Set in the year of the Indian economic meltdown, Abhay, an angry poet and dreamer from the dusty chawl of Kanjurmarg, aspires for a rags-to-riches story for himself. In this ambitious journey, he falls in love with Manjiri, a poetess with a starkly different view on life.
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03:59Our background was checked.
04:02Society knew that we are not one from them.
04:11Well, everything is written in Kushal Mangal.
04:14But I...
04:16What?
04:17Something in the book.
04:20It's a problem.
04:22It's you.
04:25We just wanted to see her alone.
04:29She's happy, she's not happy.
04:31But you're feeling a problem.
04:35So I'm struggling.
04:39When people become successful,
04:41you don't know what to do.
04:43Okay?
04:50Let's go to shopping today.
04:52Really?
04:53Where are you going?
04:56Let's see.
04:57There will be a mall.
04:58Do you know the name of the mall?
04:59Hmm.
05:00Gonna be with me.
05:02There's no room for it.
05:03You'll be with me.
05:05I'm just gonna be with the mall.
05:06Can I go?
05:07Saying to me.
05:08I'm okay.
05:10That's the only place you might be with me.
05:11You can't say to me.
05:12You and I don't know what to do.
05:13I have to go to the mall.
05:14I guess.
05:15It's a big thing to be with you.
05:16I have to go to the mall.
05:18Why do you have to kill him?
05:25Why did you kill him?
05:31Why did you kill him?
05:37That guy, why did you give him a thumbs up?
05:48Yeah, that was his way of saying sorry.
05:51Sorry.
05:52Sorry.
05:53Sorry.
05:54Hmm.
05:55Now the child could die.
05:57He died. He took the child.
05:59He's fine. He's killing it.
06:01Yes, I'll tell you today.
06:03He died yesterday.
06:04He's driving a bloody weapon now.
06:05No, what do I do?
06:07He's driving us from here.
06:09He's driving us from here.
06:10He's driving us from here.
06:13He's driving us from here.
06:15Everyone is watching.
06:17Manjari, why am I Pangali?
06:19Because you're not like everyone.
06:22And when did you get scared of Pangali?
06:27I don't have time for Pangali.
06:32It's not angst. That's what it is.
06:39It's not angst.
06:42When he was living in Kanjur Maar,
06:44he was as angst.
06:47Because I had to come here.
06:49Why should I be angry all the time?
06:52On the contrary, you have a problem adjusting.
06:54I don't want to adjust, Abhay.
06:56Why?
06:57When you can adjust in the wrong way,
06:59why can't you adjust in the wrong way?
07:02Because I can adjust to changing addresses.
07:04I can't adjust to changing personalities.
07:06That's what it is.
07:07This.
07:20Look.
07:21Look at it.
07:22I'm working on this project.
07:25Only if we can cross into it,
07:26the whole country can change.
07:28I am going to be a big investor like a Tata.
07:31I am going to be trying to run away.
07:34Manjari, the first time I am sleeping on a good bed in my life,
07:39I am sleeping on a good bed in my bed.
07:42I am working on the commode in my bed.
07:45I want to enjoy all of this.
07:48And I want to work.
07:50As hard as ever.
07:52I can't kill anyone with my collar.
07:55There will be a police case.
08:00I am not afraid of him.
08:04But what will happen in four days?
08:07The owner will come himself.
08:09And he will say,
08:10Do not know him, sir.
08:14I don't have such four days, Manjari.
08:20If my child is dead,
08:22I will save her.
08:25That's all I can do.
08:27Okay?
08:32Maybe Abai was right.
08:35But still, I was missing Abai.
08:44This is not a concern about the discussion.
08:47But there are some concerns.
08:49Especially the ladies.
08:51This is regarding A1402.
08:55Sir,
08:56that uncle,
08:58your father,
09:00actually,
09:01is wearing longi in the balcony.
09:04It's not a good thing.
09:05It's a kind of society where decent people live.
09:19So, if you can please take care of this.
09:21Yes.
09:23Do a job.
09:24Do a job.
09:25Do a society fund.
09:26Do a track pen.
09:27Do a grant pass.
09:29Do a grant pass.
09:31Sir,
09:32it's a humble request from my side.
09:39Sir,
09:40who has complained?
09:42There are two or four people.
09:44Sir,
09:45will she be in Britain or not?
09:52Mrs. Gulati.
09:53Mrs. Gulati.
09:55Mrs. Gulati.
09:58Mrs. Gulati
09:59is in my front of the building.
10:01She tries to do the same thing in the morning.
10:02She tries to do the same thing in the morning.
10:04She tries to do the same thing in the morning.
10:05Then,
10:06we are sitting on the balcony and tea.
10:08To be frank,
10:09to be frank,
10:10it's not a great sight.
10:12But,
10:13whatever she does,
10:14she does in her house.
10:16And what does she do in her house?
10:18What does she do in her house?
10:19To see her,
10:20to tell her,
10:21to tell her,
10:22there is no fault.
10:23She is my mother,
10:24you motherfucker.
10:25Sir,
10:26how many people are allowed in the AGM?
10:27Two.
10:28At this society meeting,
10:29to tell her,
10:30that this ugly Gulati
10:31wears a big tank top
10:33and wears a big black bagel
10:35and wears a big white bagel
10:36and wears a big white bagel.
10:37I can't say that.
10:38What is this guy saying?
10:39How is he talking about?
10:40I'll give you a fuck here.
10:42You understand?
10:43She is my mother,
10:44you motherfucker.
10:45Sir,
10:47how many people are allowed in AGM?
10:51Two.
10:52Two.
10:53So,
10:54this is Mr. Gulati
10:55and this is Mrs. Gulati.
10:56So,
10:57there are two people here,
10:58right?
10:59Right.
11:00Let's talk about this guy.
11:01Let's talk about this guy.
11:02Whoa, whoa, whoa.
11:03Cool, cool, man.
11:04Absolutely.
11:05Whoa, whoa.
11:06Cool, cool.
11:07You didn't say that
11:08but he told me
11:09a motherfucker.
11:10Huh?
11:11Motherfucker means
11:12mother chod.
11:14And two things,
11:15open your mouth and listen.
11:17My father will wear longi
11:18and he can't stop someone's father.
11:22And the other thing,
11:24is that here?
11:31Is that here?
11:40Is there another discussion
11:41or complaint?
11:43We have a national meeting.
11:45We have a national meeting.
12:06Hmm.
12:07Hmm.
12:08Hello?
12:24Sorry, what?
12:29Hmm.
12:30Who is that?
12:32Roxy.
12:33Excuse me, I got a call?
12:34Come in.
12:35Chabby is correct.
12:36He doesn't have to turn away.
12:37I am really sorry, sir.
12:38Why sir?
12:39How about?
12:40Excuse me, I've got a call.
12:50Come in.
12:56Chabi was correct.
12:57He didn't take the door.
12:58I'm really sorry, sir.
13:00Why, sir?
13:01Go, go.
13:10Are you scared?
13:11You didn't do anything.
13:12No.
13:15No, I'm alone.
13:17There is ample space.
13:21You probably won't remember,
13:23but yesterday night we had a cognac.
13:26We had a great company.
13:29Thank you, sir.
13:38Sir, what?
13:40Shows you have released.
13:45We really appreciate it, sir.
13:46Come on.
13:47Don't lie.
13:50In my childhood, my mother was released.
13:54I never got a chance to reciprocate.
13:56You're a great man, sir.
13:59So are you, mister.
14:03Yesterday was the most entertaining event of my life.
14:06Yeah.
14:08So I asked this gentleman for your number.
14:11Great meeting you.
14:13Nice meeting you, too, sir.
14:15This is my wife.
14:16Manjari.
14:17I'm in Dubai.
14:18I'm in Dubai.
14:19I'm in Dubai.
14:20I'm in Dubai.
14:21I'm in Dubai.
14:22He's a tycoon.
14:23Daddy, Uddeshi.
14:24Can you believe this?
14:25Manjari, Uddeshi's brother is in our building.
14:26Manjari.
14:27They are the biggest.
14:28No, I mean the biggest.
14:29I'm in Dubai.
14:30No, I'll give you a name.
14:31I'm in Dubai.
14:32He's a tycoon.
14:33Daddy, Uddeshi's brother.
14:34Can you believe this?
14:37Manjari, Uddeshi's brother is in our building.
14:39Manjari.
14:40They are the biggest.
14:41No, I mean the biggest.
14:42He's a big.
14:44No, no.
14:45In Dubai.
14:46What's happening here?
14:47What are you doing here?
14:50Such a nice man, right?
14:53I'll give him a shira for tomorrow.
14:56Hey, you leave shira and leave.
14:59I'll save him for the first time in the morning.
15:02I'll save him for the first time in the morning.
15:17Is it printed, sir?
15:21Yes, sir.
15:24Are you going to go?
15:26No, no.
15:28Sir.
15:30I want to meet Anand from the country.
15:34In any way, in my family...
15:36Sit down.
15:42I have a great project, sir.
15:44A project only those countries can execute.
15:48Thank you, sir.
15:50Manjiri.
15:51Hello.
15:56Hello.
15:57This is Shira.
15:58Sit down.
15:59Sir, I was going to come first.
16:01It's a way of saying thank you for tomorrow.
16:04I asked you, I said before.
16:06Otherwise, you'll feel like...
16:09Sir, these are two separate things.
16:12I know that.
16:14One minute.
16:15Naresh?
16:16Yes, sir.
16:17Take a plate and put a chamchi.
16:18Okay.
16:19And then you'll have tea.
16:20Okay.
16:21What's your name?
16:22Naresh?
16:24No.
16:25Ah.
16:27Joy.
16:28Joy.
16:31Yes.
16:33Hi, Joy.
16:34Hi.
16:54I love innocence.
17:20Yep.
17:24Good job.
17:25It was the only thing I wanted.
17:29OK.
17:30I call her.
17:34It's a poor thing.
17:36Old dog.
17:40Alzheimer's detector.
17:44Toilet habits have been said.
17:48Sorry.
17:50You were saying something.
17:52Sir, you just guide me.
17:54I have to be able to reach the country.
17:57I don't know, I can tell you what I can do,
17:59but I'll do everything I can do.
18:01Everything.
18:05Take care of yourself.
18:09Take care of yourself.
18:13Take care of yourself.
18:23My brother is the same way.
18:26Come on.
18:35Will bye.
18:59Stop.
19:00One thing about that family, if you clean your mouth one time, they will clean your mouth with your mouth.
19:11Sit down.
19:20My mouth is clean.
19:25I'll clean your mouth one time.
19:27Those people who do this work with me, I'll do everything from them.
19:37I know business, sir.
19:39It's not just about give and take.
19:41It's also about take and give back.
19:46That's what I saw yesterday.
19:48You really know how to give it back.
19:52Sir, I'll explain your ideas.
19:55There's no need.
19:57I've understood you.
20:01I know you are worthy of it.
20:03If you don't want to talk about Dandegi, I'll take a look at it.
20:09I feel like...
20:11At the same time...
20:13...the innocence of Sanjoy.
20:16We'll talk about Dandegi.
20:18Yes.
20:19Chai.
20:20Please.
20:22Please.
20:26Thanks.
20:32Wow.
20:42Lovely.
20:45You too.
20:48And yes.
20:50All the best to you too.
20:52Because this will go into family.
20:54But...
20:55...the life will become your own.
20:59And one important.
21:01In that family, there are 3-4 routes in that family.
21:08But we will look for the most easy route.
21:13It's not a job.
21:21She comes to 8 o'clock at night.
21:25She takes two shots of Jeanne.
21:31In the bar, there is a second chair reserved.
21:35So you can take the adjacent chair.
21:38I have to go to the bathroom.
21:42Wait a minute, please.
21:44I will stop.
21:46She's going to come.
21:47Cheers, peeps.
21:49Bring up.
21:51The bill's on me.
21:53Cheers.
21:54Look.
21:56The son of the big father.
21:59She's completely alerted.
22:02Hmm.
22:03Okay.
22:04I'm going to go to the bathroom.
22:06Oh, man.
22:07She's going to come.
22:08She's going to come.
22:09She's going to come.
22:10She's going to come.
22:11She's going to come.
22:12I'm going to go to the bathroom.
22:14Hello, ma'am.
22:16Okay.
22:17Ahem.
22:18Ahem.
22:19Ahem.
22:20Darling, I can't live like this.
22:22Why don't you just sell the bill of memorial land?
22:23We don't even go there.
22:24Darling, it's not that easy to sell that land.
22:26Come on.
22:27Come on.
22:28Hmm.
22:29Hmm.
22:36Darling, I can't live like this.
22:39Why don't you just sell the bill of memorial land?
22:41We don't even go there.
22:43Darling, it's not that easy to sell that land.
22:46Come on, let's just celebrate your birthday.
22:48Hmm.
22:49Cheers.
22:50Cheers.
22:52Good hour, honey.
22:53Yeah, come and sit.
22:55Are you here?
22:58Go to that one.
23:05Is your land in the village?
23:07Excuse me?
23:09Is your land in the village?
23:16I'll meet you tomorrow.
23:23Yeah.
23:29Happy birthday.
23:46Happy birthday.
23:47You too, Janine.
23:48Yeah.
23:54Akshat.
23:55Yes, sir.
23:58Two champagne, please.
23:59Two champagne?
24:00Okay.
24:13Oops.
24:14Excuse me.
24:15By mistake.
24:16Picture look like a man.
24:18Please continue.
24:23That brat entered the ladies' washroom and didn't even say sorry.
24:30Which brat?
24:40Excuse me.
24:41Are you too drunk to even apologise?
24:44Huh?
24:46You?
24:47Ladies' washroom.
24:50I said it was a mistake.
24:52What else do you want me to do now?
24:53I want you to apologise like any decent man would.
24:57That I'm not.
25:00Let's go.
25:01Let's have a drink.
25:02How are you talking about?
25:03I know.
25:05Brilliant idea, brother.
25:07Let's all have drinks.
25:08On me.
25:09Yeah.
25:10Good idea.
25:11Yeah, yeah, yeah.
25:12Wait a one more round for everyone in...
25:18Oh!
25:20Hey.
25:21Are you okay?
25:22Yeah.
25:23I'm fine.
25:24I'm fine.
25:25Hey, let's go.
25:26Let's go.
25:27Come here, ma'am.
25:28The son is in a fight, ma'am.
25:30Bujwal.
25:31Bujwal, get up.
25:33Bujwal.
25:34Are you okay?
25:35Bujwal.
25:37Bujwal.
25:38Bujwal.
25:39Bujwal.
25:40Bujwal.
25:41Okay.
25:42Bujwal.
25:43Bujwal.
25:44Bujwal.
25:45Bujwal.
25:46Bujwal.
25:47Cool.
26:03Cigional enforce.
26:05I am Whilst.
26:06Bujwal.
26:07Have you chosen James?
26:08Thanks, son.
26:14Andara.
26:29You think she'll still entertain me?
26:32Relax.
26:35She loves the land.
26:38Go and show papers.
26:40Ask a job.
26:43And ask a son to ask a son.
26:46He's a good child.
26:48He won't hold grudges.
26:51Do you know that idiot?
26:54Yes.
26:57He's my son too.
27:04She's my ex-wife.
27:08He's not.
27:10He's gone.
27:11He's gone.
27:13He's gone.
27:15What?
27:17No.
27:19She's gone.
27:20He will come to the house today.
27:35Okay.
27:37Let me see the lawyer and call the gun.
27:44Yeah, thank you.
27:51Ma'am.
27:53I have tremendous respect for this company.
27:56I have come up with Kanjomar's 40s.
27:59I think I have a lot of ideas.
28:01What do you want?
28:03Job?
28:04Access.
28:07I'm working on an idea that I think is just the country.
28:10You're hired.
28:12Huh?
28:15You must be talented.
28:17So, who has sent us, we trust him in his eyes.
28:24And it's time to leave Rohington's house.
28:27Maybe he forgot that he can't check without a background check.
28:35But I think you should apologize to Ujwal.
28:37Get up with him.
28:39I'll call him.
29:00I'm sorry for yesterday.
29:01I'm sorry for yesterday.
29:10I'm sorry for yesterday.
29:18No one can do anything on TV.
29:19No one can do anything on TV.
29:24Leave him here.
29:37Come here, Dubey.
29:39What do you say in Hindi?
29:42No one can do anything on TV.
29:44What do you say?
29:46Djinn.
29:47Djinn, they say.
29:49That's why I keep my Djinn here.
29:51That's why I keep my Djinn.
29:52That's why I keep my Djinn.
29:53That's why I keep my Djinn.
29:54Yes, the woman behind the door.
29:55It's great, buddy.
29:57Take care now.
29:59What?
30:00Take care now.
30:02Why are you hesitating, man?
30:04This man took my time to help me.
30:06Don't forget to keep my days away.
30:08Don't forget to keep my days away.
30:11Don't forget to keep my days away.
30:13I have no reason to keep my days away.
30:17Why are you hesitating, man?
30:19He gave him just like Tyson.
30:22There was a valid reason for me.
30:24I'll give a valid reason.
30:25If you don't kill me, it'll be 101% of the job.
30:40Look, I'll drive a car with a 10-Rupi.
30:44I didn't avoid your punch today.
30:47I thought that the reflexes were gone.
30:49What a test!
30:51Everything is perfect.
30:56I'm really sorry for yesterday.
31:02What was your first sorry?
31:06Honestly, it was a business.
31:15You know, I love the word honestly.
31:19It's uttered honestly.
31:21A drink?
31:22No.
31:24Today's the first day of the job, I don't drink any.
31:29Job?
31:29Yes.
31:30You've kept Maharani's work, right?
31:33Tudwala, Mali, Event Manager...
31:38They give an appointment to them.
31:41But the real jobs...
31:43They have a Maharaja.
31:46My father...
31:50I have to get the best of the country.
31:53Will you help me?
31:55No.
31:58Look, I'm going to that side.
32:01I have a lot of money for my family.
32:04Vulgar money.
32:05I have to get more money.
32:06I have to get more money.
32:07I have to get more vulgarity.
32:08I have to get more vulgarity.
32:09I have to get more vulgarity.
32:12That's why...
32:13I have to get the best of Ayashi.
32:16See...
32:17Ayashi is not my problem.
32:20It's my philosophy.
32:24Now you have to be friends.
32:27I have to get to Ayashi.
32:28I have to get more vulgarity.
32:33Then come to me.
32:35Do you have to do it?
32:38Then go to your own way.
32:40The farm is a big part.
32:43You will find anything.
32:58Manjari.
33:12I'm working.
33:16And I'm ovulating.
33:18Yeah.
33:24Why are you so surprised?
33:26I've been married for three years.
33:32And I want a baby.
33:36Okay, let's finish this first.
33:43Do you have money now?
33:46Manjari, I joined earlier.
33:49Can we please discuss this later?
33:55There's no need to discuss it.
34:00When one's not ready, the other has to wait.
34:04When one's not ready, the other has to wait.
34:25What is going on?
34:26The other one has to quit.
34:27It's not the best.
34:28It's not the best.
34:29It is the best.
34:30It's to do this.
34:31It is a bit cyber-like.
34:32We don't want to get back.
34:33But the other is going on to get back.
34:35If I'm not ready, I will try.
34:37Well, it isn't my baby.
34:39One is to be a sponge.
34:40If I pass it, I'll try.
34:41You're gonna have to get back.
34:43You're gonna have to do it.
34:45I'm taking a sponge.
34:47The other is to do it.
34:49You're gonna have to be safe.
34:50I need to get back.
34:52I will be careful.
34:53Oh, boy.
34:59Well, I'm good.
34:59I'll leave.
35:01Well, I can't.
35:03How are you, Will?
35:04I'm good.
35:05Let me see you.
35:06Well, I'll leave.
35:07Sorry.
35:10Let's go.
35:10Let's go.
35:11Let's go.
35:23I don't know.
35:38Baba, it's okay.
35:42It's not okay.
35:45He has stopped dying.
35:48He always said that you don't die before your mother.
35:55I told you that you don't die before your father.
36:01I'm going to teach you, son.
36:03Hey, father.
36:05Come on.
36:07Come on.
36:08Come on, Bhashan.
36:12What?
36:13The water.
36:15Come on.
36:16I am...
36:17Please save me.
36:19Do you want to be killed in rehab?
36:24I have no idea how to do that.
36:27Please save me.
36:31Please save me.
36:33Please save me.
36:34Please save me.
36:36Please save me.
36:37Please save me.
36:42I'm going to go back, please.
36:47I will find you the best rehab of the world.
36:51And the best doctor will be the best doctor.
36:56Beautiful rehab and a beautiful doctor, I promise.
37:12That's why I'm gonna go back, I promise.
37:16That's why I'm going to go back as soon as I can get the most out there!
37:19And this is a dream, true-so-so-so-s, so-so-so-so-so-so-so-so-so-so-so-so-so-so-so-so-so-so-so-so-so-so-so-so-so-so-so-so-so-so-so-so-so-so-so-so-so-so-so-so-so-so-so-so.
37:28That was a real fact.
37:34I mean, it's a real fact that I was just talking about 5 years ago.
37:37PIANO PLAYS
38:07PIANO PLAYS
38:37PIANO CONTINUES
38:42PIANO CONTINUES
38:46PIANO CONTINUES
38:52PIANO CONTINUES
38:56PIANO CONTINUES
39:01PIANO CONTINUES
39:15PIANO CONTINUES
39:20PIANO CONTINUES