Channel Crossing (1933) is a suspenseful British crime drama directed by Milton Rosmer. Set aboard a passenger ferry crossing the English Channel, this early sound-era film blends criminal intrigue, deception, and interpersonal tension against the backdrop of an international voyage. Released during the golden age of British cinema, Channel Crossing stands out for its atmospheric setting and sharp performances.
🌊 Plot Summary:
The story unfolds on a cross-Channel steamer, where passengers from all walks of life are gathered for a routine journey between England and France. As the ship sets sail, a seemingly ordinary crossing becomes anything but—when a mysterious murder shocks everyone on board.
John Merriman (played by Matheson Lang), a seasoned and respected British detective, happens to be a passenger on the ferry. When a high-profile businessman is found dead under suspicious circumstances, Merriman is called into action. With the ferry still at sea and no way to contact authorities, he must investigate the murder using his wit, observational skills, and keen intellect.
As he interviews suspects, including a glamorous actress, a shady financier, and a secretive foreign diplomat, Merriman starts to unravel a web of lies, betrayal, and international espionage. Every passenger seems to have something to hide. With time running out before the ship reaches shore, Merriman must piece together the clues, identify the killer, and ensure justice is served—before the murderer strikes again or slips away into the crowd.
🌊 Plot Summary:
The story unfolds on a cross-Channel steamer, where passengers from all walks of life are gathered for a routine journey between England and France. As the ship sets sail, a seemingly ordinary crossing becomes anything but—when a mysterious murder shocks everyone on board.
John Merriman (played by Matheson Lang), a seasoned and respected British detective, happens to be a passenger on the ferry. When a high-profile businessman is found dead under suspicious circumstances, Merriman is called into action. With the ferry still at sea and no way to contact authorities, he must investigate the murder using his wit, observational skills, and keen intellect.
As he interviews suspects, including a glamorous actress, a shady financier, and a secretive foreign diplomat, Merriman starts to unravel a web of lies, betrayal, and international espionage. Every passenger seems to have something to hide. With time running out before the ship reaches shore, Merriman must piece together the clues, identify the killer, and ensure justice is served—before the murderer strikes again or slips away into the crowd.
Category
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Short filmTranscript
00:00:00The End
00:02:30Thank you, sir.
00:02:32Thank you, sir.
00:02:33Hooper, phone Mr. Selwyn.
00:02:36Immediately we arrive.
00:02:37Urgent.
00:02:38Yes.
00:02:38Then catch the first train back to town yourself.
00:03:00Oh, Beach, I want everything all right for her of Van Eden.
00:03:04Pass the word, Rowan.
00:03:05Hereby rather likes a fuss made of him, bless him.
00:03:08Very good, sir.
00:03:08If it keeps fine, we ought to pick up a few bob this trip.
00:03:22We can do with it.
00:03:22All set for old Van Eden.
00:03:24Yes, we've dyed the carpet purple.
00:03:25Van Eden!
00:03:26That's worth a fiver.
00:03:27Now, quid.
00:03:28Got his secretary with him this trip.
00:03:30A lady.
00:03:30Oh, Van Eden's going over.
00:03:32Rowan could win with him, too.
00:03:33We'd rather have an east wind.
00:03:34Send them all downstairs.
00:03:35Keep warm.
00:03:36Put it on ice.
00:03:37Van Eden's going over.
00:03:39That's right.
00:03:39When it's rough, it's champagne.
00:03:40And it's finally its only beer.
00:03:43Lovely day, Mrs. Herbert.
00:03:44Yes, sir.
00:03:44We shan't want these.
00:03:45Worse luck.
00:03:46Bit of a fog out in the channel.
00:03:48Graziers don't care if it's no spring.
00:03:50Well, yes, sir.
00:03:51I'll pull Mr. Silver at once.
00:03:53Goodbye, Hopper.
00:03:54Goodbye.
00:03:55A slave.
00:03:56Cable this to Hoffman and code.
00:03:59Before we go on board.
00:04:01I will satisfy you personally.
00:04:02Read ones in question.
00:04:04Stop.
00:04:05Meet me.
00:04:06Old train.
00:04:07Gardener 540.
00:04:09Stop.
00:04:10Imperative.
00:04:11You should delay further action.
00:04:13Till then.
00:04:14Doverbreed station, Mr. Van Eden.
00:04:15Just coming in.
00:04:17The Golden Arrow's just coming in, sir.
00:04:19Well, I'll go and meet the old boy.
00:04:21I might get another tip about his shipping share.
00:04:41You got your passport, sir?
00:04:42No, I'm not sailing.
00:04:44Has Mr. Van Eden gone on board yet?
00:04:45No, sir.
00:04:45The Golden Arrow's only just come in.
00:04:47Oh.
00:04:47You meeting Mr. Van Eden?
00:04:49Yes.
00:04:50Yes, I am.
00:04:51Well, you can leave your car here, sir.
00:04:52Thanks.
00:04:56Have all passports ready, please.
00:04:58Can it go this way?
00:05:00Passports, please.
00:05:02Can it go this way, please?
00:05:03Pathetic, isn't it?
00:05:09Give it me.
00:05:09A shop.
00:05:10Half of it belongs to me.
00:05:11No, it doesn't.
00:05:12Not since it's a creed-made absolute.
00:05:14Why don't you stay behind and get a passport of your own?
00:05:15I was in a hurry.
00:05:16I've got a date in Paris with my next husband.
00:05:19Oh, really?
00:05:19Poor fella.
00:05:20And after we land, you won't need my passport anymore.
00:05:23We say goodbye for good.
00:05:24I only asked you one favor, darling.
00:05:27Oh, what's that?
00:05:27Don't change your mind.
00:05:28Oh, how shall we know which porter has the luggage?
00:05:35Oh, my dear, he has a number.
00:05:37Yes, but are you sure of it?
00:05:38You know how forgetful you are.
00:05:40All right.
00:05:40Thank you, dear.
00:05:40Hey, Mother.
00:05:44Fancy travelling on the same train with Mr. Van Heeden?
00:05:46Oh.
00:05:47You've gone up in the world since you married me, eh?
00:05:49Thank you very much.
00:05:50This way, Mother.
00:05:50Round to the left, dear.
00:05:51This is you.
00:05:52Have your passport, please.
00:05:54Oh.
00:05:55Can it go this way, please?
00:05:59Now, don't forget, girls.
00:06:00You're being paid to show off these flops.
00:06:02So no sitting about the deck and no getting off.
00:06:05Have your passport ready, please?
00:06:07Passports.
00:06:08You're putting on a bit of weight, Dolores.
00:06:10You've got your rubber belt on.
00:06:11Got enough rubber on me to make a set of balloon tires.
00:06:14Passport's ready, dear.
00:06:17Passport's ready, please.
00:06:18I always drop things myself, but I'm nervous.
00:06:21I've been on the stage too long to be nervous.
00:06:24Fellow artist, sir.
00:06:25You flatter me.
00:06:26And we help you, Mother.
00:06:27Oh, thank you so much.
00:06:28So kind of you.
00:06:31Passport, please.
00:06:31It's funny you should mention port.
00:06:32I was just going to throw it away.
00:06:33Now, there's a bottle of port.
00:06:3410.66 and perhaps a bit earlier.
00:06:36I don't want your port, sir.
00:06:37I want your passport.
00:06:38You don't want a passport.
00:06:38What you want is a shave.
00:06:39And I've got some of the finest blades.
00:06:40When I tell you the finest, I mean the finest.
00:06:42The money can buy.
00:06:42If I sold 1,000 of those last week, I must have sold at least 120.
00:06:45I'm not interested in your razor blades, sir, on your affairs.
00:06:47I want your passport.
00:06:48Well, why didn't you say so in person when I came in?
00:06:50Why should I argue with you?
00:06:50There's my passport, sir.
00:06:51Have a look at that.
00:06:52That's not yours.
00:06:53It's not yours if it comes to that.
00:06:54That's a photograph for Chinaman.
00:06:55Don't be a mug.
00:06:56It was taken when I had yellow jolies.
00:06:57Tommy, you'll never miss a shin in a week if you don't pay anybody.
00:06:59Understand that?
00:07:00What do you think of this hat?
00:07:01A present from the wife.
00:07:02The only present I had this year.
00:07:03I went home the other afternoon unexpectedly, and there it was on the table.
00:07:05Just a minute.
00:07:06I'll ease up and give you a better chance.
00:07:07Tommy, do you collect cigarette cards?
00:07:09There's a couple for you.
00:07:10Get yourself away.
00:07:11And Tommy, have you got any money?
00:07:12No.
00:07:12You want to get some?
00:07:13It's very handy.
00:07:14Tell your passport.
00:07:15Correct.
00:07:16Thanks, sir.
00:07:17All passports, please.
00:07:18Is it going to be rough?
00:07:20I don't think so, madam, no.
00:07:23Allow me.
00:07:25Oh, thank you.
00:07:25Thank you very much.
00:07:26It will be rough, you think, yes?
00:07:28Never think about it.
00:07:28Always stand on my feet.
00:07:30I am so afraid I will be sick.
00:07:31Smoke that kind of thing, and you deserve to be sick.
00:07:33This way for the caliber.
00:07:48Good morning, mister.
00:08:18Good morning.
00:08:19Ah, you'll need these and these.
00:08:22Have you arranged about Mr. Van Eden's cabin?
00:08:24Yes, miss.
00:08:24And he wants a man to stand with the wireless to take a message immediately.
00:08:27You won't forget that, will you?
00:08:28I'll attend to that myself.
00:08:29I represent the evening sun, Miss Slade.
00:08:31Have you any details of Mr. Van Eden's journey?
00:08:33No, just the usual business trip.
00:08:35We'd rather you didn't publish it.
00:08:36No story to give me.
00:08:38I suppose you know about the Hoffman merger.
00:08:40The sale news came out yesterday.
00:08:41That's all there is, I'm afraid.
00:08:42Ah, just my luck.
00:08:45Good morning.
00:08:46Good morning, Miss Van Eden.
00:08:47I shall not need my sea legs today, no?
00:08:51Ah, it's as smooth as a mill parlor.
00:08:53Park in the channel, though, sir.
00:08:54So they will not let me fly.
00:08:55Sorry to bring you through this crowd today, sir.
00:08:57Not at all, not at all.
00:08:59We must all go through the same gate.
00:09:01Same as we shall in heaven.
00:09:02But I shall not have the station master with me there.
00:09:09Do you remember me, Mr. Van Eden?
00:09:11Ah, Vickley.
00:09:12Ah, Vickley.
00:09:16Who is she?
00:09:18Ah.
00:09:19How do you do, Captain?
00:09:21Good to see you, Mr. Van Eden.
00:09:23Miriam.
00:09:23Peter.
00:09:24You're not going with him?
00:09:25Of course I'm going.
00:09:26You've never gone before not to stay?
00:09:27Don't be ridiculous.
00:09:28Then listen to me, please.
00:09:29Peter, please, not now.
00:09:31Come on, my dear.
00:09:32Telegraph.
00:09:33As far as we...
00:09:34I want to present the evening sun.
00:09:35Can't you give me a story?
00:09:36What about your horses, the big race today?
00:09:37Well, it may win or lose.
00:09:40Well, would you advise me to buy, Mr. Van Eden?
00:09:42Are they quite safe?
00:09:44Oh, as safe as, uh...
00:09:45How do you say?
00:09:46Houses?
00:09:47No, horses.
00:09:48Oh, right, there are everything.
00:09:49Yes, yes, yes, yes, yes.
00:09:50Yes, yes, yes, yes, yes.
00:09:51Yes, yes, yes.
00:09:52Yes, yes, yes, yes.
00:09:53Yes, yes, yes.
00:09:54Are you very interested?
00:09:55Oh, yes, yes.
00:09:56Are you staying at Paris?
00:09:57Yes, yes.
00:09:58Yes, yes.
00:09:59Just one day.
00:10:00To the day, sir.
00:10:01If we go on to have the rear, I'll go back.
00:10:02Maybe, I don't think.
00:10:03There's a little box in the back.
00:10:23Well, what's this?
00:10:25Something new they're giving you?
00:10:27Here, let me take your coat.
00:10:29No, no, no, no, no.
00:10:31Oh, no. Never grow old and get asked.
00:10:36Here, now you take some of this.
00:10:38Oh.
00:10:39Yes, now you must.
00:10:41You've been up working for the last three nights till all hours.
00:10:44You can't go on like that.
00:10:47What should I do without you?
00:10:52Your table, Hoffman, to Paris?
00:10:54Oh, yes.
00:10:55Six hours.
00:10:57Six hours in the fog, so they will not let me fly.
00:11:01Was it so vital?
00:11:03If I do not reach Paris in six hours, Hoffman will...
00:11:08But the merger's gone through.
00:11:10I thought everything was going to be all right.
00:11:13Whereas Hoffman made more difficulties.
00:11:15You don't like him.
00:11:16I don't trust him.
00:11:20I bet he's jealous of the press you got this morning.
00:11:22and where is mr hoffman his wife will be pleased nasty woman he'd like to be in
00:11:38your shoes yes but they are too big for it to be
00:11:42i wonder if it's going to be rough do you think it's going to be rough officer like a milk one
00:12:05madam why we should be over there in less than an hour you'll be quite all right my sweet
00:12:10don't forget girls don't sit down or you'll spoil the line these models ought to do the
00:12:14pair a bit of good show them off keep walking do your stuff so nice of you two given up your seat
00:12:19for me not at all may i persuade you to have a little drink oh thank you i'd love to
00:12:24you making the trip alone well uh practically oh well you must have one what will you have
00:12:33i'll have a little husband's ruin good morning me and a commercial traveler 35 years
00:12:39i'm here to advertise the firm in this box you will find four pills take two now and two just
00:12:44before the plane comes on should you find the coat on your tongue in the morning said don't get the
00:12:47wind up send us a wire and we'll send you the best in the trails as long you're not listening i sold
00:12:50a box of these two old lady last week i said take two of these pills madam and you'll jump over a five
00:12:54bar gate why did she jump over the five bar gate you don't know i tell you because it was locked now
00:12:58do me a favor and advertise the firm don't tell us all where you got them swallow two at half past four
00:13:02swallow two at half past six and if you don't feel any better in the morning swallow the box
00:13:05madam ring for stewart tell him to wait at the wireless office if there is a message he is to run with it
00:13:25i said do something for me will you
00:13:55run that car into the lord warden hotel garage right when are you coming back oh tonight maybe
00:14:00let him move
00:14:06i said
00:14:08labour
00:14:13labour
00:14:17labour
00:14:19labour
00:14:20labour
00:14:22labour
00:14:24labour
00:14:26labour
00:14:28labour
00:14:29Good morning, would you be interested in the cheap model with a beautiful body, very fast?
00:14:58That's a picture of a car.
00:14:59That's what I'm selling, sir. What did you think I was selling a horse?
00:15:01Oh, I've got a car, boy. I left it on the key.
00:15:03You've got a car, but you'll want one when you get the other side, sir. This is what they call the daisy car.
00:15:07Daisy car?
00:15:08Some days it does, and some days it doesn't. Don't let that bother you.
00:15:10They tell me it would do 70 to the gallon, but I don't think it will. It only holds about a pint.
00:15:13It's a wonderful car, sir. You'll have no tire trouble with this car.
00:15:15Why not?
00:15:16It hasn't got any wheels.
00:15:18Then how do I drive it?
00:15:19Don't bother about driving it. It gets you to a lorry or a tram, whichever way you're going.
00:15:22A car like that would cost you 300 pounds.
00:15:24But that's a lot of money.
00:15:25It's a lot of car. But the length of it, it takes up the whole of the page.
00:15:27Will you excuse me, old boy?
00:15:28Don't worry about the money, sir. Don't let that worry you.
00:15:30Pay a penny a week and I'll come and live with it and it's paid off.
00:15:32Marion.
00:15:34Yes?
00:15:35A message.
00:15:36Go yourself. See if it is not delayed.
00:15:39Very well, Mr. Dunedin.
00:15:47Half speed.
00:15:48What do you want to bag in the big'un?
00:15:58Gordon Richards, ma'am?
00:15:59No.
00:16:00Van Eden's house.
00:16:01Flying Dutchman.
00:16:08Hi.
00:16:09Who's that band you picked up?
00:16:11You mind your own business.
00:16:12You women are all the same.
00:16:13The moment you get a bit of money of your own, you...
00:16:14Thanks to Van Eden Limited.
00:16:15I have a little money and made it myself.
00:16:17Now listen, when we get to Calais, I'll hand you your bag and we pop for good.
00:16:21You needn't hand me my bag. I've arranged for all that.
00:16:23Oh? Who with?
00:16:25Ah.
00:16:26Is that man annoying you?
00:16:27Yes, he is.
00:16:28What?
00:16:29Come up on deck and tell me all about you.
00:16:32Dear, it was all over me. I shall have to be careful.
00:16:35You will.
00:16:36Oh, would you mind?
00:16:37Okay.
00:16:38Thank you, sir.
00:16:47Wall speed.
00:16:49Go ahead, sir.
00:17:00Pardon me. Are you looking for someone?
00:17:02Well, I was looking for the wireless cabin.
00:17:03Then you need a wireless set.
00:17:04Now, in this catalogue, lady, I've got some of the finest wireless sets that money can buy.
00:17:07And cannot be repeated.
00:17:07Now, there's a wireless set that would cost you at least 25 pounds.
00:17:11And when you're tuning in, lady, always turn the knob on the right.
00:17:13That's the only one that you need to.
00:17:14I guarantee to consume more petrol than a six-inch car myself.
00:17:17Why?
00:17:17Because I maintain and will not allow anybody to interfere with the touch of my hair.
00:17:20I won't have it parted in the middle at all.
00:17:21Now, take the Chinese.
00:17:22What a bunch of people they are.
00:17:23What a race those lads can put up.
00:17:25That's a wonderful bit of stuff.
00:17:25You make them take it out the window.
00:17:26Here, will you have it wrapped up or will you take it with you?
00:17:28I beg your pardon?
00:17:29What?
00:17:29I beg your pardon?
00:17:29I'm a man of a very few words.
00:17:30I'm not here today and going tomorrow.
00:17:31I'm going tonight if I can get the money.
00:17:33Dear lovely French mistress.
00:17:34Let me get the pants.
00:17:35I will.
00:17:37That's his cabin.
00:17:39A great man, mother.
00:17:40Don't ask a bit of good.
00:17:41Ah, you bet he has.
00:17:42I shouldn't be off on this job if it wasn't for Van Eden Limited.
00:17:45Now, come on, we'll get a bit of French here.
00:17:46Lovely day.
00:17:46I'll get you next year.
00:17:47Here you are, mother.
00:17:48Stay back.
00:17:52Well, that's all right, then.
00:17:53I'm a human self, sir.
00:17:54Come on, now.
00:17:55Have a bit of...
00:17:56I'm a big crew, man.
00:17:58I'm a little bit of...
00:17:59The Duke asked me to marry him once.
00:18:03And did you?
00:18:03No, when he woke the next morning, he remembered the Duchess.
00:18:06Didn't I tell you not to sit down?
00:18:08Keep walking.
00:18:08Show the dresses.
00:18:16I thought the great man looked a bit off-color.
00:18:18Well, fixing up a big deal like this Huffman,
00:18:20there, you must be a strain on anyone.
00:18:22Honey, I've got a brother in one of Mr. Van Eden's concerns.
00:18:24Doing very well, too.
00:18:25Forget which one.
00:18:26Is he really?
00:18:27Right here, miss.
00:18:28As soon as it comes through, I'll send it along right away.
00:18:30All right, thank you.
00:18:30Don't forget, will you?
00:18:31That's right.
00:18:41Here.
00:18:41It's funny, old Van.
00:18:42What's the name being on board today?
00:18:43I've got five bob.
00:18:44Well, he's a horse.
00:18:45What, Floyd's actually?
00:18:46Yeah.
00:18:46Here, tell him.
00:18:47And tell him to tell the horse.
00:18:48Did you mention horse?
00:18:49Well, you must be a race in that.
00:18:50Now, there's a book what they call a race uncertainty.
00:18:52In this book, there's a system.
00:18:53I tell you how to work it.
00:18:54Think of a number.
00:18:54Double it.
00:18:55Take away the first number you thought of.
00:18:56Have five shillings its way, and what will you have to come?
00:18:58Nothing.
00:18:59My advice to you as a race in lead, if you want money, go racing.
00:19:02And you'll always want money.
00:19:03Here's a pair of socks, a shill in a pair, and if I'd had another six, I'd have got one
00:19:06for this leg.
00:19:07Oh, by the way, I've got a book for you, sir.
00:19:09Just a minute.
00:19:09Don't go away.
00:19:12Oh.
00:19:14Look here, Marianne.
00:19:14What is the meaning of this?
00:19:15You and Van Eden can't really...
00:19:17I...
00:19:18Darling, please, now...
00:19:19Now, Peter, there's no use being childish.
00:19:21I've made this trip dozens of times.
00:19:22But you've never gone alone with him before.
00:19:25Oh, rubbish.
00:19:27You've worked all hours at the office, at his house, till two in the morning sometimes.
00:19:30Well, after all, he isn't a shipping clerk who shuts his office door at six o'clock every
00:19:33evening.
00:19:36Well, you deserved it.
00:19:37Excuse me, please.
00:19:39Oh.
00:19:39I must say, you are the most...
00:19:42And what right of you to say anything?
00:19:44Well, at one time you made me believe.
00:19:45Well, if this is what you think of me, you'd better forget it.
00:19:47I can't forget it.
00:19:49Try to get on.
00:19:50I am getting on.
00:19:51I'll be manager this month.
00:19:53But I can't compete with millions.
00:19:54Not by behaving like that.
00:19:57Well, I'll bet he's a crook, really.
00:20:01Oh, listen.
00:20:02I've been with him for five years.
00:20:04I've been with him all hours of the day and night.
00:20:06Yes.
00:20:07Well, that would occur to you.
00:20:08No, I don't...
00:20:09Ah, yes, you do.
00:20:12Wireless message, sir.
00:20:13Just arrived.
00:20:19If you could see yourself standing there looking so childish and angry and so red...
00:20:24No, I am not.
00:20:26It's essential that I go with him.
00:20:28He's carrying through one of the biggest deals of his life.
00:20:31Well, you're taking rather a lot of luggage for it, aren't you?
00:20:33Oh, you're impossible.
00:20:36Can I get you anything, sir?
00:20:37Oh, the code key.
00:20:40Code key.
00:20:41What is it?
00:20:43My secretary.
00:20:44I think I saw her on deck talking to someone.
00:20:46Shall I fetch her for you?
00:20:46Yes.
00:20:47Yes.
00:20:48No.
00:20:49I'll fetch her myself.
00:20:52Your coat, sir.
00:20:53Okay.
00:20:53Oh, I beg your pardon, sir.
00:21:09Tom Lynn, should not?
00:21:10Yes, sir.
00:21:10How is the baby?
00:21:11Oh, teething, sir.
00:21:12Oh, one might.
00:21:13See me before I go.
00:21:15I will, sir.
00:21:15Will you sign this to you, Mr. Fanny?
00:21:22I shall be very good.
00:21:24But you should choose a more handsome man.
00:21:27Oh, I'd rather have it on the bottom of a chair.
00:21:29Oh, oh, oh, oh.
00:21:31Are you Scotch?
00:21:32No, nature.
00:21:33Oh, that is worse.
00:21:35Oh, thank you, Mr. Fanny.
00:21:36Did you see that?
00:21:37I got it for you all right.
00:21:38Oh, how are you?
00:21:39Oh, you won't.
00:21:46Looking for me, Mr. Fanny?
00:21:48No need to look for you, my dear.
00:21:50Oh, okay.
00:21:51Want to lay anything off, Mr. Fanny?
00:21:52No, thank you.
00:21:53I prefer to win the lot myself.
00:21:55Oh, dear, dear.
00:21:56What has happened to Teddy?
00:21:58There.
00:21:59And what do I get for that?
00:22:03And how are you?
00:22:04I have not seen you since we met at Ascot in 1923.
00:22:07How is the world using you?
00:22:08Oh, not so good.
00:22:09Oh, well, come and see me.
00:22:12I put something in your way.
00:22:15And you needn't ring me up to apologize, because I won't listen.
00:22:18May I am pleased?
00:22:18Excuse, please.
00:22:20The message has just come.
00:22:21I cannot find the code.
00:22:23Oh, it's in my cabin.
00:22:24I'll go and get it.
00:22:25You will excuse?
00:22:31Your ticket, please, sir.
00:22:34I haven't got one.
00:22:34How much is it?
00:22:35One pound six and six.
00:22:37Okay.
00:22:38I won't be a minute.
00:22:50One moment, sir.
00:22:52Yes, what is it?
00:22:53You haven't given me a nap, sir.
00:22:55No, I haven't got enough.
00:22:57Do you mind giving me your name, sir?
00:22:58Peter Bradley, yes.
00:23:01There you are.
00:23:03Hey, honey.
00:23:05Yes, I'm decoding it just as fast as I can.
00:23:08I know, I know.
00:23:10Wait a minute.
00:23:10I'll borrow it from Miss Slade.
00:23:12Very good, sir.
00:23:13I'll come back for it.
00:23:14I wonder if you could tell me the connection for the Sud Express.
00:23:17Certainly.
00:23:18You'll come downstairs.
00:23:19All right, I'll look it up.
00:23:38Well, good or bad?
00:23:41It's from Selwyn.
00:23:43You're ever faithful.
00:23:44Yes, yes.
00:23:46Grave danger.
00:23:47Hoffman may discover truth.
00:23:49Stop.
00:23:50He has demanded inspection all our securities.
00:23:54Selwyn.
00:23:58What does it mean?
00:24:03Crash.
00:24:04Well, my dear, if they go up another five points, we'll have a holiday in Corsica and
00:24:13go right on to Spain.
00:24:14Next year, my lass, I'll buy you a brand new car.
00:24:18If he keeps his word, Van Eden might just put me on my feet again.
00:24:20And if a flying Dutchman wins, I'm going to buy the wife a new coat.
00:24:25Swamp.
00:24:34You mean, everybody?
00:24:55Everybody.
00:24:56The whole thing.
00:24:57Emeralds, give me a few hours.
00:24:59Ten, six.
00:25:00If I could get to Paris, Eden, I could do it.
00:25:04Time.
00:25:05Time, that's all I want.
00:25:08Time.
00:25:10But what is it Hoffman made for a note?
00:25:13There was a gap.
00:25:15I had to bridge it.
00:25:18It was not a very good bridge.
00:25:21Some nice people would say it was a bad bridge.
00:25:25But it got me to the other side.
00:25:27The bridge was made of paper.
00:25:34It was not very good people.
00:25:37Do you mean false script?
00:25:43Now, what do you think of me?
00:25:47No one would believe why you did it.
00:25:50But I know.
00:25:52Why?
00:25:52You did it to save all of those people.
00:25:56To go on appearing like a king to them.
00:25:58Yes.
00:25:59Yes.
00:25:59That was it.
00:26:01A king.
00:26:02It was big.
00:26:04Big.
00:26:06And you saw it.
00:26:08You saw it.
00:26:11But they will spoil it all.
00:26:13They will not see.
00:26:14If they ruin me, millions will topple with me.
00:26:18No, no, but they mustn't.
00:26:19You've got to get to Paris before Hoffman finds out.
00:26:22If they break me, it will be foreign pig thief.
00:26:29They will sell my horses.
00:26:32My dogs.
00:26:33But there's still a chance, isn't there?
00:26:35Face them.
00:26:36You can carry it through.
00:26:37You can carry it through.
00:26:38Though you still have confidence.
00:26:48It's coming up very thick.
00:26:54Ring down, stand by.
00:26:56Stand by, sir.
00:26:58Put the fog signal in control.
00:27:07Oh.
00:27:09These are all being in the fog, eh?
00:27:14Why, you.
00:27:15It is if you wanted to cry.
00:27:18Because I'm so...
00:27:20Oh, yeah.
00:27:21What job?
00:27:22Oh, no.
00:27:24Me?
00:27:26It seems strange that...
00:27:28a great man like you would be so...
00:27:31so much alone.
00:27:34Yes.
00:27:34If I lose the public's confidence and money,
00:27:37I shall be very much alone.
00:27:39You mustn't say things like that.
00:27:46We have been good friends.
00:27:49If I ask you something,
00:27:50you answer me straight out,
00:27:51as you always do.
00:27:55At the crisis,
00:27:56I have my best ideas.
00:27:58I have my best ideas.
00:28:00And this is an inspiration.
00:28:04See here.
00:28:07You are a woman.
00:28:09In five years,
00:28:10you never ask me for anything.
00:28:12There is no other woman like that.
00:28:14What could I ask you for?
00:28:16Oh, they find me.
00:28:18Listen.
00:28:19I have nobody.
00:28:23Nobody.
00:28:24You are young.
00:28:26You are a companion of all.
00:28:28But I am not so very old.
00:28:32Well,
00:28:34perhaps you
00:28:35will not let me be alone anymore.
00:28:39But I...
00:28:40Well...
00:28:41If it is distasteful...
00:28:43Oh, no, it's not that.
00:28:45It's just that I...
00:28:46You think it all.
00:28:49You are so practical.
00:28:50You think it all.
00:28:54Who's there?
00:29:03So,
00:29:04the young man.
00:29:06Well?
00:29:07Keep that soft soap.
00:29:09You'll need it when you get to Calais.
00:29:11You are in my cabin listening.
00:29:12Yes, and I heard enough.
00:29:14Look here, Mr. Van Eden.
00:29:15I...
00:29:16Let him go.
00:29:17He does people good.
00:29:19You won't get to Paris.
00:29:20You won't get beyond Calais.
00:29:21I'll see to that.
00:29:22There's a wireless on board,
00:29:23and a lot of people would like to know
00:29:24how you bridged your precious gap.
00:29:26Well, I'll see they do.
00:29:29You have much business, then.
00:29:32I, too, have much business.
00:29:34But not with you.
00:29:36Now, will you please go?
00:29:37I'll go just as soon as...
00:29:39And if you do not know
00:29:40where the wireless cabin is,
00:29:42anybody will tell you.
00:29:43You make use of anything you overheard
00:29:45while you were spying...
00:29:46Spying?
00:29:47What are you two doing?
00:29:49Running away together?
00:29:56Yes, I am older than you, young man.
00:29:59But I am just as strong.
00:30:02To me, you say what you like,
00:30:03but not to her.
00:30:05Peter, will you please go?
00:30:11You won't get rid of the police
00:30:13quite so easily.
00:30:13Half speed.
00:30:37Half speed.
00:30:37A bit of a fog, wouldn't I?
00:30:48Better go below.
00:30:49We'd better get below, dear.
00:30:50We'll get chilled
00:30:51with all this fog coming up.
00:30:53A bit of fog won't do you any harm, will it?
00:30:54I'll go downstairs
00:30:55and see if I can find
00:30:56a cover of chairs.
00:30:57Yes.
00:30:58Here you are.
00:30:59I'll cover you, Mum.
00:30:59I'll give you a break.
00:31:00Can't be the fog coming down like that.
00:31:02What if there's no wind?
00:31:03Well, if there was any wind,
00:31:04there wouldn't be any fogs any,
00:31:05would there?
00:31:05Hey, come on, would there?
00:31:07Oh, my wife.
00:31:11You mind, my Cynthia?
00:31:14No.
00:31:16Couldn't we find
00:31:16somewhere a little cosier?
00:31:18Bring those things along for me.
00:31:19Will you?
00:31:20What about the tree?
00:31:24What about the tree?
00:31:25I like to have a tree.
00:31:28I like it.
00:31:31What about the tree?
00:31:33What about the tree?
00:31:33What about the tree?
00:31:34I like it.
00:31:35What about the tree?
00:31:36Well, how could you have understood?
00:31:48You heard probably only one word in three.
00:31:51I heard enough.
00:31:53Look at you.
00:31:54Coming on board without a ticket.
00:31:56And no hat.
00:31:58Well, you'll catch your death.
00:32:00What for? Don't you see how foolish it makes you look?
00:32:02And besides, I'd never told him about you.
00:32:08How could he know we were fond of each other?
00:32:11Are we?
00:32:12Why, Peter, I thought that was understood.
00:32:16Yes, I thought so once, but...
00:32:19But what?
00:32:21Oh, I don't know.
00:32:29All we ever do is quarrel.
00:32:32Well, of course we do, stupid.
00:32:35I hope we always quarrel a little, as long as we make it up.
00:32:38You don't want us silly that your wife agrees with every word you say, do you?
00:32:43No matter how foolish it is?
00:32:45Oh, no.
00:32:48No, just as you are.
00:32:54Darling.
00:32:57Then you won't say anything to anyone. That's understood.
00:32:59Is that why you let me kiss you?
00:33:04Just to prevent me sending that message?
00:33:09Very well.
00:33:11Do as you wish.
00:33:13But you're making a fool of yourself.
00:33:15Of me.
00:33:16Of everybody.
00:33:19If I send that message and he's arrested,
00:33:21I suppose you'll throw me over.
00:33:23You can rely on it.
00:33:24I mean it.
00:33:31I mean it.
00:33:45Obstimate?
00:33:46Quite.
00:33:48It hasn't already wired to Paris.
00:33:50Not yet.
00:33:51But this is only a page from the annual report.
00:34:08Send it.
00:34:09To whom?
00:34:10Hitler?
00:34:11Roosevelt?
00:34:12Anyone?
00:34:13Anyone?
00:34:13It will take the operator all his time before we land to send this.
00:34:26No one else will be able to get a message through.
00:34:31The captain, what about him?
00:34:32Oh, yes.
00:34:34He can override anything.
00:34:36I'll speak with him myself.
00:34:43It will take more and more time to get this through by the time you reach Kelly.
00:35:06But it's urgent for Mr. Van Eden.
00:35:08I'll do my best, miss.
00:35:13I'm sorry, sir.
00:35:34I've just been handed over a very long message.
00:35:36Oh.
00:35:38Something on Mr. Van Eden's, I suppose.
00:35:40I can't tell you that, sir.
00:35:41Well, what can I do?
00:35:43See the captain, if you like, sir.
00:35:46Yes, I will.
00:35:47Well.
00:36:11Well, you're trying to jam the wireless, are you?
00:36:20And stop me cabling the truth about you.
00:36:22Well, you won't.
00:36:23Tell me.
00:36:24Who are you, please?
00:36:26Oh, just a clerk.
00:36:27With ambition.
00:36:29Perhaps if I were to...
00:36:31Don't you try and bribe me.
00:36:33Even if your millions were your own, instead of being stolen, I wouldn't touch them.
00:36:37That's fine.
00:36:41You don't want anything, I don't give anything.
00:36:45Gentleman was a dreamer.
00:36:49You'd like to throw me into the sea, wouldn't you?
00:36:52Well, don't try it.
00:36:54You may be strong, but I'm not so overfed.
00:36:58Now.
00:37:00Can't offer you a cigarette.
00:37:01I'm afraid that's my last.
00:37:02Perhaps you'd like that, since you've stolen her, too.
00:37:09Don't!
00:37:16Now, if I hit you, you can have me locked up.
00:37:18I've got something to say to the captain first.
00:37:20You will please don't mind your own business.
00:37:23When he's heard what I've got to tell him, I think he'll stop your little game.
00:37:28Don't!
00:37:29Don't!
00:37:32I thought I saw something fall.
00:37:50Man overboard!
00:37:51Fourth side!
00:37:53Stop.
00:37:53Stop, sir.
00:37:55Man number two bird, Mr. Adam.
00:37:57Full speed astern.
00:37:58Full astern, sir.
00:37:58I think I saw someone fall overboard here.
00:38:13What, just now, sir?
00:38:14Yes, just a moment to go.
00:38:15Right, sir.
00:38:16Then we'd better get on deck, might we?
00:38:17I'm just a little.
00:38:20Let go of the life, boys!
00:38:21Let go of the life!
00:38:37Let go of the life!
00:38:40Let go of the life!
00:38:50The gentleman told me he went over on the port side, sir.
00:39:01I know. Any idea who it is?
00:39:02No, sir. All right. Try and find out who's missing.
00:39:04Very good, sir.
00:39:05Go away together.
00:39:08Go away now.
00:39:10Wait a bit out.
00:39:20Go away, sir.
00:39:48Must have left him a long way behind by now.
00:39:50Terrible. Terrible.
00:39:51We should be late in now.
00:39:53We've gone out like boys, have they?
00:39:54It's not like his home. It's not like his home. It's not like his home.
00:39:55It's not like his home. It's not like his home.
00:39:56It's not like his home. It's not like his home.
00:40:06Anyone missing here, please?
00:40:07Do you have any idea who he is?
00:40:08No, sir.
00:40:09I'm a doctor. I want any help.
00:40:10Thank you very much, sir.
00:40:11Anyone missing here, please?
00:40:13Anyone known to be missing here?
00:40:14Well, what's the matter, George?
00:40:15Someone gone over the side.
00:40:17Eh?
00:40:17Is it a man or a woman, sir?
00:40:18Don't know, sir. Trying to find out.
00:40:21You never know what a woman will do.
00:40:23Accepting that they never do what you expect them to do.
00:40:33Has anyone seen my wife?
00:40:34Yeah.
00:40:35Used to be dark.
00:40:36Has anyone seen her?
00:40:37Has anybody seen my husband?
00:40:41Tall, red, drunk.
00:40:42Well, drunk or sober.
00:40:43Have you seen him?
00:40:44No.
00:40:48I might have known it, wasn't you?
00:40:50Oh, why?
00:40:51Because they're not man enough to do it.
00:40:52Thank you so much.
00:40:53Don't mention it.
00:40:54Excuse me, madam.
00:40:55Anyone missing here?
00:40:56No.
00:40:57What's happened?
00:40:58Man overboard, miss.
00:40:59Who is it?
00:41:00We don't know, miss.
00:41:01Stuart.
00:41:02Was it an accident?
00:41:03Can't say, miss.
00:41:04One of them suicides, maybe.
00:41:10Oh, I thought for a moment it was it.
00:41:12It was silly, anyway.
00:41:14What is it?
00:41:14There's a man overboard.
00:41:16Oh?
00:41:16They don't know who it is.
00:41:18Will you want me?
00:41:18May I go on deck?
00:41:19Of course.
00:41:20Of course.
00:41:21Why, shouldn't they?
00:41:23I'm frightened.
00:41:24Will you come with me?
00:41:25Yes.
00:41:25I shouldn't like to be out there myself.
00:41:51Must be like ice.
00:41:52Terrible thing for any man to do.
00:41:54Poor devil.
00:41:55I'll bet he's sorry for it now.
00:42:16Oh, I wish we could find out who it is.
00:42:21It couldn't be Peter.
00:42:22Peter.
00:42:23Would it mean so much to you?
00:42:29Don't you think it might be?
00:42:30It was about here, sir, the gentleman saw him go over.
00:42:32You say he saw him from just below?
00:42:34Yes, sir.
00:42:35Excuse me, sir.
00:42:42What's the properties?
00:42:43He went over.
00:42:44May I see that?
00:42:49It was Peter.
00:42:50Peter Bradley.
00:42:51Do you remember the name?
00:42:51Yes, sir.
00:42:52I took it.
00:42:53That's the man who came on board without a ticket.
00:42:55What's that?
00:42:55He looked a bit queer, sir.
00:42:56See if this man's on board.
00:42:56Do it quietly.
00:42:57Don't make a fuss.
00:42:58Don't make a fuss.
00:42:58Anyone here named Bradley, please?
00:42:59Is there any reason why he should have committed?
00:43:00Is there any reason why he should have committed?
00:43:01Mr. Bradley.
00:43:01Do you understand?
00:43:02Is there anyone here who named Peter Bradley?
00:43:03No, it's impossible.
00:43:04I must ask you now.
00:43:05Could it be anything but you?
00:43:06No, it's not.
00:43:07It was Peter.
00:43:08Peter Bradley.
00:43:09Do you remember the name?
00:43:10Yes, sir.
00:43:11I took it.
00:43:12That's the man who came on board without a ticket.
00:43:13What's that?
00:43:14He looked a bit queer, sir.
00:43:15See if this man's on board.
00:43:16Do it quietly.
00:43:17Don't make a fuss.
00:43:18Anyone here named Bradley, please?
00:43:21Is there any reason why he should have committed?
00:43:23Mr. Bradley.
00:43:24Do you understand?
00:43:25Anyone here who named Peter Bradley?
00:43:27No, it's impossible.
00:43:29I must ask you now.
00:43:31Could it be anything but suicide?
00:43:34He came on board in rather curious circumstances.
00:43:37Do you happen to know why?
00:43:39He must speak to me.
00:43:41That he wasn't likely to have known anyone else when he came on board?
00:43:48No.
00:43:49Not when he came on board.
00:43:51Will you wait where we can find you?
00:43:54I've sent you word at once.
00:43:55In your cabin.
00:43:57What chance is there of being picked up?
00:44:01Well, we shall do all we can.
00:44:04But in this fog, it's not easy.
00:44:07Come on.
00:44:08Where could we hide?
00:44:09Is he going to hide?
00:44:22Garry are dead.
00:44:23Ha ha.
00:44:24He went on!
00:44:26Huh.
00:44:27Oh, he's gone.
00:44:47He's gone, and I shall never see him again.
00:44:50But they won't give him up, will they?
00:44:52They'll make sure.
00:44:53Very sure.
00:44:54No signs in sight.
00:44:58Now we're coming aboard.
00:44:59Hold on a minute.
00:45:06Got him?
00:45:07Not a sign, sir.
00:45:08They want to know if they're to go on.
00:45:11No.
00:45:12I'm afraid it's no use.
00:45:14Come aboard.
00:45:16Oh, but they can't leave him out there like this.
00:45:18Won't you make them do something?
00:45:19Don't let them give up now.
00:45:21So, I did not know.
00:45:25I thought you felt like this.
00:45:28Oh, it took this to make me realize.
00:45:31Oh, I need to.
00:45:33Wait.
00:45:34I'll see.
00:45:36Have they put in the safe?
00:45:38Very good, sir.
00:45:39Yes, Mr. Van Eden?
00:45:40Just a little more time, Captain.
00:45:42Oh, I'm afraid it's no use.
00:45:44If they haven't got him by now, they never will.
00:45:46We may have been gone a long distance before we stopped.
00:45:48Just a little more time.
00:45:50Really, sir?
00:45:51If I thought there was the slightest chance, of course I should.
00:45:53I have a fancy.
00:45:55Oh?
00:45:57Have you?
00:45:58Your fancies generally come off, don't they, Mr. Van Eden?
00:46:00Yes, then.
00:46:02Yes, but I must think of my other passengers.
00:46:04We're terribly delayed already.
00:46:05Delay, yes.
00:46:07Delay means much to me.
00:46:09But that poor girl.
00:46:11Think what it means to her.
00:46:13Well, if you put it like that, sir.
00:46:17All right, Mr. Beach, tell Adams to carry on looking.
00:46:19Very good, sir.
00:46:19I'll send word to you immediately.
00:46:21Donkey and Daze and Tate a thousand times.
00:46:27Mr. Adams, the captain says carry on your surge.
00:46:32It's all right.
00:46:58Oh, you won't get to Paris in time.
00:47:02But it is a life at stake, isn't it?
00:47:07Yes.
00:47:09Life.
00:47:09Life.
00:47:32You see, he's not a great man like you.
00:47:41He's just little.
00:47:44As if that mattered when you love anybody.
00:47:47Aren't we all like that?
00:47:49Very little people.
00:47:52No, you're not.
00:47:53You couldn't be.
00:47:56You might do something wrong,
00:47:58but with a great idea behind it.
00:48:02Aren't we?
00:48:05And even now that you know how I feel about him,
00:48:08you wish him alive, don't you?
00:48:13Oh, you've torn your coat.
00:48:16Well, you.
00:48:17Why did the captain ask all those questions?
00:48:27Oh, they had to ask something.
00:48:30Odd.
00:48:42Where were you when it happened?
00:48:43It was you.
00:48:56Don't say it.
00:48:58Don't say it.
00:48:59No one will believe you.
00:49:11Have they found him?
00:49:12Yes, miss.
00:49:13Is he alive?
00:49:14Tell me.
00:49:15Don't know yet, miss.
00:49:16Oh, thank you.
00:49:22Yes, sir.
00:49:26See if there's a doctor on board.
00:49:32Must be pretty far gone, sir.
00:49:33Yes.
00:49:34Get some blankets.
00:49:36You go and stand by.
00:49:37Very good, sir.
00:49:39Hold on, I think.
00:49:42Everybody's crowding to the other side of the ship.
00:49:50Do you think it'll be safe if I go there, too?
00:49:52Why, do you think so, ma'am?
00:49:54Stand by the hoist way.
00:50:06Boat's just cleared the water, sir.
00:50:07Half speed ahead.
00:50:32Half speed ahead, sir.
00:50:33Be right over the stairs.
00:50:46Right down there.
00:50:47Take care.
00:50:51Almost there.
00:50:52Fine, sir.
00:50:53Is he alive?
00:50:56Just.
00:50:58Any chance, Roy?
00:50:59Just a hook.
00:51:05We've got him, sir.
00:51:07Funny thing, the only word that passed his lips when we picked him up was your name.
00:51:11Almost looks as if he knew it was you who saved him.
00:51:13How long before you give up?
00:51:41It should be a sign before long, one way or the other.
00:52:11Well, you'll get him round, do you think?
00:52:32Can't tell yet.
00:52:34Nothing else one can do, I suppose.
00:52:35Well, if I had him unsure, I could.
00:52:39The heart must be restarted somehow.
00:52:42There are only a few things.
00:52:44We can't expect to find them here.
00:52:46The journey's too short.
00:52:48Medical store's no good.
00:52:51We could use any means of an emergency.
00:52:53Strychnine, adrenaline, barium, several.
00:52:56Well, one hasn't got them, so we must do our best to get them.
00:53:03I see.
00:53:04Well, I must get back to the bridge.
00:53:06Is that any good?
00:53:31Adrenaline, what's he like?
00:53:39Yes, I am supposed to be lucky to everybody.
00:53:42Yes, it's all right.
00:53:44It's dangerous, of course.
00:53:49Are you a relative?
00:53:51No.
00:53:51Well, a friend.
00:53:54It's a risk.
00:53:55You can object on his behalf.
00:53:57Well, please do anything you can.
00:54:06It's poisoning the quantities, of course.
00:54:11I can only judge as best I can.
00:54:18No knowledge of the patient.
00:54:25Anything goes wrong.
00:54:27You don't give him any stimulant of any kind.
00:54:54Might kill him.
00:54:54I must ask you something.
00:55:13That drug, the doctor said it was dangerous.
00:55:16I'm not hoping.
00:55:16You must think I have come down very low indeed.
00:55:24If he recovers, I'll try to keep him from speaking.
00:55:28Let him speak.
00:55:30It is not what he says.
00:55:32It is what is here.
00:55:33Yes, they were just giving up the search.
00:55:39We're not coming, Van Eden.
00:55:40See, he went up, goes to the captain, and persuades the old man to send the boat out again.
00:55:44Aye, and they picked up the lad.
00:55:46Oh, oh, oh, poor looky is Van Eden.
00:55:48He's got the magic touch if ever a man had.
00:55:50No, they wouldn't have got him put for you, Mr. Van Eden.
00:56:01Looky again, sir, eh?
00:56:02Oh, well, he is.
00:56:02Oh, well, he is.
00:56:03I do hope you made that poor boy changes with clothes.
00:56:09Oh, bravo, bravo.
00:56:11You kept the curtain up.
00:56:12Don't worry, Mr. Van Eden, darling.
00:56:20No worry.
00:56:21No worry.
00:56:25Pog's cleared, sir.
00:56:26Good, then I can see my way.
00:56:29Just come through on the wireless, sir.
00:56:31Your horse is mine.
00:56:35Just come through on the wireless, sir.
00:56:37I guess it's mine.
00:56:38Yes, well, should we take the first train up, or do you want to stay at, sir?
00:56:54Congratulations, Mr. Van Eden.
00:56:58Thank you very much.
00:57:03Give me a slow gin, quick.
00:57:05You want to get a lighter?
00:57:06I have one.
00:57:07Yes, but you want one that works.
00:57:08Look at that.
00:57:08Never misses.
00:57:09Understand?
00:57:09Never misses.
00:57:10Now, I'll tell you how to work.
00:57:10Just stand and listen to me for a minute, sir.
00:57:11I'll tell you how to work again.
00:57:12First of all, you unscrew it.
00:57:13Send down for two gallons of petrol.
00:57:15Tip it in there.
00:57:15Screw it up again.
00:57:16Let it stand for a quarter of an hour.
00:57:17Then go and buy yourself a box of matches.
00:57:19Now, there's a lighter.
00:57:20In the trade, it would cost you at least 18 and 6.
00:57:22Understand that?
00:57:22I'm not going to charge you 18 and 6.
00:57:23As far as they go, one customer, one lighter.
00:57:25I'll give it to you with the firm's compliment.
00:57:26Just a minute, sir.
00:57:27Do me a favour.
00:57:27With the firm's compliment.
00:57:29And with the lighter goes a pipe.
00:57:30Now, I've got to charge you for the pipe.
00:57:31Don't mind with the idea I'm not going to charge you a pound for the pipe, sir.
00:57:33I don't want the pipe.
00:57:34You know what?
00:57:34I don't want the pipe.
00:57:35Then you don't want the lighter.
00:57:37Just come, sir.
00:57:47All good news, I hope, sir.
00:57:56Just running alongside now, sir.
00:57:57Shall I take the bags?
00:57:58Eh?
00:58:01Oh, no.
00:58:02No.
00:58:04I have something left to do.
00:58:07Oh, Tomlin?
00:58:14Buy something for the bed.
00:58:17Thank you for remembering, sir.
00:58:28Well, young fellow, spot of common danger brings us all into line, huh?
00:58:41Come and see me sometime.
00:58:43The big lingerie shop in Charlottesby Avenue.
00:58:45I design the underwear.
00:58:46Merci.
00:58:47After some time, I come to England.
00:58:49Indeed, on business?
00:58:50But yes.
00:58:51I come with the French international football team.
00:58:53I am the center for work.
00:58:55Good Lord.
00:58:56Come in and see me if you're passing.
00:58:58I'm going into the new show at the Hippodrome.
00:59:00Musical?
00:59:01Mm-hmm.
00:59:02Front row at the corners.
00:59:03Honey, I am musical, too.
00:59:04Oh, dearie.
00:59:06I suppose you're always on tour.
00:59:07I hate the provinces.
00:59:09No, I am singing Aida and Tosca at Covent Garden at the end of the month.
00:59:14Drop in and hear me if you are passing.
00:59:15Darling, it's been a heavenly crossing.
00:59:28My treasure, when you've made the trip as often as I have, you'll scarcely notice it.
00:59:35Peter.
00:59:36He is all right?
00:59:37Yes, sir.
00:59:37That is good.
00:59:39But not for me.
00:59:41Oh, no, he won't speak.
00:59:43I promise you.
00:59:45Not when he knows everything.
00:59:47You are so sure of him?
00:59:53Here, let's go and give old Van Eden three cheers before he goes ashore, eh?
00:59:56Yes, yes, yes.
00:59:59Yes.
01:00:00George, George, give us a couple of bottles and three glasses.
01:00:04Ah, yes.
01:00:05Do you mind going on to Paris alone?
01:00:07No, I will go on alone.
01:00:11Why?
01:00:14Mr. Van Eden.
01:00:16Hi, my dear.
01:00:17Sorry, Mr. Van Eden.
01:00:19We had to come in before we got off the boat.
01:00:21Oh, but don't intrude, sir.
01:00:23Congratulations.
01:00:23Good luck.
01:00:26If I bring luck, I am happy.
01:00:29Oh, there's a fella.
01:00:30George, come on, bring those bottles in, will you?
01:00:32I just brought you a little drug or something to celebrate, Mr. Van Eden.
01:00:34There you are.
01:00:36Have a little drink.
01:00:37Just a little drink, eh?
01:00:38Just one with us for au lang syne, eh?
01:00:41Auf Wiedersehen.
01:00:42There you are, mate.
01:00:43There, there.
01:00:44There, now then.
01:00:46Pretty good now, darling.
01:00:47Here, show you a jolly good look.
01:00:50Oh, gentlemen.
01:00:52I'm sorry to interrupt, but you mustn't make Mr. Van Eden drink now.
01:00:55You heard the doctor say that you...
01:00:57A little drink on this occasion will do me good.
01:01:03Gentlemen?
01:01:05Gentlemen, gesundheit.
01:01:07Gesundheit!
01:01:08The same to you and many of them.
01:01:16We're alongside, gentlemen.
01:01:17Thank you, gentlemen.
01:01:21I see you again, sir.
01:01:23I see you now on the radio.
01:01:27It's awfully nice of you to have looked after me so well.
01:01:51All after.
01:01:52Thanks very much.
01:01:53Goodbye.
01:01:54May I take your bed?
01:01:55No, no, I can take your bed for you.
01:01:57Yes, thanks very much.
01:01:58I can take my wife's bed.
01:01:59Excuse me, this is mine.
01:02:05Now, pardon me.
01:02:05I say, are you really a commercial traveller?
01:02:08No, Max Miller's the name of the fire comedian.
01:02:10I've just been cracking a few jokes on some of these mugs here.
01:02:12Have you heard the story about this?
01:02:13No, no, no, no.
01:02:17Well, goodbye, Mr. Van Eden.
01:02:18Goodbye.
01:02:18Thank you very much, indeed.
01:02:20Goodbye.
01:02:21Goodbye.
01:02:21Goodbye.
01:02:22Goodbye.
01:02:23Goodbye.
01:02:24Goodbye.
01:02:24Goodbye.
01:02:25Goodbye.
01:02:25Goodbye.
01:02:25Goodbye.
01:02:25Goodbye.
01:02:25Goodbye.
01:02:26Goodbye.
01:02:26Goodbye.
01:02:26Goodbye.
01:02:26Goodbye.
01:02:27Goodbye.
01:02:29Wait.
01:02:29Goodbye, ladies.
01:02:30Well, Mr. Van Eden, I'll see you in the near future.
01:02:33Maybe.
01:02:34Maybe.
01:02:34Maybe.
01:02:35Aren't you going in short, sir?
01:02:55I have something still to do.
01:03:05I'll have these put on the tray for Mr. Van Eden.
01:03:10Don't give him any stimulant of any kind.
01:03:35It might kill him.
01:03:40Don't give him any stimulant of any kind.
01:04:10Don't give him any stimulant of any kind.
01:04:19I'll have some stimulant of any kind.
01:04:24I don't know.
01:04:54And so I made my death look like an accident.
01:05:00Only you and Peter know the truth.
01:05:03I know I can trust you to keep silent.
01:05:05So I may seem at the last, not a coward, but still great.
01:05:10You will never want. I have provided for that.
01:05:13Be happy together. I know you will.
01:05:17Good luck.
01:05:21Do you think he was a coward?
01:05:22I don't.
01:05:24I don't.
01:05:25I don't.
01:05:27I don't.
01:05:28I don't.
01:05:29I don't.
01:05:30I don't.
01:05:32I don't.
01:05:33I don't.
01:05:35I don't.
01:05:36I don't.
01:05:37I don't.
01:05:38I don't.
01:05:40I don't.
01:05:42I don't.