مدي 1 تي في : حسن العلوي.. حامل لواء الفن العيساوي - 18/03/2025
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00:00Hello and welcome to a new episode of Ramadan Al-Fanny and the daily patchwork of Ramadan.
00:20We are happy to be here with you every evening to share with you the news,
00:25the works and innovations of the art and sometimes the sports field and also the digital field.
00:31We ask you to wait for us and we will start in a moment.
00:39Welcome again to the guest of today's episode, a distinguished guest and honored by the Torah
00:45and the vision of Christian art with us Moulay Hassan Alawi.
00:49Peace be upon you and welcome.
00:51Peace be upon you too.
00:53It is an honor for me to be here with you today.
00:55Welcome.
00:56This is a successful program, God willing.
00:58Thank you to our beloved audience.
01:00I wish you health and well-being.
01:02I wish you good health, God willing, for the rest of your life.
01:07Welcome.
01:09May God be with you.
01:10May God be with you.
01:11First of all, we wish you good health.
01:13We say that Christian art is a seasonal art that is different in occasions.
01:17Do you agree with this idea?
01:19Or is it present and is sufficient and is established throughout the year?
01:25What do you think?
01:26The art of Torah is a way.
01:30In the beginning, there is the way of Sophia, the way of Jesus,
01:34the way of Sheikh Elhadi bin Isa.
01:39It was seasonal.
01:42It was in the month of Milad and in the month of Zorhon.
01:47It was in its season.
01:50Now, it is present strongly with our young people.
01:55Those who are with us and those who are older than us.
01:59It is present strongly.
02:01It is present in weddings.
02:03It is in demand.
02:04It is in demand.
02:05It is in demand.
02:06It is in happiness, in festivities.
02:08It is in everything.
02:10It is in everything.
02:11All happiness must be in Jesus.
02:15How were your beginnings?
02:18I have seen your videos and festivals.
02:21It has been 8 years already.
02:22But, of course, you started before that.
02:24I started when I was 8 years old.
02:27You started when you were a child.
02:28I was born in the old city.
02:30I grew up in an artistic family.
02:32My father, Al-Hajj Moulay Siddiq Al-Alawi,
02:35who is a Muslim,
02:39my father is an artist in praise and hearing.
02:45We grew up together.
02:47We have something in common.
02:48We are a family.
02:50I used to go with him at night.
02:54At the night of praise,
02:55the night of Jesus.
02:57I used to attend with him.
02:59When I was young,
03:00when I was a child.
03:02I was a child.
03:04I was born in a place where there was no God.
03:07We met there.
03:08We used to go to the corner of Jesus.
03:11We used to go there.
03:12It was close to us.
03:13The night of praise is being offered to God.
03:15The night of the intercession.
03:17The night of the prayer.
03:18It is being offered to the corner of Jesus.
03:21And this is how the journey started.
03:23What does it mean to be offered?
03:26What does it mean to be offered?
03:28It means to be the leader of a group.
03:32The leader of a group.
03:33Or the master.
03:35To be offered means to have an important character.
03:42This is an important thing to be able to make progress
03:45Progress has to be after prayer
03:51This is a duty
03:53This is an obligation in our religion
03:55It has to be distinguished with a beautiful voice
03:58It has to have wisdom
04:01It has to know the situations in which to make decisions
04:09It has to be able to jump from all the stages of the account
04:18It has to know how to play the drum, the ma'un, the tara, the ghita, the dhikr
04:25It has to be able to jump from all the stages
04:28What is the similarity between the teacher and the teacher of Gnawa?
04:33Because not everyone can be called a Gnawa teacher
04:37Maybe it's the same level
04:40We say the poor, the Caliph, and the advanced
04:44Ah, there is no teacher, there is the poor and the Caliph
04:47And the advanced
04:48We are in an interview
04:50The poor, the musician, and one, one of the individuals
04:55The Caliph is the one in charge
04:57The one under the advanced
04:59The Caliph of the advanced
05:00The Caliph of the advanced
05:01If there is no advanced, it's him
05:02He is the one in charge
05:04It's like they say Gnawa
05:06There is the poor, and there is the teacher
05:09And there is the poor
05:10The poor is the one in charge of the teacher
05:13He is the one who gives the teacher, for example
05:16This is in the way of Gnawa
05:18The teacher doesn't do one thing
05:20He gives it to the one in charge of the poor
05:23He brings a drum
05:25He is the one who breaks this drum
05:26At the same time he distributes, follows, and teaches
05:29He is the one who is the brother
05:31But the teacher is the one who is strict
05:34No one in the drum can hit the drum
05:36Except that one
05:37The advanced as well
05:39If there is no advanced, it would be the Caliph
05:42If there is no advanced, it would be the Caliph
05:44The Caliph is the one who is in charge of the poor
05:52We saw you with the microphone, keep it on, we don't mind.
05:56I can record my heart with the microphone.
05:59Of course, it's your 30th day with the microphone.
06:02Thank you, you're a genius.
06:04You have a beautiful and artistic message,
06:09if you can give us a piece, or maybe some money.
06:15Yes, as you know, I'm a bit thirsty.
06:22Yes, of course.
06:52If we don't get up, O Master, O Father,
07:06If we don't get up from sleep, we will wake up,
07:11and we will wake up with the power of light.
07:19Your light is calling, O my beloved Mohamed,
07:30To rise from afar, from the side of the world.
07:39O donkey, O donkey, O Zwarj,
07:45O Zwarj, O Zwarj, O Zwarj, O Zwarj, O Zwarj, O Zwarj,
07:55Thank you Ehsan, may we have your blessings.
07:59Thank you, thank you.
08:03Tell us a bit more about the group of Isawiya Artists.
08:08The Isawiya Artists, the original Isawiya Artists,
08:11There is a group of people from the city of Rabat, a group of young men, born in Homa,
08:18some of them are middle-aged, some of them have families, some have uncles, some have aunts,
08:23they started a family, and there is a boy from Homa,
08:28a boy from the old city, born in Jodhur, a boy from the old city of Rabat.
08:33And each one of these people, their parents are from Hesawa,
08:41and they are fans of the Hesawa way.
08:44We met, we gathered, we started a group,
08:48we started, as we say, a group,
08:51each time we went to one house,
08:53the one who helped us, the one who stood with us,
08:59the leader, Mr. Elal Shuman,
09:03the one you know,
09:05this is the leader, the best one,
09:08the one who stood with us, the one who helped us,
09:11the one who gave us the aid,
09:13and gave us a lot of information,
09:16because the first time we saw him,
09:18he had his own way,
09:20he had his own way, he had conditions,
09:23The first thing you need to know about the Hesawa way,
09:26is that it has a permit,
09:28which is the book called Al-Hizb, by Subhanallah,
09:31by Sheikh Elhady bin Isa.
09:33If you don't have this book,
09:35you can't say that you are Hesawa.
09:37It is necessary that you get a license,
09:39because if you don't have it,
09:41you can't say that you are Hesawa.
09:43So how can we gather the Hesawa people,
09:46the young people who have ambition,
09:48so that this original artistic revolution doesn't die,
09:52so that we can keep it,
09:54and we can pray for it.
09:56Alhamdulillah,
09:58the group was established,
10:01the first youth group in the city of Rabat,
10:04it was established in 2001-2002,
10:09it is 23 years old,
10:13a lot of events took place,
10:16a lot of events took place,
10:18Alhamdulillah,
10:20Alhamdulillah,
10:22it was established in 2005-2006,
10:24there is a single,
10:26which is a fusion,
10:28between the Hessanite song,
10:31and the Hesawa language,
10:33and the Genoese language.
10:35We gathered all three of these revolutions,
10:39the Moroccan ones,
10:41and the Hesawa original group,
10:44it has a history,
10:46and it has a lot of contributions,
10:48it has a lot of contributions,
10:50it is the first artistic group in Morocco,
10:53and you are one of them,
10:55inshallah,
10:57How is the level of the presenters in Morocco?
11:01You said that the Hesawa group
11:03has rich presenters,
11:05you know,
11:07so the level is high.
11:09Regarding the Hesawa film,
11:13I didn't talk to the Ministry of Culture,
11:17they didn't have the right,
11:19they didn't have to take anything.
11:21Regarding the presenters of the Hesawa film,
11:23there are the presenters,
11:25I asked for help,
11:27one of the inventors of the Hesawa film,
11:29he is about 5 or 6 years old,
11:31he is a big star of the Hesawa,
11:33he took a lot of techniques,
11:37how to work with the camera,
11:39how to work with the scene,
11:41how to work with the service,
11:43how to work with the clientele,
11:45I am very happy and proud to be a part of this event
11:49I took the original way of Jesus
11:53The way of the city, the way of Sophia
11:57And my father encouraged me
12:01He taught me how to live in the city
12:05And how to be in the presence of God
12:09How to be strong
12:13What did you learn from this experience?
12:17Maybe it helped you a lot
12:21Because you watch, listen and record
12:23Of course
12:25As I said, I am from the old city
12:27I am involved in all the Moroccan films
12:29With my family
12:31Marrakesh, Gnaoui, Madiha and Samaa
12:35I studied Andalusian at the institute
12:39I gathered all these elements
12:43And I created my own style
12:47If you listen to my style, you will find it different
12:51From the others
12:53We have our own color
12:55The shape of our feet
12:57When you say you wear your feet
12:59You wear a mold
13:01And give it to us
13:03Thank God
13:05I wish you good luck
13:07Good luck
13:09Can you share with us some words
13:11Or some expressions
13:13That are said by the people
13:15Among them
13:17That have been said for a long time
13:19Yes, but because there are some words
13:21Some specific expressions
13:23Maybe the audience doesn't understand them
13:25Or doesn't know them
13:27For example, this is the Housia
13:29And this
13:31The way of Jesus
13:33We can say we have an example
13:35For example, we say
13:37It should be
13:39Benzil
13:41Zinbil
13:43Candil
13:45Zinbil
13:47These are the expressions
13:49Candil
13:51It should be bright
13:53It should be clean
13:55It should be clean
13:57Zinbil
13:59It should be clean
14:01It should be clean
14:03I repeat
14:05It should be clean
14:07It should be clean
14:09And you say
14:11I don't speak
14:13In a formal way
14:15You say
14:17If it's dirty
14:19It's clean
14:21If it's dirty
14:23It's clean
14:25I repeat
14:27It should be clean
14:29It should be clean
14:31I don't believe in the idea of the genie
14:36No, no, we were talking about the theory of art
14:38I believe in energy, positive energy
14:42Serbian energy turns into negative energy
14:45Serbian energy turns into positive energy
14:48To hear the words of God
14:50For example, when people are sitting
14:54For example, a famous poet
15:25How can we do it, oh God?
15:28Oh God, the night is lonely
15:31Oh God, there is no fire, no lamp
15:34Oh God, only your light, oh generous one
15:37Like this word
15:39People in that atmosphere
15:41They are afraid
15:43People are afraid, they cry
15:45This is not a lie
15:46They are afraid
15:47The one who cries is my brother
15:49He is the one who moves
15:51For example, when he is with you
15:55He gets out of there
15:57To go to the hospital
16:00He comes to us
16:02He comes to us
16:04He comes to cheer us up
16:06Let's go back to the events
16:08There are two types of events
16:11Because we listen to Christian art
16:14Weddings
16:16We can meet you in one of the restaurants
16:20Can you tell us about the events you attend?
16:24There is no place where you don't say the prayer of love
16:27So what do they do?
16:28They say the prayer of God
16:30They enter and say
16:31Oh God, peace be upon you
16:34I am your beloved, Muhammad
16:36This is beautiful
16:37I meet them in the rituals
16:40I meet them in the rituals
16:42I meet them in the wedding
16:43I meet them in the success of a work
16:46Or in the evening
16:47You will find Jesus in your home
16:50You will find him in the restaurants
16:52You will find him in the squares
16:54As we always say
16:55The young people who are with us
16:57They try to do the Christian art
17:01They try to take it in their hands
17:03To perfect it
17:05And do it as it is
17:06Because now, as we see
17:07There is a big phenomenon
17:09There are those who memorize it on YouTube
17:11There are those who take it and do it
17:13And there is a difference in service
17:14There is a rule
17:17That the service of the evening
17:19Is not the service of the season
17:21It is not the service of the year
17:22And it is not the service of the wedding
17:24There is a difference in service
17:25Because all the services you do at night
17:27You can't do it at the wedding
17:28Because people who are at the wedding
17:30Or in their joy in the summer
17:32You have to give them energy
17:34Enthusiasm
17:35Enthusiasm
17:36You can't do a service that attracts people
17:38Or that makes people cry
17:40This is not the first goal
17:41No
17:42You have to get people's energy
17:44You have to have a technique
17:46That distinguishes what people want
17:48You can't just memorize this page
17:50You have to memorize the meaning
17:52You have to differentiate between the two
17:55According to the occasion
17:56According to the occasion
17:57According to the place
17:59For example, the people of Hajj
18:01They do Hajj services
18:02You have to take the verses
18:03That are in the surat
18:04That are in the shi'a
18:05For example, the one that turns
18:06You adjust the verses
18:07According to the occasion
18:08According to the occasion
18:09The first service you do
18:11But to be in the second place
18:12A little creative
18:14A little bit of creativity
18:16This is how people like you
18:18It's like a siege
18:20That doesn't chase you
18:22People like you
18:23So allowed
18:24So allowed
18:25You have 31 minutes
18:26You have to give me a break
18:28Come out
18:29You give me the audience
18:30You have to come in
18:31You have to give me 30 minutes
18:32You have to give me a summary
18:33You have to give me the account
18:34You have to give me the activities
18:35You have to give me the presentation
18:36Of what you know
18:37What the audience want
18:39Hassan, is it allowed for the performers to do singles or songs in Tarab, in Gnawa, in the East, or is it not allowed?
18:54It depends on the performers.
18:57Yes, it depends on the performers.
18:59Because the performers are very strict.
19:04They are not allowed.
19:06There is no prohibition.
19:08No, there is no prohibition.
19:09Because they are very strict.
19:11They stay in their country.
19:13They never leave their country.
19:15Yes, but it depends on the performers.
19:18I feel happy about that.
19:19Because we are not only here to perform.
19:21We are here to work.
19:23We can do it.
19:25It is not difficult.
19:26We can do it.
19:27We can do it here.
19:28They take it from us.
19:30We don't know why the young people don't sing.
19:37For example, there are songs in Tarab, like Munfarija.
19:44Yes, the songs you sing in Ramadan.
19:46Religious songs.
19:47Yes, religious songs.
19:48You can sing them.
19:49Why not?
19:50We are talking about a concert in Rabat.
19:54I think it was on the 29th.
19:55Yes, the 29th of March.
19:57March, God willing.
19:58In Bahnini Theater in Rabat.
20:00God willing.
20:01What is the program?
20:02What do the audience expect?
20:04This project is three years old.
20:08I studied it.
20:11I worked with my friend and beloved director, Ayub Kronfel.
20:18He was here.
20:23And my brother, the great singer, Adil Filali.
20:29From the Andalusian band.
20:33I was working on this project.
20:37A time came.
20:39It was called Lila Al-Rouhaniyat.
20:43Lila Al-Rouhaniyat is a combination of the Andalusian Tarab
20:49And the Andalusian Tarab is a great band.
20:52It is not a one-man band.
20:55It is a one-man band.
20:59As you know, they follow the royal brass band.
21:09They are a distinguished band.
21:15They are great musicians and singers.
21:20It is a great night between Isawa and Andalusia.
21:25We are very excited to meet our Moroccan audience.
21:32It will be a spiritual night.
21:35God willing, it will be on the 25th of Ramadan.
21:39It will be on the 25th of Ramadan, the night of Qadr.
21:43God willing, the audience will come and see this work.
21:47We are very excited.
21:49God willing, they will be happy.
21:51There will be a lot of beautiful surprises.
21:55People will come and enjoy with us.
21:58They will hear the original Isawa music.
22:01They will follow the way it should be.
22:03God willing, God willing.
22:05Is the Isawa music and the young people getting along?
22:08Thank God.
22:10There are young people who are happy.
22:13Thank God, this art and this way will not die.
22:19There is a lot of hard work.
22:23There are great young artists.
22:27They need help.
22:30God willing, we will present them to the association.
22:34They are great artists.
22:37They are great in Morocco.
22:39They have great voices.
22:43There is Wahi Bihisa.
22:45There is Sami Hayashi.
22:48There are young people.
22:50There is Mourad El Fassi.
22:52There is Salim.
22:54There is Mohamed El Samlali.
22:56They are all in the same boat.
22:58Thank God, there is Sofia.
23:02There are many names.
23:04There are stars.
23:06There are people who are in the same boat.
23:09We salute them.
23:11You are a strong man.
23:13You are fighting for your country.
23:15You are working hard.
23:17God willing, you will follow your steps.
23:19We will follow your news.
23:21One last word.
23:23Thank you for the opportunity to meet the media.
23:31I salute you.
23:33I salute the technical team.
23:35Thank you to the people who support us.
23:39We salute you.
23:41Thank you for your support.
23:45God bless you.
23:47God bless you.
23:50We have reached the end of today's episode.
23:53Thank you to the viewers of Median TV.
23:56Thank you to the technical and artistic team.
24:03God bless you.
24:05See you next time.