Desde El diario de Daniela (1998) a Papás por conveniencia (2024), la productora ejecutiva Rosy Ocampo repasa sus telenovelas.
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00:00Yo de Daniela, se han escrito tantas cosas
00:05I produced this novel in 1989-90,
00:10no, sorry, in 1997-98.
00:15And it was the first telenovela with a childlike approach.
00:19There had been other novels before,
00:21such as Luz Clarita, Mundo de Juguete, etc.,
00:27that had children, but the focus from within had not been given.
00:34And with the experience I had in Plaza Sésamo,
00:37I was given the task of making these novels,
00:39which are original, that is, they were also made ex-professo,
00:43where the main focus was on children
00:45and all the issues that were addressed from a child's point of view.
00:50And from the first, that is,
00:52precisely in the diary we deal with what is mistreatment of children.
00:56At that time, we are talking about a very big mistreatment problem
01:00towards children, which fortunately does not happen anymore,
01:04but it was addressed and we went hand in hand with UNICEF.
01:08Later, the next novel,
01:10where it was even the launch of Belinda,
01:12where we discovered it in a casting at the Esteca Stadium,
01:16and we brought it, and it was the first of several novels that we did together.
01:22In that novel, we address Down syndrome,
01:25that is, as a condition,
01:27and precisely at that time there were many prejudices
01:30regarding children with Down syndrome,
01:32and there was information and, well,
01:36the impact was that more than two million children
01:38changed their perception regarding Down syndrome.
01:41And so we went forward, La Fea Más Bella,
01:44which was the great, great success,
01:47and basically what we wanted to promote there
01:50is that the inner part,
01:53intelligence, is much more important than external beauty.
01:57And, obviously, then came all these novels
02:01that were focused on the Hispanic population,
02:04with stories that originated here,
02:07after a very large investigation that we did for the Hispanic audience,
02:11which was Estela Carrillo's La Doble Vida,
02:14and a series that is located in Texas,
02:22which is currently in VIX,
02:24which is called Más Allá de Ti,
02:27and, well, two or three more novels
02:30that were totally focused on the stories of Hispanics here.
02:35And then came this saga of Vencer,
02:39which is this format that we created,
02:41which is an original format,
02:44where the stories were of four women
02:47and usually stories also of men,
02:50which dealt with particular themes.
02:53In the case of Vencer,
02:55the fear was very important,
02:57the part of violence,
02:59violence towards women,
03:01gender violence within the same family,
03:04and so each one.
03:06Vencer, the past,
03:08which was one of the novels
03:10that was headed by Angelique Boyer,
03:12there we talked about the care
03:15that one has to have with social media,
03:18that the fact that sometimes one, as a woman,
03:20I don't know, that one is in love
03:22and takes photos in intimacy,
03:24those photos are shared with the partner
03:26and somehow, when there is a breakup,
03:28these photos go viral,
03:30and there have been many cases of women
03:32who even end up committing suicide,
03:36after the social and prestige
03:39that they suffer from that.
03:41So it was a novel
03:43that focused a lot on the digital part.
03:45Finishing, the last one,
03:47which was Vencer la Culpa,
03:49we wanted to address the part
03:51of the different families
03:53that there are,
03:55and above all
03:57we wanted a family novel,
03:59light in tone,
04:01and bring back those children's figures
04:03who are now young,
04:05young and adults,
04:07and incorporate them
04:09as protagonists of the novels.
04:11So it has been wonderful
04:13to see that the audience
04:15that we had at that time
04:17now returns to join
04:19and see precisely
04:21these characters
04:23that were so important
04:25in their childhood life.
04:27If you review all my novels,
04:29in none, the only goal
04:31of the woman is to get married.
04:34I like to see
04:36I know that the melodrama
04:38is a mirror through which
04:40our audience is reflected
04:42and I like to see these women
04:44who fight and have to get ahead
04:46despite everything and against everything.
04:48What happens in the stories
04:50of all those people
04:52who are watching us.
04:59It is curious because originally
05:01the original title was
05:03They fall from the sky
05:05However, due to issues
05:07of the type of titles
05:09that are usually put
05:11in the novels
05:13it was left to the fools.
05:15But it is the novel that in chapter 1
05:17the protagonist who was
05:19in love with Jacqueline
05:21in Blanca Montes
05:23at that time even
05:25Jacqueline had finished
05:27with Valentín de Lanús
05:29but they get married
05:31and in chapter 1
05:33she throws the cake
05:35gets naked, stays in underwear
05:37and runs away
05:39and from there the story begins
05:41and in all the novels
05:43I have tried to promote
05:45that the goal
05:47of the woman is not to get married
05:49obviously it is good
05:51if they get married
05:53but there are women who do not get married
05:55there are women who do not have children
05:57but finally the most important