Category
📚
LearningTranscript
00:00Tell us, what was the mystery of your brother?
00:03It was a little...
00:05...that's life.
00:06Did you get money from this life?
00:08Yes.
00:09The things that he left behind you...
00:11...the Giacobo gave me a gold medal.
00:14He came to a doctor from the Smyrna.
00:16We should know what happened there.
00:18Let's leave it all behind you.
00:20And with the Nicola, we didn't have to be with you.
00:22The Nicola was again with the Ellen.
00:24What?
00:26It was yesterday's office.
00:28It was late at night.
00:30Nicola, come on.
00:32What happened?
00:34What did you do, Nicola?
00:36Your mother is still in the hospital?
00:38Is there?
00:40Where?
00:41I want to see if the mother is in the hospital.
00:44What are you doing?
00:46What are you doing here?
00:48Here it is.
00:50Do you think it's inside?
00:52Mrs. Giacobo, we have a research for the hospital.
00:54Is this your friend?
00:56Is it on the hospital?
00:58Is that the doctor?
01:00That's the mom.
01:02Is that next?
01:04That's crazy.
01:06Let's go to the hospital, please.
01:07We need to be able to find the hospital.
01:10What did I say?
01:12It's a hole.
01:14I can see the plunk of my heart.
01:16I did it once again.
01:18Is it the first time in a house alone?
01:20Well, they were thieves.
01:22These were thieves. They were thieves.
01:25You have seen.
01:27I don't know what to say.
01:30I don't know what was inside the bag.
01:34But what do you have to do with the fear of my brother?
01:38That's what we're trying to find.
01:40We're trying to figure out if this is the world that was the fear of your brother.
01:45According to your brother, this world was a gift of your brother.
01:49That's how he said his brother.
01:51I don't know why this is this, Anastasis.
01:54He said his brother's brother.
01:57I see him the first time I see him.
01:59What do you have to do to me?
02:01You're right, you're right.
02:03These people, they were living.
02:06I don't have money for them to give them a gift.
02:09It's a gift.
02:11We're trying to find it.
02:12What's the gift is the gift and the truth?
02:14I'll find it.
02:15All I found it.
02:16I didn't have anything.
02:18I'm good.
02:18Then you have to find it.
02:20And if you're looking for a second half of your brother.
02:22You're not going to find it.
02:23You're going to find it.
02:24What is it?
02:25You're being accused of.
02:26What did you want to do?
02:28You've seen me.
02:29You're not accused of.
02:30All are under investigation.
02:32You're done.
02:34Leave.
02:35I'll find it.
02:36I'll find it.
02:37I'll find it.
02:38You'll have to let me.
02:39You'll be right back.
02:41I'm sorry.
02:42Okay.
02:43If you stay here, Mrs. Kalanji will be together.
02:46Until I get back to you.
03:11Let's go.
03:16Eleni.
03:18Let's go.
03:26Who is the mouro?
03:29Did you tell him that he didn't come to Nikita?
03:32Do you want to leave him alone?
03:36That's how you think of it.
03:37That's why you're listening to me.
03:39You're wrong.
03:41Let's go.
03:43You're wrong.
03:45This is how you're wrong.
03:47You're wrong.
03:49You're wrong.
03:51You're wrong.
03:53I got to leave him alone.
03:55I was afraid that he could do it.
03:57I'm afraid he would do it.
03:59Did he do it?
04:01Did I get a mother?
04:03Did I get a mother?
04:05Don't you know how many times you got yourugar?
04:07That's why I said, where is the Kalibba?
04:14Stathas, if I wanted to leave, I had already done it.
04:21I wouldn't have been here with you.
04:23Let's go over here.
04:36Let's go over here.
04:38Let's go over here.
04:46The Déspyna saw the Eleni come from the bedroom.
04:51He was here to meet you in this house.
04:54She's been here. She's been here.
04:57She's been here.
04:59I want you to believe that your son has brought up his head.
05:03Can she just show you the child?
05:05I don't know what she did.
05:06I've seen you.
05:08I've seen you, Déspyna.
05:10So, you're a good girl.
05:12You're a good girl.
05:14The notes I'm going to take you.
05:16You must have to help me.
05:18You're a good man.
05:20You're a good man.
05:22You have to open up your head.
05:24I thought it was a good time.
05:26I thought I was a good guy.
05:28I had to leave the bedroom, but I didn't see you.
05:30You Eleni is an important thing for everything.
05:33And my father of course is the biggest thing.
05:36Don't worry about it. I'll talk about it.
05:50Good evening. I would like to talk to you with Mr. Evgeny.
05:55Do you know him?
06:10Yes.
06:16Where did you find him?
06:18I was in the house of Mrs. Kaladzzi.
06:20But if I asked him very well, how is it possible?
06:23It may not be then, but then.
06:27What do you think?
06:28Nothing.
06:29It's...
06:33I have a long time to see him.
06:36As if I saw him, my father is now.
06:39I will try to help you with this situation.
06:44I would like you to ask him.
06:46I would like to ask you about the mayor of the mayor, but I have no idea.
06:53That's right.
06:54You have to ask him to ask him for the services of the Serieta.
06:59Why?
07:00Yes.
07:01Why?
07:02Why?
07:03Why?
07:04Why?
07:05Why?
07:06Why?
07:07Why?
07:08Why?
07:09Why?
07:10Why?
07:11Why?
07:12Why?
07:13Why?
07:14Why?
07:15Why?
07:16Why?
07:17Why?
07:18Why?
07:19Why?
07:20Why?
07:21Why?
07:22Why?
07:23Why?
07:24Why?
07:25Why?
07:26Why?
07:27Why?
07:28Why?
07:29I learned the mystery that Mr. Kalladjee was the friend of Kalladjee.
07:32She was the friend of Kalladjee.
07:35And the friend of Kalladjee was the friend of Kalladjee.
07:39He was the friend of Kalladjee.
07:43And for the Kalladjee, do you believe?
07:47Is there a chance to kill this friend of Kalladjee?
07:50The確 is that someone says something about this world.
07:53Kalladjee told me that his wife was the friend of Kalladjee.
07:59The Kalladjee, from the other hand, is sad and says she didn't see anything in her life.
08:03She told me that she had a child of Kalladjee.
08:07She was the person of Kalladjee and the family of Kalladjee is even more.
08:11She was the daughter of Kalladjee and...
08:14Yes, she is an example, but not possible at this moment.
08:19What I don't know is what is happening with the Kalladjee.
08:22She surely doesn't tell us all the truth.
08:25Yes, how do you feel?
08:27You have the card that you found in the Kalladjee?
08:32Yes, it's in the house.
08:34Yes, it's in the house.
08:35Okay, I'll show you and I'll tell you that I found it in my office.
08:38Okay.
08:40I'll show you and I'll show you and I'll show you and I'll show you.
08:52What's wrong with the Kalladjee?
08:54Well, I'll show you two questions with the Kalladjee and I'll wait for you.
08:58That's why I'll show you and I'll show you a whole series of the Kalladjee.
09:05If you don't have to leave it, you will have to leave it.
09:09If you don't have to leave it, you will have to leave it.
09:25From the department, I told you...
09:28I told you about the relationship with the Riga and...
09:33...and I told you about it.
09:35And what are you saying?
09:37What are they saying?
09:39They're looking for you.
09:41You're not saying anything.
09:43You're not saying anything?
09:45And before I told you, I was going to leave it.
09:47I was going to leave it.
09:49I was going to leave it.
09:51I was going to leave it.
09:53I don't know what I was saying.
09:55I can't wait for you.
09:57I know that, after that, you know what I did with my mother...
09:59...with what I did with my children?
10:01And what are you saying?
10:03And what are you saying?
10:05And what are you saying?
10:07What are you saying?
10:09What are you saying?
10:11I have to leave it!
10:13It's not that he's hidden around here, he doesn't let you get it out of my head.
10:17You can't stop you to get involved with him. I'm afraid of you.
10:21And what do you think?
10:22And what do you want to do?
10:23I'm going to leave him alone!
10:25Where are you going?
10:27Can I ask you to go to the center of the house?
10:31I'll take you.
10:33Will you come with me?
10:35No, I can't see you.
10:37I can't see you.
10:39I can't see you.
10:41I'll take you to the corner of the house.
10:46Let's go.
10:50Your girl, you didn't want to be able to do it.
10:54She's a good girl.
10:56She's a good girl.
10:57She's a good girl.
10:59What are you doing?
11:01She's a bad girl.
11:05I look at your eyes
11:07and see your body.
11:10Don't forget it.
11:14And the only thing I want to ask is
11:17to keep you in front of me.
11:21And we'll be together with you.
11:27I want to be afraid of you.
11:29Okay.
11:30Do you want to leave me?
11:31That's it, my dear dear.
11:45Did you ask?
11:46Yes.
11:48I would like to tell you the person that they will come to get rid of them...
11:55...for some time, for some reason.
11:58And don't ask how much will it be.
12:00You can't say anything.
12:02You can't say anything about the problem, like the economic problem.
12:07They're here, they're here, they're here, they're here, they're here, they're here.
12:12And if anyone has a problem, they'll tell you something.
12:17I'll tell you, my dear.
12:19I'll tell you.
12:23So, next question.
12:25I'll tell you again with the Thodora.
12:30I'll tell you why you came to get rid of it.
12:33Why?
12:34You don't think you're afraid of it?
12:35I'll tell you.
12:36I'll tell you, for a reason, you're going to get rid of it.
12:38You're going to get rid of it.
12:39You're going to get rid of it.
12:40You're going to get rid of it.
12:41You're going to get rid of it.
12:42Let's go back to the Thodora.
12:43Don't worry about this.
12:44You don't have to get rid of it.
12:45You don't have to get rid of it.
12:46For now, when it's a because of the cops.
12:50Yes.
12:51Come on.
12:54I'm sorry.
12:58Good morning.
13:03I would like to speak with Mr. Alexei.
13:07Come on, come on.
13:10Come on.
13:15I hear you.
13:16I have an information on me that Mr. Draperty Siyákovos Tsakirovlo ou Agury Stéloglo,
13:21as you are is providing,
13:23has sex with you in the future.
13:26A report?
13:28From who?
13:30A musical.
13:32Well...
13:34First of all, please make me listen to it
13:36that I'm trying to answer for any information that may have been taken since I was a better candidate.
13:41Second...
13:42I work with many people who know me, so I have some people.
13:46Now, if it was something important, I would like to remember that if we had a choice with a specific person,
13:51it wouldn't be something that I could say.
13:53Well, I don't have any kind of relationship with him.
13:58Mr. Komen, when will all this all be the story?
14:03Because the story of the victim with the churroso-majaer, it would be great.
14:09And I hope it will continue very soon, Mr. Alexiou, with all of this.
14:13You know, I don't think it's impossible for you to deal with all that you're going to happen.
14:19From where you're going to say?
14:22I don't have any answers at all, because no one tells you the truth.
14:32Have you had any question for me?
14:35No.
14:36If you had something like that, you would have been told.
14:41Thank you for your time.
14:43Thank you for your time.
15:13Thank you for your time.
16:15Okay.
16:47No, I'm sorry.
16:48I'm not sure what you're doing.
16:49She's like a way.
16:50You're always asking.
16:51I don't understand.
16:52I don't know why I'm talking about it.
16:53I don't know why I'm talking about it.
16:55I'm not sure what you're talking about.
16:57In order to have a chance to have you a chance to have a photo with the Tzoakiroglu.
17:02Why?!
17:03I had to show you!
17:04You're desperate to have the fear, because I'm not my parents.
17:07And you're not having a photo!
17:09I'm out of here!
17:10You're not sure that you're trying to have a photo!
17:12You're listening to me!
17:13For you!
17:14I'm here!
17:15Do you understand?
17:17I'll tell you, I'll be more honest.
17:19Go!
17:23I'm sorry, Mr. Alexei. I'm sorry to ask you.
17:25I'm sorry to ask you.
17:27I'm sorry to ask you.
17:29You're not working here.
17:31You're not working here.
17:33You're not working here.
17:35You see what we're talking about?
17:37I'm sorry.
17:39I'm sorry.
17:41I'm sorry.
17:43I'm sorry.
17:45You're not working here.
17:47I'm sorry to ask you.
17:49I don't care.
17:51You're not working here.
17:53You're going to know that this here is...
17:55an office.
17:57And the department can't get up to you.
17:59You're not working here.
18:01You're not working here.
18:03You're working here.
18:05You're working here.
18:07You're working here.
18:09And the company doesn't want to come up here.
18:11She doesn't want to be able to get away from what she wants.
18:14I'm afraid of it.
18:15Yes.
18:16Yes.
18:17Yes, you are.
18:20You're trying to find the stories.
18:22You've tried to help you in the situation.
18:25Not for our family.
18:28Because he didn't do anything at all.
18:30It's all fun.
18:41What the hell is that I have done?
18:45What the hell is that I have done?
18:47What the hell is that I have done?
18:58I'm going to tell you a decision of my own.
19:02The burden of our families will be able to get away from what we need.
19:07What?
19:08I'm waiting for you to be able to get away from what we need.
19:10Only we find out many that we should put on.
19:12This day, that we don't accept that we should do.
19:13That is a Але vengeance.
19:14Of course we are going to be able to do before.
19:15Why do you do not take away from us?
19:16Do not have our anxiety for a person.
19:17We're going to do not myself.
19:18We must do our networks on them.
19:19We do not have a job on them.
19:20We do not have alin' radar for a long-term.
19:21It is worth it.
19:22We don't know if I can do it alone.
19:23I haven't helped to get away from her.
19:25I can have nothing but you do not have a burden on women that they have been unable to have settled pasa by the woman.
19:33I hope you must have a hiddenéch labeled....
19:36I can't speak with you, but I can't speak with you.
19:38These are the goals that I have.
19:46You are a normal person.
19:48Give me a moment, Angela.
19:50I've been given you a long time,
19:52and I've been given you a long time,
19:54and I've been given you a long time.
19:58What are you doing?
20:00What are you doing?
20:02They're going to get rid of us.
20:04This is maybe you and you.
20:08They have a problem with the economy and gas prices now.
20:10What do we say about it?
20:20What do you mean?
20:24They have a lot of money,
20:26and they don't have a lot of money.
20:28That's why it's all.
20:30What do you mean?
20:31Tell me, what do you want for me?
20:33And what do you say to me?
20:35Tell me, my lord.
20:37I'm not sure..
20:39I don't think that...
20:41...or I read the part,
20:43and you had been arrested for a lot of money.
20:45He wanted to destroy the�vee.
20:47He thought he was good to take care of me.
20:49Do you think he was a man?
20:51Do you think I could take care of you?
20:53These two have a lot.
20:55They have a lot of photography,
20:57and they have a lot of money.
20:59Are you sure that something has happened between them and have him in the middle of the ring?
21:03I don't know. If I have him in my hand, I'm going to get him.
21:08He came in with him. He came to a doctor named him.
21:14He was missing a doctor. He was missing him.
21:17He saw him and saw him.
21:20I am sure that something is still missing and we must learn.
21:28I am sure that I am.
21:31Are you going to help me?
21:33Yes, I am.
21:35So, if I need you, I will.
21:40I will take care of him.
21:42I will take care of him.
21:48Miss Mela.
21:50Do you know where the family is?
21:54Yes, I am very close to our family.
21:57It is near the Marika, the Modistra.
22:02Thank you so much.
22:05Thank you so much, about the money.
22:06Thank you very much.
22:07Thank you very much.
22:09Thank you very much.
22:11If you are in trouble, you're going to scratch your mouth.
22:13You do not need the door?
22:14Oh.
22:15There's a little bit of what I want to tell you.
22:19I know very good how you are here.
22:24Do you want me to open it or do you want me to open it?
22:26No, I can now.
22:27Why?
22:29I'll tell you later.
22:30I'll tell you later.
22:31No, I'll tell you later.
22:33I'll tell you later.
22:35I'll tell you later.
22:41Why are you like this?
22:43Did you do something like that?
22:44I'll tell you later.
22:45In the absence of your husband and his husband,
22:46I'll tell you later.
22:48The photo and Chanoak was sitting there.
22:51Why not?
22:52I'll tell you later.
22:53I'll tell you later.
22:54I'll tell you later.
22:55I'll tell you later.
22:56I can't say it's a case.
22:57I'll tell you later.
22:58So I have to guilty.
22:59I need to ask you later.
23:00You know, I'll tell you later.
23:01Okay.
23:04I know.
23:05I'll tell you later.
23:07And I'll tell you later that it can be a good answer.
23:09You can call it.
23:10Yes.
23:11In fact, there was a gold medal.
23:15It was...
23:18...that it was...
23:20...that it was like my father's father.
23:23Peter,
23:25it's not that all this is going to be.
23:28Think of it...
23:30...that...
23:31...that...
23:32...that...
23:33...that...
23:34...they have to do something...
23:36...that should be done.
23:38Yes.
23:39It's the same, I believe.
23:41I know, maybe...
23:43...all this will be a way to bring us to a final...
23:47...but it's like it's the end.
23:49It's the end of the day, rather than you remain with the Riga.
23:51After all this.
23:52I've talked about this.
23:54It's easy to do, but it's easy to do.
23:56But if you want to do it, you can't understand what they do.
23:59You can't understand what they do.
24:01You can't understand.
24:02You can't see them.
24:03You're getting into pieces.
24:04You're getting into pieces.
24:06I'm sure I'm sure that the Riga has a relationship with the Niaakubo.
24:08And, of course, the important thing...
24:10...that could be related to the Fona.
24:11Who knows?
24:12Maybe.
24:13That's why he was afraid.
24:16He was afraid.
24:18He was afraid to be able to kill his mystery.
24:20Don't think he will be able to kill his mystery.
24:22Don't think he will kill me together...
24:23You have to wait to see him again.
24:24What do you mean?
24:31What do you mean?
24:45What do you mean?
24:49What do you mean?
24:54What do you mean?
24:58What do you mean?
25:01I'm a thief!
25:03I killed my sister!
25:05You're going to tell me!
25:08You're going to tell me!
25:10You're going to tell me!
25:12This is a lie!
25:14I killed my sister!
25:16I love you!
25:19You said you were a typical relationship!
25:22You didn't agree with me!
25:24And what do you mean?
25:26I killed you!
25:27And I'm telling you!
25:29God!
25:30God!
25:31I can hear you!
25:33You're going to tell me!
25:34You're going to tell me!
25:36I didn't have a lie to make you bad!
25:38You're going to think!
25:40You're going to tell me!
25:41You're going to tell me!
25:42You're going to tell me!
25:43You're going to tell me!
25:44You're going to tell me!
25:46You're going to tell me!
25:47You're going to tell me!
25:48You're going to tell me!
25:49You're going to tell me!
25:50You're going to tell me!
25:51You're going to tell me!
25:52You're going to tell me!
25:53You're going to tell me!
25:54You're going to tell me!
25:55You're going to tell me!
25:56You're going to tell me!
25:58You are going to tell me!
25:59You are going to tell me!
26:01You're going to tell me!
26:04Where is this?
26:06Why do you tell me?
26:08You're going to tell me!
26:10Why?
26:11You have, you...
26:13I'm totally чет beret!
26:15They don't come than me!
26:17You're gonna tell me!
26:19Did you tell me that the aunt came in your home?
26:21Do you know that the aunt came in the room?
26:22I have no idea how he came there.
26:27Why do you don't want to find out who came to my house?
26:32This card was hidden in a corner with a photograph that showed you, your sister and your sister.
26:42This is the first time I see.
26:46I have no idea how to find out who came to my house.
26:52This is a child's photograph.
26:55I'm scared of it.
26:58How did you scare me?
27:01Why did you scare me?
27:03Is it a child's photograph?
27:06The child's brother is our brother.
27:09The way you try to get me out is the wrong way.
27:13I have a man in my life.
27:15Is it bad for me?
27:17Is it bad for a sister's brother to call me?
27:22Is it bad for her?
27:23Is it bad for her sister?
27:25It's bad for her sister.
27:27We have been very young years.
27:29When we did not want to.
27:31She was trying to make this life.
27:34She didn't want to.
27:37But I didn't want to.
27:39I have to try to get out.
27:41You will have to take some kind of a judge.
27:45I don't have any relationship with a judge.
27:48It may be a service for you.
27:51And if you are a thief, it will show you.
28:02Unfortunately, every time every time I do it, I will give you a friend.
28:07You made it to you.
28:08Come on, don't you?
28:10We'll be able to get out of here.
28:11At least we'll be able to get out of here.
28:13They'll be able to get out of here.
28:15We'll be able to get out of here and sleep.
28:20Bye.
28:22Come on.
28:26Does it sound like a kitchen?
28:29I don't know how to do it.
28:30I don't know how to do it.
28:31Amen, man!
28:32Don't be afraid!
28:33Take care!
28:33Take care!
28:34Take care!
28:35Take care!
28:38I don't know what's going on.
28:50Yes.
28:51But don't worry about it.
28:53Don't worry about it.
28:54Don't worry about it.
28:57I'll tell you what's going on.
28:59I hope this time you get out of here.
29:09I hope you get out of here.
29:11That's what I'm going on.
29:13If she's going on, she's going on.
29:15If she's going on, she's going on.
29:17She's going on.
29:19He's going on.
29:20He told me that she was the photo of the audience.
29:23That's right.
29:25She told me that she was going on.
29:27I hope I can understand that she's going on.
29:30This is the time.
29:31I hope that she's going on.
29:32With the liters?
29:34For the agilist?
29:36Are you okay?
29:37Yes.
29:38I got it from the hospital.
29:42The problem is that they have to be able to be the police.
29:44Why can't they do it?
29:45It's okay.
29:51I'm going to give you the phone.
29:52I'm going to give you all the money.
29:53I have to say that you don't come to the phone.
29:55You don't hear the phone.
29:57Come on.
29:58How are you talking about running?
29:59How are you talking about it?
30:01As I'm waiting for growing up.
30:02Looks good.
30:10Is she answers your way?
30:11It's not a problem.
30:13It's a problem.
30:15It's not a problem.
30:17It's not a problem.
30:19It's not a problem.
30:21It's not a problem.
30:23From the moment
30:27we're all athogues,
30:29we don't have to do anything.
30:31Is it true?
30:35Yes.
30:41Let's get this problem.
30:43Who's what we're doing?
30:45Who's that?
30:47Who's the trouble?
30:49Oh my God!
30:51There are no trouble.
30:53I'm sorry.
30:55I'm sorry.
30:57How's that?
30:59Do I take it here?
31:01It's the same.
31:03I'm sorry.
31:05I can't wait for you.
31:07I can't wait for you to be careful.
31:09It's a big deal.
31:10I'll tell you, please.
31:11Don't let us know the situation.
31:13We don't do anything.
31:14No, no, no, no.
31:16Go ahead, go ahead.
31:20It's a pistol.
31:22Is it for the army?
31:23No, it's for the k. Gazi.
31:25It's from the Stratus.
31:30Is it for us?
31:32No, I'm sorry.
31:33I have a no.
31:39No, I'm sorry.
31:45No, I'm sorry.
32:00I'm sorry.
32:02I'm sorry.
32:03I'm sorry.
32:04It's for you.
32:05Yes, I'm sorry.
32:06It's for you.
32:07Yes, I'm sorry.
32:08Yes, I'm sorry.
32:09If you hear me,
32:11you must be very careful
32:14and you're a lot of people
32:16in the role of the siren.
32:18Because now the commander's
32:19will be ready to go to his spyrus.
32:22Or his fuel.
32:24Yeah, he's ready.
32:25Let's get out of here!
32:34Get out of here!
32:50Did you get out of here?
32:52Tell me! Tell me what you got out of here!
32:56Let's go!
32:58Marc, I mean you met me, I lie right around.
32:59What it was?
33:00What the hell is being here?!
33:01What you said by my mac gegen...
33:02What did you call oresP.
33:03You kept looking down as well?
33:04Was it pasó?
33:05You had to be a girl?
33:06You succesive with me.
33:07You're just not coming out of here.
33:09I have it!
33:10That's my point that I didn't get out anymore.
33:11You didn't get out of here!
33:13You don't have to be like!
33:14No!
33:15Is that a lie!
33:16But of course McG temos him!
33:19You are not able to keep him alive.
33:21I was a pastor, and I was sick of him again.
33:23He was like, oh, I don't know what he was doing!
33:25I think I was a real good at it.
33:29I got so much to protect him.
33:31He's getting angry all of them, and she's holding them up.
33:33You keep the mouro from here.
33:35I don't believe that you're so...
33:37so... so...
33:39In that case, I'm what I'm doing!
33:43You're not aiming for me to be the hell out of here.
33:46It's our baby.
33:48At least they will pay for the money.
33:51Then they will pay for the money and they will pay for the money.
33:53What did you say about it?
33:54Is that Alessandro and the Sofía you have seen?
33:56Yes, of course I have seen it.
33:58Do you think it's easy for me?
34:00I don't know how to do this.
34:03He has already had a chance to do it.
34:05He has already had a chance to do it.
34:07Do you want to do it again?
34:09If you don't do it, I'll do it.
34:11I'll do it a few hours.
34:13I don't care about it, Nicola.
34:15I can't wait for a movie to do it.
34:18P.E.T.R.O.
34:20Are you friends?
34:21Do you have any friends?
34:23Right because I am a friend.
34:25I won't do it anymore.
34:27You're not a friend in a place.
34:28You're a princess.
34:30You're a princess and you're a baby.
34:32You're a princess.
34:34If you're a princess and you, you're...
34:36You have anybody yet?
34:40You have a princess.
34:41You have a princess.
34:43or anything else, one, two, three, hundred times, if you need to be a need.
34:49You're going to get it.
34:54Honestly, because you didn't say anything like that you wanted,
34:58did you see the woman when she came here,
35:00when she came here with her husband and her husband and her husband?
35:02Because I didn't see her.
35:07I don't care what you're going to do,
35:09but you're going to see how she really works.
35:12You can't see her or you love her.
35:15You're going to get her.
35:17I don't know.
35:18Okay.
35:19You're going to get her all this,
35:21all this is going to be a lie.
35:23You're going to get to her.
35:25If she's going to get her out, she will get to her.
35:27She's going to take her out and get her.
35:29She's going to get her.
35:31She doesn't care about it.
35:33I don't know what I'm going to do at all.
35:35I don't know if I'm going to get her out.
35:37I'm not gonna get her out.
35:39I told you, I told you, but...
35:43I'm not so afraid, Petro.
35:46I just wanted to save the baby.
35:49I'm a realtor.
35:51If you're looking for the baby, you're going to get into the kids.
35:54That's it.
35:55That's it.
35:56That's it.
36:09You're going to retire now.
36:13What are you taking?
36:14How did you do this?
36:16Some people think about it.
36:17For the stars was going to work the same.
36:19For the doctors, it wasn't he.
36:22God, he was in trouble.
36:23You were looking for the help of Jesus.
36:25I was sitting at home this guy.
36:27So, I didn't take care of him.
36:28What happened to him I asked him,
36:30I didn't take care of him.
36:31That he's Because he's my brother.
36:32He's going to take care of his behalf.
36:35Good morning.
36:36Good morning.
36:37Daddy!
36:38I'm going to go for the lady.
36:40I'm going to go for the lady.
36:42I'm going to go for the lady.
36:44Please.
36:56Good evening.
37:00Good evening.
37:02Good evening.
37:04I'm going to get a new award.
37:06I'll be here.
37:08I'm going to go for the next.
37:10I'm going to give you something.
37:12But I don't want to tell you about it.
37:16Tell me. I'm a judge.
37:18We're in this fight.
37:20Can I give you a piece of paper?
37:26I'm going to get you.
37:28I'm going to give you a piece of paper.
37:30I'm going to give you a piece of paper.
37:32I'm going to give you a piece of paper.
37:34I'm going to give you a piece of paper.
37:36I'm going to give you a piece of paper.
37:38I'm going to give you a piece of paper.
37:40I'm going to give you a piece of paper.
37:42I'm going to give you a piece of paper.
37:44I'm going to give you a piece of paper.
37:46You're a piece of paper.
37:48You can give me a piece of paper.
37:50After that from any time...
37:52...the paper will come back.
37:54If I need you to give them up...
37:56...to give yourself a piece of paper.
37:58...and to give you the Grand Hotel.
38:04You will be able to get your answer to it...
38:07...and you will be able to get it.
38:10Don't worry, I'll give you a moment.
38:12For the moment, we'll be right back.
38:15Cheers.
38:17Cheers.
38:18Do you want me to go?
38:20Yes.
38:22Yes.
38:24Yes.
38:26Yes.
38:28Yes.
38:30Yes.
38:32Yes.
38:34Yes.
38:36Yes.
38:38Yes.
38:40Yes.
38:42Yes.
38:44No.
38:46No.
38:48Yes.
38:50Thus,
38:52he had to make walking out a safer lead recapt Hoffa足 still,
38:54that really was because томmatic,
38:56he had...
38:58...ımızı came out to me for a while.
39:00And he would have been physical injury.
39:02No.
39:04No.
39:05He was with the team,
39:06but they didn't,
39:08there was no indication that he had Twenzel.
39:11In the case you怎麼 lifted?
39:13It's just a fire and bad.
39:15It's just a fire and bad.
39:19You don't have heard anything about this guy.
39:23He was a doctor.
39:25I didn't hear anything.
39:29Let me ask you very much.
39:31Put your head on your head.
39:33Some friend, some known father.
39:37I'm sure that they didn't try to leave one hour,
39:41making the same agreement for them.
39:43It didn't have any importance to it?
39:45I don't know.
39:47I didn't believe it.
39:49I didn't believe it would be bad.
39:53And then, who can we tell?
40:01Just a friend,
40:03or a friend,
40:05who closed the agreement?
40:07What can I do?
40:09What can I do?
40:11I can write...
40:13all my friends, I remember.
40:15Yes.
40:16I can write it.
40:17I can write it.
40:18I can write it.
40:19I can write it.
40:20I can write it.
40:21I can write it.
40:22Maybe...
40:23I can remember it.
40:25Okay.
40:26I'll do it.
40:27Yes.
40:28You...
40:29You're trying to write it.
40:30You...
40:31What are you doing?
40:32How did you do it?
40:33Why do you do it?
40:34I'm good, I'm sorry.
40:36You...
40:37You...
40:38You...
40:39You're not...
40:40You have trouble...
40:41You...
40:42You...
40:43That's what I do...
40:44Yes.
40:45You...
40:46You...
40:47I'm so sorry.
40:48You...
40:49You...
40:50Your Lyle...
40:52What's up?
41:06Les, am I Festereman always interest you doing time here?
41:08I'm like under a cover of the weight of the 1990s,
41:13because he was a home once he raised his wife alone.
41:16Who are you
41:18from Dever that gentleman?
41:19From here, it's a chief chief,
41:21flashFX?
41:21No.
41:22I'm going to make a mistake.
41:24I'm waiting.
41:25I'm sorry.
41:26I'm sorry.
41:27I'm sorry.
41:28I'm sorry.
41:29I'm sorry.
41:30I'm sorry.
41:31I'm sorry.
41:32I'm sorry.
41:33I'm sorry.
41:41I got a medal in my room
41:43and they were like,
41:45I'm sorry.
41:47I came to the hospital.
41:51We're sorry.
41:53Do you have a message?
41:55Maybe you're not sure.
41:57Is I'm sorry,
42:00that I can't believe there.
42:03I'm sorry.
42:06I'm sorry.
42:07I'm sorry.
42:08I'm sorry.
42:09I'm sorry.
42:10I'm sorry.
42:11I know.
42:12I'm sorry.
42:21Do you want to see the damage to him?
42:25He doesn't have anything left.
42:27You can understand what could happen.
42:29They could have a problem. They could have a problem.
42:31They must have a problem.
42:33You're right.
42:38What did he write to you?
42:51Yes, they may be able to talk to him.
43:00I have to get him out of the house.
43:05Yes.
43:08To get him out of the house,
43:16we must send him someone else.
43:20To get him out of the house,
43:27he will be able to get him out of the house.
43:34To be continued...
43:40Now I'm going to give you a friend of mine.
44:10I hope you can feel the same as I love you and the same as I love you and the same as I love you.
44:24I will do it. I will do it. I will do it.
44:32I can't do the same thing with you. I can't.
44:38I will do it.
44:42I will do it now.
44:49I will do it.
44:51I will do it in my best way.
44:57I will do it.
45:08I will do it.
45:21I will do it.
45:34I will do it.
45:35You are my best.
45:36You are his best.
45:37Do I have to do it?
45:38Where did he go?
45:39Where did he go?
45:40You are my best.
45:41You are my best.
45:43You are my best.
45:44I have no fun.
45:45I am not my best.
45:47You are my best.
45:48I will do it.
45:49I will do it.
45:50I'm going to open your eyes, we will all be able to open your eyes.
45:55Listen carefully.
46:06Yes.
46:07The 29th of September of 1922,
46:11the percentage of which is 829 grams.
46:15In Athens, the 7th of August,
46:18and I got out of the celebration of the 19th of August.
46:20It was an incredible feat to have the opportunity to open my eyes.
46:22You can see it.
46:24You can see it.
46:26I'm sure, because at the beginning, I was standing there...
46:28and I had a chance to get out of my eyes.
46:30I was like, yeah?
46:32If you like that,
46:34then they say it's a way to get out.
46:36They came after that man,
46:38when he was able to follow his body.
46:40You didn't want to see it.
46:42You must have to see it.
46:44We must have to see it.
46:46We'll see you next time, and we'll see you next time.
46:49Where are you from?
46:52It seems to have a relationship.
46:54Or, we don't know if it's a relationship.
46:58As you can see, the truth is,
47:01the truth is that we don't know anything.
47:16We'll see you next time.
47:39I'll see you next time.
47:44What do you mean?
47:47And why is it closed?
47:51We'll see you next time.
47:54We'll see you next time.
47:59You think I'll let you know.
48:01I'll tell you.
48:14We'll see you next time.
48:17We'll see you next time.
48:20We'll see you next time.
48:21What happened?
48:22I asked you to tell me what happened with the Nicola.
48:25I'll tell you something and I'll tell you to be a psycho.
48:28He has a dog.
48:29What?
48:30What do you mean?
48:31He's a dog.
48:32He's a dog.
48:33He's a dog.
48:34He's a dog.
48:35He's a dog.
48:36He's a dog.
48:37He's a dog.
48:38He's a dog.
48:39He's a dog.
48:40He's a dog.
48:41He's a dog.
48:42He's a dog.
48:43He's a dog.
48:44He's a dog.
48:45I'll tell you to be a dog.
48:46He's a dog.
48:47I'm a dog.
48:48I'll tell you, too.
48:49I'll tell you a dog.
48:50He's a dog.
48:51I'll tell you.
48:52I'll tell you.
48:53I'll tell you.
48:55We'll see you next time.
48:57We'll see you next time.
48:58Come on.
49:00Nicola.
49:03I'll tell you the next time.
49:09We want to tell you a photo of the Diamanto Poulou.
49:11I believe that these people with the Niaakobo are together.
49:17Thank you, Mrs. Tsaakirou.
49:19Let's go.
49:21What happened?
49:23We found that your husband had been in the house of Serietta Diamanto Poulos
49:28in September 2022.
49:31They were obviously more sensitive to what they did.
49:34Of course.
49:39Is it possible for her to look at her family?
49:43Well, now they're still in the house.
49:47We don't have any sense for anything.
49:49We don't know if they're still in the house.
49:52We don't know if they're still in the house.
49:54What we know, however, is that the Niaakobo had to take care of her with Alexiou.
50:00At least, Vangélie!
50:01And I didn't understand anything.
50:05They were often in Athens, for academic reasons, as it was said.
50:09If it was real, it wasn't so much.
50:16And now what's going on, Mrs. Tsaakirou?
50:19Did you have any new ones?
50:20Did you have any new ones?
50:21No, no.
50:22I didn't have any new ones.
50:23I talked about it.
50:24The Niaakobo Poulos is in the house.
50:27Well, now, because we have published the photographs of her,
50:30it's time to take care of her.
50:32And for sure, we have to take care of her.
50:34And then we have to take care of her.
50:35And then we have to take care of her.
50:36We have to take care of her.
50:37And then, if you have any new ones,
50:38we have to take care of her.
50:39And you have to take care of yourself.
50:40Have you ever seen her?
50:41I wanted to take care of her.
50:42I want to take care of her to get care of her.
50:43I want to see her.
50:44I've taken care of her again.
50:45And I will tell you.
50:46See, here.
50:47Here.
50:48I'm going to take care of her,
50:49because I'm in a way.
50:50I'm in the same position with my wife.
50:53You're now.
50:54Thanks.
50:55And I have to take care of her.
50:56Do you have to do this with the Niaakobo?
51:00I don't know anymore. All are still under research.
51:05This is what you see here.
51:07It's an island from the East Coast.
51:10And in the same way?
51:12Yes.
51:13What is it?
51:15What is it?
51:16What is it?
51:18It's a magazine magazine.
51:21It's a magazine magazine.
51:26Don't give any attention.
51:31It's not.
51:32Let's tell you what you need for the Niaakobo.
51:47Don't stop, I'm sorry.
51:49What do you do?
51:50Why do you do the Niaakobo?
51:52Why do you do the Niaakobo?
51:53What?
51:54I mean, I'm a mathematical historian.
51:55I'm not sure.
51:56I'm not sure.
51:57I'm not sure.
51:58I'm a Baptist.
51:59I'm a medical expert.
52:00I'm not sure.
52:01I'm sorry.
52:02It's not a crisis.
52:03Oh, my God.
52:04It's not worth it.
52:05You're in a hospital.
52:06You're in a hospital.
52:07I've had to take it first, because we don't have any money or anything for anything.
52:12You've seen it.
52:13But I can't believe it.
52:15Who knows what's going on?
52:16Jordan, I don't tell you that you're right, but it's not the time.
52:21Yes, go!
52:31How are you?
52:32How are you?
52:33How are you?
52:34We've got our hands.
52:36We've got our hands.
52:37But let's let's leave the Sofía and Alexander to be here.
52:41I want to talk about it.
52:42Yes, we'll talk about it.
52:43We'll talk about it.
52:44Let's go.
52:45Yes.
52:46Yes.
52:47No, no.
52:48No, I'm sorry.
52:49I'm sorry.
52:50I'm sorry.
52:52Excuse me.
52:54If I'm sorry.
52:55I'm sorry.
52:56I'm sorry.
52:57Let's go.
52:58Yes.
52:59No, no, no.
53:00No.
53:01No.
53:02No.
53:03No.
53:04No.
53:05No.
53:06I'm sorry.
53:07I'm sorry.
53:08I'm sorry.
53:09No, no.
53:10No, no.
53:11Cut a tool.
53:12No, no, no.
53:13No.
53:14I can't do anything.
53:15Let me get it.
53:17No, no.
53:18I'll try it.
53:19No.
53:20No.
53:21Oh, my God.
53:51Oh, my God.
54:21Oh, my God.
54:51Oh, my God.
55:21Oh, my God.
55:51Oh, my God.
56:21Oh, my God.
56:51Oh, my God.
57:21Oh, my God.
57:51Oh, my God.
58:21Oh, my God.
58:51Oh, my God.
58:53Oh, my God.
59:23Oh, my God.