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Hot Drama Movies
  • 3 days ago
#Drama #Film #Show #Anime #Movie #cdrama #Movies #BILLIONAIRE #shortdrama #dramashort #shortfilmdrama #minidrama #shortstorydrama #webdrama #indiedrama #shortfilmseries #shortdramaseries #dramashorts #englishmovie #cdrama #drama #chinesedramaengsub #movieshortfull

#Hot_Drama_Movies
Transcript
00:00:00I would say each of them had their own motives for doing it.
00:00:04I didn't put them under a spell or slip GHB into their Red Bull.
00:00:09I'll put your shoulders back.
00:00:11In fact, a lot of them came to me after they saw the shots I did.
00:00:16That's great right there.
00:00:19So they were so blown away by your photography that they came to you
00:00:23and they begged you to photograph them in the buff and then post their pictures on the net.
00:00:29It's not a porn thing like you're making it out to be.
00:00:36Did you have sex with these girls?
00:00:38There were rules.
00:00:41Rules? Really?
00:00:45I would never shoot the same girl twice.
00:00:47I would never post anything that would reveal their faces.
00:00:50These are simple rules that I came up with so I wouldn't end up in a situation like this.
00:00:59The most important rule was no sex, just pictures.
00:01:03We found ten girls on the site. Does that sound about right?
00:01:09Honey Delight, Ruby Satin, Sherry Licious.
00:01:15Where'd you get these names?
00:01:17Lipsticks.
00:01:20Their favorite shade?
00:01:23So, since we can't see their faces, why don't you just tell us who they really are?
00:01:27It was agreed that their names weren't going to remain out of this.
00:01:30How many of them were underage again?
00:01:32None of them are underage. I've said that a number of times. They're all my year.
00:01:35Can you prove that?
00:01:37Stop, stop, stop.
00:01:39Now, are you going to charge them with a crime or not?
00:01:41I'm still trying to work that out.
00:01:43What is there to work out? No one has leveled a charge against Jordan.
00:01:46And no one's even come forward to admit that they're on the site.
00:01:48So the only thing that you're going to accomplish by letting this out of closed doors
00:01:52is to tarnish Xavier's reputation.
00:01:54And not to mention your family's good name.
00:01:57Well, I'm sure the press will love it, but it's not in the best interest of Xavier.
00:02:01Dean Mullen, it's your call. If you want me to pursue this, I will.
00:02:05I don't think that'll be necessary, Detective.
00:02:10Jordan, I think I speak for both your parents and myself
00:02:14when I say that you have placed us in an extremely precarious position.
00:02:20Your father has rendered invaluable counsel service to this school over the years,
00:02:24not to mention our personal friendship.
00:02:27And even so, after speaking to the headmaster and the trustees,
00:02:32the only solution we can come up with is expulsion.
00:02:36Deep down, I didn't care that the pictures got me kicked out.
00:02:42Or that they landed me here, Edgerton High.
00:02:46Three miles from Xavier, but it felt more like a million.
00:02:51My name is Jordan Wells.
00:02:53A marketer's report on me has been published in the New York Times.
00:02:57And I'm not the only one.
00:02:59I'm the only one who's ever been in a situation like this.
00:03:02I'm Jordan Wells.
00:03:04A marketer's report on me would read something like this.
00:03:07Rich, privileged, future doctor, future lawyer, future somebody.
00:03:14It would be accurate, but incomplete.
00:03:18It probably wouldn't include confused, indecisive, lax confidence.
00:03:26Kids like me, our lives don't happen by accident.
00:03:30They're scripted very tightly.
00:03:33At Edgerton, I thought I could loosen things up a bit.
00:03:42The record will show that I started my new school on September 23rd.
00:03:47I enrolled in some AP classes.
00:03:51Joined the photo club.
00:03:55Figured I'd just fly under the radar for a while.
00:03:59Write my own story.
00:04:02Jordan, Jordan.
00:04:04Of course, my dad had a few ideas of his own.
00:04:07Mm-hmm.
00:04:09Look at this.
00:04:11Yeah, all right, well, keep me posted because I want to close by next week.
00:04:15All right, bye-bye.
00:04:19What do you think?
00:04:21It's an art school for troubled kids.
00:04:23Mm-hmm. Whose funding is on the chopping block.
00:04:26I'm considering chairing their foundation.
00:04:29I was thinking you and I could co-chair.
00:04:32I don't really know anything about chairing a foundation, Dad.
00:04:35Well, so what?
00:04:37Jordan, getting decent grades in chem lab and world studies
00:04:42might move your resume to the top of the stack
00:04:44if you're looking to make a career steaming milk at some coffee bar.
00:04:47But if you aspire to greater heights, Jordan,
00:04:50then you've got to distinguish yourself from the pack.
00:04:53Fine.
00:04:55Fine.
00:04:57Your friend Desiree chaired the chocolate ball at the club last winter.
00:05:00Why don't you give her a call?
00:05:02Maybe she could help us.
00:05:09I'll think about it.
00:05:11I want to make sure it's worth my time.
00:05:14How could it not be?
00:05:16We're talking about saving an art school for city kids.
00:05:18I mean, come on.
00:05:20It's not the kids.
00:05:22If I'm going to be putting in the hours,
00:05:24I want to make sure you're really in with this.
00:05:26I'm a busy girl.
00:05:28Are you still at your dad's office?
00:05:30Yeah, a new visions justice professional.
00:05:33Which is what?
00:05:35A glorified name for someone who delivers coffee to the assistant DAs?
00:05:38Lunches too.
00:05:40Yeah, and I pick up their laundry.
00:05:42You know, there's a lot of aspects to fighting crime.
00:05:45Which brings us back to you.
00:05:48How did Ben talk you into this?
00:05:50This?
00:05:52Yeah, this. Art project, museum kids.
00:05:54I mean, I bet your little sabotage effort really knocked him on his ass.
00:05:58And don't bother telling me that's not what it was.
00:06:00I know you sometimes even better than you know yourself.
00:06:03Then I bet you know the answer, Des.
00:06:06Jordan, they just want what's best for you.
00:06:08Is that so bad?
00:06:11I guess not.
00:06:30Get that shot, bitch.
00:07:00If you were at the game that night, you would have noticed her too.
00:07:03We all have ways of showing our defiance.
00:07:06But you're not.
00:07:08You're not.
00:07:10You're not.
00:07:12You're not.
00:07:14You're not.
00:07:16You're not.
00:07:18You're not.
00:07:20You're not.
00:07:22You're not.
00:07:24You're not.
00:07:26You're not.
00:07:28You're not.
00:07:30She flashed hers like a roadside attraction,
00:07:34daring you to drive by without taking a look.
00:07:44Of course I wanted to shoot her the moment I saw her.
00:07:54She had everything I look for in a subject.
00:07:57Loneliness.
00:08:02Mystery.
00:08:13You guys look miserable.
00:08:15Okay? Yearbooks for a lifetime with smile.
00:08:19A lot of kids hide who they really are.
00:08:21They become masters at doing it.
00:08:25Behind perfect GPAs.
00:08:30Behind fixed smiles.
00:08:33Designer clothes.
00:08:36The kids they hang out with.
00:08:42Some have been hiding so long, they don't know who they are anymore.
00:08:46Some have been hiding so long, they don't know who they are anymore.
00:08:57That's what I've tried to find with my camera.
00:09:02Who they really are.
00:09:03Who they really are.
00:09:21Any recommendation on a good read?
00:09:28By a woman. About a woman.
00:09:31But required reading for men.
00:09:34Doesn't this end with a suicidal drowning?
00:09:38It's like the ultimate form of sleeping.
00:09:41It's kind of a contrast, wouldn't you say?
00:09:44Edna awakened to the fact that in her society she was nothing more than chattel.
00:09:48And her mentor, Mademoiselle Rice,
00:09:50taught her that the artist must possess a courageous soul which dares and defies.
00:09:54She felt like the only way she could courageously act in such a society
00:09:58was to refuse to live in it, to defy it by death.
00:10:01That's a very fair assessment.
00:10:03But wouldn't you say the ending's kind of weird?
00:10:05You'd do it differently?
00:10:07Sure. I'd fake my own death.
00:10:09Set up shop on some tropical island.
00:10:11You'd run away.
00:10:13I would live to fight another day.
00:10:15And paint many, many more.
00:10:17We're out. Shea, you coming?
00:10:19No, I think I'm going to stay and finish this.
00:10:21Whatever.
00:10:23What's your name?
00:10:25Jordan Wells.
00:10:29Shea Betancourt.
00:10:31What are you doing after school today?
00:10:33Do you have a car?
00:10:50It's right here.
00:10:57Thanks.
00:11:00Thanks?
00:11:02That's all I get?
00:11:04I thought we were going to get to hang out.
00:11:06I'm sorry. I have work.
00:11:08Can't you get someone to cover your shift?
00:11:10My boss doesn't like it when we do that.
00:11:12And where's that?
00:11:14Folk Valley.
00:11:16The Country Club? Oh, my father's a member.
00:11:18I've done your brunches. It's not really my scene.
00:11:20Why? You don't like the food?
00:11:22I don't like the cigar smoke.
00:11:25I guess you haven't been in a while.
00:11:27There's a new no-smoking policy in the main dining room.
00:11:29It's not the smoke that bothers me.
00:11:31Thanks for the ride.
00:11:35Good afternoon, and welcome to MOCA.
00:11:39This is some useful information you guys are going to need
00:11:41tomorrow for the press release.
00:11:43So, you're welcome.
00:11:45There you go.
00:11:47Thank you, dear.
00:11:49Okay, well, let's begin.
00:12:00Desiree Thomas.
00:12:02She fit perfectly in the scripted world.
00:12:05Did everything with a natural grace.
00:12:08Comfortable wherever she was.
00:12:11Effortless.
00:12:15Seems everything I did was calculated
00:12:17to get me somewhere else.
00:12:20Took me twice as much energy for half the result.
00:12:26We dated for a year.
00:12:28We dated a few times,
00:12:30but there was no mystery.
00:12:34A good relationship needs mystery.
00:12:46Yes?
00:12:48Hi, is Shay home?
00:12:50I'm sorry?
00:12:52Shay? We go to Edgerton together.
00:12:54I think you have the wrong house.
00:12:56Is this the Benton Courts?
00:12:58No.
00:13:25I'm sorry.
00:13:44I dropped my lipstick.
00:13:46I noticed.
00:13:50Aren't you going to ask?
00:13:52What? Your real address?
00:13:53Nice fake.
00:13:55You trying to throw me off balance?
00:13:57No, not really.
00:13:59I just didn't want to tell you where I live.
00:14:01Why is that?
00:14:03Because it's not Ambassador Heights.
00:14:05Oh, I'm sorry.
00:14:07So, you think I'm so shallow
00:14:09that I would judge you by where you live?
00:14:11Look, we can talk about my class
00:14:13inferiority complex later.
00:14:15Wouldn't you prefer to discuss
00:14:17my favorite shade?
00:14:23Hey, Astro.
00:14:25I heard all about you
00:14:27and your little lipstick fetish.
00:14:29You want to add me to your collection?
00:14:31Oh, come on.
00:14:33Those other ones were like
00:14:36homework assignments.
00:14:38And I'm like the final exam?
00:14:40Yeah, and that's a good thing
00:14:42because I always ace my finals.
00:14:44So, what exactly do I get
00:14:46if you ace me?
00:14:48Some unbelievable pictures of yourself.
00:14:50Yeah, but those are for you.
00:14:51I guess I'm just cashed out then, huh?
00:14:54Maybe not.
00:15:11She learned the cello
00:15:13taking night classes
00:15:15at Rutherford Music School.
00:15:17Her mom's idea.
00:15:18Thought it would add a little refinement
00:15:20to an otherwise shaky upbringing.
00:15:24She told me her mom
00:15:26died a few years back.
00:15:29Now she lived with her sister
00:15:31who wasn't around very much.
00:15:35How's this?
00:15:37I'll let you shoot a roll
00:15:39of pictures of me
00:15:41if you take some pictures for me first.
00:15:43I'm sorry.
00:15:45I'm kind of slow on the uptake here.
00:15:46Can you...
00:15:48Can you translate that for me?
00:15:50I'm in a bit of a situation.
00:15:52A situation?
00:15:54Relationship.
00:15:56Somebody at school?
00:15:58It's complicated.
00:16:00How so?
00:16:02He's older.
00:16:04Married?
00:16:06No, not married. Not anymore.
00:16:08But let's just say in his position
00:16:10he definitely shouldn't be hooking up with me.
00:16:12And what position is that?
00:16:14That would be the fact
00:16:17So I'm not exactly sure
00:16:19where things are going right now
00:16:21but it seems to be getting out of control.
00:16:23So how's my camera fit in
00:16:25in all this?
00:16:27I'd like you to follow us.
00:16:29Capture a few moments,
00:16:31if you know what I mean.
00:16:33Just in case something happens.
00:16:35My advice, you should call a cop.
00:16:37Look, he made me a promise
00:16:39and I just need to make sure
00:16:41that he keeps it.
00:16:43So I take pictures for you
00:16:44and I'm the person for this.
00:16:46I've got my own problems at the moment.
00:16:48Okay.
00:16:50There's the door.
00:17:00It seemed like a reasonable deal.
00:17:04Pictures for pictures.
00:17:12But the more I shot
00:17:15the more intrigued I was by her.
00:17:21And it made me realize
00:17:23how bored I'd been.
00:17:34Every picture I took
00:17:36peeled away another layer.
00:17:44But every time I peeled one away
00:17:47it seemed like I discovered two more.
00:17:54For the first time in a while
00:17:56I felt excited by a challenge.
00:17:59His name's Wade Chandler.
00:18:01He's a member at Oak Valley
00:18:03and a partner in a law firm downtown.
00:18:07We had a recital last winter at Rutherford
00:18:10for supporting patrons
00:18:12and he was there.
00:18:14He came up to me and said
00:18:16he remembered me from the club
00:18:18and he liked how I played
00:18:20and he promised to help me
00:18:22get into this program at Hartley.
00:18:24A performance scholarship
00:18:26awarded to four students every year.
00:18:28Full ride, all expenses.
00:18:33Do you know what Hartley means?
00:18:35That's one of the best music schools
00:18:37in the country.
00:18:39It means freedom, Jordan.
00:18:41Not being trapped,
00:18:42not being limited
00:18:44in the vaseline
00:18:46into any philharmonic in the world.
00:18:49And he's just gonna
00:18:51set you up?
00:18:53He has some friends
00:18:55on the advisory committee.
00:18:57Huh.
00:18:59So this beautiful young cellist
00:19:01who
00:19:03basically lives on her own
00:19:05takes this young artist
00:19:07under his wing.
00:19:09It wasn't like that.
00:19:10He developed into more.
00:19:12And how many other musicians
00:19:14is he helping?
00:19:16Any overweight tuba players
00:19:18with clubbed feet
00:19:20and bad cases of acne?
00:19:22You don't do gel as well.
00:19:24Has anyone ever told you that?
00:19:26Really? It feels very natural.
00:19:28Well, I'm glad you think
00:19:30you know everything.
00:19:32You have it all figured out.
00:19:34Sorry, you're the one
00:19:36who's having me take the pictures.
00:19:38Clearly you're having doubts.
00:19:40No.
00:19:47Good.
00:19:49Okay.
00:19:51So your place after school?
00:19:53Better make it yours.
00:19:55It's been said,
00:19:57a good photographer
00:19:59captures the subject.
00:20:01But a good subject
00:20:03captures the photographer.
00:20:05She had me.
00:20:07There was no doubt about it.
00:20:10She wasn't like the Xavier girls.
00:20:14But that's what drew me to her.
00:20:25Sit down.
00:20:40Sit down.
00:21:07Play.
00:21:08Fuck.
00:21:29Look at me.
00:21:38Her face spoke volumes.
00:21:42I became addicted to it.
00:21:51Her haunted eyes
00:21:53challenged me.
00:22:01It's a strange thing that happens
00:22:03when an artist and a subject click.
00:22:08A synergy is created.
00:22:14Each senses that they're playing a role
00:22:16in something that's very powerful.
00:22:30But it's unspoken.
00:22:35Say that out loud
00:22:36and you might kill it.
00:22:57Hey.
00:22:59You want to shoot some more?
00:23:01Absolutely.
00:23:03Meet me at my place after school.
00:23:04Okay.
00:23:12Like this?
00:23:22I could take your picture every day.
00:23:29Perfect.
00:23:31How do I like that?
00:23:32How about this right here?
00:23:36Yeah, that's it.
00:23:45You got to change roles?
00:23:47No, I've got one more shot.
00:23:50Cute.
00:23:52What's it gonna be?
00:24:03You're on the phone.
00:24:05No.
00:24:16What is this shit?
00:24:19T?
00:24:21Why aren't you answering yourself?
00:24:23T, this is Jordan from school.
00:24:25Jordan, this is my sister Tara.
00:24:27You should answer your goddamn cell.
00:24:29I've been calling you since yesterday.
00:24:30I haven't gotten any phone calls from you.
00:24:32Are you sure you're dialing the right number, honey?
00:24:34What the fuck are you trying to say?
00:24:37You should go now.
00:24:39Are you gonna be okay?
00:24:41Shay, where the fuck is it?
00:24:43Where's what, Tara?
00:24:45You fucking know what.
00:24:48Tara, you have to be more specific.
00:24:50You want to...
00:24:52Picasso once said that every child is an artist.
00:24:54But that the secret is to remain one once you grow up.
00:24:57The Museum of Kids Art,
00:24:59the reason why you're all here today,
00:25:01helps artistically inclined children do just that.
00:25:04But MOCA's good intentions
00:25:07will remain intentions.
00:25:11Without commitment, without action,
00:25:13without a few checkbooks behind them.
00:25:18We started this foundation to let MOCA know
00:25:21that they do not stand alone in their efforts.
00:25:24That there are a number of other people
00:25:25that will support them.
00:25:35And he told me that if you get me $10 million,
00:25:38I can retire.
00:25:40And I never heard from him again.
00:25:42Jordan!
00:25:44Someone I want you to meet.
00:25:46Jordan, this is Wade Chandling.
00:25:48How are you?
00:25:50Mr. Chandling is a bankruptcy lawyer.
00:25:52He's got a firm downtown.
00:25:54You're cleaning up that High Falls mess.
00:25:57Yeah, if I can get the federal auditors off my ass.
00:25:59Yeah, well, after what happened at Alma,
00:26:01those guys are going to peel back
00:26:03every state-funded urban renewal project.
00:26:05Yeah, it's a dead end.
00:26:07They're never going to find anything on my guy.
00:26:09I liked your speech.
00:26:13Listen, if you ever need anything for your foundation,
00:26:15just give me a call.
00:26:17I will.
00:26:20Jesus, Jordan, what are you doing?
00:26:21I'm abducting you.
00:26:23If you scream, I'll be forced to cover your mouth.
00:26:25No, Jordan, I didn't know he was going to be here.
00:26:27What if he catches us?
00:26:29Let him.
00:26:31What did you guys talk about?
00:26:33Some pictures that I was going to show him.
00:26:35Right, yeah, funny.
00:26:37I got to go.
00:26:39Hey.
00:26:40I got to go.
00:26:41Kiss me.
00:26:42I got to go.
00:26:43Shut it.
00:26:45Shut it.
00:26:51I got to go.
00:27:19Alright, look right at me.
00:27:22Perfect.
00:27:24Perfect.
00:27:26I'll make a mistake.
00:27:28Forgive me now.
00:27:30I've got something to say.
00:27:32Do you see that monkey?
00:27:34Yeah.
00:27:36Dance with me.
00:27:38Take my hand.
00:27:40I've become a person I don't understand.
00:27:43But with you, I can finally find a place to land.
00:27:46If you dance with me.
00:27:49Magenta madness.
00:27:51No.
00:27:52No.
00:27:55Cotton candy?
00:27:57No.
00:28:02Crimson red.
00:28:04No.
00:28:07You're not going to tell me?
00:28:10Not until you tell me something first.
00:28:13Okay, what?
00:28:15I don't know, anything.
00:28:18Something no one else in the world knows except you.
00:28:22You scare me.
00:28:24I already knew that.
00:28:25I said tell me something that no one else knows.
00:28:27You scare me and I like it.
00:28:31You're such a charmer.
00:28:33Oh yeah?
00:28:52You're such a charmer.
00:29:23Her favorite shade was cherry crush.
00:29:27It fit so perfectly that I didn't know whether to believe her or not.
00:29:36One thing I did know.
00:29:39There was something different about her.
00:29:46She felt like something I needed.
00:29:49More than I wanted.
00:29:52More than I needed.
00:30:01That maybe I was crossing some line without realizing it.
00:30:04You know, that uniform would look great on the deck next to my hot tub.
00:30:10Jordan Wells.
00:30:13Mr. Shannon.
00:30:15Call me Wade.
00:30:16What are you drinking?
00:30:19I don't know.
00:30:21I don't drink.
00:30:23I don't drink.
00:30:25I don't drink.
00:30:27I don't drink.
00:30:29I don't drink.
00:30:31I don't drink.
00:30:33Coke.
00:30:34Oh boy.
00:30:35Drinking this man a Coke, Gary.
00:30:41The speech you made really impressed me.
00:30:44Thanks.
00:30:47Thanks, Gary.
00:30:48Funny thing is,
00:30:51watching you
00:30:53that day
00:30:55really reminded me of myself at your age.
00:31:00How's that?
00:31:03High-powered father?
00:31:06Gives you a lot,
00:31:08but nothing without strings attached.
00:31:10Am I close?
00:31:13Yeah.
00:31:17Gotta give your father some credit, though.
00:31:22He must have a lot of control.
00:31:27After that Xavier business.
00:31:34Can't keep a secret too long in the age of information, can you?
00:31:39Chairing the foundation.
00:31:41Your father's idea?
00:31:42Yeah.
00:31:43Got your eye on Cornell?
00:31:46It's the plan.
00:31:47Look,
00:31:50very few kids grow up wanting to be lawyers.
00:31:55I mean,
00:31:57growing up you want to be
00:31:59a ball player,
00:32:00an astronaut,
00:32:01a rock star.
00:32:03Not a lawyer.
00:32:06Christ, you think I grew up wanting to be a bankruptcy attorney?
00:32:09Fuck, no.
00:32:11You know what lawyers are, Jordan?
00:32:15Lawyers are translators.
00:32:17Translating the language of the land.
00:32:20What is the language of the land?
00:32:26Money.
00:32:27Money, fuck yeah, you got that right.
00:32:30The question is,
00:32:33are you going to speak the language of the land,
00:32:36or are you going to have it spoken to you?
00:32:39Freud had it right.
00:32:42Two most important things in this life,
00:32:45your work,
00:32:46your sex.
00:32:50Don't need to make it complicated, Jordan.
00:32:53Just don't let anyone fuck with your money,
00:32:58or your pussy.
00:33:04Okay.
00:33:12Drink your coke.
00:33:23God, I was so nervous watching you two.
00:33:26He's fearless.
00:33:28I mean, he's the kind of guy that just drives through red lights
00:33:30to let the world know they can't fuck with him.
00:33:34You know they catch monkeys in Southeast Asia?
00:33:37No, I do not know how they catch monkeys in Southeast Asia.
00:33:42Would you like to know?
00:33:47With a basket.
00:33:50They cut a little hole in the basket,
00:33:52that's just big enough for the monkey to put his hand into,
00:33:55and they put fruit in it,
00:33:57so when the monkey puts his hand in and he grabs the fruit,
00:34:00his closed fist is too big to put back through the hole.
00:34:03So instead of just letting the fruit go and running free,
00:34:07he just waits there until the trappers come.
00:34:14Is that true?
00:34:16Sucks for the monkey.
00:34:21It's kind of like most guys I know.
00:34:24Once they get a taste of it, they just can't help themselves.
00:34:27Even though logic is telling them to just back off.
00:34:31They can't.
00:34:33They just keep coming back for more.
00:34:36Her life wasn't easy.
00:34:39That much I was certain of.
00:34:43There was something tragic and sad just under her skin.
00:34:50A feeling that she had limited time.
00:34:52And at any moment her world might cave in.
00:35:01Hey.
00:35:03Jordan.
00:35:05What's wrong?
00:35:07I need to see you.
00:35:10I called Hartley.
00:35:12They said the letters went out two weeks ago.
00:35:15Did you call him?
00:35:18I'm going to show him the pictures you sent me.
00:35:20I'm going to show him the pictures, Jordan.
00:35:24What?
00:35:27Shay.
00:35:29You got to think this through.
00:35:31No.
00:35:32Fuck him. He's not getting away with this shit.
00:35:34Fuck him.
00:35:35Treating me like I'm some fucking Barbie doll,
00:35:37like he can just play with me whenever he wants to.
00:35:41Fuck that.
00:35:43I'm going to take these to the cops.
00:35:44I'm going to show his friends, a lawyer.
00:35:46I don't know, but I'm going to show somebody
00:35:47because someone's going to fucking listen to me.
00:35:51Shay, I don't think that's such a good idea.
00:35:55It's too late.
00:35:57We're meeting by the glen tonight.
00:36:01I can't let you do that.
00:36:04It's not up to you, Jordan.
00:36:06I'm involved in this.
00:36:08You made me a part of this, Shay.
00:36:11Oh, I did. I did. I'm sorry.
00:36:13Okay, then you're excused. How about that?
00:36:15Is that better for you?
00:36:17One way or another, he's going to help me get into this program.
00:36:21Without a scholarship?
00:36:23What, do you think he's just going to snap his fingers?
00:36:25Just wave a magic wand?
00:36:27No. No, they want me. I know that they want me.
00:36:30I just need the money.
00:36:31And he's got the money. Trust me. He's got the money.
00:36:36Did you know that he's been under investigation?
00:36:40Have you seen these?
00:36:42Yes. And they haven't found anything.
00:36:45There's a metal box bolted to the floor in his bedroom closet.
00:36:49It's not really a safe, but one of those fireproof things that you put really important documents in.
00:36:52You know what I mean?
00:36:53I was at his place once, and I could have sworn I saw Wade put cash into it.
00:36:57A lot of cash.
00:37:00Why?
00:37:02Say it.
00:37:04Tell me what you're thinking.
00:37:06Tell me how naive I am.
00:37:08Tell me I'm really fucking stupid for thinking that he might actually care about me.
00:37:11I think you should forget about him.
00:37:14And you should let it go.
00:37:15That's easy for you to say, right?
00:37:17Easy for you to say, because you could just hop back into your cozy silk covers whenever you need to.
00:37:22It doesn't work like that for me.
00:37:24The world doesn't work like that, okay?
00:37:27I needed this. I really needed it.
00:37:38I'm sorry.
00:38:00Are you okay?
00:38:01I just wanted to hear you.
00:38:04We should come up with a signal or something.
00:38:06For?
00:38:07In case you get the feeling that something bad is happening.
00:38:09I'll deal with it.
00:38:13Just open up the door and get out of the car.
00:38:16Okay, and then what?
00:38:18And then I'll come and save you.
00:38:25Jordan?
00:38:26Yeah?
00:38:27I'm glad you're here.
00:38:37Okay.
00:39:07Fuck.
00:39:13Don't lay on me. Don't lay on me.
00:39:17Don't fuck around with me.
00:39:18Hey, don't fuck around with me.
00:39:20Right now.
00:39:21Get off me.
00:39:22Get off me.
00:39:29Get off me!
00:39:32Jordan!
00:39:38Get off me.
00:39:49What the hell happened?
00:39:50I've been waiting for an hour.
00:39:52We're supposed to meet about the charity auction.
00:39:54What, you totally blew me off.
00:40:03Jesus.
00:40:05What happened to you?
00:40:08I'm okay.
00:40:10Okay? No, you're not okay.
00:40:11I'm okay, please.
00:40:14Jordan, look at you.
00:40:15You're not okay.
00:40:16What happened?
00:40:23I've been waiting here an hour and you're not going to give me the courtesy of an explanation?
00:40:29I'm sorry.
00:40:34Whatever.
00:40:38Whatever.
00:40:49Just take it easy.
00:40:50You're fucking in on this with her?
00:40:52What?
00:40:57You're trying to take my fucking money?
00:40:59You want to take my fucking money?
00:41:07You want to take my fucking money?
00:41:37I'm sorry.
00:42:07I'm sorry.
00:42:38I'm sorry.
00:42:51I don't think you and I should be seen together for a few days.
00:42:56Okay?
00:42:57Yeah.
00:43:04Where are Wade's keys?
00:43:05I've got them.
00:43:07Let me see.
00:43:18One of these keys unlocks that box.
00:43:24I know Wade's security code.
00:43:26He left me a key that time I was there.
00:43:29Look, I think the only thing you and I should be focused on right now
00:43:34is how to keep us breathing free air for the rest of our lives.
00:44:05I love you.
00:44:32Okay, please.
00:44:33What?
00:44:36I've replayed it a thousand times in my mind, frame by frame,
00:44:41and come up with a thousand things we should have done differently.
00:44:47But life doesn't give you the chance to go back and edit.
00:44:56Should we have come clean?
00:44:59Called the cops, called my dad, pleaded self-defense?
00:45:04Or should we have been more drastic?
00:45:08Driven his body hundreds of miles away?
00:45:11Dropped it into a river somewhere and hoped we weren't seen?
00:45:16A thousand things we should have done differently.
00:45:20But all we're left with is what we did.
00:45:24His assistant became concerned when no one heard from him Tuesday morning.
00:45:29Police searched for signs of channeling in places he frequented.
00:45:33But found no traces of him.
00:45:36Early this morning, his body was discovered in the woods near Corbett's Glen.
00:45:40Sarah Cowan is at the scene.
00:45:42They found Wade Chandling's body in the park.
00:45:44Local attorney Wade Chandling was discovered early this morning by hikers.
00:45:48As you can see, police are still on the scene.
00:45:50He'd been missing for a couple of days.
00:45:52A hiker found him near the Glen, beaten to death.
00:45:55I'm Sarah Cowan, Channel 6 News.
00:45:57That's mezzo-forte in the second measure, Elena.
00:46:12Help you?
00:46:16Shae's not here.
00:46:18She didn't show up for practice today.
00:46:20Elena, please listen!
00:46:22She's sick.
00:46:24The office said there was no call.
00:46:29Thanks.
00:46:50Is Shae home?
00:46:52No, she's not home.
00:46:54Do you know where she is?
00:46:56No, I thought you might know where she is.
00:47:00Gordy, right?
00:47:02What?
00:47:04Gordon.
00:47:06Jordan.
00:47:08What do you want with her anyway?
00:47:10Nothing.
00:47:12We were just going to meet up later.
00:47:19Hey, Shae.
00:47:21Leave me a message after the beep and I'll call you back.
00:47:23Thanks.
00:47:25Shae, it's Jordan.
00:47:27I know I keep calling, I'm just trying to track you down.
00:47:29So, if I'm on my cell, you can call me.
00:47:31Thanks.
00:47:38So, the donations that we got for the auction
00:47:41are several paintings and drawings from Elliot Damien,
00:47:44Gary Fine and Robert Walker.
00:47:46And they're all estimated at over a quarter of a million dollars.
00:47:49We got very lucky.
00:47:57Really?
00:47:59Jordan.
00:48:01Put the phone away.
00:48:03What's up?
00:48:05What do you mean?
00:48:07You didn't say two words in there.
00:48:09Well, there's not much to say.
00:48:11I mean, Desiree's got a handle on it.
00:48:13Well, who's co-chairing this with me, you or her?
00:48:15Besides, last I heard,
00:48:17Desiree's already been accepted to Yale for the fall.
00:48:19Ah, yeah.
00:48:21I swear, Jordan, sometimes I just wanna shake you
00:48:23out of your complacency.
00:48:28You do your homework before the next meeting.
00:48:31If you sit there with your thumb up your ass again,
00:48:33I'm gonna break it off and leave it there permanently.
00:48:37Put the phone away.
00:48:50Remember me?
00:48:52Detective Griffin?
00:48:54We met when you had that little problem at Xavier?
00:48:57Yeah.
00:49:00Did you take these?
00:49:02Yes.
00:49:04Not bad.
00:49:06You're a regular Andy Warhol, huh?
00:49:09No, not really.
00:49:11He was more of a painter.
00:49:13I see.
00:49:15I'm sorry.
00:49:16No, not really.
00:49:18He was more of a painter.
00:49:21You know, you're just the guy I wanna see.
00:49:23I'm thinking about getting a digital camera.
00:49:26Any suggestions?
00:49:28All that mega-pixel stuff.
00:49:30Makes my head spin.
00:49:35How much are you looking to spend?
00:49:37Not a lot.
00:49:40I'll give it some thought.
00:49:43I understand you're a friend
00:49:44of Shay Betancourt's.
00:49:46Yeah, that's right.
00:49:48Any idea where she is?
00:49:50She's been out the last few days.
00:49:52You know, I think she's sick.
00:49:54Don't think so.
00:49:56I checked her place. She's not there.
00:49:58You and Shay pretty tight?
00:50:00We hang out, man.
00:50:02She like having her picture taken?
00:50:08What's this about?
00:50:10How much do you really know about her?
00:50:11What do you mean?
00:50:13You know about her mom, right?
00:50:17Yeah, that she's dead.
00:50:19Who told you that?
00:50:21Shay mentioned it.
00:50:23Well, no.
00:50:25Her mom's alive and well
00:50:27and living in the Attica State
00:50:29Correctional Facility for women.
00:50:33How's that?
00:50:36She carved up Shay's step-mother.
00:50:39She carved up Shay's step-dad
00:50:41with a steak knife a couple years back.
00:50:47Yeah, I think we're talking about
00:50:49two totally different people here.
00:50:51Don't think so.
00:50:53How long has she been seeing Wade Chandling?
00:50:55You know who he is, right?
00:50:57Never mentioned him.
00:50:59Yeah, I guess dating a guy
00:51:01that's old enough to be your dad,
00:51:03that's not something you want to advertise.
00:51:05How do you know this?
00:51:06He's a...
00:51:08was a member of the Oak Valley Country Club,
00:51:10same place Shay works.
00:51:12Some of the members had a problem
00:51:14with their cars being vandalized
00:51:16in the past few months,
00:51:18so they put a video camera in the parking lot
00:51:20to keep an eye on things.
00:51:22We got a look at the tapes.
00:51:24Lots of video of Shay
00:51:26climbing into Chandling's car after hours.
00:51:29Yeah.
00:51:31That's a real head-scratcher, isn't it?
00:51:34If you see Shay,
00:51:36it's important she contact me.
00:51:38Take care, Warhol.
00:51:43My office is really just
00:51:45getting up to speed on this case.
00:51:47Now, I've spoken to Chief Malley
00:51:49several times over the past few hours.
00:51:51I've made it very clear to him
00:51:53that he has our full support.
00:51:55You have to understand that an investigation
00:51:57of this type will usually take...
00:51:59D, it's me.
00:52:01What are you doing?
00:52:03Watching my dad feed the media
00:52:04I need to see you.
00:52:06Jordan Wells asking me for a favor.
00:52:08What are the odds?
00:52:10Can you meet me in an hour?
00:52:12Are you going to stand me up again?
00:52:14D, come on.
00:52:16Yeah, okay. Where?
00:52:35Hey.
00:52:39With soy milk?
00:52:41Yeah.
00:52:43You must be desperate.
00:52:45Thanks.
00:52:49I wanted to talk to you
00:52:51about the other night.
00:52:54And you've just got to trust me
00:52:56when I tell you that it's okay.
00:52:58And that I'm sorry.
00:53:01Okay.
00:53:02I wanted to get together
00:53:04and thank you for everything
00:53:06you've been doing for the Foundation.
00:53:08D, I mean,
00:53:10you're saving my ass.
00:53:12Right.
00:53:14So how's everything going with you?
00:53:16I mean, how's everything going
00:53:18in your dad's office?
00:53:20Everything's fine.
00:53:22You guys must be on this channeling thing.
00:53:24Not officially,
00:53:26but, you know,
00:53:28they're moving kind of fast.
00:53:30Dude, you have any suspects?
00:53:32I mean, they don't really tell me anything.
00:53:35Max never really stopped you before, though.
00:53:38True.
00:53:41Okay.
00:53:43So off the record,
00:53:45it looks like they haven't been able
00:53:47to pull that much from the scene.
00:53:49What do you mean?
00:53:51Well, it means that whoever did it
00:53:53covered their tracks pretty well.
00:53:55They are hoping to catch a break
00:53:57when they find Chandler's car.
00:53:59And what about this whole audit thing
00:54:00What about it?
00:54:02Well, I mean, if he was shuffling around money
00:54:04for some of his clients,
00:54:06things could have gone bad, right?
00:54:08Yeah, okay.
00:54:10Okay, what's the deal?
00:54:12You trade in your camera for a pen and paper?
00:54:14Or does the Edgerton Bugle
00:54:16have the whole staff working on the story?
00:54:18I'm just interested in what you do.
00:54:20I'm trying to keep up.
00:54:24Okay.
00:54:26You know, I'm gonna go.
00:54:28I don't really feel like
00:54:30talking to you.
00:54:32Especially when it's a stranger
00:54:34I've known my whole life.
00:54:36Thanks for the chai.
00:54:54What are you doing here?
00:54:57I freaked out.
00:54:58We talked about not doing anything
00:55:00out of the ordinary.
00:55:02Do you remember that?
00:55:04I'm just really confused right now.
00:55:07Where have you been?
00:55:09I went to the abandoned house
00:55:11on the bluffs.
00:55:13Huh.
00:55:15I just had to sort some things
00:55:17out of my head, you know.
00:55:19I got a visit from the police today.
00:55:22They know about Wade and me, don't they?
00:55:24Yeah, well, they have security cameras
00:55:26installed in the parking lot
00:55:28of the country club.
00:55:30So, yeah, they do.
00:55:36Why don't you tell me about your mother?
00:55:39My mother?
00:55:41You know what I mean.
00:55:43Because I was afraid, Jordan.
00:55:45We made it out like she was dead.
00:55:47As far as I'm concerned, she is dead.
00:55:52You didn't have to hide it from me.
00:55:55Not that.
00:55:59You have to go in there
00:56:01and you have to talk to them.
00:56:03What if they put everything together?
00:56:05I just talked to my friend
00:56:07who interns at D.A.'s office.
00:56:09They don't know anything.
00:56:11What if they find his car
00:56:13and then they find my fingerprints in it?
00:56:15No, they already know that you were in the car.
00:56:17They just don't know you were
00:56:19in the car that night.
00:56:21If you keep letting this hang out there,
00:56:23they're going to get really
00:56:25suspicious about you.
00:56:26They're going to get really
00:56:28suspicious about me.
00:56:35What do I tell them?
00:56:37This is amazing.
00:56:39Amazing.
00:56:41I mean, in my wildest dreams,
00:56:43when I first decided to enter
00:56:45into this with my father,
00:56:47I did not think that we'd get
00:56:49this much support.
00:56:51And so many of you tonight
00:56:53have been given so much.
00:56:54But there is some money in here
00:56:56that is so old, I don't think
00:56:58there's a carbon dating test
00:57:00to trace its origins.
00:57:02What we've all been given,
00:57:04what is worth more than money,
00:57:06though, is the invaluable blessings
00:57:08of our supportive families.
00:57:10A respect for education
00:57:12and belief in our hopes and dreams.
00:57:21Shay walked into
00:57:22the Edgerton Police Department
00:57:24and lied her way out of it.
00:57:27Later that day,
00:57:29I put the finishing touches
00:57:31on my own story.
00:57:33I completed my image
00:57:35transformation from prep school
00:57:37bad boy to a shining crusader
00:57:39for children's art.
00:57:41Right back into the Ivy League
00:57:43and beyond.
00:57:46Sometimes it feels like
00:57:48a charmed life, doesn't it?
00:57:50Sold for $4,500.
00:57:52There we go.
00:57:54Hey, awesome job.
00:57:56Awesome job.
00:57:58Thanks.
00:58:13You had a good night tonight.
00:58:15Probably made enough
00:58:17to keep Mocha running for years.
00:58:19And a few hits at Cornell.
00:58:21You sure know how to throw
00:58:23a great party, Dee.
00:58:25What do you want me to say?
00:58:27I do.
00:58:29It's in my blood.
00:58:31The question is, though,
00:58:33is it in yours?
00:58:35What does that mean?
00:58:39We found Chandling's car today.
00:58:42It was parked on the roof
00:58:44of the city garage.
00:58:46They're pretty sure
00:58:47they found some muddy footprints
00:58:49in the size 10.
00:58:51These are 12.
00:58:53The mud matches the samples
00:58:55that they took from the woods
00:58:57near the Glen.
00:58:59They also
00:59:01found a few partial latents
00:59:03that someone
00:59:05didn't do a very good job
00:59:07wiping off.
00:59:11The police got a tip today,
00:59:13Jordan, that
00:59:15a blue Audi
00:59:17was at the Glen for a few hours
00:59:19the night Chandling went missing.
00:59:21Right about the same time
00:59:23you and I were supposed
00:59:25to get together.
00:59:27You know the girl
00:59:29they interviewed today, right?
00:59:34Yeah.
00:59:36Yeah.
00:59:38Jesus, Jordan.
00:59:40That's what the chai latte
00:59:42was all about yesterday, huh?
00:59:44Oh, come on, don't.
00:59:45Don't you dare.
00:59:47I saw you that night.
00:59:49I saw the mud all over you
00:59:51and I hope to God I was the only one.
00:59:53Look, you know something.
00:59:55Let's go to my dad right now.
00:59:58I know that she was involved
01:00:00with Wade Chandling,
01:00:02but that's
01:00:04that's really just all I know, Dee.
01:00:16They cleared me.
01:00:18I'm free.
01:00:45I'm free.
01:01:15I'm free.
01:01:32Hello?
01:01:34Hey, Warhol.
01:01:36Griffin.
01:01:38We gotta talk, you and me.
01:01:41I'm kind of in the middle
01:01:43of something right now.
01:01:45I'll be at the ball field in 20 minutes.
01:02:08This was my school, too.
01:02:10You might not believe it,
01:02:12but I was kind of a nobody back then.
01:02:15Turned football games,
01:02:17I'd sit on that hill over there
01:02:19by myself,
01:02:21observing life like it was
01:02:23being lived without me.
01:02:25Football players on the field,
01:02:28cheerleaders on the sideline,
01:02:30guys like you,
01:02:32Wade Chandling in the stands,
01:02:35smiles on their faces.
01:02:37Not a care in the world.
01:02:39I gotta get to class.
01:02:42Hey,
01:02:43I'll write you an excuse.
01:02:58Your girl's off the hook.
01:03:00Did she tell you?
01:03:02Yeah.
01:03:04And, uh,
01:03:06look what landed in my lap this morning.
01:03:10You already know what's in there.
01:03:11But open it anyway.
01:03:13I want to see your reaction.
01:03:24Now, there's two ways we can play this.
01:03:26One,
01:03:28I take those pictures to a judge
01:03:30and I get a subpoena
01:03:32to check your shoe size
01:03:34and fingerprints.
01:03:36Your previous history with photography
01:03:38should make that almost a lock.
01:03:39Or two,
01:03:41you help me conduct
01:03:43a little experiment
01:03:45that just might save your ass.
01:03:47I've never seen those pictures
01:03:49before in my life.
01:03:51Right.
01:03:53And your A4 wasn't at the Glen
01:03:55the other night.
01:03:57I gotcha, Warhol.
01:03:59And the thing is,
01:04:01I'm pretty sure it wasn't your idea.
01:04:03It was all hers.
01:04:04It was all hers.
01:04:13You know anything about metadata files?
01:04:21It's the most amazing concept
01:04:23in digital photography.
01:04:25You store a file
01:04:27with a photo on a disc.
01:04:29All sorts of juicy stuff
01:04:31gets encoded in there.
01:04:32Date, time,
01:04:34what kind of camera,
01:04:36serial number.
01:04:39It's like a digital fingerprint.
01:04:42It's the nail in your coffin
01:04:44if somebody decides to cross-check
01:04:46those files
01:04:48against the number on your camera.
01:04:55Yeah.
01:04:57Scholarship.
01:04:59He was gonna help her get a scholarship.
01:05:00A scholarship?
01:05:02To Harley.
01:05:05Oh, man.
01:05:07That's beautiful.
01:05:09All for the advancement of art, eh?
01:05:13I don't think that was it, Warhol.
01:05:16It's just a theory I'm working on.
01:05:18I don't have it all put together yet,
01:05:20but it involves Chandling
01:05:22and a whole pile of money.
01:05:25I think your girl
01:05:27was trying to get her hands on
01:05:28and I am not talking
01:05:30tuition money.
01:05:33I'm talking about something
01:05:35in excess of one million bucks.
01:05:39Come on.
01:05:41See,
01:05:43I think Shay made you think
01:05:45that it was about the music,
01:05:47but really,
01:05:49Chandling was sitting on something big
01:05:51and she knew it,
01:05:53so she tried to squeeze him
01:05:55to get him to pay her
01:05:56to keep her mouth shut.
01:05:58Things went bad
01:06:00and then you came along
01:06:02to help clean up the mess.
01:06:04It was supposed to be a scholarship.
01:06:06Well, like I said, it's only a theory.
01:06:10But we can test it.
01:06:13I'm thinking once I run your prints,
01:06:16they're gonna do a whole lot of talking.
01:06:19Maybe not enough
01:06:21to put one of Ben Wells' kids in Attica
01:06:23for the rest of his days,
01:06:24but do you think for one second
01:06:26that your life's gonna be the same?
01:06:29Which brings us back
01:06:31to our little experiment.
01:06:33I want one million dollars.
01:06:35What?
01:06:37One million.
01:06:39I don't have that.
01:06:41But she does.
01:06:43And maybe you already
01:06:45know that, Laurel.
01:06:55Here's my number.
01:06:57I want to hear from you
01:06:59by the end of the day.
01:07:03Now get the fuck out of here.
01:07:25Jordan?
01:07:28What happened to my house?
01:07:30You went back for the keys, Shea.
01:07:37Why would you say that?
01:07:40I met with the cop Griffin earlier today.
01:07:44What did he tell you?
01:07:47He said you were in Attica.
01:07:49He said you were in Attica.
01:07:51He said you were in Attica.
01:07:53That he found the box in Wade's bedroom
01:07:56empty.
01:08:03Was this ever about the music?
01:08:05Of course it was.
01:08:07He's trying to get us against each other.
01:08:09Can't you see that?
01:08:12I'm telling you the truth, Jordan.
01:08:14What do you want me to do
01:08:16to prove that to you?
01:08:20Where's the money?
01:08:22Shea.
01:08:24It's not here.
01:08:26I hid it someplace safe.
01:08:28In a few hours, Griffin is going to get a subpoena
01:08:30so they can check my prints.
01:08:32If you want to prove it, I need that money.
01:08:34Okay, you pay him, and then what?
01:08:36He could arrest you.
01:08:38He could even kill you.
01:08:40We have two options right now.
01:08:42We can either get out of here as fast as we can
01:08:44or we kill him, and we're not killers.
01:08:46We're not?
01:08:48No, we're not.
01:08:50I know a place where we could go
01:08:52where the cops couldn't touch us.
01:08:58I can't live looking over my shoulder, Jordan.
01:09:14I told her I'd go with her,
01:09:16but it was a lie.
01:09:18The only place I wanted to go was back.
01:09:22Back to simple.
01:09:24Back to scripted.
01:09:30Shea could ad-lib.
01:09:32She could make it up as she went along.
01:09:34She'd been doing it her whole life.
01:09:38And my whole life had been mapped out for me.
01:09:44I wasn't going anywhere.
01:09:46Griffin.
01:09:48You'll have it in an hour.
01:09:51The life everyone lives in their minds is so much better,
01:09:56so much more appealing
01:09:59than the one they're actually living.
01:10:03But almost always,
01:10:06the moment they have to give up
01:10:08the real one for the impossible
01:10:10is the moment they realize
01:10:11the moment they have to give up
01:10:13the real one for the imagined,
01:10:16the equation changes.
01:10:42How much is there?
01:10:44A little over a million.
01:10:53We're gonna be okay, Jordan.
01:10:57Shea, I can't.
01:11:02What do you mean?
01:11:04I'm sorry.
01:11:11No, but everything was all set.
01:11:15I have to take this to Griffin.
01:11:17Just wait, all right? Just think this through.
01:11:19I already have.
01:11:27Where'd you get that?
01:11:30It was in the box with the money.
01:11:32What are you gonna do, shoot me?
01:11:35I'm sorry, but I can't let you go.
01:11:37Do whatever you gotta do.
01:11:45Jordan!
01:11:48Jordan!
01:12:06Jordan!
01:12:36Jordan!
01:13:06Jordan!
01:13:36Jordan!
01:13:57Got it.
01:13:59Got the pictures?
01:14:06Yeah.
01:14:09Well, maybe not quite.
01:14:13Get on your knees.
01:14:15What?
01:14:17I have taken you down, kid.
01:14:19And you can tell every cop in the station
01:14:22that I took this money from you
01:14:24because nobody's ever gonna believe you.
01:14:26I placed a call to Hartley.
01:14:28Check out your girlfriend's story.
01:14:30There was no scholarship, Warhol.
01:14:33She never auditioned.
01:14:34Hell, she never even filled out an application.
01:14:36Nobody there knew anything
01:14:39about a Shea Bettencourt.
01:14:41Get away from him.
01:14:44I'll do it, let him go.
01:14:46Shea, get out of here.
01:14:48Shut up, Jordan.
01:14:50Throw me your gun.
01:14:52It's not gonna happen.
01:14:54No!
01:15:05We gotta go.
01:15:07I'm not going with you.
01:15:09You don't have a choice, Jordan.
01:15:12Who are you?
01:15:14Me?
01:15:16Who am I?
01:15:18I guess I'm just a girl
01:15:20who saw an opportunity and took it.
01:15:22For the money?
01:15:24Yeah.
01:15:26I guess I'm just a girl
01:15:28who saw an opportunity and took it.
01:15:30For the money?
01:15:32Yeah.
01:15:35I only have two real talents, Jordan.
01:15:37And the second one is that I know
01:15:39what the first one is.
01:15:41That's why you needed me.
01:15:43You knew just the right buttons to push.
01:15:45Jesus Christ, you probably even had
01:15:47the fucking log picked out
01:15:49to crash his head in with.
01:15:51I lied about Hartley.
01:15:53Okay, I did.
01:15:55And I'm sorry.
01:15:57Look at me.
01:15:59I'm here, right?
01:16:01I saved you, didn't I?
01:16:04You saved me,
01:16:06or you saved the money?
01:16:08Believe whatever you want.
01:16:10But the reality is,
01:16:12if you stay here,
01:16:14they're gonna arrest you.
01:16:16Okay.
01:16:18Jordan?
01:16:21Come on.
01:16:29You do realize your life is over,
01:16:31don't you?
01:16:34Come on.
01:17:05A good photographer captures the subject.
01:17:11But a good subject
01:17:14captures the photographer.
01:17:18I had been captured all right.
01:17:34I'm sorry.
01:17:54Dee?
01:17:58What the hell happened?
01:18:01How long have you been here?
01:18:03Not long.
01:18:06Just got off the phone with my dad.
01:18:08He's been out all night.
01:18:12They found another body at the Glen.
01:18:15Detective Griffin,
01:18:17from the channeling case.
01:18:20You know him?
01:18:22Yeah.
01:18:24Yeah, that's the right answer, Jordan.
01:18:26They took a look at Griffin's phone records.
01:18:28They saw that you called him an hour before this happened.
01:18:30Tell me.
01:18:33Were you there?
01:18:41Mm-hmm.
01:18:44And that's when I realized it.
01:18:48What Shea meant.
01:18:52My life as I knew it
01:18:55was over.
01:19:03You gotta get out of those clothes.
01:19:07Jordan!
01:19:08Go!
01:19:20Where were you last night?
01:19:22I was right here.
01:19:23Mr. Wells, we'll take it from here.
01:19:25Jordan, would you have a seat?
01:19:27You're not Detective Griffin, right?
01:19:32Yeah.
01:19:33I spoke to him last week.
01:19:35Spoke to him last week.
01:19:36Exactly.
01:19:37Why did he come and see you?
01:19:38Um, friends.
01:19:39We're friends with the girl.
01:19:40Who is it?
01:19:41Mr. Chandler.
01:19:42Who is this girl?
01:19:43She's just someone from somewhere.
01:19:45We found these images on Detective Griffin's computer.
01:19:47She didn't mention anything about pictures like these
01:19:49since the last time you saw her.
01:19:50Yeah, that's true.
01:19:51She's just someone from somewhere.
01:19:53She's just someone from somewhere.
01:19:54She's just someone from somewhere.
01:19:55You know where she is?
01:19:56No.
01:19:57Did you look at the jar?
01:19:59Were you at the Glenn last night?
01:20:01That's not possible.
01:20:02No, under the circumstances,
01:20:04can you remind the judge
01:20:05to give Brett a subpoena to check
01:20:07if the person got on the Chandler's car?
01:20:08To see if he was involved.
01:20:10Where were you last night, Jordan?
01:20:11I was here.
01:20:12Can you back that up?
01:20:13Okay, we'd like to help you
01:20:14but you're crossing the line
01:20:16and I think you should leave.
01:20:18You know, Mr. Wells,
01:20:19we will come back with that subpoena.
01:20:21You don't have to get a subpoena.
01:20:23Who's this?
01:20:24Desiree Thomas?
01:20:26D.A. Thomas' daughter.
01:20:28I was with Jordan last night.
01:20:30We were right here.
01:20:32Are there any other questions?
01:20:36Well, I guess that's it then.
01:20:38You know what, Mr. Wells?
01:20:40I think that's enough. Thanks for your time.
01:20:42I'll see you out.
01:20:44That won't be necessary.
01:20:51How well did you know this girl?
01:20:53We were just hanging out, Dad.
01:20:55Jesus Christ, Jordan. Tell me the truth.
01:20:57Now tell me. Do not let them blindside me with something else.
01:20:59There's nothing else.
01:21:01There better not be.
01:21:24Yeah, yeah.
01:21:29I don't know what to say.
01:21:33You know what, Jordan?
01:21:36Neither do I.
01:21:46I just bought you two days.
01:21:48Maybe three.
01:21:50But this isn't over, Jordan.
01:21:53No.
01:22:07It was the final gift she would ever give me.
01:22:13Her last favor.
01:22:16It's strange to think of your future in terms of days.
01:22:25But it wasn't going to take those detectives any longer than that.
01:22:33Money was her only way out.
01:22:35And now it became mine.
01:22:40And that's why I transferred most of the money to her.
01:22:45I transferred the money to another bag.
01:22:48Before meeting Griffin.
01:22:52The money was the only leverage I had left.
01:22:57There's always a moment.
01:22:59Sometimes more than one.
01:23:04When you can walk away.
01:23:10Choose not to play a role someone else may be writing for you.
01:23:16Reality finally kicked in.
01:23:22For my life.
01:23:27It was time I started writing my own script.
01:23:30My name's Jordan Wells.
01:23:33A marketer's report on me would read something like this.
01:23:38Rich.
01:23:40Privileged.
01:23:44Future doctor.
01:23:48A man who's never had a job.
01:23:52A man who's never had a job.
01:23:56A man who's never had a job.
01:23:59Future farmer.
01:24:02Future lawyer.
01:24:04Future somebody.
01:24:06But you wouldn't expect an accessory to murder.
01:24:11Twice.
01:24:13With a million dollars to decide what to do next.
01:24:29You