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00:00:00The End
00:00:30The End
00:01:00The End
00:01:30The End
00:01:59Yes, monsieur
00:02:01Could I speak to you for a moment?
00:02:05Well, I've been studying painting with you for some time now.
00:02:10Do you think it's worth my while to go on?
00:02:12Why do you ask?
00:02:14Well, I feel there's no sense in my staying here unless I have talent.
00:02:17If you are not certain about your talent, why did you stay until now?
00:02:21Because all this is so, so beautiful to me.
00:02:24In my youth, it was all so beautiful to me.
00:02:28But now, it is the city of lost illusions.
00:02:31Has your studio very far?
00:02:33No, not very.
00:02:35Let us go there.
00:02:36You will show me what you have done.
00:02:37Yes.
00:02:37Have you any money?
00:02:48A little.
00:02:49Not enough to live on.
00:02:50Then I must tell you, there is no talent here.
00:03:01Merely industry and intelligence.
00:03:03You will never be anything but mediocre.
00:03:06And it is very cruel to discover one's mediocrity only when it is too late.
00:03:11I know.
00:03:15Do you see that?
00:03:16That name does not belong there.
00:03:19It belongs somewhere else.
00:03:21Take your courage in both your hands and make something of your life.
00:03:34Have you anything in mind?
00:03:36Well, you see, I have my limitations.
00:03:41My father was a doctor.
00:03:43I've always been interested in medicine.
00:03:45And if one can't be great, at least one can be of some use to people.
00:03:49Let's go.
00:03:52THE END
00:04:22I don't know why I should have such a thing upon my word, I don't. I've never had a day's illness in my life. You look at me to know that.
00:04:43It's what we call a winter cop. A great many middle-aged women have it.
00:04:47Well, I've never. That's a nice thing to say to a lady. No one's ever called me middle-aged before.
00:04:53Oh, it's time you got used to it.
00:04:54All the same, you're a nice one, dearie.
00:04:57Unfortunately, I can't say the same for you. Good day, madam.
00:05:00That'll be all now. The rest you come back tomorrow.
00:05:03Get him ready.
00:05:04All right, sir.
00:05:05Are you the boy's father?
00:05:12Yes, sir.
00:05:15What's the matter with you now?
00:05:18You see well enough what the matter is.
00:05:20The boy has a club foot.
00:05:22Oh, uh...
00:05:24Carrie, you'd better take this case.
00:05:25It's a subject you ought to know something about.
00:05:27It's only for the looks of the thing, you know.
00:05:39I don't find it no trouble.
00:05:40Don't you?
00:05:41That's wonderful.
00:05:43I always did.
00:05:44Oh, that's because you let them go on at you.
00:05:46You seem to be a little slow, Carrie.
00:05:48I think I'll have to instruct a class.
00:05:50There are many varieties of club feet.
00:05:52This is one of the less interesting.
00:05:55Yours would probably prove more interesting.
00:05:57You have to let his Aquinas, haven't you?
00:06:00Yes, I believe so.
00:06:01Don't mind taking off a sock, do you, Carrie?
00:06:07No, not so.
00:06:25Keeps his feet nice and clean, doesn't he?
00:06:26Hmm, yes.
00:06:30Just as I thought.
00:06:32Telepes Aquinas.
00:06:34Malformation requiring you to walk on the outside of the foot.
00:06:36A very interesting example, I must say.
00:06:39Do you mind if I have a look?
00:06:43Congenital club foot.
00:06:44In simple language, a foot twisted inward.
00:06:46The cause of this twisting is not clear.
00:06:49Hereditary inference plays a part here.
00:06:51As pointed out by Dr. Little, who traces recurring deformity through four generations.
00:06:55Well, when you've quite finished.
00:07:01I say, old man, I like that.
00:07:03Mm-hmm.
00:07:04French, isn't she?
00:07:05Yes, she was a model in Paris.
00:07:06You know, I can't, for the life of me, understand why you gave up painting.
00:07:11I'd rather look at that all day long than at this.
00:07:15Woman, you know.
00:07:16You can tell by the pelvis.
00:07:18Yeah.
00:07:19I like them with a little more...
00:07:21Oh, there's life in the old girl yet.
00:07:27Don't inhale, dearie.
00:07:28I say, I've got to be getting along.
00:07:32It's a little mackerel of a barmaid at the Crown and Anchor.
00:07:35And very nice, too.
00:07:37Cheerio.
00:07:38Funny fellow, isn't he?
00:07:40I say, Carrie, it must have been wonderful having that life in Paris.
00:07:43Well, it was.
00:07:44And do you mean that you really knew all those fascinating women?
00:07:48Well, some of them.
00:07:49I see, you're just the man I'm looking for.
00:07:51I wonder if you couldn't help me.
00:07:52In what way?
00:07:53Well, there's a girl, and I can't get anywhere with her.
00:07:56And you've been to Paris, and all that.
00:07:59I'm sure you could say something that would give me a starter.
00:08:01I'd ask Griffiths, only he couldn't do it and remember whom he was doing it for.
00:08:05Oh, but you're just the man.
00:08:07You know, say something to make her laugh.
00:08:14What?
00:08:15You don't believe it?
00:08:16You are too suspicious.
00:08:26I see.
00:08:29She's marvelous, isn't she?
00:08:31No, she's anemic.
00:08:32You don't suppose she likes that bounder, do you?
00:08:45Of course.
00:08:47Now's your chance.
00:08:48Say something.
00:08:53Well, I see your friend's going.
00:08:55I don't know what you mean.
00:08:56I was referring to the nobleman with the sandy moustache.
00:09:01Has he left you for another?
00:09:05Some people would do better to mind their own business.
00:09:09Why?
00:09:14You have a very nice back.
00:09:16Am I on speaking terms with your back?
00:09:18Woman, you know.
00:09:20You can tell by the pelvis.
00:09:21And that calls himself a gentleman.
00:09:27I apologize.
00:09:29What for?
00:09:30I promised you something charming.
00:09:31And she's turned out to be ill-natured and contemptible.
00:09:34I'm sorry I let you in for it.
00:09:35Oh, that's all right.
00:09:36You don't suppose I care what an anemic little waitress says to me, do you?
00:09:39Well, I do.
00:09:42I must be going.
00:09:44Coming along?
00:09:45No, I think I'll have some more tea.
00:09:51Anything you want?
00:10:19Yes, if you don't mind, I'd like to talk to you.
00:10:24Filthy weather, isn't it?
00:10:27Makes no difference to me.
00:10:28I have to be here all day.
00:10:30Oh, don't talk like that.
00:10:31I only wanted to say something pleasant.
00:10:33Well, say it.
00:10:35You know, you have a lovely smile.
00:10:38You should use it more often.
00:10:40Now, don't go spoofing me.
00:10:42A girl that works hard all day like I do
00:10:44don't have much reason to smile.
00:10:47Perhaps I can find a reason.
00:10:50Will you let me try?
00:10:52Well, I don't know whether I will or whether I won't.
00:10:55Well, I hope you'll decide you will.
00:10:57I don't know whether I'm
00:11:15Huh?
00:11:45Like that, and that, like so.
00:12:15It's a nice little hand.
00:12:40Excuse me, won't you?
00:12:53Yeah, yeah.
00:12:58How do you do?
00:12:59You seem to be in a great hurry.
00:13:01Well, I've been waiting ten minutes.
00:13:02I didn't know you could draw.
00:13:07Didn't you?
00:13:08That meant to be me.
00:13:09Looks like you, doesn't it?
00:13:12If you look at it that way, tea.
00:13:16You are a strange sort.
00:13:18I say, will you die with me sometime, and we'll go to the theatre?
00:13:25I don't mind.
00:13:26When will you come?
00:13:28I'm off Thursdays.
00:13:29All right, shall we say Thursday?
00:13:31Seven o'clock, Victoria Station.
00:13:38All right.
00:13:38I'll meet you, Victoria, in the second-class waiting room.
00:13:47All tickets, please.
00:13:49Show your tickets.
00:13:51All tickets, please.
00:13:54Show your tickets.
00:13:56All tickets, please.
00:13:58Show your tickets.
00:14:00All tickets, please.
00:14:01All tickets, please.
00:14:31All tickets, please.
00:14:32All tickets, please.
00:14:39Well, I thought you were never coming.
00:14:41I like that, after keeping me waiting.
00:14:44I almost went home.
00:14:45I was in the second-class waiting room.
00:14:47I thought you said you'd be there.
00:14:48Now I say.
00:14:50Is it likely I'll sit in the second class when I could sit in the first?
00:14:54For a gentleman of brain that you don't use him, do you?
00:14:58Perhaps not.
00:14:59Anyway, you're here, so it's all right, isn't it?
00:15:01Well, you certainly do make a girl feel important to you.
00:15:07I love that music.
00:15:11Whenever I hear it, I think of you.
00:15:13How pale you are, how strange, how cold.
00:15:26You are going it.
00:15:28Do you always order champagne?
00:15:32No.
00:15:33And why'd you do it now?
00:15:34I was hoping it would make you more friendly.
00:15:43Do you think it will?
00:15:45Well, there's one thing I can say for you.
00:15:49A gentleman in every sense of the words.
00:15:51May I see you again?
00:16:11May I see you again?
00:16:12I don't mind.
00:16:13Doesn't it make any difference, do you?
00:16:14No.
00:16:15You don't take me out.
00:16:16Someone else will.
00:16:17Oh, you don't take me out.
00:16:18Someone else will.
00:16:19Do you?
00:16:20Do you?
00:16:21Have you?
00:16:22Thank you, dear.
00:16:23I don't care.
00:16:24I'll take you again.
00:16:25I don't mind.
00:16:26It doesn't make any difference to you.
00:16:27No.
00:16:28You don't take me out.
00:16:29Someone else will.
00:16:30I'll say goodnight here.
00:16:57Won't you stay for a moment?
00:16:58No.
00:16:59Why not?
00:16:59Why, people would think I don't know what all.
00:17:29Why, people would think I don't know what all.
00:17:46I love that music.
00:18:04Whenever I hear it, I think of you.
00:18:07Whenever I hear it, I think of us.
00:18:16I've never danced with anyone.
00:18:46I've been looking for you all my life.
00:19:12You don't seem to have much to do with your time.
00:19:14I should be studying.
00:19:16Then why don't you?
00:19:17Well, I'd rather see you.
00:19:20Any of the girls notice you're waiting for me?
00:19:22I don't know.
00:19:23Why, what difference does it make?
00:19:24They all laugh at you, you know.
00:19:26Do they?
00:19:27Why?
00:19:28They say you're in love with me.
00:19:36May I call you militant?
00:19:38I don't mind.
00:19:40Look here, don't say that no more, will you?
00:19:44Why not?
00:19:45Well, alternate, I'll call you Mildred.
00:19:48And you call me Philip, will you?
00:19:50I think of it.
00:19:52I'm a little awkward at this, but will you kiss me goodnight?
00:19:58No.
00:19:59Oh, Mildred.
00:20:00Will you come to the theatre with me on Saturday?
00:20:02Oh, Mildred.
00:20:03Will you come to the theatre with me on Saturday?
00:20:06I don't mind.
00:20:17You're sure they're for Saturday?
00:20:18Certainly.
00:20:19No.
00:20:39My name is Miller.
00:20:40Emile Miller.
00:20:41We should know each other.
00:20:42Why?
00:20:43Well, we are both interested in the same thing.
00:20:46Thing?
00:20:47My dear young man, you are so, uh, so, uh, artistic.
00:20:53You, you should be more, like so.
00:20:58Thanks.
00:20:59Thanks very much.
00:21:00That's, uh, that's all right.
00:21:03Hit change?
00:21:09Well, what time should I see you?
00:21:11Oh, I forgot to tell you, Philip.
00:21:13I can't go.
00:21:15Why not?
00:21:17Come on, dear.
00:21:21Oh.
00:21:26Well.
00:21:29What's the sense in that?
00:21:31You don't suppose I want to go by myself, do you?
00:21:33I only got them for your sake.
00:21:35Well, you needn't go on about it.
00:21:37You're spying on me.
00:21:38I always thought you was a gentleman at every sense of the word.
00:21:52Are you going out with Miller?
00:21:53No.
00:21:54No.
00:21:55Well, what if I am?
00:21:56I can go out with him if I want to, can't I?
00:21:59He's keeping you waiting, isn't he?
00:22:00Well, I'd rather wait for him than if you wait for me.
00:22:02Why don't you change your mind?
00:22:03Why don't you change your mind?
00:22:04I'll get some more tickets and we'll...
00:22:05No.
00:22:06Why don't you change your mind?
00:22:07Why don't you change your mind?
00:22:08Why don't you change your mind?
00:22:09I'll get some more tickets and we'll...
00:22:10No.
00:22:12Why don't you change your mind?
00:22:14You keep looking the way I look for you.
00:22:29Why don't you pitch my partner?
00:22:32Although you are not there to Adam.
00:22:35You're going to have to love me.
00:22:36What?
00:22:37And you're gonna do the same thing, Ma'am.
00:22:38You keep looking for him the way I look for you.
00:22:45If you don't come out for me tonight, you'll never see me again.
00:22:48Good riddance to bad rubbish.
00:23:08Great.
00:23:13Zara?
00:23:38Here we go.
00:23:43There he is in here.
00:23:49.
00:23:54.
00:23:58.
00:23:59.
00:24:01.
00:24:04Ah!
00:24:05.
00:24:06All right.
00:24:36All right.
00:25:06All right.
00:25:36All right.
00:25:43All right.
00:25:55All right.
00:25:56All right.
00:25:57All right.
00:25:58All right.
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00:26:00All right.
00:26:01All right.
00:26:02All right.
00:26:03All right.
00:26:04All right.
00:26:05All right.
00:26:06All right.
00:26:07All right.
00:26:08All right.
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00:26:15All right.
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00:26:18All right.
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00:26:20All right.
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00:26:23All right.
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00:26:58All right.
00:26:59All right.
00:27:00All right.
00:27:01All right.
00:27:02All right.
00:27:03All right.
00:27:04All right.
00:27:05All right.
00:27:06All right.
00:27:07All right.
00:27:08You're off your nut. You don't know what you're doing. What sort of practice can you
00:27:38expect to have with a wife like that? I don't know. Let me ask you something. Why do you want to marry this girl? Because I'm so in love with her. That ring with the little design is very popular, sir. We celebrate many of them. They're 30 shillings. Thank you, sir.
00:28:08Philip, were you surprised by asking me to take me to dinner tonight? I was delighted. Were you? Yeah. Why? Oh, I don't know. You've been so sweet to me all day. I've got something to ask you and it makes it so much easier for me. Makes it easier for me, too. I have something to tell you. No, no, no. Let me tell you first.
00:28:29There it is.
00:28:36I want you to marry me. I'm so sorry, Philip. That's just what I was about to tell you. I shouldn't have waited so long. The fact is, I'm going to be married.
00:28:49Are you? To whom?
00:28:56A man I know. He earns very good money.
00:29:01Yes, I'm sure of it.
00:29:04Now, you won't go on about it, will you, Philip?
00:29:07All right.
00:29:10I'm getting on.
00:29:1124.
00:29:13It's time I settle down.
00:29:15The gentleman earns seven pounds. Whitney's got good prospects.
00:29:19Well, this is goodbye. I hate to eat and run, Philip, but...
00:29:22Well, I have an engagement.
00:29:24I'm going to the theater with the gentleman I'm going to marry.
00:29:26All the lady stones in the day, lovely tonight, if you're coming to her, lovely tonight, all the lady stones in the day, lovely tonight, if you're coming to her, lovely tonight.
00:29:55Simply�ice, lovely to meet you tonight, all the ladies, lovely to meet you tonight, don't come to her.
00:30:03пять neat and sparklinges.
00:30:13All the ladies, helping me tonight, would you all come to her.
00:30:20All the ladies, all the ladies, coming to her tonight.
00:30:24Let's go.
00:30:54Have you seen her since?
00:31:12No.
00:31:14Well, London is the largest city in the world, and you know the cure for one woman.
00:31:19Another.
00:31:20Right-o.
00:31:24Nora, you don't read such junk, do you?
00:31:36No, I write it.
00:31:38What?
00:31:39That's how I earn my living.
00:31:41I didn't know.
00:31:43Successful?
00:31:44Very.
00:31:44I have an immense popularity amongst kitchen maids, and they think me so refined.
00:31:54Let's not talk about that.
00:31:57Let's talk about us.
00:31:59Nora.
00:32:14You're not really fond of me, are you?
00:32:17Clever boy.
00:32:19You ask such foolish questions.
00:32:20Oh, my dear, it never struck me that you could be.
00:32:24Pleased?
00:32:25Delighted.
00:32:27And so proud, and so happy, and so, so grateful.
00:32:31I wish you hadn't been in love with, what was her name?
00:32:36Mildred.
00:32:37Because if she hadn't treated you so abominably, it wouldn't have taken you so long to understand
00:32:44how I feel.
00:33:04I saw you.
00:33:04I wasn't very quick.
00:33:08Let's go out and play.
00:33:12Not until you pass that exam.
00:33:34Tell me, darling, what do you get out of this?
00:33:49You'll never know.
00:33:51Afraid you don't get much fun with me.
00:33:54I wish.
00:33:57If only I could take you dancing.
00:34:00I know how you love it.
00:34:01Philip, it's very silly of you to be so sensitive about your foot.
00:34:05You know, other people don't think about it nearly as much as you do.
00:34:09They notice it when they first see you, and after that, they forget all about it.
00:34:16You know, I only speak of it because I love you.
00:34:19And I don't want it to make you unhappy.
00:34:21Now, will you please stay here and go on cramming for that exam.
00:34:27There's a lady to see you, sir.
00:34:41Oh, is there?
00:34:42Yes.
00:34:42I shouldn't have let her in, but she was that upset.
00:34:45I just...
00:34:46Nora!
00:34:46What do you want?
00:35:01I didn't think I'd ever see you again.
00:35:12What's the matter?
00:35:14He's left me.
00:35:16You know.
00:35:20Oh, has he?
00:35:23Yes.
00:35:26Of course, I'm going to have a baby.
00:35:27Well, why don't you sit down?
00:35:47I suppose you want him back.
00:35:59He'll never come back.
00:36:01Why not?
00:36:02He just won't, that's all.
00:36:04You're his wife.
00:36:05He has to provide for you.
00:36:07He won't give me anything.
00:36:09Even if he did, I wouldn't take it.
00:36:16Why not?
00:36:19Now, what's happened?
00:36:20I've still got my pride.
00:36:23That's something, isn't it?
00:36:24I've got my pride.
00:36:26I've got my pride.
00:36:28Have you got any money?
00:36:30No.
00:36:33Well, you'd better get yourself a place to live.
00:36:37After that, we'll see what can be done.
00:36:38Oh, Philip, you're always so good to me.
00:36:41That's why I knew I could come to you.
00:36:50Now, look here, Mr. Miller.
00:36:52I'd like to know what you intend to do about Mildred.
00:36:55I? What you expect me to do?
00:36:57Well, I expect you to take care of her.
00:36:59You married her, you know.
00:37:00I? I married Mildred?
00:37:03Ach, I married her.
00:37:09Season one.
00:37:16Well, all the same, I'd still like to know what you intend to do about it.
00:37:19Me?
00:37:21I can do nothing.
00:37:22One man cannot solution the problem of the unmarried mother.
00:37:34Why didn't you tell me?
00:37:36I just couldn't.
00:37:41Well, brace up.
00:37:43Everything will be all right.
00:37:45Philip.
00:37:46Do you still...
00:37:47...like me?
00:37:48Do you still...
00:37:49...like me?
00:37:50...really?
00:37:51Philip, do you still like me?
00:38:15Really?
00:38:18Strange as it may seem, I always have.
00:38:21I suppose I always shall.
00:38:24I did everything I could to make you love me.
00:38:27I thought you were incapable of loving anybody.
00:38:31It seems horrible to think that you were willing to sacrifice everything for that man.
00:38:36I'm awfully sorry, Philip.
00:38:39I shall never forget you wanted to marry me.
00:38:51Philip.
00:38:58Yes?
00:39:01You've been so nice to me.
00:39:06I'll do anything you want.
00:39:10Will you?
00:39:11Why?
00:39:12Why, I owe it to you.
00:39:13Oh, do you?
00:39:23You're not angry?
00:39:26No.
00:39:31Then will you stay and have some dinner?
00:39:33Yes, if you want me to.
00:39:37Of course, Philip.
00:39:39Nothing could like me more.
00:39:42Just a moment and I'll have everything ready.
00:39:43Yeah, I will be right back.
00:40:14Come in.
00:40:26Hello, darling.
00:40:28Nora.
00:40:30How did you happen to come?
00:40:33Just passing by.
00:40:37I wanted to rub my nose against your door.
00:40:39Oh.
00:40:43Philip.
00:40:45Why haven't I heard from you?
00:40:47I was just going to write.
00:40:49Why haven't you come to see me?
00:40:51Well, I've been busy.
00:40:57Why so silent?
00:41:00Well, you see.
00:41:00I've got something strange to tell you.
00:41:07You've been so good to me, it only makes it harder.
00:41:12Philip, what's wrong?
00:41:15I'm sorry.
00:41:16It's just over.
00:41:18You mean you don't care for me anymore?
00:41:21I'm afraid so.
00:41:23What about darling?
00:41:24Nothing.
00:41:25You've been wonderful to me.
00:41:26It's just that I...
00:41:32Of course, I knew you never loved me as much as I loved you.
00:41:37Yes, I'm afraid that's usually the case.
00:41:40There's usually one who loves.
00:41:43And one who is loved.
00:41:45Oh, it's always the same.
00:41:46If you want a man to be nice to you, you have to be rotten to him.
00:41:52If you treat a man honestly, you'll...
00:41:58Philip.
00:42:01There's someone else.
00:42:05Yes.
00:42:06Who is she?
00:42:11Mildred.
00:42:12She's come back.
00:42:15After all she's done.
00:42:19How could you?
00:42:21That's what I'd like to know.
00:42:24Just as though you were...
00:42:26bound to her in some way.
00:42:29Yes.
00:42:30As I am to you.
00:42:33As she was to Miller.
00:42:36As every human being is.
00:42:39To something or other.
00:42:54Funny looking little thing, isn't it?
00:42:57I can't believe it's mine.
00:42:59No, if you'll excuse me.
00:43:06I'm so glad it's over, darling.
00:43:12You've been so good to me, Philip.
00:43:14From now on, things will be different.
00:43:23Now, you will take good care of her, won't you?
00:43:26That I will, Mum.
00:43:27Good day.
00:43:28Good day.
00:43:29Good day.
00:43:30I know you don't like it, Philip.
00:43:31I can't do anything else if I'm going to work.
00:43:32No, I suppose not.
00:43:34But be sure and go over on Sundays and see the baby's properly taken care of.
00:43:37I will.
00:43:38What are we going to do this afternoon?
00:43:39Uh, I asked Griffiths to come over.
00:43:40Oh, did you?
00:43:41Why?
00:43:42Well, I know you'll find him amusing and I'm always afraid of boring you.
00:43:49Hello, hello, hello.
00:43:50Sorry I'm late.
00:43:51Hello, hello, hello.
00:43:52Sorry I'm late.
00:43:53What are you going to do?
00:43:54I'm going to have a good day.
00:43:55What are you going to do?
00:43:56What are you going to do this afternoon?
00:43:57Uh, I asked Griffiths to come over.
00:43:58Oh, did you?
00:43:59Why?
00:44:00Well, I know you'll find him amusing and I, I'm always afraid of boring you.
00:44:07Hello, hello, hello.
00:44:12Sorry I'm late.
00:44:17Had to get rid of a girl.
00:44:20Why didn't you bring her along?
00:44:21Oh, I'm not interested in my girl.
00:44:24I'm only interested in other men's girls.
00:44:26Do you like me?
00:44:31Really, I'm too hungry to know.
00:44:36But I think I like you lots.
00:44:38I'd like you a lot more if you got him to take us out to dinner tonight.
00:44:42And if you do, I'll tell you some funny stories.
00:44:44And you'll laugh and think you're having a wonderful time.
00:44:46What will he do?
00:44:47Oh, pay the bill.
00:44:49What's that bill?
00:44:50Your missus?
00:44:51I'm sorry.
00:44:52I thought it was your sister.
00:44:53What's that, Bill? Your missus? I'm sorry, I thought it was your sister.
00:45:08Well, there'll a yoop. There'll a yoop.
00:45:22I thought it was your sister.
00:45:34Good night, Philip.
00:45:38Good night.
00:45:41Just a moment. Are you in love with Mildred?
00:45:53I?
00:45:57So that's what you've been so funny about, huh?
00:46:00Why, my dear old boy, I...
00:46:02It doesn't matter to you, Harry. You've got so many women.
00:46:05Don't take Mildred away from me.
00:46:08But my dear old boy, she's nothing to me at all.
00:46:11Nothing at all.
00:46:14Ha, ha, ha, ha, ha.
00:46:17Would you like it, Philip?
00:46:19Very much.
00:46:20So nice of you to give it to me.
00:46:36What are you thinking about?
00:46:46You were having quite a flirtation with Griffiths last night.
00:46:49Yes, I was, wasn't I?
00:46:52As a matter of fact, well,
00:46:54I'm sort of in love with him.
00:46:56I'm not surprised.
00:46:58Why, what do you mean?
00:46:59Well, Griffiths is good-looking, he's amusing,
00:47:01he says the kind of things that make you laugh.
00:47:03Thank you not to make fun of me.
00:47:04You're a bit too superior for me, my fine young friend.
00:47:06Oh, good heavens, Mildred, I wasn't making fun of you.
00:47:08Well, you certainly don't act if it's serious.
00:47:10Well, I don't think it is.
00:47:11Oh, you don't, eh? Why not?
00:47:12Because Griffiths isn't in love with you.
00:47:13How do you know?
00:47:14I asked him.
00:47:18Would you like to read a letter I got from him this morning?
00:47:28I've been up all night thinking about you,
00:47:31and I've just sent for a special messenger
00:47:33who will take this to you in the dawn.
00:47:37You've no notion of the time I had with your friend last night.
00:47:42He kept asking me if I love you,
00:47:44and of course, what could I say?
00:47:47He'll doubtless tell you all this,
00:47:49so I'm making sure that you...
00:47:51can't help but if I love him, can I?
00:48:03No, I suppose not, but...
00:48:05Then what's your going on about?
00:48:06Nothing.
00:48:08Only I was fool enough to think that you cared for me.
00:48:10I do, Philip.
00:48:12As a friend.
00:48:15Not in any other way.
00:48:18But you do care for Griffiths in...
00:48:20the other way.
00:48:23But you're...
00:48:24you're rather cold.
00:48:25That...
00:48:25that sort of thing doesn't mean anything to you.
00:48:27That's what you think.
00:48:41There's no use going on about it, Philip.
00:48:44You said yourself I couldn't help it if I'm in love with him.
00:48:47Well, if there's anything else to be said, say it.
00:48:59That's a nice dress you have on, Mildred.
00:49:02I couldn't afford it, but I paid for it.
00:49:06You have a nice apartment.
00:49:07I couldn't afford it, but I paid for it.
00:49:09If you're a gentleman,
00:49:10do you think you'd throw what you've done for me in the face?
00:49:12Do you think it matters to me whether I'm a gentleman or not?
00:49:14If I were a gentleman,
00:49:16you don't suppose I'd care for a cheap bug a little...
00:49:20I'm sorry, Philip.
00:49:23I didn't want to end this way.
00:49:29Harry's waiting for me.
00:49:31What do you intend to do?
00:49:33We're going to Paris.
00:49:37Get out.
00:49:38Get out!
00:49:44Get out.
00:50:16I've moved three times, and each time this woman's hounded me down.
00:50:35I don't like to do this, but...
00:50:38All right, sir.
00:50:39I'll move on.
00:50:40Come on, young lady.
00:50:41You can't stay here.
00:50:42Come on now.
00:50:43Look here, Carrie.
00:50:44Mildred and I are all washed up.
00:50:45That's too bad.
00:50:46Look here, Carrie.
00:50:47Mildred and I are all washed up.
00:50:51That's too bad.
00:50:52If you'll excuse me, I'm due in the ward.
00:50:58Excuse me.
00:50:59I'm due in the ward.
00:51:14If you'll excuse me, I'm due in the ward.
00:51:35Anything interesting, Carrie?
00:51:38I was just thinking what an unusual name you have.
00:51:40It's a very old Yorkshire name. Once took a day's riding to cross our estates.
00:51:45And here I am in a charity hospital.
00:51:47Because my father loved fast women and slow horses.
00:51:51How the mighty are fallen!
00:51:57Hello!
00:51:58Hello, Father.
00:52:04Carrie, this is my daughter, christened Maria del Sol.
00:52:07Her mother always called her Sally.
00:52:10This young man is a student here. He's been very nice to me.
00:52:13And with some inducement, he might be nice to you.
00:52:16Now, Father.
00:52:18Father's particular genius is saying the wrong thing.
00:52:22He thinks it's fun to embarrass me.
00:52:24It is!
00:52:25Why don't you try it sometime, Carrie?
00:52:27I will if I get the chance.
00:52:29You shall have it.
00:52:30You're coming to see us the first Sunday I'm home.
00:52:34Oh, yes, please do.
00:52:35Oh, yes, please do.
00:52:36Oh, yes, please do.
00:53:02What a quaint house.
00:53:03Yes, it is, but it's not very sanitary.
00:53:07Sanitation be hanged.
00:53:09Give me art.
00:53:10I've got nine children and they thrive on bad dreams.
00:53:14Look at that now.
00:53:16I am with great admiration.
00:53:21Shall I bring the ale, Father?
00:53:22Right, my girl. The sooner the better.
00:53:26I hope you didn't have the table in here on my account.
00:53:29I'd have been quite happy to have had dinner with Mrs. Affelnir and the children.
00:53:32Oh, no.
00:53:33I always take meals by myself.
00:53:35I like these antique customs.
00:53:37I don't think women ought to sit down at table with men.
00:53:40Oh, don't you?
00:53:41Why not?
00:53:42It ruins conversation.
00:53:46I'm sure it's very bad for them.
00:53:47It puts ideas in their heads.
00:53:49And women are never at ease with themselves when they have ideas.
00:53:53You sound like the voice of old England.
00:53:54I am, sir.
00:53:55And it's this fine old Yorkshire pudding that gives me strength to carry on.
00:54:00Now, stop getting up and down like a jumping jack every time she comes into the room.
00:54:04She doesn't want you to make a fuss about her, do you, Sally?
00:54:07And she won't get rude if you sit still while she waits on you.
00:54:11She don't care to hang for chivalry, do you, Sally?
00:54:14No, Father.
00:54:15You speak quietly while eyeing the young man so boldly.
00:54:21Yes, Father.
00:54:23You know what I'm talking about, Sally?
00:54:26How could I, darling?
00:54:27You're so clever.
00:54:29Don't stand by my chair in order to make eyes at him.
00:54:33Better get Philip some more ale.
00:54:35By word, is there anything better than English ale?
00:54:50Let us thank God for simple pleasures.
00:54:54A good appetite, roast beef and beer.
00:54:57I was married to a lady once.
00:55:01Good heavens.
00:55:02Never marry a lady, my lord.
00:55:05Oh, really? Why?
00:55:06Because a lady has a point of view, a personality and an individuality.
00:55:11All to double you with.
00:55:13Hang it all you other wife who can cook your dinner and look after your children.
00:55:17Don't you think so, Sally?
00:55:19Father, I think you'd talk the hind leg off a donkey.
00:55:22Well, it's clean fun.
00:55:23Now, Sally, wait it on me or I'll wait on you.
00:55:26Take my chair here.
00:55:27While I fetch you and the young man some cheese.
00:55:30Thank you, Father.
00:55:31Well, what do you think of us?
00:55:35You don't know what this means to me.
00:55:37You see, I practically never had any family.
00:55:40This is almost the only place I've ever known that's had the quality of...
00:55:43of home.
00:55:45Don't you think we're a little queer?
00:55:48Everyone's queer but me and thee.
00:55:51And sometimes thee is a little queer.
00:55:56Well, thank you, Father.
00:56:02It's no use moaning over her, Carrie.
00:56:07Sally never kisses a gentleman until he's been here twice.
00:56:12You must ask me again sometime.
00:56:16Do it yourself.
00:56:17Why don't you come next Sunday?
00:56:19Do it yourself.
00:56:21Why don't you come next Sunday?
00:56:22Well, thank you.
00:56:23Well, I'm so sorry.
00:56:24Well, I'm sorry.
00:56:26It's just a moment.
00:56:28You've been here.
00:56:30And I'll see you again.
00:56:32That's why I've ever seen.
00:56:34Oh, my god.
00:56:36Oh, my god.
00:56:38Oh, my god.
00:56:41Oh, my God.
00:56:43Oh, my god.
00:56:45Oh, my god.
00:56:46Oh, my god.
00:56:47Oh, my god.
00:56:48May I walk to the station with you?
00:57:13No.
00:57:14Why not?
00:57:15It's too late.
00:57:15You're a child.
00:57:17I'm 20.
00:57:19Let's talk it over when you're 30.
00:57:37Did you hear what I said, old man?
00:57:39Yes, I heard.
00:57:41Sorry if I brought up a painful subject,
00:57:43only I thought you'd be interested to hear about Mildred.
00:57:46Sorry she's had such a bad time.
00:57:49I gave her all I could, but you know me, always stony broke.
00:57:54I thought perhaps you'd want to...
00:57:55I can't do anything.
00:57:57Got another cigarette?
00:57:58No.
00:57:58I don't blame you.
00:58:02I wouldn't have told you, only she asked me to give you her address.
00:58:07Gave you a bit of a jolt, I can tell you,
00:58:08seeing her lugging that baby around and asking for something to eat.
00:58:11She has the baby with her?
00:58:14Yes.
00:58:15It's not difficult to imagine her next step.
00:58:18I'll Exacto.
00:58:19O yeo, yes?
00:58:20I don't keep my eye.
00:58:21Yes.
00:58:21I don't pay you a bit of a surprise.
00:58:23You will automatically get over my body.
00:58:24Yes thank you, sir.
00:58:24I won't.
00:58:25It's not.
00:58:27Not a bad day.
00:58:27It's not an eatage.
00:58:28What?
00:58:28Yes...
00:58:29True it is, sir.
00:58:30And we would meant a turkey.
00:58:31But then...
00:58:31Sheous?
00:58:32dog gone
00:58:34Or not.
00:58:35This is her?
00:58:36No, yeah.
00:58:36Oh.
00:58:37Oh!
00:58:38What?
00:58:38They'll艦 suicide.
00:58:39No.
00:58:40You won't?
00:58:40pec.
00:58:40I got him.
00:58:41You got him.
00:58:42No.
00:58:42A fish right now with Bagel.
00:58:44Baby, all right?
00:59:11I'm very grateful to you, Philip.
00:59:14If I could afford it, I'd have given you a place of your own, as it is, you're welcome
00:59:20to my room.
00:59:21I don't know what will become of me and... and baby.
00:59:26You hadn't taken us in.
00:59:27Oh, you'd have got on, I expect.
00:59:30You've always been much nicer to me than I deserved.
00:59:33I'm beginning to realize how silly I've been.
00:59:36Well, you couldn't help how you felt.
00:59:40Let's not talk about it, shall we?
00:59:41I don't feel like that now.
00:59:44Okay, Mildred.
00:59:46Let's have no misunderstanding about this.
00:59:49The reason you're here is because...
00:59:50I know.
00:59:51Because you once liked me enough to want to marry me.
00:59:58Yes.
00:59:59Well, at least I can cook for you and keep your flat clean.
01:00:08Maybe someday you'll... you'll feel better about me and... things will be like they used
01:00:14to be.
01:00:16Oh, thanks.
01:00:20I'll smoke it later.
01:00:22Well, uh... good night.
01:00:32Good night?
01:01:03The landlady came upstairs a little while ago, she said.
01:01:30Mrs. Carey, she said.
01:01:32How can you stand it?
01:01:33Well, what's the matter with them?
01:01:37They're indecent.
01:01:39Disgusting, I calls it.
01:01:40They have drawings of naked people about.
01:01:44You want to know what I think?
01:01:46I've half a mind to take them down myself.
01:01:48You do nothing of the kind.
01:01:53I love those pictures, Mildred.
01:01:56I love them for what they were meant to be.
01:01:57What happened to it?
01:02:22What?
01:02:23The way you used to love me.
01:02:28Oh, I don't know.
01:02:30I was disappointed so often and hurt so much.
01:02:34Size, what difference does it make, anyway?
01:02:37Nothing, only...
01:02:39remember how you got when I was so cold to you?
01:02:41Getting me that way.
01:02:45You're so cold to me.
01:02:48No one else is there.
01:02:49I don't know.
01:02:50I don't know.
01:03:06I don't know.
01:03:07I don't know.
01:03:08He's not in love with anybody.
01:03:38He's not in love with anybody.
01:04:08He's not in love with anybody.
01:04:15Where were you?
01:04:18Athlonies.
01:04:20What are you doing up?
01:04:23I couldn't sleep.
01:04:28Hadn't you better put on something warmer?
01:04:31Oh, I'll be all right.
01:04:36Just let me stay here.
01:04:43Phil.
01:04:46Phil, I love you, sir.
01:04:48Oh, nonsense.
01:04:49Tisn't.
01:04:50I can't live without you.
01:04:53Please get up.
01:04:54You're making a fool of yourself and a fool of me.
01:04:57Elphil, please.
01:04:59I can't get on with this.
01:05:14Nonsense.
01:05:15You haven't anywhere to go.
01:05:19Stay here as long as you like.
01:05:21But with the definite understanding...
01:05:33You disgust me.
01:05:38Me?
01:05:40I disgust you.
01:05:43You.
01:05:44You.
01:05:45You.
01:05:46You're too fine.
01:05:48You won't have none of me, but you'll sit here all night looking at your naked females.
01:05:52Mildred.
01:05:53You cared.
01:05:54You dirty swine.
01:05:56I never cared for you, not once.
01:05:58I was always making a fool of you.
01:06:00You bored me stiff.
01:06:01I hated you.
01:06:02It made me sick when I had to let you kiss me.
01:06:05I only did it because you begged me.
01:06:07You hounded me.
01:06:08You drove me crazy.
01:06:09And after you kissed me, I always used to wipe my mouth.
01:06:13Wipe my mouth.
01:06:15But I made up for it.
01:06:16For every kiss I had a laugh.
01:06:18We laughed at you.
01:06:20Miller and me and Griffiths and me.
01:06:21We laughed at you because you were such a mug, a mug, a mug.
01:06:27You know what you are, you gippy-leg monster.
01:06:30You're a cripple, a cripple, a cripple.
01:06:40You love these things.
01:06:42You love what they were meant to be.
01:06:44Well, here's what they were meant to be.
01:06:51You do what they were little.
01:06:53You love eat.
01:06:57You look how lucky.
01:07:04You do.
01:07:06You want to be a duck?
01:07:08No, you don't.
01:07:15This will take you through medical school.
01:07:45You're leaving?
01:07:57Why?
01:07:58My money's gone.
01:08:00What do you intend to do?
01:08:02Oh.
01:08:04Anything.
01:08:06Before you go out into the world,
01:08:09don't you think we ought to try and do something about that foot?
01:08:13Think it'll do any good?
01:08:15I'll know better tomorrow.
01:08:21How are you, Philip?
01:08:23I'm all right, Sally.
01:08:25How's the foot?
01:08:27Well, let's try, shall we?
01:08:30All right.
01:08:33Careful now.
01:08:43Nothing.
01:08:50There is trouble in building.
01:08:56There is trouble against cute little gold.
01:08:57There is trouble.
01:08:58What's the foot is headed if it is going to be Grandma?
01:09:00Well, since it will上面.
01:09:01Everything is finished.
01:09:03It's tricky.
01:09:04That's natural.
01:09:06But I find the fifth was necessary to figure out the custom patch isně bolts.
01:09:08Oh, sorry, nothing today. All situations filled. Nothing today. No experience? How do you? Nothing today. All situations filled. Sorry, no vacations. Nothing today. No, nothing. Nothing. Nothing. Nothing. Nothing. Nothing. Nothing.
01:09:35Nothing.
01:10:05Why haven't you been to see us? Why, I don't know. I've had things to do.
01:10:30Well, you've been putting on weight. I'm sure you haven't. Why do you say that? The way you look. Oh, that's only my look. I'm afraid it's more than that. I sent you a note last Sunday, and when you didn't answer, I went round to your room. Your landlady said she had to put you out.
01:10:50Hello, Philip.
01:10:54My dear fellow, by peer raid signal, my daughter just communicated to me confirmation of our suspicions. As you know, I've been on the beach most of my life. In fact, in Tahiti, I was president of the Beach Combers Union.
01:11:08And as such, I'd like to inquire into your amateur standing. Where have you been staying?
01:11:12Oh, anywhere. Why didn't you come here? False modesty, I suppose. Now stop being an Englishman. When a man's on his opposite time, he came down to earth.
01:11:18We want you here with us. Well, I... Thanks very much, but I... Don't talk trash. You've got to stay here until you get your bearings.
01:11:34I'm not sure you're here with us. Well, I... Thanks very much, but I... Don't talk trash. You've got to stay here until you get your bearings.
01:11:40And I want no more fine talk about it. It's all arranged. Well... Well, here goes my amateur standing. I really have no place to go. It's awfully good of you.
01:12:02Nonsense. As you know, the house is completely unsanitary. You'll probably wind up with some foul disease.
01:12:09Now let him alone, Father. I want to talk to him. Well, I suppose youth must be served, but I must say I'm sick and tired of serving it. Nine of them.
01:12:22Will that do? Looks as if it might.
01:12:25It wouldn't be a very nice night to be out. Not very, no.
01:12:35It's going to be jolly having you here. I hope I shan't have to stay very long.
01:12:40You do? Why? I can't go on like this, you know. I need a job.
01:12:45That's right. Father and I discussed that. There isn't much you've overlooked.
01:12:48I have to sew that on, too. And Father has a job for you. Has he where? Where he works.
01:12:56Where he works.
01:13:26Yo, Walker, all right now. I saw you in the window.
01:13:46How long? How long? How long? How long?
01:13:49You'll walk all right now.
01:13:51I saw you in the window.
01:13:57Well, I never thought you'd come to that.
01:14:03You're very hoarse.
01:14:05Throat sore.
01:14:09You haven't forgotten your doctor, have you?
01:14:11No.
01:14:13Because
01:14:15that's what I want to see you about.
01:14:17And not go to a doctor.
01:14:25Well, there's a free hospital.
01:14:27Have all them students staring at me.
01:14:33What seems to be the trouble?
01:14:35Well, I cough all the time.
01:14:39Let's have a look at your throat.
01:14:47Well, it's not my lungs, is it?
01:15:03Well...
01:15:13It's not...
01:15:15my lungs, is it?
01:15:17Well...
01:15:33Where's the baby?
01:15:35She died.
01:15:37Last summer.
01:15:39Oh...
01:15:41You might say you're sorry.
01:15:43I'm not.
01:15:45I'm very glad.
01:15:51I'm afraid I can't help you much.
01:15:53Don't leave me, Philip.
01:16:03I know I've treated you shocking.
01:16:05But don't leave me.
01:16:06Not yet, please.
01:16:07There's no one I can go to.
01:16:09You're the only one that ever treated me like I was human.
01:16:11You're a gentleman, Philip.
01:16:13The only one I've ever met.
01:16:23Some things you need.
01:16:41Martha?
01:16:43Yes.
01:16:44Thanks, Philip.
01:16:45Just look.
01:16:46You're you.
01:16:47Look.
01:16:48uwp.
01:16:49The.
01:16:50The.
01:16:51The.
01:16:52The.
01:16:53The.
01:16:54The.
01:16:55The.
01:16:56The.
01:16:57The.
01:16:58The.
01:16:59The.
01:17:00The.
01:17:01The.
01:17:02The.
01:17:03The.
01:17:04The.
01:17:05The.
01:17:06The.
01:17:07Our last day.
01:17:21My Sally.
01:17:23Darling.
01:17:26I was so determined not to let you see.
01:17:30Well that's sweet of you.
01:17:32To care because I'm going away.
01:17:33I suppose I'm a fool to care but.
01:17:38It doesn't mean you have to do anything about it.
01:17:42You can't help it just because someone loves you and.
01:17:45You don't love that.
01:17:48Sally look at me.
01:17:52Darling.
01:17:54Do you think you'll always feel like this about me.
01:17:56Yes.
01:18:00I've known it since the first time you came to our house.
01:18:03I thought at first that.
01:18:07That I meant something to you too.
01:18:09Oh but you did.
01:18:10You do.
01:18:14When I come back.
01:18:15If you still feel the same.
01:18:17Will you marry me darling.
01:18:24Don't you mean if you still feel the same.
01:18:26Well this is what you might call the irony of fate.
01:18:36Come on now.
01:18:37Be quick.
01:18:37Get her out of here.
01:18:38I don't want the likes of her on me hands.
01:18:40I understand there's an interesting case.
01:18:54Look here old man.
01:18:55Don't go in there.
01:18:56I understand there's an interesting case.
01:18:57Look here old man.
01:18:58Don't go in there.
01:18:59Why not?
01:19:00If you please.
01:19:01It's no use.
01:19:02I understand there's an interesting case.
01:19:03Look here old man.
01:19:04Don't go in there.
01:19:05Why not?
01:19:06If you please.
01:19:07It's no use.
01:19:08If you please.
01:19:09It's no use.
01:19:10If you please.
01:19:11It's no use.
01:19:38If you please.
01:19:41Oh Philip.
01:19:42I'm sorry I'm late.
01:19:43You're not.
01:19:44I'm not going.
01:19:54What's that?
01:19:57My wedding present.
01:19:58To my wife.
01:20:03When do you intend to marry me?
01:20:06Right away.
01:20:08Thank you Philip.
01:20:10I beg your pardon.
01:20:13You don't seem very pleased.
01:20:15Well I am and I'm not.
01:20:17Why?
01:20:19I'm afraid it's only a noble gesture.
01:20:21That's not enough for marriage.
01:20:22No no Sally.
01:20:23It isn't just that.
01:20:25Philip I like you far too much to ever stand in your way.
01:20:38Thank you sir.
01:20:39No thanks.
01:20:40No.
01:20:41I had to be free to realize that.
01:20:44I had to be free to realize that.
01:20:47Philip, you're free.
01:20:59Yes, but suddenly, suddenly there's nowhere to go.
01:21:02Taxi, sir.
01:21:03No, thanks.
01:21:05I had to be free to realize that.
01:21:07I had to be free to understand that all those years that I dreamed of escape,
01:21:12it was because I was limping through life.
01:21:15Taxi, sir.
01:21:16No, thank you.
01:21:18And because I was bound up with a person who was incredible to me.
01:21:23Well, that's all over.
01:21:25I'm not limping anymore.
01:21:26My life's all right.
01:21:28Then why don't you go?
01:21:32Because everything that's beautiful to me is right here.
01:21:37Won't you please marry me, Sally?
01:21:41If you like.
01:21:42But don't you want to?
01:21:45Well, there's no one else I'd marry.
01:21:47How about a taxi, sir?
01:21:53What?
01:21:54How about a taxi?
01:21:56Yes.
01:21:57Yes.
01:21:57Well, I need you.
01:22:07I know.
01:22:07I don't know.
01:22:08Well, I'll give you, sir.
01:22:09It's up here, madam.
01:22:09The End