アメトーーク！スタッフとの接し方分からない芸人
#EnglishMovie #cdrama #drama #engsub #chinesedramaengsub #movieshortfull
#EnglishMovie #cdrama #drama #engsub #chinesedramaengsub #movieshortfull
Category
📺
TVTranscript
00:00How to get along with the staff
00:04Shyness, Trauma, Lack of charm
00:07The latest work in the human relationship series
00:10From next week, A.R.O.N. to change your life
00:15Amethorp
00:19Tonight, the members who don't know how to get along with the staff will be gathered
00:26I think I'm good at getting along with the staff
00:32It's not that I'm bad at it, but I really don't understand the feelings of people who say they're not good at it
00:37Why is it so difficult to talk to people at work?
00:44Also, I don't believe in Fujimon-san
00:47Why?
00:48Even if you say you're not good at it, there are people like that
00:51There are people like Fujimon-san who are not good at it
00:54It's not shyness, it's like Kusanagi, people are not good at it
00:58I understand that
01:00Is that the same for Iguchi?
01:02I've only eaten with the staff once or twice in my life
01:07Really?
01:09I don't even have the image of getting along
01:12A comedian is like a daily worker
01:16I just go to the store and come back from work
01:20I've been a comedian for a long time
01:24I think I'm just a part of the life of a comedian
01:29That's how you think
01:31Even if I don't get along, I feel betrayed
01:34When I wasn't popular, the staff at the TV station
01:38They looked at me like I was a cable playing in a studio
01:43They looked at me with the same eyes as that
01:47You don't look like a cable
01:50I'm still a bit scared of that past
01:54What about Inuyama?
01:55I did a bit of Ametalk
01:58I thought I was getting closer to the staff
02:02But I got an offer from an unknown actor to get along with the staff
02:06I was like, is there such a thing?
02:09When the offer came, I was like, is that so?
02:12Inuyama looks like he can do it
02:14He looks like he can do it
02:16He looks like he can do everything
02:17But I got a reply saying, no
02:22I really want to talk
02:25But I'm a bit nervous
02:28When I go to work, I practice talking
02:32It's like a loop in my head
02:34You practice talking?
02:36When everyone is talking, you practice talking
02:40You're really bad at it
02:42I've been told many times
02:44Don't practice
02:45Don't practice, listen to people
02:47I can't do that
02:51I think it's because of the times
02:53I don't know how to talk to people because of the strictness of compras
02:57Why?
02:58In the past, there was a time when it was okay to just look at people
03:02That's how you communicate
03:04It's like closing the distance
03:06I can't do that anymore
03:08I see
03:09If the compras are too strong, you'll lose your communication skills
03:12You'll lose it
03:13That's what happened
03:15You're not bad at it, right?
03:17I'm not that bad
03:19I think the staff are pretty good
03:21I'm pretty good at talking
03:22It's just that you're not very delicate
03:24It's a bit rough
03:26I want to be like you
03:28I don't have to think about anything
03:31What are you talking about?
03:32What am I thinking about?
03:34I'm jealous
03:35I'm jealous
03:36I admire you
03:37Well, Atsushi isn't bad at it
03:39He can talk normally
03:41I have a book on communication skills
03:43That's amazing
03:46You can do it in one shot
03:48That smile is a lie
03:50That smile
03:51That smile
03:52I can't do that
03:53He does that smile a lot
03:55Like Atsushi, let's take a look at what kind of steps the staff are taking
04:00Let's take a look at the process
04:03Here it is
04:06First, the conversation starts
04:10You have to talk to them
04:12That's amazing
04:14You have to talk to them
04:15When you talk to them once, you have to talk to them twice
04:18What do you talk about?
04:20Like, did you see the baseball game yesterday?
04:22Or did you see the derby yesterday?
04:25Is that before the actual game?
04:27Before the actual game, no
04:28Don't you practice talking?
04:30What's that?
04:32You don't have to practice talking
04:34You don't have to practice talking
04:36When you talk to them, you can exchange phone numbers
04:40You can go out to drink
04:42When you go out to drink, you can have a deep conversation
04:45If you do that, it will be easier to work
04:49We are number one
04:52We can't be number one
04:54You're not an entertainer, but you don't have to talk
04:57I'm an entertainer
04:59If you're an entertainer, you can talk as much as you want
05:01If you're not an entertainer, you're just a normal person
05:04I don't want to talk
05:06You're just a normal person
05:08You're like a principal
05:11You have a distance
05:12You have a distance
05:14What I often do is
05:16I often ask, how much is it?
05:18How much?
05:19I often ask, how much is this camera?
05:22And the cameraman says, it's about this much
05:25I say, it's expensive
05:27I say, isn't there a cheaper one?
05:29When you talk about the camera, you can have a deep conversation
05:33I was surprised
05:35You're like a woman
05:37Compliance is zero
05:42Why are you not good at self-analysis?
05:47Why are you not good at self-analysis?
05:51Let's start with Iguchi
05:54The TV staff have a sense of superiority
05:58When I was young, I went to a lot of auditions
06:02I was chosen by the staff
06:05I was chosen by the staff
06:08So I always felt superior
06:11So I won't forget what the staff said to me at the audition
06:16That's how I felt
06:18They said, you'll be accepted at the live show
06:21They said that
06:22That's still there
06:24To be honest, I don't know who will become a celebrity
06:28Why do they say that?
06:30It's difficult
06:32It's a difficult time
06:34It's a difficult time
06:36It's a difficult time
06:38I don't want to be a celebrity
06:40I don't want to be a celebrity
06:42Atsushi, you don't have a lot of experience
06:45I do, but I don't want to be close to people like that
06:50I want to find out more about the staff
06:55Everyone thinks that
06:58That's not true
07:00There are a lot of staff who love Iguchi
07:02Really?
07:04Iguchi, Iguchi, you can do it
07:06It's not that he's being called
07:09I'm sorry
07:11I'm sorry
07:13That was dangerous
07:15Iguchi, I'm glad you said that
07:19Iguchi, what do you think of the staff?
07:29What do you think of the staff?
07:33He's acting like a gangster
07:36Stop it
07:38It's Atsushi's turn
07:42Iguchi's regular show, Mimina Ana Kappo Jitte
07:45He's the producer
07:47He's been on the show for a year
07:49He's never...
07:54I'm really sorry
07:56I'm really sorry
07:58I'm really sorry
08:01You were practicing
08:03I was practicing
08:12Mimina Ana Kappo Jitte's producer
08:15He's been on the show for a year
08:18He's never been called by his name
08:21I asked the staff
08:23He's never been called by anyone
08:26He doesn't get along with female staff
08:30The producer wants Iguchi to be called by Mimina Ana Kappo Jitte
08:34He's good at this
08:36He's good
08:42Do you remember his name?
08:44Or do you know him?
08:46Kunto
08:49He's clearly young
08:51Iguchi, please
08:53He's been on the show for a year
08:57But he's not the type of person to call by his name
09:00He's not the type of person to call by his name
09:04You should ask him what to call him
09:07That's...
09:09Is that possible?
09:11There is no such thing
09:13You shouldn't ask him what to call him
09:16You should ask him what to call him
09:18You shouldn't ask him what to call him
09:21I called him Nando-chan a couple of times.
09:23He asked me if I could call him Nando-chan.
09:25That's how close we got.
09:26I see, I see.
09:27That's so humane.
09:29But if you've been in this world for so many years,
09:32it's obvious that AD-san is younger than you.
09:35I wonder if the person who called you Kun will resent you later.
09:38What do you mean?
09:40Like, I called you Kun when I was AD.
09:43I have an image of you as a tough guy.
09:45Like a politician.
09:48You know, like Yoshida-kun.
09:52That's hard to say.
09:54It's better to call him by his name, right?
09:57There are times when I don't know for sure.
10:00It's not like there's Wikipedia.
10:02If I make a mistake with one word,
10:06I can't say that it's almost correct.
10:11And when I see other people calling me,
10:14I think, oh, it was correct.
10:17I seriously can't remember.
10:18I know, I know.
10:19I've been doing radio for 5 or 6 years,
10:22but I still can't remember anything.
10:25That's because you're an idiot.
10:27Who's an idiot?
10:28I'm an idiot!
10:30Now, let's move on to Hikoroi.
10:32This is my self-analysis.
10:35In the end, I'm the weird one.
10:38I mean, as an adult,
10:41of course there are times when we're weird,
10:44but when I'm with the staff at the TV station,
10:47I feel like I'm living an excellent life.
10:51I passed the university entrance exam,
10:53I got a job,
10:55and I'm an elite.
10:56At the time, I don't know,
10:58but I think I drank with Mr. Mizusawari.
11:01Why did you drink with Mr. Mizusawari?
11:03I don't know.
11:04You'll know when you hear it.
11:06After the recording was over,
11:09someone said,
11:10Hikoroi, it was fun.
11:11Thank you for today.
11:13I'm grateful.
11:14I'm really sorry.
11:15Thank you very much.
11:16While I was thinking,
11:18while I was editing in this sub,
11:21I thought,
11:22I might have said something really bad.
11:24After all,
11:25I couldn't get rid of the habit of having a low opinion somewhere.
11:29There was no staff at all.
11:31When it didn't sell,
11:33the people who said,
11:34Oh, it's interesting.
11:35Even now,
11:36I still interact with them.
11:38I'm grateful for that.
11:41I won't forget it for the rest of my life.
11:43I see.
11:44I thought you two were confident.
11:46No, no, no, no.
11:47Don't do it with Mr. Atsushi.
11:52I can't walk with all the correct answers.
11:56I can't live thinking that everything is correct.
11:58That's not true.
11:59It's a great disqualification.
12:01No, it's a good thing.
12:02I can't walk with all the answers.
12:04I can't do that.
12:05Now, let's go to Hashimoto.
12:07Here is my self-analysis.
12:10Even if you get along well,
12:11if it's not interesting, it's over.
12:14After all, we're not playing.
12:17We're here to work.
12:19Everything is interesting on the spot.
12:21That's right.
12:22That's all.
12:23That's why I'm practicing.
12:25If the recording goes well,
12:27I can contribute.
12:29I'm concentrating in the dressing room.
12:31I'm talking a lot.
12:33When I enter the studio,
12:35I can't say a word.
12:36It's over.
12:37I understand very well.
12:38I understand very well.
12:39I'm watching it, too.
12:41Especially Osaka entertainers.
12:43Osaka entertainers.
12:44I wonder if there is such a thing.
12:46I can't say that Tokyo entertainers are bad.
12:48They don't risk their lives.
12:50No, no.
12:51That's not true.
12:52That's not true.
12:53That's not true.
12:54That's not true.
12:55That's not true.
12:56I'm sorry.
12:57I'm sorry.
12:58The moment it's over,
12:59he approaches the staff.
13:00It's amazing.
13:01It's not good.
13:02It's not good.
13:03There is time.
13:04Let's do something with this.
13:06Like this.
13:10Look at this.
13:11It's like an angel.
13:15There is.
13:16There is.
13:17Who tends to your shoulder?
13:18Yes.
13:22You mean you don't want to get along with the staff?
13:26I don't mean that.
13:28You don't mean that.
13:29You say,
13:31I just want you to look at the result.
13:33Wait a minute, Atsushi.
13:34He's a samurai who says,
13:35I'll give you the results of the recording,
13:37so please judge me by that.
13:39I don't like that.
13:41I don't like that.
13:43That's a good way to say it.
13:44What is it?
13:46He's a samurai who eats rice balls.
13:48I don't eat rice balls.
13:50I don't eat rice balls.
13:52I don't eat rice balls.
13:54There's a scene where he's drinking tea in Jiraigi.
13:56I see.
13:58He's a samurai who eats three-color dumplings with tea.
14:01You're supposed to get along with him,
14:03and of course, it's best to do the actual recording.
14:05So you get along with him after drinking tea,
14:07and you don't want people to think
14:09that you're using him for that,
14:11right?
14:13To each other.
14:15So what do you want?
14:17I want you to pay attention to me.
14:19Pay attention to you?
14:21He's always watching.
14:23He's always watching.
14:25Tsuda,
14:27please tell us.
14:29I don't get along with the staff who are related to me.
14:33You don't get along with them?
14:35It's a variety show.
14:37I get along with them.
14:39But when I slip,
14:41the reaction is too big.
14:44If you get along with them?
14:45Yes.
14:46If I get along with them,
14:48I have to get along with them.
14:51If I don't get along with them,
14:53I can't get along with them.
14:56If I get along with them,
14:57I can't get along with them.
14:59I get along with them,
15:01but I have to get along with them.
15:04There is a person like Inoue.
15:06Yuta.
15:07Non-star.
15:08Non-star Inoue.
15:09Honmime also said that.
15:10He speaks frankly,
15:12and he gets along with them,
15:13but he has to get along with them.
15:15I think it's amazing.
15:17You want to contribute to them.
15:19You want to help them.
15:20Yes.
15:21You don't want to be a burden to them.
15:23That's right.
15:24Right?
15:25That's right.
15:26If you don't get along with them,
15:27they will be embarrassed.
15:28That's right.
15:29You don't want to be friends with them.
15:31You want to get along with them,
15:32but you don't get along with them.
15:33It's difficult to get along with people
15:35who you don't get along with.
15:37For example,
15:38the staff of the music station.
15:41It doesn't matter at all.
15:42I want to know about it.
15:43How do you get along with them?
15:44It's amazing.
15:45We play golf and get to know each other.
15:47I invite the staff of the music station,
15:50and they talk a lot.
15:52That's normal.
15:53The staff of the music station
15:54doesn't talk much.
15:55The staff of the music station
15:56doesn't talk much.
15:57And then...
15:58It's funny if Tsuda
16:00appears in the music station.
16:03How do you get along with them?
16:05What do you mean?
16:07I won't refuse.
16:09I won't refuse.
16:10I won't refuse.
16:11I won't refuse.
16:12I won't refuse.
16:13Miyama, are you ready?
16:15I'm ready.
16:17If you don't get along with them,
16:18you will betray them.
16:20That's right.
16:21That's right.
16:22That's right.
16:23That's right.
16:25Osaka people are like that.
16:26That's right.
16:27Which is better,
16:28not getting along with them
16:29or getting along with them?
16:31That's what I think.
16:33If you betray someone you get along with,
16:35it will hurt.
16:37I'm a little different from the two of you.
16:39If I get to know them,
16:42I want to get to know them deeply
16:45until the end.
16:48The staff.
16:49If you get to know them deeply.
16:51I'd like to date someone who's going to get married.
16:54Get married?
16:56You could tell him.
16:58Like a regular show?
17:00If you get along with someone, you can get away with anything.
17:03I see.
17:05You're a woman.
17:07I think I was raised by people from Suisse Japan.
17:11You can't just move freely around without being conscious of the camera.
17:16I want to date someone who I can trust because I've built a relationship with.
17:23He's a great staff member.
17:25We all praised him.
17:27Only Atsushi-san praised him.
17:29I'm the one who praised him.
17:31I'm the one who praised him.
17:33I'm the one who praised him.
17:35I'm the one who praised him.
17:37Why are we here today?
17:39Atsushi-san.
17:41Wasn't that great?
17:43That was great.
17:46Is it all in that book?
17:48It's not the commercial version.
17:50Then I'll buy it.
17:52I'd like to date Tsuji-san.
17:54I'd like to date Tsuji-san.
17:56I'd like to date Tsuji-san.
17:58What are you talking about?
18:00It's a hobby.
18:02It's a hobby.
18:04I've never dated a staff member.
18:06I've never dated a staff member.
18:08I've only dated Tsuji-san.
18:10That's unfair.
18:13Maybe Tsuji-san has a hidden charm.
18:19Tsuji-san, please release a book.
18:27Kusanagi, your self-analysis.
18:29I'm afraid of getting close to people.
18:31I'm afraid of getting close to people.
18:33That's amazing.
18:35I'm happy when people say that I'm good.
18:37I'm happy when people say that I'm good.
18:39I'm happy when people say that I'm good.
18:42I know it's better to say that.
18:44I know it's better to say that.
18:46I know it's better to say that.
18:48I know it's better to say that.
18:50I know it's better to say that.
18:52I know it's better to say that.
18:54I know it's better to say that.
18:56I know it's better to say that.
18:58I know it's better to say that.
19:00I know it's better to say that.
19:02I know it's better to say that.
19:04I know it's better to say that.
19:06I know it's better to say that.
19:08I know it's better to say that.
19:10I know it's better to say that.
19:12I know it's better to say that.
19:14I know it's better to say that.
19:16I know it's better to say that.
19:18I know it's better to say that.
19:20I know it's better to say that.
19:22I know it's better to say that.
19:24I know it's better to say that.
19:26I know it's better to say that.
19:28I know it's better to say that.
19:30I know it's better to say that.
19:32I know it's better to say that.
19:34I know it's better to say that.
19:36I know it's better to say that.
19:38I know it's better to say that.
19:40I know it's better to say that.
19:42I know it's better to say that.
19:44I know it's better to say that.
19:46I know it's better to say that.
19:48I know it's better to say that.
19:50I know it's better to say that.
19:52I know it's better to say that.
19:54I know it's better to say that.
19:56I know it's better to say that.
19:58I know it's better to say that.
20:00I know it's better to say that.
20:02I know it's better to say that.
20:04I know it's better to say that.
20:06I know it's better to say that.
20:08Where did a woman come from?
20:10Staff members ,ixx
20:11Staff members ,ixx
20:13Staff members ,ixx
20:14This is an annoying question.
20:26What is the director's feeling about your response?
20:28What is the director's feeling about your response?
20:30I don't Feil any pressure to answer the question.
20:32Y macho man
20:34Maybe it's a good thing.
20:36I still don't get it.
20:37I've worked with him a few times.
20:39When I think that the distance between us has shrunk,
20:42it's back to 0.1.
20:44I don't want him to think that we've become friends.
20:48So, I'm going to reset him from here.
20:52You're trying to get him to think that way.
20:54But it doesn't seem like it.
20:56That's right. There are a lot of people like this.
20:59I've only heard one.
21:02There are still others, right?
21:04There are still others.
21:05Oh, there aren't any more.
21:06There aren't any more.
21:07He's the only one left.
21:08He's the only one left.
21:09There aren't any more.
21:10He's the only one left.
21:11He's the only one left.
21:12Now, Nezate.
21:13I've already said this before,
21:15but the situation with the TV station is making me panic.
21:18I can't even have a cup of tea.
21:20This space?
21:21But if it's an abnormal space, there's no doubt about it.
21:24That's...
21:25An abnormal space?
21:26When I got in there, I wanted to get in touch with the staff,
21:30but I was too focused on myself.
21:32When I heard the name of the staff,
21:35I couldn't remember their names.
21:37I couldn't remember their names.
21:39While I was getting angry,
21:41I started to get a little scared when I got in touch with them.
21:46So I think it's safer not to talk to them.
21:49I want to hear their names.
21:51What was their name?
21:52Well, that's...
21:53I don't remember their names.
21:56I know their last name.
21:58So I can easily get information about their last names.
22:02Isn't that good?
22:03Nagase from Tokyo also said that.
22:06I remember that.
22:07Nagase from Tokyo?
22:08Nagase from Tokyo?
22:09Former Nagase.
22:10Former Nagase!
22:11Former Nagase!
22:12Former Nagase!
22:13Former Nagase!
22:14You really don't remember, do you?
22:16He's like a former Fuyuki.
22:18Former Nagase.
22:19Former...
22:20Former Katakana.
22:21Former Katakana.
22:22There's a theater in Yoshimoto called Lumineza Yoshimoto.
22:25I couldn't remember the name of the staff there.
22:27When I went to watch a music show with my wife,
22:29I met the manager.
22:31I introduced him to my wife.
22:33The moment I told my wife that I was the manager,
22:36she couldn't remember my name.
22:38I remembered that.
22:40I asked her, what was your name?
22:42She said, Inowear.
22:44I told her, no, it's my last name.
22:46She said, you must have forgotten.
22:49But that's how we communicate.
22:52It's good.
22:53I think we're really close.
22:57That's why you didn't appear much.
23:06By the way, I got a question from the staff.
23:10It's from a certain producer.
23:14Your eyes are always wide open.
23:16It's hard to have a normal conversation.
23:18That's true.
23:20That's true.
23:21I want to do something here.
23:23That's what I want to do.
23:25That's why I've been preparing for a week.
23:28It's a talk show, not a talk show.
23:30It's a talk show.
23:33I want to think of it as an extension of the live show.
23:36You said it too much.
23:38You can relax a little during the live show.
23:42Is that so?
23:43That's right.
23:44Even if there's a camera, you can't?
23:46That's right.
23:47Mr. Kaji is sitting in a strange chair.
23:50He's sitting in a strange chair.
23:52There's no one like this in the live show.
23:54I'm sitting in a strange chair.
23:56I'm sitting in a strange chair.
24:00What do you think of the theater?
24:02First of all, you don't need a camera.
24:04That's true.
24:06You can't show it.
24:08Now, Fujimoto.
24:10Here it is.
24:11I don't know what the young staff thinks.
24:16You work with young staff.
24:19I don't know how to keep up with them.
24:23Just because you have a long career,
24:25You think young staff is scary, right?
24:29Fujimoto is great for comedians.
24:32Comedians are great.
24:34I'm sure the staff will be great.
24:36Don't you think so?
24:38I don't think so.
24:39I've seen young staff under 20 years old.
24:42I've seen it all.
24:44But, it was a meeting of Ametalk, and the women were under 20 years old.
24:50When I was doing episode talk, I was going to talk about pussies.
24:57Why?
24:59Why?
25:00What if a man over 50 says that, wouldn't it be very sexual?
25:04Well, think about it.
25:07You're a nerd.
25:08No, I mean, you know, for men, you know, you know...
25:11No, I don't know.
25:14You know, all this,
25:16I feel like I'm asking my staff members
25:18to do something to my face.
25:20I'm just funny.
25:23Young staff members
25:25are like,
25:27do they need my Gaia?
25:29It's like they are ears in my ear.
25:30I was in a quiz show before,
25:32and I tried to do my best
25:34to make audience happy
25:36while I was in the show.
25:38But you seemed to be doing your best
25:39I did it with the intention of making it more exciting.
25:41In the middle, a young, old-fashioned woman, an AD girl,
25:45was holding a can-pe.
25:47It's rare.
25:49I want Fujimoto-san to see the can-pe.
25:52A photo.
25:55Is this possible?
25:57He's being pulled by the waves.
25:59He's being pulled by the waves.
26:01What did you do when this came out, Fujimoto-san?
26:03I thought it was really quiet.
26:05It looked like it.
26:07I was really surprised.
26:11That's how it is now.
26:13That's how it is now.
26:15It was on another show.
26:17It was on another show.
26:19It was a show with 50 or 60 comedians.
26:2150 or 60 comedians are the highlight.
26:23That's right.
26:25This is my highlight.
26:27I threw the can-pe away.
26:31The staff came up to me and...
26:34No way.
26:36It was amazing.
26:38It was amazing.
26:40It was recorded in a library.
26:42No, no, no.
26:44Fujimoto-san was on the other side.
26:46I was on the other side.
26:48The gun mic and the camera didn't come at all.
26:50I kept saying it.
26:52I went to the entrance and...
26:56That's crazy.
26:58Until the last minute.
27:01Tsuruya-san.
27:03I was embarrassed.
27:05You were really angry.
27:11You were like a dog barking.
27:21In front of the supermarket.
27:23It was really funny.
27:26You were like a dog barking.
27:28You were like a dog barking.
27:30I was quiet and I got a gag.
27:32I was quiet and I got a gag.
27:34You were quiet.
27:36I was quiet when I entered the TV studio.
27:38I was quiet.
27:40He was a hard guy.
27:42He was a dog.
27:44Ametalk's first live.
27:46Golden Week.
27:48May 6th.
27:50At EX Theater Roppongi.
27:52Two performances in the afternoon and night.
27:54Regular performances.
27:56Izakiyama Fujimon's Pakuri Taiwan Grand Prix.
28:00Natal Unbelievable.
28:03What the hell are you doing?
28:05Performances that have information that entertainers don't need.
28:09Everyone can apply from today.
28:11Tickets are accepted for general selection.
28:16Next.
28:17People who are not good at interacting with staff.
28:21I think many people who work in general know.
28:24The stroke until the elevator.
28:26After leaving the dressing room.
28:28There is a time to talk a little.
28:33When the two people are sending off.
28:36ZUN's Iiyo is very good at that stroke.
28:40He is good at talking.
28:42Until the staff who are sending off together close.
28:47I was surprised.
28:49Everyone was smiling.
28:51When I saw Iiyo go home.
28:54I thought I had to do this.
28:57I thought I'd do my best.
29:00I thought Iiyo was talking about the weather.
29:03When the staff said thank you for your hard work.
29:06I said it was cold today.
29:08I'm sorry.
29:10Was the dressing room cold?
29:12I'm sorry.
29:14I said the bento was delicious.
29:16I was told what was in it.
29:20I didn't eat it.
29:23I noticed it for the first time there.
29:26The food that the talent ate.
29:29The staff said it was delicious.
29:33It's a strange feeling.
29:36It's very important.
29:40It's very important.
29:42This is what other people do in the elevator.
29:46Why do you do that?
29:48I'm looking up all the time.
29:51There is a time when I'm standing still.
29:54What is he doing?
29:57I'm not coming.
29:59I'm not coming.
30:02I'm not coming.
30:04I want to go home.
30:06I want to go upstairs.
30:09I'm not coming.
30:11I'm not coming.
30:13I want to leave this room.
30:15I want to leave this room.
30:17Thank you for your hard work.
30:20Thank you for your hard work.
30:22Thank you for your hard work.
30:25There are good and bad times.
30:29They don't tell me which is good or bad.
30:33I want advice.
30:36When it's bad, don't you apologize to the staff?
30:41I want to believe that it's still bad.
30:46I want to believe that it's still bad.
30:49I want to believe that it's still bad.
30:53I'm worried, so I'm going to ask myself.
30:57I'm sorry I didn't do it well.
31:00I had to shoot a lot of scenes.
31:05I wrote a letter to the staff.
31:12I wrote a letter to the staff.
31:17I wrote a letter to the staff.
31:23Did you write one more letter?
31:25I asked my manager if I was alive.
31:30It's hard to tell everyone.
31:33Sometimes I feel like I've come home.
31:38When I get home from school...
31:41When I leave the elevator door.
31:45When I leave the elevator door...
31:47When I leave the elevator door...
31:49What are you thinking about?
31:51It's still painful.
31:53Painful, painful.
31:55Painful, painful.
31:57There are people who are still sleeping.
31:59Sometimes, you know,
32:01the elevator with glass doors.
32:03The elevator with glass doors.
32:05The one in Yomiuri.
32:07The one that you can see up to the second floor.
32:09It's too new, it's weird.
32:11If it's closed, everyone is like this.
32:13If it's closed, it's fine, but you can still see it.
32:15If it's closed, it's fine, but you can still see it.
32:17You can see it and go down.
32:19If you look up,
32:21you can see the angle of the floor.
32:23You can see it.
32:25If you do this, it's OK.
32:27If you do this, it's out.
32:29It's really glass.
32:31It's really glass.
32:33At the end of the talk,
32:35I was once scolded by Kaji.
32:37I was once scolded by Kaji.
32:39I said inappropriate words on TV
32:41I said inappropriate words on TV
32:43I said inappropriate words on TV
32:45I was asked how many times I was on TV.
32:47I said I was sorry.
32:49I had a few words after I said sorry.
32:51I had a few words after I said sorry.
32:53But I just ran away.
32:59Now I'm still running away.
33:03Now I'm still running away.
33:05I see Kaji several times,
33:07I see Kaji several times,
33:09but I don't talk much.
33:11but I don't talk much.
33:13But there are times you can't see him.
33:15There was a time when he wasn't here.
33:17Oh, there was?
33:18And I thought, oh, he's here today.
33:21What's the difference between when he's here and when he's not?
33:23But when I was playing baseball, I wasn't happy when the coach wasn't here.
33:28I get that.
33:30But I'm really happy when the coach isn't here.
33:32It's the same as before.
33:33It's like that.
33:34To be honest, I still don't know who the staff is.
33:39The name?
33:40The role.
33:42I don't know the position.
33:43But when it comes to the production,
33:46in Kansai, it's really easy to tell when it comes to production.
33:51It's really production-like.
33:53The way it looks, it's really production-like.
33:57What do you mean?
33:58It's really small and dirty.
34:03You're saying that again?
34:05What are you, an Osaka makeup artist?
34:07You're making fun of me again.
34:09You're doing it on the spot.
34:10On the spot.
34:11It's easy to move.
34:13It's really smooth.
34:16You don't have to know.
34:18In the remote meetings, you can't even see their faces.
34:20It's like a mysterious new character.
34:22You can't remember who you are.
34:24There are a lot of new characters.
34:27The mic is turned off.
34:29What was the last greeting?
34:31Oh, I remember.
34:36I heard it from inside.
34:39It's not a TV station, it's like a studio.
34:42Various programs are being recorded.
34:47Whether it's a drama or a variety show,
34:49it's a TV studio.
34:52We're going to say hello to everyone.
34:57There are all the people in the hallway.
34:59Sometimes everyone greets in the hallway,
35:01but I'm not in charge of your program.
35:05You don't have to say hello to me.
35:07I'm not in charge of your program.
35:09I'm saying hello to everyone.
35:11You don't have to say hello to me.
35:13Is there anyone who is surprised?
35:14What did you say?
35:21I don't know.
35:23What did you say?
35:25I don't know.
35:27It's difficult.
35:28It's difficult.
35:29It's difficult.
35:32I just thought about it.
35:33I can't talk to the staff in the hole in my ear anymore.
35:36It's like this.
35:37I said something like that.
35:39Would you like to go for a drink?
35:41That's a good idea.
35:43I said it in Ametalk.
35:45I heard the questionnaire in Ametalk.
35:48What is that?
35:49That's a good idea.
35:50I'm learning a lot.
35:52I didn't think I was Hashimoto.
35:55I didn't think I was Hashimoto.
35:57Monkatsu is amazing.
35:59I went to a drink with a hot TV man.
36:03We got together and said,
36:05Let's change the comedy club.
36:07It's hot.
36:08We said something hot.
36:09We said,
36:10It's not that comedy club.
36:11We have to change it.
36:13When we started working together,
36:15I was very nervous.
36:17We were talking about that.
36:19The director who changes the comedy club
36:21The staff who changes the comedy club
36:23What are you going to do from now on?
36:25It's like this.
36:26It's like this.
36:27I was forced to laugh.
36:30At that time,
36:31It's like this.
36:33We'll continue to slide forever.
36:36Laugh out loud.
36:37Laugh out loud.
36:38Laugh out loud.
36:40Nothing happened.
36:41There was a mystery.
36:42I don't know the staff.
36:45I was called by a close comedian.
36:47The staff who was close to the comedian went out.
36:49I wasn't informed.
36:51Hashimoto, please come out.
36:53I said, thank you.
36:55I said, thank you.
36:56The next day,
36:57About three months later,
36:59He said,
37:00Mr. Hashimoto, please come out.
37:02He said, of course.
37:04Three months later,
37:06Mr. Hashimoto, please come out.
37:07He's saying he'll come out.
37:09He said he'd come out.
37:16He isn't coming.
37:18He's barely coming to New York.
37:21I'm saying he'll come out.
37:23regular program
37:25It's strong.
37:26I'll get a lot of money, so I'll keep on.
37:30I don't want to go to that.
37:32I'm sure, I'm sure that you know.
37:34I'm sure, you know.
37:36I'm sure.
37:38I know.
37:40I'm sure.
37:42I'm sure.
37:44I know.
37:46I know.
37:48I know.
37:50I know.
37:52I know.
37:54I know.
37:56I don't know if that's true.
37:58It's possible.
37:59Can we use the C word from now on?
38:01Of course.
38:02It's everyone's.
38:03That's amazing.
38:04I was really into it.
38:06The C word?
38:08I was really into it.
38:10I was really into it.
38:11It's changed.
38:12It's changed.
38:13What makes the staff happy?
38:17For those of you who don't know how to interact with the staff,
38:21what kind of words would you like to hear from them?
38:24Let's start with Iguchi.
38:25What kind of words would you like to hear from them?
38:27You can tell that they're calling you this much, right?
38:30In the end, the best thing is that they call you again.
38:34Even if you don't talk to each other, you're happy.
38:37That's a happy feeling.
38:38People like us are the ones who want to hear you say you like us.
38:44I can't get close to you because I don't want you to say you don't like us.
38:47On the other hand, is it okay for the staff to talk to everyone?
38:52Of course.
38:53I see.
38:54That's right.
38:55That's a big change.
38:57But the rally won't continue.
38:59It's embarrassing.
39:00I thought you wouldn't say thank you.
39:03I'm embarrassed.
39:04I thought the plan was good.
39:07I thought the plan was good.
39:10What did you do when you were praised?
39:12I just remembered that I'm not praised much.
39:17I'm more thankful when I'm praised.
39:22I don't like that.
39:23I don't like it when I'm praised.
39:25I don't want to be praised.
39:27Why did you say that?
39:29Why did you say that?
39:34Next, Hikorohi.
39:36When I was editing, I realized that Hikorohi's words were the starting point.
39:42I couldn't hear his voice.
39:45When there were a lot of entertainers, I couldn't hear his voice.
39:49I couldn't hear his voice.
39:51It was a complex.
39:53But I didn't give up.
39:56When I was editing, I realized that Hikorohi's words were the starting point.
40:04When I was editing, I realized that Hikorohi's words were the starting point.
40:10I'm really happy.
40:13I'm really happy.
40:15I'm really happy.
40:16As expected of Hikorohi.
40:18I'm really happy.
40:20I'm really happy.
40:22I want to be praised.
40:24No.
40:25Hikorohi's words are the starting point.
40:29Next, Hashimoto.
40:33You're funny.
40:34You're funny.
40:38The cameraman of the Saga TV asked me to shoot the video.
40:43I said yes.
40:44The cameraman put the camera down.
40:47He said, you're funny.
40:49You're funny.
40:51I asked him to shake my hand.
40:53I've never met such an interesting person.
40:57He said thank you.
40:59He was amazing.
41:01You are amazing.
41:03He is a camera man.
41:05He is a veteran camera man.
41:07He said you are amazing.
41:09I still remember the feeling at that time.
41:11Next, Tsuda.
41:13I've been offering for a long time, but I can't get a schedule.
41:19I can't get a schedule at all.
41:21I'm busy.
41:23I'm ticklish.
41:25I can't get a schedule.
41:27You've been asking for a long time.
41:29There are a lot of people.
41:31There are a lot of people.
41:33What would you do if you were asked that?
41:35What would you do if you were asked that?
41:37What is that?
41:39I can't say anything.
41:41I can't say anything.
41:43Next, Niiyama.
41:45He is a regular.
41:47He is a regular.
41:51He is a regular.
41:53How often does he come to you?
41:55He is a regular.
41:57He is a regular.
41:59He is calling you.
42:01I'm glad he's coming to me.
42:03I'm glad he's coming to me.
42:05He is calling me.
42:07That's what I'm saying.
42:09That's what I'm saying.
42:11Next, Kusanagi.
42:13Here we are, ladies and gentlemen.
42:39In April, he broadcasts his favorite erotic TV show.
42:43He broadcasts the T-Radio of the lodge in April.
42:46He has more than 80 works of past masterpieces.
42:50He is also an anti-gay comedian.
42:52This week, he became an actor who gets nervous easily.
42:55And he also added a comedian who was a comedian.
42:59The show is broadcast only today, and will be broadcast for two weeks at Club A.
43:02Next week we will have Hans Armour again.
43:06These two are the players of the game.
43:08The original work at Ametalk Club.
43:13So, how about you, Kusanagi?
43:15The recording was really fun.
43:19I got a lot of comments on my own show on X.
43:28I'm happy about that.
43:31I don't feel like I'm watching the announcement.
43:35It was fun.
43:37How did you feel when you got the direct message?
43:39I got a lot of direct messages.
43:43You got a lot of messages on social media.
43:45I want to be like Atsushi.
43:47Is that so?
43:49Before I became a comedian,
43:51I thought this was the world I could live in.
43:56But it's a world of communication.
43:58It's hard.
44:00It's really hard.
44:04Nedate.
44:06This is it.
44:08You were very Russian.
44:10When I was on Ametalk,
44:14I got a direct message from Mr. Kaji.
44:17It was all from Mr. Kaji.
44:19It was all from Mr. Kaji.
44:21He was sick and had a fever.
44:24He was sick.
44:25He didn't have Mr. Kaji, so he was Russian.
44:28When the director isn't here, you can be Russian.
44:30I see.
44:32I thought so today.
44:34Mr. Kaji.
44:35Yes.
44:37I was impressed that you did your best for Veteran Brazil.
44:41The young writer who planned the event
44:46said it to the entertainer,
44:50and I heard it from the entertainer.
44:52I was very happy.
44:54He was the only one.
44:55And he was told by the young staff.
44:57That's right.
44:58I thought it would resonate with the young staff.
45:00Why don't you call Mahalo?
45:02Mr. Fujimoto's team.
45:04I don't want to go drinking with them.
45:07If they want to come, will you call them?
45:10Of course, I will call them.
45:12I'm old, but I know the music of young people.
45:17Music?
45:19That's old.
45:20Music?
45:24Don't say that.
45:25If the young staff says that, it's over.
45:27It's almost over.
45:30I'm looking forward to today's event in front of the elevator.
45:34I see.
45:36If you say that, the conversation will be difficult.
45:38What should I talk about?
45:40Stop it.
45:42I think the number of conversations will increase.
45:47Let's go out together.
45:52Let's go out together.
45:57Let's go out together.
46:01Let's go out together.
46:03Let's go out together.
46:09Let's go out together.
46:11Let's go out together.
46:13Let's go out together.
46:15It's still 4 o'clock.
46:17I don't drink, but I like drinking.
46:21I think this is a good match for uro.
46:24The combination with soft drinks is the best!
46:28Highball?
46:29No way!
46:30No way!
46:31No way!
46:32I'm the CM King right now.
46:33No way!
46:34You can't drink until 4 in the morning!
46:37He talks about it all the time.
46:39I'm going to kill you!
46:41The next episode will air on KOMO no MC Geigin 2025!