El Viajero del tiempo - Película completa en español
El Viajero del tiempo - Película completa en español
El Viajero del tiempo - Película completa en español
El Viajero del tiempo - Película completa en español
El Viajero del tiempo - Película completa en español
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FunTranscript
00:00:00Hero, Hero, Hero, Hero, Hero, Hero, Hero, Hero, Hero, Hero, Hero, Hero, Hero, Hero, Hero, Hero, Hero, Hero, Hero, Hero, Hero, Hero, Hero, Hero, Hero, Hero, Hero, Hero, Hero, Hero, Hero, Hero, Hero, Hero, Hero, Hero, Hero, Hero, Hero, Hero, Hero, Hero, Hero, Hero, Hero, Hero, Hero, Hero, Hero, Hero, Hero, Hero, Hero, Hero, Hero, Hero, Hero, Hero, Hero, Hero, Hero, Hero, Hero, Hero, Hero, Hero, Hero, Hero, Hero, Hero, Hero, Hero, Hero, Hero, Hero, Hero, Hero, Hero, Hero, Hero, Hero, Hero, Hero, Hero, Hero, Hero, Hero, Hero, Hero, Hero, Hero, Hero, Hero, Hero, Hero, Hero, Hero, Hero, Hero, Hero, Hero, Hero, Hero, Hero, Hero, Hero, Hero, Hero, Hero, Hero, Hero, Hero
00:00:30Hero, Hero, Hero, Hero, Hero, Hero, Hero, Hero, Hero, Hero, Hero, Hero, Hero, Hero, Hero, Hero, Hero, Hero, Hero, Hero, Hero, Hero, Hero, Hero, Hero, Hero, Hero, Hero, Hero, Hero, Hero, Hero, Hero, Hero, Hero, Hero, Hero, Hero, Hero, Hero, Hero, Hero, Hero, Hero, Hero, Hero, Hero, Hero, Hero, Hero, Hero, Hero, Hero, Hero, Hero, Hero, Hero, Hero, Hero, Hero, Hero, Hero, Hero, Hero, Hero, Hero, Hero, Hero, Hero, Hero, Hero, Hero, Hero, Hero, Hero, Hero, Hero, Hero, Hero, Hero, Hero, Hero, Hero, Hero, Hero, Hero, Hero, Hero, Hero, Hero, Hero, Hero, Hero, Hero, Hero, Hero, Hero, Hero, Hero, Hero, Hero, Hero, Hero, Hero, Hero, Hero, Hero, Hero, Hero, Hero, Hero
00:01:00Unreal, so unreal
00:01:18Hero, Hero, Hero, Hero, Hero
00:01:30No, no me lo recuerdes.
00:01:32Buenas noches.
00:01:38Debbie?
00:01:40Sí?
00:01:43Adiós, cariño.
00:01:44Que descanses.
00:02:00Adiós.
00:02:30¿Sí? ¿Qué desea?
00:02:41Es usted, James Ferguson.
00:02:44Sí, ¿qué ocurre?
00:02:46Espero que no le moleste si le pregunto si se encuentra bien.
00:02:50Lo estoy, ¿por qué?
00:02:52Verá, no le ha ocurrido ningún suceso extraordinario en los últimos minutos.
00:02:56Solo su llamada.
00:02:58¿Qué es lo que quiere?
00:03:00¿Puedo pasar?
00:03:02Tengo que preparar un discurso.
00:03:04Lo siento, pero tengo mucho trabajo.
00:03:06No.
00:03:08¿Sabe usted la hora exacta?
00:03:12Son las once y dieciséis en punto.
00:03:16Debe haber algunas malas molestias, señor Ferguson.
00:03:20Buenas noches.
00:03:22Bien, buenas noches.
00:03:26Qué tipo más extraño.
00:03:31Señoras y señores, me llamo James Ferguson.
00:03:34Y como presidente de CN con su estrella favorita,
00:03:36tengo el inmenso placer de recibirles agradeciéndoles su presencia aquí.
00:03:41Podrán degustar nuestra exquisita selección de platos dedicada a las estrellas de televisión.
00:04:26Hola.
00:04:35¿Quiere ayudarme?
00:04:37Estoy atrapado y no puedo salir.
00:04:40Algo muy raro le ha ocurrido a mi aeroplano.
00:04:43Haré lo que pueda.
00:04:46Vamos, deseprisa. Van a empezar a tumbarnos de un momento a otro.
00:04:57Salgamos de aquí.
00:05:16¡Maldita sea!
00:05:18Me he perdido la cámara.
00:05:20Tendré que volver mañana a fotografiar el objetivo.
00:05:25Gracias por ayudarme.
00:05:28Creo que aún no nos hemos presentado.
00:05:31James Beaglesworth.
00:05:33Mis amigos me llaman Beagles.
00:05:36James Ferguson.
00:05:40De CN con su estrella favorita.
00:05:44Magnifico.
00:05:46Así que es norteamericano.
00:05:49Les estábamos esperando.
00:05:51Supongo que vendrán a combatir, ¿verdad?
00:05:55Los alemanes nos tienen localizados. Acompáñenme.
00:06:00Un momento. Esto es ridículo.
00:06:03¿Qué demonios estoy haciendo aquí?
00:06:14¿Qué demonios estoy haciendo aquí?
00:06:44¡Toma esa!
00:06:46¿Se ha lanzado tierra como si algo fuera a estallar?
00:06:49En todas partes he encintado.
00:06:52¡Hola!
00:07:14Good morning, Juvie.
00:07:16Good morning. I need your approval.
00:07:21Yes, I know I'm late.
00:07:22What happened to your forehead?
00:07:23It's nothing. I tripped over a door. Is the rehearsal ready?
00:07:26I'd like to go over the costs with you.
00:07:28Besides, we have a slight problem with the invoices.
00:07:30That photograph is horrible. We can't leave it.
00:07:32Look at that girl's chest.
00:07:34Jim! Jim, we need that image.
00:07:37It's modern and it's proven that it's what the American of today likes.
00:07:41Sex and television.
00:07:42Maybe, Chuck, but it's not our style.
00:07:45I'll meet you in a moment.
00:07:51Yes, sir?
00:07:52They seem to be saying, eat me.
00:07:54They look good.
00:07:57I'll need the original and two copies.
00:07:59Before you send it, I'll take another look.
00:08:01Very well.
00:08:03Hey, Jim! Can I talk to you for a moment?
00:08:05It's important, Chuck.
00:08:06Jim, do you think I'd bother you with something that wasn't important?
00:08:10Well, spit it out.
00:08:12The model in the photograph is part of my campaign for a new product.
00:08:18Eat with your ideal girl.
00:08:21All the covers will have a picture of an attractive girl in a sexy pose.
00:08:25I thought it could even be announced on the Playboy channel.
00:08:28What do you think?
00:08:30Eat with your ideal girl.
00:08:33We'll talk about that later.
00:08:34Jim, when are you going to learn to be a diplomat?
00:08:37Sometimes Chuck has good ideas, and while his uncle runs the bank he gave us,
00:08:40the loan will be linked to us.
00:08:42So make sure he's happy.
00:08:44Debbie, I don't have to tell you how important this presentation is,
00:08:46so that everyone is there, okay?
00:08:48Very well, but I can't take care of everything.
00:08:50I don't understand what that is about. You have to try.
00:08:53Jim, everything will be fine. So calm down, okay?
00:08:57Okay, but make sure everything is ready for the presentation.
00:09:02Debbie, give me a moment. I have to talk to this gentleman.
00:09:06Just be quiet.
00:09:08With who?
00:09:14From what I see, you have a wound on your forehead.
00:09:17Did you do it last night?
00:09:19What's this interrogation about?
00:09:21Did you hit your head with a plane?
00:09:27Why do you say that?
00:09:29Answer me.
00:09:30He rescued the pilot.
00:09:33Who the hell are you?
00:09:35So it happened last night.
00:09:37You have to tell me.
00:09:39It's important that you tell me exactly what happened.
00:09:42Combatant Raymond from the Air Force Secret Service.
00:09:45What's going on? Are you spying on me?
00:09:47No, none of that.
00:09:48I assure you that you have to trust me.
00:09:50Okay.
00:09:53I was in my office preparing a speech
00:09:56when suddenly I appeared in the middle of a battlefield in the European war.
00:10:00Western Front, 1917.
00:10:03How did you know?
00:10:04Please, what happened?
00:10:06A plane crashed. It was an old biplane.
00:10:09I helped the pilot because he was trapped.
00:10:11So you were the one who saved Biggles.
00:10:13Biggles, that's right.
00:10:15Please, continue.
00:10:17Suddenly they started bombing us and the plane exploded.
00:10:21At that moment I found myself in my house again.
00:10:23I know it sounds crazy, but that's how it happened.
00:10:25What happened to the camera?
00:10:27Camera?
00:10:28The camera that was on the plane.
00:10:29Did Biggles manage to recover it?
00:10:32No, the plane exploded before I could pick it up.
00:10:37That was a big mistake.
00:10:39Hey, Mr. Raymond, or whatever his name is,
00:10:41would you mind telling me what's going on?
00:10:43Jim, we can't make the puree. The mixer is broken.
00:10:46Wait a minute, Bill, please.
00:10:50Things will happen to him on more occasions.
00:10:52He must go to London.
00:10:54London? He's back.
00:10:55My address is on the card.
00:10:58Good morning, Mr. Fergus.
00:11:01Good morning.
00:11:12Take the tray, please.
00:11:17Is everything all right?
00:11:18For now, yes.
00:11:19The supplier of national markets has just arrived.
00:11:21Oh, wow. Do I look good?
00:11:23Yes.
00:11:24Do I wear a hat?
00:11:25Yes, of course.
00:11:26I hope so.
00:11:27You're going to need it. It's Maxine Five.
00:11:32Mrs. Five!
00:11:34I'm so glad to see you. You look beautiful.
00:11:36Thank you for coming.
00:11:37Hello, Mr. Fergus.
00:11:39So, this is it.
00:11:42It looks like it was on the agenda this time.
00:11:44At least we think we have the product to get it.
00:11:47Yes, it's possible.
00:11:50What are they trying to sell?
00:11:52Silicone prosthetics?
00:11:53Oh, you mean the cover?
00:11:55It's being tested until we finish the market study.
00:12:02I can barely smell it.
00:12:04Consumers tend to take it into account.
00:12:06Well, that's very easy to solve.
00:12:09Oh, they've bitten it.
00:12:11Let me give you another tray.
00:12:13No, leave it. At least someone liked it.
00:12:15What doesn't convince me is how the gasket is prepared.
00:12:18It looks like...
00:12:20as if it were waste.
00:12:22Mrs. Five, I assure you that your customers will say
00:12:26that it is the best waste they have ever tasted in their lives.
00:12:31What?
00:12:41You?
00:12:43What are you doing inside my plane?
00:12:45I don't know.
00:12:47You're not very lucky.
00:12:49This mission may be the last.
00:12:53What does that mean, the last?
00:12:58The Germans have a new weapon.
00:13:00It was the one that caused my accident.
00:13:02I'll try to photograph it again.
00:13:05Most likely, they'll use that weapon against us.
00:13:08We'll have to be careful.
00:13:11There's a helmet. Put it on.
00:13:15Biggles, I have to talk to you.
00:13:20It's not the time.
00:13:22Watch out.
00:13:24I'll do it.
00:13:30I'll go.
00:13:36I'm going in.
00:14:00I'm going in.
00:14:30I'm going in.
00:14:37Use the machine gun.
00:15:01I'm going in.
00:15:03I'm going in.
00:15:30Open fire, Captain.
00:16:01The machine gun is jammed.
00:16:03Then unjam it.
00:16:06I'll try to leave it behind.
00:16:14What the hell did they train you for?
00:16:17To cook.
00:16:30Hey, I did it!
00:16:31I did it!
00:16:52Red flame.
00:17:00Take cover.
00:17:26I have the photograph.
00:17:30I have the photograph.
00:17:42What's wrong with the machine gun?
00:17:44The same as the last time.
00:17:47They're using the weapon.
00:18:01I'm going to try to gain altitude.
00:18:04Hold on.
00:18:15I did it.
00:18:17I think we're out of their reach.
00:18:24Take him.
00:18:26I'll take him.
00:18:30I don't understand. Take what?
00:18:33Take the controls.
00:18:35Take the controls.
00:19:01Take him.
00:19:02I'll keep flying.
00:19:31Go ahead.
00:19:32Go ahead.
00:19:33It's okay here.
00:20:01Watch out for the negative.
00:20:05Where are you coming from?
00:20:09Jim, what happened to you?
00:20:11I can't explain it.
00:20:12Please tell me, what's going on?
00:20:14You have to stay away from me.
00:20:16Where are you going?
00:20:17London.
00:20:18London?
00:20:30Jim.
00:20:31Jim.
00:20:32Jim.
00:21:00Jim.
00:21:19Come in.
00:21:26I was waiting for you, Mr. Ferguson.
00:21:30Come in.
00:21:38This is what I call my hideout.
00:21:41It's quite cozy, don't you think?
00:21:43Of course, when you raise the bridge, there's a bit of noise.
00:21:45But it doesn't happen very often.
00:21:47Please sit down.
00:21:48I'll serve you a cup of tea.
00:21:49Forget about the tea.
00:21:50Would you mind telling me what's going on?
00:21:53I run a business and there are a lot of people who depend on me.
00:21:56The truth is, I don't understand what you're proposing.
00:21:58The only thing I know is that this mystery has to end.
00:22:00Do you understand?
00:22:01Mr. Ferguson, please, don't shout.
00:22:03Why did you get me involved in this?
00:22:05If I had to get someone involved, as you so eloquently said,
00:22:08I wouldn't have chosen you.
00:22:10Fighting for your country or for your life is something that,
00:22:13fortunately, you haven't had to do yet.
00:22:16I think you're wrong.
00:22:18In my last disappearance, I did it,
00:22:20and I was shot by a masked clown who was in a German biplane.
00:22:23Von Starke.
00:22:25It must have been him.
00:22:27Give me an answer.
00:22:29Right now.
00:22:30Please, Mr. Ferguson.
00:22:32Sit down.
00:22:33You have to trust me.
00:22:34I'll tell you what I know.
00:22:36The pilot you met was James Beaglesworth.
00:22:39In this photograph, he posed with the men of his squadron.
00:22:42On the left and right, Algie, Bertie and Ginger.
00:22:44Who were they?
00:22:45Bodeville artists?
00:22:46None of that.
00:22:48They were four of the bravest men I've had the privilege of meeting.
00:22:52We all owe the freedom we now enjoy to men of his temple.
00:22:55What does that have to do with me?
00:22:58You gave this card to Beagles.
00:23:03How is it in his possession?
00:23:06Beagles gave it to me.
00:23:08You see, I was his superior officer on the western front.
00:23:12I gave this card to Beagles just two nights ago,
00:23:15and it says 1917.
00:23:17Traveling through time is not impossible.
00:23:20There is evidence that it happens more often than one imagines.
00:23:23Yes, yes, but why me?
00:23:25I don't know why.
00:23:26I only know what happens.
00:23:28How is it that I still meet Beagles?
00:23:31With regard to that,
00:23:33I think Beagles is your soulmate in time.
00:23:36Soulmate?
00:23:39He has something stronger than you.
00:23:42It seems your lives are inexorably intertwined.
00:23:46One moment.
00:23:47Do you think this could be the reason?
00:23:51Where did you get it?
00:23:54The second time I was with Beagles,
00:23:56we went on a reconnaissance mission,
00:23:58and when I came back, I realized he was taking it with him.
00:24:01Did Beagles tell you what he had photographed?
00:24:04Yes, some kind of secret weapon.
00:24:07He seemed to be very interested in it.
00:24:11I'll have him rebelled right away.
00:24:15Mr. Ferguson,
00:24:19it's time to take action.
00:24:21Take action?
00:24:22I have something for you.
00:24:24For what?
00:24:26For your next trip.
00:24:29This time, we will send you to the battlefield properly equipped.
00:24:33Is there any way to get out of this mess?
00:24:36I'm afraid not.
00:24:37If Germany discovers a weapon that allows it to pass through allied lines,
00:24:41it is likely that it will win the First European War.
00:24:44As you will understand, the course of history will change,
00:24:46and you will be anchored in 1917 as an orphan in time.
00:24:51And only God knows what will happen to the rest of us.
00:24:54This madness is on the rise.
00:24:56There must be no failures.
00:24:58I have reserved a room for you in a hotel on the other side of the river,
00:25:01Hotel de la Torre.
00:25:03As soon as he reveals this negative, I will contact you.
00:25:06Good luck.
00:25:12It's the result of a trauma.
00:25:15This book explains it.
00:25:19Mental illness?
00:25:21I've been reading it, and I've found the answer.
00:25:24He has a syndrome of psychic trauma.
00:25:27Jim is not crazy, but terrified.
00:25:29And I think it has something to do with the man who came to see him yesterday.
00:25:32It must be some kind of blackmail or...
00:25:37Yes, Jim?
00:25:39Jim, where are you?
00:25:41I'm at the Hotel de la Torre, in London.
00:25:43Is there any news?
00:25:45Everything is fine.
00:25:46Maxine has finally made a request.
00:25:48It's magnificent.
00:25:50I'll be back in a few days.
00:25:52What's wrong with you?
00:25:53It's a personal matter, but I'll solve it.
00:25:55Honey, I'll take the first plane.
00:25:57Hey, Debbie, don't come.
00:25:59It's not necessary, I'll be home very soon.
00:26:02I give you my word.
00:26:04Say hello to the others on my behalf.
00:26:08You see, guys like Jim are prone to stress due to the activity they develop.
00:26:13So they accumulate more and more fatigue until they explode.
00:26:19I'm going to London.
00:26:20I'll go with you.
00:26:21Me too.
00:26:22No, Bill, someone has to stay to attend to the orders.
00:26:25You can't go alone.
00:26:28Jim is a lucky guy.
00:26:32I hope you work a lot.
00:26:57...and floods on the Liverpool National Highway.
00:27:28Oh, excuse me, sir.
00:27:30I hadn't seen you.
00:27:32I'll be back later.
00:27:57...and floods on the Liverpool National Highway.
00:28:15It's pushing too quick.
00:28:17Biggles, where are you?
00:28:19I must see you.
00:28:23Biggles!
00:28:25Does the name ring a bell?
00:28:44Who are you?
00:28:45Are you a Belgian?
00:28:47Belgian? I'm Jim Ferguson.
00:28:49Are you American?
00:28:51You're green.
00:28:55Algy?
00:28:57Ginger.
00:28:58I'm not a good physiognomist, but I never forget the monocles.
00:29:00How did you get here?
00:29:01You wouldn't believe it.
00:29:03Trust us.
00:29:05I've moved in time.
00:29:07Do you want us to believe that story?
00:29:09It's the truth.
00:29:11You have three seconds.
00:29:13One...
00:29:15Two...
00:29:16All right.
00:29:17I'm a secret agent.
00:29:19Where's your ID?
00:29:22Don't tell me you want to see it.
00:29:24We can't take any ID.
00:29:26Why do you have a simple towel?
00:29:28I was going to take a bath.
00:29:33Leave him.
00:29:39What have you done with my negative?
00:29:41They're expanding it.
00:29:43I've received orders to help them.
00:29:45That's why I'm back.
00:29:47We're very close to the enemy lines.
00:29:49We have to find someone who has information on that weapon.
00:29:52Could you give me some clothes?
00:29:54It's very cold here.
00:30:15Do you know each other?
00:30:17Yes.
00:30:19We know each other.
00:30:36Who is Marie?
00:30:38She's a girl Beagles met in 1916.
00:30:41She was a German agent.
00:30:43She tried to lure Beagles to get information.
00:30:46But she fell in love with him.
00:30:48She betrayed his men to save her lover.
00:30:51They're looking for her to shoot her.
00:30:54Don't worry.
00:30:56She won't be fooled twice.
00:30:58I have the map of a cave that leads to Blanche Flair.
00:31:01That's where they found the bodies.
00:31:03Do you know what's in Blanche Flair?
00:31:05No one has managed to get out of there.
00:31:07It's a secret.
00:31:09Here's the map.
00:31:18Trust me, James.
00:31:21Please, trust me.
00:31:23I don't work for either side anymore.
00:31:41Don't meddle, nun.
00:31:45For now.
00:31:47I won't.
00:31:50I promise that when this is over, I'll come for you.
00:31:57You must hurry.
00:32:12There are Germans everywhere.
00:32:14They've caught us. They're everywhere.
00:32:17They must have been watching the convent.
00:32:19This is treason.
00:32:24If we defend ourselves, they can retaliate against all these people.
00:32:47Come on, let's go.
00:33:17Captain Eric von Stalheim.
00:33:21The famous Piggles.
00:33:23At last, we meet face to face.
00:33:27Have you forgotten your iron mask?
00:33:29I don't need to wear it to catch a spy.
00:33:32Or...
00:33:34Maybe you've come to this convent to get used to it.
00:33:38You're wrong, Captain.
00:33:40I'm going to sing in the choir.
00:33:42I'm sorry, but we've decided that the choir will leave.
00:33:48I'm very curious, Captain.
00:33:52How did you know I was here?
00:33:54That an English plane had landed at night.
00:33:57And that once on land, it had crossed a narrow bridge.
00:34:01I knew perfectly well that it could only be the great Piggles.
00:34:08For the gods of war.
00:34:12For peace.
00:34:15Of course, I would have preferred to kill you in the air.
00:34:20Shooting you will be, without a doubt, much more boring.
00:34:23It will be the only way you can kill me.
00:34:27Shoot them!
00:34:44Attention!
00:34:55Ready!
00:34:58It's a grenade!
00:35:14Don't move! Stay where you are!
00:35:20Order them not to move.
00:35:22Or he will never pilot his plane again.
00:35:31I'm not going to shoot you, dear friend.
00:35:34Even if he deserves it, we don't act like that.
00:35:45Thank you very much, sister.
00:35:57Jim, it's Debbie. Are you okay?
00:36:02Jim!
00:36:03What are you doing in London?
00:36:05Jim? What's wrong?
00:36:08Wait a second.
00:36:11What's wrong?
00:36:13What's wrong with you?
00:36:21It's a serious matter, don't you think, nun?
00:36:24Why are you dressed like that?
00:36:26I told you, it's a personal matter.
00:36:31Or maybe he wants to rob a bank dressed like that.
00:36:33Of course, it's original.
00:36:35It's not what it looks like. There's an explanation for all this.
00:36:38Are you sure, dear?
00:36:43I'm sure.
00:36:55I'm Dr. Charles Winthrop Dismore, miss.
00:36:59I'm a psychiatrist in New York City.
00:37:02One of my patients is staying at the hotel.
00:37:05I think I'm going to need some help.
00:37:08If you could call an ambulance, I'd be very grateful.
00:37:11He's in room 1231.
00:37:14Is it necessary for a couple of very strong nurses to come?
00:37:19Is your patient dangerous?
00:37:21Of course not. He's just a little dizzy.
00:37:25He's got a nun's habit, and he's got a gun.
00:37:29He said a gun?
00:37:31Yes, it looks like a kind of big gun.
00:37:37Jim, what's wrong?
00:37:39All right, Debbie, I'll tell you, but you won't believe me.
00:37:42Suddenly I find myself in a time hole, and I go back to 1917.
00:37:46And what else?
00:37:48Do you believe me?
00:37:50If you say so, Jim, I'm sure it's true.
00:37:52Debbie, I go back to the First World War,
00:37:55and I help an officer named Biggles find and destroy a German secret weapon.
00:38:03Let's go.
00:38:10I'm the doctor.
00:38:12Oh, yes, sir. The porter has a package for you.
00:38:15Jim, please listen to me.
00:38:17I'm not saying I don't believe what you've told me about traveling through time and so on,
00:38:20but you have to promise me one thing.
00:38:22What?
00:38:23Will you try to get someone to help you?
00:38:25For that, we go to the Tower Bridge.
00:38:27Forget that story. I mean real help.
00:38:29You have to see a psychiatrist.
00:38:31You just said you believed me.
00:38:33You see, I'm sure that seems very real to you.
00:38:37Well, let's go. We don't have time.
00:38:40You don't believe me. I don't know anything about a machine gun.
00:38:43I haven't even seen it.
00:38:45I've come here to help a friend.
00:38:47It's that one! It's that one!
00:38:52Debbie, get away. Come on, go.
00:38:59Protect us!
00:39:07Come on.
00:39:32It can't be.
00:39:34Ferguson!
00:39:35Did you see that? It's that American.
00:39:40Who did he bring?
00:39:41Captain Bigglesworth, this is Debbie Stephens.
00:39:44My... nurse.
00:39:47She shouldn't have come, Miss Stephens.
00:39:49This is not a place for a lady.
00:39:51Cover!
00:39:55Come on, guys!
00:40:06Ouch!
00:40:10Where are we?
00:40:12The Germans will be here any minute now.
00:40:14Don't get away from me.
00:40:17We've found the underground, sir.
00:40:19Come on, guys. Keep walking.
00:40:21Don't stop.
00:40:22Let's go through the underground.
00:40:24Come on, soldiers.
00:40:27What's going on? Is this a nightmare?
00:40:29Or is this a joke you've prepared for me?
00:40:33Do you believe me now?
00:40:35I told you I'd go back to 1917.
00:40:37We can't go back.
00:40:39It would be for the best.
00:40:50Come on, Ferguson.
00:41:02Let's go!
00:41:25Jim, this is a well-prepared thing, isn't it?
00:41:27Just like the fantasy island, isn't it?
00:41:29I told you. It's the First World War.
00:41:31Hey, Biggles. Wait a minute.
00:41:33Do you have a plan?
00:41:35We'll get to Blanche Fleur through this cave.
00:41:37Marie gave us the map.
00:41:39We have to find out what kind of weapon it is.
00:41:41We're on the offensive.
00:41:43They can use it against us in a matter of hours.
00:41:59Oh, my God! They want to bury us alive!
00:42:05I know. This must be a hallucination.
00:42:08I'm sure it was the silk I ate on the plane.
00:42:17That poor man will never be able to have dinner with his favorite star.
00:42:20Don't split up.
00:42:22We can meet up near the Germans.
00:42:29Let's go.
00:42:46Blanche Fleur's sector must not be far.
00:42:48Bertie, come with me.
00:42:50Ginger, you and Algie will cover the rear.
00:42:54Jim, you and the nurse wait here.
00:42:59Let's go.
00:43:29Let's go.
00:43:48Get down.
00:44:00Come on.
00:44:13All clear.
00:44:30All clear.
00:44:32Let's go to Blanche Fleur.
00:44:59Let's go.
00:45:14Algie, Ginger, cover us.
00:45:26This city seems to have suffered a nuclear attack.
00:45:28Nuclear? What's that?
00:45:30It's what will be the decisive weapon of the future.
00:45:33Something very destructive.
00:45:37Let's go.
00:45:58Let's go.
00:46:08What's that?
00:46:10I wouldn't be surprised if they were Eskimos.
00:46:15Let's take a look.
00:46:21Sir.
00:46:28Let's go.
00:46:44Ceramic blocks.
00:46:46Like the fuselage of spaceships.
00:46:48What the hell are you talking about?
00:46:50This roof has been built to withstand high temperatures.
00:46:58Let's go.
00:47:28Let's go.
00:47:47They use the mannequins as a target.
00:47:51I'm sure they're going to test the weapon.
00:47:58Let's go.
00:48:04What is that siren for?
00:48:06It indicates that we must go.
00:48:12Get in there, quick.
00:48:23Stop.
00:48:29She could help us.
00:48:35To the cell, now!
00:48:58Let's go.
00:49:11Captain von Stalhen.
00:49:24Where are you going?
00:49:28Let's go.
00:49:34Quick, quick.
00:49:44Looks like we're going to have to replace the mannequins.
00:49:52Get back.
00:49:55Hurry up.
00:49:59I'm a citizen of North America.
00:50:01You have no right to treat me like this.
00:50:03No one speaks my language.
00:50:05Please, someone call the American embassy.
00:50:08We're two subjects of the United States.
00:50:11Can I try it? I have the passport.
00:50:13I'll give it to you right away.
00:50:15Look, my passport.
00:50:17The driver's license, the credit card.
00:50:20Well, if you put it like that, you'll test my defensive weapon.
00:50:29Let's go.
00:50:42Let's go.
00:50:58Help!
00:51:00Help!
00:51:28Help!
00:51:58Help!
00:52:23Watch out for the Teutons, my friends.
00:52:28Let's go.
00:52:58Let's go.
00:53:28Let's go.
00:53:58Let's go.
00:54:17They've perfected an infernal sound weapon.
00:54:23We've seen enough.
00:54:25Let's go.
00:54:28Let's go.
00:54:30Let's go.
00:54:32Let's go.
00:54:57Watch out. There are snipers.
00:54:59My men and I will try to eliminate them.
00:55:18In here.
00:55:30In here.
00:55:36In here.
00:55:39In here.
00:55:49Cover me.
00:55:55Let's go.
00:55:58He stopped shooting.
00:56:00We have to capture him. He's dangerous.
00:56:02Do you understand why I have to talk to Colonel Raymond?
00:56:05I don't care how you do it, but unmask him.
00:56:27Get down or we'll shoot.
00:56:34Don't move or we'll shoot.
00:56:42Don't move.
00:56:51Calm down.
00:56:52Where did you come from?
00:56:53I have no idea.
00:56:54You've traveled through time and you're in the 80s.
00:56:56What's that thing called?
00:56:57It's a helicopter.
00:56:58Where is it going?
00:56:59To the tower bridge.
00:57:27I'm sorry, can I use your ladder?
00:57:29Of course.
00:57:56Let's go.
00:58:20I'm sorry. It's not my place.
00:58:23How did you get here?
00:58:25I was in my airplane.
00:58:28The Germans have crossed our trenches and...
00:58:32I wanted to see if I could locate the weapon.
00:58:35On the bridge of the tower is the man who has his photograph.
00:58:55I couldn't find the weapon.
00:58:57I was in my airplane.
00:59:00The Germans have crossed our trenches and...
00:59:03I wanted to see if I could locate the weapon.
00:59:06On the bridge of the tower is the man who has his photograph.
00:59:10I couldn't find the weapon.
00:59:13On the bridge of the tower is the man who has his photograph.
00:59:17I wanted to see if I could locate the weapon.
00:59:20On the bridge of the tower is the man who has his photograph.
00:59:24I wanted to see if I could locate the weapon.
00:59:27I wanted to see if I could locate the weapon.
00:59:30On the bridge of the tower is the man who has his photograph.
00:59:33I wanted to see if I could locate the weapon.
00:59:36I wanted to see if I could locate the weapon.
00:59:40On the bridge of the tower is the man who has his photograph.
00:59:44Fermin, you are in Bizetta, on the bridge of the tower.
00:59:48You want to shoot him...
00:59:51Hurry up!
00:59:54How do I shoot?
00:59:57I'm William Raymond.
01:00:01Captain Raymond.
01:00:04It's incredible.
01:00:07I've missed you a lot, old friend.
01:00:14I'm sorry I...
01:00:17I've missed you too.
01:00:21I've missed you too.
01:00:24I'm sorry I...
01:00:27I didn't recognize you.
01:00:29Years don't go by in vain.
01:00:39It's my squad.
01:00:41Bertie, Angie, Ginger and me.
01:00:44Exactly.
01:00:45They did it when our unit received its first congratulation.
01:00:49They were very proud of our group.
01:00:54And it looks like it was a month ago.
01:00:57It's extraordinary.
01:00:59How did you get here?
01:01:01Just like me, and you saved my life.
01:01:03If I hadn't experienced it, I would never have believed it.
01:01:06Then...
01:01:08the time hole works in both directions.
01:01:11It opens when one or the other is in danger of death.
01:01:15I have the photograph you need.
01:01:18I had the negative enlarged that Fergusson left me.
01:01:22The gun is well camouflaged.
01:01:24I enlarged it with a computer to show it in more detail.
01:01:28With a computer?
01:01:30Yes.
01:01:31Don't worry.
01:01:32I pointed out the exact position of the gun.
01:01:34Good.
01:01:35Let's go.
01:01:36What about the police?
01:01:38Does anyone know how to get out of here?
01:01:41How will you get back to the past?
01:01:44I'll find the system.
01:01:47Good luck to you both.
01:02:11Do as I say.
01:02:14What are you going to do?
01:02:41It's magnificent.
01:02:44What a clever device.
01:02:47What is he going to do?
01:02:49He won't seriously think about flying with this device.
01:02:52He doesn't know how to pilot it.
01:02:55Did you hear what I said?
01:02:57He doesn't know his controls.
01:02:58It's a modern device.
01:03:00The one who flies with a computer,
01:03:02he doesn't know how to pilot it.
01:03:05He doesn't know how to fly.
01:03:07He doesn't know how to fly.
01:03:10The one who flies with a software cable,
01:03:12flies with anything.
01:03:14Don't move!
01:03:23It's incredible.
01:03:25By tilting the device,
01:03:26you can get a rotation movement.
01:03:29Let me in.
01:03:32Did you hear me?
01:03:35Wait.
01:03:37The propeller on the tail,
01:03:38is to balance the plane.
01:03:50Why don't you get in?
01:03:53I can't.
01:04:07Miguel!
01:04:24Welcome aboard.
01:04:30It won't take long to get this thing under control.
01:04:33Great, because we don't have much time.
01:04:36Try the autopilot.
01:04:38Autopilot?
01:04:40What is that?
01:04:41This thing here.
01:04:50What do you think?
01:04:51Should we leave the autopilot?
01:04:58Don't worry, my friend.
01:05:00Think of England.
01:05:02This is going to work.
01:05:04Hold on.
01:05:11Miguel!
01:05:12It's the time hole.
01:05:13We just crossed it.
01:05:15That's right, Ferguson.
01:05:21Hold on.
01:05:51Hold on.
01:06:04You'll see, sausage maker,
01:06:05what this thing can do.
01:06:08Go ahead.
01:06:21Go ahead.
01:06:51Go ahead.
01:07:21She knows fun,
01:07:23and she comes.
01:07:25She's my crazy,
01:07:27such a lady.
01:07:29Have you seen my baby?
01:07:31Have you seen my children?
01:07:33Fergie, Archie, Ginger,
01:07:35Romeo and Pierre.
01:07:36She's so sweet,
01:07:38she's so neat.
01:07:40She's so crazy,
01:07:42such a lady.
01:07:44Have you seen my baby?
01:07:46Have you seen my children?
01:07:48Have you seen my baby?
01:07:50Have you seen my children?
01:07:52Have you seen my baby?
01:08:02Miguel, it's you.
01:08:04I can hardly believe my eyes.
01:08:06We thought that when your plane crashed...
01:08:09What devilish machine is that?
01:08:11I need a dozen of Cooper bombs,
01:08:13a...
01:08:14Go ahead, Wish.
01:08:15Ginger, get a team of...
01:08:17machine guns and grenades.
01:08:18Are we going up to your windmill?
01:08:20I'm afraid not.
01:08:21I'm going to use it to neutralize that devilish weapon.
01:08:23I want all three of you to go to the convent and protect the peasants.
01:08:26The Germans may retaliate.
01:08:28We'll make them change their minds.
01:08:30Let's go.
01:08:31And...
01:08:33take care of Marie for me.
01:08:38Let's go, guys.
01:08:39Let's get into action.
01:08:40Hurry, Benson.
01:08:42Let's go, let's go.
01:08:44Are you going to keep following me?
01:08:46What do you say?
01:08:48Let's kick their asses, my friend.
01:09:07Get ready to fire.
01:09:16Get ready to fire.
01:09:46Fire.
01:09:50Fire.
01:09:57Look, Benson.
01:09:58Look at the picture Rayburn gave us.
01:10:00Our target must be in that direction.
01:10:17I'm going to fly straight to the sound weapon.
01:10:20Put the speakers on full power.
01:10:24There it is.
01:10:25Throw it.
01:10:26What?
01:10:27Throw the microphone, or better yet, put it on top of the speaker.
01:10:31We'll fight sound against sound.
01:10:34Has it turned red?
01:10:35I hope not, my friend.
01:10:37Hold on.
01:10:46Hold on.
01:11:16Hold on.
01:11:17Hold on.
01:11:39Time's up.
01:11:46Time's up.
01:12:17Time's up.
01:12:18Time's up.
01:12:19Time's up.
01:12:20Time's up.
01:12:21Time's up.
01:12:22Time's up.
01:12:23Time's up.
01:12:24Time's up.
01:12:25Time's up.
01:12:26Time's up.
01:12:27Time's up.
01:12:28Time's up.
01:12:29Time's up.
01:12:30Time's up.
01:12:31Time's up.
01:12:32Time's up.
01:12:33Time's up.
01:12:34Time's up.
01:12:35Time's up.
01:12:36Time's up.
01:12:37Time's up.
01:12:38Time's up.
01:12:39Time's up.
01:12:40Time's up.
01:12:41Time's up.
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01:13:00Time's up.
01:13:01Time's up.
01:13:02Time's up.
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01:14:00Time's up.
01:14:01Time's up.
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01:15:00Time's up.
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01:15:16Time's up.
01:15:17Time's up.
01:15:18Time's up.
01:15:19Time!
01:15:28Hail,谢things.
01:15:30Son of a bitch.
01:15:31Son of a...
01:15:32Get your ass等一下.
01:15:33Go get your ass.
01:15:34He's still here.
01:15:35Get your ass.
01:15:36Son of a bitch!
01:15:37Hail, handsome!
01:15:38The son of a...
01:15:39Oh, my God!
01:15:40Oh, my God!
01:15:41Oh, my God!
01:15:42Oh, my God!
01:15:43Oh, my God!
01:15:44Oh, my God!
01:15:45Oh, my God!
01:15:46Oh, my God!
01:15:47Oh, my God!
01:15:48Oh, my God!
01:15:49Oh, my God!
01:15:50Oh, my God!
01:15:51Oh, my God!
01:15:52Oh, my God!
01:15:53Oh, my God!
01:15:54Oh, my God!
01:15:55Oh, my God!
01:15:56Oh, my God!
01:15:57Oh, my God!
01:15:58Oh, my God!
01:15:59Oh, my God!
01:16:00Oh, my God!
01:16:01Oh, my God!
01:16:02Oh, my God!
01:16:03Oh, my God!
01:16:04Oh, my God!
01:16:05Oh, my God!
01:16:06Oh, my God!
01:16:07Oh, my God!
01:16:08Oh, my God!
01:16:09Oh, my God!
01:16:10Oh, my God!
01:16:11Oh, my God!
01:16:12Oh, my God!
01:16:13Oh, my God!
01:16:14Oh, my God!
01:16:15Oh, my God!
01:16:16Oh, my God!
01:16:17Oh, my God!
01:16:18Oh, my God!
01:16:19Oh, my God!
01:16:20Oh, my God!
01:16:21Oh, my God!
01:16:22Oh, my God!
01:16:23Oh, my God!
01:16:24Oh, my God!
01:16:25Oh, my God!
01:16:26Oh, my God!
01:16:27Oh, my God!
01:16:28Oh, my God!
01:16:29Oh, my God!
01:16:30Oh, my God!
01:16:31Oh, my God!
01:16:32Oh, my God!
01:16:33Oh, my God!
01:16:34Oh, my God!
01:16:35Oh, my God!
01:16:36Oh, my God!
01:16:37Oh, my God!
01:16:38Oh, my God!
01:16:39Oh, my God!
01:16:40Oh, my God!
01:16:41Oh, my God!
01:16:42Oh, my God!
01:16:43Oh, my God!
01:16:44Oh, my God!
01:16:45Oh, my God!
01:16:46Oh, my God!
01:16:47Oh, my God!
01:16:48Oh, my God!
01:16:49Oh, my God!
01:16:50Oh, my God!
01:16:51Oh, my God!
01:16:52Oh, my God!
01:16:53Oh, my God!
01:16:54Oh, my God!
01:16:55Oh, my God!
01:16:56Oh, my God!
01:16:57Oh, my God!
01:16:58Oh, my God!
01:16:59Oh, my God!
01:17:00Oh, my God!
01:17:01Oh, my God!
01:17:02Oh, my God!
01:17:03Oh, my God!
01:17:04Oh, my God!
01:17:05Oh, my God!
01:17:06♪
01:17:11♪
01:17:16♪
01:17:21♪
01:17:26♪
01:17:31♪
01:17:36♪
01:17:41♪
01:17:46♪
01:17:51♪
01:17:56♪
01:18:01♪
01:18:06Give me the gun.
01:18:08♪
01:18:13♪
01:18:18♪
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