🌟 Baby Face (1933) is a bold and unforgettable pre-Code Hollywood classic starring the fierce and magnetic Barbara Stanwyck alongside a young John Wayne in a brief but memorable role. Directed by Alfred E. Green, this powerful drama explores themes of ambition, survival, and the female pursuit of power in a male-dominated world.
📜 Plot Summary
Lily Powers (Barbara Stanwyck) is a working-class woman living in Erie, Pennsylvania, who is exploited by her abusive father. After a tragedy frees her from his grip, Lily—encouraged by Nietzschean philosophy and an older friend—heads to New York City to climb the corporate ladder using her beauty and wit. She begins working at Gotham Trust, quickly rising through the ranks by seducing men in powerful positions.
Unlike most films of the era, Baby Face unapologetically portrays a woman who takes control of her own fate, using the very tools that society criticizes her for. Lily is not a victim—she is a calculated, empowered survivor. Along the way, she interacts with a variety of men, some who help her and others who fall because of her. Amidst the scandal and drama, she eventually finds herself in a position of real power—both professionally and emotionally.
John Wayne plays Jimmy McCoy Jr., a clean-cut young man she briefly encounters in her meteoric rise, highlighting the kinds of relationships and morals Lily must choose between.
This film shocked audiences in 1933 with its raw themes and suggestive content, pushing the boundaries of what Hollywood could show before the Hays Code began its strict enforcement.
👥 Main Cast
⭐ Barbara Stanwyck as Lily Powers
🎩 George Brent as Courtland Trenholm
🧑💼 Donald Cook as Ned Stevens
🧔♂️ Alphonse Ethier as Ed Sipple
👨 Henry Kolker as J.P. Carter
🧑🏫 Theresa Harris as Chico
🤠 John Wayne as Jimmy McCoy Jr.
🧓 Douglass Dumbrille as Brody
📜 Plot Summary
Lily Powers (Barbara Stanwyck) is a working-class woman living in Erie, Pennsylvania, who is exploited by her abusive father. After a tragedy frees her from his grip, Lily—encouraged by Nietzschean philosophy and an older friend—heads to New York City to climb the corporate ladder using her beauty and wit. She begins working at Gotham Trust, quickly rising through the ranks by seducing men in powerful positions.
Unlike most films of the era, Baby Face unapologetically portrays a woman who takes control of her own fate, using the very tools that society criticizes her for. Lily is not a victim—she is a calculated, empowered survivor. Along the way, she interacts with a variety of men, some who help her and others who fall because of her. Amidst the scandal and drama, she eventually finds herself in a position of real power—both professionally and emotionally.
John Wayne plays Jimmy McCoy Jr., a clean-cut young man she briefly encounters in her meteoric rise, highlighting the kinds of relationships and morals Lily must choose between.
This film shocked audiences in 1933 with its raw themes and suggestive content, pushing the boundaries of what Hollywood could show before the Hays Code began its strict enforcement.
👥 Main Cast
⭐ Barbara Stanwyck as Lily Powers
🎩 George Brent as Courtland Trenholm
🧑💼 Donald Cook as Ned Stevens
🧔♂️ Alphonse Ethier as Ed Sipple
👨 Henry Kolker as J.P. Carter
🧑🏫 Theresa Harris as Chico
🤠 John Wayne as Jimmy McCoy Jr.
🧓 Douglass Dumbrille as Brody
Category
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Short filmTranscript
00:00:00Transcription by CastingWords
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00:01:18All right, son. You go home and tell Mom in a few minutes.
00:01:22Let's go out.
00:01:48Come on, everybody.
00:01:50Come on.
00:01:52Hello, boys.
00:01:54Come on.
00:01:56Come on here.
00:01:58Yes, sure.
00:02:00Have a good one.
00:02:02What are you doing?
00:02:04Well, what are you going to have?
00:02:08Beer, then.
00:02:10Right. Come on with that beer.
00:02:12Feeling tomorrow
00:02:16like I feel today.
00:02:20Hey, come on here.
00:02:22Where's Lily?
00:02:23I'll find her.
00:02:24Oh, Lily.
00:02:35Where'd she go?
00:02:36I don't know.
00:02:38Now, look what you want and done.
00:02:40You're fired.
00:02:41You lazy fever little son of a...
00:02:43Hey!
00:02:44Easy with a whip.
00:02:45Don't be a part of this.
00:02:46Go on. Get out of my house.
00:02:47Chico goes, I go.
00:02:48What?
00:02:49You heard me.
00:02:50Don't you talk to me that way.
00:02:51I'm your father.
00:02:52That's my tough luck.
00:02:53Listen, you know.
00:02:54Now get this.
00:02:55If I stay here, Chico stays too.
00:03:05Take some beer out of the boys, will you, Lily?
00:03:11Clean that up, Chico.
00:03:13Come on.
00:03:14Give me a drink.
00:03:15It's a drink.
00:03:16Come on.
00:03:17Come on.
00:03:18Come on.
00:03:19Come on, Lily.
00:03:20What, Lily?
00:03:21What's your hurry?
00:03:22Come here, Lily.
00:03:23Come here, sweetheart.
00:03:24Come here, sweetheart.
00:03:25Oh, lay off, you think of?
00:03:26Isn't it funny?
00:03:29Come here, sweetheart.
00:03:31Oh, lay off, you tinkie.
00:03:35Give me a bottle of that.
00:03:37I missed you.
00:03:39Yeah.
00:03:43Couple of glasses. Here's looking, Lily.
00:03:56How's things, baby?
00:04:02Let's me and you take a little walk over by the quarry, huh?
00:04:06Come on in, Craig.
00:04:10Hey, gobbler, when do I get my shoes?
00:04:12Then you pay for them.
00:04:16What do you say? Do we take a walk?
00:04:18I can hardly wait.
00:04:21Hello, Mr. Clark.
00:04:22Sit down.
00:04:23There?
00:04:24Yeah.
00:04:25You ain't been in lately.
00:04:28I don't care for the crowd here.
00:04:31No.
00:04:32They're pretty mangy.
00:04:35How long are you going to stand?
00:04:39Why don't you get out before it is too late?
00:04:41Where would I go?
00:04:42Out into the world.
00:04:44You could make something of yourself.
00:04:46You have power.
00:04:48Yeah.
00:04:49I'm a ball of fire, I am.
00:04:52You don't realize your potentialities.
00:04:54Come again?
00:04:55Did you read that book I gave you?
00:04:56Oh, I tried to.
00:04:57But I didn't understand it very good.
00:04:58It's by Nietzsche.
00:04:59The greatest philosopher of all time.
00:05:00Yeah.
00:05:01Well, I never did get much good out of books.
00:05:03You are fool.
00:05:04You could learn a lot from that book.
00:05:05But if you are content to stay here like a dumb animal in this miserable light, then I wash my hands from you.
00:05:09Oh, gee, Mr. Clark, you ain't sore, are you?
00:05:10Yeah.
00:05:11What have you got?
00:05:12Oh, no.
00:05:13I couldn't take it.
00:05:14Not from you.
00:05:15No, no.
00:05:16I accept no favors.
00:05:17Oh, don't be like that.
00:05:18You ain't like a customer.
00:05:19Come on.
00:05:20Come on.
00:05:21Come on.
00:05:22Come on.
00:05:23Well, he's seen.
00:05:24Did he tell you for it?
00:05:25Yeah, but I gave it back to him.
00:05:26Sorry.
00:05:27What do you think we're around here?
00:05:28It looks to me like a zoo.
00:05:29It looks like a zoo.
00:05:30I'm not going to be in this miserable light.
00:05:32I'm not going to be in this miserable light.
00:05:33I'm not going to wash my hands from you.
00:05:34Oh, gee, Mr. Clark, you ain't sore, are you?
00:05:35Yeah.
00:05:36What a beer.
00:05:37Oh, no.
00:05:38I couldn't take it.
00:05:39Not from you.
00:05:40No, no.
00:05:41No, no.
00:05:42He's seen.
00:05:47Did he tell you for it?
00:05:48Yeah, but I gave it back to him.
00:05:50Say, what do you think we're running here?
00:05:51It looks to me like a zoo.
00:05:56Four.
00:05:57Four and a quarter.
00:05:59Four fifty, four seventy-five, five dollars.
00:06:05Another cup of coffee, honey?
00:06:11Oh, well, Ed, I'm glad to see you.
00:06:17Come on in.
00:06:18It's hot tonight.
00:06:19Yeah, good.
00:06:20Just make yourself comfortable, Ed.
00:06:41Good night, Ed.
00:06:42Good night, Ed.
00:06:43Good night, boy.
00:06:44Good night.
00:06:45Good night.
00:06:46Good night.
00:06:47See you tomorrow.
00:06:48Yeah, come back tomorrow.
00:06:49I want to talk to you.
00:06:51Say, you fixed it with the big fella, didn't you?
00:06:54They ain't going to make no trouble.
00:06:56Yeah, that ain't what I want to talk to you about.
00:07:02He's a big politician, ain't he?
00:07:07He's a big something, and it ain't a politician.
00:07:13Honey, you makes me tickle.
00:07:22Tickle, go downstairs and watch the still while I'm out.
00:07:26Come on, hurry up.
00:07:27I've got to move on you.
00:07:31Come on, old timer, come on.
00:07:33You and I are going to take a walk.
00:07:36What's the matter?
00:07:37Come on.
00:07:39What?
00:07:40When?
00:07:45What's the matter?
00:07:46That's all right.
00:07:47Come on.
00:07:56How are you, Lily?
00:07:57I was great up to now.
00:07:58I don't often get to see you're alone.
00:08:13Oh, excuse me.
00:08:14My hand shakes though when I'm around you.
00:08:28You hold your freight out of here.
00:08:34What's the matter?
00:08:35You getting particular?
00:08:36Maybe I am.
00:08:37Did you ever take a good look at yourself?
00:08:38Yeah, you're exclusive.
00:08:39You are.
00:08:40The sweetheart of the night ship.
00:08:42Come on, you're wasting my time.
00:08:43Everybody knows about you.
00:08:44Yeah?
00:08:45Well, you ain't going to.
00:08:46Come on, you're wasting my time.
00:08:48Everybody knows about you.
00:08:49Yeah?
00:08:50Well, you ain't going to.
00:09:16What's the matter?
00:09:17No more protection for you.
00:09:18I'll see that the police close up your joint.
00:09:19What?
00:09:20What?
00:09:21What?
00:09:22What?
00:09:23What's the matter?
00:09:24No more protection for you.
00:09:25I'll see that the police close up your joint.
00:09:39What?
00:09:50What?
00:09:51Lily!
00:09:54What did you do to him, huh?
00:09:55Are you crazy?
00:09:57That simple's kept my place open.
00:09:59Now he's going to the police.
00:10:00He's going to close me up.
00:10:01You've done it!
00:10:02You never was any good pulling a thing like this on me.
00:10:05I ought to kill you!
00:10:06What's stopping you?
00:10:07I should have thrown you out years ago
00:10:09instead of raising you the way I did.
00:10:11Yeah, raising me the way you did.
00:10:13You're just like a mother, you.
00:10:14She was lucky enough to get away from you.
00:10:16Was she?
00:10:17Well, look what happened to her.
00:10:18She's better off dead than living with a thing like you.
00:10:20And I'm getting out, too.
00:10:21Don't let him clamp you!
00:10:23Yeah, I'm a tramp.
00:10:24And who's to blame?
00:10:25My father.
00:10:26A swell start you gave me.
00:10:27Ever since I was 14, what's it been?
00:10:29Nothing but men.
00:10:30Dirty, rotten men.
00:10:32And you're lower than any of them!
00:10:34I'll hate you as long as I live!
00:10:36Oh, Mr. Pollard, there's something wrong with the still downstairs.
00:10:39They're smoking something awful.
00:10:48Can I do something for you, honey?
00:10:49Can I do something for you, honey?
00:10:53What did you stop me?
00:10:54God, I was only on the ground.
00:10:55Hurry up.
00:10:56Hurry up, Angelino.
00:10:57Please hurry up!
00:11:14rock farmer, let's have three of them!
00:11:19Oh
00:11:49Well that's that
00:12:15I never go to funerals
00:12:17A relic of barbarism
00:12:19So
00:12:21Now what?
00:12:22Well the future looks very bright
00:12:24Just as I was leaving the cemetery
00:12:26Ed Sipple made me a proposition
00:12:28And last night the manager of the starring Garter Burlesque House
00:12:30offered me a job in the chorus to do a strip act
00:12:32A strip act?
00:12:34Yeah show my shape
00:12:36Well that's a business in itself
00:12:39Oh I guess I ain't much of a business woman
00:12:42What's going to become of you?
00:12:45It's up to you to decide
00:12:47If you stay in this town you are lost
00:12:49Where would I go?
00:12:50Paris?
00:12:51I got four bucks
00:12:52That's what makes me mad with you
00:12:54You're a coward
00:12:56I mean
00:12:57You let life defeat you
00:12:58You don't fight back
00:13:00What chance has a woman got?
00:13:02More chance than men
00:13:03A woman young beautiful like you
00:13:06Can get anything she wants in the world
00:13:08Because you have power over men
00:13:10But you must use men
00:13:12Not let them use you
00:13:14You must be a master
00:13:16Not a slave
00:13:17Look
00:13:18Here
00:13:19Nietzsche says
00:13:21All life
00:13:22No matter how we idealize it
00:13:24Is nothing more nor less than exploitation
00:13:27That's what I'm telling you
00:13:30Exploit yourself
00:13:32Go to some big city
00:13:34Where you will find opportunities
00:13:36Use men
00:13:37Be strong
00:13:38Defiant
00:13:39Use men
00:13:41To get the things you want
00:13:53Yeah
00:14:11Hey, this is okay
00:14:29Give me a minute
00:14:31Awfully dark in here
00:14:34Yeah
00:14:35Well, the darker the better
00:14:37Till we pull out
00:14:39Well
00:14:48Next station is New York
00:15:05Hey, Yoke
00:15:06Come on out of there
00:15:07Come on
00:15:13Well, I'm
00:15:14Too many of you dames getting away with it these days
00:15:16The cops in the yards will take care of you
00:15:18Oh, wait a minute
00:15:19You wouldn't throw us off the train, would you?
00:15:22Yeah, and you're gonna get 30 days for it
00:15:24In jail?
00:15:25Yes, in jail
00:15:29Now, why don't we sit down and talk this thing over?
00:15:37Well, you're going to take care of me
00:15:39I'm going to take care of you
00:15:40Yes, in jail
00:15:41I'm going to take care of you
00:15:42I'm going to take care of you
00:15:43The famous woman with a diamond ring, Lord and Lord,
00:15:56leave that man a man by her ancient state.
00:16:04If it wants for powder and for store-bought hair,
00:16:12that man of mine...
00:16:42and it's that lady's better.
00:16:46And look at her automobile.
00:16:51What I want to find out is, how did she get him?
00:16:55I could use some of them pork chops.
00:17:10It's all in your mind.
00:17:12You ate yesterday, didn't you?
00:17:25Well, boy, I'll bet there's plenty of dough in this little shack.
00:17:44See, I'd like to work in there. Can you fix it for me?
00:18:03What happened?
00:18:07You might try the personnel department around on 47th.
00:18:11Thanks so much. I'll be seeing you.
00:18:18Give me a taxi.
00:18:19Yes, sir.
00:18:20A taxi!
00:18:21Is this where you ask for jobs?
00:18:30Yeah, this is where you ask for them.
00:18:38Wait here.
00:18:51I have good references. If I could only see them.
00:18:54You can wait if you want to, but he's out to lunch.
00:19:04What part of the south are you from, Mr. Pratt?
00:19:09Tallapoosa, Georgia.
00:19:11I know some Pratt's where I come from.
00:19:15Where was that?
00:19:16Oh, maybe I'll tell you someday when I know you better.
00:19:20Say, I like it here. How about a job?
00:19:22Oh, we don't...
00:19:23Oh, now, don't tell me in this great big building.
00:19:25There ain't some place for me.
00:19:29Have you had any experience?
00:19:32Plenty.
00:19:37I'd rather wait in there.
00:19:39I hate crowds.
00:19:42Don't you?
00:19:43The boss won't be back for an hour.
00:19:48Well, then why don't we go in and talk this over?
00:20:13I don't know.
00:20:38Did you see that?
00:20:39335 at Bourne's beauty shop.
00:20:41Where's that at?
00:20:4231st in Broadway.
00:20:56See that this gets off at once.
00:20:58Yes, sir.
00:20:59Thought any more about that girl?
00:21:01No.
00:21:03Mr. Brody, she's smart and...
00:21:05I told you once I don't need any more girls in my department.
00:21:0879, 73, 121, 121, 122.
00:21:18I'll be right back.
00:21:22Oh, Mr. McCoy.
00:21:24Those papers will be ready in 10 minutes.
00:21:26Oh, thanks very much.
00:21:33Who's that girl?
00:21:34That's the girl I've been telling you about.
00:21:37Oh?
00:21:3822.
00:21:39130.
00:21:40130.
00:21:41250.
00:21:42Well, uh...
00:21:44Maybe I could use her.
00:21:46Well, Mr. Brody, she's very intelligent.
00:21:48She's head and shoulders above any other girl in the place.
00:21:51You sure?
00:21:52Mm.
00:21:53Mm-hmm.
00:21:54Mm-hmm.
00:21:55Hey!
00:21:56Sign this, will you?
00:21:57Hello, stupid.
00:21:58Hey, sign this, will you?
00:22:17Hello, stupid.
00:22:19Are you married?
00:22:21No, and I know the next answer.
00:22:22I don't live with my folks.
00:22:24Someday that signature will be worth money.
00:22:26Yeah, they laughed when I sat down to play the piano.
00:22:40This is the Benson mortgage.
00:22:41Will you look it over now?
00:22:43Is the insurance clause here?
00:22:48Everything's incorporated in it.
00:22:54Stick around after five.
00:22:56Yes, this is a very serious case.
00:23:00I'm afraid we'll have to foreclose.
00:23:03Look at that, will you?
00:23:04Sickening the way those two carry on.
00:23:07You'd never think he had a wife and three kids.
00:23:12Oh, hello, Jimmy.
00:23:13Listen, baby face, how about having dinner tonight?
00:23:16I got two tickets for a vanities.
00:23:17Oh, I'd love to, but I can't tonight.
00:23:19Well, I never see you anymore.
00:23:22I never see anybody anymore.
00:23:23I'm working so hard.
00:23:25Gee, but I'm...
00:23:26I'm sorry.
00:23:27I have to go to bed early every night.
00:23:29Excuse me, will you?
00:23:32You don't know you're out till they stop counting.
00:23:35Wake up, kid.
00:23:36Maybe face is moving out of your class.
00:23:38Goodbye.
00:23:41Goodbye.
00:23:46Goodbye.
00:23:47Goodbye.
00:23:48Goodbye.
00:23:51Goodbye.
00:23:51About termitsu.
00:23:56I'm not here.
00:23:57Somebody might...
00:24:00Oh, not here.
00:24:00Somebody might...
00:24:02I don't like to go into your room.
00:24:03I don't like to go out to the pool.
00:24:05You don't like to go out and answer it.
00:24:06No, Mr. Stevens, I believe he's still here.
00:24:36Brody.
00:24:44Brody.
00:24:57This is an outrage.
00:25:00A man in your position.
00:25:02Get your check at once.
00:25:05Young woman.
00:25:11We've no place here for a girl of your sort.
00:25:24You're through tonight.
00:25:26Why, Mr. Stevens, it wasn't my fault.
00:25:29He followed me in there.
00:25:30What could I do?
00:25:31He's my boss and I have to earn my living.
00:25:35Oh, I'm so ashamed.
00:25:40It's the first time anything like that has ever happened to me.
00:25:44Well, I'll think it over.
00:25:48Report tomorrow as usual.
00:25:50Oh, thank you, Mr. Stevens.
00:25:55Mr. Stevens' office.
00:25:56No, he ain't.
00:25:57I mean, isn't.
00:26:01I mean, isn't.
00:26:06Mr. Stevens' office.
00:26:07No, he ain't.
00:26:08I mean, isn't.
00:26:12Mr. Stevens' office.
00:26:13No, he ain't.
00:26:14I mean, isn't.
00:26:19For Mr. Stevens.
00:26:20Oh, thanks.
00:26:26Say, do you think you'll be able to get off in time to go shopping with me?
00:26:29I don't think so.
00:26:30I might as well take this in.
00:26:31He has to sign this voucher anyhow.
00:26:34Oh, thanks.
00:26:35Say, do you think you'll be able to get off in time to go shopping with me?
00:26:39I don't think so.
00:26:40I might as well take this in.
00:26:41He has to sign this voucher anyhow.
00:26:42Well, she certainly works fast.
00:26:43It won't do her any good.
00:26:44He's very much in love with the girl he's engaged to.
00:26:45Say, I was surprised to read that in the paper.
00:26:46It's a good match for him, too, marrying old Carter's daughter.
00:26:48Mr. Stevens is an extraordinarily fine person.
00:26:49He has high ideals.
00:26:50He's not like other men.
00:26:51Well, that Day Zindler Peter Getoo, you're up here, but it was on thing.
00:26:58If I got off in the wrong place, I said, well, it's not really good, but that's true if I got off here.
00:27:04Don't go to the booth.
00:27:06I mean, theicho is like $338,000, but I just HAVE Aya.
00:27:08Well, it's always a good night.
00:27:09It doesn't work to go.
00:27:11Well, it won't do her any good.
00:27:12He's very much in love with the girl he's engaged to.
00:27:14Say, I was surprised to read that in the paper.
00:27:15It's a good match for him, too, marrying old Carter's daughter.
00:27:18Mr. Stevens is an extraordinarily fine person.
00:27:19He has high ideals.
00:27:20you can't come in what do you mean new landlady and she's a terror won't let me have any men
00:27:35visitors oh lily i've got to see you it's been more than a week no it can't be done oh but lily
00:27:39losing my job was bad enough but not seeing you is worse i can't stand it no it's wrong my
00:27:44conscience has been bothering me but you've got to think of your wife and kids i can't see you
00:27:49when he knew who was it honey oh just a boy collecting for the paper have a drink no thanks
00:28:08i never touch it oh you don't want me to drink alone well maybe just a sip
00:28:19hello tell mr stevens that his fiance is upstairs with her father and she'll be right down to see him
00:28:45oh miss merrick i've changed my mind could you go to lunch now i'd like to get a manicure at one
00:29:02o'clock that's quite all right
00:29:04haven't i told you never to come beyond the front of this desk
00:29:34oh but i get so lonesome out there all by myself don't do that how do you expect me to get any work
00:29:40done hold me close
00:29:42and
00:29:52and and listen to me
00:30:10paragraph it has always been the policy of this institution to afford
00:30:12inspection my darling what is it what is it what is it
00:30:18it has always been the policy of this institution to afford inspection my darling what is it what is it
00:30:40what is it what is it anne please dear but tell me
00:30:48anne please
00:30:50there's nothing you can say i don't want to see him
00:30:52what happened ned why i
00:30:54there's nothing away please i don't want to see him
00:30:55why i don't want to see him
00:30:59you better wait outside
00:31:01oh
00:31:03you better wait outside
00:31:06Come on.
00:31:34Seems to be only one thing to do, Ned.
00:31:36Let that girl go.
00:31:45Is that all to go out?
00:31:46Listen to this, will you?
00:31:48When the dinner guests enter the dining room, it is customary for the butler to hold out the chair of the mistress of the house.
00:31:54If they're a footman enough, the chair of each lady is held for her.
00:31:57See that you don't forget that now.
00:32:01Come in a minute, please.
00:32:03Come on.
00:32:04Oh, I apologize.
00:32:05Let's go.
00:32:16Oh, you're welcome.
00:32:18Bye.
00:32:19Good luck.
00:32:20Lily, too bad that happened.
00:32:21I...
00:32:22Yes.
00:32:26I have no choice.
00:32:28You understand?
00:32:34Anyway, it's better this way.
00:32:36I'd rather you don't work.
00:32:43I don't want to quit the job.
00:32:45I'd like to be near you.
00:32:48I don't see you much as it is.
00:32:51I'm sorry, Lily.
00:32:53There's nothing else for me to do.
00:32:55You can't stay here.
00:32:59All right.
00:33:01If I have to go, it means that you won't see me anymore.
00:33:04Oh, but look here.
00:33:05Well, that's all there is to it.
00:33:06If you fire me, we're through.
00:33:08It isn't the job, I don't mind that.
00:33:10But it just goes to show me how much you care.
00:33:13Well, you know how much I...
00:33:14How much you what?
00:33:21Are you letting me go?
00:33:37Ned, you can't do this thing.
00:33:39I don't want to hand your resignation to the board.
00:33:42I'm sorry, Mr. Carter, but I can't discharge the girl.
00:33:46I know it's difficult, but now look here.
00:33:48Well, it's no use.
00:33:49I know what you're going to say, but I can't help it.
00:33:51I'm willing to take the consequences.
00:33:53I know it means my job, and we'll break our engagement.
00:33:56Now, now, take it easy.
00:33:59This needn't be the end of the world.
00:34:02Naturally, you're upset.
00:34:04But after all, you and I understand each other.
00:34:08Suppose you let me handle this thing.
00:34:11What you need is a little change.
00:34:13A few days at White Sulphur, or even at Atlantic City.
00:34:16I'll give you time to think things over.
00:34:19Meantime, leave everything to me.
00:34:22What do you say, eh?
00:34:24Meantime.
00:34:28Thanks a lot.
00:34:37Yes?
00:34:41Mr. Carter would like to see you right away.
00:34:44Me?
00:34:54I won't waste words with you.
00:35:05This is a very serious matter.
00:35:07Of course, you realize that Mr. Stevens is engaged to my daughter.
00:35:11Engaged?
00:35:12Why, I had no idea.
00:35:15Oh, it can't be true.
00:35:17You mean you didn't know he was to be married?
00:35:21Oh, no.
00:35:22He told me I was the only one.
00:35:24My daughter is heartbroken.
00:35:27But what about me?
00:35:29You're not asking me to give him up, are you?
00:35:34Oh, how could I?
00:35:35Did he mean so much to you?
00:35:48Everything in the world.
00:35:51Was he your first sweetheart?
00:35:54This is very distressing.
00:35:59I'm sure you must see how impossible it would be for you to remain at the bank.
00:36:05But what will I do?
00:36:07Have you no family in New York?
00:36:09No, I'm all alone here.
00:36:11I haven't any friends and I haven't any money.
00:36:14I shall have to think this over.
00:36:27Will you tell me where you live?
00:36:29My telephone number is Skylar, 32215.
00:36:44Miss Byers?
00:36:45Yes, sir.
00:36:46Come right in.
00:37:14Good morning.
00:37:15Oh, good morning.
00:37:24Good morning.
00:37:44Oh, is these loose bars, honey?
00:37:45Not so much honey.
00:37:47Yes, ma'am.
00:38:09Oh, before I forget it, Mr. Carter called up.
00:38:12He's coming up for dinner.
00:38:13Yeah.
00:38:15Give the old boy Irish stew.
00:38:24Oh, Hodges, we'll have coffee and liqueurs in here.
00:38:29Did Fuzzy Wuzzy enjoy his dinner?
00:38:31Mm-hmm.
00:38:35Oh, you're just too...
00:38:36Ah!
00:38:37Ooh!
00:38:38Boo!
00:38:39Okay, Hodges.
00:38:44Does my baby want brandy?
00:38:46Anything you say.
00:38:55Aren't you going to have some?
00:38:57Oh, no. I never drink.
00:38:58Oh, come on.
00:39:00Well, maybe just a sip of yours.
00:39:05Mm.
00:39:06Isn't this cozy?
00:39:09You know, sometimes your little girl gets awful lonesome here all by herself.
00:39:13Oh, my dear.
00:39:15I wish you'd get rid of that fantastic colored girl.
00:39:18No, Chico stays.
00:39:19All right, all right, all right.
00:39:21How would you like to have a nice grand piano in this room, hmm?
00:39:23Thanks, no pianos.
00:39:24I used to hear one all day long.
00:39:25Why?
00:39:26Did somebody in your home play the piano?
00:39:27Anybody that had a nickel?
00:39:28Hmm?
00:39:29Oh, I was only kidding.
00:39:30Of course, the Fuzzy Wuzzy really wants to give me something.
00:39:32He could put a few more pennies in my bank account.
00:39:34My dear, ask me something difficult, huh?
00:39:36Oh, no.
00:39:37Oh.
00:39:38Oh.
00:39:39Oh, I was only kidding.
00:39:40Oh.
00:39:41Oh.
00:39:42Oh.
00:39:43Oh.
00:39:44Oh.
00:39:45Oh.
00:39:46Oh.
00:39:47Oh, no, he wants to give me something.
00:39:48He would.
00:39:49He would.
00:39:50He could put a few more pennies in my bank account.
00:39:52My dear, ask me something difficult.
00:39:54Oh.
00:39:55Oh.
00:39:57Oh.
00:39:58So nice to see you back at work again.
00:40:01Bye, darling.
00:40:03tremhowering, please.
00:40:06Oh, no.
00:40:39Schuyler 3-2215.
00:40:50Miss Powers' apartment, please.
00:40:53What?
00:40:55I'm calling Miss Lily Powers' apartment.
00:40:59How long ago?
00:41:01Two weeks.
00:41:03Well, she must have left a forwarding address.
00:41:09Oh.
00:41:30Merry Christmas, Miss Powers.
00:41:32Thanks.
00:41:33Merry Christmas to you.
00:41:35Oh, thank you.
00:41:36Aren't you going out for Christmas dinner?
00:41:40No.
00:41:53Honey, you shouldn't ought to have gave the servants a day off.
00:41:55I hate to leave you all alone.
00:41:57Oh, I don't mind.
00:41:58Oh, before I forget, Mr. Carter, he telephoned.
00:42:00Said he'd come in this evening if he could get away from his family.
00:42:04That'll be just dandy.
00:42:06What's this?
00:42:07Oh, that?
00:42:08It come while you was out.
00:42:10It's some books from old Mr. Craig back in Erie.
00:42:13You run along and have a good time.
00:42:15I sliced some turkey for you.
00:42:16It's in the icebox.
00:42:17Thanks very much.
00:42:48Well, Merry Christmas.
00:42:57I had a terrible time finding you.
00:43:00Why didn't you leave some word?
00:43:02Wait a minute.
00:43:03You're kind of mixed up, aren't you?
00:43:04I thought you left town.
00:43:07Well, what else could I do?
00:43:09I was in a...
00:43:10Jam?
00:43:11Well, I won't let you get in another.
00:43:12See what I mean?
00:43:15Lily, don't do this to me.
00:43:17I can't stand it.
00:43:19It's been brutal not seeing you.
00:43:21Yeah?
00:43:22Well, you better get used to it.
00:43:29Listen, I don't owe you a thing.
00:43:30Whatever I do is my own business.
00:43:32You never had but one idea about me.
00:43:34That's all I ever meant to you.
00:43:36Oh, but Lily...
00:43:36You made your choice.
00:43:37Now what do you want?
00:43:38What do you want to do?
00:43:39You mean...
00:43:40I can't see you anymore?
00:43:43How did you guess it?
00:43:47I'm sorry my butler's off today.
00:43:49I'd like to have my guests shown out in style.
00:43:52But Ned, I've a right to know.
00:44:11You haven't been to see Anne since Christmas.
00:44:14And it's obvious to everyone that you're neglecting your work.
00:44:17Now what's the matter?
00:44:18I'll tell you.
00:44:19Why not?
00:44:20I can't get along without her.
00:44:21She's on my mind all the time.
00:44:23Who do you mean?
00:44:24I mean the girl.
00:44:25I saw her Christmas Day.
00:44:26It's my fault what's happened to her.
00:44:28And I can't stand the thought of it.
00:44:29Some man is keeping her.
00:44:32But are you sure of that?
00:44:34Feeling the way I do, I've no right to see Anne again.
00:44:37That means I'm through here at the bank.
00:44:38All right, that's all there is to it.
00:44:39The sweetest New Year's present I ever got.
00:45:05Sit down.
00:45:06I like to look at you.
00:45:12I'm sorry, Miss Powers is not at home.
00:45:16I told you, Miss Powers is not at home.
00:45:18I know she's here.
00:45:19I say, look here, where are you going?
00:45:23What's that?
00:45:29What do you want?
00:45:30I want you to come with me.
00:45:32Now.
00:45:32We're going to be married.
00:45:33You're drunk.
00:45:34I know what I'm doing.
00:45:35It's the only way.
00:45:36I can't go on without you.
00:45:38So you want to marry me, huh?
00:45:41Isn't that beautiful?
00:45:43Get out of here or I'll...
00:45:44Well, you've got to marry me.
00:45:45If you don't, I'll kill myself.
00:45:47Stop acting.
00:45:48No, I mean it.
00:45:49So I'll help you.
00:45:50I'll kill myself.
00:45:56I told you to get out of here.
00:45:58Why, you...
00:46:07I'll attack you.
00:46:14I'll kill myself.
00:46:18I lied.
00:47:21There's been an accident here.
00:47:28You'd better call the police.
00:47:51I tell you, gentlemen, not in my 50 years of banking
00:48:06has this institution been implicated in such a scandal.
00:48:10So, with a scandal on top of us
00:48:12and a blast of dangerous notoriety
00:48:14that's shaken the people's confidence in our bank,
00:48:16what do you do?
00:48:17You demand the president's resignation
00:48:19and break your necks to elect a new president,
00:48:22a playboy,
00:48:23who hasn't had a day's banking experience in his life.
00:48:27How do you expect a society globetrotter
00:48:29to restore confidence?
00:48:31Perhaps you've forgotten that his grandfather founded this bank.
00:48:34Oh, how?
00:48:34And that in this emergency,
00:48:36the Trenholm name is the greatest asset we could have.
00:48:38Excuse me, sir.
00:48:39Mr. Trenholm is here.
00:48:43He's on his way in, gentlemen.
00:48:45And I needn't remind you how essential it is
00:48:47that we give him our undivided loyalty and support.
00:48:52Good morning.
00:48:53Good morning.
00:48:54I hope I haven't kept you waiting, gentlemen.
00:48:56Mr. Trenholm, my congratulations.
00:48:58Thank you, sir.
00:48:59Well, Cotland.
00:48:59Oh, I'm delighted to see you, Mr. Vandellore.
00:49:01Your grandfather would have been proud to see you here.
00:49:04That's very kind of you, sir.
00:49:06Morning, Cotland.
00:49:06Hello, Jameson.
00:49:08Well.
00:49:09Good morning.
00:49:09Well, I'm glad to see you, Mr. Galter.
00:49:11I, uh, gentlemen, I, I shan't take up your time
00:49:14telling you how much I appreciate this honour.
00:49:17Some of you, uh, probably think I should stick to polo
00:49:20and not try to run a bank.
00:49:22But I'm sure that with your help,
00:49:24I can't go very far wrong.
00:49:39And now, gentlemen, the first thing we have to decide
00:49:45is what we're going to do about this Lily Powers.
00:49:47The record has offered her $10,000 for her story.
00:49:50That must be stopped.
00:49:51The thing to do is to send for the girl.
00:49:53I told her to be here at, uh, 10 o'clock.
00:50:01Oh, quite on time.
00:50:04Come in.
00:50:09Sit here, please.
00:50:13Now, Cotland, uh, will you, uh,
00:50:15Miss Powers, we understand that one of the newspapers
00:50:22has offered you a sum of money for a story by you
00:50:25touching on this unfortunate affair.
00:50:28Is that correct?
00:50:29Yes.
00:50:31May I ask what sort of a story it is?
00:50:34Why, it's my diary.
00:50:36Oh.
00:50:37You kept a diary?
00:50:38Well, just my experiences here at the bank.
00:50:42I see.
00:50:44And you're willing to have them published?
00:50:46Oh, I couldn't bear to do it,
00:50:48except that I'm desperate.
00:50:49I know what the world thinks.
00:50:51Everyone blames me.
00:50:52No one knows the truth.
00:50:54I was all alone here.
00:50:56No family, no friends.
00:50:57I was working hard, earning my own living.
00:51:00And then...
00:51:01And then baby came.
00:51:04Baby?
00:51:05That's what I always called Mr. Carter.
00:51:13I was a victim of circumstance.
00:51:15No one will ever know what I went through.
00:51:17And then this terrible thing.
00:51:18I couldn't believe it had happened.
00:51:21Now I'm disgraced for the rest of my life.
00:51:23There's nothing left for me to do but to go away someplace
00:51:25where nobody knows me and try and start all over again.
00:51:28I don't want to sell this story to the newspapers.
00:51:32I wouldn't hurt anyone for the world.
00:51:34I wish I could tear it up now before anybody reads it,
00:51:36but I can't.
00:51:38I must have money to go away.
00:51:40All I want is a chance to earn an honest living.
00:51:47Gentlemen,
00:51:48I think there's only one thing to do.
00:51:50Give Miss Powers a check for $10,000
00:51:53to turn a story over to us.
00:51:54Oh, it's $15,000.
00:51:56Oh, didn't the paper offer you $10,000?
00:51:59Yes, but I've been figuring things up
00:52:02and I don't see how I could possibly let it go
00:52:03for less than $15,000.
00:52:05Well, we won't quibble over a few thousand dollars.
00:52:08Are we all agreed, gentlemen?
00:52:10I agree.
00:52:10That's the thing to do.
00:52:12Then we'll agree on that.
00:52:13Just a moment, please.
00:52:16Miss Powers,
00:52:17no one could help but be moved by your story.
00:52:20It's obvious, as you say,
00:52:21that you are a victim of circumstance.
00:52:23You have our sympathy.
00:52:26Of course, any talk of money
00:52:27must be very distressing to a sensitive person.
00:52:30You've told us how distasteful it would be
00:52:33for you to accept money from a paper.
00:52:35I'm afraid it would be equally distasteful
00:52:37to accept money from the bank.
00:52:40Perhaps we've been somewhat crude in our suggestion.
00:52:42You also told us how hard you had to work.
00:52:49When this thing happened,
00:52:50were you, uh, working very hard?
00:52:53Yeah, but not at the bank.
00:52:57Oh, I see.
00:52:59You also told us that all you wanted
00:53:01was a chance to earn an honest living,
00:53:03to get away where nobody knew you
00:53:06and where you could start life over again.
00:53:08That is what you said, isn't it, Miss Powers?
00:53:10Yes, that's what I said.
00:53:13Very well, we'll give you what you want.
00:53:16We'll pay your passage to Paris,
00:53:18and when you arrive there,
00:53:19you'll find a position waiting for you
00:53:21in our Paris branch.
00:53:23No doubt you'll want to change your name.
00:53:25That can all be arranged for you
00:53:26in strict confidence.
00:53:28Is that satisfactory, Miss Powers?
00:53:32I guess so.
00:53:33Splendid.
00:53:34Did you put all that down?
00:53:35Yes, sir.
00:53:36Arrange transportation for Miss Powers
00:53:38on the first boat sailing.
00:53:39Well, I think that's all, isn't it, gentlemen?
00:53:41If I like so.
00:53:42Thank you, Miss Powers.
00:53:44You'll like Paris.
00:53:46It's delightful in the springtime.
00:53:49Yeah?
00:53:51You think of everything, don't you?
00:53:53That'd be in the pong.
00:54:18Ah, let's see.
00:54:20of course if i go to berlin the food there is very fattening well you could go to carlsbad
00:54:30afterward and reduce the very thing could you arrange it for me i'll have the ticket sent over
00:54:35to your hotel mrs hemingley would you care to look this over thank you you're welcome
00:54:40would you look after this miss allen changed your mind about uh dinner tonight i'm still not hungry
00:54:47my boy i think she's crazy about you no i don't get her at all what does she do for a good time she
00:54:55never goes out with anybody come on boys try and give the appearance of working anyhow we've got to
00:55:00make a good impression on mr trenholm oh dear i'm so nervous all this fuss and excitement over mr
00:55:06trenholm i do hope he doesn't start firing people right and left the last time the press
00:55:10when do you think that long will be decided oh possibly in about two days
00:55:23well i didn't expect to find you here
00:55:39i know you didn't miss allen has done very well we've put in charge of our travel bureau
00:55:46really i'm glad to hear oh by the way this department has increased its business over
00:55:5240 percent since the first of the year
00:55:5340 percent in charge and it was been."
00:56:04so sad it's just believious
00:56:0640 percent in charge of our family
00:56:0740 percent in charge of our child
00:56:15and it's got to pick the dice
00:56:17Donald
00:56:21Well, you don't know which is my way.
00:56:23Anyhow, I'm not going that way.
00:56:25Well, good night.
00:56:27How are you liking Paris?
00:56:52Oh, it's very nice, except that you can't get a taxi when it rains.
00:56:55Will I drop you?
00:56:57Oh, I'm afraid that would be too much trouble.
00:56:59No trouble.
00:57:19Frankly, I am surprised.
00:57:21Why?
00:57:23I didn't expect you to stick to the job.
00:57:27That's why I stuck.
00:57:31One might imagine that you'd find this business life rather dull.
00:57:36One might imagine that you know practically nothing about me.
00:57:40Still, it would have been easy for you to come here to Paris and have a somewhat gayer time.
00:57:50It would have been too easy. That's what you expected me to do.
00:57:54Does it annoy you to find out that you're wrong about something?
00:57:57Or were you ever wrong before?
00:57:59Well, you must admit that our first meeting was rather formal.
00:58:03Well, this is as far as I go.
00:58:07Oh.
00:58:09So this is where you live, huh?
00:58:11All the charm of the old world and the old world plumbing.
00:58:16I'm sure your apartment is attractive.
00:58:22I wouldn't want you to be disappointed.
00:58:26Thanks. Don't worry.
00:58:28Good night.
00:58:29Good night.
00:58:30Good night.
00:58:31Good night.
00:58:35Good night.
00:58:36Oh, it's one of those pink envelopes. I knew it. These big executives always begin cutting down the offers for us.
00:58:56Oh, I never thought they'd let you go though, dearie.
00:59:06Did they give you a week's notice? No. Just a few hours.
00:59:36Oh, my God.
00:59:41Oh, my God.
00:59:47Oh, my God.
00:59:53Oh, my God.
01:00:11Darling. Oh, Aunt Juliet.
01:00:12We just flew over from London. I saw you dancing with this ravishing creature.
01:00:16Oh, Miss Allan, this is my aunt, Lady Montreux.
01:00:18How do you do, my dear? How do you do?
01:00:20Cortland, old boy.
01:00:22It dragged me here with the delusion that Miss Allen might dance with him.
01:00:26Do you know the Duke of Plum Plum?
01:00:29Cortland always finds the most devastating girls.
01:00:32Well, if you get bored with Cortland, you come along and join us later.
01:00:35Oh, that would be jolly.
01:00:37But if I don't see him later, then I don't suppose I shall.
01:00:40Take me to lunch tomorrow, dear.
01:00:42I will, Aunt Juliet. Good night.
01:00:43Oh, I say, Miss Allen, would you honor me with the dance?
01:00:46And take Harry with me.
01:00:48Come along, you loathsome little man. Good night.
01:00:51Good night.
01:00:53Good night.
01:00:54Well, my evening's a social success.
01:00:57Dukes and ladies.
01:00:58Don't tell me the King of Spain is going to jump out of a pie.
01:01:01Oh, you mustn't be snobbish.
01:01:03Beneath their rough exteriors, they really are parts of platinum.
01:01:07Are you really thinking or just pretending to?
01:01:11That's the nice part of being with a mastermind.
01:01:14You do the thinking for both of us.
01:01:17And you're coming to Dovio?
01:01:18Dovio's too crowded.
01:01:19How about Beirut's?
01:01:20Not crowded enough.
01:01:21I'll tell you what.
01:01:22Would you like to motor through the, uh, chateau country?
01:01:23I see all those lovely 14th century ceilings.
01:01:24Ah.
01:01:25You're hard to please.
01:01:26No, I'm not really.
01:01:27Just a little disappointed.
01:01:28Disappointed?
01:01:29In what?
01:01:30In what?
01:01:31You?
01:01:32In what?
01:01:33You?
01:01:34Oh.
01:01:35Oh, I don't know.
01:01:41Oh, I don't know.
01:01:44I was hoping you wouldn't be like everybody else.
01:01:46Just a little disappointed.
01:01:48Disappointed?
01:01:49In what?
01:01:52In you.
01:01:54Why?
01:01:55Oh, I don't know.
01:01:57I was hoping you wouldn't be like everybody else.
01:02:01Silly of them, wasn't I?
01:02:03Well, I'm disappointed in myself.
01:02:10Because you're beginning to upset me.
01:02:33Darling, how long is this going on?
01:02:40Aren't you happy?
01:02:41These have been the three happiest days of my life.
01:02:44But... But what?
01:02:47Well, I don't enjoy saying goodnight to you every night outside the door of your stateroom.
01:02:53It's funny.
01:02:55Well, what's funny about it?
01:02:57Oh, I was just thinking.
01:02:59There's not much difference being on a yacht or on the Albany Naples.
01:03:03You fool. Don't you realize I'm in love with you?
01:03:05No, you're not.
01:03:06Yes, I am.
01:03:08I can't wait to get back to Paris to buy you all the jewels and Cartiers.
01:03:12To take you to the motor salons where you can pick out any car that you like.
01:03:16I want to give you a house in Paris and another in New York.
01:03:19There isn't anything in the world I wouldn't give you.
01:03:22That isn't love.
01:03:24I'm mad about you and you know it.
01:03:26There's only one thing I want.
01:03:29Name it and it's yours.
01:03:31I'd like to have a missus on my tombstone.
01:03:39I never thought of marriage seriously.
01:03:43It needn't last forever.
01:03:45You could divorce me in two weeks.
01:03:47Yes, but I...
01:03:48Oh, it's all right.
01:03:50Forget about it.
01:03:52I just thought I'd mention it.
01:03:54Are you going to miss me?
01:03:59What do you mean?
01:04:01I'm leaving in the morning.
01:04:03Great Scott.
01:04:05Did you see this?
01:04:09Hmm.
01:04:11This is a fine mess with the condition the bank's in.
01:04:12Hello.
01:04:13Hello.
01:04:14Hello.
01:04:15Hello.
01:04:16It's the transatlantic operator number 16 calling Elyse 6142 Paris.
01:04:18Hello.
01:04:19Hello.
01:04:20Hello.
01:04:21Hello.
01:04:22Hello.
01:04:23Hello.
01:04:24Hello.
01:04:25Hello.
01:04:26Hello.
01:04:27Hello.
01:04:28Monsieur Trenor.
01:04:29Transatlantic operator is calling you from New York.
01:04:32Go ahead.
01:04:33They are ready to talk.
01:04:34Yes.
01:04:35Oh, hello, Mr. Jameson.
01:04:37What?
01:04:38Hello.
01:04:39Hello.
01:04:40Hello.
01:04:41Hello.
01:04:42It's the transatlantic operator number 16 calling Elyse 6142 Paris.
01:04:45Hello.
01:04:46Hello.
01:04:47Hello.
01:04:48Hello.
01:04:49Hello.
01:04:50Hello.
01:04:51Hello.
01:04:52Hello.
01:04:53Hello.
01:04:54Monsieur Trenor.
01:04:55Transatlantic operator is calling you from New York.
01:04:58Go ahead.
01:04:59They are ready to talk.
01:05:00Yes.
01:05:01What?
01:05:03Are you sure?
01:05:06Yes.
01:05:09All right, I'll come immediately.
01:05:12Yes, thank you.
01:05:18I'm sorry, dear, but...
01:05:20we've got to go right back to New York.
01:05:22Is anything wrong?
01:05:25I'm afraid so.
01:05:27They want me at the bank.
01:05:31They want me at the bank.
01:06:01If you'd listen to me, this never would have happened.
01:06:14Will you stop blaming Trenholm?
01:06:16It isn't his fault.
01:06:17When a bank closes because of mismanagement, who is to blame?
01:06:20All of us are to blame.
01:06:22You can't hold one person responsible.
01:06:24Rot, you'll see who's held responsible.
01:06:36Cortland, Mr. Jamsen?
01:06:38Well, Cortland...
01:06:39I spoke to X-ray here.
01:06:49Bet home and diet!
01:06:50I...
01:06:52Read all about it!
01:06:55Bet home and diet!
01:06:57I...
01:06:58Bye-bye.
01:06:59I spoke to X-ray here!
01:07:00Bet home and diet!
01:07:01Stand home and dance!
01:07:31Have Mr. Trenholm called yet?
01:07:33No.
01:07:35Bring me that pigskin case on the bed.
01:07:39Come on.
01:07:41Come on.
01:07:43Come on.
01:07:45Come on.
01:07:47Come on.
01:07:49Come on.
01:07:51Come on.
01:07:53Come on.
01:07:55Come on.
01:07:57Come on.
01:07:59Come on.
01:08:03You know what's in this bag?
01:08:05No.
01:08:13Half a million dollars.
01:08:15Someday I'll have the other half that goes with it.
01:08:19You sure will. You can get anything you put your mind on.
01:08:29What's the matter?
01:08:31The bank's gone.
01:08:33I've been indicted.
01:08:35They released me on a half a million dollars bail.
01:08:37Bail?
01:08:39But what can they do to you?
01:08:41Well, they're preparing another indictment.
01:08:43I've got to fight it.
01:08:45It'll take a while.
01:08:47I've got to fight it.
01:08:49I've got to fight it.
01:08:51I've got to fight it.
01:08:53I've got to fight it.
01:08:55I've got to fight it.
01:08:57It'll take money.
01:08:59I've got to raise a million dollars tonight.
01:09:03You'll have to help me.
01:09:05I'll need everything I've given you.
01:09:07All your bonds and securities.
01:09:09You'll have everything here, haven't you?
01:09:15Well, haven't you?
01:09:17I...
01:09:27I can't do it.
01:09:29What do you mean?
01:09:31Lily, you've got to stick with me.
01:09:33You're all I have left.
01:09:35Together we can fight this thing.
01:09:37You've got to help me.
01:09:39No, I...
01:09:41I can't do it.
01:09:43I have to think of myself.
01:09:45I've gone through a lot to get those things.
01:09:47My life has been bitter and hard.
01:09:49I'm not like other women.
01:09:51All the gentleness and kindness in me has been killed.
01:09:53All I've got are those things.
01:09:55Without them, I'd be nothing.
01:09:57I'd have to go back to what I was.
01:09:59No.
01:10:01I won't give them up.
01:10:19Chico, put those things back.
01:10:21Pack the trunks again.
01:10:23We're sailing tonight.
01:10:25Send all my luggage to the French Lion Pier and get down there as quickly as you can.
01:10:29I don't know, but thank you.
01:10:59Wasn't enough for you again, how are you?
01:11:01Honestly, love you.
01:11:03Oh, my God.
01:11:06THE END
01:11:36I know you've known men before me, probably more than one, but I don't care. It doesn't make any difference. I'll love you and someday I'm going to make you love me.
01:12:36I'll be careful.
01:12:48I'll be careful.
01:12:55I'll be careful.
01:13:02Is Mr. Treadholm still here?
01:13:07I think so, ma'am.
01:13:13I'll be careful.
01:13:23Courtland!
01:13:29Cortland!
01:13:34Cortland!
01:13:40Cortland!
01:13:51You didn't find him there?
01:13:53Maybe he's down in his office.
01:13:55Oh, take me there.
01:13:56Sometimes they work late, you know.
01:13:59Cortland!
01:14:02Get a doctor, quick!
01:14:07Oh, darling.
01:14:09Darling, don't leave me.
01:14:11I'll do anything for you.
01:14:13Anything.
01:14:16I'll do anything for you.
01:14:17Anything.
01:14:18I'll do anything for me.
01:14:19I'll do anything.
01:14:21I will do anything for you.
01:14:25I will do anything for you.
01:14:27Don't go away from me, please.
01:14:30Oh, I love you so much.
01:14:33I love you.
01:14:36I've never said that before to any man.
01:14:39I never knew what it meant.
01:14:42Oh, darling.
01:14:45You can have everything I've got.
01:14:48I'd do anything for you, anything.
01:14:57Oh, Carlin.
01:15:00Don't leave me, Carlin.
01:15:02Oh, my God, don't leave me.
01:15:17We've done all we can, lady.
01:15:19He has a good chance.
01:15:27Your case slipped, lady. You'd better pick it up.
01:15:33It doesn't matter now.