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  • 2 days ago
New Web Series And Movies Full Entertainments, Action, Drama, Horrors, and Suspense Story
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14:53I don't know what to do.
15:23I didn't understand that for the two years.
15:28Mom moved to UK.
15:31I came here.
15:35Then I met you.
15:53I came here.
15:56I came here.
15:58I came here.
16:00I came here.
16:03I came here.
16:06I came here.
16:09Tara Singh opened the company.
16:13Her name is...
16:19Tijasur.
16:24Talboud.
16:27In buses...
16:29Where are some of the City?
16:31Just a little bit!
16:33As you can still see,
16:34the city is growing up.
16:36What do you call the city?
16:39The city is growing up.
16:41The city is growing up.
16:43The city is growing up.
16:45The city is growing up.
16:47The city is growing up.
16:50You are a man.
16:51Oh
17:08Rub me lay a menu Ron Janina me lay a
17:13Rubber on January
17:15I'm here to meet Guru, Guru Deol.
17:35You're here for the audition?
17:43Yes.
17:45Come with me.
17:50I'm Nars.
17:52Guru's sister?
17:53Oh.
17:54I was like, Guru is doing a lot.
17:57Okay.
17:58When you got a rap battle, I knew that I would find you girls later.
18:05Did you see it?
18:07Of course.
18:08You liked it?
18:10I loved it.
18:13Nice shoes.
18:20Mundea, come back.
18:26You have to do a urgent meeting with Prague and Jani.
18:31You have to do it in the evening.
18:32You will do it in the evening.
18:33Clearly.
18:37Come.
18:38What's your comment?
18:40Preet?
18:41Yes, sir.
18:43And you're home.
18:47You know what?
18:48Non-disclosure agreement.
18:50NDA.
18:51Can you sign it?
18:52Non-disclosure agreement.
18:53Non-disclosure agreement.
18:54NDA.
18:55Can you sign it?
18:57Yes, sir.
18:58No.
18:59No.
19:00I'm sorry.
19:01I'm so scared to do it.
19:07I'm hungry.
19:18Nick, this is Teeja Sur, man.
19:25Come on, man.
19:48Come on, man.
19:55Come on, man.
20:18Come on, man.
20:48Come on, man.
20:55Come on, man.
20:58Come on, man.
21:00Come on.
21:18Come on, man.
21:36Come on, man.
21:41Come on, man.
21:46Come on, man.
21:47Come on, man.
21:48Yes, yes.
22:04Tara started the company with Jugal and the artist.
22:11Tara killed her.
22:13Jugal has left the company and the artist.
22:19Now, you can give it to Teeja Sur.
22:23Teeja Sur says, who's the most advantage of Teeja Sur?
22:26Who's the most advantage of Teeja Sur?
22:30Teeja Sur.
22:31Teeja Sur.
22:33Teeja Sur.
22:34Teeja Sur.
22:35Teeja Sur.
22:36Teeja Sur.
22:37You have reached us until now.
22:38Teeja Sur.
22:39Teeja Sur.
22:40Gah!
27:40Welcome to Punjab.
35:02I'm sorry.
35:04Amen.
35:10And I believe you are cool.
35:12And I believe it...
35:14What if I tell you that there is an option?
35:23Okay.
35:29What is the option?
35:32And the name of the option is Paris.
35:39Paris?
35:40Yeah. They have the most open society. Yeah.
35:46And I have some great connections.
35:49I guess.
35:51You are not able to meet my uncle here.
35:53What will you help me with Paris?
35:55Help me here.
35:57I'll take the Thijasur.
36:00Make me meet him.
36:10I'll take the Thijasur.
36:23Hey.
36:24I didn't...
36:26I didn't...
36:28I didn't...
36:30I didn't...
36:32It's a big community
36:34I didn't...
36:36You don't do work, it's okay, but this is not right
36:38Hey!
36:40You keep your attitude in your own
36:42You understand?
36:44And all of this stuff has been done for 8 or 10 days
36:46And I'm not a first teacher
36:48You've got to ask for work
36:50This is our music industry
36:52It's a big thing
36:54If it's a big thing
36:56Then there will be a day
36:58And you've got to hug me
37:00That's what's the name of Pratap Singh Dior
37:04You've got to hug me
37:08You're still watching
37:10When I'm eating some food
37:12I'm going to kill you
37:22I don't know
37:24I'm going to kill you
37:25That's what's the name of Pratap Singh Dior
37:26If I'm going to turn it down
37:28I'm going to kill you
37:30I got to kill you
37:32I got to kill you
37:33I got to kill you
37:34I got to kill you
37:35I got to kill you
37:36I got to kill you
37:37This is Paldiv Tillon.
37:47I've been working with Teeja's money in films before.
37:52Then I became a leader.
37:54Today I'm a minister.
37:56Health minister.
37:58Both money and power have it.
38:02It's not easy to reach this time.
38:06I'm sure I'm not sure.
38:13He took us.
38:15It's a special place for Baldiv.
38:17He got a short entry for a second.
38:20How can I get it?
38:22Baldiv is still a lot of horses.
38:26You hear it?
38:28One Master Dog.
38:30He is only Baldiv.
38:33and the rest of them will be thrown away.
38:36But if it was you,
38:38you know something about Baldev and Tara murder case.
38:42And maybe you will know what to do with it.
38:46You are telling me about Tara murder case.
38:50Gurpal, look at this.
38:52This is also possible that Baldev didn't send Lakbeer and Sukbeer.
38:56There are so many people alone.
39:00It doesn't seem like it.
39:05But if he was in the Tara murder case
39:10interested in the people of Tara murder case,
39:14he probably knows about the murder.
39:24Is that the case?
39:26Malai Ali Roti is very popular.
39:29Can you eat?
39:31Yeah?
39:32Yeah?
39:33Yeah.
39:34One?
39:35Ah!
39:37Ah!
39:38Ah!
39:39Ah!
39:40Ah!
39:41Ah!
39:42Ah!
39:43Ah!
39:44Ah!
39:45Ah!
39:46Ah!
39:47Ah!
39:48Ah!
39:49Ah!
39:50Ah!
39:51Ah!
40:00Ah!
40:01Ah!
40:02Ah!
40:06Ah!
40:07Ah!
40:08Ah!
40:10And you don't have much trouble in your life, right?
40:14No, you don't have to sit here in front of him.
40:17But I was gone, but...
40:18Ah, you're scared, right?
40:20You're gone?
40:22Good, or you're gone?
40:29It's the same thing with you as a journalist.
40:34He's been trying to investigate his entire life...
40:41...in a murder case.
42:06No, take it.
42:08Take it.
42:10Take it.
42:12Take it.
42:14Take it.
42:16Take it.
42:18Take it.
42:20Take it.
42:22Take it.
42:24Take it.
42:26Take it.
42:30Take it.
42:32Take it.
42:34Take it.
42:36Take it.
42:38Please.
42:40Take it.
42:41Come on.
42:42Take it.
42:43Take it.
42:44Take it.
42:45Take it.
42:46Chalakha.
42:50Chalakha.
42:53Thank you, Paji.
43:16Please forgive me.
43:28My time's fast.
43:30Look how so bad that was.
43:32I had to have to come in Punjab.
43:37And I had to get to myself here.
43:41farm.
43:42I am going to go.
43:44Oh, my God.
43:46Oh, my God.
43:48I am going to eat the bread.
43:50I am going to eat it.
43:52I am going to eat it.
43:58Come on.
44:04Come on, come on.
44:06Come on.
44:12Come on.
44:14I am going to eat food.
44:16I don't know.
44:18No one made this bad.
44:20He has put in Punjabi industry.
44:24I came here to build a career.
44:26I have to keep a song.
44:28He has made a car from him.
44:30He came to the pond.
44:32The pond is on the pond.
44:34He has called to see a person.
44:38He told me to go to the pond.
44:40I'm going to go to the house of production, DMPG, I'm going to meet you, I'm going to go to the house, and I'm not going to come here.
44:49Are you a singer?
44:51Yes.
44:52Listen to the song.
45:01Hey.
45:02Are you listening?
45:03Yes.
45:04Here.
45:05Listen to the song.
45:08I'm listening to the song, Jahir Ji.
45:12To Be Radio today, I'm the kisser Hoangji.
45:15Tell the girl to me, Jay, you too?
45:17Yes.
45:18Listen.
45:19Do you sing my espírit 살짝, your heart is free, let's look at your friends and follow me.
45:25I love the deaf, friends and daughters.
45:28Say seriously, make a report.
45:31My message was great, Hopefully, I'd do my young sister.
45:36There is a baron the mollam unda targa ha chad pesa tetho zindagi
45:40vivaar dao ga niya se zindagi ji onhi tere naal kuriye
45:44dede ka burun baas ek saal kuriye
45:47Baas
45:48Ek antara hor suno ji
45:49Baas, jai Lassi lai gaya, jai mera shiir
45:51jai
45:52Badiya gaya na ji
45:54Charda panjab hoge cha hai lehin da panjab
45:57Yethon di metti nui baakshar
46:00Maa de te doi je waag jamda hi laab se kya honi
46:03Yethi singgir banhna sa ukha
46:06Star banhna ukha
46:08Pratap deolka munnda dira doost tha na
46:17Usnei kushi nhi kiya
46:19Paji, saare naam ke hiya ra hai naam pe
46:22Koii chanse nhi reta
46:24Eek kudi hooti thi tere saath
46:27Ho kaan?
46:29Baag gai ho bhi
46:29Yehii mili thi mujhe
46:32Production house me
46:33Jab audition dinne jaya karta tha
46:34Toh pata laga
46:36Woha purane singgirz pere documentary bana rahi hai
46:38Maa ka, maa bhi zaat mein kama kar loun
46:40Khaane bhi ne, jitne paise jud jayenge
46:42Yad
46:42Shair gisi ki nazal mein bhi aajata baaji
46:45Thoori si umeed banhi thi
46:49Or aapne sari umeed ho ho gudde me đa daal diya
46:52Pese bhi nhi aur
46:59Koi raastah ne dikhhara
47:02Aaj ya raastah dikhhata ho
47:12Aaj yaar tera tambe di tabi ki jokhara
47:16Kal rani aaparan na maange
47:18Bhi na kishtah te na maange
47:20Palete aapana
47:20Nal cash dheke ek nomi car na maange
47:23Ni pher kar vichche bäthke manani ga vaange
47:25Honeymoon bilo raani ya mana ke ya vaange
47:28Bhaji, kahan jah rahe hai ham?
47:32Tujhe us aadmi se meilane
47:34Jho music industry mein
47:35Pertap deol ke khilaaf stand lese sakta
47:38Mere toh bandedyaa dhich pala
47:42Andi daas marwaal ho
47:43Saamne bäthke dekhda raha ho
47:45Paro, supane maradhe kese ekkadevi nhi dhek saha da
47:51Hei
47:58Saamne
48:00Ty
48:03Ta
48:15
48:16Jan
48:20Hey, it's time for now, let's go, let's go, let's go, let's go, let's go, let's go, let's go, let's go.
48:26Hey, what are you doing?
48:27They're all allowed for them.
48:29Sorry, sir, it's new, I don't know.
48:31Sorry, sorry.
48:45Come on, sir.
48:46Okay.
48:47Yeah, you might pay me a half as I am so.
48:50You know, you pay me a lot.
48:52You pay me.
48:54Hey, everyone.
48:57Hey.
48:59Hey.
49:01Hey, hey.
49:04Hey.
49:05Hey.
49:07Hey.
49:08Hey.
49:09Hey.
49:11Hey.
49:12Hey.
49:13Hey.
49:14Hey.
49:15Sir, you're a guy.
49:38Merci.
49:39Ale.
49:40Naksan o gaya, Naksan.
49:42Oh, gata ho gaya jada.
49:44Dukesatdi pechayil chal ni ho tii hai,
49:47Nuksan fayda to laga rhaet hai.
49:49Eh haan.
49:50Oh ho ho ho ho ho,
49:52Oh ho ho ho ho ho ho,
49:53Why don't you put your hands on the table?
49:56It's a place.
49:57Hey, Amanda, what's the name of the table?
50:00Oh, shut up!
50:01I don't know, man.
50:07This is a wrong job, right?
50:09And you don't have to take anything?
50:11But I don't have to take anything.
50:13I don't have to give anything.
50:15I don't have to give anything.
50:16I don't have to give anything.
50:17I don't have to give anything.
50:18I don't have to give anything.
50:20What have you done?
50:22Don't bother me.
50:24This is a rap battle,
50:27it was a very horrible thing.
50:29Oh, you?
50:31Then I will sing, I will sing and sing.
50:43In the evening, I have to get to sing.
50:47So in the morning, I'll start.
50:49foreign
51:03foreign
51:17I'm going to take a look at the ground.
51:19Whatever the talent is, no one will play with me.
51:25Hey!
51:27Killers!
51:29You!
51:31Hey!
51:37One thing is right.
51:39This is Jai Dior
51:41and this is our father.
51:43We don't have a number of them.
51:45We put the whole market in the market.
51:47You know,
51:49this is the rest of the market.
51:51Yeah!
51:53Put it in your hand.
51:55Hey, next Friday, come on.
51:57I'm recording.
51:59I'm watching something.
52:15Interesting.
52:17What is your heart?
52:19What do you say?
52:21It's your θα curtain,
52:23you.
52:25Come on.
52:27What does it say?
52:29How is your heart stable?
52:31I'm going to cut it all right, but...
53:01I love you.