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02:16That's what I told you.
02:18You told me about my business.
02:22Okay, look at that.
02:24I'll take care of it.
02:26I'll take care of it now.
02:28I'll take care of it.
02:35Did you take care of it?
02:38Let's take care of it.
02:40Okay, I'll take care of it.
02:42I'll take care of it.
02:44No, I'll take care of it.
02:46I'll take care of it.
02:50That's why I told you,
02:52I'll take care of it.
02:54I'll take care of it.
03:08I'll take care of it.
03:10We'll meet with you.
03:12I'll take care of it.
03:18I'll take care of it.
03:20I'll take care of it.
03:22I'll take care of it.
03:24Come on.
03:26You've got to get care of it.
03:28Go.
03:30Bye.
03:32Bye.
03:42I told you,
03:44I told you,
03:46Mr. Fang,
03:48Mr. Fang,
03:50Mr. Fang,
03:52Mr. Fang,
03:54Mr. Fang,
03:56Mr. Fang,
04:10Mr. Fang,
04:12Mr. Fang,
04:14Mr. Fang,
04:16Mr. pig,
04:18Mr. Miss
04:18Mr.
04:31Fang,
04:32I'll take care of it.
04:33Get back,
04:45Mr.Fang! Mr.Fang! I came. I don't know what I'm talking about.
04:53I'm...
05:02I'm sorry.
05:04Mr. Chenna, you know, you're not a bad person. You're not a bad person.
05:18That's why you're not a bad person.
05:19I'm sorry.
05:23Mr. Chaya, what's your bad person?
05:28You're also a shopping place. You're not a bad person.
05:32Please, please. I'm going to introduce you.
05:35He's a good person, you're a bad person.
05:37Who's the one who's the one who's the one?
05:38Who's the one who's the one who's the one who's the one?
05:40Who's the one who's the one who's the one?
05:41Tell him to Chai Ziyo.
05:43Tell him to come.
05:45I'm afraid I'm afraid.
05:47I'll stop.
05:48Mr.Fang, Mr. Chaya, you're going to come and go to your wife, right?
06:02Mr. Chaya, why am I knew standing there?
06:05Why am I waiting here?
06:13Hello!
06:14Mr. Chaya, Mr. Chaya, you're already'M plans.
06:21Mr. Chaya, the third person is who is crying.
06:25There is no code in the online.
06:28If you tell me, you have to understand a misunderstanding.
06:31That's why you are fine.
06:33Oh my god.
06:44Mr. Han.
06:45You have to book a room for me.
06:48You have to go home.
06:50I don't know who knows. Ms. Choi said to her. I'm going to book it.
06:58If you think you're in the hotel room, I'll tell you.
07:02That's why you're going to die.
07:04Mr. Fang, please let me see this.
07:08I'm going to see her.
07:10I'm going to be decent.
07:12I'm going to tell you.
07:20I'm going to bear me.
07:25Hmm?
07:26Why are you crossing the hotel allใใ?
07:29We can talk inneme ัะฒะพั, when we talk about Germany.
07:32Right before our girl starts, the girl does notaring her anymore.
07:34If you're learning something you ask.
07:37Then, than to tell us, my girl does not say anything.
07:40Now, I want to go for your mum.
07:42If you go, I'll tell you that day.
07:44Now, remember thatๆ ha conventional situation.
07:45I'll tell you.
07:48I'll tell you two names.
07:50You come to your house.
07:52I'll give you a gift.
07:54Then I'll give you a gift.
07:56I'll give you a gift.
07:58I'll give you a gift.
08:00I'll give you a gift.
08:02What?
08:04Shilla...
08:06That's my gift.
08:10Why are you giving me a gift?
08:12I'll give you a gift.
08:14I'll give you a gift.
08:16You'll come to me and tell me.
08:18I'll tell you.
08:20Tell me.
08:22I'll tell you.
08:24I'll tell you.
08:26Actually, I'm not here.
08:28I'll tell you.
08:30I'll tell you.
08:32You're two names.
08:34You're a gift.
08:36You're a gift.
08:38You're a gift.
08:40You're a gift.
08:42You're a gift.
08:44I'll tell.
08:46You're a gift.
08:48You're a gift.
08:50You are a gift.
08:52You are a gift.
08:54Please tell us how to do it.
08:58It's not that you, you two are talking to a girl.
09:02If you two are talking to a girl, you know what to do with me.
09:09Thank you, Sister Chai.
09:11I'm going to deliver you.
09:14I'm going to help you.
09:17I'm sorry.
09:19I'm going to put a mask on.
09:22I'm sorry, Sister Chai.
09:24If you are a man, I will go to Mr. Fang.
09:27That's why I come here.
09:29I'm a coastal hotel.
09:31Mr. Fang is also a financial support.
09:34Correct.
09:35You said that it's a man.
09:42What did I say to you?
09:43The first report is to summarize a little bit.
09:49Hello, Room Service.
09:51Let's go to the table.
10:01Let's go to the table.
10:03Mr. Fang would Quแปc.
10:16Mr. Fang, does the same thing you told me?
10:18In the past recientialๆ realm, let me go somewhere meta and have to repercelling.
10:20The marketing team reformula.
10:21Mr. Fang, is it that you are something in the hotel?
10:24Is there anything else in the hotel?
10:26I'll tell you about it.
10:28I'll talk about it in personal matters.
10:36Let me know about it.
10:39I'll update the quarterly feedback.
10:41I'll talk about the last meeting.
10:45I'll talk about it in the advertising department.
10:47Do you know about it?
10:49Mr. Fang.
10:51I'm ready for your personal matters.
10:53I'll tell you why.
10:55Why are you so wrong?
10:57Can't tell me any Earlier in my meeting.
11:03Today I picked up you.
11:06I'm glad you were so happy.
11:09You must love it?
11:11I love you.
11:13Why are you so happy?
11:17Why are you so happy?
11:19I'm so happy.
11:21What are you talking about?
11:23I am talking to you.
11:24If you eat this dish,
11:26you'll get a lot of energy.
11:29Mr. Han, you're coming to the security.
11:32Please, please, Vanda.
11:33Tell me,
11:34you want to go home?
11:36I think I'm going to talk to you.
11:39I'll tell you.
11:4110 minutes.
11:41I'm going to talk to you.
11:421 minutes.
11:43I'm going to talk to you.
11:443 minutes.
11:44I'm going to talk to you in a meeting.
11:451 minutes.
11:46Tell me.
11:47That's what I'm saying.
11:50I'm going to talk to you.
11:53You told me to talk to me about you.
11:56I told you something.
11:57That's right.
11:59Do you want me to talk to you?
12:01I can't tell you anything.
12:04I'm collecting hormones.
12:06But...
12:07I can't tell you.
12:09What's your ex-girlfriend?
12:12You can tell me anything.
12:14I can't tell you anything.
12:16What can I tell you?
12:21Why did you approach me?
12:24It's because of your hormones.
12:28What can I tell you?
12:32Chai Ziyoki, you told me to come here.
12:37But I didn't say anything.
12:40I didn't see you.
12:43I didn't say anything.
12:45Please.
12:46I didn't say anything.
12:47I killed the police.
12:48I killed the police.
12:51I have a perfume for you.
12:54I am a value person.
12:56I am a value person.
12:58I am not sure.
13:00That's how it is.
13:02I don't know anything about that.
13:05You can't do anything.
13:08You can't do anything.
13:10You can't do anything.
13:12You can't do anything.
13:13You can't do anything.
13:14You can't do anything about that.
13:16What is your contract agreement?
13:18Who knows?
13:19That's a bad thing.
13:21What are you talking about?
13:22I'm telling you.
13:23You're the only problem.
13:25That's your problem.
13:27I'm telling you about your company.
13:31You can't do anything.
13:33You can't do anything.
13:35What are you talking about?
13:37Is it a bad thing?
13:38You're the only problem.
13:39That's your secret.
13:40That's...
13:41Why?
13:42You're the only problem.
13:43That's the right thing.
13:45That's the right thing.
13:46I can't do anything.
13:48You can't upgrade that.
13:50Chai Ziyoki, you can handle this. Mr. Fang, this is one design company.
14:00That's all they have to do. They have to do it for 4 months.
14:04They have to revise the contract agreement.
14:07Do we have any compensation?
14:09No, they don't.
14:11They have to control our contract and their creative freedom.
14:16They don't know what they have to do. They don't know what they have to do.
14:20That's why we signed a contract agreement.
14:22That's why we have advice for the company's collaboration.
14:24That's why Ziyaki is doing this.
14:27They don't have any contract negotiations.
14:29They don't have any experience. They don't have any experience.
14:31They don't have any experience.
14:32What are you talking about?
14:33I'm sorry.
14:34Ms. Chai.
14:39Ms. Chai.
14:41I asked it not much.
14:42I'm not sure what they have to do with Ziyoki's product.
14:47I'm going to finish the meeting.
14:50What is it?
14:51Nothing?
14:52It's okay if you get to get any trouble.
14:54You are looking at your contract agreement.
14:55Mr. Chai.
14:56What's going on?
14:57Mr. Chai.
14:58Mr. Chai.
14:59Mr. Chai.
15:00All the best.
15:01Mr. Chai.
15:02Mr. Chai and Mr. Chai.
15:04Mr. Chai.
15:05Mr. Chai.
15:06Mr. Chai.
15:07Mr. Chai.
15:08You said to me, I'm going to talk about the contract basically, but that's what I'm doing.
15:14I'm doing something wrong. I'm doing something wrong.
15:18If I can't do anything, I'll resign.
15:22I'm going to give you the documents Mr. Han.
15:26I'll give you the results.
15:27I'm going to give you the results.
15:29I'm going to give you the results.
15:31A little bit.
15:34You're not going to get into it.
15:46I'm going to tell you how to do something wrong.
15:50I don't know how to make this boss.
15:52He told me this boss.
15:54He's not going to be angry at all.
15:57If I'm a farmer, I can't afford this company.
16:01Rich Chahi, good luck.
16:03I'm your number.
16:15I'm happy to be able to give you a chance.
16:17But it's a climax.
16:19What do you do now?
16:22If you're going to die,
16:24you're going to die.
16:26That's why I am so proud of you.
16:29What did you say to Chen?
16:31Chen is a customer.
16:33He told me about Fang.
16:36He was a man named Thapa.
16:39He was a man named Fang.
16:42How did he get a Thapa?
16:45I also asked Mr. Hunter.
16:47He was a man named Thapa.
16:50He was a man named Thapa.
16:53He was a man named Thapa.
16:58What did you say?
17:09Come on.
17:10He was a man named Thapa.
17:13He was a man named Thapa.
17:16He was a man named Thapa.
17:18He was a man named Thapa.
17:21How did you taste it?
17:24It's a taste.
17:27This is a taste of the sausage.
17:29It's a taste of the sausage in the road.
17:34I don't know how to go.
17:38I'm looking for a TV series.
17:40You can go to the side.
17:42I think there are three ideas.
17:45What?
17:46What?
17:47First.
17:48I'm going to show you a painter.
17:50I'm going to show you a company.
17:51I'm going to show you a company.
17:52That's not true.
17:53Painting is a passion.
17:54If you don't have a man,
17:56you're going to talk to someone.
17:57You're going to talk to someone.
17:58Hmm.
18:00Then,
18:01I'm going to show you the first time.
18:03I'm going to show you a man named Thapa.
18:05I'm going to show you a man named Thapa.
18:07You are a twinesta muchoter.
18:09Thanks.
18:10I hope I have a lot of fun.
18:13Is another charm of these fans,
18:15the hร ng,
18:16they would see me,
18:17my grandmother,
18:18my children will bow down.
18:20I won't TUIT on that.
18:22No, I can't do it.
18:23I can't do it.
18:24But you can't do it.
18:26It's not that you can do it.
18:28It's a big deal.
18:34You can't see it.
18:36What do you think?
18:38You'll know.
18:40What are you doing?
18:42I'm going to do it.
18:44You can tell it.
18:46That's what I can do.
18:48I'm telling you, if you're learning how to do it, that's a problem.
18:52That's the first thing.
18:54I'm telling you.
18:56What do you say?
18:58I'm telling you.
19:00I'm telling you.
19:02I'm telling you.
19:04I'm telling you.
19:06That's right.
19:08I'm telling you.
19:10I'm telling you.
19:12I'm telling you.
19:14I'm telling you.
19:16I'm telling you.
19:18I can't pass the exam.
19:20I'm telling you.
19:22I'm telling you.
19:24I'm telling you.
19:26I'm telling you.
19:28Thanks.
19:44Fanglli.
19:46Help.
19:48Mr. Yes.
19:50studs check your Frank.
19:52Fanglli.
19:54These areะฑัbook.
19:56Fanglli.
19:58The show of this to everyone.
20:00Where are the cover here?
20:04Making sure you're getting on.
20:06We're in aะธัvre.
20:10Do you walk through the cover here?
20:11Mom, I've been eating now.
20:15I'm going to eat now.
20:20Why are you coming here?
20:22Mom, why don't you tell me about me?
20:25Don't go down.
20:27Don't go down.
20:28Don't go down.
20:29Mom,
20:31I'm looking at my mom and mom and dad.
20:34I'm so sorry.
20:35I'm so sorry.
20:37Mom,
20:39I'm not sure you said anything.
20:41You're all right.
20:42You're all right.
20:43I'm so sorry.
20:45Is that a package?
20:47One, one.
20:48Then you're like a poor boy.
20:50You're like a poor boy.
20:52Fangly.
20:54You're not too much.
20:57I'm sorry.
20:59He's just talking to me.
21:01Why?
21:02You're already talking to me.
21:04You're also talking to me.
21:06Why?
21:08We have to talk to you.
21:10You're not saying anything.
21:12Why are you talking to me?
21:13I'm saying something to me.
21:15I'm saying something.
21:17Mom, we're talking about this.
21:28If you are talking about this,
21:30it's just a big deal.
21:31I'm talking about this too.
21:33I'm saying something about this.
21:35Please.
21:36I said to you, I'll go away from a room.
21:39You're not talking about it,
21:41you're a taxi station.
21:43People are coming here.
21:44If you tell me,
21:46I don't know what to say
21:47I'm going to try.
21:48If you're a man,
21:50I'm going to go to a double chin.
21:52I'll go.
21:54Go ahead.
21:56I'm looking for a man.
21:57It's a great thing.
22:05Where did he go?
22:07Where did he go?
22:13What is this?
22:20Why did he come here?
22:35Why did he come here?
23:05Thin?
23:08Well, toilets
23:12That was just a day
23:14Why did we come here?
23:19you gave the money 12.30
23:21Olden ะผะธะฝัั
23:24car khai
23:25I have an English language
23:27to purpose
23:28Anyway, to my work
23:29Precient
23:30Is this hora
23:31Bye-bye
23:32Bye-bye.
23:56Future Group is a brand concept.
23:58It's a self-confidence.
24:01It's a nature of inspiration.
24:03You're a good person.
24:05You're a good person.
24:07It's a good person.
24:09It's a good person.
24:11We are going to get a package design for a contract.
24:15This is a creative freedom.
24:17That's why we're a part of a collaboration.
24:19We're a highly compatible collaboration.
24:21We're doing a good job.
24:23We're doing a good job.
24:25It's better.
24:27You have a lot of information.
24:29You have a lot of professional.
24:30You have a lot of effort.
24:32You don't have a lot of information.
24:34You can talk about all companies.
24:36We're talking about rhetoric.
24:38We're talking about convincing.
24:40We're talking about convincing.
24:42You have a lot of information.
24:44I'm trying to get a lot of information.
24:46That's why...
24:48Siyaki,
24:50are you talking about telling us?
24:52I can't tell you.
24:54Okay, tell me.
24:56I can't tell you.
24:58I can't tell you.
24:59I can't tell you.
25:00Mr. Wang,
25:02I can't tell you.
25:03I can't tell you.
25:04I can't tell you.
25:05I can't tell you.
25:06I can't tell you.
25:07Why are you talking about it?
25:08You have creative freedom.
25:09You are also other party.
25:11That's why you have a restriction of the first party.
25:13That's why you have a problem.
25:15You can't tell the creative freedom.
25:17Therefore, you come and prepare for cooperation.
25:19As for the co-operation process,
25:20you'll cut out three steps.
25:22They'll do their ideas.
25:24Because you'll do it.
25:25I'll see you soon, huh?
25:27The job has to tell you some job.
25:29That is not her job has to give an opportunity to leave us
25:32They do not have to give an opportunity to give an opportunity to give a chance.
25:35You may have to give an opportunity to give an opportunity.
25:38Okay, this is a good opportunity.
25:40Mr. Jahang, you told me you have to tell the answer from Ms. Choi
25:46We can't confirm yet.
25:47You can't tell yourself anything for this.
25:49no contract signed.
25:50How are you?
25:53Niche Ma, you can explain everything to me.
25:56If you don't understand that, I'm going to kill you.
25:59I'm Mr. G. Yang's selectioner, Niche Ma's number.
26:11Why do you do your friend?
26:15You're the one who knows.
26:17You're the one who knows Mr. Yang.
26:19Ah...
26:20Then why did you change my reputation?
26:23That's why I'll tell you that.
26:26I'll tell you my friend.
26:30Why?
26:31I'll take Levan now.
26:35Okay, Levan.
26:37Why do you take me here?
26:39You've been here for 4 months.
26:42I'm late now.
26:44I'll take care of you.
26:47Bye-bye.
26:48Hey, look, look, look.
26:50Did you tell me?
26:52I'm so tired.
26:54I'm so tired.
26:56I'll come to a restaurant.
26:58Excuse me.
26:59Let's go.
27:14Bye-bye.
27:15Bye-bye.
27:16Bye-bye.
27:17Bye-bye.
27:18Bye-bye.
27:19Bye-bye.
27:20Bye-bye.
27:21Bye-bye.
27:22Bye-bye.
27:23Bye-bye.
27:24Bye-bye.
27:26Bye-bye.
27:27Bye-bye.
27:28Bye-bye.
27:29Bye-bye.
27:30Bye-bye.
27:31Bye-bye.
27:32Bye-bye.
27:33Bye-bye.
27:34Bye-bye.
27:35Bye-bye.
27:36Bye-bye.
27:37Bye-bye.
27:38Bye-bye.
27:39Bye-bye.
27:40Bye-bye.
27:41Bye-bye.
27:42Bye-bye.
27:43Bye-bye.
27:44Bye-bye.
27:45Bye-bye.
27:46Bye-bye.
27:47Bye-bye.
27:48Bye-bye.
27:49Bye-bye.
27:50Bye-bye.
27:51I signed the contract. I can't get out of the future group.
27:54Good night.
28:01Mr. Fang, do we have any issues in this contract?
28:05What rules do we have to do in the contract?
28:08That's why we have to collaborate with the company.
28:13Ms. Joyce told us.
28:15We have to go to the next few days.
28:18We have to go to the next three months.
28:21I don't know what to do.
28:25If you have a problem with this one,
28:27you will have a problem.
28:29If everything is fine,
28:31you will come to the same place.
28:41It's nice.
28:51What are you doing?
28:55The system has failed. It's a good thing.
28:59It's a good thing.
29:01I've got a contract sign.
29:03I don't want to get a fan game.
29:05Why are you going to get a fan game?
29:07Why are you going to get a fan game?
29:11That's fine. Why are you going to get a gift?
29:13Sister Shy told me that.
29:15I don't want to get a gift.
29:21It's a small gift.
29:23If you sign a ZOK contract,
29:25Mr. Fang is going to get a girlfriend with us.
29:27I'm going to get a girlfriend with you.
29:29I'm going to go out with a Rishi Thang.
29:31Hey guys.
29:33My friend is the one company.
29:35She's got a photo of our boss.
29:37But she's still alive.
29:39She's still alive.
29:41She's still alive.
29:43She's still alive.
29:45She's still alive.
29:47Mr. Fang.
29:51Is it a very photo?
30:05You know, here is just asocial death.
30:07This is only coincidence.
30:09I can tell you.
30:11I'm happy that never happened.
30:13But I told you all a good photo.
30:15I saw a picture in my heart.
30:17No, I don't think we're going to do anything in the same time.
30:24You're a good person.
30:27You're a good person.
30:31You're a social contractor.
30:33You've succeeded in a company that's successful in one company.
30:38You're a good person.
30:40I'll give you a chance to help you.
30:42But the personal life is also the two neighbors.
30:46They can be one and one.
30:50Neighbors?
30:51Right?
30:53I have to ask you something.
31:00Hello Mr. Han.
31:12Hello?
31:28Sissy Chai?
31:30Why are you asking?
31:31Why are you asking?
31:33Why are you asking?
31:35You called me the owner.
31:36You are coming to Fang Lang.
31:38I'm going to help you.
31:40Why?
31:42Okay, so I will tell you.
31:44You know.
31:45I don't know.
31:46What was the owner of Hyendra?
31:49Who was in this hospital?
31:53He was there in the hospital.
31:54Because of the hospital.
31:55He took down the hospital.
31:57I didn't.
31:59I'm a person who came to camp.
32:02That's why I drove here.
32:05But I didn't.
32:07I don't have the help there.
32:10Let's go to this place.
32:14I understand.
32:17Let's see your sister.
32:18I'll go to Fang.
32:23This place.
32:31Mr. Fang.
32:34Mr. Fang.
32:40Mr. Fang
32:43Mr. essays
32:46Let this day, should you see.
32:47Mr. Fang
32:48first to be a boom,
32:50Mr. Fang
32:51Mr.idge
32:52in the studio.
32:53Mr. Doug
32:55Mr. Campbell
32:56Mr. bum
32:58Mr.เฎ
32:59Mr.rah
33:00Mr.ะธะฒะตั
33:01Mr. who Bye
33:02Mr. zwei
33:03Mr.
33:07Mr.
33:09He's a man in the church.
33:11And he's the one who is saved.
33:14He's the one who lives on the church.
33:17That's right, he's the one who lives in the church.
33:18He's the one who lives on the church.
33:20He's a man who wants to give up he doesn't give up.
33:22He does have the same as he gets out.
33:24He's the one who is saved.
33:27He doesn't give up first time for you.
33:30No, I don't give up.
33:32If he's the one who knows the other, he can't put him.
33:34Who said that he's the one who doesn't?
33:36Your parents should not give up.
33:38If you want me to go to the house, you can go to the house.
33:42No.
34:07I love you.
34:37I love you.
35:07I love you.
35:37I love you.
36:07I love you.
36:37I love you.