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Short filmTranscript
00:02:00...and dominate the streets.
00:02:02...over Madrid.
00:02:05The garrisons of Galicia...
00:02:07...dominate with ease...
00:02:08...some revolutionary centers.
00:02:10The Civil Guard and the Carabineros...
00:02:12...are aligned like a single man...
00:02:14...to the Salvadoran army.
00:02:16The garrisons of Madrid and Catalonia...
00:02:18...remain in the expectation...
00:02:20...due to the fact that the people of the body...
00:02:22...owe their destinies to the influence...
00:02:24...of the politicians who discourage Spain.
00:02:26But luck is on the side...
00:02:29...but they haven't heard it.
00:02:31The operation has failed in Catalonia.
00:02:33If God doesn't forgive the reds...
00:02:35...they will hunt us like rabbits.
00:02:37Holy Virgin of the Pillar of Zaragoza.
00:02:39Hurry, hurry.
00:02:41Pack your bags with the most essential.
00:02:43Close windows and back windows.
00:02:45Turn off all the lights.
00:02:47Hurry, hurry.
00:02:49You wake up the boys.
00:02:51Don't give them explanations.
00:02:52Let them dress, pack their things...
00:02:54...and go down to the chapel.
00:02:55Immediately.
00:02:58Hurry, hurry.
00:03:04My children...
00:03:06...the glorious Spanish army...
00:03:08...has risen in arms against the atheist and communist government.
00:03:10Unfortunately for the school...
00:03:12...and for all of us...
00:03:14...it seems that Catalonia remains in the power of the Red Horde.
00:03:17Let's hope for God's mercy...
00:03:19...that for a short time.
00:03:21But what's going on?
00:03:22Haven't you heard?
00:03:23There's war.
00:03:24War?
00:03:26For now, the school will close...
00:03:28...and you will return to your homes.
00:03:30Your parents will applaud my decision.
00:03:32I'm sure.
00:03:34And I hope that God willing...
00:03:36...we will meet again in September.
00:03:38And now, before we part...
00:03:40...we will entrust our lives...
00:03:42...to the mercy of the Divine Providence.
00:03:46In the name of the Father, the Son and the Holy Spirit. Amen.
00:03:50First painful mystery.
00:03:52Our Father, who art in heaven...
00:03:54...hallowed be thy name...
00:03:56...thy kingdom come...
00:03:58...thy will be done...
00:04:00...on earth as it is in heaven...
00:04:02May God bless you.
00:04:04Better to say goodbye.
00:04:06Each one on his own side.
00:04:08So there will be fewer suspicions.
00:04:10Don't forget that we are in enemy territory.
00:04:12Yes, yes, yes.
00:04:14Goodbye, goodbye.
00:04:18What do you have, gentlemen?
00:04:20Not a word to anyone about the school.
00:04:22Forget that you were inside.
00:04:24Erase it from your minds.
00:04:26If anyone asks you, you are on excursion.
00:04:28That's it.
00:04:30Avoid the town.
00:04:32Go directly to the railway station by the shortcut.
00:04:34Agree?
00:04:38Go, go, go.
00:04:40Connect.
00:04:52What are you doing there? What are you waiting for?
00:04:54Go with the others.
00:05:02I have enough with this to go to La Coruña.
00:05:06Do you live in Girona?
00:05:08Yes, but my mother spends the summer in La Coruña.
00:05:10In Galicia, the uprising has been successful.
00:05:12Communications with La Coruña will be cut off.
00:05:14Have you heard?
00:05:16In Girona you will have family and friends.
00:05:18Come on, go with them.
00:05:20The situation won't last long.
00:05:22Go to Girona, go to Girona.
00:05:24Go to Girona.
00:05:44It was the month of July 1936.
00:05:46And that morning, riding my bike,
00:05:48I felt happy.
00:05:50For the first time, I was going to be alone in my house.
00:05:52I wouldn't have to take care of anyone.
00:05:54And I was free to go and come.
00:05:56So everything seemed like an adventure to me.
00:05:58An adventure.
00:06:24What is this? Wet paper?
00:06:26What is this?
00:06:56What is this?
00:06:58What is this?
00:07:00What is this?
00:07:02What is this?
00:07:04What is this?
00:07:06What is this?
00:07:08What is this?
00:07:10What is this?
00:07:12What is this?
00:07:14What is this?
00:07:16What is this?
00:07:18What is this?
00:07:20What is this?
00:07:22What is this?
00:07:24What is this?
00:07:32Manuel!
00:07:34Manuel!
00:07:36It's Andrés.
00:07:42What are you doing here?
00:07:44Who's in my house?
00:07:46The doorman.
00:07:48I'll get you out.
00:07:50It's obvious that the gatekeeper, with the idea of breaking the floor,
00:07:53has reported your mother saying that she was going to mass and that she's a fascist.
00:07:57Thank goodness she's in La Coruña.
00:07:59If they catch her here, you go and see what could have happened to her.
00:08:02But I have to recover a cartload of savings.
00:08:04Are you crazy?
00:08:05Things are very complicated and the gatekeeper could shoot you.
00:08:09And you know, I'm sure he's found the cart.
00:08:12Without money, how is he going to go to La Coruña?
00:08:14Impossible.
00:08:16I follow the map of the peninsula, the information from the radio,
00:08:19and the current situation is as follows.
00:08:21The military has triumphed in Galicia,
00:08:23Castilla la Vieja, LeĂłn, Navarra and part of Andalusia.
00:08:26But Catalonia, Levante, Castilla la Nueva and most of Andalusia
00:08:30have betrayed the uprising.
00:08:32With Spain divided in two, how are you going to cross the lines
00:08:35to go from Girona to La Coruña?
00:08:37Let's see, that's it.
00:08:39I go to France and return to Spain through Navarra.
00:08:42Holy innocence.
00:08:44In case of war, the borders are closed.
00:08:47Spain is at war.
00:08:49And what do I do?
00:08:51You stay here and we'll see what happens.
00:08:53What do you want to happen?
00:08:55Wars between relatives last over time.
00:09:18What are you doing?
00:09:20I fix the puncture and I'm leaving.
00:09:22Where?
00:09:24I want to go to the other side.
00:10:17Spain
00:10:19Spain
00:10:21Spain
00:10:23Spain
00:10:25Spain
00:10:27Spain
00:10:29Spain
00:10:31Spain
00:10:33Spain
00:10:35Spain
00:10:37Spain
00:10:39Spain
00:10:41Spain
00:10:43Spain
00:10:45Spain
00:10:47Spain
00:10:49Spain
00:10:51Spain
00:10:53Spain
00:10:57Come on
00:11:05What's your name?
00:11:07Andrés Vilaflores
00:11:09Flores or Flores?
00:11:11Flores
00:11:13I'm from Barcelona.
00:11:19And where are you going?
00:11:20To the front.
00:11:22What the hell are you doing there?
00:11:24I want to fight against fascism.
00:11:28With two balls.
00:11:29Your mother? Where is she?
00:11:32In France. I was afraid, but I didn't want to go with her.
00:11:37So, a fascist.
00:11:39And your father?
00:11:40He died.
00:11:41How old are you?
00:11:42Seventeen.
00:11:43The truth.
00:11:47I'll be sixteen.
00:11:50We'll send you to the kitchen.
00:11:52But I want to defend the Republic.
00:11:54The Republic is also defended by peeling potatoes.
00:12:03To the kitchen.
00:12:11First, you kill it and then you peel it.
00:12:13We're going to make a rice today.
00:12:14Kill it? How?
00:12:16Like this.
00:12:17Good morning.
00:12:19Here I am.
00:12:20I've conquered my Spain.
00:12:22Phil Bliss.
00:12:23Present your weapons.
00:12:25Look, if you start with your jokes, I'll take the basket and leave.
00:12:28Always making fun of me.
00:12:29Come here, my queen. I'm going to eat you in pieces.
00:12:32Take it, kid.
00:12:33This is meat.
00:12:35And the rest is mojama.
00:12:37Hey, stay still. You're tickling me.
00:12:39It's delicious.
00:12:40And these tits?
00:12:41Let's see if they open a little.
00:12:42But you'll be fresh.
00:12:43Let's see if you've believed that the ones from the countryside are like the ones from Barcelona.
00:12:46Well, no.
00:12:47So you know.
00:12:48I don't care about the ones from Barcelona.
00:12:49The ones I like are the ones from Aragon.
00:12:51And especially you.
00:12:52Because I really love you, dammit.
00:12:53What you want is to take advantage of you.
00:12:55Take advantage of me?
00:12:56Look, I'll marry you whenever you want and for the church.
00:12:59And I don't believe it.
00:13:00You don't?
00:13:01Priest.
00:13:02Come here.
00:13:03Who's going to be a priest?
00:13:05Haven't you seen the hair on his head?
00:13:07And why didn't they shoot him?
00:13:09Because they don't believe in God anymore.
00:13:10Come on, let's get married and we're going to Taramu.
00:13:12Oh no, if they don't believe in God, the wedding is not worth it.
00:13:14Don't run away from me.
00:13:15Honorio.
00:13:16A little kiss.
00:13:17No, don't leave me.
00:13:18I'm really angry.
00:13:19This morning I'm going crazy.
00:13:20Come on, no.
00:13:21No.
00:13:22Come on, don't tickle me.
00:13:23Come on.
00:13:24You're annoying.
00:13:25You're annoying.
00:13:27Look, tomorrow your aunt is going to bring you the food.
00:13:29Look what I'm telling you.
00:13:30And what are you looking at?
00:13:31Nothing.
00:13:37Shit.
00:14:07Hello?
00:14:08Hi, are you David?
00:14:09Yep.
00:14:10Don't you remember me?
00:14:11No.
00:14:12Huh?
00:14:13Does somebody know you?
00:14:14Nope.
00:14:15How about your ex-boyfriend?
00:14:16Yupu, also Lost.
00:14:17Points please.
00:14:18Yes.
00:14:19Alright.
00:14:20Sorry.
00:14:21Come on, don't be a chick.
00:14:24Come on, don't be a chick.
00:14:26Get in here you cunt.
00:14:29Easy.
00:14:30Oh, you.
00:14:31It's thicker this time.
00:14:32Here we go.
00:14:33Oh, you bitch.
00:14:34You bitch.
00:14:35We'll see about that.
00:14:36The luggage inside
00:14:53And I'll be careful with that is that an officer yes, I don't know which side they're on
00:15:06Let me do the talking for the moment yes
00:15:15We are the Duke and Duchess of Dunning we're just traveling
00:15:20visiting your lovely country
00:15:24As you see our passports are in order my wife of course is American I
00:15:31Imagine therefore that there should be no
00:15:34Objection is to our continuing our return journey to London
00:15:39Perdoname pero yo no hablo su idioma
00:15:42Now listen to me officer. Yeah, we have nothing to do with this up this guerra in in España nada
00:15:49No, I wish we are innocent the innocent bystanders
00:15:53This is an outrage. No sinto. Ya le dicho a este señor que yo no hablo ingles
00:15:58What
00:16:02Dice que esto es un atropello
00:16:04Y tĂș que sabes dicen que son duques de no sĂ© quĂ© y que van a londres
00:16:08qué pasa
00:16:10ingleses y van hacia londres
00:16:14TĂș que haces aquĂ es que sabe inglĂ©s tĂș sabes inglĂ©s
00:16:25Conjunto
00:16:29Es
00:16:30Que tienen que quedarse en la fonda del pueblo que pediremos informes a barcelona que si no hay nada contra ellos
00:16:35podrĂĄn seguir su viaje
00:16:37You will have to wait in a while day inquiries in Barcelona. Oh, no, that's ridiculous. I mean do they think we support Franco?
00:16:52Explain a senior senior we simply want to go home
00:16:58Dile que el coche queda requisado y a servicio del ejército del pueblo
00:17:02The car has been requisitioned by the people's army
00:17:05What army under whose authority I demand to speak to my embassy here. I want to call my lawyer
00:17:12We're allowed legal
00:17:14Telephone para hablar con las trincheras. What does he say? He's to speak with the trenches
00:17:24Paco
00:17:29Take the luggage
00:17:45La verdad que estas aristĂłcratas estĂĄn buenĂsimas
00:17:58No
00:18:03No, is it not possible to find one English station I'm trying the best I can my dear here let me try
00:18:28And
00:18:34The pacifiers
00:18:37Conrad Davalos is waiting for an answer from Barcelona. I'll give it your luggage. What does that mean that we have to stay here another night?
00:18:52I'm sorry
00:18:58Would it be too much to ask for the luggage to be brought to our room
00:19:07Gracias
00:19:10What is your name
00:19:11Andres and today's what a nice name now is comrade Davalos the man with the officer this morning
00:19:16Hmm, and what is his rank?
00:19:18Well, I see ten anarchist battalion. There are no ranks, but he's the one in command
00:19:29I
00:19:32Would like to speak to comrade Davalos, could you take me to her?
00:19:39Of course you can
00:19:41Andres I won't be a minute
00:19:52Don't miss that I was
00:19:58I
00:20:02Like on this kick on your kid, I think it's a knock on some way important. He's supposed to walk easy man
00:20:12Don't miss that in a coach with a lot of aristocrats. It's time when you see
00:20:28I
00:20:45Where is the young man Andres sit down and translate
00:20:58I
00:20:59Think you must know why I'm here
00:21:03Okay, if he says I'll okay, baby, so you probably lost my supporters
00:21:15If you were to return them to me and allow us to continue on our journey I
00:21:21Would repay your generosity
00:21:23Because if you let them continue the trip you see a little
00:21:31Exchange I
00:21:33Give you something
00:21:38You give me something in return
00:21:40I
00:21:43Do you
00:21:46American say
00:21:48Kiki's a kiss you later that was pasaportes que que eso que que tela
00:21:55You know, I might not even consider it a sacrifice
00:22:05Dile que yo no me vendo he says he's not for sale
00:22:10Of course not
00:22:15You may go
00:22:22We in
00:22:29How does an anarchist
00:22:31I
00:22:41Sea que se lo va a fallar
00:23:01I
00:23:07Via llegado al frente por casualidad y estaba convencido de que me quedarĂa allĂ por poco tiempo
00:23:12Pero habĂa empezado a vivir tantas cosas nuevas que la idea de encontrar a mi madre se fue haciendo cada vez menos importante
00:23:25So
00:23:32No listo
00:23:54No se ve a nadie mejor mĂĄs tranquilos
00:23:58Oye
00:24:00Si tĂș ves a alguien que se quiere pasar al otro lado le tiras con yo claro
00:24:04Pero tĂș has matado
00:24:07Es mĂĄs difĂcil cargarse un tĂo en la guerra con la paz el enemigo estĂĄ alertado tĂș comprendes y se esconde si acazapa
00:24:14Mi padre en cambio tu padre matado a gente
00:24:19Fascistas no pistoleros de los patronos en barcelona cuando los sindicatos amarillos
00:24:25Push push
00:24:27I know for a
00:24:32Miralos como una mujercita de su casa
00:24:36Pero no le tiras si hombre le tiro los fascistas se cabrean y aquĂ se arma una de no temer es
00:24:43Deja que ese hijo puta haga tranquilo su colada
00:24:47Pero a este paso la guerra no se acabarĂĄ nunca
00:24:50mejor
00:24:52AquĂ no se estĂĄ mal todo el dĂa tumbado tu conejo con patatas tu litro de vino tu raciĂłn de tabaco
00:24:59Otra cosa serĂĄ cuando llegue el invierno
00:25:22Ah
00:25:32You've brought our passports, but I have to give them to the Duchess her ladyship is resting you may give them to me
00:25:40How dare you give me those passports immediately young man
00:25:45Ah
00:25:49My young translator come in give me the passports
00:26:02I might as well not be
00:26:04I
00:26:11Don't write that was told me I should only give them to you
00:26:25You must tell comrade Davos how grateful I am
00:26:29Oh
00:26:40Is it come over here and see if you can find a silver compact hmm
00:26:59I
00:27:02They told me that would be safe conduit you will be able to reach the frontier without any problem
00:27:10The new Davos is very good don't you think
00:27:19It's your comrade Davos
00:27:23Tell him it's real silver
00:27:29A memento of our meeting
00:27:43Are you hungry? Yes
00:27:48Here have some of these
00:27:51They're called Charo's
00:27:53churros
00:27:55churros
00:27:56They're delicious
00:28:12My mother is in the fastest son if you took me with you I could young her
00:28:22That's not possible my little translator
00:28:27Ah
00:28:32I'm truly sorry paper is only for two people
00:28:56I
00:29:10Haven't grown up. Yes, I can see that
00:29:26You
00:29:57You
00:30:04The Duchess relieving me of my disarray freed me from the desire to catch unforeseen events to women
00:30:10Although I must confess that it was a relief passenger because after the meeting I was still as virgin as before
00:30:27Here he comes
00:30:32You tell him I'm not here
00:30:36Good morning
00:30:40What about Honorio? I don't know. What's wrong? Nothing
00:30:49Do you want a peach?
00:30:51Ok
00:30:56Oh
00:31:04You don't mean they put what they say they say
00:31:19That I can so I'm not
00:31:26I
00:31:56I
00:32:26I
00:32:56I
00:33:26I
00:33:56I
00:34:03They were ambushed phalanxists, they wanted to blow up the power plant and killed the guard who could give them but to shoot them
00:34:18But hey, you didn't want to kill fascists
00:34:21I
00:34:24Never believed that story that you have told us
00:34:30Why don't you tell me the truth
00:34:34My mother is in the crown and I and you wanted to cross the lines to reunite with her
00:34:44Say goodbye to that idea
00:34:46You will find your mother
00:34:48When this fucking war is over, it will never end, everything ends in this life
00:34:57Although if you are still here
00:35:01It may be that you do not see its end, the rebels are concentrating troops and the blood will run
00:35:19You know what we're going to do
00:35:28I'm going to send you to my house
00:35:48I
00:35:56Think I
00:36:07Remember there's a man you can't afford to be in connected to Papa. I'll never let me say it again. I sent him a
00:36:12Poor thing
00:36:13Yes, ma'am. Oh, blessed wars, what they make us suffer
00:36:18Of course, without wars, what would the military do?
00:36:21By the way, how is my husband's face going with the anarchists?
00:36:26Let's see if the CNT and the FAI put it in his head that the world is not a barracks
00:36:31Look, here you have a commander's pajamas, so I scale your clothes and tomorrow you have it like the gold spills. Thank you
00:36:39Come on
00:36:42I
00:36:54Imagine your mother without knowing anything about you
00:36:58poor woman
00:37:00Do you know what we are going to do? We are going to resort to the Red Cross
00:37:03Let's see if they can help us with something. I don't know. Hey, it's not that I want to get rid of you, on the contrary
00:37:08At home, a man never gets in the way. We are delighted to have you here, right Julia?
00:37:13Yes
00:37:15His father has left
00:37:16Serious, like a notary public. I was telling him about the Red Cross to see if at least you can sign up
00:37:21Imagine how happy your mother would be to know that everything is going well. Of course
00:37:25Hey, I didn't see you very communicative either
00:37:28You're young, I remember. At your age, you didn't stop talking at any time
00:37:35You're right, I make her mute and I burst
00:37:38You must be the one who misses that battalion. No, yes, I'm very happy here.
00:37:43Anyone knows why men, as long as they are not at home, even prefer to go to the front
00:37:57What are you doing, mom? What are you looking for? What do you have against the boy?
00:38:01Against him? It's against us
00:38:03Do you want to say that I love you?
00:38:05Don't keep lying, as if you didn't know why I love you so much
00:38:08I told you, I was going to start shooting. Lie!
00:38:10What happens is that if you don't see me, I'm not going to be here, son. And you're never going to see me
00:38:33Good afternoon. Good afternoon. What are you doing here?
00:38:47He didn't tell me to come on the 15th
00:38:49Who is this? He's a cousin of mine who's come to give me the bike
00:38:54Your father? Fine
00:38:58And your mother? She sends me a lot of memories
00:39:03I don't know
00:39:04Fuck
00:39:11Do you think that the field is wild?
00:39:14Come on, don't complain, you're always complaining
00:39:17You don't know the sacrifices we have to make
00:39:20And the worst thing is that you don't know how to open it
00:39:26The potatoes, the salad
00:39:30These tomatoes are fucked
00:39:33And now a bit of cabbage
00:39:39And on top, the eggs
00:39:41Be careful, don't break them
00:39:43If I break one, my mother will kill me
00:39:45You're right. If they catch you, I don't know you
00:39:49Because if you do, they'll put me in jail, but you'll be left without food
00:39:53Don't worry
00:39:55Well, how much do I owe you?
00:39:56It's seven pesetas
00:39:58I'm still losing
00:40:04What a distrustful aunt
00:40:08Yes
00:40:09In the battalion we also took away the food from the peasants
00:40:13Well, there was a girl who brought it to us
00:40:16But she was in love with a cook
00:40:18What a fool
00:40:19Why?
00:40:20I'm never going to fall in love
00:40:22You can't say that
00:40:24Why?
00:40:25Because, I don't know, one day you'll meet a boy
00:40:28And, even if you don't want to, you'll fall in love
00:40:34Stop, stop. Let me talk
00:40:43Hello
00:40:44Hello
00:40:45Where are you from?
00:40:46From the Prague
00:40:47Are you going to Barcelona?
00:40:48Yes
00:40:50And this?
00:40:53So, you're trading with the people's man
00:40:56Let's see the papers
00:41:11Have you been in the Davalos battalion?
00:41:15Yes
00:41:17Have you been in the Davalos battalion?
00:41:21Yes
00:41:23De Geyso, you're one of us
00:41:27Your girlfriend?
00:41:31Yes
00:41:33Very pretty
00:41:35Would you like to give her a nice gift?
00:41:37Man
00:41:40I haven't thanked you
00:41:44I'm glad you came with me
00:41:47If I go alone...
00:41:59It's beautiful
00:42:02Is it your size?
00:42:05I don't know
00:42:07Do you want me to try it on?
00:42:09Yes
00:42:11Don't look
00:42:37No
00:42:43You can look now
00:42:47Do you like it?
00:42:51I like you
00:42:54I don't believe you
00:42:58Do you want me to show you?
00:43:01Let's see
00:43:03What else do you like?
00:43:05My eyes?
00:43:07My lips?
00:43:09My hair?
00:43:11My body?
00:43:12My legs?
00:43:17Everything
00:43:27If you want, we can try another day
00:43:35No
00:44:05No
00:44:07No
00:44:09No
00:44:11No
00:44:35I took refuge in the Chinese neighborhood to look for a job
00:44:39A contract signed by Davalos gave me an idea to survive
00:44:43Buy and sell in the black market
00:44:47Can I give you four dollars?
00:44:50Wait
00:44:55This or nothing?
00:45:09Let's go
00:45:31Is this what you wanted?
00:45:33We haven't talked about rabbits
00:45:35But welcome
00:45:37How much do you want for everything?
00:45:39Here it is
00:45:42You're shameless too
00:45:45If you don't want it, I'll take it
00:45:51Do you want to get rich with me?
00:45:54Pay me and I'll bring you everything you need
00:46:01This is on me
00:46:07Thank you
00:46:31I have tobacco
00:46:34Let's go
00:47:04It was clear that the war was going to be lost sooner or later
00:47:07And it was lost definitively in 1939
00:47:10Although for me it ended a year later
00:47:13The same day I learned that the war had been won by my mother
00:48:04Andres Vila Flores
00:49:04Let's go
00:49:07Let's go
00:49:32Son
00:49:35Mom?
00:49:36My son
00:49:40What have they done to you?
00:49:44How tall are you?
00:49:46And this beard?
00:49:54I'm sorry, Irene
00:49:56You'd better change your clothes as soon as possible
00:49:59I suppose you can take a shower
00:50:02Of course
00:50:07Sergeant!
00:50:10Sergeant!
00:50:13Come on, go take a shower
00:50:28You must be hungry
00:50:31How did you find me?
00:50:34What would you have done if it weren't for him?
00:50:37They would have shot you
00:50:39Don't say that
00:50:41I wasn't serious
00:50:43Franco's peace welcomes those who don't have their hands stained with blood
00:50:46Andres has them very clean, right?
00:50:54Where are we going?
00:50:56To Barcelona
00:50:58We're going to live in Barcelona
00:51:00Much more fun than Girona
00:51:03The next day
00:51:22Well, you're home
00:51:28Thanks for everything, Victor
00:51:33See you tomorrow
00:51:37Andres, let's go to Spain
00:51:40He's not used to it
00:51:42He'll have to get used to it
00:51:45See you tomorrow
00:51:50What's wrong?
00:51:52I don't know
00:51:55See you tomorrow
00:52:00Let's go
00:52:03Good afternoon
00:52:12One moment, please
00:52:16Thanks
00:52:18Hi
00:52:20Hi, Irene
00:52:26This must be your son
00:52:28Yes, thank God
00:52:30Andres, this is Marta Esteva
00:52:32Nice to meet you
00:52:33Are you happy to be home?
00:52:34Very
00:52:35Well, it's all over now
00:52:37Now you have your whole life ahead of you
00:52:39Nice to meet you
00:52:40Thanks
00:52:46Good afternoon
00:52:47See you tomorrow
00:52:56The next day
00:53:09What do you think?
00:53:11But they're not our furniture
00:53:13Where could our furniture be?
00:53:19I bought you a jacket
00:53:21I'm sure you'll like it when you're little
00:53:23It's funny that a mother doesn't know her son's size
00:53:26And the money?
00:53:28What money?
00:53:29For all this
00:53:30The government gave it to us
00:53:32It's a compensation for everything we lost
00:53:34I'll have to find a job
00:53:36No, son, you have to study
00:53:38I already have a job
00:53:39Thanks to Victor, of course
00:53:41I've told you before
00:53:43I don't know what would have happened to us without him
00:53:46What a disaster
00:53:48Don't worry, Mom
00:53:49I've been sleeping without pajamas for years
00:53:52Don't you want something to eat?
00:53:54I'm very tired
00:53:56See you tomorrow, then
00:53:58See you tomorrow
00:54:21The next day
00:54:47Let's talk numbers
00:54:49More than 25 million hot meals
00:54:52Served in the last month
00:54:543,000 children's canteens
00:54:57Where about half a million children are served
00:55:011,500 brotherhood kitchens
00:55:04Where another half a million people are fed every day
00:55:10This is the Christian and meritorious work of the Republic of Spain
00:55:14Which, in the face of the violence and persecution of the Red
00:55:18Does good without looking at anyone
00:55:39A film by
00:56:04Andres
00:56:05Everything's great, Mom, but I have to go
00:56:07What are you saying?
00:56:08Victor's coming to eat at home
00:56:09So what?
00:56:10I want you to come with me
00:56:11Let's go
00:56:12Let's go!
00:56:20I'll take care of it, Mateo
00:56:24Thank you
00:56:25Thank you
00:56:26Thank you, thank you very much
00:56:33Beautiful shots
00:56:35Let's go
00:56:38I'm going to start university
00:56:40Great, and what are you going to study?
00:56:42Medicine, I like it
00:56:44My father was a doctor
00:56:45Well, my mother too, but she wants me to be an engineer
00:56:48Don't tell her, but you have to do what you like
00:56:52That's what I'm thinking
00:56:56Well, that's it
00:56:57No, no, I'm in a hurry, really, really
00:57:01Carlos
00:57:02It's Andres, the second boy
00:57:04He helped me upload the shots
00:57:06Come in, come in
00:57:11Leave this there
00:57:15My father also had a lot of books
00:57:17Did he?
00:57:18He died
00:57:19And then, with the war, we lost them
00:57:21Then you'll like to read
00:57:23Yes
00:57:24Marta
00:57:25Maridona
00:57:27Be careful
00:57:29They're at your disposal
00:57:30Thank you
00:57:32Come in
00:57:40I was telling your husband that I like to read a lot
00:57:43What kind of books do you prefer?
00:57:45When I was little, I liked adventure books
00:57:48But there are much better books than adventure novels
00:57:51Even more fun
00:57:53Especially for someone like you, who is already a man
00:57:57Well, what would you like to read?
00:57:59I don't know
00:58:00My father always said that I should read Baroja
00:58:02Great
00:58:06How are you doing in Barcelona?
00:58:08Regular
00:58:09I don't have friends
00:58:10Why?
00:58:12Because I'm older than them, because I missed some courses
00:58:15And they talk about things I don't care about at all
00:58:18That will be fixed at the university
00:58:21Did you know that Baroja was a doctor?
00:58:23No
00:58:25I'm telling you because, as you told me, you're going to study medicine
00:58:59I don't know
00:59:29I'll be glad when you're dead, you rascal, you
00:59:32I'll be oh so glad when you're dead, you rascal, you
00:59:36I'll be glad when you're dead, you rascal, you
00:59:41I'll be standing on a corner full of kids
00:59:44When they bring your dead body in
00:59:47I'll be glad when you're dead, you rascal, you
00:59:51I'll be oh so glad when you're dead, you rascal, you
00:59:55Rascal, you
00:59:56I'll be oh so glad when you're dead, you rascal, you
01:00:00Rascal, you
01:00:01I took you to my home
01:00:04You wouldn't leave my wife alone
01:00:07I'll be glad when you're dead, you rascal, you
01:00:11I'll be oh so glad when you're dead, you rascal, you
01:00:18Come in
01:00:20Wow, don't tell me you've already read them
01:00:22Yes
01:00:23All three?
01:00:24I didn't know you were an architect
01:00:26No, but since I draw better than Carlos, I help him
01:00:29Good, which one did you like the most?
01:00:31The Baroque one
01:00:32I imagined it
01:00:36And how are you doing?
01:00:37Do you still have no friends?
01:00:38Worse, I don't have friends
01:00:41I'm surprised
01:00:42Girls always laugh
01:00:45What's wrong with that?
01:00:46They want to make love, but since they don't dare, they laugh
01:00:50Maybe it's because I don't know how to tell them or when to tell them
01:00:55Can't you help me?
01:00:59Me? How can I help you?
01:01:01You're a woman
01:01:03True, but not a young one
01:01:13Don't worry too much
01:01:14Sooner or later you'll solve the problem on your own
01:01:18What do you want to read?
01:01:21Shall we try the foreign ones today?
01:01:22Well
01:01:24A Russian one
01:01:26I'm sure you'll like Shekhov
01:01:27An English one
01:01:29Dickens
01:01:30Tickwick's papers
01:01:31But it's so funny
01:01:32And now a French one
01:01:34Balzac
01:01:36No
01:01:37No, no, no
01:01:38Stendhal will be better
01:01:40Here you are
01:01:42Do you want another one?
01:01:44No, thank you
01:01:46It's me
01:01:47It's Carlos
01:01:50Well, then...
01:01:55Hi, man
01:01:56What's up?
01:01:57How are you?
01:01:58I'm fine, thanks
01:01:59How are you?
01:02:00I'm fine, thanks
01:02:01How are you?
01:02:02I'm fine, thanks
01:02:03How are you?
01:02:04I'm fine, thanks
01:02:05How are you?
01:02:06I'm fine, thanks
01:02:07Hi, man
01:02:08What's up?
01:02:09How are you?
01:02:10Here, with the books
01:02:11How are the readings going?
01:02:12Good, very good
01:02:13Baroja liked them a lot
01:02:14Doesn't your mother mind?
01:02:15Why?
01:02:16Baroja isn't what you think she is
01:02:18She's a patriotic writer
01:02:19And your mother is a philanthropist, isn't she?
01:02:21No, she's a paediatrician
01:02:22That's why she works in the social service
01:02:24I know the problem
01:02:31You choose very well, you know?
01:02:33It was Marta
01:02:34Marta is a good counselor
01:02:36Well, see you tomorrow
01:02:39See you whenever you want, Andrés
01:03:05Excuse me
01:03:09Excuse me
01:03:13Where are you going?
01:03:16Don't you remember me?
01:03:18In front of AragĂłn
01:03:19With comrade Dåvalos and commander Peciña
01:03:29Of course I remember
01:03:31But how have you grown?
01:03:34How are you?
01:03:35You see
01:03:37Where are you going?
01:03:38Home
01:03:41Andrés, your name is Andrés
01:03:44Don't you remember my name?
01:03:46Man, Pilar
01:03:48Come on, do you remember?
01:03:52So, you're one of the winners
01:03:54Well
01:03:57You see
01:03:58I'm one of the losers
01:04:01Is it yours?
01:04:02Yes
01:04:04So, in the end you married the cook, what was his name?
01:04:08Honorio
01:04:09Yes
01:04:11He only had time to make me the baby
01:04:14Then they killed him
01:04:16I'm sorry
01:04:18Life, isn't it?
01:04:22Hey, what are these books?
01:04:24I studied medicine
01:04:26It must be nice to study
01:04:28And what do you do?
01:04:29I'm a packer
01:04:31This is the factory's colony
01:04:35If you want, we can have a drink
01:04:37You and me?
01:04:38Yes
01:04:43I invite you to dinner
01:04:46Come on, so we can remember the good times
01:04:49We'll talk about Dåvalos, about commander Peciña
01:04:52Really? You invite me?
01:04:53Yes
01:04:55Well then, I'll leave the kid, I'll get dressed and we'll go
01:04:58Good
01:05:02Hey, I'm almost thinking about giving him dinner and putting him to bed, it's going to take me a while
01:05:06Why don't you come up?
01:05:14Come on, let's go
01:05:28Good
01:05:47I'm going to wash up
01:05:48Ok
01:05:52You should have stayed downstairs
01:05:54No, no, why?
01:05:56Because you don't like poverty
01:05:58Don't talk nonsense
01:06:00I don't know, I don't understand
01:06:02The problem is that you don't like it and I don't either
01:06:04And because you don't like it, I invite you to dinner, right?
01:06:08You're not going to tell me you like it
01:06:15Well, look, yes
01:06:20Yes
01:06:21Yes
01:06:24Fuck
01:06:29Well, that deserves some fixing
01:06:34Hey
01:06:36Do you remember that countess?
01:06:38The Duchess
01:06:40Come on, don't hide it
01:06:42You really liked her, didn't you?
01:06:45How was she in bed?
01:06:46I don't remember
01:06:49Who is she?
01:06:50The Countess
01:06:52Sometimes she stays like that, since the bombings, you know?
01:06:58How is she?
01:06:59Very pretty
01:07:01How long have you been with a girl?
01:07:04Until the girl gets tired of me and I get tired of her
01:07:06One after the other, right?
01:07:09If I don't fall in love, yes
01:07:12Hey
01:07:13Tell me something
01:07:15But tell it to him
01:07:17Are you thinking about sleeping with me?
01:07:21When we meet, I don't know
01:07:24Maybe
01:07:28What a guy
01:07:30Well, look, no
01:07:33First, because you're too young for me
01:07:35And second?
01:07:37Because I'm not going to bed without good firsts
01:07:40Or do you think I wouldn't like to fall in love for real and get married in the church and all that?
01:07:45Don't get married
01:07:47With whom?
01:07:49With you?
01:07:53Don't listen to me
01:08:09Come
01:08:23Come
01:08:28Pilar and a part of my memories
01:08:30stayed in that working colony far from Barcelona
01:08:33And I returned to my monotonous life as a student
01:08:39What's that?
01:08:44Delicious
01:08:45You have to suck your fingers
01:08:47You're a good cook, Carmelita
01:08:49The man is very good
01:08:51No, no, not good at all
01:08:53Where there is homemade food
01:08:55Please, can I have my purés?
01:08:57Of course
01:08:59Imagine my life
01:09:00A single man, always from restaurant to restaurant
01:09:03Then the official meals
01:09:04You're not going to have any dessert?
01:09:06Coffee, only coffee
01:09:07Carmela, bring the coffee
01:09:09Yes, ma'am
01:09:10Don't you smoke a cigarette?
01:09:11For God's sake, Victor
01:09:13Do you realize?
01:09:14As if you were still a kid
01:09:15Andrea is a man, and I'm not
01:09:19Well
01:09:21I imagine you're asking yourself what this meal is all about
01:09:24I invited you, didn't I?
01:09:26No, I invited myself
01:09:29Your mother and I have thought about getting married
01:09:31And I'd like to know what you think
01:09:33What do you want me to think?
01:09:35Is that all you have to say?
01:09:37No, no, if you have something to object, say it
01:09:40I think it's good
01:09:41Really, mom, what do you want me to object?
01:09:44Hey
01:09:45You have something against me
01:09:46Me? No
01:09:48I don't know what's wrong with that boy
01:09:49He's never been like this
01:09:51I don't understand, mom, how am I now?
01:09:52I don't know, so closed, so...
01:09:54So little communicative
01:09:56Time changes everything, Irene
01:09:59You know I've been an anarchist
01:10:02Well, now you see me
01:10:03By the way
01:10:04Have you thought about joining the army?
01:10:08No
01:10:10Don't you think you should?
01:10:15Excuse me
01:10:16Where are you going?
01:10:17To get a gun
01:10:19Don't worry
01:10:20It'll change
01:10:22It'll change
01:10:23It'll change
01:10:25It'll change
01:10:36The last bell rang at ten
01:10:38When Juliana reached out and grabbed Mrs. Renal's hand
01:10:42If I don't ask her to sleep with me this afternoon
01:10:44I'll jump down the stairs
01:10:47Yes
01:10:49That's crazy
01:10:50You'll finish the library in four days
01:10:52Well, I haven't read in a long time
01:10:54And I haven't been to class
01:10:55This is my favorite
01:10:58Red and black
01:11:00Nice to meet you
01:11:01Nice to meet you
01:11:02Nice to meet you
01:11:03Nice to meet you
01:11:04Nice to meet you
01:11:05Nice to meet you
01:11:06Nice to meet you
01:11:07Nice to meet you
01:11:08Nice to meet you
01:11:09Nice to meet you
01:11:10Nice to meet you
01:11:12I was waiting for Paca to leave before going up
01:11:16Don't tell me
01:11:19And why?
01:11:20Because I swore that if I don't ask her to sleep with me this afternoon
01:11:22I'll jump down the stairs
01:11:27That's what I call clear talk
01:11:31Lemon milk
01:11:34I don't care
01:11:38You've already asked
01:11:39You can keep living in peace
01:11:42I've done wrong, haven't I?
01:11:43Do you want me to leave?
01:11:48Fool
01:11:52How can I let you jump down the stairs?
01:12:02Come
01:12:09Well, you'd better undress
01:12:40Come
01:13:03Yeah, I'm leaving
01:13:10They'll kick him out of the architecture school
01:13:14They'll make our lives impossible
01:13:18Carlos Esteve Plana
01:13:20Architect
01:13:22Belonging to the Republican Left
01:13:25This...
01:13:28This gentleman, besides being Catalan, is also a Mason
01:13:32In other words, an enemy of Spain
01:13:35Listen to me
01:13:36With your background, I wouldn't get into Redentor
01:13:39What background?
01:13:40In 1936, you were in Bujaraloz
01:13:42You fought in an anarchist battalion
01:13:45Andres, please
01:13:47If it weren't for me, you'd rot in jail now
01:13:51Well, in any case, if I'm interested in Carlos, it's not because of politics, it's something else
01:13:55Actually, I...
01:13:58What?
01:14:01If you don't speak clearly, I can't help you
01:14:04His wife, and I...
01:14:08What's the matter?
01:14:09You've fallen in love with her?
01:14:11Yes, and I'm sleeping with her
01:14:14Fuck, fuck, with Andresito
01:14:17I didn't know that...
01:14:20Wait a minute
01:14:22If you're really sleeping with that woman, you should be hoping that her husband would follow her
01:14:27Why do you want him to be released?
01:14:29Man, I'm not a son of a bitch, Victor
01:14:32I see
01:14:34Your attitude is full of nobility, and I respect it
01:14:37So much so that, look, I'm willing to intervene in favor of that neighbor of yours
01:14:42Thank you, Victor
01:14:44But I'm going to ask you a favor in return
01:14:47Or rather, we're going to make a deal
01:14:50I get the architect released, and you become another man
01:14:56You become a phalanx
01:14:57But Victor, I'm not a phalanx
01:15:00It doesn't matter
01:15:01You won't be
01:15:03Can you imagine the joy you're going to give your mother?
01:15:27THE END
01:15:57THE END
01:16:27THE END
01:16:57THE END
01:17:10Excuse me, do you speak English?
01:17:12No
01:17:14Could you speak Catalan?
01:17:15What a pity, I don't even speak Catalan
01:17:20Why can't we speak Spanish?
01:17:24I saw you in the room. Did you like the concert?
01:17:26Can I be honest?
01:17:27Sure
01:17:28Looking at you, I haven't heard a single note
01:17:31You've fooled me. Spanish people are very arrogant
01:17:34No, I'm not. I'm honest
01:17:36And with the same honesty, I'd like to have a drink with you
01:17:38What are we doing?
01:17:40No, but alone
01:17:42Say yes, and I'll give you this beautiful ash
01:17:48I don't need it
01:17:49A drink alone, okay?
01:17:53Do you accept?
01:17:55Is the ashtray owned by the hotel?
01:17:58It's not necessary for me to take it
01:18:00And Luna?
01:18:01We couldn't leave it in her room
01:18:05So, if I give it to her, should I invite all the men in my room to take it?
01:18:10No, only those who give her ashtrays like this one
01:18:17What's your name?
01:18:18Andres
01:18:20Andres
01:18:23Let's have a drink
01:18:25Andres
01:18:29Room 202, please
01:18:31And send us a bottle of champagne
01:18:35I'm sorry, ma'am, but in Spain we don't accept guests in the rooms
01:18:39In Spain what?
01:18:42Wait, what are you doing?
01:18:43Let's go
01:18:44In Spain?
01:18:46Wait
01:18:47Where are we going?
01:18:49I'll take you
01:18:50Ah, you'll take me
01:18:51Yes
01:18:52You'll take me
01:18:56Are you okay?
01:18:57Are you okay?
01:19:15The rope is horrible
01:19:17Yes, but then I felt free
01:19:19And now you don't?
01:19:20No
01:19:21If I could, I would leave Spain
01:19:23But where would you go?
01:19:25I don't know
01:19:28I'll take you
01:19:29Where?
01:19:30To Italy, right?
01:19:31In Italy you won't feel more free than in Spain, you know?
01:19:34Then to France
01:19:35France, of course
01:19:38But don't you know what's happening in Europe?
01:19:46You know...
01:19:47What?
01:19:49I also feel like leaving
01:19:51Yes? Where?
01:19:54My brother got married in Argentina
01:20:00Come on, what's the point of talking about that?
01:20:03Let's go
01:20:16So, will you come to the station?
01:20:18No, I'll pick you up there and then I'll take you
01:20:20Okay
01:20:24See you later
01:20:27Wait
01:20:31If I asked you, would you marry me?
01:20:36If I were a year younger
01:20:39Why not?
01:20:43We'd go to America together
01:20:53Okay
01:21:24What's going on?
01:21:25They're leaving
01:21:26Leaving, but where?
01:21:28To the town of Don Carlos
01:21:31Why?
01:21:32Politics
01:21:48None of the people I used to appreciate
01:21:50None of the people I loved
01:21:52None of the people I thought were good
01:21:54Had a place in that Spain
01:21:56And so, what could I expect?
01:21:58I didn't know if I was in love with Bobbi
01:22:00I didn't know if she loved me
01:22:02But I decided to leave as if it were nothing
01:22:05And so I discovered
01:22:06As I had already done in love
01:22:08That there can be more than one homeland for each man
01:22:18Are you leaving?
01:22:19Yes
01:22:20See you later
01:22:50I love you
01:23:20I love you
01:23:50I love you
01:24:20I love you
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