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Transcript
00:00How are you, I am.
00:06Don't listen to,
00:11I love her,
00:14that's why I am not.
00:17But why can't I have to tell you?
00:19Well, I have to tell you.
00:20I have to tell you.
00:23It's been a little while.
00:25Why didn't I tell you?
00:26She's coming to an Arjun now.
00:28I'm not sure, but I'm not sure what's going on.
00:31So, I will never get any of this.
00:36Okay?
00:38Oh, my brother!
00:42Go back!
00:45I took two kilos.
00:47I'm not sure why I'm going to get a gun.
00:49Good.
00:52Why are you going back? Why are you going to get more?
00:55What's wrong with the 34th stone?
00:57Why did you open a new company?
01:01You're 10.
01:05You're fine.
01:07But some people don't have the same thing.
01:10No, brother.
01:11If you don't know, we're famous.
01:14But you don't have the same people.
01:18What's the difference between five and a half?
01:21If you don't have the same people,
01:23you'll have the same people.
01:25Let's go here.
01:27You're the same people.
01:30You're the same people.
01:51Yeah.
01:53Yeah.
01:55So that's what I wanted.
01:57Yeah.
01:59All right.
02:01This time, there are three windows closed for this time.
02:25Goat.
02:26Goat.
02:27Goat.
02:28Goat.
02:29Goat.
02:30Goat.
02:31Goat.
02:32Goat.
02:33Goat.
02:34Goat.
02:35Goat.
02:36Goat.
02:37Goat.
02:38Goat.
02:39Goat.
02:40Goat.
02:41Goat.
02:42Goat.
02:43Goat.
02:44Goat.
02:45Goat.
02:46Goat.
02:47Goat.
02:48Goat.
02:49Goat.
02:50Goat.
02:51Goat.
02:52Goat.
02:53Goat.
02:54Goat.
02:55Goat.
02:56Goat.
02:57Goat.
02:58Goat.
02:59D.O.G, D.O.G.
03:03All right.
03:04D.O.G, D.O.G.
03:12I'm happy, man.
03:15You've done the old mannequin pose.
03:17So you're fitting for having some food with food to bring food.
03:21I feel like I'm shooting.
03:23The sins of the father are to be laid upon their children.
03:53Therefore, I promise you, I fear you, Shakespeare.
04:02Go.
04:03Come on.
04:04Let's see.
04:08If you have such an Englishman and sexist,
04:11why do you leave your sales?
04:15And who you don't leave, you leave them.
04:19Now, listen to me about this.
04:23Maybe you've started some drugs, right?
04:28Yes, ma'am.
04:29Look, Jazz.
04:30You don't come home.
04:31Yes.
04:32The network is a little weird.
04:34I'm doing an audio.
04:35I'm doing an audio.
04:39Look, Jazz.
04:40Everything will be fine here.
04:41We'll stay in the first place.
04:43We'll have both mother-in-law.
04:44We'll have to do this again.
04:45My mother-in-law came here.
04:46My mother-in-law came here.
04:47I was sitting here.
04:48How fun?
04:49You gave me time.
04:51When did you come here?
04:53You've never talked about that.
04:55Oh.
04:58Three?
04:59Three months.
05:00Three months.
05:01I'll either be I or I'll be single.
05:03No.
05:04I'll be single or I'll be single.
05:06It's clear, right?
05:07No way.
05:08No way.
05:09Who's your mind?
05:10Who's your mind?
05:11You're your mind, son.
05:12You're my mind.
05:13Who's your mind?
05:14Who's your friend?
05:16Who's your friend?
05:18You're my friend.
05:19You're your friend.
05:20You're your friend.
05:21But I didn't feel bad.
05:23It's true.
05:24It's true.
05:25But it's not true.
05:26It's true.
05:27It's true.
05:28It's a lot of reading.
05:29You know, right?
05:30Well, there's no difference between Shakespeare and Shakespeare.
05:33And I don't think you've become a girlfriend.
05:37And you, you're saying a goat.
05:43You were also one of your friends, right?
05:45What's her name?
05:46Yes, yes.
05:47It's dark.
05:48It's dark.
05:49You're not?
05:50He's with you.
05:51He's here, Mama.
05:55You're your account, right?
05:56He's not gone.
05:58He calls me when he's free.
06:03If I need something, he comes.
06:05There's no problem.
06:07Okay, bye mom, I'm keeping you.
06:16Hey, listen, listen.
06:18Bye.
06:19Jay.
06:19Hey, listen, listen.
06:49Hey, listen, listen, listen.
07:19Hey, listen, listen, listen.
07:49Hey, listen, listen, listen, listen.
07:51It's been a long time for a year and a year.
08:00It's been a long time for a year and for a long time.
08:05It's been a long time for a long time.
08:10My mother knows everything about her mother.
08:15Her love, her work, her love, her love, her inner love.
08:22I don't know why she loves her so much.
08:27But I remember a lot of memories.
08:32It's been a long time for a long time.
08:39But it's been a long time for a long time.
08:44It's been a long time for a long time.
08:53It's been a long time for a long time.
08:57I have no more than that.
09:04I have made all my good work.
09:10I don't know if I don't have a trace.
09:15I don't know anyone.
09:19I don't have anything to do my mother.
09:22All the games are made up
09:39If my mother is a god, she is a god
09:43and she is a god
09:45I'm leaving all these things and I'll be free.
09:52It's absolutely right.
09:59If this thought comes to your mind,
10:04you'll find the way to be free.
10:07Just like I found it,
10:12I'll kill my mother and I'll be free.
10:20Pratap Singh Dio.
10:26Keep it here.
10:28You'll have to work soon.
10:33Pratap Singh Dio.
10:37You'll die.
10:39God is the Lord of the Holy Spirit.
10:43There's no such thing.
10:47Don't do it.
10:49Don't do it.
10:51If I thought you would help me.
10:57And if I thought you would get a friend of mine.
11:02But this is your job too.
11:05If you kill me with Pratap,
11:12then it's a job.
11:16Or a friend.
11:21Or a friend.
11:28Yes, alright.
11:31You sleep.
11:33And keep the dreams of your self.
11:35You will be free in this, right?
11:39Oh my God!
11:44Hi, Kala. I hope you don't care. Kala, please pick up my call. Why are you ignoring me? It's because of jazz.
12:04I miss you, Kala. I miss your eyes. I miss your touch. I want to see you once again. Please talk.
12:14I'll do anything for you, Kala. Just talk. You used me. You used me and Papaji. I'll never forgive you. I hate you.
12:36I love you, Kala. Please. I can't eat. I can't sleep. I miss you.
12:44Please just come back to me.
12:48I love you.
12:49I love you.
12:50I love you.
12:51I love you.
12:52I love you.
12:53I love you.
12:54I love you.
12:55I love you.
12:56I love you.
12:57I love you.
12:58I love you.
12:59Who is the one who is the one who is the one who is the one who is the one who is the one who is the one who is the one who is the one who is the one who is the one who is the one who is the one who is the one who is the one who is the one who is the one who is the one who is the one who is the one who is the one who is the one who is the one who is the one who is the one who is the one who is the one who is the one who is the one who is the one who is the one who is the one who is the one who is the one who is the one who is the one who is the one who is the one who is the one who is the one who is the one who is the one who is the one who is the one who is the one who is the one who is the one who is the one who is the one who is the one who is the one who is the one who is the one who is the one who is the one who is the
13:29I'm sorry, I'm sorry.
13:59Oh
14:29Oh, my brother!
14:31I was just like a man who was talking to me.
14:33This is what you know about me.
14:35This is a shame.
14:37I'm going to get out of my head.
14:39Do you know who was going to give me a chance?
14:42I'm going to tell you.
14:44Don't take a name.
14:46This is a clan.
14:48Tell me this, brother.
14:50You'll die alone.
14:52Let's go, Shibhaj.
14:54Come on.
14:56I am not going to kill you in the bulls.
15:03Thank you, brother.
15:05Which one of you was the one?
15:07That is also a film from Nil Kapoor.
15:09Tijab.
15:10I was going to work on you.
15:12Today, you are standing by Ram Lakhan.
15:15Thank you, brother.
15:17Take care.
15:23Thank you, brother.
15:25You are in the bulls.
15:27Do you understand?
15:28I have no water.
15:30And the water is empty.
15:32I have no water.
15:33Do you understand?
15:34I have no caps from the shop.
15:45You don't want to take your teeth in front of me.
15:48Do you want to keep your teeth on?
15:50What is the secret to you?
15:51Do you get in the bulls?
15:52Do you get people to have them?
15:53You have to take a look at their teeth.
15:54Right?
15:55To find your teeth, God.
15:57And if you think about Punjab,
15:59it is a perfect position.
16:00You have to take the looks of the monster to kill.
16:02You cannot take the looks of the monster.
16:03But I will kill you for yourself.
16:04You got to kill yourself.
16:05You got to kill yourself?
16:06Right?
16:07I get killed yourself.
16:08You got to kill yourself?
16:09You got to kill yourself.
16:10You got to take a look.
16:11You have to kill yourself.
16:12I don't know what that is.
16:14Pratab Deol is behind the door of Pratab Deol.
16:16What are you talking about?
16:18You have to prove that someone has killed your father.
16:23Yogal Brad.
16:25No one knows Pratab Deol.
16:28He said that Pratab Deol has killed Tara Singh.
16:34What are you thinking?
16:38I was thinking that one day,
16:40I would not know that you would have to throw it in.
16:42There would be no more trouble.
16:43You would also throw it in.
16:45You would throw it in.
16:47You would throw it in.
16:48And why did you get it in the back of your house?
16:52Like, we started with water.
16:54We started to have some tea.
16:56I had no idea where you're sitting with your parents.
16:59You're listening to your songs.
17:01You're eating.
17:03You're listening to your dad.
17:05You're listening to your dad.
17:07I have been praying for you.
17:10I will be praying for you.
17:12I will be praying for you.
17:14And I will not be praying for you.
17:17I will be praying for you.
17:21You please do it for yourself.
17:23And kill the police.
17:25You will be praying for your house.
17:28What would anyone else have to stop?
17:30I have to admit that.
17:32Then I will understand you.
17:35Pratap didn't kill Tara Zing.
17:38He killed his songs.
17:41He killed his facts.
17:46Then he killed him in a hole.
17:50And he made a place in the world.
17:54Tijjasud.
17:57Tijjasud Pratap is not.
18:02Tara Zing.
18:06It's mine.
18:11What will happen to him to kill him?
18:14With my father's photo, Pratap will be a big photo.
18:18Four or five horses will be made in his name.
18:20He will be made in his name.
18:21He will be opened in his name.
18:25To make Pratap's money.
18:29To kill him.
18:30To kill him.
18:32To kill him.
18:34To kill him.
18:36To kill him.
18:37To kill him.
18:38Don't do that.
18:40I'm not the only one.
18:42To kill him.
18:43To kill him.
18:44To kill him.
18:45To kill him.
18:47To kill him.
18:49To kill him.
18:50And I'll kill you.
18:58Only Pratap will die, Jam.
19:00Baldev too.
19:16Don't know.
19:20How we get your cash.
19:27As much.
19:28You're given my cash to obtain your cash.
19:30You're given to dont get worse.
19:34You cannot get the red swallow,
19:38It's just easy.
19:40You don't make money or you don't earn away.
19:45Pious mermaids should work.
19:47And for the sake of being killed,
19:50I'm going to burn the car.
19:52And for the sake of being killed,
19:55I'm going to burn the car.
20:06I'm going to ask you a question.
20:09I'm not going to ask you a question.
20:12My name is Kamaljeet Singh Manji, I am Gurpal.
20:18This is a very necessary work for you.
20:21These lyrics, you will see it with a little attention.
20:25You are a Punjabi lyrics expert.
20:28I want to know that when these lyrics were written.
20:33Tara Singh is a singer of Pratap Jawl,
20:37a singer or a lyricist.
20:39It's a very nice song.
20:42We have money to die for a person.
20:45And Pratap Jawahar is a great song.
20:52Come in.
20:54Good morning, sir.
20:55Good morning.
21:07What is this?
21:08These are Jai Sir's transactions,
21:11which Pratap Sir told Pratap to cancel.
21:14Why?
21:16Now please ask Pratap Sir.
21:26Sit down.
21:28Yes sir, thanks.
21:30Where are you from?
21:31Where are you from?
21:32That's Jai Sir's transactions.
21:33Transactions?
21:34What do I say, sir?
21:35There are some secrets of every company.
21:36And people too.
21:37True.
21:38These are salaries?
21:39These are salaries?
21:40No, sir.
21:41These are our local talent payments.
21:45Yes, sir.
21:46These are our local talent payments.
21:55Yes, sir.
21:56Yes, sir.
21:57These are our local talent payments.
21:58Yes, sir.
21:59Yes, sir.
22:00Yes, sir.
22:01Yes, sir.
22:02Yes, sir.
22:03Yes, sir.
22:04Our company is looking for small towns and looking for local singers.
22:08Like the company's looking for sportsmen.
22:10Yes, sir.
22:11So, sir, we provide daily wages for them.
22:15Basically, Pratap Sir means that if two people can become Punjab-level singers, then all these are worth it.
22:28Pratap Sir is so sweet.
22:30Yes, sir.
22:31So, these are our employees of our company?
22:36No, sir.
22:37These are not officially employees.
22:40They don't have bank accounts.
22:42They don't have bank accounts.
22:43So, these are the government banks, right?
22:45They have some branches of their account.
22:48They go there and get their small amount of checks and cash.
22:52Oh.
22:53So, these are the amount of 10,000 to less?
22:57Because the amount of checks are the top of Pratap Sir.
23:01Oh.
23:02Oh.
23:03Good morning, sir.
23:07There is a small camera on the ground floor.
23:10Just sit there.
23:11I don't know.
23:12You have to sit there.
23:13We have to be kept the door.
23:14Like the windows and windows.
23:15Oh.
23:16Oh.
23:17No.
23:18Don't sit.
23:19Oh, no.
23:20Don't do it.
23:21Don't do it.
23:22Don't do it.
23:23I'll do it.
23:24Do it.
23:25Don't do it.
23:26Don't do it.
23:27Don't do it.
23:28Come on.
23:29So, where are these artists?
23:32So, where are all these artists sent?
23:35Sir, they are all over Punjab.
23:38Can you get me the accounts of last two years?
23:41I just want to see what I'm signing on.
23:43Sure, sir. We'll do that.
23:47Most welcome, sir.
23:55I don't know where to trace it.
23:57But...
23:59I remember a lot of the airbundi.
24:08Who?
24:09I'm saying Tidde Kala.
24:10Can you tell me how many numbers you need?
24:14Sir, what's your new number?
24:16We need to run after your manager.
24:18It's an important job.
24:20Listen.
24:21You name it, we work.
24:23Call your new laptop,
24:25which can't be traced.
24:27Like you call me.
24:29It's a safe place.
24:31Look.
24:32It's going to get a call from this.
24:34And it's going to get a call from this.
24:38When you have a call,
24:40when you have a call,
24:41you have to cut it.
24:43There's no tension.
24:45It's going to get a call from some servers.
24:48It's not going to be traced.
24:50It's going to be traced.
24:51It's not going to be traced to any country.
24:53We can get the call from this.
24:54It's going to get the call from this.
24:55Okay?
24:56Okay?
24:57You understand the story, right?
24:58You can call in any country, even in Pakistan.
25:03How many years have you been talking about?
25:07Don't worry about it.
25:08Open it and open it.
25:26Hello?
25:42Uma?
25:47Chaka?
25:52How are you?
25:57Did you open the door?
25:59Yes.
26:00Yes, yes, yes.
26:02Why don't you come here?
26:04It's cold.
26:06It's cold.
26:07It's cold.
26:08It's cold.
26:10It's cold.
26:16It's cold.
26:23It's cold.
26:31I'm planning for money.
27:15What do you think, Baldev?
27:17Gordon has decided that this time we will be thinking about the other side.
27:21Who is the other side?
27:23They give it to the announcement.
27:26But you had the whole limelight, right?
27:28He took it to the singer that night.
27:31What's his name?
27:33He's showing everything in the party survey.
27:35He didn't even see anything, Baldev.
27:37Tell me, who is the other side?
27:40It's not the other side, it's a new side.
27:43You know Punjab a lot.
27:45Or there are vibes.
27:47Singers, actors, entertainers.
27:49It's very easy to get a ticket.
27:51And in the heart of Delhi CM,
27:53there's a name of a legendary entertainer.
27:56Hear?
27:58He loves Punjab.
28:00And he has come to hear
28:02that he has also given you a few times.
28:10Sharnit.
28:12Is it the other side?
28:14Is it the other side?
28:15Okay, I'm sorry.
28:16Okay.
28:17Let's go.
28:18Yes.
28:19Let's go.
28:20Let's go.
28:21I'm sorry, I'm sorry.
28:23I'm sorry.
28:25I'm sorry.
28:27I'm sorry.
28:29I'm sorry.
28:31I'm sorry.
28:33I'm sorry.
28:35I'm sorry.
28:37The whole Punjab gives him.
28:39The whole Punjab gives him the truth.
28:41The truth will not take him.
28:43The time is very long.
28:45Letting go.
28:47Letting go.
28:51We'll kill the police.
28:53We'll go all the way up.
28:55We'll kill you.
28:57We're killing you.
28:59We'll kill you.
29:21Let's go
29:51Let's go.
30:21Let's go.
30:51Let's go.
31:21Let's go.
31:26Let's go.
31:31You can call me any man but I'm liar.
31:46How are you doing?
31:47Good, good.
31:51I...
31:52I thought that the girl of Pratap Ji is returning money.
31:56She came to Warmagad.
32:01Just for some time.
32:03But to get you back a lot in return.
32:07Mr. Seaty, you have done it thrice.
32:09The IPO is for different companies.
32:14And you know Tija Sur's valuation.
32:16It's a great match.
32:18And I've done my research.
32:20The numbers, projections, they look fab.
32:22No.
32:24To tie up with others.
32:26To collaborate.
32:28To open the market.
32:31I don't know about Pratap Ji's game.
32:36There, you're wrong.
32:38Sir.
32:39My dad, he's...
32:41He's seeing things in a completely different way.
32:44His eyes are changed, sir.
32:46He's...
32:48Like a...
32:49Like a new kid on the block.
32:50Who wants to do every damn thing.
32:52Hmm.
32:53He's having a lot of energy in a 6-year-old.
32:55He's having a game.
32:56Hmm.
32:57He needs a whole world.
32:59And that's why they want to collaborate.
33:01They want to work together.
33:02That's why they want to collaborate.
33:04They want to work together.
33:11I think you've made your mind.
33:13We won't work together.
33:15Fair enough.
33:21Before I forget, this is for you.
33:24Mine or champagne?
33:26Check it for yourself.
33:32That's the same place.
33:47When there wasn't anything,
33:49it was this.
33:51The person who can do so much research for a meeting
33:57he also did a great research in his marketing.
34:02D.O.G.
34:04Dog.
34:05D.O.G.
34:06D.O.G.
34:07D.O.G.
34:08D.O.G.
34:09D.O.G.
34:10D.O.G.
34:11D.O.G.
34:12Flavie Mitra,
34:14you've got so many ghalas.
34:16If it's got a piece of paper,
34:18then...
34:19The time we know our ghalas will be finished.
34:23D.O.G.
34:24D.O.G.
34:25D.O.G.
34:26D.O.G.
34:27D.O.G.
34:28D.O.G.
34:29D.O.G.
34:30D.O.G.
34:31D.O.G.
34:32D.O.G.
34:33D.O.G.
34:34D.O.G.
34:35D.O.G.
34:36D.O.G.
34:37D.O.G.
34:38D.O.G.
34:39D.O.G.
34:40D.O.G.
34:41D.O.G.
34:42D.O.G.
34:43foreign
35:13Now, I'm sorry.
35:15I'm sorry.
35:17I'm sorry.
35:19I'm sorry.
35:21I'm sorry.
35:23I'm sorry.
35:25I'm sorry.
35:27I'm sorry.
35:29I can't speak a little bit.
35:31If you speak a little bit,
35:33you'll be like,
35:35but you know,
35:37I'm not very shy.
35:39I'm sorry.
35:41Bapu was saying.
35:47Tara Singh is not the one who was in Nepal.
35:51Okay.
35:53Will you see the photo?
35:55Yes.
36:03Hi.
36:04Satnam.
36:05The one who was Kaneda.
36:07The other one is Tara Singh, right?
36:11I will also forget
36:13that you are like me.
36:17I'm sorry.
36:23Ben Chod.
36:25You have a hard time.
36:27You will have a show of my friends.
36:29Ben Chod has been so hard.
36:31What a song is going to happen?
36:33You are like me.
36:35You are like me.
36:37You are like me.
36:39If you stop the phone,
36:40you will be like me.
36:41How many numbers I will change?
36:43I am getting the phone from the day.
36:45You are like the people of Delhi.
36:47You are like the sound of Khabrapal.
36:49You operate from jail.
36:51You had made your show.
36:53That's why you are out of the enemy.
36:55I am so at the same time.
36:57I am so tired.
36:59This is a silly note.
37:02I mean…
37:03It's all making me!
37:05I am so tired.
37:06Judy…
37:07I am so tired.
37:08I am so tired.
37:09I am so tired.
37:10I am so tired.
37:11I don't stop.
37:12I am so tired.
37:14I am so tired.
37:15This is too late.
37:16This is my daughter.
37:17I am so tired.
37:18I am so tired.
37:19I will see it.
37:49I will see it.
37:50I will see it.
37:51I will see it.
37:52Mandy?
37:53Yes, ma'am.
37:54Will you take a new SIM card?
37:56Yes.
37:57Then take another number.
37:59Sir, CT scan, MRI, all reports have been sent.
38:06I have also consulted with some neurosurgeon.
38:09It's okay.
38:10You don't have anything.
38:12I don't have anything.
38:13I don't have anything.
38:14I don't have anything.
38:15Pratap, sir, it's not my place to say,
38:18but your pain is psychosomantic.
38:21You have any stress on your own,
38:23which you have to think about.
38:25Anything can be done.
38:26Okay, okay.
38:27I will tell you about it.
38:30Yes, ma'am.
38:33Dad, I'm working on your IPO plan.
38:36Either we need to buy the land,
38:38or not wait for two years.
38:40I'm ready to give money.
38:42If we give him a good offer.
38:48And, Dad, I'm in touch with Bombaywale K-Records.
38:54Oh, man.
38:55Don't take me.
38:56One more time.
38:57One more time.
38:58Then I'll kill you.
38:59I'm in touch with Shweta Jain.
39:00I'm in touch with Shweta Jain.
39:01You're the only one.
39:02That they will go to Punjab,
39:03and they will lose Punjabi music.
39:05Dad,
39:06you're a fan of Punjabi music.
39:10You're a fan of Punjabi music.
39:12And you'll stay.
39:14Today, there's no such film there,
39:17where you don't have a Punjabi song.
39:19Remixed.
39:20There's no club where you don't have a Punjabi song.
39:23Their industry is in our songs.
39:25And we don't have anything.
39:26We don't get anything.
39:27We don't get anything.
39:28There's nothing in Punjab.
39:30There's no club in Punjab.
39:31We'll take it.
39:32We'll take it.
39:33We'll take it.
39:34We'll take it.
39:35Half a thousand songs.
39:36We'll take it.
39:37We'll take it.
39:38We'll take it.
39:39We'll take it.
39:40We'll take it.
39:41And we'll take it.
39:42And then,
39:43we'll take it.
39:44Then the ball is an account.
39:47Then we'll take it.
39:48We'll take it.
39:49They won't leave.
39:51Who will leave the money?
39:53Exactly.
39:54That's a daily business summit, Dad.
39:59We'll take it.
40:00We'll come to our investors.
40:01And we'll come to Siti.
40:03So, I'll set up a meeting.
40:06We'll sign a deal.
40:08And we'll launch IPO in the biggest possible way, Dad.
40:12We'll have to be present.
40:14I'll have to spend the rest.
40:16You'll spend the rest.
40:17I'll spend the rest.
40:18Siti is a big kid.
40:20Let's go.
40:22Come on.
40:25Good, Dad.
40:26We'll start.
40:29Ramse.
40:30Ramse.
40:31Ramse.
40:32Ramse.
40:33Ramse.
40:34Ramse.
40:35Okay?
40:36I didn't get up even before.
40:38I didn't.
40:39It was here.
40:40I'll take it.
40:41Why didn't you take it?
40:42Let's go.
40:47You're too bad.
40:49When the foundation gave me to Kali, I have given you.
40:53Why do you feel bad, Dad?
40:54It's all you've made.
40:57You're in your mind. You're in your mind. I feel it.
41:01And if I feel bad, then you're wrong.
41:04Yes.
41:05There's something else inside, like my sexuality.
41:08I'll never accept myself.
41:09Why would I accept myself?
41:13Why would I accept myself?
41:17Why would I die?
41:19There's a lot of poker.
41:20There's a lot of people who don't have sex.
41:23Okay.
41:24Okay.
41:25Okay.
41:26I'll go.
41:27Let's go.
41:28Come on.
41:29Come on.
41:30Come on.
41:31Come on.
41:32Come on.
41:33Come on.
41:34Come on.
41:35Come on.
41:36Come on.
41:37Come on.
41:38Come on.
41:39Come on.
41:47Come on.
42:05Don't say anything.
42:08You were doing what you were doing.
42:12Call the lawyer, Sabarwal.
42:15Sabarwal, he's a lawyer?
42:17Yes.
42:19And at that time, you too.
42:22He's changing the law.
42:30The pain has been more in the back.
42:35You don't have to live anymore.
42:38You have to take a look like this.
42:41That's it.
43:05Yes, yes.
43:07The pain is a bump, man.
43:10The pain is a bump.
43:12But...
43:20Rupi.
43:21Rupi.
43:23You will die from my hands.
43:25What are you doing?
43:26I want tea.
43:27I'm working on my own work.
43:28I'm not working on this.
43:29I'm not working on this.
43:30People keep in line.
43:31I'm tired of you.
43:32I'm tired of you.
43:33One week, don't judge me.
43:36What are you saying about this song?
43:38A little bump.
43:40But...
43:41But what?
43:42What?
43:43What?
43:44I'm saying that the song is right.
43:45But in this song,
43:46there will be a stablish singer.
43:48Like the other one.
43:49It's Jasmine Sanders.
43:51But it will be a trend.
43:54It's 50-50.
43:55It's possible.
43:56It's possible.
43:57And it's not.
43:58What are you doing today?
43:59What are you doing today?
44:00What are you doing today?
44:01What are you doing today?
44:02What are you doing today?
44:03What are you doing today?
44:05What are you doing today?
44:07What does it mean today?
44:09What do you do today?
44:10I am trying to fight.
44:11How different people.
44:12How have you solved yourself?
44:13How have you done?
44:14How will you deal with Ontain
44:20On CD.
44:36Advance.
44:40Tera single chada maria charts te.
44:43If the singer of Dimpy
44:49are playing with the stars,
44:51then the rising star would have to get up with the hammer.
44:55The hammer.
44:57The hammer.
44:59The hammer.
45:01The hammer didn't happen a little more.
45:07Yes, it's a little more.
45:09It's a little more, but it's a lot.
45:11We can't afford it, but we have to keep the pressure on the pressure.
45:18And you have to give the EMI for today's bill.
45:21And don't worry about the recovery of this money.
45:24I'm looking for you.
45:25How's it going?
45:27I've done one dollar with you, and three LIMBY.
45:33EMI.
45:3540,000,000?
45:38Yes, 40,000,000.
45:40Well, you're a mother,
45:4310 of your child and 30 of your child's name.
45:50The truth is true.
45:52And you don't have any choice.
45:55When will you use the names of my father's names and songs?
45:59You won't get any other names.
46:02You'll get a name.
46:05You also know that.
46:08The name is your name.
46:10The name is your name.
46:12And the name is your name.
46:13And the name is your name.
46:15The name is your name.
46:17Only art was made in the beginning.
46:19I don't know.
46:49I don't know.
47:19I don't know.
47:49I don't know.
48:19I don't know.
48:49I don't know.
49:19I don't know.
49:49I don't know.
50:19I don't know.
50:49I don't know.
51:19I don't know.
51:49I don't know.
52:19I don't know.
52:49I don't know.
53:19I don't know.
53:49I don't know.
54:19I don't know.
54:49I don't know.
55:19I don't know.
55:49I don't know.