Next on Pitik!: Meet Kiddo Canovas, Cebu's premier boudoir photographer, who blends empowerment with intimate storytelling through his lens.
Discover his journey from street to boudoir photography, and learn about his artistic vision live Monday, March 24, at 6 p.m.
Don't miss this inspiring conversation!
Discover his journey from street to boudoir photography, and learn about his artistic vision live Monday, March 24, at 6 p.m.
Don't miss this inspiring conversation!
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00:00:00🎧 Intro Music 🎧
00:00:23Good Evening!
00:00:26We are here in Pitik
00:00:29We have a guest today
00:00:35He is handsome
00:00:41Not just handsome, he looks like INV
00:00:45We have a photographer here
00:00:55I don't know if you know him
00:00:57He is my friend
00:00:59But I believe he is handsome
00:01:04He is a photographer
00:01:07He is Cebu's premier Budwa
00:01:13Budwa
00:01:14Photographer
00:01:16Who blends empowerment with intimate storytelling through his lens
00:01:23He discovered his journey from street to Budwa photography
00:01:31We have Kido Canovas
00:01:38Hi, good evening everyone
00:01:40I am Kido Canovas
00:01:43I am a Budwa photographer
00:01:45I specialize in Budwa from Cebu
00:01:48Okay, Budwa
00:01:50Where did you start?
00:01:52What did you achieve in Budwa?
00:01:56Where did you start as a photographer?
00:01:59It's a curious story
00:02:03I started in the field of portrait
00:02:13In line with women
00:02:17I started in collaboration
00:02:21Actually, my first Budwa was with my wife
00:02:25My first Budwa was in 2010
00:02:27It was with Barbie
00:02:29That's how I became a photographer
00:02:35That was my dream
00:02:37By the way, what is the meaning of Budwa?
00:02:42Budwa is a French word
00:02:46It means private or dressing room for women
00:02:53What is Budwa in photography?
00:03:01In Budwa photography, it's like a bag
00:03:06It uses many terms
00:03:09First, it's all about portrait
00:03:12Then bikini
00:03:14I found a field where I can focus on women's elegance and classiness
00:03:22When you say Budwa photography
00:03:25It represents women's elegance, classiness, sensuality, and intimacy
00:03:34What about your clients?
00:03:41Do you meet them directly?
00:03:48Of course, it's intimate
00:03:53Whether they are makeup artists or in one room
00:03:58They won't be shy
00:04:00You can carry them
00:04:02So it won't be awkward
00:04:06Okay
00:04:07In my experience, I don't discourage them
00:04:14Because I want them to be comfortable
00:04:17If you have a makeup artist, you can carry them
00:04:20But during the shoot, they can wait outside or on the side
00:04:24So it won't be awkward on both sides
00:04:28On my side, I have a few sides to look at
00:04:32But most of the shoot is outside
00:04:35They can sit next to each other
00:04:38And I understand
00:04:40Because it's intimate
00:04:42If they don't know me properly
00:04:45It's difficult
00:04:47Maybe because I'm a man
00:04:49So that's the most challenging for me
00:04:51To book or hire
00:04:54I didn't expect that I'm a man
00:04:57For those who inquire, I'm a man
00:04:59For those who inquire, I'm a woman
00:05:00Because of my photos, my output
00:05:03What's their reason to book or photoshoot for Budwa?
00:05:11First, I want to establish a rapport
00:05:15Or a connection
00:05:16Where do you see me in your portfolio?
00:05:19Some people search on Google
00:05:22For Budwa photographer
00:05:24I'm the down name
00:05:25Which is a happy result
00:05:27Because there are other people
00:05:29Who slowly open up about that kind
00:05:32Because Budwa is a bit taboo and sensitive
00:05:35It's not a topic or a genre
00:05:38Because it's sensual
00:05:40It's intimate
00:05:41So that's why
00:05:43I go out and find out
00:05:46What they want to shoot
00:05:47What's the concept
00:05:48How they want it to go
00:05:49Why do they want to shoot
00:05:51But most of the questions
00:05:53I get back
00:05:54Because they have a lot to go
00:05:56Instead of me
00:05:57Is there a Budwa in your portfolio?
00:06:00All genders, right?
00:06:03Yes, so Budwa is
00:06:05Generally, it's for women
00:06:08It's a private bedroom for women
00:06:11But right now
00:06:12It's modern
00:06:13It's adapted
00:06:14So it doesn't congregate
00:06:16Or it doesn't consult women
00:06:20Now, it's for men
00:06:21It's not for couples
00:06:22In general
00:06:23Outside, there are more couples doing that
00:06:25It depends on the couple
00:06:27But I don't upload there
00:06:29Because it's very private
00:06:31And I respect the privacy
00:06:33Now, it's Women's Month
00:06:45Can it boost their self-esteem?
00:06:50Or their women power?
00:06:57It's a way of art, right?
00:07:00It's considered art
00:07:06First, I would like to thank
00:07:08For this opportunity to
00:07:10Break the boundaries
00:07:12For women
00:07:13And to those women
00:07:15Who have no idea
00:07:19It's embracing the imperfect
00:07:23As a woman
00:07:24Because the tendency now
00:07:26Is that women
00:07:28We're molded in the world
00:07:31That we should be sexy
00:07:32That we should be beautiful
00:07:33That we should be beautiful
00:07:35So, for me
00:07:36I'm highlighting the raw
00:07:39As a woman
00:07:40It's not that you're beautiful
00:07:42Or that you're ugly
00:07:44I encourage these people
00:07:46Even women
00:07:48That we call plus size
00:07:51It's normal
00:07:53It's okay to have that too
00:07:55Because of the picture itself
00:07:57It represents the art
00:07:59And it could make them proud
00:08:01And boost their self-esteem
00:08:03To see that it's beautiful in the picture
00:08:05The output is like this
00:08:07And in a sense
00:08:09They will be really proud of themselves
00:08:15In terms of themes
00:08:17In terms of styles
00:08:19Do they have a background?
00:08:28In terms of concepts
00:08:31I ask the couple
00:08:33Or the client
00:08:35What they want
00:08:37The output
00:08:39Or how they want it to be shot
00:08:41I ask
00:08:43But at that time
00:08:45I already established a rapport
00:08:47So we're having a connection already
00:08:49So they can feel confident
00:08:51So if they have a concept
00:08:53I advise them
00:08:55To look at it
00:08:57From the first start
00:08:59Do you have
00:09:01A photograph
00:09:03That's
00:09:05Sorry for the word
00:09:07That's elegant
00:09:09That's elegant
00:09:11That's elegant
00:09:13That's elegant
00:09:15That's elegant
00:09:17That's elegant
00:09:19That's elegant
00:09:21That's elegant
00:09:23Which is like leggings
00:09:25Where will it be carried?
00:09:27Okay, so it's a good question
00:09:29Because
00:09:31In terms of the work
00:09:33In general
00:09:35You have to look at it
00:09:49Those are my clients
00:09:51I need, it's a validity always, right?
00:09:53We don't need them anymore, they can be like that.
00:09:55Then, what else?
00:09:57Uhm...
00:09:59For the...
00:10:01women who...
00:10:07What's this?
00:10:09What's this?
00:10:11What's this?
00:10:13Delete, right?
00:10:15Oh yeah, we don't need it anymore.
00:10:17Yeah.
00:10:19I'm tired of my clients or my selfies.
00:10:23When I make my art, it's simple but it's not simple.
00:10:27It's my output.
00:10:29It's very challenging.
00:10:31But later on, as years, in my work,
00:10:33I asked the women,
00:10:35where they are,
00:10:37and how they are comfortable with.
00:10:39It's not about me.
00:10:41I'm just taking the photos
00:10:43of them being themselves.
00:10:45For example.
00:10:47It's not about me or the photographer.
00:10:49It's not about that.
00:10:51We're highlighting and emphasizing them.
00:10:53And they are the one
00:10:55who...
00:10:57The subject is really important.
00:10:59We have a question here from Sir Kenneth.
00:11:01How do you ensure your clients,
00:11:03especially female clients,
00:11:05feel comfortable
00:11:07and respected during the shoot?
00:11:09Oh, okay.
00:11:11Hi, Sir Kenneth.
00:11:13Uhm...
00:11:15Mostly, it depends on my clients
00:11:17or referral already.
00:11:19Some of them are my friends
00:11:21and some of them are their friends.
00:11:23But there are two...
00:11:25To be exact,
00:11:27I have to say this.
00:11:29Sometimes, some husbands or boyfriends
00:11:31book me
00:11:33and they together
00:11:35during the shoot.
00:11:37And sometimes, they are in the lobby
00:11:39because they want at least
00:11:41their partner to be able to focus.
00:11:43Rapport, connection,
00:11:45and giving the idea and details
00:11:47so that they are at least comfortable during the shoot.
00:11:49And...
00:11:51Give them space
00:11:53and educate the client or me.
00:11:55I'll educate them.
00:11:57It's not allowed to have a long line.
00:11:59I encourage them.
00:12:01It's better if they are outside.
00:12:03Once you're comfortable,
00:12:05it's not right away.
00:12:07There's make-up artist.
00:12:09There's rapport.
00:12:11It's like...
00:12:13The client is like,
00:12:15are you sure?
00:12:17Yeah, at first...
00:12:19At first, it's like that.
00:12:21Then, in the end,
00:12:23in the first 100 clicks,
00:12:25it's like it's not counted yet.
00:12:27As a photographer,
00:12:29you don't know
00:12:31if your subject is good or not.
00:12:33But in the eyescan,
00:12:35you can see
00:12:37if the client is comfortable.
00:12:39I like that.
00:12:41At the start of the shoot,
00:12:43I'll tell them,
00:12:45jokingly,
00:12:47at least they will really feel comfortable.
00:12:49If they're not comfortable,
00:12:51let someone else do it.
00:12:53On the photography side,
00:12:55in the lighting,
00:12:57do you use studio lights
00:12:59or do you prefer
00:13:01lights and shadows?
00:13:03I mean,
00:13:05ambient.
00:13:07What do you use?
00:13:09My approach is
00:13:11an ambient shooter
00:13:13since it's a
00:13:15private bedroom.
00:13:17I use natural light and window light
00:13:19for a more romantic
00:13:21and sensual
00:13:23and very dramatic approach.
00:13:25If it's a studio,
00:13:27most of my clients
00:13:29or some of my clients
00:13:31will decline
00:13:33because I can't pull it
00:13:35perfectly.
00:13:37It's not my comfort
00:13:39playground
00:13:41just for the sake of shooting.
00:13:43If I can't pull it,
00:13:45I won't be able to get the result
00:13:47that they expect.
00:13:49The room is important.
00:13:51If the window is big,
00:13:55what do you prefer in the room?
00:13:57Actually, I've shot
00:13:59a few houses
00:14:01because they're more comfortable.
00:14:03I don't limit myself.
00:14:05I only ask for my clients
00:14:07if the light is good,
00:14:09the room is good,
00:14:11the light is just right,
00:14:13and that's it.
00:14:15I don't focus on the room
00:14:17or the subjects.
00:14:19I focus on the client,
00:14:21the woman,
00:14:23the shooter,
00:14:25and everything else.
00:14:27We have a question
00:14:29from Ado Carlo.
00:14:31Sir, Kido,
00:14:33what is your advice to us
00:14:35that you want to start as a hobby?
00:14:39Sir Ado,
00:14:41just try
00:14:43to start in your field
00:14:45because
00:14:47the best
00:14:49camaraderie is the one you can afford.
00:14:51Then start from everything like me.
00:14:53I've started a lot,
00:14:55which is the genre that I like.
00:14:57But I did a lot of field
00:14:59but this is what I do.
00:15:01It's more comfortable
00:15:03and I can pull more than I want.
00:15:05You don't use film, right?
00:15:07Yeah, until I shot a film
00:15:09even in Sinulo, Wedding,
00:15:11and in Buduasad.
00:15:13But I don't offer
00:15:15a film package
00:15:17because it's a bit expensive.
00:15:19The films that I show are really expensive
00:15:21based on my high rate.
00:15:23But the color of the film is good, right?
00:15:25Yeah, it's good especially
00:15:27when you use film cameras.
00:15:29Film?
00:15:31Yeah, film.
00:15:33So, you can afford
00:15:35developing?
00:15:37Yeah, remember when
00:15:39we used it for portrait?
00:15:41It's expensive.
00:15:43But again,
00:15:45it's expensive to have a film.
00:15:47It's not sustainable.
00:15:49Speaking of expensive,
00:15:51what is the rate
00:15:53for booking
00:15:55in Budua?
00:15:57For me, it's not really that expensive
00:15:59but I have local rate
00:16:01and foreigners rate.
00:16:03Then,
00:16:05it depends on the time.
00:16:07In my package, it's like 3-4 hours
00:16:09because there's a lot of dust
00:16:11and draining.
00:16:13It's not healthy.
00:16:15So, 3-4 hours
00:16:17is the maximum.
00:16:19So, it depends.
00:16:21Okay.
00:16:23Next question.
00:16:25Enrico Santisas.
00:16:27What lens do you use mostly?
00:16:29Sir Enrico,
00:16:31my lens I use is
00:16:33prime.
00:16:35It's my prime lens.
00:16:37I have 35 for a little bit wide
00:16:39then 50 for
00:16:41facial or for details only.
00:16:43Then, my 135
00:16:45if the room I booked
00:16:47is big
00:16:49so that
00:16:51the angle
00:16:53that I want
00:16:55is foreground
00:16:57and background.
00:16:59At least, I have two.
00:17:01It's mostly upfront.
00:17:03What's the opening
00:17:05for the lens?
00:17:07For 35,
00:17:09I have 1.4, so prime.
00:17:11Then, 50, 1.2 and 2.0
00:17:13for my
00:17:15135.
00:17:17So, for the ambient lighting,
00:17:19it's open.
00:17:21Yes, the window is open.
00:17:23I mean, the lens is 1.2.
00:17:25So, it's wide.
00:17:27But if I have a close-up,
00:17:29I can adjust it
00:17:31so that it won't focus.
00:17:33At least, I can get the earrings,
00:17:35the eyes.
00:17:37Editing, sir?
00:17:39Minimal.
00:17:41I'm minimal because
00:17:43actually,
00:17:45outside of women empowerment,
00:17:47I treat my clients like,
00:17:49Ma'am, during this time,
00:17:51I didn't edit properly.
00:17:53So, if I see something,
00:17:55I'll enhance it.
00:17:57If there are stretch marks,
00:17:59I'll do it better.
00:18:01Tiger marks, because that makes you
00:18:03the real you.
00:18:05I'll enhance it,
00:18:07but I won't remove it.
00:18:09For me, I don't do it.
00:18:11It's gone.
00:18:13It's perfect
00:18:15because we're hiding some flaws
00:18:17which we should remove
00:18:19because they're just humans.
00:18:21They're just humans.
00:18:23We're going to embrace that aspect.
00:18:25We have a question
00:18:27from Sir Gama Liel.
00:18:29Good evening, sir.
00:18:31How to start Budwa photography
00:18:33or how to approach
00:18:35girls to shoot Budwa?
00:18:37Hi, Sir Gama.
00:18:39The first thing is
00:18:41you have to
00:18:43establish
00:18:45your genre.
00:18:47Then, just try
00:18:49with your girlfriends
00:18:51if they're comfortable.
00:18:53Start with portraits
00:18:55and ask them nicely
00:18:57if they can go to
00:18:59the bedroom, wake up,
00:19:01just like
00:19:03boxer shorts and sandals.
00:19:05By that start, if you're comfortable
00:19:07and you can see
00:19:09your girlfriends
00:19:11are okay and comfortable,
00:19:13then maybe that's the start and you can reassess
00:19:15if you want to push through.
00:19:17But again, Budwa photography
00:19:19is not just a photography, it's education.
00:19:21We need to educate the people.
00:19:23We need to educate the client as well
00:19:25so that they're comfortable.
00:19:27I guess this is the message
00:19:29we're trying to convey.
00:19:31It's empowerment, authenticity,
00:19:33and inclusivity.
00:19:35It's not about being sexy.
00:19:37It's not about norms.
00:19:39It's very diverse.
00:19:41All shapes,
00:19:43all colors, all sizes.
00:19:45That's how I shoot.
00:19:47It's a plus size.
00:19:49But I have
00:19:51tried it.
00:19:53Okay.
00:19:55If you're going to shoot,
00:19:57what are the
00:19:59outputs?
00:20:01Do you use soft copies
00:20:03or prints?
00:20:05In my package, it's just Google Drive.
00:20:07It's convenient
00:20:09compared to the old school
00:20:11flash drive,
00:20:13then meet up again,
00:20:15or prints.
00:20:17So for me, it's just Google Drive.
00:20:19Good evening.
00:20:21Leonardo Kenobi.
00:20:23Good evening, sirs.
00:20:25Does metering modes affect
00:20:27aside from exposure triangle?
00:20:31Okay.
00:20:33It works with lighting.
00:20:35It's affected.
00:20:37So maybe I'm going to answer that in general
00:20:39because it's technical for me.
00:20:41Yes, exposure is affected.
00:20:43Your light should be balanced
00:20:45unless you want to make it
00:20:47more dramatic, but you can play.
00:20:49Exposure triangle or metering modes,
00:20:51they're just guides.
00:20:53But rest,
00:20:55it depends on
00:20:57how you're going to make it.
00:20:59For me, most of my shots are
00:21:01what?
00:21:03Exposed?
00:21:05What's good about your shots
00:21:07is that you can do light and shadows.
00:21:09So it's either you're high
00:21:11because of your exposure.
00:21:13Usually, I'm high because of my exposure.
00:21:17I'm going to highlight.
00:21:19I have a question
00:21:21from handsome Michael Ocaña.
00:21:23Hi, sir.
00:21:25Good evening, sir.
00:21:27Hi, sir.
00:21:29Can you join
00:21:31those who want to learn
00:21:33from you?
00:21:35Maybe soon.
00:21:37I'm busy right now.
00:21:43Maybe soon.
00:21:45We'll see.
00:21:49Decades ago?
00:21:51Yes.
00:21:532010?
00:21:552011?
00:21:57You used
00:21:59this film because
00:22:01you have a client
00:22:03who's shocked, right?
00:22:05Yes.
00:22:07In the film or in general?
00:22:09In the film.
00:22:11In the film,
00:22:13before, I tried to
00:22:15make them angry during the shoot
00:22:17so that they'll be amazed.
00:22:19Then for me, I practiced
00:22:21because the film's photography
00:22:23is one shot one kill.
00:22:25So you cannot redo it.
00:22:27You have to make sure that
00:22:29the angle and the light are good.
00:22:31You cannot redo it or
00:22:33postpone it.
00:22:35We have a question from
00:22:37Gryle Pepito.
00:22:39Gryle Pepito.
00:22:41Good evening.
00:22:43What's the biggest misconception
00:22:45of Boudoir photography?
00:22:47The most basic.
00:22:49I don't know how to use the word.
00:22:51But the biggest misconception
00:22:53is
00:22:55that it's a luxury.
00:22:57It's a luxury.
00:22:59Can you use the word?
00:23:01It's a luxury.
00:23:03There are a lot already
00:23:05in the past.
00:23:07It started with cases.
00:23:09So you have to be careful
00:23:11if you want to make a film.
00:23:13It's very important
00:23:15to have integrity.
00:23:17For the client,
00:23:19you have to research
00:23:21the photographer.
00:23:23If he's legit.
00:23:25Portfolio.
00:23:27If he can
00:23:29trust his colleagues,
00:23:31they know this kind of photographer
00:23:33much better.
00:23:35It's dangerous.
00:23:37MOP.
00:23:39Oh, MOP.
00:23:41Handsome.
00:23:43Sir Kito Canovas, last question.
00:23:45How do you choose the photos
00:23:47that you submit to the client?
00:23:49Do you choose them
00:23:51or do you finalize them
00:23:53before you submit or post?
00:23:57For me,
00:23:59I choose the photos
00:24:01that are
00:24:03just right.
00:24:05I don't want to add more.
00:24:07For me, it's less is more.
00:24:09More in quality.
00:24:11If you don't add more,
00:24:13the client will be confused
00:24:15because they don't like the angle.
00:24:17So at least,
00:24:19submit the best of all the best
00:24:21that you can give to your client
00:24:23so that they'll be happy
00:24:25with their choice.
00:24:27They'll like it.
00:24:29So maybe,
00:24:31portrait, close-up, hole,
00:24:33depends on the angle.
00:24:35Flash the sample
00:24:37or photos
00:24:39of Sir Kito.
00:24:41Okay.
00:24:43Let's go back to
00:24:45black and white.
00:24:47By the way, Sir, what do you prefer?
00:24:49Black and white or color?
00:24:51For me, it's colored.
00:24:53But for my portfolio,
00:24:55I prefer black and white.
00:24:57When you see black and white,
00:24:59just go straight to the subject.
00:25:01No distractions.
00:25:03If your photos are alive,
00:25:05your photos are alive.
00:25:07Let's go back to
00:25:09silhouette.
00:25:11So,
00:25:13where are the
00:25:15curves?
00:25:19Where are the
00:25:21positions
00:25:23or
00:25:25standard positions
00:25:27of the angles
00:25:29of the Buddha?
00:25:31Okay.
00:25:33So if this is just a basic picture,
00:25:35I used silhouette
00:25:37so you can see the arc on the back.
00:25:39You won't be able to see
00:25:41the emotion but you can see
00:25:43the subject that I made.
00:25:45You can feel it.
00:25:47The gesture of the clothes is somewhere in the heart
00:25:49or in the part.
00:25:51Mostly,
00:25:53the angle or shot is
00:25:55silhouette.
00:25:57That's it. My approach is black and white.
00:25:59So,
00:26:01I don't focus on the background.
00:26:03I don't care.
00:26:05I just give the light.
00:26:07When I take a photo,
00:26:09I go back and forth.
00:26:11I go back and forth.
00:26:13It's flat but
00:26:15it looks like the subject
00:26:17pops out.
00:26:19So, by the way,
00:26:21Buddha photography does not
00:26:23limit your image.
00:26:25For me, it's not about lingerie or sexiness.
00:26:27It's about the emotion of the girl
00:26:29or the woman in my picture.
00:26:31Like what I've said earlier, I'm okay with the background.
00:26:33It doesn't matter.
00:26:35It's subject-oriented.
00:26:37So, in the picture, the girl is comfortable
00:26:39even if the Buddha is visible.
00:26:41But they're very comfortable.
00:26:43So, that's it.
00:26:45Embracing the flow or the natural.
00:26:47That's it.
00:26:49It's just
00:26:51facial expression.
00:26:53Let me see.
00:26:55Shout out to my mom.
00:26:57Hi, Kate.
00:26:59How are you?
00:27:01Next.
00:27:03Next.
00:27:05How are you?
00:27:09Let's go back.
00:27:11How do you
00:27:13direct
00:27:15your photos?
00:27:17Actually,
00:27:19my approach when I shoot
00:27:21is to micro-pose.
00:27:23So, when the angle is right,
00:27:25I go straight.
00:27:27So, I give the idea
00:27:29to them.
00:27:31For example,
00:27:33for the butt.
00:27:35After that,
00:27:37other than that,
00:27:39I raise my arm or
00:27:41move my eyes.
00:27:43So, I go straight.
00:27:45So, I micro-pose
00:27:47and save time.
00:27:49After that, I rest.
00:27:51So, the client won't be bored.
00:27:53What if
00:27:55the client is awkward?
00:27:57You're a teacher.
00:27:59You do it.
00:28:01Yes.
00:28:03Sample.
00:28:05I have to do it first
00:28:07before they do it.
00:28:09I have to do it first
00:28:11so that at the same time,
00:28:13I establish a rapport
00:28:15so that they can feel comfortable
00:28:17and feel the vibe.
00:28:19So, that's it.
00:28:21So that the output
00:28:23can follow what you want.
00:28:25For you,
00:28:27it's their work.
00:28:29Next.
00:28:35Emotions.
00:28:37Yes. Emotions.
00:28:39It's very simple,
00:28:41but for me, it's really nice.
00:28:43The depth of the photos,
00:28:45the emotion, the hand gesture.
00:28:47He's looking at me,
00:28:49but he's still holding his hand.
00:28:51He's showing his tattoo,
00:28:53which is meaningful.
00:28:57I usually shoot tight.
00:28:59Tight.
00:29:01So that the face looks good.
00:29:03I don't know.
00:29:05It's just my style or trademark.
00:29:07Angle.
00:29:09Yes.
00:29:11It's not a rule of thirds, right?
00:29:13Yes.
00:29:15For me, most of my shots
00:29:17are comfortable.
00:29:19But it's up to the followers.
00:29:21It's their guide.
00:29:23Next.
00:29:25For you.
00:29:27For me,
00:29:29it's no person.
00:29:31No facial.
00:29:33He doesn't have a facial,
00:29:35but still,
00:29:37you can see his wholeness.
00:29:39His picture in the bedroom.
00:29:41It's just like he's smiling.
00:29:43So, it's a bit raw.
00:29:45Yes.
00:29:47It's not edited.
00:29:49It's just straight out of the camera.
00:29:51For me,
00:29:53if there's no exposure,
00:29:55or contrast,
00:29:57just skin tone color.
00:29:59That's it.
00:30:01Okay.
00:30:03It's very minimal.
00:30:05I'll adjust the light.
00:30:07If possible, I'll adjust the cut.
00:30:09Because he has a shot
00:30:11where the bed is far away.
00:30:13If the bed is far away,
00:30:15you can press the chair.
00:30:17Chair.
00:30:19Not limited to bed only.
00:30:21But if it's on the floor,
00:30:23it depends.
00:30:25Okay.
00:30:27I'll adjust the light.
00:30:29I'll adjust the light.
00:30:31If possible,
00:30:33the front is dark.
00:30:35So, I'll do it on the outside.
00:30:37That's good,
00:30:39because
00:30:41this is a good question.
00:30:43Exposure triangle.
00:30:45If your metering
00:30:47focuses on
00:30:49the dark side.
00:30:51Yes.
00:30:53It focuses on the dark side.
00:30:55So, I'll adjust the exposure.
00:30:57Metering.
00:30:59Okay.
00:31:01Anonymous question.
00:31:03How do you ensure your work
00:31:05empowers women
00:31:07rather than objectifies them?
00:31:09How do you ensure your work
00:31:11empowers women?
00:31:13Like what I've said earlier,
00:31:15Budwa Photography is really
00:31:17important for women,
00:31:19or people in general.
00:31:21They're not even thinking
00:31:23it's really important nowadays
00:31:25for women to try.
00:31:27It will boost their
00:31:29self-esteem.
00:31:31They can take pictures.
00:31:33They're not
00:31:35molded or
00:31:37normed.
00:31:39They're not sexy.
00:31:41They're not out of shape.
00:31:43They can't take pictures.
00:31:45That's my problem.
00:31:47That's my problem already.
00:31:49I hired them
00:31:51to give the best out of it.
00:31:53So, when they saw the photos
00:31:55or output,
00:31:57they'll think,
00:31:59this is really good.
00:32:01By that, after all the shoot
00:32:03and they see the output,
00:32:05they will give them confidence.
00:32:07They won't say,
00:32:09I'm not pretty.
00:32:11It depends on
00:32:13other people.
00:32:15They won't expect
00:32:17the output to be good.
00:32:19At first, they're very
00:32:21nervous about the output.
00:32:23It's completely normal.
00:32:25Another question
00:32:27from Sir Pepito Calmado.
00:32:29Sir Kido Canovas,
00:32:31who will pay the venue
00:32:33or room or location
00:32:35for the shoot? Is it included in your
00:32:37package or to the client
00:32:39or it depends on the agreement?
00:32:41Hi, Sir Lemuel.
00:32:45It's separate.
00:32:47The room is not included.
00:32:49The makeup artist is not included.
00:32:51My package is only the photos.
00:32:53I'm a photographer.
00:32:55They will pay everything
00:32:57aside from the room.
00:32:59But actually,
00:33:01I think they can
00:33:03hire a makeup artist.
00:33:05Maybe they're thinking
00:33:07that they need to look good.
00:33:09The purpose will be defeated.
00:33:11Because the makeup will be heavy.
00:33:13It will be hard to edit.
00:33:15The makeup will be heavy.
00:33:17I want them to look natural.
00:33:19I want them to be comfortable in the shoot.
00:33:21It's not like other women
00:33:23or in weddings,
00:33:25they have to wear a wig
00:33:27to shoot.
00:33:29I discourage them
00:33:31that it's okay.
00:33:33I encourage them
00:33:35not to worry.
00:33:37If there's a problem,
00:33:39I'll find a way to fix it.
00:33:41Trust me, I'll fix the output.
00:33:43And don't forget
00:33:45the bedroom.
00:33:47Focus on the role,
00:33:49on the woman,
00:33:51not on what they're doing.
00:33:53Let's go back to the photos.
00:33:59To the colors.
00:34:01To the colors.
00:34:03Okay.
00:34:05Wait.
00:34:07I'll monitor
00:34:09the...
00:34:11Harsh?
00:34:13It's a bit harsh.
00:34:15Where do you have
00:34:19the colors?
00:34:21Or...
00:34:23Can you explain
00:34:25the photos?
00:34:27It's very simple.
00:34:29I highlight the body shape of the bed.
00:34:31I'm a client.
00:34:33I put it on the window as usual.
00:34:35Towards the light.
00:34:37Then a little bit of mystery
00:34:39to cover the eyes.
00:34:41That's it. At least I'm uploaded.
00:34:43That's my portfolio.
00:34:45I don't upload
00:34:47my clients' photos.
00:34:49They don't answer?
00:34:51They don't answer, but I ask permission first.
00:34:53They paid me to do this shoot.
00:34:55I don't hide
00:34:57my parts.
00:34:59I don't hide my education.
00:35:01We would ask permission first
00:35:03before uploading because it's very
00:35:05sensual and sensitive.
00:35:07We need to respect.
00:35:09Next.
00:35:15Next.
00:35:21Where do you have...
00:35:23With that picture...
00:35:25Bedroom.
00:35:27It's a bathroom.
00:35:29It's very simple.
00:35:31As women, we can see that he prepared it.
00:35:33It's defined as elegance.
00:35:35Women.
00:35:37It's a very simple detail.
00:35:39But it tells me a lot.
00:35:41Or maybe in the wild,
00:35:43it tells you a lot about the meaning
00:35:45of the portrait
00:35:47or showing
00:35:49specific photos.
00:35:51It's said that buddha photography
00:35:53is nude photography.
00:35:55What's the difference?
00:35:57Nude photography
00:35:59in general is nude.
00:36:01There's no emotion.
00:36:03In buddha photography, we're focusing
00:36:05on sensual intimate.
00:36:07There's connection
00:36:09with the nude, the lens,
00:36:11and the subject, which is the woman.
00:36:13Nude photography, you can see it in general.
00:36:15They're just there.
00:36:17It's more like studio type.
00:36:19It's very subjective.
00:36:21When you're giving emotion,
00:36:23you're giving confidence
00:36:25to boost them
00:36:27as a woman.
00:36:29Can you do it
00:36:31from nude
00:36:33to buddha?
00:36:35You can, but you can do more better.
00:36:37Just not nude.
00:36:39With emotion.
00:36:41Make art, right?
00:36:43Sir, a question.
00:36:45Yes.
00:36:47Sir, good evening.
00:36:49Sir Kido,
00:36:51what's your advice
00:36:53or advice
00:36:55if you have a client
00:36:57that you can edit
00:36:59to make it sexier?
00:37:01I'm just kidding.
00:37:03That's my opinion.
00:37:05Sir Set?
00:37:07Good evening, Sir Set.
00:37:09First, I don't expect
00:37:11to do a part
00:37:13where you have to do that and do this.
00:37:15When I first started,
00:37:17I was just exploring.
00:37:19But right now, honestly speaking,
00:37:21I'm educating my client
00:37:23that I can't edit
00:37:25because they're uploading
00:37:27and I can't do it anymore.
00:37:29So, for me, the purpose is good.
00:37:31But I'm trimming
00:37:33or I'm using it,
00:37:35especially for women,
00:37:37but it's never good
00:37:39to exaggerate
00:37:41that they can't see it.
00:37:43Because I'm educating them
00:37:45as a client
00:37:47so that it's good for you.
00:37:49So, if you can upload it, it's good for you.
00:37:51Because that's how it works
00:37:53when you see it in a personalized deal.
00:37:55So, it affects the audience.
00:37:57I don't want them to have
00:37:59a false impression
00:38:01of the client or the people.
00:38:03I just want to
00:38:05educate them.
00:38:07Because photography is not
00:38:09just an on. We need to educate people.
00:38:11So, the client
00:38:13can't see it.
00:38:17Yeah, I understand.
00:38:19But I don't have a story.
00:38:21I'm not a part
00:38:23as an artist or photographer
00:38:25that can see it.
00:38:27So, when I shoot,
00:38:29I'm the one who can see it.
00:38:31Because at the end of the day,
00:38:33even if it's new or old,
00:38:35it's not going to be edited.
00:38:37Because at the back of our mind,
00:38:39it's going to be edited.
00:38:41It's going to be edited.
00:38:43So, by that,
00:38:45when I start shooting,
00:38:47I'll set the exact angle.
00:38:49I'll set it so that
00:38:51when I edit it,
00:38:53it's just light.
00:38:55Light, good exposure,
00:38:57contrast, skin tone, that's it.
00:39:03I read that
00:39:05you can put
00:39:07nude photography
00:39:09because
00:39:13the Boudoir is not for
00:39:15public display.
00:39:17So,
00:39:19the client can't see it
00:39:21because it's a private tragedy.
00:39:23Because it's going to be run.
00:39:25So, the nude,
00:39:27it's an art,
00:39:29right?
00:39:31Yeah, it could be related
00:39:33to the painting.
00:39:35If it's a nude,
00:39:37it's a bodyscape.
00:39:39It's a bodyscape.
00:39:41About curves, that's a different
00:39:43genre.
00:39:45You can put it
00:39:47as a bodyscape.
00:39:49Especially silhouettes,
00:39:51angles, and stuff like that.
00:39:53But for me, Boudoir,
00:39:55it's more about emotion.
00:39:57Have you ever used lights?
00:39:59Before.
00:40:01But I don't know how to use it
00:40:03because my subject,
00:40:05when I clean the light,
00:40:07I can't sustain it.
00:40:09So, my job,
00:40:11I was thinking,
00:40:13I have a trademark.
00:40:15If I put
00:40:17two lights,
00:40:19the exposure and
00:40:21output will differ.
00:40:23So, I just stick
00:40:25the ambient light.
00:40:27If I say to my clients,
00:40:29in the studio,
00:40:31if ever possible,
00:40:33I can specialize in the studio.
00:40:35So, I just stick it.
00:40:37Again, I'm not comfortable
00:40:39and I'm not confident
00:40:41because I can't sustain the output
00:40:43that they want.
00:40:45Because of the ambience?
00:40:47Yes, the ambience.
00:40:49I can't push it because
00:40:51I can't sustain the output
00:40:53that they want.
00:40:55Can you take photos
00:40:57that are not visible?
00:40:59Sure.
00:41:03This is
00:41:05a showcase.
00:41:07Sorry, I was limited
00:41:09because of the heat.
00:41:13Can you tell us about the light?
00:41:15You're shaking.
00:41:17Yes, I put it in the foreground
00:41:19and in the background
00:41:21at least bodily.
00:41:23At the same time, you can do that
00:41:25with the style.
00:41:27So,
00:41:29you're not very limited.
00:41:31For me, I don't care how messy
00:41:33the bed is.
00:41:35The emotion, the gesture
00:41:37is really important for me.
00:41:39Because it's up to morning.
00:41:41I don't wear it for the gym
00:41:43or for the good morning.
00:41:45So, it's straightforward.
00:41:47I don't have to do anything.
00:41:49I just shoot.
00:41:51It's very simple.
00:41:53So, I have to instruct
00:41:55Ms. Kate.
00:41:57So,
00:41:59I hide the mirror.
00:42:01I hide the mirror
00:42:03so that it won't catch
00:42:05the frame or hide in the frame.
00:42:07You'll get caught.
00:42:09Yes, because at the same time,
00:42:11I don't want it to have an angle.
00:42:13Next.
00:42:17You're very simple.
00:42:21But,
00:42:23the curves are clear.
00:42:25It's very classy and elegant.
00:42:27It's just that your client
00:42:29or subject hasn't seen it yet.
00:42:31But, you can show
00:42:33or you can tell them
00:42:35the meaning of it.
00:42:37Maybe it's for an event or gala
00:42:39or anything because she's wearing
00:42:41a gown or a dress
00:42:43that's black and sophisticated.
00:42:45For the dress,
00:42:47for the clothing,
00:42:49what do you have
00:42:51before that?
00:42:53How do you
00:42:55focus?
00:42:57Like what I've said,
00:42:59I'll get the angle
00:43:01that you said
00:43:03for the background and foreground
00:43:05so that I have a perspective
00:43:07because sometimes,
00:43:09you could do it
00:43:11as your teaser like this.
00:43:13I used it as a teaser
00:43:15without showing it to your client.
00:43:17So, you can do that.
00:43:19Next.
00:43:21Oh, wait.
00:43:23There's a question.
00:43:25Does your work affect
00:43:27your relationship, Sir Kido?
00:43:29Maybe
00:43:31at first,
00:43:33like what I've said earlier,
00:43:35my first collaboration
00:43:37or ex-deal
00:43:39was with my wife.
00:43:41So, I shot
00:43:43with her as an artist.
00:43:45So, maybe along the
00:43:47time that we've been together,
00:43:49we've been
00:43:51together for a long time
00:43:53and I'm confident
00:43:55with her.
00:43:57Now, I haven't been back
00:43:59since I got married
00:44:01because I've ventured and tried
00:44:03to get back
00:44:05but still, I haven't been back
00:44:07for a long time.
00:44:09Last year, I went back to my portfolio.
00:44:11Oh, last two years, sorry.
00:44:13I tried to get back
00:44:15because I was comfortable
00:44:17but I tried but
00:44:19I wasn't happy.
00:44:21So, I've been trying
00:44:23to find a way
00:44:25to shine.
00:44:27So, does your mom support you?
00:44:29How old are you?
00:44:31How old is your mom, Laura, by the way?
00:44:35Is your mom supportive?
00:44:37Yeah.
00:44:39Does your work affect
00:44:41your genre?
00:44:44Yeah, it's very sensitive
00:44:46and it's very intimate.
00:44:48It's very important to connect
00:44:50with the client.
00:44:52It's better if
00:44:54you can see the rapport
00:44:56and you can tell
00:44:58your client if you want
00:45:00for whatever reason,
00:45:02where to use it.
00:45:04I had an experience
00:45:06with my husband.
00:45:08It's through email
00:45:10but it's anonymous.
00:45:12I don't ask
00:45:14because I know they will protect their privacy.
00:45:16So, they set up a room.
00:45:18I followed them to the room
00:45:20because they wanted to ask.
00:45:22I didn't ask why
00:45:24because it's not mine.
00:45:26But they told me
00:45:28so that I can
00:45:30at least have a connection
00:45:32with my wife.
00:45:34So, they asked.
00:45:36Then, I was glad
00:45:38because my husband didn't have a problem
00:45:40with it.
00:45:44We have a question from Sir Michael
00:45:46but let's go back
00:45:48because this is
00:45:50PITIC 101.
00:46:00Sir, this is PITIC 101.
00:46:04Can you give some advice
00:46:06on the technical
00:46:08in photography?
00:46:10Can you give some advice
00:46:12to those who are just starting
00:46:14or want to learn
00:46:16about photography
00:46:18like
00:46:20light shadows
00:46:22or lights?
00:46:24What's your advice to photographers?
00:46:26My advice is
00:46:28very less is more.
00:46:30My approach is very simple.
00:46:34Don't make it more complicated.
00:46:36Just don't think a lot of
00:46:38numbers, metering.
00:46:40That means
00:46:42it's your guide.
00:46:44It doesn't limit you.
00:46:46As long as you're happy,
00:46:48just try it.
00:46:52Light metering
00:46:54or whatever is that
00:46:56is your guide.
00:46:58Just try it if you're comfortable.
00:47:00Very important
00:47:02is the connection to your client.
00:47:04Be rapportable.
00:47:06Explain to your client.
00:47:08Explain to them what you're doing
00:47:10so that when they see it,
00:47:12they will not feel
00:47:14surprised.
00:47:16So that they can feel it.
00:47:18At the end of the day,
00:47:20it's a collaboration effort.
00:47:22Don't think that
00:47:24your concept is uncomfortable.
00:47:26It's an experiment.
00:47:28Just an experiment.
00:47:30Maybe start with a portrait.
00:47:32Just a portrait.
00:47:34Then that's it.
00:47:36Like what I've said earlier,
00:47:38you can do it outdoors.
00:47:40Bikini. Outdoors.
00:47:42Then they'll look at the curves.
00:47:44Then they'll try it.
00:47:46Budweiser for me is
00:47:48more in tight shots, emotions.
00:47:50Not just curves.
00:47:52For me, my shot is more tight.
00:47:54More in facial.
00:47:58It's okay to shoot a blur.
00:48:00It's okay.
00:48:02As long as you can see the emotion.
00:48:04As long as you can see the emotion,
00:48:06it's okay.
00:48:08I've tried it before.
00:48:10It should be sharp.
00:48:12But anyways,
00:48:14it's up to you.
00:48:16But again, just try if it's comfortable.
00:48:18And it's better if you stay
00:48:20and explore by your own
00:48:22or explore the path you want
00:48:24rather than just
00:48:26follow what they want.
00:48:28Okay.
00:48:30Thank you, Anna, sir.
00:48:32Let's go back to Sir Mike,
00:48:34Kel, and Kanya.
00:48:36Sir Kido,
00:48:38another question.
00:48:40Do you have other genders
00:48:42for Budweiser?
00:48:44I have
00:48:46three men,
00:48:48but for me,
00:48:50I can't call them Budweiser yet.
00:48:52But I'm still exploring
00:48:54and looking for collaboration soon.
00:48:56Sir Michael, you're drunk.
00:48:58And I've tried
00:49:00a couple
00:49:02with a girl.
00:49:04I've tried a couple.
00:49:06That's their prenuptial.
00:49:08I'm still in the wedding industry.
00:49:10A Budweiser concept.
00:49:12Yeah.
00:49:14But it's their prenuptial.
00:49:16So, go ahead.
00:49:18Okay.
00:49:20Enrico Santisas asked,
00:49:22can you replace the props
00:49:24in their outfits?
00:49:28Alright.
00:49:30Good evening, Sir Enrico.
00:49:32When you provide them,
00:49:34I'll ask them
00:49:36what their concept is.
00:49:38Then I'll guide them.
00:49:40I'll send pegs
00:49:42to see if they'll fit
00:49:44because mostly of them
00:49:46are not guided
00:49:48to what they want.
00:49:50They have a lot of ideas.
00:49:52For you,
00:49:54you have to give answers
00:49:56to their questions.
00:49:58So, technically,
00:50:00I'll provide them
00:50:02what they want
00:50:04and
00:50:06it's a luxury.
00:50:08So, they'll fit.
00:50:10But I'll guide them
00:50:12and send pegs
00:50:14to see if they'll fit.
00:50:18There's a question
00:50:20from Sir Noi Villacampa.
00:50:22Noi, Noi, Noi.
00:50:24What lens do you use
00:50:26to shoot
00:50:28for boogwaks?
00:50:30Sir Donix
00:50:32Noi.
00:50:34I'm a primer.
00:50:36So, I have a prime lens.
00:50:38I focus on priming.
00:50:40But for those who started,
00:50:42don't limit yourself.
00:50:44If you have a portfolio,
00:50:46you can upgrade
00:50:48like me.
00:50:50I started with a kit lens.
00:50:5250mm 1.8 plastic.
00:50:54Is this 1835 kit lens?
00:50:561855.
00:50:58I started with 400D.
00:51:00What do you use?
00:51:02Maximize.
00:51:04It's the best you have now.
00:51:06It's the best lens or camera
00:51:08that you can afford.
00:51:10Sir Seth Nunez,
00:51:12do you prepare an agreement
00:51:14to be signed by both parties
00:51:16or is it a verbal agreement only?
00:51:18Before, it's more in verbal.
00:51:20But I prefer
00:51:22contract
00:51:24so that you can
00:51:26assure them
00:51:28beforehand.
00:51:30They're women.
00:51:32You need to protect them.
00:51:34It's a picture.
00:51:36It's easy to upload.
00:51:38It's easy to copy.
00:51:40At least you're liable.
00:51:42But for me,
00:51:44if it's an agreement,
00:51:46then as much as your pictures
00:51:48or laptop that you have
00:51:50in your house,
00:51:52your picture should be protected.
00:51:54If you're able to upload a link,
00:51:56just delete it from the cloud
00:51:58and save it on your hard drive.
00:52:00Whatever means, at least they're safe.
00:52:08I'm used to
00:52:10having my hair down.
00:52:12I'm used to it.
00:52:14You're used to it?
00:52:16I'm used to the SD card.
00:52:18So far,
00:52:20after the shoot,
00:52:22I'm used to the laptop.
00:52:24But I don't delete
00:52:26the SD or memory card.
00:52:28I can't redo
00:52:30and I can't go back.
00:52:32Once it's done, it's done.
00:52:34If you pause it,
00:52:36the emotion will be affected.
00:52:38I have a question.
00:52:40Do you have a client?
00:52:42I don't have a client.
00:52:44Maybe at first,
00:52:46because there are a lot of collaborations
00:52:48or ex-deals.
00:52:50There are a lot of artists
00:52:52or famous women figures.
00:52:54There are a lot in Cebu.
00:53:06It's a good question.
00:53:08I think
00:53:10you should pull
00:53:12the real essence of it.
00:53:14This one is really centered
00:53:16on your client.
00:53:18It's not centered on you as a photographer
00:53:20or as an artist.
00:53:22It doesn't revolve around you.
00:53:24You should have a meaning
00:53:26for your client.
00:53:28You're just there
00:53:30as a photographer
00:53:32to get the output
00:53:34they're expecting.
00:53:36Mona, for me,
00:53:38if the client is happy,
00:53:40that's the best photo
00:53:42they asked for.
00:53:44Once it's delivered, it's checked for me.
00:53:46At the end of the day,
00:53:48I'm happy because my clients are happy.
00:53:50That's an award.
00:53:56These are
00:53:58genders.
00:54:02Girl to girl.
00:54:04They're all girls.
00:54:06What about men?
00:54:08Do you have any?
00:54:10No.
00:54:12What about LGBT members?
00:54:14I've been in a relationship before
00:54:16but not with LGBT.
00:54:18I've been in a trans relationship before.
00:54:20It was my classmate
00:54:22during college of nursing.
00:54:24After he graduated,
00:54:26I shot a video with him.
00:54:28He's trans.
00:54:30What about
00:54:32how
00:54:34do you
00:54:36differentiate
00:54:38as a woman?
00:54:40I guess we need to
00:54:42set things clear.
00:54:44They're LGBTQ.
00:54:46We're not limited
00:54:48to that.
00:54:50For me, the modern approach of Budo
00:54:52is not limited to women right now.
00:54:54Everyone, they feel it, they like it.
00:54:56It can be male,
00:54:58trans, LGBTQ,
00:55:00friends,
00:55:02it's okay.
00:55:04At the end of the day,
00:55:06you can give them an output.
00:55:08Budo photography,
00:55:10they're happy with the output.
00:55:12At least, it makes you
00:55:14give the message
00:55:16to people that
00:55:18you can do it.
00:55:20At least,
00:55:22it's for fun.
00:55:24Sometimes,
00:55:26like I said earlier,
00:55:28people get confused
00:55:30when they're called
00:55:32Budoan.
00:55:34I guess,
00:55:36thank you for this opportunity
00:55:38so that people can learn.
00:55:40Thank you,
00:55:42Eric C. I. N. V.
00:55:44By the way,
00:55:46Kuan, please greet
00:55:48Zee. Hi, Zee.
00:55:50Hi.
00:55:52Hi, Zee.
00:55:54What else?
00:55:58We have 5 minutes left, sir.
00:56:00What else do you have, Kuan?
00:56:02Experiences that
00:56:08Experiences that
00:56:10I mean,
00:56:12for clients.
00:56:14Kuan,
00:56:16you will not expect
00:56:18your boyfriend to book.
00:56:20What's their reason?
00:56:22They want to, Kuan,
00:56:24to have a wife.
00:56:26But you don't have a wife?
00:56:28I don't. But I've tried couples.
00:56:30I'm in a couple.
00:56:32Actually, in the US,
00:56:34it's like a prenuptial
00:56:36approach
00:56:38of Budoan
00:56:40style.
00:56:42I shot in the US
00:56:44when I left San Diego.
00:56:46So, I posted.
00:56:48This is how I started
00:56:50collabing with locals
00:56:52here.
00:56:54So, I posted on my IG
00:56:56that I'm a foreigner with a portfolio.
00:56:58Hi, Andres.
00:57:00Secret message from
00:57:02Secret Man.
00:57:04Ted.
00:57:06He's hiding his name, Doc Ted.
00:57:08Doc Ted.
00:57:10He wants you to greet him.
00:57:12Hi, Doc Ted.
00:57:14See you tonight.
00:57:16This is his message.
00:57:18This is Ted's message.
00:57:22You can message him live.
00:57:24Last one, sir,
00:57:26from Seth Nunez.
00:57:28When you approach a client,
00:57:30if they re-edit
00:57:32your output,
00:57:34like using AI-generated apps
00:57:36that are obvious
00:57:38that they can
00:57:40talk to your output,
00:57:42then they post it and get credit
00:57:44for it.
00:57:46Do you include such concerns?
00:57:48It's a good question,
00:57:50but I don't think it's applicable
00:57:52because when I post it,
00:57:54it means they need
00:57:56prerogative or freedom.
00:57:58For me, that's for me.
00:58:00So, I don't know about others,
00:58:02if they can take it or not.
00:58:04Usually, my photos,
00:58:06you can see that there's no watermark.
00:58:08So, my watermark is my photos
00:58:10that were sent.
00:58:12Once it's delivered,
00:58:14it's already paid.
00:58:16Then, that's it.
00:58:18I don't think it'll run out
00:58:20because I need to post it to my client.
00:58:22I give that reservations
00:58:24to them already.
00:58:26But, you know,
00:58:28they'll pay.
00:58:30Unless, if they put
00:58:32credits to photographer,
00:58:34they'll tag you,
00:58:36but maybe, at the end of the day,
00:58:38we can talk nicely.
00:58:40You can message them,
00:58:42you can ask them nicely
00:58:44for whatever reason,
00:58:46or maybe they're not happy
00:58:48with what you have,
00:58:50you can edit it.
00:58:52At the end of the day,
00:58:54we need to talk,
00:58:56ask them nicely,
00:58:58if you can edit it.
00:59:00I hope that answers your question.
00:59:02But, it's already paid?
00:59:04So far, no.
00:59:06So far, they're happy.
00:59:08They're satisfied.
00:59:10They're happy and satisfied.
00:59:12Okay.
00:59:14So, that's all for this
00:59:16time.
00:59:18Thank you for
00:59:20listening to Sir Kido
00:59:22Canova's
00:59:24The Woodworking
00:59:26of Cebu.
00:59:32Thank you, Sir Kido,
00:59:34for your time.
00:59:36This is Sunstar
00:59:38Pitik Show.
00:59:44Thank you,
00:59:46Sunstar Cebu and you, Sir,
00:59:48for giving this opportunity
00:59:50to at least
00:59:52talk about a taboo or sensitive topic.
00:59:54At least,
00:59:56we can talk about it
00:59:58in our free time.
01:00:00Thank you, Sir,
01:00:02for inviting me here.
01:00:04Thank you, Sunstar,
01:00:06and good night to all my viewers.
01:00:10Next week,
01:00:12at
01:00:14Monday,
01:00:166 p.m.
01:00:18Next week,
01:00:20Bye-bye, Photographer.
01:00:22See you.
01:00:24Bye-bye.
01:00:34Bye-bye.