Films in Public Domain
Category
📺
TVTranscript
00:00:00The End
00:00:30The End
00:01:00Hello, Farmer. This is Miller.
00:01:28No, I don't want the desk. I want to talk to Phelps.
00:01:35Yeah?
00:01:37All right. Put him on.
00:01:40Hello, Miller. What's the beef this time?
00:01:42Oh, why shouldn't I squawk?
00:01:44I stay out all night on revenue boats chasing rum runners, and there's no story.
00:01:47Besides, haven't you heard?
00:01:49They don't bring it in anymore. They ship it out.
00:01:51Being a newspaper man, you wouldn't know that.
00:01:54And my new cap, ruined by the fog, not to mention the seagulls.
00:01:57Well, cry on somebody else's shoulder. I'm busy.
00:02:00If I do any crying, it'll be on my pillow.
00:02:03Goodbye with a raspberry.
00:02:04Hey.
00:02:25Hey.
00:02:30No, no.
00:02:32Not tonight, Josephine.
00:02:36Hey.
00:02:41Who are you?
00:02:43Oh, nobody much.
00:02:45Just the guy that owns the bed and the gin.
00:02:48Very bad.
00:02:49All three of them.
00:02:50What do you mean, three?
00:02:53Book you're writing.
00:02:54Oh.
00:02:55Who are you, anyway?
00:03:01There's a letter over there.
00:03:02Tell you all about it.
00:03:12Oh.
00:03:13So you're a newspaper man, huh?
00:03:16Friend of Pete Barrett's.
00:03:18Old classmate of mine.
00:03:20Hey, how is he?
00:03:21As useless as ever?
00:03:22How's he doing in Chicago?
00:03:25Fine.
00:03:27Great newspaper town, isn't it?
00:03:30What are you doing in this dump?
00:03:32Looking for a word.
00:03:34Any good jobs in your shop?
00:03:36No, I got the only good one, and that's terrible.
00:03:39Take my advice and go back to Chicago.
00:03:41I wish I could.
00:03:42Looks pretty good to me right here.
00:03:45Yeah?
00:03:45I thought so once.
00:03:47Pete says you cover the waterfront.
00:03:49Sounds like a good assignment.
00:03:51Yeah.
00:03:53You cover everything from black plague to herring smells.
00:03:55And don't get anywhere.
00:03:56I've been doing it so long, the seagulls know me.
00:04:03Well, you mind if I get the bed?
00:04:08I'll tell you what.
00:04:09I'll cover the waterfront, you go back to Chicago, and I'll keep the bed.
00:04:14Come on, Gibb, will you?
00:04:18What a fine host you turned out to be.
00:04:21Now, look what you've done.
00:04:23I'm wide awake.
00:04:26All right.
00:04:28I might as well see what this place looks like in the daytime.
00:04:36Oh, what a little harbor.
00:04:38It's grown.
00:04:49It's a giant, beautiful harbor.
00:04:51I think so.
00:04:53There's an old guy out there with a rowboat full of junk.
00:04:56Seems to be dragging the harbor.
00:04:58The only one around here that's got the depression leak.
00:05:01And his own boss, too.
00:05:03He drags the bottom of the harbor and lives off the stuff other people throw away.
00:05:07Anybody left?
00:05:08Has got anything to throw away?
00:05:09Oh, shut up, will you?
00:05:30Who's the floozy?
00:05:34Oh, just the girl I want to marry.
00:05:36I'm sorry.
00:05:39You love her.
00:05:40Local talent?
00:05:41I should say not.
00:05:43Vermont.
00:05:45That way you want to get out?
00:05:46That's one reason.
00:05:50Oh, it never fails.
00:05:56Oh, so you're going to play Indian.
00:05:58Hello?
00:05:59Listen, weeping Willie.
00:06:07I've got a hot lead for you.
00:06:09A woman just phoned in that a girl is swimming in Santiana Cove without any clothes on.
00:06:14Then send the fashion editor out to cover it.
00:06:17I've been out all night chasing down one of your crazy leads.
00:06:20Now, lay off me, will you?
00:06:20I need some sleep.
00:06:21I don't pay you to sleep.
00:06:23Go out and get that story.
00:06:24From the way the old lady described it, it's news.
00:06:28I'll switch the call.
00:06:30Switch this call.
00:06:32Here you are.
00:06:33No clothes at all.
00:06:34Baiting right in front of my house.
00:06:36Then how do you know she hasn't got any clothes on?
00:06:39I have a telescope.
00:06:42Then what are you kicking about?
00:06:44I have a telescope.
00:07:14Through keyholes, too.
00:07:16If there are any around your house, I do.
00:07:17From now on.
00:07:18Are you going to get me my suit or do I have to go over there and get it?
00:07:22Is this your suit?
00:07:23No.
00:07:24No, it's my grandmother's, but she lets me use it.
00:07:27Well, then why don't you?
00:07:29Because I like to swim without one, don't you?
00:07:32Now, don't change the subject.
00:07:34This is business with me.
00:07:35You don't think I'm here because I like it.
00:07:38Oh, pardon me.
00:07:40I just had an idea you were sitting there looking at me because I didn't have any clothes on.
00:07:44Oh, haven't you?
00:07:45I hadn't noticed.
00:07:47Oh, you're very funny.
00:07:49Come on now.
00:07:50Give me that.
00:07:51You know, I'm supposed to get a story about you.
00:07:54There have been complaints.
00:07:56What?
00:07:57About my swimming here?
00:07:58Yeah, the neighbors.
00:07:59They're kicking.
00:08:01What neighbors?
00:08:03Up there.
00:08:05A telescope made them very close neighbors.
00:08:08Oh, I bet it was a woman.
00:08:11Of course.
00:08:11No gentleman would say a word.
00:08:14And you're a gentleman, of course.
00:08:16I haven't said a word.
00:08:18Come on, give me that suit.
00:08:20By the way, what's your name?
00:08:25Julie Kirk.
00:08:27Kirk?
00:08:28Eli Kirk's daughter?
00:08:30Yeah.
00:08:31Say, I know your old man.
00:08:33Isn't that just dandy?
00:08:36Come on now.
00:08:37Will you please give me my suit?
00:08:39Sure.
00:08:41Take it out and have it filled for me.
00:08:44Well, I'll be seeing you.
00:08:46You've seen too much of me already.
00:08:48Oh, cheer her up.
00:09:17You can't possibly feel as bad as I know.
00:09:19Oh, that plucked Phelps chasing me all over the bay for squibs and fillers that could be handled by the rewrite desk.
00:09:24All editors are fatheads.
00:09:27Except when you're looking for a job.
00:09:30Give me Phelps.
00:09:30Yeah?
00:09:32Well, the girl's name's Kirk.
00:09:36Julie Kirk.
00:09:37She swims raw because she likes it.
00:09:39And you know what you can do with the story.
00:09:41Okay.
00:09:42We'll play it up big.
00:09:43Make it a nudist colony.
00:09:45Police refuse to interfere.
00:09:46Decent citizens up in arms and so forth.
00:09:48Go ahead.
00:09:49Plaster it all over the front page.
00:09:51But if you had any real editorial sense, you'd let me go after a father.
00:09:54There's a real story there.
00:09:55There you go.
00:09:56Eli Kirk again.
00:09:58I tell you, it's cold.
00:09:59The boys in the Coast Guard have been watching him for a month and haven't got a thing on him.
00:10:03Now, listen, you mental midget.
00:10:06There's Chinese smuggling going on in this port.
00:10:08And Kirk's at the bottom of it.
00:10:11Of course, if you don't want the story, I'll give it to McGurk of the Herald.
00:10:13All right, mental giant.
00:10:16Go after Kirk.
00:10:17But if you miss...
00:10:19Thanks, Big Heart.
00:10:20I take back all the mean things I thought about you.
00:10:24Now, there's a great guy.
00:10:26At last, we agree.
00:10:28When two guys agree, one of them is unnecessary.
00:10:32All city editors are unnecessary.
00:10:43There you are.
00:10:46Thank you, Capitan.
00:10:48When you can't make a living off tuna, you might just as well fish for a yellowtail.
00:10:55You know, they ain't bad folks.
00:10:57Somebody's got to do the washing.
00:10:59Them, for instance.
00:11:01He give me the 700 to get him across.
00:11:04Look what he wrapped it up in.
00:11:07Poorly, eh?
00:11:09Hey, Capitan.
00:11:10That's going to look very funny out of you.
00:11:11Who, me?
00:11:15Well, that's for Julie, my daughter.
00:11:31Every time I look at this fish, I have to laugh.
00:11:36Oh, Capitan, you very smart man.
00:11:39And you've got to be smart these days.
00:11:41Them coastguards are on to everything.
00:11:45Almost.
00:11:49What's that?
00:11:54Look like coastguards now.
00:11:56Maybe.
00:11:57Come on, let's get busy.
00:11:58Frank!
00:11:59Bring a piece of anchor chain.
00:12:00You're hot in the kitchen, later.
00:12:01Pay attention.
00:12:02Little hot, little beer.
00:12:03Dad!
00:12:04Quiet there!
00:12:05Quiet!
00:12:05Get him!
00:12:07Right that round his legs.
00:12:09Capitan, for why the chain?
00:12:14So is your sink.
00:12:15If that kind of stops us, we don't want no evidence floating around.
00:12:18Tough on him, all right.
00:12:20Nah, he knows he's got to take a chance to get into the States.
00:12:24Looks like they're going to bore us all right.
00:12:30Get him over the rail, but don't drop him until I get the word, see?
00:12:33All right, let go.
00:12:51Now, Capitan?
00:12:52Yes, now.
00:12:54Let go.
00:12:54Let go.
00:12:55What have you got aboard?
00:13:22Fish.
00:13:23Mind if we take a look?
00:13:25No.
00:13:29Hello, Kirk.
00:13:31Looking for another story to write about me?
00:13:34Yeah.
00:13:35I'm going to make you famous.
00:13:37Put your picture on every front page in the country.
00:13:40If nothing happens to you...
00:13:43Nothing's going to happen to me.
00:13:45Are you sure of that?
00:13:46So sure I've got the end of the story written already.
00:13:49Your obituary.
00:13:51It says you were a pretty smart guy, Kirk.
00:13:53But you took Chinese money.
00:14:04Bullseye.
00:14:04Mm-hmm.
00:14:05Come on, Miller.
00:14:06There's nothing aboard.
00:14:09I'll be seeing you again, Kirk.
00:14:10Julie!
00:14:31Julie!
00:14:32Julie!
00:14:32Julie!
00:14:33Julie!
00:14:33Julie!
00:14:33hello eli hello kids
00:14:40how are you julie fine did you have any luck all the luck in the world
00:14:47all the luck in the world having you to come home to again oh now don't get sentimental
00:14:54you have a good cruise what oh oh sure yes what's the matter fish not biting yeah sure it was
00:15:01biting that's right i brought you something oh gee thanks what is it go on open it up again here here
00:15:11wait a minute there oh that's the most beautiful thing i ever saw it ain't much
00:15:31hello chris any news hello catching anything today oh i picked up a pretty fair rubber boot over by the
00:15:54lighthouse what about a dime who'd buy one rubber boot one-legged guy got a sack of whiskey last week
00:16:03any of it left no how much you get for it i got drunk got something
00:16:12easy
00:16:17slip off
00:16:21feels kind of funny
00:16:24you're coming up crooked
00:16:44the sharks around here getting high floating yellow bait ain't good enough how long you think he's been in the water
00:16:50oh not more than a day crabs ain't good at him yet you know everything that goes on around here below the surface
00:16:58yeah how have you got it figured well son this here chink didn't put them their chains around his feet
00:17:05himself with them chains around his feet he didn't do much jumping looks like he was dunked
00:17:12seeing as he's used to it i'll dunk him again oh no you won't this poor chink tried pretty hard to get
00:17:20in the united states i'm taking him in now don't go flicking your tail at trouble whoever tied them
00:17:28chains around him ain't going to thank you none never mind sell me this chink he's news
00:17:33huh all in joe phelps i want to see him and get a photographer what do you got in the bundle millen what
00:17:39is it thanks rico
00:17:44thanks joe what have you got there what's the idea i got evidence what do you mean by bringing that in
00:17:49here get it out what is it something the tide dragged in come on get half smart will you do you
00:17:56get it kirk drowned the evidence and the tide dragged it in that's simple enough for you to
00:18:02understand do you want me to print that what do you think i want you to do with it have it stuffed
00:18:09if we print one line about kirk's boat and your story of finding this body we'll have a libel suit
00:18:14on our hands probably cost us 50 grand oh for the love of mike see this chain come here will you
00:18:20it's the same chain came off of kirk's boat i checked it i wouldn't care if the chink had
00:18:28kirk's drawers on the police won't make an arrest on that evidence i want an arrest but it's true
00:18:34have i ever been wrong yes the time you got that crazy countess off the laconia said she was expecting
00:18:40a baby she wasn't even married oh well that was the story well she sued and collected and when you
00:18:46pulled that yarn about the porpoise that swallowed a pint of rye and danced a jig on the dock the
00:18:51greatest fish story since jonah and the whale can i help having imagination come in here
00:19:02the trouble with you is you've got too much imagination now you want to accuse eli kirk of
00:19:07murder on a thing like this you can only be wrong once it's a great story you're right about that and
00:19:13i want to print it but i've got to have the facts first all right it's a fact i found this one and
00:19:18it's a fact somebody murdered him and i'm going to prove that kirk did it how kirk's got a daughter
00:19:25she must know something is it worth expenses to you what for gin and roses gonna make love to her if i have
00:19:34to do okay say julie you don't remember much about singapore do you no job grand i love that funny
00:19:46little island remember what should yeah oh it was fun how do you how would you like to go back there
00:19:56figuring to move mm-hmm no i've been kind of restless lately yes i've got the tide in my blood
00:20:04besides i i don't like the price of fish around here eli you're not in any trouble are you why
00:20:14why no not exactly i thought you were going to stick to fishing
00:20:22you're not going to change your mind are you well there ain't no money in it anymore
00:20:27we better go away someplace else and start over well when do you want to leave oh another week or two
00:20:38and i'll have enough money all right anytime you say anywhere you want only take me alone
00:20:50you
00:21:00you
00:21:02Just when I started to feel good, you poor ice would all on the parade.
00:21:30I can't spend all Phelps dough buying you liquor.
00:21:32I gotta get this story.
00:21:34Now, here's where we're going.
00:21:36Wait a minute.
00:21:38Boring out?
00:21:41Well, I'm gonna have to drag you from one speakeasy to another.
00:21:45It's all right with me, but why?
00:21:47You hear that?
00:21:48Sure.
00:21:49It's Kirk.
00:21:50When he plays the piano, he's drunk.
00:21:51And when he's drunk, he talks.
00:21:53Come on.
00:22:02Isn't that beautiful?
00:22:06Oh, I hate little girls like you.
00:22:11Why, Grandma, what big teeth you have.
00:22:14Come on, Mac.
00:22:15They're not good to eat.
00:22:16What's the matter with you?
00:22:17Aren't you interested in girls?
00:22:18No.
00:22:19Oh, I forgot.
00:22:20You're a love.
00:22:21Girl in a full month.
00:22:22What's the matter with her, anyway?
00:22:23Nothing's the matter with her.
00:22:24She's waited for you for five years.
00:22:25She must be muscle bound.
00:22:26Oh, shut up and sit down, will you?
00:22:27What's your name, baby?
00:22:28Lucy, handsome.
00:22:29Lucy.
00:22:30Lucy.
00:22:43What's the idea?
00:22:48what's the idea i eat little girls like you i am the world's greatest lover sit down while you're
00:23:03all in one piece come on honey why i'll kick that guy to death now listen mac have all the fun you
00:23:11want but don't get in a fight i'm here on business you mean you're working yeah in here
00:23:17surrounded by all this wealth and beauty yeah and if i get what i'm after it'll be a wire story for
00:23:23every front page in america i'll be able to go east and get a job on a decent rag go east young
00:23:28man go east get a positive pride i'll cover the wall frog
00:23:33oh honey oh hello mother morgan you are here why uh i know he ain't
00:23:50what's his coat doing by the piano sorry i'll wait
00:24:08i think i'm gonna get that story sooner than i expected
00:24:13i knew a guy went after a story like that he's uh pushing up a daisies now
00:24:20you'll work on this until i get back
00:24:24well here's two
00:24:30hello swimmer
00:24:37oh nosy joe the peeping tom how are you sick of bed let's have a drink and i'll tell you all
00:24:47about it no dancing's my vice your only vice no okay let's go
00:24:57you wouldn't go for a kiss would you no not very far what well because oh because i'm the most
00:25:11beautiful girl you ever saw that's right what's a nice oh no that one too what's a nice girl like
00:25:17you doing in a place like this well that's all settled now i'll give you my telephone number and
00:25:22i guess you can kiss me thanks no i'm very busy right now well are you being kissed on friday
00:25:27what day is that today
00:25:31oh
00:25:31oh
00:25:33oh
00:25:33oh
00:25:34okay
00:25:39little girl will you marry me later honey
00:25:44i thought i told you not to start a fight guess that would be another fool with me one french mccoy
00:25:49that's me watch out and sit down
00:25:50Is he all right?
00:25:51It's one of his dizzy cells. Give me a lift, will you?
00:25:53I was waiting to take him home. Come on in.
00:25:56He owes me eight quarts. Give me fifty dollars. Thirty more are coming.
00:26:00They make jokes about scotchmen. Here, hold them.
00:26:11Not a cent. He's been rolled for it.
00:26:20Where's that money?
00:26:23What money?
00:26:24The money that was in here.
00:26:26Look who's trying to be funny.
00:26:29Oh, I know. You've never been so insulted in your life.
00:26:33Come on, hand it over.
00:26:35Listen. Any money I got in my sock, I'm gonna keep.
00:26:38What you're looking for is a good slap in the face.
00:26:47Bravo! Bravo!
00:26:50Thanks, honey.
00:26:54Get him out of here, will ya?
00:26:56He's halfway home right now.
00:27:00Gee, I'm an heiress.
00:27:02Yeah, over five hundred berries.
00:27:04Hey, uh, he must have been catching goldfish.
00:27:11Oh, here.
00:27:14Give her this. She's breaking my heart.
00:27:16All this?
00:27:18Yeah, I guess she earned it.
00:27:19And, uh, take care of the press, too, will ya?
00:27:21All right.
00:27:22You ready?
00:27:23Come on, we're off.
00:27:28Hello, cutie.
00:27:30I eat little girls like you.
00:27:32Oh, do you?
00:27:36Well, that would take months and months and months.
00:27:39Oh, I'm sorry to cause you all this trouble.
00:27:43Oh, no trouble at all with you alone.
00:27:45He'll be in terrible shape to go off on another cruise tomorrow.
00:27:49Going out tomorrow, is he?
00:27:50Yeah.
00:27:51The fish must be running, huh?
00:27:52Yeah, I guess so.
00:27:54You going along?
00:27:55No.
00:27:56When he's fishing, he won't have a woman on board.
00:27:58It says the fish don't bite.
00:27:59Well, you must have a lot of spare time on your hands.
00:28:01Yeah.
00:28:03Well, you mind if I take up most of it from now on?
00:28:07Intentions honorable?
00:28:08No.
00:28:09Oh, that's not very romantic.
00:28:12Well, uh, this isn't a very romantic situation.
00:28:16Sure it is.
00:28:17Marvelous moon, beautiful girl.
00:28:19Taking father home drunk?
00:28:21Oh, get up, you big lunk.
00:28:23Say he and I can get home by ourselves.
00:28:25That's the way you feel about it.
00:28:27I'll be waiting for you.
00:28:28Don't bother.
00:28:30Come on, Eli, get up.
00:28:31Come on now, you gotta get home.
00:28:33Come on.
00:28:36Now, I told you we'd be all right.
00:28:39Come on, Eli, you can make it.
00:28:40Sure he can.
00:28:42With a little help.
00:28:44See?
00:28:45He made it.
00:28:49No.
00:28:52No.
00:28:55No.
00:28:57Oh, wait a minute.
00:28:59Here, come on, let go.
00:29:02Leave me alone now, I'm all right.
00:29:04No, you're not.
00:29:06Come on, bottoms up.
00:29:07I don't like it.
00:29:09Makes me sick.
00:29:10That's what you're taking it for.
00:29:12Get rid of all that poison in you.
00:29:14If you don't, you'll have a head like a hot stove.
00:29:16Oh.
00:29:19Oh, here's your money.
00:29:22What are you doing with it?
00:29:24Taking better care of it than you did.
00:29:26Now, listen.
00:29:28I don't want you coming down to that place anymore after me.
00:29:31Oh, for Pete's sake, if I didn't go there, I'd be going to the jail for you tomorrow.
00:29:35I guess you're right.
00:29:37I guess I'm lucky to be having you come anywhere after me.
00:29:40All right.
00:29:41Now, don't get feeling sorry for yourself.
00:29:43You're all right.
00:29:45Julie, God bless you.
00:29:50It sounds kind of funny coming from me.
00:29:53I must be drunk.
00:29:54It must be drunk.
00:30:24I guess it'll be all right.
00:30:27How you coming?
00:30:29I don't know yet.
00:30:30I guess it'll be all right.
00:30:42Oh, hello, honey.
00:30:45Well, that's all you were waiting for.
00:30:48Come on, now.
00:30:49Be your aide.
00:30:50I knew the first time I saw you, you were nuts about me.
00:30:52Oh, sure.
00:30:53Men can't resist me, either.
00:30:55You know something?
00:30:57You look pretty good in swimming, but with that coat on, why, you're terrific.
00:31:01You like it?
00:31:02If I liked it much more, I'd start tearing it.
00:31:05New, isn't it?
00:31:07Chinese?
00:31:08My father brought it to me this morning.
00:31:10Oh, he did?
00:31:11Come on, sit down and tell me all about it.
00:31:14I get it.
00:31:15You're a ventriloquist.
00:31:17No, I'm just the dummy.
00:31:21Oh, don't you love it here?
00:31:23The waterfront?
00:31:25No.
00:31:26What's that I love about it?
00:31:28Summer nights, mostly.
00:31:31When the sun goes down,
00:31:34supper's over and all the lights come out on the boat.
00:31:38Sure.
00:31:40And the summer days when the sun comes up and starts to work on the fish heads lying around.
00:31:43You take a deep breath and it gets you.
00:31:46Fish, tar and bilge oil.
00:31:49The stink of the waterfront.
00:31:51You don't write that way about it.
00:31:54You read my stuff?
00:31:56Yeah.
00:31:57Shake.
00:31:59A lot of cheap baloney dished up for the farmers who come out here to rot in the sunshine.
00:32:04Bunk.
00:32:05Fakes.
00:32:06Dribble.
00:32:08Why do you write it then?
00:32:10To eat, darling.
00:32:14Did you ever try writing anything else?
00:32:16I've been trying to finish a novel for five years.
00:32:19I wouldn't be surprised.
00:32:21What do you mean?
00:32:23I'll tell you sometime.
00:32:26Always.
00:32:28Don't let's get serious on a night like this.
00:32:30All right.
00:32:32Let's get silly.
00:32:34How about a kiss?
00:32:35No.
00:32:37Ah, but we're all alone with the stars and the sea.
00:32:41Come on, let's play a love scene.
00:32:43Let's fall in love first.
00:32:50Skirt?
00:32:51Yeah.
00:32:52Oh, thanks.
00:33:03Uh, take a flyer on Mrs. Goosen.
00:33:04Yeah?
00:33:05Uh, take a flyer on Mrs. Goosen.
00:33:06Oh, spell it yourself, will you?
00:33:08They came in in the...
00:33:09... a delivery party.
00:33:10Oh, thanks.
00:33:11Um.
00:33:12Uh, they are.
00:33:14Uh, my originator.
00:33:15Good luck.
00:33:16Um.
00:33:17Yeah.
00:33:18Uh, take a flyer on Mrs. Goosen's.
00:33:20Uh, spell it yourself, will you?
00:33:21Uh, I don't know.
00:33:22Uh, take a flyer on Mrs. Goosen's.
00:33:23Oh, spell it yourself, will you?
00:33:24I don't know.
00:33:25Your wallet, you don't know?
00:33:26Which is she's existed.
00:33:27And I have to go.
00:33:28I don't know.
00:33:29You know.
00:33:30Yeah.
00:33:31Ah, take a flyer on Mrs. Goosen's.
00:33:34Oh, spell it yourself, will you?
00:33:35you. Became a mother at 8.15 p.m. in a water taxi. Baby'll live, case of fright. Navy
00:33:41responsible, 16-inch guns during night practice. Yeah? Yeah, says she's going to sue the government.
00:33:48Oh, uh, oh yeah, I met the Empress of Britain coming in this morning. World cruise. Uh,
00:33:52Mitzi Vajja aboard from Bulgaria. Wearing pants, going to Hollywood. Met by three other
00:33:57tough foreign blondes, also wearing pants. And they're still kissing each other. Oh,
00:34:02a lot of notables aboard. All fat heads. Had the usual thing to say. Blah, blah, blah. What a
00:34:06beautiful hobby you've got. Good times are just around the corner. Blah, blah, blah. Write it
00:34:09yourself, will you? That Miller you're talking to? Yeah. Give me that. Hey, Miller, that
00:34:18Watt Floris is here for $9 more for roses. And the bootlegger wants $20 for a case of
00:34:24gin. What are you trying to do? Marry the girl? Well, if you don't like the way I make
00:34:28love, you get the story. But you're not getting the story. You haven't got any
00:34:32dope in three days. Yeah, but she's smart. Which is more than you are.
00:34:40Pinhead. Thinking of me? Yeah, come on, let's get out of here. Hey, this novel's
00:34:45getting better. That new love scene is good. You believe those two are falling in
00:34:50love. You never could before. You must be falling in love. Who, me? With that
00:34:57fun girl you're working on. Her? I'm only playing her to hook a fisherman. And I'll
00:35:03do it if Phelps will let me alone. Hey, can you imagine him kicking about that case of
00:35:07gin I had sent over your place? He's kicking. If there's any kicking about that
00:35:10lousy gin, I'll do it. I get the headaches.
00:35:12Finest example of the old prison hunts now in existence. And more poor souls have died
00:35:30in torture below those blood-stained decks than I should care to tell you. Visit the
00:35:35torture chamber. Fifty cents, please. Fifty cents? I'm Miller from the Standard. I've got to write
00:35:42my usual column about this old bathtub for the annual Boost Southern California Blah and
00:35:46Tripe number. Oh, yes, Mr. Miller. Charmed to have you with us. And the little lady, too.
00:35:52Take one of our little booklets. Take one of your little booklets yourself and stick it
00:35:56in your back pocket. I know more about this boat than you do.
00:36:05You wouldn't go for that kiss now, would you? Say, I thought you came down here to work.
00:36:09If you don't think it's work getting a kiss out of you, you're nuts. I've been
00:36:12trying for three days. Oh, get out. Come on, now, do yourself. What's this?
00:36:18Oh, oh, that's a birdcage. Oh. Well, what's that?
00:36:23Uh, well, that's a dandruff remover.
00:36:29Ah, but here's the honey. Come here.
00:36:31How?
00:36:32Now, they used to hang guys up here by their wrists.
00:36:35Uh, this little contraption is adjustable. They'd raise and lower it.
00:36:38Uh, it always fit you. Of course, they'd, they'd raise you high, so you'd have to stay on
00:36:43your tiptoes. And then, when you're on your toes, why, they'd pour hot lead on your feet.
00:36:46Oh!
00:36:47Come here, I'll show you.
00:36:49They'd put you there and clamped this around your waist like this and locked it.
00:36:53Then one hand went in here, like this.
00:36:57And the other.
00:36:59Hey, hey, wait a minute.
00:37:01Is there.
00:37:02And locked that one.
00:37:04And of course, it wouldn't leave your neck bare.
00:37:07They always took this strap and tight it.
00:37:09Ow!
00:37:10Good and tight around there.
00:37:13And now, you little son of a...
00:37:16You're gonna get kissed.
00:37:21How did you like it?
00:37:23That was torture.
00:37:24Not for me.
00:37:29Oh, yeah, I forgot, uh, you wanted to see a newspaper man who worked in there.
00:37:33Now, let me see.
00:37:35Uh...
00:37:39Iraq, uh...
00:37:4216th century.
00:37:48Spanish.
00:37:52Yeah, thanks.
00:37:53Enough torture?
00:37:54Mm-mm.
00:37:55I could take it.
00:37:56Oh, yeah, this was, this, this was a manicure parlor.
00:37:57Now, uh, with these things, they take and, uh, pull your fingernails out.
00:38:03And no tip to the coat room, girl.
00:38:05Fourteenth century.
00:38:07Spanish.
00:38:08Yeah, thanks.
00:38:09Enough torture?
00:38:10Mm-mm.
00:38:11I could take it.
00:38:12Mm-mm.
00:38:13Mm-mm.
00:38:14I could take it.
00:38:15Mm-mm.
00:38:16Mm-mm.
00:38:17Mm-mm.
00:38:18Mm-mm.
00:38:19Mm-mm.
00:38:20Mm-mm.
00:38:21Mm-mm.
00:38:23Mm-mm.
00:38:24Mm-mm.
00:38:25Mm-mm.
00:38:26Mm-mm.
00:38:27All this.
00:38:28Not Spanish.
00:38:29All fast.
00:38:30All fast.
00:38:31All fast.
00:38:32Give it to him.
00:38:33Easy now, easy.
00:38:35Easy.
00:38:36Ah, you get it.
00:38:38Oh, no, no, no.
00:38:40But you're not there.
00:38:41It's a very good one.
00:38:42It's a very good one.
00:38:43Now, I'm going to take it out.
00:38:44And it's a very good one.
00:38:45But you're going to take it out.
00:38:46I'm going to take it out.
00:38:47It's a very good one.
00:38:48I'm going to take it out.
00:38:49That's what we want.
00:38:57Sharks big enough to swallow a man.
00:39:01Hey, Captain.
00:39:02Why you fish for shark when tuna is running?
00:39:05There's no money in shark.
00:39:08There is for us.
00:39:18Oh, yeah?
00:39:19We want more like that.
00:39:32Big ones.
00:39:33Go off, Tartigues.
00:39:34Ah, I see, Captain.
00:39:43Shark!
00:39:44Off the fort, bow!
00:39:46Big one!
00:39:47I'll say it's a big one.
00:39:51Slow it down.
00:40:00Cast off.
00:40:01Straighten your harpoon lines.
00:40:12We don't want to miss this one.
00:40:19He's a big bruiser.
00:40:21Easy, Capitan.
00:40:23Easy.
00:40:23Easy.
00:40:23Give it to him.
00:40:31Get back your line.
00:40:32Cover him.
00:40:34He's a big bruiser.
00:40:35Only both.
00:40:36Easy.
00:40:44Give me that gun, quick.
00:40:45Easy.
00:40:45Easy.
00:40:45Easy.
00:40:46Easy.
00:40:46Easy.
00:40:47Easy.
00:40:47Easy.
00:40:48Easy.
00:40:48Easy.
00:40:49Easy.
00:40:49Easy.
00:40:49Easy.
00:40:50Easy.
00:40:50Easy.
00:40:50Easy.
00:40:51Easy.
00:40:52Easy.
00:40:53Easy.
00:40:54Easy.
00:40:55Easy.
00:40:56Easy.
00:40:57Easy.
00:40:58Easy.
00:40:59Easy.
00:41:00Easy.
00:41:01Easy.
00:41:02Easy.
00:41:03Easy.
00:41:04Easy.
00:41:05Easy.
00:41:06Easy.
00:41:07Easy.
00:41:08Easy.
00:41:09Easy.
00:41:10Easy.
00:41:11Easy.
00:41:12Easy.
00:41:13Easy.
00:41:14Easy.
00:41:15Easy.
00:41:16Easy.
00:41:17Get on top of him!
00:41:19Look out behind you!
00:41:31He's got him! Pull in close!
00:41:33We might save the skipper!
00:41:39Take it easy, boy!
00:41:43Oh, the leg! The leg is gone!
00:41:47Grab it! Quick! Skipper!
00:41:51Easy now! Easy!
00:41:56We've got to stop the bleeding!
00:42:03You're going to be all right now! Take it easy!
00:42:05I want to pray! I want to pray!
00:42:08Cross!
00:42:10Captain!
00:42:11Cross, Captain!
00:42:12You got a cross?
00:42:14Something to pray to!
00:42:17My saint!
00:42:19My saint!
00:42:21Picture!
00:42:23Give me picture!
00:42:26Picture!
00:42:32Candles!
00:42:34Light candles!
00:42:35Oh!
00:42:36Oh!
00:42:37Oh!
00:42:38Oh!
00:42:39Oh!
00:42:48Yes!
00:42:50Yes, Tim!
00:42:51Which record me?
00:42:52Don't you men know enough to dig off your hats?
00:42:53Don't you men know enough to dig off your hats?
00:43:09Oh!
00:43:10Oh!
00:43:11Perfect, isn't it?
00:43:12From where I sit!
00:43:13Wouldn't it be marvelous if we could go on like this?
00:43:14We can!
00:43:16No!
00:43:17No, we can't.
00:43:18No, we can't.
00:43:19No, we can't.
00:43:20No, we can't.
00:43:21Perfect, isn't it?
00:43:36From where I sit.
00:43:39Wouldn't it be marvelous if we could go on like this?
00:43:42We can.
00:43:44No, we can't.
00:43:48I've got to break a promise to Eli to tell you something.
00:43:51I think a lot of you, Jill.
00:43:56So much, I couldn't go without telling you.
00:44:00Break a promise.
00:44:03Go where?
00:44:05South America, South Sea, I don't know.
00:44:09He asked me not to tell anybody.
00:44:12But we're moving on.
00:44:14But when?
00:44:16Why?
00:44:18Tomorrow, maybe.
00:44:20I don't know why.
00:44:22You don't?
00:44:26Maybe it's better.
00:44:29I feel we've had a whole lifetime of happiness these last two weeks.
00:44:34And none of the grief.
00:44:37Let's leave it at that.
00:44:39Do you really mean that, Julie?
00:44:45I don't know.
00:44:46I don't know.
00:44:47I don't know.
00:44:48I don't know.
00:44:49No, Dillon.
00:44:51Afraid?
00:44:54Yeah.
00:44:56Yeah.
00:44:58I'm afraid of tomorrow.
00:45:01Without you.
00:45:04Why worry about tomorrow?
00:45:05Oh, why should I think about tomorrow?
00:45:12Tomorrow.
00:45:12Tomorrow.
00:45:12I don't know.
00:45:13I don't know.
00:45:14I don't know.
00:45:15I don't know.
00:45:16I don't know.
00:45:16I don't know.
00:45:17I don't know.
00:45:17I don't know.
00:45:17I don't know.
00:45:18I don't know.
00:45:18I don't know.
00:45:18I don't know.
00:45:19I don't know.
00:45:19I don't know.
00:45:19I don't know.
00:45:19I don't know.
00:45:20I don't know.
00:45:20I don't know.
00:45:21I don't know.
00:45:21I don't know.
00:45:22I don't know.
00:45:52I'll always remember this place.
00:46:10Yeah, and I'll always remember this coffee.
00:46:14Of course, it puts down a little cleaning.
00:46:17I'll get busy on that today and fix it up.
00:46:19Oh, it isn't worth bothering with.
00:46:21Want some jam?
00:46:22Yeah, give me the work.
00:46:27Wait till I get through with it.
00:46:28It'll be swell here.
00:46:30Especially when it rains.
00:46:33Rains?
00:46:34Yeah.
00:46:35You know, with the fireplace going and rain on the roof.
00:46:39Oh, there isn't any fireplace.
00:46:42Well, we'll get one.
00:46:43Where would the cat sit?
00:46:46What cat?
00:46:47The one we're going to get.
00:46:48Oh, there isn't any use putting any money in the cat.
00:46:50Only have to give it away.
00:46:52I won't be here much longer.
00:46:55You won't?
00:46:56I mean, you're going to some other fishing town, and I'm going east.
00:47:08Have you ever been in Vermont?
00:47:09No.
00:47:10The whole place isn't sand and ocean, but earth.
00:47:16Things grow.
00:47:18The seasons change once in a while.
00:47:20Things smell better.
00:47:21Around here, everything smells of dead sardines.
00:47:26This godforsaken seaport.
00:47:31A lot of people like you in every port.
00:47:33Like me?
00:47:35Yeah.
00:47:36Always kicking about what they're doing, where they live, why they're not getting any place.
00:47:41They're always going away on ships, looking for something.
00:47:44Everything you want is right here, even that book you're writing.
00:47:52Only you can't see it.
00:47:56You've been living here six years, and I'll bet you you haven't looked out of those windows once.
00:48:03Well, you couldn't, but they haven't been washed in six years.
00:48:14Come here.
00:48:22You can have Vermont.
00:48:27Not bad.
00:48:28Not bad at all.
00:48:31Men never know what the sea really looks like.
00:48:34Women do.
00:48:37And they've looked out there for years, waiting for somebody to come back.
00:48:42Joe.
00:48:43I'm not going away.
00:48:46You're not?
00:48:47I thought you said you were going with your father.
00:48:50I've changed my mind.
00:48:52I'm going to tell him as soon as he gets in.
00:48:56When does he land?
00:48:57Tonight.
00:48:59Where will he dock?
00:49:01Down at the Chinese settlement.
00:49:03Why the Chinese settlement?
00:49:04There's no tuna cannery there.
00:49:07Oh, he's not fishing tuna.
00:49:08He went south for sharks.
00:49:10South?
00:49:10Well, how will he feel when he knows you're not going with him tomorrow?
00:49:15You kick up a row, I guess.
00:49:17But I can handle him.
00:49:20Joe.
00:49:22Don't you understand?
00:49:25None of us are going away.
00:49:27Maybe you're right.
00:49:33Not making much headway, Skipper.
00:49:36He's a pounding.
00:49:36I want to get in before sundown.
00:49:39Aye, aye, Skipper.
00:49:45Listen, fat head.
00:49:46We've already given the Coast Guard one bum steer on, Kirk.
00:49:49And I refuse to let myself in for another razzing.
00:49:52Now, if you haven't got the real dope, I won't call him.
00:49:55Listen yourself, thick head.
00:49:57If this isn't real dope, then what is it?
00:49:59First, when everybody's getting good prices for tuna,
00:50:02Kirk goes south and fishes shark.
00:50:04Second, he's pulling out of here tomorrow morning.
00:50:08Third, he's docking at the Chinese settlement tonight.
00:50:11Now, don't two and two make four.
00:50:13Yes, but that makes six.
00:50:15What have the sharks got to do with it?
00:50:16What am I supposed to be, a fortune teller?
00:50:18Maybe it's an excuse for him to go down below the border.
00:50:20But it's a natural.
00:50:22He's pulling out of here tomorrow morning.
00:50:24And he's bound to try one last haul.
00:50:25Kirk's no fool.
00:50:27The minute he sees the Coast Guard, if he's got anything,
00:50:29he'll dump it overboard.
00:50:30He did it the last time.
00:50:32And I thought it took brains to be an editor.
00:50:34I'll draw your picture.
00:50:36We all stay undercover until Kirk ties up at the dock.
00:50:40Then we pounce on him and catch him with his pants down.
00:50:43And you find a chanderman in his pants.
00:50:44All right, I'll go for it.
00:50:46But either you bring me back to story,
00:50:47or a piece of rope.
00:50:48Rope?
00:50:49Yeah, so I can tie a can to you.
00:50:51Give me the Coast Guard.
00:50:57Let it go!
00:50:58Take it up slow.
00:51:14Don't bump nothing.
00:51:15And don't let him use any hooks.
00:51:17I don't want this fish to be spilling its guts.
00:51:20Go ahead.
00:51:21Take it away.
00:51:22Wait a minute, Kirk.
00:51:22Hold everything, will we tell you.
00:51:25Hold it.
00:51:26Don't you fellas never get tired of looking me over, huh?
00:51:29Orders, Kirk.
00:51:30Don't miss anything, boys.
00:51:31Well, if you feel like wasting your time,
00:51:33it's all right with me.
00:51:34Miller to the standard.
00:51:51Hello, Miller.
00:51:56Hello, Kirk.
00:51:57Good catch tonight?
00:51:59What are you doing on my boat?
00:52:01Looking for that big story I promised you.
00:52:03Nobody comes on my boat while I'm unloading except in the crew.
00:52:07It's what comes off your boat that interests me.
00:52:10You better get out of here or I'll break your back.
00:52:13From now on, the only thing you'll break will be rock.
00:52:16For 20 years.
00:52:18That's what they give them for smuggling.
00:52:21Isn't it, Kirk?
00:52:21You get out of here.
00:52:22Do you hear me?
00:52:23Don't get tough.
00:52:24Remember me?
00:52:25One quench McCoy.
00:52:27No.
00:52:27Hey, wait a minute, Kirk.
00:52:32Ah, Christmas has come.
00:52:39Put that in your pocket.
00:52:40The same to you and many of them.
00:52:43Kirk, did you ever read the Bible?
00:52:56What?
00:52:58Someone must have told you the story of Jonah and the whale.
00:53:04What do you mean?
00:53:06Just what I said.
00:53:09Find anything?
00:53:10Not this time.
00:53:11You can go ahead, Kirk.
00:53:13Pick it up, Jake.
00:53:14Hey, wait a minute.
00:53:15You didn't find anything?
00:53:16No, just another bum steer, Miller.
00:53:19Don't you ever get anything right?
00:53:21Oh, all this fuss was his idea, huh?
00:53:25Yeah, why?
00:53:26Hey, hold that shot!
00:53:27Hey!
00:53:28Don't be giving orders on my boat.
00:53:29Hey!
00:53:30Hold!
00:53:31Hold!
00:53:31Hold!
00:53:31Hold!
00:53:31Hold!
00:53:31Hold!
00:53:48So I never get anything right, huh?
00:53:50There's nothing on that boat.
00:53:51Not right now, there isn't.
00:53:52But he brought one in and he landed him.
00:53:54Well, then, where is it?
00:53:55I'm sick and tired of you, loud-mouthed, half-baked newspaper reporters.
00:53:58Half-baked, am I?
00:54:00Has anybody got a knife?
00:54:01Yeah, here's one.
00:54:03Thanks.
00:54:03You might as well admit you muffed this one.
00:54:05Yeah?
00:54:06Well, here's one nobody can muff.
00:54:11Hey!
00:54:12Get away from that shot!
00:54:13Wait a minute, Kirk.
00:54:23You're under arrest!
00:54:31Drop that knife!
00:54:32Hey!
00:54:33Hey!
00:54:33Hey!
00:54:34Hey!
00:54:34Hey!
00:54:35Hey!
00:54:35Hey!
00:54:36Hey!
00:54:36Hey!
00:54:37Hey!
00:54:37Hey!
00:54:38Hey!
00:54:38Hey!
00:54:39Hey!
00:54:39Hey!
00:54:40Hey!
00:54:40Hey!
00:54:41Hey!
00:54:42Hey!
00:54:42Hey!
00:54:43Hey!
00:54:43Hey!
00:54:43Hey!
00:54:44Hey!
00:54:45Hey!
00:54:46Hey!
00:54:47Hey!
00:54:47Hey!
00:54:48Hey!
00:54:48Hey!
00:54:49Let's hear about the Chinese smugglers!
00:54:51Chinese smugglers captured.
00:54:53Latest edition, Payless!
00:55:14Hello?
00:55:17Great story, Joe.
00:55:19Extra all ten minutes to go.
00:55:22It's the best story that's come out of this town in years.
00:55:24It'll hit the front page of every paper in the country.
00:55:27I'm raising you five a week with a 50-buck bonus.
00:55:31Thanks, boss.
00:55:33If you find Kirk, I'll make it 100.
00:55:35He's hit pretty hard.
00:55:36He can't be far away.
00:55:38Get down to the waterfront.
00:55:39Find him.
00:55:40If you need any help, call on me.
00:55:43I got this much of the story without help from cops or anybody, including you.
00:55:47And I'll do it alone.
00:55:49I'll get the rest of the story.
00:55:50I don't want you lousy rays.
00:55:51I don't want any part of you.
00:55:53I'll get the story and get out.
00:55:54And I hope I never see you or your paper in the stinking waterfront again.
00:55:57That's a stump, Joe.
00:55:59Now you are fired.
00:56:01Hey.
00:56:03How much rent do you pay for this place?
00:56:04Oh, get out, will you?
00:56:06No, I'm just getting in.
00:56:09You're getting out.
00:56:10But before you go, speak to Phelps about me for your job.
00:56:13Oh, you can have it.
00:56:14You can have this place.
00:56:15You can have anything connected with the waterfront I've got.
00:56:21You mean you're really going?
00:56:23Yeah, going just as far as I possibly can and try to forget what a mess I've made of things.
00:56:28Particularly myself.
00:56:29Well, in that case, I'll give you this.
00:56:33I opened it.
00:56:35What does it say?
00:56:36It's from Prattleboro, Vermont.
00:56:39Joe, dear.
00:56:41Since you are the dearest friend I have...
00:56:44Stop.
00:56:45I want you to be the first to know I am engaged to Walter Morgan.
00:56:50Stop.
00:56:51Affectionately, fearless.
00:56:53It's a tough break, kid.
00:57:02I'm sorry.
00:57:03Oh, you don't have to be.
00:57:04I wasn't in love with her.
00:57:06No?
00:57:06No, just one of those things.
00:57:19That was a great story.
00:57:21Yeah, tough break on Julie.
00:57:24She believed in me.
00:57:26Listen.
00:57:27Call Feltz and tell him you're sick.
00:57:29I'll finish his story.
00:57:30No, I can't stop now.
00:57:31Mac, you ought to know that.
00:57:33Great story.
00:57:35I wish I'd done it.
00:57:37I wish you had.
00:57:38I wish anybody in the world had done it but me.
00:57:51Well, meow yourself.
00:57:59Come on.
00:58:00Well, come on.
00:58:03Hello there.
00:58:05Hello there.
00:58:08Say, I got a job for you.
00:58:10Yeah.
00:58:11How would you like to sit beside a fireplace, huh?
00:58:16Oh, just the warmest, coziest fireplace you ever saw.
00:58:21Now, isn't that good?
00:58:22It's good.
00:58:23What do you want?
00:58:23You come.
00:58:24Your father hurt bad.
00:58:26You think you're a doctor.
00:58:27Doctor?
00:58:28What's happened to him?
00:58:29What happened to him?
00:58:50I brought you the doctor, really.
00:58:54How does it look, Doc?
00:58:56I said, how to remove the bullet.
00:58:58Have you got the tools?
00:59:00Yes.
00:59:01But I have no anesthetic.
00:59:03I have plenty of that.
00:59:05Go and get started.
00:59:06Let's have done with it.
00:59:08Make me light for me.
00:59:25How did it happen?
00:59:27That black-legged reporter put the police on to me and they caught me with the goods.
00:59:34What reporter?
00:59:36Miller.
00:59:39Miller?
00:59:40Yes, Miller.
00:59:41Miller.
00:59:41Miller.
00:59:41Miller.
00:59:41Miller.
00:59:42Miller.
00:59:42Miller.
00:59:42Somebody tipped him off where I was going to land the stuff tonight.
00:59:46Somebody did.
00:59:56I'm going to get across the border.
00:59:58Get me a motorboat.
01:00:00I'm going to get across the border.
01:00:01Yeah.
01:00:02Don't you worry.
01:00:02I'll take care of all that.
01:00:05We've both got to get out of here.
01:00:07You can't go with me, Julie.
01:00:09Oh, I've got to, Eli.
01:00:10I can't stay here.
01:00:12Why?
01:00:13Why?
01:00:13I trusted somebody.
01:00:15I thought I was in love.
01:00:19Love?
01:00:20Yeah.
01:00:21I made a mistake.
01:00:23Who is he?
01:00:24Oh, nobody.
01:00:26Nobody that matters.
01:00:28You've always told me everything.
01:00:31That's one thing I can't ever tell you.
01:00:33The light.
01:00:34A little closer.
01:00:36This may hurt.
01:00:37Are you hard still?
01:00:38Hold it.
01:00:40Hold it.
01:00:41Hold it.
01:00:47There.
01:00:53It looks kind of like a cross, don't it?
01:00:56Give it to me.
01:00:59Might come in handy later on.
01:01:03No.
01:01:04No, he's going to be all right, isn't he, Doctor?
01:01:07Chances are not good.
01:01:08We're going in boat.
01:01:09If I can get up that ladder, I'm going tonight.
01:01:16It must go very easy.
01:01:18If you have hemorrhage, you'll die.
01:01:19No, no, no, you won't.
01:01:21You won't, Eli.
01:01:22You just lie quiet.
01:01:23We'll get away, all right.
01:01:25You get that boat ready.
01:01:26Yeah.
01:01:27To get in provisions enough for four days.
01:01:30You be quiet now.
01:01:31Don't worry.
01:01:31Julie, I...
01:01:57What do you want?
01:01:58I want to tell you something.
01:01:59Don't tell me nothing.
01:02:01You told me.
01:02:03You don't like the waterfront.
01:02:05Things don't grow here.
01:02:07No, not like you they don't.
01:02:09Maybe not.
01:02:10But I'm sorry I had to drag you in.
01:02:12Me?
01:02:13Never mind about me.
01:02:14It's him.
01:02:14No, it isn't.
01:02:15That's my job and he had it coming to him.
01:02:16It's you.
01:02:17I loved you.
01:02:18I didn't know it, but I know it now.
01:02:20You loved me.
01:02:21Oh.
01:02:24You just went after me to get my father.
01:02:26That's why you're here now.
01:02:28You think I know where he is.
01:02:29You think they'll find him.
01:02:30They will.
01:02:31But I came here to get one thing clear in your head.
01:02:34Last night was on the level.
01:02:36I loved you and I'll always love you.
01:02:38Don't talk about love.
01:02:40You've been digging around the muck of the waterfront so long.
01:02:43Nothing means anything to you but your dirty job.
01:02:46You think you're going to find Eli?
01:02:48Well, try it.
01:02:49If you do, they'll find you dead in the harbor.
01:02:52Yeah, and that'll be okay with me too.
01:02:56Now get out of here.
01:03:10I guess you lost your job.
01:03:40I guess you lost your job.
01:04:10How does that feel?
01:04:33Kind of hot.
01:04:36You don't shoot as straight as you spit.
01:04:38Straight enough.
01:04:42You'll never write no more stories about me.
01:04:46Oh, yes, I will.
01:04:48I'll still write your obituary.
01:04:52No, you won't.
01:04:55I'll be over the border by sunrise.
01:05:01Yeah.
01:05:02But not the Mexican border.
01:05:09You're a pretty game, ain't you?
01:05:12You just won't quit, will you?
01:05:14Not till I'm through.
01:05:15Not till I'm through.
01:05:24Come on, Eli.
01:05:26I've got the boat.
01:05:29Eli.
01:05:31Eli, are you all right?
01:05:33Sure.
01:05:36What's the matter with him?
01:05:39Oh, I shot him.
01:05:41You shot him?
01:05:42He had it coming to him.
01:05:47He's right, Julie.
01:05:48I gave you a pretty raw deal.
01:05:56Is he the man?
01:06:01Yes.
01:06:01No, no, Eli, you can't do that.
01:06:14What's the use?
01:06:16Come on.
01:06:18Come on, we've got to get away.
01:06:19You'll never make it, Kirk.
01:06:34You can't even get up those...
01:06:37stairs.
01:06:43We can't leave him, Eli.
01:06:49If nobody came, he might die here.
01:07:00I can't leave him.
01:07:16Where are we going?
01:07:18None of your business.
01:07:19Come on.
01:07:31Eli, you got twisted in the fog.
01:07:33We're back home.
01:07:35Take her outside.
01:07:36You made a mistake.
01:07:37No mistake.
01:07:38Not this time.
01:07:40Get a doctor to get that bullet out of the kid there.
01:07:44You did it on purpose.
01:07:46If you love him, he's worth it.
01:07:48It's more than I ever was.
01:07:51Eli.
01:07:53Eli!
01:07:53Oh, no.
01:07:58Eli!
01:07:58Eli!
01:07:58Eli!
01:07:59What the hell?
01:07:59What is this?
01:08:08Do you do it?
01:08:11You can do it.
01:08:12You can do it.
01:08:13Abby's off.
01:08:15Ah, yes, who's this thing.
01:08:16How can you do it?
01:08:16Are we?
01:08:17One, in your hands.
01:08:17No, you did it.
01:08:19Oh, my God.
01:08:20Oh, my God!
01:08:21Someone had a chat.
01:08:23I go.
01:08:23Oh, my God.
01:08:24Is that the only tune you know?
01:08:32It's very appropriate.
01:08:35Say, what's the matter with you?
01:08:38Have you got writer's cramp all the time in the world
01:08:40and you haven't written one line of your novel?
01:08:44I didn't feel like writing.
01:08:46Besides, I'm stuck for a finish.
01:08:48Well, uh, why not end it very abruptly
01:08:51and call it the romance of the fisherman's daughter?
01:08:54Well, that'll be enough of that.
01:08:59Well, that romance ended very abruptly, didn't it?
01:09:02Oh, shut up, will you?
01:09:05I don't see any roses around here.
01:09:07I didn't expect any.
01:09:10Have a crutch.
01:09:11Thanks.
01:09:13Women are all alike.
01:09:17Not all of them.
01:09:18Sure they are.
01:09:19When you need them most, they are conspicuous by their accents.
01:09:23Oh, come on, let's get out of here.
01:09:25I'm for that.
01:09:27The smell of ether intoxicates me.
01:09:29The smell of ether intoxicates me.
01:09:44Hey.
01:09:45Are we in the right house?
01:09:47Yep.
01:09:47Oh, if you could only cook.
01:09:57Hey, what's this thing?
01:09:59A desk?
01:10:00Futuristic.
01:10:01What do you think I am, the society editor?
01:10:05Where's the Pekingese that, uh, goes with it?
01:10:09Don't you like it?
01:10:10Like it?
01:10:11I think it's the...
01:10:14You did this?
01:10:29Yeah.
01:10:32Why?
01:10:33Well, I had something to say to you, and this is my way of saying it.
01:10:44You like it?
01:10:47I think it's swell.
01:10:49Well, it's too bad you won't be around to enjoy it.
01:10:51You won't find a desk like that in the east.
01:10:53You go east, young man.
01:10:55Go east.
01:10:57I got it.
01:10:58I've always liked fireplaces.
01:11:10Yeah.
01:11:11They're awfully nice when it rains.
01:11:20Jerry.
01:11:21No.
01:11:22No.
01:11:23Jenny.
01:11:25I beg your pardon.
01:11:28You know, I've...
01:11:32I've never seen that old harbor look so beautiful.
01:11:36Maybe that's because the windows are washed.
01:11:43I've got the finish for my novel.
01:11:45What is it?
01:11:49He marries a girl.
01:11:53That's a swell finish.
01:11:58Hello, ma'am.
01:12:16Ha ha ha ha ha.
01:12:18I'm not with her."