01:14:53We gotta go.
01:15:15I'm not going with you.
01:15:17You don't have a choice, Jordan.
01:15:22Who are you?
01:15:24Me?
01:15:25Who am I?
01:15:28I guess I'm just a girl who saw an opportunity and took it.
01:15:31For money?
01:15:32I only have two real talents, Jordan.
01:15:38And the second one is that I know what the first one is.
01:15:41That's why you needed me.
01:15:43You knew just the right buttons to push.
01:15:44And Christ, you probably even had the fucking log picked out to crash his head in with.
01:15:48I lied about Hartley.
01:15:52Okay?
01:15:52I did.
01:15:53And I'm sorry.
01:15:55Look at me.
01:15:56I'm here, right?
01:15:58I saved you, didn't I?
01:16:04You saved me or you saved the mother?
01:16:07Believe whatever you want.
01:16:08But the reality is, if you stay here, they're gonna arrest you.
01:16:12Okay?
01:16:16Jordan?
01:16:16Jordan?
01:16:18Come on.
01:16:28You do realize your life is over, don't you?
01:16:48A good photographer captures the subject.
01:17:07but a good subject
01:17:12captures the photographer
01:17:15I had been captured alright
01:17:37see
01:17:53what the hell happened
01:17:57how long have you been here
01:18:01not long
01:18:03just got off the phone with my dad
01:18:07he's been out all night
01:18:09they found another body at the Glen
01:18:13Detective Griffin
01:18:16from the channeling case
01:18:17you know him
01:18:20yeah
01:18:23yeah that's the right answer Jordan
01:18:24they took a look at Griffin's phone records
01:18:27they saw that you called him an hour before this happened
01:18:29tell me
01:18:30were you there
01:18:33and that's when I realized it
01:18:45what Shay meant
01:18:49my life as I knew it
01:18:53was over
01:18:56you gotta get out of those quotes
01:19:04Jordan
01:19:07go
01:19:08where were you last night
01:19:21who's right here
01:19:22Mr. Wells
01:19:23we'll take you from here
01:19:24Jordan
01:19:25would you have a seat
01:19:26you're not Detective Griffin
01:19:32right
01:19:32yeah
01:19:36I spoke to him
01:19:38last week
01:19:39spoke to him last week
01:19:40exactly
01:19:40why did he come and see you
01:19:41I'm friends
01:19:42we're friends with the girl
01:19:43who is it
01:19:44who is this girl
01:19:47we found these images
01:19:50on Detective Griffin's computer
01:19:52did you mention anything
01:19:53about pictures like these
01:19:54since the last time you saw her
01:19:55yes sir
01:19:55were you at the Glen last night
01:20:00that's right
01:20:01under the circumstances
01:20:04give me one
01:20:04why a judge didn't grant me a subpoena
01:20:06to check the ones
01:20:06he got on the channel
01:20:07let's call
01:20:07to see if he was there
01:20:08so where were you last night Jordan
01:20:10I was here
01:20:11can you back that up
01:20:12okay
01:20:13we'd like to help you
01:20:14with you crossing the line
01:20:15and I think you should leave
01:20:16you know what Mr. Wells
01:20:18we will come back
01:20:19with that subpoena
01:20:20you don't have to get a subpoena
01:20:21who's this
01:20:23Desiree Thomas
01:20:25D.A. Thomas' daughter
01:20:27I was with Jordan last night
01:20:28we were right here
01:20:30are there any other questions
01:20:33well I guess that's it
01:20:37you know what Mr. Wells
01:20:39I think that's enough
01:20:40thanks for your time
01:20:41I'll see you around
01:20:43that won't be necessary
01:20:44how well did you know this girl
01:20:52no we just hung out
01:20:54Jesus Christ Jordan
01:20:55tell me the truth
01:20:56now tell me
01:20:56do not let them blindside me
01:20:58with something else
01:20:59there's nothing else
01:21:00you better not be
01:21:01I don't know what to say
01:21:18I don't know what to say
01:21:30you know what Jordan
01:21:34neither do I
01:21:37I just bought you two days
01:21:48maybe three
01:21:49but this isn't over Jordan
01:21:52it was the final gift
01:22:07she would ever give me
01:22:09her last favor
01:22:13it's strange to think
01:22:20of your future
01:22:21in terms of days
01:22:22but it wasn't going to take
01:22:29those detectives
01:22:30any longer than that
01:22:31money was her only way out
01:22:37and now it became mine
01:22:40and that's why I transferred
01:22:44most of the money
01:22:45to another bag
01:22:46before meeting Griffin
01:22:48the money was the only leverage
01:22:53I had left
01:22:54there's always a moment
01:22:57sometimes more than one
01:23:00when you can walk away
01:23:04choose not to play a role
01:23:10someone else may be writing
01:23:11for you
01:23:12reality finally kicked in
01:23:19from my life
01:23:23it was time I started
01:23:29writing my own script
01:23:30my name's Jordan Wells
01:23:45a marketer's report on me
01:23:48would read something like this
01:23:50rich
01:23:52privileged
01:23:54future doctor
01:23:58future lawyer
01:24:01future somebody
01:24:04but you wouldn't expect
01:24:06an accessory to murder
01:24:07twice
01:24:10with a million dollars
01:24:13to decide what to do next
01:24:20for me
01:24:28don't even know
01:24:31how to do next
01:24:3210 years
01:24:33before
01:24:33Ipa
01:24:34Jax
01:24:34and I
01:24:35can find
01:24:35how to do next
01:24:36though
01:24:36I'm
01:24:37going to say
01:24:38I'm
01:24:39going to say
01:24:39I'm
01:24:41going to say
01:24:42how to do next
01:24:43because I think
01:24:43I'm going to say
01:24:44I don't want to say
01:24:46how to do
01:24:47I'm going to say
01:24:47I'm going to say
01:24:48I'm going to say
01:24:49I'm going to say