Prithiviraj interview
മമ്മൂക്കയുടെ കയ്യിൽ നിന്നും ഒരുപാട് പഠിക്കാനുണ്ട്
#empuraan
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മോഹൻലാലിന്റെ വാക്ക് മറികടക്കാൻ കഴിയാതെ രാജു ചെയ്തു, ഭയമാണ്, സുരേഷേട്ടൻ അത് പറയരുതായിരുന്നു; നിർമാതാവ് :: https://malayalam.filmibeat.com/features/manikyakkallu-movie-producer-a-s-gireesh-lal-reacted-to-prithvirajs-empuraan-movie-controversy-128041.html?ref=DMDesc
എന്നോട് പറഞ്ഞിട്ട് എന്താണ് കാര്യം? പാലിനോട് പറയൂ...; മോഹൻലാലിന്റെ ഫ്ലാറ്റ് പാലുകാച്ചൽ ചടങ്ങിനെ കുറിച്ച് അനീഷ് :: https://malayalam.filmibeat.com/features/director-aniesh-upaasana-open-up-about-mohanlals-house-warming-function-experience-128025.html?ref=DMDesc
ആന്റണി മോഹൻലാലിന്റെ മനസ് കണ്ടു, ഒന്നുമറിയില്ലായിരുന്നു; പിന്നെ കഥകൾ കേട്ടു: പൂജപ്പുര രാധാകൃഷ്ണൻ :: https://malayalam.filmibeat.com/features/mohanlal-and-antony-perumbavoor-bonding-poojappura-radhakrishnan-shares-his-view-127965.html?ref=DMDesc
~PR.16~ED.22~
മമ്മൂക്കയുടെ കയ്യിൽ നിന്നും ഒരുപാട് പഠിക്കാനുണ്ട്
#empuraan
Also Read
മോഹൻലാലിന്റെ വാക്ക് മറികടക്കാൻ കഴിയാതെ രാജു ചെയ്തു, ഭയമാണ്, സുരേഷേട്ടൻ അത് പറയരുതായിരുന്നു; നിർമാതാവ് :: https://malayalam.filmibeat.com/features/manikyakkallu-movie-producer-a-s-gireesh-lal-reacted-to-prithvirajs-empuraan-movie-controversy-128041.html?ref=DMDesc
എന്നോട് പറഞ്ഞിട്ട് എന്താണ് കാര്യം? പാലിനോട് പറയൂ...; മോഹൻലാലിന്റെ ഫ്ലാറ്റ് പാലുകാച്ചൽ ചടങ്ങിനെ കുറിച്ച് അനീഷ് :: https://malayalam.filmibeat.com/features/director-aniesh-upaasana-open-up-about-mohanlals-house-warming-function-experience-128025.html?ref=DMDesc
ആന്റണി മോഹൻലാലിന്റെ മനസ് കണ്ടു, ഒന്നുമറിയില്ലായിരുന്നു; പിന്നെ കഥകൾ കേട്ടു: പൂജപ്പുര രാധാകൃഷ്ണൻ :: https://malayalam.filmibeat.com/features/mohanlal-and-antony-perumbavoor-bonding-poojappura-radhakrishnan-shares-his-view-127965.html?ref=DMDesc
~PR.16~ED.22~
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NewsTranscript
00:00Lohithadas is a genius who invites me to act in a film.
00:04I will do anything for that.
00:09Bhadran sir invites me to act in a film.
00:12He told me the story.
00:15Even though he didn't tell me the story, I decided to do it.
00:20Because it was such an experience for me.
00:24I worked with Bhadran sir, Lohithadas and Kamal sir.
00:28That was my early on refinement.
00:31Of course, Ranjith sir introduced me.
00:33It was not a big decision.
00:36I was just lucky.
00:39Rajuettan, we have seen a lot of situations where a youngster gets defeated.
00:44In the early stages, you face the light.
00:48Then you go to Tamilnadu and come back.
00:51Rajuettan is the first cyber-bullying actor.
00:56He has never tried to lose.
01:01Who tries to lose?
01:04I have never tried.
01:07Everyone tries to win.
01:10There is a face in Malayalam.
01:13Manimal Boys and Premal.
01:16He has always wanted to make films for youth.
01:20Do you enjoy this face the most?
01:24I am happy about it.
01:27I am not saying that I am happy about other people's success.
01:32Of course, I am happy about it.
01:35But we are the ones who find ways to achieve success.
01:40Like I said in Bombay,
01:43Manimal Boys, Premal and Brahma Yugam came out in a month.
01:47Suddenly, the whole conversation became about Malayalam cinema.
01:51Otherwise, there was a spotlight in Malayalam cinema.
01:54Suddenly, Malayalam cinema came out.
01:57Even theatrically, Malayalam cinema came out.
02:02That's when Aadu Jeevitham came out.
02:05I have to thank them.
02:08This film and I are going to get the most out of these three films.
02:15I am thankful for that.
02:18I am so happy for the success.
02:21I hope this phenomenon continues.
02:24Prithviraj wants to do something new.
02:27He doesn't want to be a superstar.
02:30He wants to be an ambassador of Malayalam cinema.
02:33He has a group of young people.
02:36They are Prithviraj's fans.
02:39Like they say in Tamil,
02:43If you like me, you genuinely love cinema.
02:50That's my existence.
02:53I can't prove it to anyone.
02:56But I have a genuine love for the medium.
02:59Those who like me should have a genuine love for cinema.
03:04That's why they like me.
03:07It's a magical medium.
03:10It's an art form.
03:13Let it flourish.
03:16Let me be a part of it.
03:19Let you enjoy good films.
03:22Let those who want to get into cinema get a chance.
03:25Instead of loving me, keep loving great cinema.
03:31The audience is the one who creates the direction.
03:36When they give us a signal,
03:39That's when such films are made.
03:42The audience is the one who leads the medium to the right direction.
03:48There's a saying by Adi Jeevath.
03:51This is the maximum.
03:54I don't want to do more.
03:57I did this for this character.
04:00It would be boring if I did it for Vilayatthuputha.
04:03Even after doing a film,
04:06Not all films get that opportunity.
04:09In most films, due to various reasons,
04:12There are compromises and stages.
04:15An acceptable compromised version of it
04:18Is what gets to the audience.
04:22Only once in a while,
04:25We can do a zero compromise film like this.
04:28You have to think about a lot of things.
04:31You have to think about budget and time.
04:34When this film came to me,
04:37There was a big concern in me.
04:40When I did this film,
04:43If it's a big film,
04:46I could have cast a less busy actor.
04:50But if it's a big film,
04:53I didn't want to put more effort into it.
04:56I didn't want to put more effort into it.
04:59I didn't think I would get that kind of feedback.
05:02You have inspired Prithvi's life.
05:05You don't have to worry about things that are out of your control.
05:08Is this a version of Lalaettan?
05:11He has voiced a lot of things for me.
05:14There's a lot to learn from Lalaettan.
05:17There's a lot to learn from Mamukkada.
05:20In the media that I work in,
05:23All of them are aggregators.
05:26I don't think Lal sir's off-screen persona can be like that.
05:29I don't think Lal sir's off-screen persona can be like that.
05:32But I feel bad about it.
05:35He's always happy.
05:38Results don't affect him.
05:41He's a person who finds happiness in small things.
05:44When we shot Lalaettan in the US,
05:47One day, he brought dosa and fish curry to the location.
05:50It was a genuine happiness.
05:53I always say that I admire Lalaettan a lot.