C00l Surfac3 (1994) is a mystery drama that follows a writer who retreats to a quiet neighborhood in search of inspiration after completing a novel. As he observes the lives of those around him, he becomes intrigued by a neighbor whose presence stirs curiosity and creative energy. As their paths cross, unexpected emotions and tensions begin to emerge. With an atmosphere of intrigue and psychological depth, this movie explores creativity, human connection, and personal change.
c00l surfac3 1994 full movie, 90s mystery drama films, psychological drama movie, story about a writer, emotional suspense movies, introspective character drama, underrated 90s films, creative journey stories, dramatic mystery film, independent drama movies, classic 1990s thrillers
c00l surfac3 1994 full movie, 90s mystery drama films, psychological drama movie, story about a writer, emotional suspense movies, introspective character drama, underrated 90s films, creative journey stories, dramatic mystery film, independent drama movies, classic 1990s thrillers
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PeopleTranscript
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00:04:36I forgot to tell you, we've got some new neighbors.
00:04:46Vampires in Disneyland.
00:04:50Welcome home.
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00:05:43Jeanie?
00:05:46Jeanie, it's me.
00:06:02Jeanie!
00:06:13Jeanie!
00:06:29No!
00:06:30Why the hell are you being so stubborn?
00:06:32I'm not being stubborn, I'm just right!
00:06:34How do you know before you even try?
00:06:36Look, I'm tired!
00:06:38I've had enough of this today, I would just like to give it a rest.
00:06:44Hello.
00:06:47Rough day, huh?
00:06:49It gets worse.
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00:08:48You're killing me, Eric.
00:08:50Killing you? Killing you?
00:08:52How do you think it makes me feel? I'm down there on Graveyard.
00:08:55I come home and where the fuck are you?
00:08:57I'm an actress, I have work to do.
00:08:59I have auditions and I've got a schedule to meet just like you do.
00:09:02You're out of the house by 7.30 in the morning and the bed's not even slept in.
00:09:07Not slept in? It's made.
00:09:10Made?
00:09:11Made!
00:09:12When was the last time you ever bent over to make a bed?
00:09:15And when was the last time you did anything around this house?
00:09:18You took the night shift so you could write during the day.
00:09:20Write? You don't do shit!
00:09:22I'm tired, Eric! I'm tired!
00:09:24Come here!
00:09:25Stay away from me!
00:09:27I said come here!
00:09:28Stay away from me!
00:09:29God damn it!
00:09:31You get back here, you bitch, and shut the goddamn door!
00:09:35It's too soft, Charlie.
00:09:40What do you mean, it's too soft?
00:09:43I mean it's the opposite of hard.
00:09:50The book has no purpose.
00:09:52It's a piece of shit.
00:09:54It's a piece of shit.
00:09:56It's a piece of shit.
00:09:58It's a piece of shit.
00:10:00It's a piece of shit.
00:10:03The book has no plot.
00:10:05The characters are gooey. Nobody can make up their mind.
00:10:09I kept waiting for something to happen.
00:10:12It's about a relationship, Chas.
00:10:17It's about an honest-to-God, day-in, day-out relationship
00:10:20between two people who don't know what the hell they want.
00:10:24It's about life.
00:10:27I just wanted to write something that was real.
00:10:30Well, you did.
00:10:32It was so real, I could hardly finish it.
00:10:35I kept thinking about my ex-wife.
00:10:38On page 40, I wanted to shoot myself.
00:10:47Charvis, I'm sorry.
00:10:50I heard about Gene.
00:10:52I know how that must have torn you.
00:10:56But listen to me on this, all right?
00:10:59Nobody is going to pay to read this.
00:11:03Everybody has to write their first novel, right?
00:11:07I mean, this is something that you had to do.
00:11:10I know that, and you know that, right?
00:11:17Charvis, things aren't good right now.
00:11:20I... All right, all right.
00:11:22Now, listen to me, all right?
00:11:25I read your book.
00:11:27I read it cover to cover.
00:11:29You are a fine writer.
00:11:31And sometimes you're a terrific writer.
00:11:33You've come a long way to get here.
00:11:35I mean, hell, you could have been running that corporation back in Philly.
00:11:38Well, fuck it. I mean, you chose to be a writer.
00:11:41Now, that's good.
00:11:43Now, I can help you.
00:11:45But you have got to help me.
00:11:48Now, I can help you.
00:11:50But you have got to help me.
00:11:53You've got to give me something that I can sell.
00:11:57I mean, if you want to put your heart into it, then put your heart into it.
00:12:00But let your people dodge a few bullets.
00:12:06I can sell bullets.
00:12:09Charvis, I can sell bullets.
00:12:15Come on.
00:12:18Come on.
00:12:29Damn it!
00:12:40Hurry up, Eric.
00:12:43Come on, Eric. We're late.
00:12:45I'm not the one knocking shit over in here.
00:12:48Eric, come on, will you?
00:12:57You're not even dressed.
00:12:59It's too hot.
00:13:03Why ruin a good shirt?
00:13:06Let's just stay here and sweat.
00:13:09Not now.
00:13:10Yes, now.
00:13:12Right now.
00:13:16We have to leave.
00:13:19I don't want to breathe.
00:13:45I don't want to breathe.
00:14:08You've reached the home of Bob the Beast.
00:14:10Stevenson dances with the beast.
00:14:15Bob the Beast dances with the beast.
00:14:45Come on.
00:15:15Bob the Beast dances with the beast.
00:15:46Bob the Beast dances with the beast.
00:15:49Oh, shit.
00:16:15I want to breathe all over you.
00:16:19How would you like to start?
00:16:49I don't know about you,
00:16:51but I think it's time we made this thing official.
00:16:55Well, you're not wearing an apron,
00:16:57and you can't take my order,
00:16:59so you can officially leave me alone.
00:17:03I'm Charvis Scott.
00:17:05I live at 2011 Blossom.
00:17:07It's the bungalow right across from yours.
00:17:09I know you don't see a whole lot of me,
00:17:12but I'm sure you can see a lot of me.
00:17:15It's the bungalow right across from yours.
00:17:17I know you don't see a whole lot of me,
00:17:19but I'm the guy with the noisy typewriter.
00:17:24Well, I guess you don't see a lot of me either.
00:17:27I'm Danny Payson.
00:17:29I'm the girl with the noisy partner.
00:17:41Thanks.
00:17:45So, what was the question again?
00:17:49How about a love interest?
00:17:52Are you offering?
00:17:55Not at the moment, no.
00:17:59She, um...
00:18:03It's a complicated story.
00:18:05Oh, if you don't want to talk about it, I...
00:18:07No, wait. I want to talk about it.
00:18:11She passed away in December and...
00:18:14Oh, I'm sorry.
00:18:18Jane wasn't a big fan of my writing things.
00:18:21She, uh...
00:18:23She kept waiting for me to grow up.
00:18:26Go to work for her father's company.
00:18:29Cover the mansion on the main line.
00:18:32I have to do what I'm doing now.
00:18:36I want to live.
00:18:38I want to live. I want to write.
00:18:41I want to feel.
00:18:44I want to know everything,
00:18:46even if it means holding on to the worst kind of pain.
00:18:50Do you know what I'm talking about?
00:18:57So, um...
00:19:00What about you?
00:19:02Are you spoken for?
00:19:06It's a complicated story.
00:19:12It's a complicated table.
00:19:16We broke up a few months ago.
00:19:19We're really different.
00:19:23He just couldn't give me the freedom to go after what I want.
00:19:27What do you want?
00:19:29I want to win.
00:19:32We all want to win.
00:19:34But we all don't realize there's two parts to being a winner.
00:19:38There's the part that gets you to the top,
00:19:40and there's the part that keeps you there.
00:19:42The staying power.
00:19:45I want to act until my heart stops beating, Jarvis.
00:19:49And I'm gonna do anything I have to to get that.
00:19:54Anything.
00:20:05Remember back at the restaurant?
00:20:10I lied to you.
00:20:12I lied to you about my name.
00:20:14About...
00:20:15It doesn't matter, Amanda.
00:20:19You see?
00:20:21I already know everything about you.
00:20:25Then you'll die a happy man.
00:20:29Goodnight, butt boy.
00:20:34No.
00:21:04Hey!
00:21:07So what's with the suitcase, Amanda?
00:21:09Shit.
00:21:10What do you think, Eric?
00:21:11I think we should talk about it.
00:21:13Talk with you?
00:21:15No!
00:21:16Do I know him?
00:21:18No, who?
00:21:20Don't give me the shit, Amanda.
00:21:21Don't give me the... Who is it?
00:21:22Please!
00:21:23Who the fuck is it?
00:21:24Please let me go!
00:21:25You talk to me, Amanda.
00:21:26God damn it, you fucking bitch.
00:21:28I don't want to talk to you.
00:21:30I don't want to talk to you.
00:21:32You talk to me, Amanda.
00:21:33God damn it, you fucking bitch.
00:21:35Eric.
00:21:38Eric.
00:21:39It's not what you think.
00:21:41He's just a guy, Amanda.
00:21:43I could be an owl in the dark and I couldn't still see you.
00:21:46Where'd you go? Who'd you go with?
00:21:48Eric!
00:21:49Just tell me.
00:21:50Just tell me.
00:21:51Did you get the part you wanted, huh?
00:21:53Did you get the part?
00:21:54Did you get the role, you goddamn whore?
00:21:57Eric, I swear to God, it's not what you think.
00:22:01You're not going to leave this house.
00:22:02You're not going to leave me.
00:22:03You know why?
00:22:04You know why?
00:22:05Because you like this.
00:22:10What the hell are you doing, man?
00:22:13I'm sending you to jail, man.
00:22:15Jarvis.
00:22:16First, I'm going to kick your ass.
00:22:18Stop it.
00:22:19Jarvis, it's not what you think.
00:22:21What I think?
00:22:22For Christ's sake, Amanda, I've been listening to this shit for the last month.
00:22:25I've heard everything that goes on and it's enough.
00:22:28Amanda.
00:22:30Oh, my God.
00:22:32Amanda, why did you lie to me?
00:22:34Why didn't you just tell me this guy lives here?
00:22:36Jarvis, my name is not Amanda.
00:22:39It's Danny.
00:22:42What are you talking about? He called you.
00:22:44That's because I play a character named Amanda.
00:22:48I'm an actress.
00:22:50And the character Amanda, she's an actress.
00:22:53And what you've been listening to is...
00:22:57Is what?
00:22:58It's a rehearsal. We're working on a play.
00:23:01We're actors.
00:23:04A play?
00:23:07Yeah, we open on Melrose in two weeks.
00:23:11All this carrying on, it was just make-believe.
00:23:15And he doesn't live here?
00:23:18I live here.
00:23:20It was all just a play.
00:23:23I'm sorry.
00:23:27You're sorry?
00:23:29Look at me, Amanda.
00:23:33Amanda.
00:23:37Amanda.
00:23:56Would you like some company?
00:24:02Can I sit down?
00:24:08Yeah.
00:24:16Hi.
00:24:19Hi.
00:24:22Hi who?
00:24:27Hi Danny.
00:24:30Danny.
00:24:33Easy to remember, hard to forget.
00:24:39How'd you know where to find me?
00:24:42I took a wild guess.
00:24:48You broke Gary's nose.
00:24:51Shattered it.
00:24:57I'll pay for it. I'll make sure I cover everything.
00:25:00You don't have to. He has insurance.
00:25:04Where'd you learn to hit like that?
00:25:09I didn't want to want it.
00:25:16You got one in the head, didn't you?
00:25:20You thought I was in trouble. You wanted to help me.
00:25:23That's not being an idiot.
00:25:25It's chivalry.
00:25:28It's chivalry.
00:25:31I haven't seen that in a long, long time.
00:25:40I'm just a macho kind of guy.
00:25:45Well, there are two kinds of macho.
00:25:47There's the kind that gets you noticed.
00:25:50And then there's the kind that I like.
00:25:53The kind with staying power.
00:25:57Who are you?
00:26:04Back to the scene of the crime.
00:26:10Maybe.
00:26:17So what do you think?
00:26:20Your place or mine?
00:26:37Wait. My shoes.
00:26:42What was that?
00:26:43It's crystal. The leak. It's priceless.
00:26:48Oh, well.
00:27:19Oh, my God. You're perfect.
00:27:24Don't talk. Kiss me.
00:27:34Oh, yeah.
00:27:48Do anything you want to me. Anything.
00:28:19What time is it?
00:28:226.30.
00:28:256.30.
00:28:28I have to write.
00:28:31Now?
00:28:33I start work early.
00:28:36I don't. That's why I act.
00:28:39I thought you were out of the house by 7.30, but I may not.
00:28:43Don't get your hopes up.
00:28:47I'll see you soon.
00:28:54I can't.
00:28:56You can't?
00:28:59I swear.
00:29:01I know some truth.
00:29:03I know. I subscribe.
00:29:08You lied to me.
00:29:11What happened to staying power?
00:29:14I gave it my best 16 rounds.
00:29:19You better get a new trainer.
00:29:28Close the door.
00:29:34Close the door.
00:29:50You're beautiful.
00:29:55Hey, have a good rehearsal.
00:30:00I will.
00:30:04Hey, take it easy on her.
00:30:25I'm down there. Where are you?
00:30:29I'm an actress. I have work to do.
00:30:32I have auditions and I've got a schedule to meet, just like you do.
00:30:35You're out of the house by 7.30 in the morning.
00:30:50Who's there?
00:30:53Who's there?
00:30:55Mom.
00:31:02Close enough.
00:31:08So, how's it going?
00:31:11It's good tonight.
00:31:14Good.
00:31:17So, what's in the bag?
00:31:24What's in the bag?
00:31:29Is it too tight?
00:31:40How about now?
00:31:45It's perfect. Thank you.
00:31:54Have you had much experience at this kind of work?
00:31:59Fair to middling.
00:32:02It's very energizing.
00:32:07You should go to Ralph's more often.
00:32:10Be a good boy, I'll see what I can do.
00:32:14So, are you sure I'm not interrupting your writing?
00:32:19It's okay. I was going to take a break anyway.
00:32:32The pulse is rapid.
00:32:37I can't take this much longer.
00:32:40It's only been a minute.
00:32:43For you, it's another hemisphere down there. We're a day ahead.
00:32:50Good night, Jarvis.
00:32:54What are you doing?
00:32:57I'm going home.
00:32:59Home? What are you talking about?
00:33:02I have an early morning rehearsal.
00:33:04If I stay here tonight, I won't get any sleep.
00:33:07Sleep? Who gives a goddamn about sleep?
00:33:10I'm back.
00:33:13I thought you'd tie these.
00:33:16I did. They were slipknots.
00:33:19You could have gotten out whenever you wanted.
00:33:24Some boys just like to be tied up.
00:33:36How do you live like that? Cornflakes, tuna salad and rolling rock.
00:33:40But I meet the minimum daily requirement.
00:33:43Honey, I'm your minimum daily requirement.
00:33:47Learn to cook if you want to keep her around.
00:33:51Damn, I thought it was the other way around. Where have I been?
00:33:55Philadelphia. You'll grow out of it.
00:33:58Beer?
00:34:00I'll pass, thank you.
00:34:02Thank you. Looks terrific.
00:34:07You know, I'd love to see what you do.
00:34:11Not a hell of a lot, really.
00:34:14I flatten my backside in a chair for most of the day.
00:34:18For fun, I run up and down a big hill.
00:34:21Could I read your work sometime?
00:34:25Yeah, when I have something to show you.
00:34:29Did you show Jeannie?
00:34:32Jeannie?
00:34:38I didn't know... I didn't know I told you her name.
00:34:43I saw it on the back of that picture on the dresser.
00:34:47The one with the broken glass?
00:34:50You shouldn't leave stuff like that around, Jarvis. You might cut yourself.
00:34:54I don't think so.
00:34:58I write so I can be read.
00:35:01But with you, it's different. It's personal.
00:35:04Are you flattering me, Jarvis?
00:35:07Try and be clear.
00:35:09If a stranger reads your mail, it doesn't matter.
00:35:12You don't know him from Adam.
00:35:15But with someone you care about, it's different.
00:35:19You don't know him from Adam.
00:35:22You don't know him from Jeannie.
00:35:25It's different. You...
00:35:28You don't have anything to hide behind.
00:35:31Who says you have to hide?
00:35:33Who says you have to find me?
00:35:35Nobody, Jarvis. Nobody but you.
00:35:39Jeannie...
00:35:44She used to like to pressure me.
00:35:48I don't like to be manipulated.
00:35:51Manipulated?
00:35:53Jarvis, you said it yourself.
00:35:56The challenge isn't to cut yourself off from something because it doesn't feel good.
00:36:02It's to touch everything.
00:36:06Even if it means holding on to the worst kind of pain.
00:36:23Hello?
00:36:25Hi.
00:36:27Danny, hi.
00:36:29Uh, could you hold on for a second?
00:36:31Uh, the kettle's boiling.
00:36:37Oh, I'm sorry.
00:36:39I'm sorry.
00:36:41I'm sorry.
00:36:43I'm sorry.
00:36:45I'm sorry.
00:36:47I'm sorry.
00:36:49I'm sorry.
00:36:52Yeah, uh...
00:36:54Hi, I'm back.
00:36:56How was your day?
00:36:58I got a commercial.
00:37:00A commercial?
00:37:02That's fantastic.
00:37:04I'm selling mineral water in a leather one-piece bathing suit.
00:37:08Serious stuff, rich in conflict.
00:37:10How about you?
00:37:12I'm on my way out to buy a case of mineral water.
00:37:15I'm a couple of scenes away from finishing the first draft.
00:37:19Feels pretty good.
00:37:21Jarvis, that's wonderful.
00:37:23I'm really glad for you.
00:37:25Yeah, I'm, uh...
00:37:27I'm glad we're both really glad.
00:37:31So, uh, what are you up to?
00:37:34Well, a good friend of mine just flew into town.
00:37:37He's been in New York for a while, and we're gonna go out dancing.
00:37:41That sounds like fun.
00:37:43Maybe we could all hook up later on.
00:37:46Yeah, if we can.
00:37:48Anyway, I just called to say hello.
00:37:50Five times tomorrow I'll stop by after rehearsal.
00:37:53I gotta go.
00:37:55Danny, I, uh...
00:37:57What, Jarvis?
00:37:59I miss you.
00:38:01Well, you don't have to.
00:38:04Good night, darling.
00:38:19Show me what you do, Jarvis.
00:38:23Let me in that cool, cool surface.
00:38:48♪♪♪
00:38:58♪♪♪
00:39:08♪♪♪
00:39:18I didn't want to interrupt you.
00:39:20Yeah, I know. You brought the rope.
00:39:25How's the play coming?
00:39:27Okay.
00:39:29My stomach's a little jumpy.
00:39:31We open tonight.
00:39:32Yeah, I know. I'll be there.
00:39:34You're going?
00:39:35Yeah.
00:39:37I've got to see how this violent little obsession ends.
00:39:42Well, I should get going.
00:39:46I've got a lot to do before I go to the theater.
00:39:49I just, uh, wanted to smell you.
00:39:53Danny...
00:39:57Before you go,
00:39:59there's a couple things I'm having trouble with here in the book,
00:40:02and I was wondering if you'd take a look.
00:40:15There's another ten pages to come,
00:40:17but it's pretty much finished.
00:40:19I'd like to change the part where...
00:40:21It's about us.
00:40:23Kind of.
00:40:25You've been writing about what's going on next door.
00:40:30It just sort of came to me one night.
00:40:32There's some neat twists.
00:40:34Lust and violence.
00:40:36I wanted to write something with commercial appeal.
00:40:41A Hollywood writer is drawn to physical violence
00:40:46in a neighboring cottage,
00:40:48only he doesn't realize it's just two actors rehearsing for a play
00:40:54till he barges in and screws it up.
00:40:57Only he's already fallen madly in love with the woman.
00:41:01But who is she, really?
00:41:04And what does she want from him?
00:41:07I adjusted character and plot points to improve dramatic value.
00:41:12It's dangerous stuff, Jarvis.
00:41:14I hope so.
00:41:17You're a wonderful writer.
00:41:19We'll see.
00:41:21I've seen. It's here.
00:41:23There's just one thing I want to know.
00:41:26What's that?
00:41:27The last ten pages.
00:41:29How does it end?
00:41:31I can't tell you.
00:41:33Why not?
00:41:35I haven't worked it all out yet.
00:41:37I don't believe you.
00:41:42You're in my weak spot.
00:41:44Oh, gosh, it's a big one.
00:41:47Yeah, well, it's got a mind of its own.
00:41:50So?
00:41:52So what?
00:41:54What happens to us?
00:41:58You really want to know?
00:42:01I won't be able to sleep at night.
00:42:09I'd kill you.
00:42:11Sounds like fun.
00:42:13I'd screw someone.
00:42:15Do you fuck me to death?
00:42:18What are you thinking about?
00:42:25You're home.
00:42:27I'm fine, yeah. Thanks for asking.
00:42:33Were you watching?
00:42:36Yeah, I was watching.
00:42:39Congratulations.
00:42:43You're welcome.
00:42:45You're welcome.
00:42:47You're welcome.
00:42:49You're welcome.
00:42:51Thanks for watching.
00:42:53Congratulations.
00:42:56I wish you could have been there.
00:42:59Oh, that would have been good.
00:43:02Me, cheek to cheek with the minimum wage.
00:43:12Anyway...
00:43:14Your, uh...
00:43:16Your escort looked fine.
00:43:19My escort?
00:43:21He was my director.
00:43:24So what happened to his prize?
00:43:26What are you talking about?
00:43:28Come on, baby, I'm talking about what you do best.
00:43:33Please don't do this.
00:43:35Do what? Huh? Do what?
00:43:38Look, I don't even know where to start with you anymore.
00:43:44I can't keep up, Amanda. I can't keep up.
00:43:50I feel like I'm...
00:43:52I feel like I'm losing you,
00:43:54and I don't want to lose you.
00:43:58There's only one thing between us,
00:44:01and that's when the lights are off
00:44:03and we can't see each other's faces,
00:44:05and even that doesn't matter.
00:44:07I'm inside you,
00:44:09and our bodies are like current running through wire,
00:44:12and all we do is feel.
00:44:15What do you want me to do, Eric?
00:44:20To feel.
00:44:22I want you to feel.
00:44:31I want you, Amanda.
00:44:34I never wanted anybody else but you.
00:44:37Eric.
00:44:39I love you, Amanda.
00:44:44I love you.
00:45:08So what happens to us?
00:45:14applause
00:45:44saxophone solo
00:46:15applause
00:46:25You mean I'm gonna be published?
00:46:27That and then some.
00:46:29We showed the galleys to Metro.
00:46:31They want to make a film, Jarv.
00:46:33You're gonna be in movies.
00:46:35Yes!
00:46:39From our point of view,
00:46:41the only thing we're concerned about
00:46:43is Jarvis's involvement
00:46:45once things get rolling.
00:46:47As far as the rewrite is concerned,
00:46:49as far as his involvement when he's on the set,
00:46:52uh, you find that funny?
00:47:13saxophone solo
00:47:31Sorry I'm late.
00:47:33I have some good news.
00:47:35Well, you go ahead.
00:47:37You're on a hot streak.
00:47:39An old college buddy of mine, the Beast,
00:47:41he owns a cabin up in northern New Mexico,
00:47:43the Sangre de Cristos.
00:47:45He's not gonna be using it for a while,
00:47:47so I could get it.
00:47:49I thought we could just hang out for the next month
00:47:51and do some camping
00:47:53and watch the Aspens turn to gold.
00:47:55It's magical, Danny.
00:47:57So what do you think?
00:47:59I would love to.
00:48:01Okay.
00:48:03Your play ends next Saturday night,
00:48:05so I figured we could leave a day or two after.
00:48:07I know I should have asked you first,
00:48:10but I don't know.
00:48:12Something just snapped, and, uh,
00:48:14I-I went ahead and I made the call.
00:48:16Jarvis, I really do want to go away with you.
00:48:20But?
00:48:22But I have some good news, too.
00:48:25So our good news
00:48:27is just gonna have to compromise for a while, okay?
00:48:32Okay.
00:48:34I got a call back,
00:48:36a really big call back.
00:48:39Oh, that's-that's terrific.
00:48:41And this is not off-off Melrose.
00:48:43It's not for mineral water.
00:48:46Oh, I have a good feeling about this.
00:48:49What is it?
00:48:51A film.
00:48:53Oh, yeah. Do I know it?
00:48:56You better.
00:48:58It's yours.
00:49:04Jarvis?
00:49:09Jarvis, are you okay?
00:49:13How?
00:49:15How what?
00:49:17How did you get it?
00:49:19Well, it turns out that my agent
00:49:21is a friend of your agent, Chaz Stone,
00:49:23and so I had a meeting set up.
00:49:26You what?
00:49:28Well, I met with Chaz Stone,
00:49:31and we talked about your script,
00:49:33and he liked my ideas,
00:49:35and he set me up with the casting director.
00:49:37I-I mean, this wasn't easy.
00:49:39You have written one hot movie.
00:49:42But I got in, and I got the call back.
00:49:45I have what it takes to play this role.
00:49:48I know what it takes to live it.
00:49:56It's for the meal.
00:49:58John, what...
00:50:00What are you...
00:50:02Jarvis.
00:50:04Jarvis.
00:50:06Get your hands off me.
00:50:08What the hell are you doing, Danni?
00:50:10You think my work is some kind of game?
00:50:12Game?
00:50:14I don't understand. Why are you acting like this?
00:50:16I thought you'd be happy for me.
00:50:18This is just a break I need. I could be in your movie.
00:50:20That's the problem. You never should have seen the book in the first place.
00:50:22You never should have read it, but you did.
00:50:24You couldn't leave the goddamn thing alone, could you, huh?
00:50:26It is just like Jeanne. It is just...
00:50:29Jeanne.
00:50:31I told you once.
00:50:33I don't like to be manipulated.
00:50:36I know. I was there.
00:50:39Look, Jarvis.
00:50:42I met your agent.
00:50:44He knows my agent.
00:50:46That's how the meeting got set up. That's how this business works.
00:50:48That's how you get your foot in the door.
00:50:50Well, congratulations, because you got it there.
00:50:53You know, I...
00:50:55I trusted you with a piece of me.
00:50:58A piece of me!
00:51:01I shared that, and that is all I'm sharing with you!
00:51:05Go bend over somebody else's desk.
00:51:32Fuck!
00:51:42Jarvis? Jarvis, are you home?
00:51:45If you're home, then pick up the phone. I really need to talk to you.
00:51:50Shit.
00:52:02Jarvis!
00:52:05Jarvis?
00:52:08Jarvis, are you gonna stop for me or not?
00:52:25Are you gonna talk to me, Jarvis, or just stew?
00:52:28Stew.
00:52:30Stew.
00:52:37Do you want me to spend the night here?
00:52:45Better?
00:52:49What do you think?
00:53:00I'd like to take care of something else, too.
00:53:30Come here.
00:53:52I'm gonna go take a shower.
00:54:01Shh.
00:54:03Shh.
00:54:31Shh.
00:54:52Talk to me.
00:54:54Well, we're split. Rudy likes the second, but I like the first.
00:54:58How about you, Michael?
00:55:00I just went over it with Terrence, and I think safety goes to number two.
00:55:03She's sexy and she wants it, and she'll draw at the box office.
00:55:06And there are other considerations as well.
00:55:08I'm gonna go along with whatever Terrence decides.
00:55:11You already know what I think. There's no comparison.
00:55:14She hit every beat. She takes direction.
00:55:17She's got a body like a ball of lightning.
00:55:20Bring her in, M.K.
00:55:29Gentlemen, I would like to officially introduce
00:55:33the Cool Services female lead...
00:55:36Danielle...
00:55:38Payson.
00:55:59Hi, Danny's not in right now, so please leave a message.
00:56:03It's me. It's closing night.
00:56:06I thought we were having dinner before the show.
00:56:08So where the fuck are you?
00:56:28CHEERING AND APPLAUSE
00:56:58MUSIC CONTINUES
00:57:29BIRDS CHIRP
00:57:36ELECTRONIC MUSIC PLAYS
00:57:53MUSIC CONTINUES
00:57:58ELECTRONIC MUSIC CONTINUES
00:58:12What's my motivation again?
00:58:18You've already got the part.
00:58:20Now you just want him inside you.
00:58:23You want to own him.
00:58:25Right.
00:58:29SIGHS
00:58:37God damn it. I forgot the next line.
00:58:41I'd like to take care of something else, too.
00:58:45Right. OK.
00:58:49Now go ahead. Suck him off.
00:58:59SCREAMS
00:59:14Jarvis, you're early.
00:59:17Jesus, what happened to you?
00:59:19Some bitch ran me into a tree.
00:59:21Look, if you're like the type...
00:59:24Do you got a number?
00:59:26I'll never forget it.
00:59:28LAUGHS
00:59:30It's my right to come on some hell of a meet.
00:59:40Jarvis, I'd like to introduce you to Daniel Pace.
00:59:43She's our lead.
00:59:47Hello, Danny.
00:59:49We've already had the pleasure.
00:59:53We met at the theatre.
00:59:56You've already seen the play?
00:59:58Excellent.
01:00:00Your material was made for her.
01:00:03She does great work.
01:00:05Exceptional.
01:00:07I'm going to make her a star.
01:00:09You and the written word, of course.
01:00:12Here's a terrific piece, Jarvis. Trust me.
01:00:15Just a couple of slight revisions,
01:00:17and I'm going to make you noble. Come to life.
01:00:20Terry? Yeah.
01:00:22Put Saulis on the line.
01:00:25Why don't you two get to know each other a little better?
01:00:28I'll be right back.
01:00:35Aye, aye, aye.
01:00:38I'm sorry about last night, Jarvis.
01:00:41I read for the part, and then I got it,
01:00:44and then I still had the play to do,
01:00:46and Terrence asked me out to dinner,
01:00:48and it's all happening so fast, my head's spinning.
01:00:51Jarvis, I got the part.
01:00:55Congratulations, Danny.
01:00:58I don't even know what to say.
01:01:01How was dinner? Nice?
01:01:05Very.
01:01:07Very expensive.
01:01:09Tried to call you from the restaurant, but...
01:01:11Yeah, I got your message.
01:01:14I, uh...
01:01:16I had to run out for a while.
01:01:19I, uh...
01:01:21I had to run out for a while.
01:01:25So what'd you do later?
01:01:27We drove around, we talked for a while.
01:01:31I was a good girl, darling.
01:01:33I was in bed by midnight.
01:01:41No shit.
01:01:46Tell me something, Danny.
01:01:48How does it feel to be like you?
01:01:51What do you mean?
01:01:52I mean, you can fuck anybody you want.
01:01:55Just don't stand there and lie to me.
01:01:59What are you talking about?
01:02:01I followed you last night.
01:02:03I saw you go to his house.
01:02:05I saw you go in his house.
01:02:07A good girl? Good to who? Good for what?
01:02:10Or should I ask Terrence?
01:02:12Mr. Ragey?
01:02:19He followed me?
01:02:21Call it fate.
01:02:23Do you think I slept with him?
01:02:25I don't know. You tell me what you think I think.
01:02:28Do you think I slept with him?
01:02:30I don't know. Why don't you help me do the math?
01:02:34You get the role. My role.
01:02:37I don't hear shit.
01:02:38You get a dozen roses from the goddamn director.
01:02:40You have a champagne dinner, followed by a tour of the grounds.
01:02:44No, I think you read responsibly from his fucking autobiography.
01:02:55You have a very dangerous imagination, Jarvis.
01:03:00Are you aware of that?
01:03:03You don't know the half of it.
01:03:06Guess if I told you Terrence was a married man...
01:03:09It doesn't mean shit.
01:03:11Grow up, Danny. This is Hollywood.
01:03:14You're right.
01:03:16This is Hollywood.
01:03:18So let's just have it your way, the way you'd write it.
01:03:22I've fucked his brains out.
01:03:25After my responsive reading,
01:03:28his cock was so tremendous
01:03:32and sweet and huge...
01:03:36That was nice.
01:03:38How about another?
01:03:48Jeanie liked that, too.
01:03:52How does it feel, lover?
01:04:00I don't know.
01:04:03Michael? Yes, Terry?
01:04:05Kelsey, we're all set. Have a messenger over the passengers.
01:04:09Good news. We're all going to premiere tonight.
01:04:13Can you look stunning by seven?
01:04:16What do you think?
01:04:20You got a tux?
01:04:23What do you think?
01:04:25You can borrow one from wardrobe.
01:04:28What do you think?
01:04:30You can borrow one from wardrobe.
01:04:33We'll have a limo pick you up at your place.
01:04:37Christ.
01:04:39What a great fucking town.
01:04:49How do I look?
01:04:52Like a young lion.
01:04:58Can you get that, pumpkin?
01:05:28Hi, how are you?
01:05:58I don't think we can do this.
01:06:17It's just not exactly...
01:06:20I'm going to go talk to Jarvis for a minute.
01:06:23I'll be right back.
01:06:29Can I talk with you a minute?
01:06:32Sorry, I'm incognito.
01:06:35Hey, another. Pronto, pronto, man.
01:06:42Jarvis, I really think we should...
01:06:45We should what, Danny fuck?
01:06:48Go rollerblading?
01:06:50You tell me. I'm shit out of new material.
01:06:53What do you want me to say to you? Tell me.
01:06:56Do you want me to officially apologize to you?
01:06:59I'm sorry if I hurt you, Jarvis.
01:07:02I'm sorry.
01:07:04You're sorry?
01:07:06You're sorry about what, Danny?
01:07:08Did you hurt me, Danny, or did I just want you to?
01:07:15Jarvis, I'm an actress, remember?
01:07:17The actress from next door.
01:07:19I wanted that role like you wanted your novel.
01:07:23That's why we are where we are. That's who we are.
01:07:29Now we can start all over.
01:07:34Good. You're honest.
01:07:37So let's start. Who you with tonight? Me or him?
01:07:41Pick your limo.
01:07:43If you know what you're doing, you'll loosen the noose a little.
01:07:47You try to not. You loosen it.
01:07:50It's just a slipknot, right?
01:07:53Hey, you two.
01:08:00I love you, Jarvis.
01:08:03Don't make this harder than it should be.
01:08:06Grow up. This is Hollywood.
01:08:21Good evening.
01:08:26What about Jarvis? Did you see him leave?
01:08:29He said good night about an hour ago.
01:08:32And he just slipped off.
01:08:35He's a very tense boy, isn't he?
01:08:39Wait.
01:08:54Stay.
01:09:09Thanks for inviting me.
01:09:12Yeah, well, I'm really glad that you came.
01:09:19It's really pretty out here.
01:09:29Do you want to go inside?
01:09:35Yeah.
01:09:38Let's go.
01:10:09Come on.
01:10:11Come on.
01:10:35Terrence, I want...
01:10:37Jarvis.
01:10:42What's going to happen to Annie?
01:10:45I want to know.
01:10:54I want to watch them play.
01:10:57Are you keeping warm in there?
01:11:04Come see for yourself.
01:11:11Come on.
01:11:25My God.
01:11:27Do you have any idea what you're doing to me?
01:11:31Terrence, I really need to know what we're doing here.
01:11:35Are we making a film?
01:11:37Or are we having an affair?
01:11:41If you're lucky, they're not one and the same.
01:11:46I'm seeing someone.
01:11:50I'm in love with him.
01:12:10I'm married, Danny.
01:12:15I've been married for over ten years.
01:12:19She loves me.
01:12:21I love her.
01:12:23But at times we...
01:12:27We seek our fulfilments independently.
01:12:41Where are we going?
01:12:43To the balustrade.
01:12:46I want you under the stars.
01:12:49And if someone's watching?
01:12:51Oh, you'd like that.
01:12:54We'd both like that.
01:12:59I'm sorry.
01:13:01I'm sorry.
01:13:03I'm sorry.
01:13:05I'm sorry.
01:13:07I'm sorry.
01:13:09Put your hands on the wheel.
01:13:29Leave the heels up.
01:13:33Take off your dress.
01:13:38Rip it off.
01:14:02Come on.
01:14:12It's fine.
01:14:25He'll live.
01:14:27He'll have to.
01:14:30Police, please.
01:14:34You're never gonna leave me.
01:14:37You know why?
01:14:39Because you like this.
01:14:42Tell me what you want me to do, Jarvis.
01:14:46How far do we go?
01:14:49Shut up.
01:14:52Turn around.
01:14:54Put your hands on the railing.
01:14:57You can have me whenever you want, Jarvis.
01:15:00That's not the question.
01:15:02I said shut up.
01:15:07I knew what you were like the first time I met you.
01:15:10You just needed someone to open the cage.
01:15:20Who was that?
01:15:22I don't know.
01:15:24Hey, Valentine Danko, you guys take the front door.
01:15:27Easy, okay?
01:15:28Rolf, you take the back.
01:15:30Let's go.
01:15:35This is the police!
01:15:38Come out of the house with your hands above your head!
01:15:42Help! Help! He's inside the house!
01:15:45He's inside the house!
01:15:48Please stay there!
01:15:51Please stay there!
01:16:21Police!
01:16:46Back.
01:16:52I said back.
01:17:02Hey, come here.
01:17:15Turn around! We can't see your ass!
01:17:18We can't see your ass!
01:17:21Come on, Mikey!
01:17:30Come on, come on, come on!
01:17:37The postman pretended to be quiet!
01:17:49There he is.
01:17:51That's a hell of a shot.
01:17:53Thank you very much.
01:17:55It helps when a left fielder can walk.
01:17:58Come on, you put Willie Mays out there, it wouldn't have mattered.
01:18:02If the old knee hadn't gone, Jarvis, I could have been a contender.
01:18:06Did you hear the latest on our boy Terrence?
01:18:09No.
01:18:11How's he doing?
01:18:13Not good.
01:18:15How's he doing?
01:18:17Not good.
01:18:19Shoulders definitely fractured, his neck hurts like hell.
01:18:22He's going to be out for a couple of weeks,
01:18:24so they have to push the picture back.
01:18:27They still haven't found the guy who did it.
01:18:30Terrence's date, Danny Payson?
01:18:33She says the guy was wearing a mask.
01:18:36She didn't get a good look at him.
01:18:39She's an actress.
01:18:41What the hell does she know, anyway?
01:18:45I tell you, Jarvis, it is a sick world out there.
01:18:51Can you tell me what goes through these people's minds?
01:19:06So what time is your flight?
01:19:098 tonight.
01:19:13I'm a little worried about you, pal.
01:19:16I don't want any more of this five-month crap.
01:19:19You and me are on a roll.
01:19:22You need to come back and see me soon.
01:19:25Just be a couple of weeks, Jazz.
01:19:28I got this idea, you know.
01:19:30It's a mystery, a murder mystery.
01:19:33I'll do the research. I'll see if I can make it fly.
01:19:37Just remember, buddy, keep the art on the easel.
01:19:42You got some great stuff balled up inside you there, Jarvis.
01:19:46Once in a while, I guess we just need to let you out of that cage.
01:20:11I don't know. I don't know.
01:20:31How about a lift?
01:20:35I thought we were meeting at the gate.
01:20:38I was driving by, and I saw you blow in.
01:20:47Always there for me, aren't you?
01:20:49It's my most enduring trait.
01:20:53What's this?
01:20:55I'm only gonna go away for a couple days.
01:20:58Look who's talking.
01:21:00So what's in your truck?
01:21:02It's my new computer.
01:21:05Thought I'd take it for a test drive.
01:21:08Fly.
01:21:10Well, if you want efficiency, you should give me a little more notice.
01:21:14I didn't even have time to call my agent.
01:21:35Danny?
01:21:51Danny, could you, um...
01:21:53Could you...
01:21:55I think I left my wallet underneath the front seat.
01:22:06I don't see anything.
01:22:14Jarvis?
01:22:36You're gonna love New Mexico.
01:22:59Departing passengers and their families.
01:23:03Departing passengers Nancy Moran and Russell Edwards,
01:23:06please report to the courtesy handset.
01:23:17Paging passenger Amy Stone,
01:23:19please pick up the white courtesy phone.
01:23:26That will be an extra weight surcharge of $20.
01:23:31Yes. Of course.
01:23:35Enjoy your trip, Mr. Peterson, and thank you for flying SkyWest.
01:23:57My fine furry friend.
01:24:01Bob, uh...
01:24:03What are you doing here?
01:24:05Trying to help you out, Jarvis.
01:24:09Looks like you're gonna need it.
01:24:13The keys to the cabin, amigo.
01:24:26You're getting sloppy.
01:24:29Oh.
01:24:36SkyWest flight 632, service to Albuquerque,
01:24:39now boarding at gate 11.
01:24:46Please remain seated while the fasten seatbelt sign is on.
01:24:50Excuse me. Is this seat taken?
01:24:52It's all right. I was just changing seats.
01:24:58I couldn't take it back there. I smelled like a zoo.
01:25:06And you don't like animals.
01:25:09Some.
01:25:11Some animals.
01:25:13Being on all fours can have its advantages.
01:25:20You're in the business.
01:25:23Kind of.
01:25:25I'm a writer.
01:25:28Well, I'm an actor.
01:25:31Pleasure to meet you.
01:25:36Pleasure's mine.
01:25:57whoo-whoo
01:26:01whoo-whoo
01:26:05whoo-whoo
01:26:27whoo-whoo
01:26:31whoo-whoo
01:26:36whoo-whoo
01:26:57whoo-whoo
01:27:00whoo-whoo
01:27:03whoo-whoo
01:27:06whoo-whoo
01:27:09whoo-whoo
01:27:12whoo-whoo
01:27:15whoo-whoo
01:27:18whoo-whoo
01:27:21whoo-whoo
01:27:24whoo-whoo
01:27:29whoo-whoo
01:27:49whoo-whoo
01:27:52Ooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooo