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00:00Choricita, wait for me!
00:04But, Yuli, stop! You have feet!
00:15For God's sake! For God's sake, Yuli!
00:17Help!
00:18Call someone to give her first aid!
00:20But what first aid if the nurse is her!
00:23Yuli!
00:28There she is! There she is!
00:30Oh! Oh!
00:38Honey!
00:39Are you okay?
00:40What did you do to her?
00:41I saved her life.
00:43Fortunately, Cristobal was close.
00:45He got in and saved her!
00:46Come on, let's go home.
00:48Yuli, I told you to change your clothes
00:49and make yourself a hot soup.
01:01Mr. De las Casas, good morning.
01:04I brought you a taco.
01:11You have nothing to thank me for.
01:13Now, if you'll excuse me, I'm going to work.
01:19Don't thank her too much.
01:21But of course, Felix.
01:23She saved Yuli.
01:25It's not the first time you've done it.
01:27It was with a breath, mouth to mouth,
01:29that they fell in love.
01:33Diego, it's been two nights in a row
01:35that you haven't slept here.
01:44Because I'm never going to sleep here again, Francesca.
01:48What are you talking about?
01:51I'm leaving the house, Fran.
01:54I'm leaving the house, Fran.
02:01What do you mean you're leaving?
02:03I'm leaving, I'm leaving.
02:04Why?
02:05And you still ask?
02:07Because I don't know what's happening to you.
02:08You were the one who took me out of the room.
02:10Because you went to celebrate with your friend.
02:13And what did you want?
02:14That you stay with me.
02:15I didn't feel like it.
02:17After you disrespected me again and again.
02:20Are you still with that?
02:21Yes.
02:22Yes, I'm still with that.
02:23And I'm going to continue with that.
02:24Because since you decided to become
02:26the Mother Teresa of Calcutta,
02:28you started.
02:30You know how I hate it?
02:32I hate that my daughter is with the starving man.
02:35That Adefesio.
02:36But you, instead of standing by my side,
02:38you bring them to live here,
02:40under the same roof.
02:42No, I'm leaving, I'm leaving.
02:44Don't listen to him.
02:45Don't listen to him.
02:52I've explained to you a thousand times why I did it.
02:55Yes, of course.
02:56And that's why you also applaud my sister
02:58and that mechanical pig.
03:00I don't applaud anyone.
03:03It is reality.
03:05And we get nothing by denying to accept it.
03:07Ah, and then we have to be happy.
03:10Seeing how my sister, the loser,
03:12is with a guy much more loser than her.
03:16I'm terrified, Fran.
03:18I'm terrified to imagine
03:20the nephews and grandchildren waiting for me.
03:22Some horrible scoundrels telling me,
03:25Abu, Abu, Abuelito.
03:27I don't want to.
03:28I don't want to be present when that happens.
03:32Are you done?
03:34No, I'm not done.
03:36Because for you,
03:37the best idea for the hottest Saturday of the month
03:39is to invite those scoundrels with mushrooms on their feet
03:42to splash in our pool.
03:44The boys asked me.
03:46Ah, and they also asked you to split up with them
03:49because I saw you in pancha and sunbathing
03:52with these primitives.
03:53As if they were your equals.
03:55He was beautiful. I wanted to take advantage of him.
03:57I don't recognize you, Fran.
03:59I don't recognize you anymore.
04:01I'm afraid.
04:02I'm afraid you'll be Mrs. Maldini again.
04:05The one who posed in the Caratula de Chosas
04:08with those scoundrels.
04:10Don't be cruel.
04:12If you want to go, go.
04:14I'm not going to stop you.
04:21It's hot.
04:22Mrs. Sarita just made it.
04:27It's too early for tacos, Mrs. Zapallada.
04:33How silly.
04:34Yes, you're right.
04:36Excuse me.
04:38I didn't want to bother you.
04:40It's a joke.
04:43For the taquachos, never cry.
04:47Yes, yes, that's what I think.
04:50Come in, come in.
04:52There's enough for two.
05:13Goodbye, Fran.
05:15I'm going to look for a place as far away from here as possible.
05:19It's a shame you didn't understand why I did everything.
05:25Yes, well.
05:27What a shame.
05:31I'm leaving anyway.
05:43Bye.
05:54Are you leaving?
05:58Don't worry.
06:00I'll send you pictures of your horrible abstruse grandchildren.
06:12Very good, very good.
06:15I'm glad you liked it.
06:18I'd ask for the recipe, but I don't cook.
06:22Well, if you need someone to cook for you, you know who you can call.
06:33Hello.
06:36Yes.
06:37No, no, I'm not upset.
06:39That's how my voice is.
06:43No, I can't.
06:45No, look, I really don't want to, okay?
06:48That's enough, Greta, really.
06:50I'm very tired from the office, I don't want to go out, okay?
06:53Bye.
06:57Problems?
06:58No, Greta, I just think about parties and meetings.
07:03And do you have time together?
07:09I have to get ready.
07:11No, I have to go to the corporation.
07:15Yes, of course.
07:16I better go.
07:20Let's see.
07:21That's it.
07:26Miss Zapayal.
07:28Yes, yes.
07:31Thank you for the taco.
07:39It was nothing.
07:40With pleasure.
07:47Ah, yes.
07:49Okay.
07:51Bye.
08:05This man confuses me.
08:07For a while he was the kindest, funniest, and then he changes humor.
08:10Very healthy, Juana, right?
08:13Oh, what a scare.
08:15What are you listening to other people's thoughts, huh?
08:17And what are you doing to Mr. Miguel Ignacios?
08:21I don't mess with anyone.
08:23These little eyes that God has given me have seen how you melt for him, Juana.
08:28You're talking nonsense, okay?
08:30Juana.
08:31Don't you realize what Mr. Miguel Ignacios is doing?
08:34Ah, he's playing with you, the cat and the mouse.
08:38Playing, you say?
08:40Of course.
08:41And like any game, at first he has fun, but then he gets bored.
08:52I think I've been a little hard on Juana.
08:59Hey, I had forgotten about you.
09:01What were we doing?
09:03Oh, yeah, yeah, yeah.
09:05I was telling you that Julius had already been saved by CristĆ³bal.
09:09And I have all that event recorded with my old man.
09:14Hello.
09:27Oh!
09:28And you, where were you?
09:30I went to leave some sandwiches to Felix.
09:34Felix!
09:37Tell me.
09:38Did Juana give you some sandwiches?
09:40Negative, negative.
09:41See?
09:42That's why I don't believe you.
09:43You're a liar.
09:44Oh, there's no reason to continue with the offenses, right, Teresa?
09:47Look, mommy.
09:48Right now you're going to go to your room and you're going to clean it.
09:51Because Lorena and Julie are working.
09:55The mafia is studying and the cops are in the market.
09:57All of us, all of us are productive.
10:00And what are you going to do?
10:02I'm going to look at the ceiling.
10:03Let's see if there's a leak of water out there.
10:07What?
10:09Light step.
10:11Light step.
10:14Open your eyes.
10:28Are you done traveling?
10:29I'm leaving this house.
10:30Mrs. Francesca has not wanted to pass over you.
10:33Did you really believe the story that you are Peter's replacement?
10:36Justifying Francesca's madness does not leave you very well standing.
10:40Until a few days ago you had the house empty.
10:42For you to live in a house with thousands of people is your idea of āāhome.
10:46For me to stay here is to accept that I am a zero to the left.
10:49Are you declaring war on Francesca?
10:51She started.
10:52Dad, don't be childish.
10:53I'm not.
10:54All I want is to go away from here.
10:56If it is possible to another planet.
11:03Koki.
11:05I'm going Mrs. Francesca.
11:08Yes sir, but there is nothing I can do.
11:11The results come out in two hours, okay?
11:13Yes, in two hours.
11:15Yes, yes, see you later.
11:18Salva, what are you doing here?
11:19I came before, well, to go to work.
11:22Yes, but look, the lawyer, if she sees you, I'm going to get into a big problem.
11:27I'm leaving.
11:28Do you want me to pass the refrigerator?
11:30Already?
11:31Yes, yes.
11:32Already.
11:33Yes, yes.
11:34Go, go, go.
11:36Bye.
11:49Yes, ma'am?
11:51Did Diego leave?
11:52Yes, he said he was going as far as possible, but I can still reach him.
11:57Do you want me to go get him?
11:59No.
12:05How delicious, Tacacho.
12:09What are you doing with that suitcase?
12:12Can I stay with you?
12:20Yes.
12:32Who has everything under control?
12:34Your aunt Mac, who trusts in Huggies Dermacare.
12:38The softest diaper to protect your skin.
12:40The only one with vitamin E.
12:42Ultra soft and thin.
12:44With protection up to 12 hours.
12:46Baby, know the softest diaper for your skin.
12:50The key.
12:51Hey!
12:52There's a piston around here.
12:53What's up?
12:57Damn, he had a piston.
12:59Come on, little head.
13:02And you!
13:03Did you already put a piston in your engine?
13:13And I'm going this way, I'm going that way.
13:17I see you happy, love is in the air.
13:22I'm so good with my Tere, daddy.
13:29Aren't you afraid of feeling so much happiness?
13:32Afraid of what?
13:33I don't know.
13:34Listen to me, Gasparino.
13:35We are good people and good people have to go well in life.
13:38Yes, mom.
13:39Of course, happiness is not going to smile, Gasparino.
13:42Help me, little boy.
13:47Did I interrupt?
13:49A little, a little.
13:51Hello.
13:53And what are you doing in Milagro?
13:55Well, I went to present my services to two museums and a gallery.
14:00And what was it?
14:02Very kind, very good people, but the usual.
14:06That now it's not so personal, that I left my papers, that I love myself, blah, blah, blah.
14:11And to top it off, Diego wakes us up saying horrible things.
14:17You already know your brother.
14:19And about the job, I think you have to be a little patient.
14:23I'm sure something will come out.
14:25Yes, but you're going with me anyway.
14:28Let me become your sponge.
14:31Your little sponge, come here for a little kiss.
14:33Down, down.
14:35Down, my love.
14:37Calm down.
14:39Down.
14:42A little kiss.
14:47What do we do?
14:50Well, we're just starting.
14:52Damn closed street.
14:54We lost continuity after the inauguration.
14:57It's just a matter of starting to pass the voice.
14:59Yes, but it is not possible that a fly does not enter.
15:02Flies know.
15:03Ants, centipedes.
15:05How funny you are.
15:07The worst thing is that the food is going to be spoiled.
15:10No, the seasoned food lasts longer.
15:12Yes, but not so much.
15:13And we can't serve stored food either, because it would be our end.
15:17Come on, my love, don't be fatalistic.
15:20What do you think if we put a little music?
15:25Let's see.
15:26There it is.
15:28Come on, please.
15:30You know how I like it.
15:33Okay.
15:37Uh.
15:40I almost threw myself on the bench.
15:43That's it.
15:44Ay, ay.
15:47Ah.
15:48Ah.
15:49Ah.
15:50Ah.
15:51Oh, my white dog.
15:52Oh, my white dog.
15:55There it is, there it is.
15:58Sorry.
15:59Good morning.
16:01Which of our delicious food do you want to try?
16:03A paellencia?
16:04A robalo ceviche?
16:05Uh-huh.
16:06Maybe a lomo asaltado?
16:07Una causa perdiste?
16:08Un tallerĆn cadena perpetua?
16:10Look, over here.
16:11We also have entrƩes.
16:12For example, we have...
16:21You don't know, Silgirito.
16:23I just got back from the market and I see my cousin Juana cleaning our room.
16:28She's very skillful.
16:31I'm glad I'm relieving you of work.
16:35You do too many things, little turtle.
16:39Don't think I don't notice.
16:41I'm sure you'll start cooking right now.
16:44I like to cook.
16:46Besides, no one has a better taste than me.
16:48It's true.
16:50Look, don't let the baby find out.
16:53But you have a better taste than Charita.
16:57I do it with a lot of love.
16:59And don't worry, I don't have a hair of a martyr.
17:02If I need help, I'll ask for it.
17:03I'm sorry I can't help you.
17:06As you wish.
17:08With your attention and your love, it's more than enough, my Silgirito.
17:13How will you be going there, my Alesia?
17:17One of these days.
17:19We should go to eat at your shop.
17:22What a good idea.
17:24I'm going to ask Maripazita to stay in the winery for a day
17:27and we'll escape to the jail of taste.
17:30That's it.
17:32That's it.
17:34Honey, there are a lot of careers that may interest you.
17:37Yes, but none interests me.
17:39How do you know? Have you taken a vocational test?
17:42Yes, it came out that mine is to drink soda and...
17:47do magic.
17:52And now sign the PEPMAPI.
17:54Do you see me as a lawyer?
17:59No.
18:01And as a doctor?
18:03Less.
18:06As an economist?
18:08A little.
18:10As an engineer?
18:12Look, there are new engineering careers.
18:15There is mechatronics engineering, political and social engineering, biomedical engineering.
18:21Biomedical?
18:23Look, let's look. I'll read what it says.
18:26Look, it's...
18:28They combine engineering, biology and medicine
18:32and teach you to design and manage health technology, medical equipment and diagnostic systems.
18:39Honey, that's Chinese for me.
18:42Let's see, mechabots, mecha what?
18:45Mechatronics.
18:47Let's see, it says.
18:49In this discipline, mechanics, electronics and computing are combined to manufacture automated systems.
18:57Woo!
18:59You're very quiet, Mavi.
19:02Valentino, there has to be something you like. What do you like? Think.
19:09I like running.
19:12Climbing, jumping.
19:16I was very happy when I was a warrior.
19:19Oh, Valentino, but that's a TV show, it's not a professional career.
19:23Excuse me?
19:25How dare you say that being a warrior is not a professional career?
19:36Thank you for the sandwich, I was very hungry.
19:39I just hadn't had time to prepare my lunch.
19:42No, and what were you going to have for lunch?
19:44Some cookies to hold the hunger until I get home.
19:48Oh, honey, that's not good for you.
19:49Yes, but I don't always do it.
19:56Salva, I told you not to go to the polyclinic.
20:00After my suspension, I don't want to give any reason to be bothered or get attention.
20:05Yes, I know.
20:07Excuse me, I promise it won't happen again.
20:11Okay.
20:12Julie, that wasn't the first time you fell in the pool of that house, was it?
20:19How do you know?
20:21A comment made by Felix.
20:24Ah, Felix.
20:26Yes, I fell a long time ago.
20:30Cristobal saved me, but it was nothing.
20:42Ah.
20:52Ah.
21:08Julie.
21:10Julie.
21:12Ah.
21:43Ah.
21:45Julie.
22:08That's me, isn't it?
22:10Yes.
22:12I have to go back to the polyclinic.
22:15Shall we hurry?
22:18Let's go.
22:40We should walk a little more than a time of refrigerator.
22:43So we could go back to our homes for lunch.
22:46Oh, no, Ami, forget it, because we would have to go by taxi and it would be very expensive.
22:50No, if we pay it between three.
22:53Where do you live, Lore?
22:55Ah, I live a little further than you in Las Nuevas Lomas.
22:58Oh, what a cock.
23:01Do you live in Las Nuevas Lomas?
23:03Yes, the thing is that Tito already lived there, so when we get there, we'll go to his house.
23:07But you had a daughter, didn't you?
23:09Yes, Maripaz, she lives with us.
23:11Ah, and is it a house or an apartment?
23:13It's a house.
23:15Ah, don't tell me it has a pool, because it is known that all the houses in Las Nuevas Lomas have a pool.
23:20Oh, please, I love pools.
23:22Please, invite us, please.
23:24Oh, yes, we want to know your mansion in Las Nuevas Lomas.
23:27Oh, no, no.
23:29Better I take it to you.
23:31I'll take it to you, okay?
23:33Don't worry.
23:35Don't worry.
23:57Oh.
24:02Get out of my head.
24:09It smells very good.
24:11Family!
24:13Family!
24:16Oh, just in time, how delicious!
24:18No, no, Tito.
24:20Before I wash your hands.
24:22But ...
24:23Already, already.
24:25Hello!
24:28Look, look, look.
24:30Hello.
24:32Hello, Mata.
24:34Look how they greet you.
24:36Oh, Tortonita, how delicious this smells!
24:39Come all.
24:41Oh, what a thrill.
24:43What a thrill, right?
24:45What a thrill to see the whole family together, to the table full.
24:49Oh, yes, it feels so good to be surrounded by the whole family.
24:53What a shame that Lorena misses these lunches.
24:56Yes, but tomorrow she has a day off.
24:58Oh, thank you, cousin.
25:00Sorry, because I know I'm here late.
25:03Well, you're late, my love.
25:05If I invited you, what happens?
25:07We already considered you in the family,
25:09but now that you are in love with Joelito, for good reason.
25:12You will always be welcome, Macarenita.
25:17Thank you, grandpa.
25:19How nice this dish looks, delicious.
25:21The door is closing.
25:23I'll open it, I'll open it.
25:25Do you want to stay in the house?
25:27Yes.
25:29I'm here, I've already saved the lunch.
25:31Hey, dad.
25:33No, but it's the truth, daughter, this is not a pension.
25:35The one who pays for it, right?
25:37Yes.
25:39Don't bother me anymore, ValentĆn, it's enough for everyone.
25:41Take a seat.
25:43Well, family, I have a very important announcement for everyone.
25:47Are you leaving the country?
25:48No.
25:50I have decided to study veterinary medicine.
25:53Wow!
25:56I love it.
25:58I didn't know you liked it.
26:00How nice.
26:02Of course.
26:04And Joelito, who gives birth to lightning, right?
26:06Oh, Felix, I forgot about you.
26:08I'm very upset.
26:10What's your name, Joelito?
26:12I'm hurt, Joelito.
26:14Here it is, here it is, here it is.
26:15Joelito!
26:17Thank you very much, Joelito.
26:19You're always so good to people.
26:21Hey, and you know the last one?
26:23No!
26:25What?
26:27Don Diego has moved to Miguel Ignacio's house.
26:32Don Chesca and Diego broke up?
26:33Don Chesca and Diego broke up?
26:44Can I offer you something else, ma'am?
26:46No, Coqui, thank you.
26:51Coqui.
26:56Tell me, ma'am.
26:58Haven't you thought about redoing your life?
27:03My life is not undone, ma'am.
27:06It's a silly way of saying it, but you know what I mean.
27:12I love and will love Charo until the last breath of my life.
27:20I guess that answers your question.
27:24There are loves that are not forgotten.
27:28Like the one I felt for Mariano.
27:30But loneliness is very sad.
27:34And no company compares to that of a couple.
27:40Charo was the best companion.
27:44The best woman I've ever met in my life.
27:47And living with her was so good
27:50that I even forgot how much I missed my loneliness.
27:53I don't know how to be alone anymore.
27:58They say that loving is about being brave.
28:03Excuse me.
28:22I love you.
28:53It's not just a fragrance.
28:55It's the new collection of Ancestral Fragrances.
28:57They smell like luxury, like a perfume.
29:07Don't think I believed you because you rescued me again.
29:10I didn't.
29:12What?
29:14Just like you heard me.
29:16If you think I'm going to stay here,
29:18you're wrong.
29:19I've never said you owe me blood.
29:21And don't even think that your savior
29:23moved the floor for me.
29:25That's why I have my own savior.
29:27Your own savior?
29:29Yes.
29:31Sara also went up to the pool to rescue me,
29:33but she wasn't there at the time.
29:36Okay.
29:38Anything else?
29:40Because it's time for me to cool off
29:42and I'm very hungry.
29:44Okay.
29:46Let's go.
29:47I'm going to cool off and I'm very hungry.
29:49No, nothing else.
29:51Goodbye.
29:53Goodbye.
29:55Julie!
29:57The exit is that way.
29:59I know.
30:11Why did I come here?
30:13I made a fool of myself.
30:15I'm a fool.
30:17I'm a fool.
30:25And no one else came.
30:27There should be more people by now.
30:30We got excited with the four guys
30:32who came in the morning.
30:34I don't understand. What happened?
30:37We just opened, honey.
30:39People are probably going to start talking.
30:45Yes.
30:47I'm sorry.
30:49I have to be more patient, okay?
30:51I'm sorry.
30:53I'm sorry for being mean to you.
30:55No.
30:57It's okay.
30:59I love you.
31:01I love you too.
31:08Why aren't there people?
31:10Come here.
31:12Come here.
31:14Give me a hug.
31:16Look, Sarita.
31:18Sarita, help us.
31:20Please.
31:26Do you want me to make you something?
31:29Okay.
31:30Okay.
31:44A whiskey?
31:46I'd rather a commitment ring.
31:50A whiskey?
31:53Too many calories.
31:55I think I prefer a glass of water.
31:58I'll be right back.
32:01Are you going to shower?
32:04I love that you're getting to know my habits, Cuchi.
32:31There's a man in our bed!
32:34Oh, yes, it's Diego.
32:36I forgot to tell you that he asked me for asylum.
32:39For the moment, I've lent him my room,
32:41because the visitor's room doesn't have air conditioning.
32:43What does that mean?
32:45That he's going to live here?
32:47That's what it looks like.
32:49Oh, no, Miguel Ignacio, no way.
32:51In this apartment, we'll both fit.
32:53But he's my childhood friend.
32:55I'm not going to throw him out, am I?
32:57Well, then you're going to have to choose
32:58between me and him.
33:05Miss Gretas, are you going on a trip?
33:07No!
33:09I'm leaving forever!
33:12Juan Miguelito.
33:15That means you've broken up with Mr. Miguel Ignacio
33:19of Las Casas.
33:20That means I have a chance with Miss Gretas.
33:51What are you doing?
33:53I'm dry.
33:55I needed to rest,
33:57tidy my head.
33:59Are you leaving?
34:01Yes.
34:03Yes, my friend.
34:05Thank you for everything.
34:07I'm going back home.
34:09But why now?
34:11Gretas has left.
34:13We're free and single.
34:15I want to be your fifth hotel.
34:17No, no, no.
34:19No, I don't.
34:33What a mess I've made
34:35old Francesca's skin, my friend.
34:48She arrived with her suitcase.
34:51But she hadn't left.
34:53She's coming back.
34:55What's going on?
34:58I'm getting goosebumps.
35:12Weren't you leaving?
35:14I came back.
35:15Because if not, it would be accepting defeat.
35:18If Francesca Maldini wants war, she'll have it.
35:22Take this to Chris' room.
35:25As you wish, sir.
35:27Hey, in the end, you do look like Peter.
35:30You know the life and misery of all the members of this family.
35:42Weren't you on another planet?
35:43I came back.
35:45Because I couldn't keep allowing you to do whatever you want.
35:48I told Koki to take my things to Chris' room.
35:51I couldn't agree more.
35:59The blonde left crying with her suitcases.
36:03Miguel Ignacio is alone.
36:06My time has come.
36:08I have to take advantage of it.
36:13Yes.
36:15Felix is right.
36:17That man likes to play.
36:22And what are you going to do, Juanita Zapayala?
36:27Obviously, following the game...
36:31...is the only way for that fish...
36:35...to fall on my back.
36:36Shh.
36:42Hey, what are you doing here?
36:45I was resting for a while.
36:48But I already cleaned the room, as you told me.
36:51And I washed the dishes for lunch too.
36:53You love to nag, Juanita.
36:55Do you think that because I did a few things, I'm ready?
36:58Go downstairs and ask.
37:00Be a little more accommodating, please.
37:07She thinks I'm going to leave her alone.
37:09But she's very wrong.
37:15Now I've seen you.
37:18What a mess.
37:22So, Diego didn't leave?
37:24They haven't separated?
37:26I mean, he did leave, but he came back and is sharing a room with Chris.
37:29So, he's not getting along with Fran?
37:31They're having a little crisis.
37:33Well, it's normal. It's normal.
37:34The Pergas are having a crisis.
37:36If you leave, they fight. Come back.
37:38Olinda, what are you doing there?
37:45But, what is she doing?
37:47I think she's camouflaging herself.
37:49What? But...
37:52Is she always like this?
37:54I have no idea, my love.
37:56Okay.
37:58Yes.
38:04Hello.
38:06Guys.
38:08Do you know what Olinda wanted to find out about?
38:10I guess it's the fight between Francesca and Diego.
38:12Oh, that they always fight?
38:14No, a little crisis.
38:16How's the business?
38:18Terrible.
38:20Don't be like that, my love.
38:22We just opened two days ago.
38:24There were four people today. Four!
38:26I had to save food that I'm probably going to end up throwing away.
38:29Yeah, but don't be Mrs. Terrible.
38:31I'm realistic and pessimistic.
38:32No, a little ugly.
38:34Yes.
38:36But then...
38:39We have other strategies, remember?
38:41What are they?
38:43Let's see them.
38:45And Koki told Maca that no, that they had not separated.
38:48But Diego and Mrs. Francesca were in crisis.
38:57Sir, you haven't heard anything.
39:03And now who am I going to tell my gossip?
39:18Oh, where did you go?
39:22Sir, to the houses.
39:24Sir, to the houses.
39:27Miss Sapayal.
39:29Look, I know that there is not enough trust between us
39:33for me to ask you a favor,
39:35but I need your guidance on an undertaking.
39:40Yes, it's about selling Marcianos.
39:44Selling Marcianos.
39:46I don't want to keep watering, cleaning the windows,
39:50doing all those things that they tell me to do
39:52just for a piece of floor to put my mattress.
39:54I need to work, make my own money, become independent.
39:58Can you advise me?
40:05Tomorrow I'll wait for you at the corporation.
40:10At the corporation?
40:16Be punctual.
40:19Yes, yes, yes, yes, sir.
40:21Yes.
40:26It turned out better than I expected.
40:51Dance all night long.
40:53Don't worry, you'll get drunk.
40:57Dance all night long.
41:01You have to forget the sorrows, damn it.
41:04And make the hearts happy.
41:06Dance all night long.
41:09You have to forget the sorrows, damn it.
41:12And make the hearts happy.
41:21And make the hearts happy.
41:42See you tomorrow, Juli.
41:44See you tomorrow, Mapi.
41:51See you tomorrow, Juli.
41:53See you tomorrow.
42:21And don't even think that your savior moved the floor
42:25because for that I have my own savior.
42:27Your own savior.
42:31Why did I have to say that?
42:35Can you hear me?
42:37Oh, no, no, no, Mapi.
42:39Keep sleeping.
42:47Don't believe the beloved because you rescued me again.
42:52Believe me, the believed.
42:55Oh, Juli.
43:05Dad, dad.
43:07Dad, lie down, you're snoring a lot.
43:10Lie down.
43:15I won't let you do whatever you want.
43:17Don't say us, there's no us.
43:20There's no us.
43:22Dad.
43:24To the other side, okay?
43:27Dad.
43:29Dad.
43:31Dad.
43:33Dad.
43:35Dad.
43:44What am I paying?
43:45What am I paying?
44:15And this time, I know very well, it will be forever.
44:23Chris, what face do you have?
44:25Now you look like a vampire.
44:27Please, let's not use the nickname of that whore.
44:31Dad.
44:33Mr. Diego, how did you wake up?
44:35What happened, son? Didn't you sleep well?
44:37What do you think?
44:39And how is the business going?
44:41Well, Lesslie is a bit pessimistic, but ...
44:42Nobody cares.
44:44Is anyone going to eat this apple?
44:46Because I do.
44:48Coqui, tell the man to use his car,
44:50because mine is not at his disposal.
44:52Yes, ma'am.
44:56Tell the lady ...
44:58Coqui, tell the lady that I'm not going to use any car.
45:01First, because I don't have one.
45:03And second, because I'm going on a strike.
45:05With my friend Miguel Ignacio.
45:07Right away.
45:10Ma'am, Diego says ...
45:12Tell the man that he doesn't care about three cucumbers,
45:15what he does with that bastard.
45:17Yes, ma'am.
45:19Tell the man that he doesn't care ...
45:21I have a high fever.
45:24Miguel Ignacio de la House, I'm dying.
45:28Yes, yes, yes.
45:30I'm going to put on a special outfit for today.
45:32See you there.
45:34Excuse me, a luxurious yacht ride is waiting for me.
45:38I want to be the fifth Teletubbies.
45:43Coqui, tell the driver to prepare the car I'm going to use.
45:46Right away, ma'am.
45:48I'm the driver, right?
45:50Yes.
45:52I no longer follow what Diego says.
46:04Come in.
46:13I brought you your cup of coffee.
46:20I'll be back for your cup.
46:22Excuse me.
46:24Miss Zapayal.
46:26Yes, yes, sir.
46:31There is still one pending matter.
46:33What about the accusations that Mrs. Maldini made of you?
46:41Well, I'm not going to lie to you.
46:44Indeed, a very unpleasant event occurred.
46:48Well, more than an event, a misunderstanding.
46:51Misunderstanding?
46:53Yes, sir.
46:55Yes, sir, as I told you before,
46:57while I was cleaning Mrs. Francesca's bedroom,
46:59I hit a painting with my pen making it fall.
47:02I quickly crouched down to pick it up
47:04and when I hung it up, the door of the safe was open.
47:09You didn't know there was a safe there?
47:12No, sir.
47:15So it was a surprise?
47:17Yes, sir.
47:20And didn't you find it strange that it was open?
47:23No, because I didn't even know what it was.
47:25So you had never seen a safe before?
47:30No, sir, it was the first time.
47:46Oh, sir, please say something.
47:48Oh, sir, please say something.
47:54Your coffee is delicious, Miss Sapayal.
48:12Come in.
48:13Come in.
48:17Francesca, can I talk to you for a moment?
48:21You can always talk to me, Alesia.
48:29Francesca, I'm worried.
48:32Well, Jimmy and I are worried because
48:36we feel that it is our fault that you and my father are like this.
48:40Diego and I are not having a good time.
48:43But there are several causes that have motivated this deterioration.
48:47I promise you that we will try to leave as soon as possible.
48:51There is no hurry.
48:53Diego doesn't want them here,
48:55nor does he approve that Macarena is with Joel,
49:00nor that I allowed that pool party.
49:04He is against the inevitable.
49:08And he doesn't realize that with that attitude he only moves his family away.
49:12But what's going to happen now? Because my dad is not going to give up.
49:16Especially now that he's up and down with Uncle Miguel Ignacio.
49:19Definitely, Miguel Ignacio is not an example to follow.
49:23To top it off, he hates me.
49:25But your father is an adult and he will know what he is doing.
49:28Maca, Chris and I want to talk to him.
49:31Don't do it.
49:33He won't listen to you.
49:35This is a matter between Diego and me.
49:38I appreciate your concern. It means a lot to me.
49:52Who could it be at this hour?
50:02Honey, for it to work, we have to believe it.
50:08Maybe a little advertising is missing, right?
50:13What are you thinking about?
50:18Are you going to a Chabelos concert?
50:21No.
50:23Then have you cut your hair?
50:25Yes, that's how I did it in my time.
50:27Am I cool or not?
50:37Diego is right.
50:39I know the lives and miseries of many people.
50:47What are you doing, girl?
50:50You?