#drama #cdrama #romantic
#drama #cdrama #romantic #love #movie #shortdrama
#drama #cdrama #romantic #love #movie #shortdrama
Category
🎥
Short filmTranscript
00:00:00Hey, how much should I take you to my place, baby doll?
00:00:24Sorry, I don't do private dances.
00:00:26She'll strip her money, but you won't fuck a guy?
00:00:28I'm not a hooker. Show some respect.
00:00:32You fucking bitch. I'll show you respect.
00:00:35Mr. Morgan, I am so sorry.
00:00:37She's new here. I've got to train her better.
00:00:40Just have a seat. We'll be with you shortly.
00:00:42Sorry about that.
00:00:48You ungrateful bitch.
00:00:50You remember who saved your ass?
00:00:52When you were knee deep in debt?
00:00:54ME!
00:00:58And how are we doing with the search?
00:01:00Not good, boss. I'm still going.
00:01:02Find her. I don't care what it takes.
00:01:10I found the perfect one for you. It's about time you settle down and get married.
00:01:13Her name is Carla. She's a daughter of a friend of mine.
00:01:16Dad, we've been over this. I don't need you to find me the perfect woman.
00:01:20Of course I do. You're an Arduin. I have to make sure my son marries the perfect woman.
00:01:24So now all of a sudden you give a shit about me?
00:01:26You never care when you drove Mom away?
00:01:28Or when you sent me to that orphanage all by myself?
00:01:30Silence! How dare you?
00:01:32It's for the Arduin family business.
00:01:35You're marrying Carla Jennings. End of discussion.
00:01:38Dad. Dad.
00:01:44I paid your 500 grand debt. And I gave you a job.
00:01:48Now if you want to quit so bad, pay me back and get the fuck out of my clump.
00:01:53Please, you know I don't have $500,000. Just give me another chance!
00:01:57Then get the fuck back in there, apologize to that nice gentleman, and do whatever the fuck he tells you to do!
00:02:04Now if I get any more complaints from our clients, you will be sorry. Got it?
00:02:10Is there a problem here?
00:02:12No, sir. Everything's fine.
00:02:17She looks just like her.
00:02:19Will you marry me?
00:02:32Will you marry me?
00:02:37Now let's tell my father I've chosen a wife for myself.
00:02:39Are you sure, boss? She's a stripper.
00:02:42How about we make a deal? Name any price you want, and we get married.
00:02:47I owe my boss $500,000. He's not gonna let me go until I pay it.
00:02:56Anything else?
00:03:05This is your house?
00:03:07It's our house now. Welcome.
00:03:10All right.
00:03:17Sign this agreement, and we'll be contractually married for a year.
00:03:21After that, you can file for divorce.
00:03:23Until then, you're part of the richest family in the country.
00:03:27My heart belongs to somebody else, though. I want you to know that I'm not attracted to you. We're just gonna be married on paper.
00:03:44Is that so?
00:03:48Well, don't worry. I'm not attracted to you either. I just wanted the money.
00:03:53Hey, where am I staying, by the way?
00:04:08In the guest room.
00:04:10Wow.
00:04:11Total jerk, this is an ad.
00:04:17It's been over 10 years. I miss you so much.
00:04:31That's it.
00:04:59Nas, I need you to find out everything you can about the woman I just married.
00:05:04See if she grew up in the same orphanage.
00:05:21Sorry, I didn't mean to.
00:05:23This is my bathroom.
00:05:25What do you think you're doing?
00:05:27Nice try trying to use your little tricks to get my attention.
00:05:30It's not going to work though. Sorry.
00:05:33I wasn't trying to get your attention!
00:05:42You mind turning that off?
00:05:45I just thought the carpet needed some cleaning.
00:05:48You're here to be my wife, not a maid.
00:05:53Who are you?
00:05:55Wait, you're that stripper.
00:05:59What are you doing in Edward's house?
00:06:01I am. Who are you?
00:06:04I am Edward's fiancé.
00:06:10Edward, you're marrying a stripper?
00:06:12I thought I was your fiancé.
00:06:14My father arranged for us to get married only for the sake of our families.
00:06:18We wouldn't be happy even if we did get married.
00:06:20But I would be happy, Edward.
00:06:22Carla, you know I have someone that I love.
00:06:26She's the one I'm waiting for.
00:06:28I don't know who the fuck you are.
00:06:31But if you think you have a chance against me, you're dumber than I thought.
00:06:37Miss, get it straight. I'm not competing with you.
00:06:42Stop it.
00:06:44Edward!
00:06:45You're defending her now?
00:06:48You're not dumb, bitch.
00:06:50Just wait.
00:06:52Wow.
00:06:53You got a lot of admirers, huh?
00:06:54Need more that I need to watch out for?
00:06:57Look, if you see me in the living room, don't show your face.
00:07:01Same will go for me.
00:07:03Your house, your rules.
00:07:04Big deal!
00:07:05Hi, I'm Velma.
00:07:15I've worked a lot of odd jobs in the city.
00:07:21Waitressing and working in nightclubs.
00:07:26All for a chance to act.
00:07:29I'm also looking for someone.
00:07:39And I hope that one day he sees me on screen.
00:07:48That way he knows that I'm still here.
00:07:59I hope you see me.
00:08:22That's okay, Sarah.
00:08:24Velma doesn't need to dine with me.
00:08:27Bring my food to my room and I'll eat there.
00:08:29Yes.
00:08:31It's fine.
00:08:32I usually don't eat with people anyway.
00:08:35By the way, I'm going out for a bit today.
00:08:38Where you go is none of my concern.
00:08:42Fine!
00:08:46Is he always this big of a jerk?
00:08:48Excuse him, ma'am.
00:08:49He's just used to living alone.
00:08:52I'm sorry, Sarah.
00:08:53It must be difficult dealing with him every day.
00:08:55It's okay.
00:08:59Yeah.
00:09:00I'll be right there.
00:09:02Okay.
00:09:03Sit.
00:09:04So, I heard a funny little rumor that you married the famous billionaire Edward Arduin.
00:09:10Is it true?
00:09:11I didn't know that he was a billionaire until after we were married.
00:09:12You're joking!
00:09:13How did you manage that?
00:09:14I just signed a contract.
00:09:15It's fake.
00:09:16What?
00:09:17Well, who cares?
00:09:18What are you waiting for?
00:09:19Seal the deal.
00:09:20I know that I can't think about anyone but Algar.
00:09:22T, it's been ten years since you two escaped the orphanage.
00:09:23I mean, Algar could be anywhere.
00:09:24He could be dead.
00:09:25He's not dead!
00:09:26Okay.
00:09:27Okay.
00:09:28Um, it's okay.
00:09:29Okay.
00:09:30I'm sorry.
00:09:31So, what's your plan?
00:09:32Keep things the way they are, I guess.
00:09:33Except, now I can focus more on acting.
00:09:34I don't know.
00:09:35I just signed a contract.
00:09:36It's fake.
00:09:37What?
00:09:38Well, who cares?
00:09:39What are you waiting for?
00:09:40Seal the deal.
00:09:41Come on.
00:09:42You know that I can't think about anyone but Algar.
00:09:43Oh.
00:09:44T, it's been ten years since you two escaped the orphanage.
00:09:47I mean, Algar could be anywhere.
00:09:48He could be dead.
00:09:49He's not dead!
00:09:50Okay.
00:09:51Um, it's okay.
00:09:52Okay.
00:09:53I'm sorry.
00:09:54So, what's your plan?
00:09:57Keep things the way they are, I guess.
00:10:00Except, now I can focus more on acting and not dancing in strip clubs.
00:10:05Hey!
00:10:06That's exciting, right?
00:10:07That's something you've always wanted to do since you were a kid.
00:10:10Is that audition today?
00:10:11Yeah.
00:10:19Hi.
00:10:20I'm here for the audition.
00:10:23You think you could just show up like that, you slut?
00:10:30Are you stalking me?
00:10:33Oh, don't flatter yourself.
00:10:34I'm the lead of this production.
00:10:36She's not auditioning.
00:10:38Sorry.
00:10:39You can't do this.
00:10:41I worked so hard for this opportunity.
00:10:43Oh, like stripping for men and fucking them in strip clubs?
00:10:47Got it.
00:10:48I was dancing.
00:10:49That's it.
00:10:50What's the fucking difference?
00:10:52I eat girls like you for breakfast.
00:10:55Let's go, Derek.
00:10:57No.
00:10:58Please!
00:10:59Wait!
00:11:00Be quiet.
00:11:01Come on.
00:11:02Please.
00:11:03Wait!
00:11:09Be quiet.
00:11:12No!
00:11:13No!
00:11:14No.
00:11:15No!
00:11:16No!
00:11:17No!
00:11:18No!
00:11:21No!
00:11:22No!
00:11:23No!
00:11:24No!
00:11:25No!
00:11:26No!
00:11:27No!
00:11:28No!
00:11:29No!
00:11:30No!
00:11:31Boss, let's get the details.
00:11:50Thelma, she went to a high school not far from here.
00:11:54Drove down, the husband auditioned for films.
00:11:57She worked at nightclubs to make a living.
00:11:59And bad relationship with her parents.
00:12:08But not an orphan.
00:12:11No name changes.
00:12:13And definitely never been to an orphanage.
00:12:23I wanted it to be her so bad.
00:12:27Of course it can't be Helen.
00:12:28You've been looking for this girl for 10 years.
00:12:32Who is she?
00:12:33Someone more important to me than life itself.
00:12:37Hmm.
00:12:39Hmm.
00:12:46Oh my God.
00:12:48It is her.
00:12:49Find me the location where this photo was sent.
00:12:56Got it.
00:12:57Photo's been sent.
00:12:59Good.
00:12:59Where is she?
00:13:01Oh.
00:13:02Out like a lane.
00:13:04I guess marrying Edward won't solve everything.
00:13:08How about I bet it?
00:13:09Do whatever you want with her.
00:13:11And clean it after you're done.
00:13:12I've been searching for you for so long and you were right here.
00:13:32What do?
00:13:51Boss.
00:13:52He's gone.
00:13:55Find him.
00:13:56And keep this between us.
00:13:57Got it.
00:13:58Elgar, save me.
00:14:01Come on, I got you.
00:14:14Elgar...
00:14:17I'm sorry.
00:14:19I can't tell you who I am.
00:14:22Not yet.
00:14:28We'll need your names once we're out of here, right?
00:14:42Yeah, we're starting a new life.
00:14:45I'll be...
00:14:47Thelma, what about you?
00:14:49Elgar!
00:14:51Helen!
00:14:52Where are you?
00:14:54You have to run quick.
00:14:56Trying to escape again?
00:14:58I warned you it's not gonna work.
00:15:00Looks like I gotta give you some real punishment.
00:15:03You go first.
00:15:04At least one of us needs to escape.
00:15:06No, you go.
00:15:08She's gonna kill you.
00:15:09I won't let her catch me.
00:15:10Just go, I'll find you.
00:15:12Let's send me to the amusement park.
00:15:18I'll wait for you, Elgar.
00:15:24Oh, you're not going anywhere.
00:15:26Okay.
00:15:27I'll bring her back.
00:15:28Rest assured.
00:15:29After I'm done with you!
00:15:38I'll wait for you, Elgar.
00:15:39What happened?
00:15:40Nothing to worry about.
00:15:41Just some issues with the film crewman.
00:15:42Why are you being so nice to me?
00:15:44No reason.
00:15:45Here.
00:15:46Take this card.
00:15:48It's unlimited.
00:15:49Spend it however you want.
00:15:50Why are you doing this?
00:15:51I don't want your money.
00:15:52Well, if you need money, just let me know.
00:15:53And you can stop looking for odd jobs.
00:15:54Odd jobs.
00:15:55Odd jobs.
00:15:56Acting is my dream.
00:15:57I danced in strip clubs for a living, but...
00:16:00I don't know.
00:16:01Why are you being so nice to me?
00:16:02No reason.
00:16:03Here.
00:16:04Take this card.
00:16:05It's unlimited.
00:16:06Spend it however you want.
00:16:07Why are you doing this?
00:16:08I don't want your money.
00:16:09I don't want your money.
00:16:10I don't want your money.
00:16:11I don't want your money.
00:16:12I don't want your money.
00:16:13I don't want your money.
00:16:14I don't want your money.
00:16:15I don't want your money.
00:16:16I don't want your money.
00:16:17Just let me know.
00:16:18And you can stop looking for odd jobs.
00:16:19Odd jobs.
00:16:20Acting is my dream.
00:16:21I danced in strip clubs for a living, but...
00:16:24People like you, born from a silver spoon, wouldn't understand that.
00:16:28Then stop doing it.
00:16:29We're in a contract marriage.
00:16:32Right?
00:16:33I won't interfere with your life and you can't meddle in mine.
00:16:38Acting is something that I've always wanted.
00:16:41And besides, I'm not going to take your money besides the number that we agreed on.
00:16:47You need to rest now.
00:16:51Do you mind?
00:17:08Look at this mess.
00:17:15Clean it up if you even think about going to bed.
00:17:19Eat up.
00:17:20He must be starving.
00:17:23Nah, you probably worked hard for this.
00:17:39Come on, take it.
00:17:41I can't believe she locked you out for three days and made you do all this.
00:17:46Did she even feed you all?
00:17:47You made it easier for me.
00:17:48No.
00:17:49Get back before she sees you here.
00:17:50Excuse me.
00:17:51Uh, I'm calling to ask about my audition.
00:17:53I'm sorry.
00:17:54Your name has been blacklisted from reproduction.
00:17:55What?
00:17:56I'm calling to ask about my audition.
00:18:01I'm sorry.
00:18:02I'm calling to ask about my audition.
00:18:03I'm sorry.
00:18:04Your name has been blacklisted from reproduction.
00:18:11What?
00:18:16I'm calling to ask about my audition.
00:18:17I'm sorry.
00:18:18I'm calling to ask about my audition.
00:18:19I'm sorry.
00:18:20Your name has been blacklisted from reproduction.
00:18:22What?
00:18:23This is the dude who told Thelma and sent you those pictures.
00:18:37How about a drink?
00:18:41There are two glasses of scotch there.
00:18:44Pick one.
00:18:45I'm sorry, Mr. Edward.
00:18:47Please.
00:18:48Just a friendly gesture from the boss.
00:18:51One more thing.
00:18:54Only one of those glasses is poison fruit.
00:18:57You should have known better how would happen when you kidnapped Thelma.
00:19:02Here.
00:19:03I'll do it for you.
00:19:04Hold it.
00:19:05Go.
00:19:06Go.
00:19:07Go.
00:19:08Go.
00:19:09Go.
00:19:10Take him away.
00:19:14This is what I've become, Thelma.
00:19:28I hope you never see me like this.
00:19:29Ruthless.
00:19:30Merciless.
00:19:31Both glasses.
00:19:32Would have silenced the man.
00:19:33I simply can't forgive him for what he did.
00:19:35Thelma, will you forgive me?
00:19:37What?
00:19:38What?
00:19:39What the fuck happened to you?
00:19:40How did he find you?
00:19:41What happened?
00:19:42Oh, you can't even talk now?
00:19:43God, you fucking useless.
00:19:44Inform every production you can reach.
00:19:45Thelma, will you forgive me?
00:19:46I simply can't forgive him for what he did.
00:19:47Thelma, will you forgive me?
00:19:48Thelma, will you forgive me?
00:19:57What?
00:19:58What the fuck happened to you?
00:19:59How did he find you?
00:20:00What happened?
00:20:01Oh, you can't even talk now?
00:20:04God, you fucking useless.
00:20:07Inform every production you can reach.
00:20:11Thelma will never be an actress.
00:20:14Make sure of it.
00:20:17Go!
00:20:30Are you okay?
00:20:32I've been blacklisted by every production company.
00:20:36Even the Actors Guild.
00:20:38What am I going to do?
00:20:40Hey, don't lose heart, okay?
00:20:41I happen to know of an audition going on today
00:20:43if you're interested.
00:20:44Since when did...
00:20:45A good friend of mine tip me off.
00:20:47Now, come on.
00:20:48Let's go.
00:20:49Right?
00:20:50It's better than moping around here.
00:20:51Come on.
00:20:55Here it is.
00:20:56So I can just go in there?
00:20:58Just like this?
00:20:59Yes, I got everything set up, okay?
00:21:01Just go ahead.
00:21:02Go in and do your thing.
00:21:03You got this.
00:21:05Break a leg!
00:21:06What is she doing to you?
00:21:25Who is she?
00:21:27Nobody.
00:21:28She's not here for the audition too, is she?
00:21:31Well, in that case, we're in for a treat.
00:21:37Carly Ginny, you're up next.
00:21:39I can't believe it.
00:21:40It was you all along.
00:21:42That's right.
00:21:43I never thought you'd find me, but it must come to an end.
00:21:48Oh no!
00:21:49Ah!
00:21:50Oh!
00:21:51Oh!
00:21:55Oh no!
00:21:57I can't believe it.
00:21:59It was you all along.
00:22:02That-that's right.
00:22:04I never thought you'd find me, but it must come to an end.
00:22:06but it must come to an end.
00:22:10Oh no!
00:22:23Cut!
00:22:26I'm sorry, were you shot or did someone just step on your toe?
00:22:31Can I just try again? I was just a bit nervous.
00:22:35Miss Jennings, we are making a thriller with a tragic ending.
00:22:40What you just did was borderline comedy.
00:22:43Excuse me, do you know how close I am with your investor?
00:22:48Sir, she was indeed recommended for the role.
00:22:53May we give her another chance?
00:22:56No! No, no, no, no, no. We are creating art that appeals to our audience.
00:23:06And she is clearly not right for the role.
00:23:09Next!
00:23:10I'm sorry Miss Jennings, that was great.
00:23:13Maybe another project or another...
00:23:16What are you still doing here?
00:23:19I thought you were a blacklist.
00:23:21So it was you.
00:23:22You know, if that's the best you got, then I'm not that worried.
00:23:25Do you think you could do better than me?
00:23:28You're nothing.
00:23:31Yeah, show us what you got.
00:23:35Thelma?
00:23:38Hi.
00:23:51So it was you.
00:23:53All this time!
00:23:55That's right.
00:23:56I never thought you would find me.
00:24:01But now it must come to an end.
00:24:05No!
00:24:07This can't be it for us!
00:24:15Cut!
00:24:18Well, that was amazing!
00:24:21Oh!
00:24:22You fully captured that role!
00:24:24Congratulations!
00:24:25You get the part!
00:24:27What?!
00:24:33What about me?
00:24:34You promised me!
00:24:35Oh, come on.
00:24:36You have to admit.
00:24:37She was exceptional!
00:24:38She is perfect for the part!
00:24:40Girl!
00:24:41You killed it!
00:24:43You were great.
00:24:45I'm Alex.
00:24:46Looks like we're going to be scene partners.
00:24:47Thelma!
00:24:48Hey, do you want to go somewhere more private?
00:24:50We can talk about the script.
00:24:51Yeah, sure.
00:24:53What the fuck?
00:24:54I'm hitting on the wrong girl, buddy.
00:24:55Edward, what are you doing?
00:24:57I need to go talk to Thelma.
00:24:59How about you shoot another day?
00:25:00What the fuck?
00:25:01I'm hitting on the wrong girl, buddy.
00:25:02Edward, what are you doing?
00:25:03I need to go talk to Thelma.
00:25:04How about you shoot another day?
00:25:05What are you doing?
00:25:06You gonna explain yourself?
00:25:07I don't owe you any explanations.
00:25:08So you're seeing new guys.
00:25:09What?
00:25:10No!
00:25:11We were just acting out a scene.
00:25:12A scene where you two get real close?
00:25:13Like a couple?
00:25:14I was just doing my job.
00:25:15There's nothing wrong with you.
00:25:16I'm hitting on the wrong girl, buddy.
00:25:17Edward, what are you doing?
00:25:18Edward, what are you doing?
00:25:19I need to go talk to Thelma.
00:25:20How about you shoot another day?
00:25:21What are you doing?
00:25:22You gonna explain yourself?
00:25:23I don't owe you any explanations.
00:25:25So you're seeing new guys?
00:25:29What?
00:25:30No!
00:25:31We were just acting out a scene.
00:25:32A scene where you two get real close?
00:25:34Like a couple?
00:25:35I was just doing my job.
00:25:37There's nothing wrong with it.
00:25:38And besides, even if I was seeing someone,
00:25:40it would be none of your business!
00:25:42Yay!
00:25:43I heard you got the lead role.
00:25:44That's amazing.
00:25:45I knew you'd kill it.
00:25:46Janet, what is Edward doing here?
00:25:47Who?
00:25:48Come on.
00:25:49You know who I'm talking about.
00:25:50Oh.
00:25:51Um.
00:25:52Gosh, you still don't know, do you?
00:25:53You know what?
00:25:54Well, he's actually the investor of this movie.
00:25:57This is...
00:25:58You know who I'm talking about.
00:26:00Oh.
00:26:01Um.
00:26:02Gosh.
00:26:03You still don't know, do you?
00:26:04You know what?
00:26:05Well, he's actually the investor of this movie.
00:26:11This is his project.
00:26:18Why did you bring me here then?
00:26:20Well, it was actually his idea.
00:26:27Hello?
00:26:28Hi, is this Jean?
00:26:30Who is this?
00:26:31This is Edward Arduin.
00:26:33I recently invested in a film project
00:26:35and I want you to take your friend Thelma.
00:26:37I think she'll be great for a lead role.
00:26:39Wait, wait.
00:26:40You're Edward Arduin?
00:26:42I wired the payment to your account.
00:26:45Wait, wait, wait!
00:26:50I still can't believe I spoke to the legendary Edward Arduin.
00:26:54I can't believe you knew all this time and you didn't tell me.
00:26:57Oh, well, don't look at me.
00:26:59I'm just the middle man doing somebody else a favor, okay?
00:27:02And you still got the lead.
00:27:04It's amazing.
00:27:06But, you know, a lot of people say that Edward's not very nice.
00:27:10He's like a stone-cold man.
00:27:12So why is he being so good to you?
00:27:15Yeah, I don't get it either.
00:27:17I mean, women must be throwing themselves at him.
00:27:20Why would he help me?
00:27:30Maybe he's fallen for you.
00:27:32Oh, come on.
00:27:33That's impossible.
00:27:34Why?
00:27:35He said some pretty harsh stuff earlier, so.
00:27:37No.
00:27:38Is that why you look all gloomy?
00:27:40What happened?
00:27:41Did you guys fight?
00:27:42He saw me doing a scene with another actor and...
00:27:47It's... whatever.
00:27:52Why do you care what he thinks, though?
00:27:56Come on, girl.
00:27:57This does not sound like you.
00:27:59Are you sure you haven't fallen for him, too?
00:28:02No, it's just...
00:28:04There's something about him that's...
00:28:07familiar, like...
00:28:08I've seen him before.
00:28:12Hmm.
00:28:32Thank goodness you're here, Helen.
00:28:33This place is depressing.
00:28:35I don't know if I can make it without you.
00:28:39You're the one protecting me.
00:28:42I can't stand watching you getting hurt.
00:28:43You're as sweet as a sugar pea.
00:28:46Can I call you sugar pea?
00:28:47Sure.
00:28:48As long as I can call you my little rock.
00:28:51Why little rock?
00:28:52Cause you make me feel safe.
00:28:54Like a rock that'll never break.
00:28:57Deal.
00:29:05It all occurred.
00:29:07What have you done to me?
00:29:08What have you done to me?
00:29:14I see your face everywhere.
00:29:26Oh, good.
00:29:27Just in time.
00:29:29I see.
00:29:35Damn.
00:29:38Why are you being so nice to me?
00:29:43Look, I'm sorry about today.
00:29:47It was...
00:29:49Stupid of me to react that way.
00:29:51No, I mean,
00:29:52why did you help me get the role for your film?
00:29:58Well, you won't take my money, and I can't allow the wife of Edward Ardoin to just work a regular job.
00:30:10Oh, okay, so that's why.
00:30:13They're all rich people this way of themselves.
00:30:16What was that?
00:30:17Nothing.
00:30:18This is great.
00:30:23You know, you can be real sweet sometimes.
00:30:26This is delicious.
00:30:29I'm glad you like it.
00:30:32Sweet pea.
00:30:36Good morning, madam.
00:30:38Edward has left already.
00:30:42Oh, I saw you cooking last night.
00:30:44I watched your utensils.
00:30:47Uh, yeah, it was Edward.
00:30:50He was the cook.
00:30:52Edward.
00:30:53Gotta go.
00:30:54I'm cooking.
00:30:56Okay.
00:30:58What is going on?
00:31:03What are we waiting for?
00:31:04Let's get started.
00:31:06One of our lead roles is not here yet.
00:31:08Oh, the one thing I ask everyone here is to be professional.
00:31:16Woo!
00:31:16Sorry, guys.
00:31:18Traffic was nightmare.
00:31:20All right.
00:31:20I'm ready to start.
00:31:22Wait.
00:31:22I thought that she didn't get the part.
00:31:25Well, how about that?
00:31:26Looks like I'm going to be playing your SD.
00:31:30After this, nobody's even going to remember you.
00:31:34We'll see about that.
00:31:3842 Delta, take two.
00:31:39Ready and action.
00:31:44You have to leave now.
00:31:45Not without the love of my life.
00:31:47I'll wait for him no matter what.
00:31:55Cut.
00:31:55Cut.
00:31:56Cut.
00:31:56What do you think you're doing?
00:31:58Just playing my role.
00:31:59I don't want to say that maybe I'll just use it.
00:32:03Carla.
00:32:04What the hell was that?
00:32:06That wasn't even in the script.
00:32:07I was just adding some extra touch to it.
00:32:10You know?
00:32:10For the sake of art.
00:32:11Art?
00:32:12This slap doesn't make any sense.
00:32:15And who gave you the authority to change my script?
00:32:18It's fine.
00:32:21She can hit me.
00:32:22Oh.
00:32:24Thelma, are you sure about this?
00:32:26It's all good if it's all for the sake of the effect.
00:32:29Wow.
00:32:30I knew I was right in choosing you as my lead.
00:32:34Okay.
00:32:35Okay.
00:32:35Back to ones, please.
00:32:37Yes, thank you.
00:32:38Can you pick up my script?
00:32:40And action.
00:32:42You have to leave now.
00:32:44Not without the love of my life.
00:32:46I'll wait for him no matter what.
00:32:48Edward.
00:32:55Good to see you here.
00:32:57Were you watching me?
00:32:59Me and Thelma make a carpet to noe.
00:33:02Jay, have these two switch roles.
00:33:05I want Thelma to do the slapping.
00:33:08Since it's all for the sake of art.
00:33:16But Thelma's the lead.
00:33:18Yeah, that wouldn't make any sense.
00:33:21We can't make more changes to the script.
00:33:23Ed, we're already behind.
00:33:24Better get right to it then.
00:33:26You don't have to do this for me.
00:33:29I'm not doing it for you.
00:33:30I'm doing it for my own investment.
00:33:32All right, we have added a line to the script.
00:33:42So now, Thelma, Carla's new line will be your cue for the slap.
00:33:48Got it?
00:33:50All right.
00:33:51And action.
00:33:54You have to leave now.
00:33:56Not without the love of my life.
00:33:58I'll wait for him no matter what.
00:34:00But what if he's dead?
00:34:01What if he finds somebody else?
00:34:03You're just going to spend the rest of your life waiting for someone who will never come?
00:34:07Then I'll be sure to leave no room for regret.
00:34:18Cut!
00:34:20Oh, bravo!
00:34:22That was perfect, Thelma!
00:34:24You handled that perfectly.
00:34:27Thelma, were you not supposed to stop Carla after that line?
00:34:30Uh, no need for that.
00:34:33I think that my character is above that kind of pettiness.
00:34:44I'm going to expose you, Thelma.
00:34:47Sooner or later.
00:34:48Where are you, my little rock?
00:35:02I'm doing fine.
00:35:04Don't you worry.
00:35:07You know it's bad to waste food.
00:35:10Do you think you deserve to be punished?
00:35:12Yes, headmistress, I do.
00:35:15Ma'am, Helen's sick.
00:35:16That's why she couldn't finish.
00:35:18Isn't that sweet?
00:35:20Too bad.
00:35:21She's getting more punishment because of you.
00:35:24Isn't that sweet?
00:35:25Well, if you so insist, you can take it for her.
00:35:29Oh, get off.
00:35:31You're alright.
00:35:44Found the worker who leaked info to our computer.
00:35:47A manager who's worked with us for 20 years.
00:35:51What do we do with him?
00:35:53Uh, fire him.
00:35:56Sue him if we need to.
00:35:58Can't have disloyalty in the company.
00:36:00It might ruin him and his family.
00:36:03So be it.
00:36:05Alright.
00:36:45I'll curse.
00:36:49I'll curse.
00:36:53I'll curse.
00:37:15Where's my...
00:37:23Oh, no, no, no.
00:37:33Morning.
00:37:50What are you doing?
00:37:52Nothing.
00:37:53Nothing.
00:38:05I carried you to your bed last night, and that was it.
00:38:11No, seriously, what are you doing?
00:38:14Nothing, sweet pea.
00:38:16What did you just call me?
00:38:19Sweet pea.
00:38:22You sat in your sleep last night.
00:38:27I see.
00:38:28Well, don't ever do that again.
00:38:30Sure.
00:38:31Hi.
00:38:45Could you maybe explain this to me a little bit?
00:38:48I'm not sure if I get it.
00:38:49I mean, it is pretty straightforward.
00:38:51Just do what it says without improvising.
00:38:53Belma, you were so great yesterday.
00:39:00I want to go over this one part.
00:39:02Now, when you say this line, I'm about.
00:39:06We'll see who wins.
00:39:09Nos, what am I doing this afternoon?
00:39:12Well, it's kind of a very important meeting.
00:39:15Did you forget?
00:39:16Canceled.
00:39:18Send them my apologies.
00:39:20What?
00:39:22So, what do you normally do when you're not working?
00:39:25Uh, I do striptease.
00:39:28Oh.
00:39:29I was thinking more along the lines of going to the movies.
00:39:34There's actually a good one out right now.
00:39:36I mean, maybe if you're interested, we could try to catch it together.
00:39:39Sorry, but I really need to focus on this job right now.
00:39:43Oh, yeah.
00:39:43Sure, sure.
00:39:43You're a really interesting person to talk to.
00:39:48You know that?
00:39:50Edward!
00:39:52Are you here to see me?
00:39:54Oh, you're a brutal dad.
00:39:56Oh.
00:39:59Edward?
00:40:00It's not for you.
00:40:01I'm sorry.
00:40:02Why is she still talking?
00:40:05Go put the snacks in the lounge.
00:40:07Got it, boss.
00:40:07Edward?
00:40:13Edward?
00:40:15What's your name again?
00:40:16Actually, it doesn't matter.
00:40:19What were you talking to my wife about?
00:40:22Oh.
00:40:31Thelma, I had no idea that you were married.
00:40:34Um, oh, don't worry about it, man.
00:40:36We were just talking about stuff in the script.
00:40:39Is that right?
00:40:39Yeah.
00:40:40Hey, so you must be Edward Ardoin.
00:40:43I've heard a lot about you.
00:40:44I'm Alex.
00:40:46Cool.
00:40:46Bye, Alex.
00:40:48Great.
00:40:48Yeah, um, I'll see you later.
00:40:51Thelma.
00:40:52No, you won't.
00:40:53Good.
00:40:53You guys are all here.
00:40:55Edward brought snacks.
00:40:56They're in the lounge if anyone wants them.
00:40:58Yes, I'll come.
00:41:02Snacks.
00:41:06Edward doesn't usually come to set this often.
00:41:09He's quite the busy man.
00:41:10I think he's here to see you.
00:41:12He's here to see Carla, not me.
00:41:14Oh, please.
00:41:14Can you not see the way he looks at you?
00:41:17Whatever.
00:41:18Oh, speak of the devil.
00:41:21I will give you two some privacy.
00:41:23Wait, no, don't.
00:41:25Excuse me.
00:41:32You're getting out of hand.
00:41:33Don't forget, I'm the one who hired you.
00:41:36Excuse me?
00:41:37Stay away from Alex.
00:41:39Got it?
00:41:40What are you talking about?
00:41:41There's nothing going on between us.
00:41:42Besides, you came here to see Carla.
00:41:47So you're jealous.
00:41:50What are you talking about?
00:41:51I'm not jealous.
00:42:01What are you doing?
00:42:03Carla and I are together.
00:42:05I'm here for you.
00:42:06You really expect me to believe that?
00:42:08Don't look.
00:42:09Yeah, girl.
00:42:15What?
00:42:16Jean, are you absolutely sure?
00:42:28Yes, positive.
00:42:29I used to know this guy from the streets and he and Algar drifted around for months.
00:42:34So where is he?
00:42:35Well, they later got separated so he has no idea after that.
00:42:39But that's got to mean that Algar's still alive, right?
00:42:43Oh my goodness.
00:42:44Thank you so much.
00:42:45You have no idea how much this means to me.
00:42:47It's been ten years.
00:42:51Don't forget, you are married too.
00:42:53What are you going to do?
00:42:55I'll divorce him once our contract is up.
00:42:58I needed the money.
00:43:00Algar will understand.
00:43:02I don't know.
00:43:03Edward seemed really into you.
00:43:07Actually, Jean, I think I should keep my distance from him.
00:43:10You okay?
00:43:22Yeah.
00:43:27Want to tell me what happened?
00:43:29I just want to be alone for a bit, okay?
00:43:33Is this about Carla?
00:43:35I told you, I went to see you, not her.
00:43:38Edward, I don't care who you're seeing.
00:43:41We're only married on paper, right?
00:43:45Is this because we're moving too fast?
00:43:54Is this about Carla?
00:43:57I told you, I went to see you, not her.
00:44:00Edward, I don't care who you're seeing.
00:44:02We're only married on paper, right?
00:44:04Is this because we're moving too fast?
00:44:12I just think that we should keep our distance.
00:44:15Please.
00:44:22Thought she was playing hard to get, huh?
00:44:25Maybe she doesn't want to seem too eager.
00:44:27I mean, why would anyone reject you?
00:44:31It's impossible.
00:44:33Come on.
00:44:34Let's get to the set.
00:44:39Hey, Thelma.
00:44:40You'll be wearing this dress for the next scene.
00:44:42Is that okay?
00:44:42That's fine.
00:44:46So you think you could just take whatever you want?
00:44:48I thought this was my personal changing room, like it's always been.
00:44:57Carla, this room is for the lead role.
00:45:00Yours is outside.
00:45:02Well, actually, I'm all done here.
00:45:05Carla loves taking things that aren't hers.
00:45:07Be my guest.
00:45:08Use it.
00:45:09Oh.
00:45:10Well, aren't you quite generous then, hmm?
00:45:14Edward's not here, so you can drop the act.
00:45:16We actually need to get back to work, if there's nothing else.
00:45:21Actually, I can finish my makeup myself.
00:45:27Go on.
00:45:28What do you want to talk about?
00:45:29Let's make a deal.
00:45:31A deal?
00:45:35Who the fuck do you think you are?
00:45:37Well, as far as I know, I'm Edward's wife.
00:45:45Gunner, deal.
00:45:45Stop picking fights with me.
00:45:47Stop giving me a hard time on set, and I won't take anything away from you.
00:45:51I'll actually help you with whatever you and Edward have going on.
00:45:57All right, deal.
00:46:00I'm done with this room, by the way.
00:46:02It's yours if you still want it.
00:46:03I don't need your pity.
00:46:05I don't need your pity.
00:46:05I don't need your pity.
00:46:05I don't need your pity.
00:46:05I don't need your pity.
00:46:07I don't need your pity.
00:46:09I don't need your pity.
00:46:15Don't you have, like, business to run?
00:46:20What are you doing here all day?
00:46:21Hey, um, actually, about what happened.
00:46:31I think that we should talk.
00:46:34Why don't you meet me in the lounge after we wrap up?
00:46:37Why can't we talk now?
00:46:39Want it to be a surprise.
00:46:41See you later.
00:46:42What does she want to talk about?
00:46:54Does she not want to see me?
00:46:57Hi, Edward.
00:46:59Carla?
00:47:02Why are you here?
00:47:03Where's Stella?
00:47:04Who should I meet?
00:47:05Maybe you have a little squirt?
00:47:10What are you doing?
00:47:11Are you trying to set those two up?
00:47:13Yeah, and if they're together, then they'll have nothing to do with me.
00:47:17Sounds like a terrible idea.
00:47:20Well, if you have a better idea, then let's hear it.
00:47:26Edward!
00:47:30If they're together, then they'll have nothing to do with me.
00:47:33Well, as long as you're okay with this.
00:47:37Of course I am.
00:47:38Why wouldn't I be?
00:47:40I mean, now I can just focus on what really matters, and I can try to find Algar.
00:47:48Edward!
00:47:50What the fuck are you doing?
00:47:58Whatever games you're playing, you need to stop.
00:48:01What are you talking about?
00:48:02You came here to see Carla, right?
00:48:05Thelma, come on.
00:48:07Edward, we're going to be divorced really soon.
00:48:10So?
00:48:11So if you're attracted to somebody, then go for it.
00:48:13I want you to be happy.
00:48:14The only person I love is you.
00:48:21Edward, how could you?
00:48:22Everything I do for you, Carla, I do for your father.
00:48:29He looked out for me, so this is me paying him back.
00:48:40I'm already in love with somebody else.
00:48:43It's never going to be you.
00:48:45But if that man didn't exist, would you consider me?
00:48:47Stop it, Edward.
00:48:49Edward, it's never going to happen.
00:48:56What do I do, Algar?
00:48:58I know you're out there.
00:49:00What do I do?
00:49:01Boss, you've been here for a while.
00:49:16Is everything okay?
00:49:20Why don't you tell her you're the one she's looking for?
00:49:24Do you remember what I did to return to the Ardoin family?
00:49:27About Algar.
00:49:41Are you telling me that Mr. Ardoin knows his illegitimate son is Algar?
00:49:47Yes.
00:49:48And now the old man wants him back.
00:49:52Mmm, another brat to share their inheritance.
00:49:54If I could only get rid of his mother, getting rid of him shouldn't be a problem.
00:50:01Madam, it's our fault.
00:50:04Please don't withdraw your donation to the orphanage.
00:50:07If we work together on this, I could even help you.
00:50:13Get rid of Algar for good.
00:50:16Mmm.
00:50:17Take care of it.
00:50:23But make sure we lose it.
00:50:28Shall we go to the Rose Garden?
00:50:30Yes, please, sir.
00:50:31Yes.
00:50:31Have to see it, sir.
00:50:33I've heard it.
00:50:33Goodness, sir.
00:50:34Yes.
00:50:37I got rid of the woman who killed my mother.
00:50:40Sent me to an orphanage.
00:50:42I eliminated everyone associated with her.
00:50:48Over the years,
00:50:50I did whatever it took
00:50:56to gain my father's approval,
00:50:59to secure my inheritance.
00:51:02My methods were ruthless.
00:51:04My conscience,
00:51:07callous.
00:51:08You did what you had to do.
00:51:12And now I'm a different man.
00:51:14A monster.
00:51:15She doesn't even recognize.
00:51:18If she finds out this is the man she's been looking for all these years,
00:51:20it'll drive her away.
00:51:24I can't lose her again.
00:51:29So it was true?
00:51:30Archon and I,
00:51:38we roamed the city for a winter,
00:51:42and a lot of people say he made some enemies.
00:51:47One night,
00:51:48under the bridge where we slept,
00:51:50he got stabbed,
00:51:51and he died.
00:51:54No.
00:51:56You're mistaken.
00:51:57He always had a ring with him.
00:51:59It was a nice ring.
00:52:02I think it had the letters
00:52:03A and H
00:52:05on it.
00:52:07I told him he could
00:52:08pawn it for a few bucks,
00:52:10but he just kept it with him.
00:52:13No, he can't just be
00:52:15gone.
00:52:16He can't just be gone.
00:52:17It's okay.
00:52:19It's okay.
00:52:27Oh, Velma.
00:52:28Sweetie,
00:52:29what's wrong?
00:52:31Oh, my God.
00:52:32Baby,
00:52:32you have an evening
00:52:33in three days.
00:52:35Can I get you something?
00:52:37Anything?
00:52:38It's not good for you.
00:52:40Oh, my gosh.
00:52:43It's okay.
00:52:45It's okay.
00:52:45This is my fault.
00:52:51She's burning up.
00:52:52The doctor said
00:52:53it was from
00:52:54emotional distress
00:52:55and not eating.
00:52:58Go make her something light.
00:53:00I'll stay with her.
00:53:01Yes.
00:53:02Yes.
00:53:02You need to get some rest
00:53:10and let me handle this.
00:53:12No, it's okay.
00:53:13Leave it to me.
00:53:15Look, I know you care,
00:53:17but I've never seen you
00:53:18do this for anyone.
00:53:20And if the old lady
00:53:20were here,
00:53:21she'd be heartbroken
00:53:23to see you this exhausted.
00:53:25Don't worry about me,
00:53:26Sarah.
00:53:26You can go now.
00:53:36You.
00:53:38Do it.
00:53:39I'm not hungry.
00:53:43Please eat and get better.
00:53:56Thelma!
00:54:14Oh, my God.
00:54:15Are you okay?
00:54:16I've been trying to call you
00:54:17for ten times.
00:54:18You haven't done something
00:54:19stupid, have you?
00:54:21I can't find a reason to go.
00:54:24Stop saying that, okay?
00:54:26Don't listen to what
00:54:27that guy said.
00:54:28He doesn't know
00:54:28what he's talking about.
00:54:30They never found
00:54:31Algar's body.
00:54:32Maybe he's still alive.
00:54:35You've waited ten years.
00:54:38Okay?
00:54:38You sure you're gonna
00:54:38give up now?
00:54:40Don't you want to find out
00:54:41the truth for yourself?
00:54:43Yeah, you're right.
00:54:46I should keep going.
00:54:48Good.
00:54:49Now go get some sleep
00:54:50and get back to set, girl.
00:54:52Okay?
00:54:52That is something
00:54:53that you've always wanted
00:54:54and you're not gonna
00:54:55screw it up, all right?
00:54:56Yeah.
00:54:59I understand.
00:55:02I'll keep going for Algar.
00:55:06I want that bitch, Ted.
00:55:09You got that thing ready?
00:55:12Sure, it would do the job.
00:55:18All right.
00:55:19Don't mess this up.
00:55:21Ready for first day.
00:55:23Coming!
00:55:23Uh, you wanted to see me?
00:55:36Yes.
00:55:37It is about the scene
00:55:39where you're stabbed.
00:55:40We will be using this
00:55:41as a prop.
00:55:42So once the, uh,
00:55:44safety is clicked off,
00:55:45the blade will go back
00:55:46inside itself upon impact,
00:55:47so don't worry.
00:55:48It's not gonna hurt you.
00:55:50See?
00:55:50Nice.
00:55:54Exactly.
00:55:59Uh, Thelma, Carla,
00:56:02all set.
00:56:03All departments ready?
00:56:08And...
00:56:08action!
00:56:09Wait!
00:56:16Cut!
00:56:17Cut!
00:56:17Edward?
00:56:18Are you okay?
00:56:19Oh, God, how did this happen?
00:56:20Call 911.
00:56:22Edward, don't die on me.
00:56:25Please.
00:56:26I know that my past is complicated
00:56:28and I'm not worthy
00:56:29of your time
00:56:30or your love.
00:56:32What makes me so special?
00:56:38Okay, I admit.
00:56:39I think somewhere along the way
00:56:41I became attracted to you.
00:56:43And I know that you keep
00:56:44this stone-cold face,
00:56:47but I know that
00:56:48that's not the real you.
00:56:52Please.
00:56:54Show me the real you.
00:56:55Let me in.
00:56:56Edward!
00:57:07What are you doing?
00:57:08That's not funny.
00:57:09I was worried sick.
00:57:10What's the matter with you?
00:57:11How else could I get
00:57:12such a lovely monologue?
00:57:14Okay, you know what?
00:57:15I'm gonna go get a doctor.
00:57:16No, no, no.
00:57:17No.
00:57:17I'm fine.
00:57:19No.
00:57:20Look, not even a scratch.
00:57:22Just need a minute.
00:57:23Are you sure?
00:57:24It seemed pretty serious.
00:57:26Yeah, the knife
00:57:27didn't even get to me.
00:57:29Something blocked it.
00:57:31Really?
00:57:31Where is it?
00:57:34Nothing.
00:57:35I'll find out
00:57:36what happened today.
00:57:37Meanwhile,
00:57:39be more careful on set.
00:57:40Yeah?
00:57:41No, don't worry about it.
00:57:43You're the patient.
00:57:44Just rest up now.
00:57:47I heard everything
00:57:48you were saying, by the way.
00:57:50Okay.
00:57:50You know what?
00:57:51I'm really getting you a doctor now.
00:57:52Just shut up.
00:58:03You...
00:58:05saved my life.
00:58:10How are you doing, boss?
00:58:12Oh, not too shabby.
00:58:15So,
00:58:16what do you plan to do with karma?
00:58:19Good one.
00:58:19I almost forgot.
00:58:22Let's get payback.
00:58:23Let's go.
00:58:26I'm not sure
00:58:27what we're gonna do
00:58:28after your little
00:58:29incident.
00:58:31I'm sorry.
00:58:32I wasn't thinking.
00:58:33It won't happen again.
00:58:34I promise.
00:58:35Jay,
00:58:35get a replacement
00:58:36for her role.
00:58:37She's done.
00:58:43Edward,
00:58:43what are you saying?
00:58:45I told you to stop
00:58:45pulling these tricks
00:58:46behind my back.
00:58:47I didn't do anything.
00:58:49Don't listen to her.
00:58:50She's making it all up.
00:58:51Carla had someone
00:58:52on the prop team
00:58:53switch the fake knife
00:58:54with a real one.
00:58:55She almost killed Thelma
00:58:56and myself.
00:58:58Edward,
00:58:59I'm sorry.
00:59:00I messed up.
00:59:01Please,
00:59:02please give me
00:59:03another chance.
00:59:03I've given you
00:59:04plenty of chances.
00:59:07Really, Edward?
00:59:09After all these years?
00:59:11Please stop
00:59:12embarrassing yourself.
00:59:16Hey, I...
00:59:17Doing all of this
00:59:18for a man,
00:59:18I hope it's worth it.
00:59:21Edward,
00:59:22you know
00:59:22everything I did
00:59:23is because I love you.
00:59:26If you try hurting her again,
00:59:28you will be sorry.
00:59:36Hand her over to the place.
00:59:37Please.
00:59:37Please.
00:59:41Well,
00:59:42now that that's over,
00:59:44we should talk about
00:59:45what you said to me earlier.
00:59:46Which is what?
00:59:48That you were
00:59:49attracted to me.
00:59:53No,
00:59:54we're not
00:59:54going to talk about that.
00:59:55That's not fair.
00:59:56You tricked me.
00:59:58Got it.
00:59:59What if the person
01:00:16you're looking for
01:00:16is me?
01:00:20Don't be ridiculous.
01:00:24Besides,
01:00:24you come from
01:00:25a rich
01:00:26and powerful family
01:00:27and he's
01:00:28an orphan
01:00:28like me.
01:00:32And he's
01:00:33incredibly kind.
01:00:34He wouldn't even
01:00:35step on an ant.
01:00:38I
01:00:38can't say
01:00:39the same thing
01:00:40about you.
01:00:43People can change.
01:00:45And I'll never
01:00:46stop searching for him.
01:00:47I'm afraid
01:00:48that you can't
01:00:48stop me.
01:00:49Am I even
01:00:57worthy of love?
01:01:03Am I even
01:01:04worthy of love?
01:01:06You're
01:01:06a billionaire.
01:01:07I'm sure that
01:01:08there's plenty of women
01:01:09fighting over you.
01:01:11Plus,
01:01:13I stand by what I said.
01:01:16I don't think
01:01:19that this Edward
01:01:19is the real you.
01:01:23Do you remember
01:01:23when we first met?
01:01:25You saved me.
01:01:28You're a good person.
01:01:30You're kind
01:01:31to Nos,
01:01:32to Sarah.
01:01:35You'll find
01:01:36the love
01:01:37that you deserve.
01:01:44He's gone.
01:01:46I waited
01:01:49ten years
01:01:50and he's
01:01:51just gone.
01:01:55Do you like
01:01:56the man I am now?
01:01:58It doesn't matter.
01:01:59We're getting
01:01:59divorced in a year.
01:02:05If I give you
01:02:06all my properties
01:02:06and assets,
01:02:08can we not
01:02:09get a divorce?
01:02:10Oh.
01:02:10Oh.
01:02:14Oh.
01:02:16My head.
01:02:38Do you remember
01:02:39what happened?
01:02:40Do you remember
01:02:40what happened?
01:02:40he said something
01:02:48about money
01:02:50and assets
01:02:51and then after
01:02:53that,
01:02:54not a thing.
01:02:55can we talk?
01:03:11I heard you've been
01:03:14looking for someone.
01:03:15yes.
01:03:20I believe this
01:03:21could be helpful.
01:03:24This place
01:03:25is reopening soon.
01:03:27I'd like for you
01:03:28to come.
01:03:29What does this
01:03:30have to do
01:03:31with the man
01:03:31that I'm looking for?
01:03:33You'll see.
01:03:34Okay, I'll go.
01:03:38Good.
01:03:40I don't want
01:03:40to spoil the place.
01:03:42What does this
01:03:43have to do
01:03:43with Edward?
01:03:44You'll see.
01:03:48Look at that.
01:03:49See?
01:03:50Oh my God.
01:03:51Yes, I trusted you.
01:03:52Guys, we're blowing up.
01:03:54What do you mean?
01:03:55After we posted
01:03:56the behind the scenes,
01:03:57we went viral.
01:03:59Thelma became
01:04:00a sensation.
01:04:01She's now
01:04:01trending number one.
01:04:02Big star.
01:04:04Trending?
01:04:05Does this mean
01:04:05more money?
01:04:06Of course it does
01:04:07and that is just
01:04:08the easy part.
01:04:10I was thinking
01:04:11about my next movie
01:04:12and I want you
01:04:13to be in it.
01:04:15Wow.
01:04:16This is a dream
01:04:16come true.
01:04:18And we're having
01:04:19a wrap party
01:04:20at the hottest
01:04:21bar tonight.
01:04:22All right.
01:04:23You'll wonder
01:04:23who's so generous.
01:04:24Boss,
01:04:33about this new contract.
01:04:35Do you think Thelma
01:04:35will be surprised
01:04:36by the party
01:04:37I'm throwing for him?
01:04:38Oh, definitely.
01:04:40So should I
01:04:41pick her up
01:04:41or do I just
01:04:43show up at the party?
01:04:44You don't do this
01:04:45often, do you?
01:04:53Oh,
01:04:53great party, Edward.
01:05:06It'll only be fitting, right?
01:05:08Not entirely bad.
01:05:11So,
01:05:12thank you.
01:05:12How would you like
01:05:15to thank me?
01:05:16Uh, sorry, everybody.
01:05:17Attention, attention.
01:05:18Thank you, thank you.
01:05:20First off,
01:05:21this has been
01:05:22an amazing
01:05:24three months.
01:05:25I'd like to thank
01:05:26everybody in here.
01:05:28And, uh,
01:05:29here is to
01:05:30its huge
01:05:32success.
01:05:33Cheers.
01:05:34Cheers.
01:05:34Cheers.
01:05:35And now,
01:05:38a few words
01:05:39from Edward,
01:05:40the man,
01:05:41the big boss.
01:05:42Without him,
01:05:42none of this
01:05:43would be possible.
01:05:45Thank you all so much.
01:05:46I just want to say
01:05:47how grateful
01:05:48I am
01:05:49for the opportunity.
01:05:51Jay is an
01:05:52exceptional director.
01:05:54His casting,
01:05:55remarkable.
01:05:57Thelma's performance
01:05:57in particular,
01:05:58out of this world.
01:05:59And I'd like
01:06:01to take this moment
01:06:01to tell her
01:06:03that I'll always
01:06:04be there
01:06:05to support her.
01:06:07Cheers.
01:06:11Thelma!
01:06:12The superstar!
01:06:14Stop it.
01:06:15Uh,
01:06:16by the way,
01:06:16do you think
01:06:17Algar will
01:06:18watch my new show?
01:06:19Do you think
01:06:19he'll recognize me?
01:06:21Oh,
01:06:22Thelma,
01:06:24I know this is
01:06:24really hard to hear,
01:06:25but you gotta
01:06:26let him go.
01:06:28Algar's gone.
01:06:30I'm not giving up
01:06:31until I know for sure.
01:06:43Hey!
01:06:44Let me out!
01:06:51Thelma!
01:06:52Are you quitting?
01:06:54What are you talking about?
01:06:55Production told me
01:06:56you turned down
01:06:57Jay's new project,
01:06:58and you didn't show up
01:06:59for any of the promo events?
01:07:01What new project
01:07:02is this about?
01:07:02Who told you this?
01:07:04Oh.
01:07:05Oh, no.
01:07:07It couldn't be Edward.
01:07:10Could it?
01:07:12Edward?
01:07:14So,
01:07:15he turned it down
01:07:16and he told everybody
01:07:17that I quit?
01:07:18Maybe he thought
01:07:19it was for your own good?
01:07:21Interfering with my career
01:07:23without telling me?
01:07:23How was that
01:07:24for my own good?
01:07:30Babe,
01:07:31Mr. Ardewin
01:07:31is in a meeting right now.
01:07:33You got me
01:07:33out of my way.
01:07:35Apologies, gentlemen.
01:07:36Let's take a break.
01:07:37We'll continue this afternoon.
01:07:42Did you turn down
01:07:43the offer
01:07:43for my new film?
01:07:50Can I explain?
01:07:51This will terminate
01:07:52our contract marriage.
01:07:54The deal is over.
01:07:56What do you mean?
01:07:58I'll pay the penalty
01:07:59for breaching our contract.
01:08:01Once it's settled,
01:08:01I don't want you
01:08:02meddling in my life anymore.
01:08:03You almost got hurt on set.
01:08:06I was trying to protect you.
01:08:07God,
01:08:07I don't need your protection,
01:08:09okay?
01:08:10I can look out for myself.
01:08:11This is my life.
01:08:13You're making
01:08:13a big mistake here.
01:08:16Just stay out of my work
01:08:17and my personal life,
01:08:18Edward.
01:08:19We're done.
01:08:27Hey,
01:08:27it's Thelma.
01:08:28Can I see you real quick?
01:08:32Thelma,
01:08:34you're very talented.
01:08:36It was such a shame
01:08:37just seeing you give up.
01:08:39But,
01:08:40I knew you had it
01:08:41in you from this start.
01:08:43I saw it in you
01:08:44all the way.
01:08:48Now,
01:08:49I strictly get to make decisions
01:08:50for myself.
01:08:52Now,
01:08:53let's see this next project.
01:08:54Next project,
01:08:55next project.
01:08:57Here.
01:08:59It is.
01:09:00What do you think?
01:09:05Let's just say
01:09:06that it's
01:09:06a pleasure
01:09:08doing business
01:09:08with you, Jay.
01:09:14Congratulations.
01:09:27Come on.
01:09:28Please move.
01:09:28I'm leaving.
01:09:29You need to calm down.
01:09:30What are you doing?
01:09:31Excuse me.
01:09:31I'm perfectly calm.
01:09:33How about we both compromise?
01:09:35You continue with your acting
01:09:36as long as it's
01:09:37through Ardoin investments.
01:09:39You still don't get it,
01:09:40do you?
01:09:41I'm not your accessory.
01:09:42I'm not a part
01:09:43of the Ardoin family.
01:09:45Plus,
01:09:45the only person
01:09:46that can make decisions
01:09:47for me is myself.
01:09:48Can't we talk about it
01:09:49for the sake
01:09:50of our relationship?
01:09:53Look,
01:09:55I'm thankful
01:09:55for everything
01:09:56you've done for me.
01:09:58You've crossed the line.
01:10:01Goodbye, Edward.
01:10:02Oh, Thelma.
01:10:07Look,
01:10:08I have rarely
01:10:08seen Edward smile
01:10:10since his father
01:10:10passed away.
01:10:12And he's like
01:10:13a new man
01:10:13now that you're here.
01:10:15I'm sorry,
01:10:16but
01:10:16I can't stay here.
01:10:20It's okay, Sarah.
01:10:22Let her go.
01:10:23Since when did we
01:10:42become stalkers?
01:10:44Where is she?
01:10:46I know she has a bunch
01:10:46of crazy fans
01:10:47trying to get her attention,
01:10:48but if those assholes
01:10:49think they have a shot
01:10:49with my woman...
01:10:50Have you not seen the news?
01:10:52Thelma has announced
01:10:54she's single again.
01:10:55What?
01:10:56Yeah,
01:10:57even a bunch of haters
01:10:58have turned into fans now.
01:11:00Especially after
01:11:01watching her show.
01:11:09Damn it.
01:11:10Knew that guy
01:11:11was up to do good.
01:11:19Thelma,
01:11:20Thelma,
01:11:20Thelma,
01:11:20Thelma,
01:11:21Thelma,
01:11:22are you still working
01:11:22with Ardawan
01:11:23Investment Family?
01:11:25The Ardawan Family
01:11:26has never officially
01:11:26announced your divorce.
01:11:27Is there something
01:11:28that they're hiding?
01:11:29Was your marriage
01:11:30to Edward Edward
01:11:31in strictly business
01:11:32like the tabloids say?
01:11:37Uh,
01:11:38why don't you
01:11:40ask the man himself?
01:11:41Mr. Ardawan,
01:11:50Mr. Ardawan,
01:11:50you gotta step in.
01:11:52I don't.
01:11:53I'm sorry.
01:11:57So, Mr. Ardawan,
01:11:59what brings you here?
01:12:00Thinking of joining
01:12:01the entertainment industry?
01:12:02You know why I'm here.
01:12:04Sorry,
01:12:05I can't help you
01:12:06with that.
01:12:06Uh, so this new film
01:12:09is a romantic drama
01:12:10with some comedy.
01:12:12You're in a J's new movie too,
01:12:13yeah.
01:12:14I was like...
01:12:15You ever want any...
01:12:16Let's go!
01:12:18No.
01:12:18Not yet.
01:12:19Ladies,
01:12:20I would love to thank
01:12:21our amazing director,
01:12:22Jay,
01:12:23for all of his
01:12:23amazing visions
01:12:25and everyone else
01:12:26who's helped me
01:12:27on this incredible journey.
01:12:29Like,
01:12:30hello, specifically?
01:12:32And I'm so excited
01:12:33to get started
01:12:34because I know
01:12:35that this is gonna be
01:12:36another hit.
01:12:36All right,
01:12:37ready to check out
01:12:38the set for the new movie?
01:12:39I'll walk in.
01:12:40Uh, actually,
01:12:42do you want to
01:12:42check it out together?
01:12:43Sure.
01:12:46Velma,
01:12:47Velma, Velma.
01:12:49How do you
01:12:51win back a little bit?
01:12:52Uh,
01:12:53flowers,
01:12:54romance,
01:12:56gifts are always
01:12:56a good movie.
01:12:58How original?
01:12:59Let's get back
01:13:00to the office,
01:13:00fine.
01:13:09I, uh,
01:13:11got these for you.
01:13:14You can just
01:13:14leave them there.
01:13:19Thelma,
01:13:21I'm sorry.
01:13:23I was wrong.
01:13:29Please,
01:13:30give me another chance.
01:13:33I, I promise
01:13:34I won't be overbearing.
01:13:36I'll respect
01:13:36all your opinions,
01:13:38and I'll never interfere
01:13:39with your career again.
01:13:40The flowers
01:13:45look good.
01:13:53I'll take these,
01:13:54and we can talk
01:13:55about the rest later.
01:14:04Go!
01:14:05I don't want to see you again!
01:14:06Cuts!
01:14:10Well done,
01:14:10everybody.
01:14:11That is a wrap.
01:14:12You were great.
01:14:14Here,
01:14:14I got you a cup of coffee.
01:14:16Thanks, Alex.
01:14:17Oh, shoot!
01:14:18I need to know
01:14:42where she is.
01:14:44Now!
01:14:44I think I might
01:14:48know where she is.
01:14:49Why the hell
01:14:49would you know?
01:14:50Do you have something
01:14:50to do with it?
01:14:51No, man, look,
01:14:52Carla was talking
01:14:53to some sketchy dude
01:14:54about Carla's basement.
01:14:55I think Thelma
01:14:56might be there.
01:14:57Trust me, man,
01:14:58I don't want anything
01:14:58bad to happen to her
01:14:59either.
01:15:00Believe me.
01:15:07Thelma?
01:15:10Where are you?
01:15:10Where are you?
01:15:14Let's not do
01:15:21anything stupid.
01:15:23Whatever you want,
01:15:24just name it.
01:15:27Edward,
01:15:28Edward,
01:15:29Edward.
01:15:32How did you find
01:15:33this place?
01:15:39You again?
01:15:40You didn't seriously
01:15:42believe I would
01:15:43just walk away,
01:15:43did you?
01:15:44You're a coward.
01:15:48Kill her.
01:15:50And Edward,
01:15:50I want you to watch.
01:15:52If you touch her,
01:15:53I will skin you alive.
01:15:56I got it.
01:16:04Thelma, run!
01:16:05It's okay.
01:16:32It's over.
01:16:32It's over.
01:16:32It's all over.
01:16:36It's all over.
01:16:58It's today.
01:16:59I promised Nas
01:17:01I would go.
01:17:11Wait,
01:17:12this is the amusement park
01:17:13I agreed to meet
01:17:14Little Rock at.
01:17:16I thought it
01:17:17closed down
01:17:17years ago.
01:17:19Thelma?
01:17:21Edward?
01:17:22What are you doing here?
01:17:24Nas told me to come.
01:17:26What are you doing here?
01:17:27Well,
01:17:29now that you're here,
01:17:31I need to tell you
01:17:31a little secret.
01:17:33Be right back.
01:17:34Edward!
01:17:47Don't be scared,
01:17:48sweet man.
01:17:49What did you just call me?
01:17:50I told you I'd meet you here,
01:17:59Alan.
01:18:06I told you I'd meet you here,
01:18:07Alan.
01:18:10Algar,
01:18:11but how?
01:18:13Why didn't you tell me
01:18:14after all this time?
01:18:15After I escaped the orphanage,
01:18:19the headmistress
01:18:20sent people after me.
01:18:22So I had to fake
01:18:23my own death.
01:18:25I survived,
01:18:26but the price was
01:18:27becoming a different man.
01:18:30Cold,
01:18:32ruthless,
01:18:33even cruel.
01:18:34and I was so scared
01:18:38that if you found out
01:18:40this was the man
01:18:40I'd become,
01:18:42you wouldn't love me anymore.
01:18:43Besides,
01:18:44the Arduin family
01:18:46erased every trace
01:18:47of my past.
01:18:49If they find out
01:18:50you're the one
01:18:50I'm looking for,
01:18:51they'll use you
01:18:52against me.
01:18:53And I can't risk that.
01:18:56Algar,
01:18:57you know
01:18:58that I love you.
01:19:01You do?
01:19:02Yeah,
01:19:06with you by my side
01:19:07I'm not afraid
01:19:07of anything.
01:19:10I don't want us
01:19:11to ever be apart again.
01:19:24Yes!
01:19:32I don't want us
01:19:33to ever be apart again.
01:19:36I don't want you
01:19:59or be at me.