ロンドンハーツ ナダル先生のタレント進路相談
#EnglishMovie #cdrama #drama #engsub #chinesedramaengsub #movieshortfull
#EnglishMovie #cdrama #drama #engsub #chinesedramaengsub #movieshortfull
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TVTranscript
00:00I
01:00Think you're funny
01:30Everyone, it's okay. I'm watching it properly.
01:33You're watching it properly.
01:35What kind of guidance will they give us?
01:38First, let's hear about the gal talent.
01:44Anyway, a bright character and a unique gal word are accepted.
01:49Starting with a variety show, they are drawn to various genres.
01:54From egg models to popular talents.
01:57It's like a Cinderella story.
02:02In January 2021, due to a scandal, the situation suddenly changed.
02:09More than 60 jobs were suddenly canceled.
02:13It suddenly disappeared from TV.
02:18In the meantime, there is a way to save it.
02:20In October 2021, a management contract was signed with Asia, where Chihiro Hondo and Yura Takahashi belong.
02:28However...
02:30While Yuki Poyo was gone, a new gal talent appeared in the entertainment world.
02:37It's a pretty tough situation to break in now.
02:41How should Yuki Poyo survive in the future?
02:46Mr. Nadaru, how do you feel about watching Yuki Poyo's VTR?
02:49I think he was very active.
02:53Suddenly, I was reminded of how scary the entertainment world is.
02:58If you take a wrong step, you don't know what's waiting for you.
03:02I thought it would be like this in the best time of the century.
03:08I'm a little nervous.
03:11You're not in a good mood, are you?
03:14You can talk freely.
03:15You can talk freely.
03:17It's a VTR to look back on the past century.
03:20You don't have to say anything.
03:22What kind of advice will you get from now on?
03:26Manager Itoigawa, what is the current situation?
03:31Thankfully, I'm starting to get a job little by little.
03:36As an agency, I think Yuki Poyo has a lot of charm and value.
03:42At first, I was worried about Yuki Poyo.
03:45But as we work together...
03:48You can feel Yuki Poyo's charm.
03:51Yuki Poyo is still the same as before.
03:54I haven't changed at all.
03:56I'm still the same.
03:58Good morning.
04:00I'm not in a good mood.
04:02Your voice is a little low.
04:04There were various scandals.
04:07I got a lot of voices from the public.
04:09That set was like a court.
04:15It's not good.
04:17It's not good.
04:20Yuki Poyo, what do you want to do in the future?
04:25I want to be active in Japan.
04:28I'm not used to the culture of gyaru overseas.
04:32I think gyaru is an important part of Japanese culture.
04:34I want to spread the word that gyaru is cute in the United States and overseas.
04:42You want to spread overseas?
04:45That's right.
04:47I went to Miami to study for two weeks.
04:51Isn't it short?
04:53I went to an English conversation class in August.
04:57I'm going to the United States this month.
05:00How long?
05:02One week.
05:04I feel like I'm going on a trip.
05:07How do you feel about going abroad?
05:11I thought it was okay to go abroad.
05:14I think it's okay not to go to Japan.
05:17Why?
05:19I have a scary image of gyaru.
05:22I have an image of a yankee.
05:26But I did a good job, so I'm active on TV.
05:31I didn't go home as it was.
05:34I have a scary image of a yankee.
05:38I didn't get caught.
05:40I didn't do anything bad.
05:42I think it's a good relationship.
05:47I don't think she's a good girl.
05:52Don't say that.
05:54That's why she's not in Japan.
05:56I want her to leave Japan.
05:59I want her to leave Japan.
06:01I want her to leave Japan.
06:02I don't know.
06:04What do you want her to leave Japan?
06:06I want her to go abroad.
06:08You don't have a job in Japan, do you?
06:10I don't have a job.
06:12I told you I have nothing.
06:14Everyone is unhappy.
06:17I'm not saying anything.
06:20I'm not saying anything.
06:22Everyone is saying that.
06:26Are you unhappy?
06:29I'm afraid.
06:30I didn't do anything.
06:32Mr. Nadar, you have a bad mouth.
06:35But I think you have a good heart.
06:38I'm sorry to say this, but what Mr. Nadar is saying may be a little vague.
06:43Don't be shy.
06:45Mr. Nadar, don't you feel shy?
06:48The world is cold.
06:50Mr. Jin often says that.
06:52I wanted to see Mr. Nadar at that time.
06:55At that time?
06:56I wanted to see Mr. Nadar at that time.
06:58The world only knows the upper part of the image.
07:02The world doesn't know the depth of the image.
07:04I think Mr. Nadar is a person who says that.
07:09You're not a good speaker.
07:12You're not a good speaker.
07:14You're not a good speaker.
07:16I remembered Mr. Jin's bad words.
07:19I remembered Mr. Jin's bad words.
07:21You're not a good speaker.
07:23I'm not asking you to release it because I want to go on TV.
07:27Apparently, you're spending money on that because you need people to see it.
07:31If so, you can't let the TV station or the sponsors accept your work.
07:35You have to see the end result of your work.
07:40Can you say this to me?
07:43This is a counseling session, right?
07:45I'm grateful.
07:46Thank you very much.
07:50By the way, Yuki Poyo, do you have any worries now?
07:54After the scandal, I don't know how to act on TV.
08:03I don't know how the audience will be hurt by what I say.
08:10You think a lot.
08:12When I think too much about the future, I feel calm.
08:17You feel like a gal.
08:19Yes, I feel like a gal.
08:21How do you feel?
08:22I don't know if I can watch such a gal.
08:25So what should I do?
08:28I don't know if I can watch such a gal.
08:32I don't know if I can watch such a gal.
08:35I don't know if I can watch such a gal.
08:38So what should I do?
08:40You're going to live abroad.
08:42I'm going to live abroad.
08:44You're going to live abroad.
08:47You're going to live abroad.
08:51I'd like to live abroad, but I've already got a few jobs in Japan.
08:58I'd like to live abroad, but I've already got a few jobs in Japan.
09:02How about that?
09:05It's a useless job.
09:07They're all important jobs.
09:10Do you have a manager?
09:12You can't go back to Japan.
09:17How about you, Ito Igawa?
09:19If I go abroad, I'll be told that I'm forgotten in Japan.
09:27People say that a lot.
09:30Let's put up with it.
09:32Let's put up with it.
09:35Ito Igawa has to go abroad.
09:38What do you think about it?
09:41It's hard to find a new manager at this age.
09:47You want to go abroad, but you can't, right?
09:50That's not true.
09:52I want to go back to where I used to be.
09:57You don't want to go back as a gal?
09:59No.
10:01I don't know what to do if I want to go abroad as a gal.
10:06That's true.
10:08If you want to go abroad as a gal, but you're not a gal in Japan, you'll be in trouble as a teacher.
10:13That's right.
10:15I don't want to go abroad just because it's bright.
10:20I've been producing color cosmetics in Japan.
10:24I've been challenging myself to various jobs.
10:27There are a lot of people who produce color cosmetics.
10:32Yuki Poyo...
10:34I'm sorry, but it's just like Atsushi said.
10:37Who's going to buy it?
10:41I didn't say anything.
10:43I didn't say anything.
10:46Atsushi didn't say anything.
10:49I didn't say anything.
10:51There are a lot of people who produce it.
10:53What do you think about it?
10:56I'll give you some advice.
10:58Can you use me as a shield?
11:02That's what I think.
11:06If you want to sell it.
11:08If you don't want to go abroad as a gal, what do you have left?
11:14What do you have left if you go abroad as a gal?
11:17What can you do?
11:19That's amazing.
11:21It's the first time I've heard Nadal's opinion.
11:24I'm worried.
11:26I think he's worried.
11:28He's worried about what Nadal is saying.
11:31It's hard to argue with him.
11:34You can't live as a gal.
11:36Please go to the world.
11:40If you go abroad as a gal, you'll get a return.
11:45I think it's okay to do something halfway.
11:48What do you think?
11:50Ito Igawa's manager wants to think about promotions in Japan.
11:55Unfortunately, Mr. Nadal wants to go abroad.
12:00What about the agency?
12:02Will you leave Asia?
12:04What do you think?
12:06There are many agencies abroad.
12:09If Mr. Ito Igawa wants to do it in Japan, he should leave.
12:14It's halfway.
12:16Mr. Ito Igawa wants to go abroad.
12:19He should leave.
12:21Then leave Asia.
12:24I've been saying this for a long time.
12:26What are you doing with that face?
12:30What are you doing with that face?
12:33If possible, you want to do it together, right?
12:36When I left the agency, I said I would do my best to get married to the agency.
12:43I think it's better to look at it for a long time.
12:46It's halfway.
12:48Do your best abroad.
12:50What?
12:52Do your best abroad.
12:54He decided to do his best abroad without halfway.
13:02The next person is Yoko Kumada, who has appeared on the ground for the first time in a long time.
13:07I'm glad to see you again on the ground.
13:11I was only invited by the people on the ground.
13:16I'm really grateful.
13:18I'm glad to see you, but I'm smiling when I see you.
13:23Is it my time?
13:25Everyone is smiling.
13:32Please watch the video that summarizes Kumada's activities so far.
13:36Yoko Kumada, who was once active in the front line of a variety show.
13:41She was a legendary figure in the GIF-bound gravure world.
13:48However, she also caused a lot of confusion.
13:53She disappeared from the TV.
13:59She will release three gravure DVDs this year.
14:03Her sales are below average.
14:08She is actively uploading videos of pole dancing on SNS.
14:15Does she have a secret plan?
14:20Manager MIYAKE.
14:22Did your activities get harder?
14:26Yes.
14:28It's hard to run a business.
14:32Hard to run a business.
14:34It's hard to put it into words.
14:37Yoko Kumada.
14:39When I say her name, she reacts.
14:43How long have you been working with her?
14:468 years.
14:48That's a long time.
14:50She knows a lot.
14:53I love gravure, so I joined the industry.
14:58As a producer, I want to do business with gravure.
15:03I've been doing a lot of photography and gravure.
15:08There is no such thing as gravure overseas.
15:11There are a lot of materials overseas.
15:15I want to distribute them.
15:17Do you mean overseas?
15:19Yes.
15:21How about you, Mr. Nandaru?
15:23I think I should go overseas.
15:26I heard that.
15:28I heard it.
15:30If you do it, you'll be exiled.
15:34Stop it.
15:36Please give me a second chance.
15:38I don't mean to exile you.
15:40I want to do it in Japan.
15:42My daughter lives in Japan.
15:45The office is in Japan.
15:47Can't I do it in Japan?
15:49There is no such culture overseas.
15:53I want to open a new place.
15:56I've done a lot of things here.
15:59There was a scandal.
16:01I thought it would be difficult to open a new place.
16:06I want to open a new place.
16:09Can't you open a new place in Japan?
16:12If I want to open a new place, I can do it.
16:16Please do it.
16:18Mr. Nandaru, please do it.
16:20Please do it.
16:22I want to do it.
16:23I want to be sexy.
16:29I want to be straight.
16:31I want to be like a ball.
16:33Like a ball?
16:35I want to be sexy.
16:37You don't have to be sexy.
16:39I want to be normal.
16:43You want to be sexy.
16:45Men buy gravure.
16:50This kind of dance is exposed.
16:53I think sexiness will come with it.
16:56I'm curious about your eroticism.
17:00Please tell me what kind of eroticism you have.
17:04I don't know if you say it abstractly.
17:07AV?
17:09Excuse me.
17:11I'm sorry.
17:13I'm sorry.
17:15I'm sorry.
17:17I'm tired.
17:19I'm sorry.
17:21I'm tired.
17:23I'm a confident teacher.
17:25Please wait a moment.
17:27I'm a confident teacher.
17:29If you don't go that far, you won't be ready.
17:33I think it's okay to go that far.
17:36Ball dance is sexy.
17:38How do you do ball dance?
17:41How do you do ball dance?
17:44There are various competitions in Japan.
17:48There is a group called Ball Sports.
17:51There are various cultures in the UK.
17:55It's a show.
17:57You get money from everyone.
18:00If I go to a ball dance, I want a strip.
18:03One eroticism.
18:05One eroticism.
18:07The teacher has a point.
18:10If I go to a ball dance, I want a strip.
18:13I've never seen it, so I don't know the charm.
18:17I'm saying this because it's Mr. Kumada.
18:19Mr. Kumada is the president of ball dance.
18:22I want to spread eroticism to the world.
18:25I don't want to say anything to the ball dance industry.
18:28Mr. Kumada told me the charm of ball dance.
18:31There are people who think so.
18:33There are people who do ball dance.
18:35The ball dance industry may be told.
18:38Why did you join the ball dance industry?
18:41What is the ball dance industry?
18:44What is the ball dance industry?
18:47For example, one or two years is fine.
18:50What happens after that?
18:52Consumption.
19:08Please do your best.
19:10Of course, it's a team play.
19:15Electricity is flowing.
19:19If I go to a ball dance, I want to spread eroticism to the world.
19:22One or two years is fine.
19:25What happens after that?
19:28Consumption.
19:29Please make it harder.
19:34One eroticism.
19:37Make it harder.
19:39Do you want to spread eroticism for three years?
19:42It's not a small thing.
19:45It's not a small thing.
19:47Do you know the Chinese eroticism market?
19:50How much is it?
19:53I heard it's a lot.
19:55Please check it out.
19:58I heard it's a lot.
20:00The Japanese eroticism market is over there.
20:03I heard it's over there.
20:07I like the ball dance industry.
20:10I like the ball dance industry.
20:13I like variety shows.
20:15I think it was easy to use before.
20:18I think it was easy to use before.
20:21I want to go to a variety show again.
20:24I want to go to a variety show again.
20:27I want to do anything.
20:30I want to do anything.
20:33It's not a small thing.
20:36It's not a small thing.
20:42Variety shows are also popular.
20:45Variety shows are also popular.
20:48So I want to make it popular.
20:51So I want to make it popular.
20:54I'm holding it in.
20:55Everyone's holding it in.
20:59Don't do it like this.
21:01That's because you don't want to cause trouble for the show.
21:03I'm causing a lot of trouble right now.
21:05I want to be on the show, I want to do anything.
21:07I can't do that in this world.
21:11So you're saying you should give up?
21:13I'm causing a lot of trouble, so even if I'm told I want to do it,
21:16I don't know how I'm going to be on the show.
21:18Please advise on that.
21:20I'm saying I don't care if I'm on an AV.
21:24I don't want to be on the show.
21:26That's not the kind of agency we're talking about.
21:28That's not the kind of agency we're talking about.
21:30I don't hate it.
21:32But what about people who can do variety shows while showing their eroticism?
21:36I think it's a good idea to give up on people who are extremely erotic.
21:39For example?
21:40If you look at YF, you'll see Tanima Yosuke.
21:43YF?
21:45The viewers won't be able to watch the VTR.
21:49What about people who can do anything with their eroticism?
21:51That's true.
21:53For example, people who can eat gourmet pasta.
21:58How about you, Mr. Kakumada?
22:00I don't want to eat that.
22:02Why not?
22:04I don't want to eat it.
22:06You're the worst!
22:08I don't want to eat it.
22:10I don't want to eat it.
22:12I don't want to eat it.
22:14I don't want to eat it.
22:16I don't want to eat it.
22:18I don't want to eat it.
22:21I don't want to eat it.
22:31We came up with a good idea.
22:33Have you gotten comfortable?
22:35I don't want to eat it.
22:37I want to eat it.
22:39It looks like you want to eat pancakes.
22:43It's a popular issue on TikTok.
22:46No way.
22:48I'm sorry.
22:49This is so hard.
22:50If you're serious, please tell us.
22:51To be honest, I'd like to go abroad.
22:52You've been abroad for a long time.
22:53You're still eating weird stuff.
22:54I want to stay in Japan.
22:55There's no explosive power.
22:56Next week, the second half of the show will be a blast.
22:57I've forgotten all about the atmosphere.
22:58Why do you keep repeating the same thing?
22:59I think it's better to joke around when you're in trouble.
23:00I don't want to hear it.
23:01I'm sorry.
23:02I'm sorry.
23:03I'm sorry.
23:04I'm sorry.
23:05I'm sorry.
23:06I'm sorry.
23:07I'm sorry.
23:08I'm sorry.
23:09I'm sorry.
23:10I'm sorry.
23:11I'm sorry.
23:12I'm sorry.
23:13I'm sorry.
23:14I'm sorry.
23:15I'm sorry.
23:16I'm sorry.
23:17I'm sorry.
23:18I'm sorry.
23:19I'm sorry.
23:20I'm sorry.
23:21I'm sorry.
23:22I'm sorry.
23:23I'm sorry.
23:24I'm sorry.
23:25I'm sorry.
23:26I'm sorry.
23:27I'm sorry.
23:28I'm sorry.
23:29I'm sorry.
23:30I'm sorry.
23:31I'm sorry.
23:32I'm sorry.
23:33I'm sorry.
23:34I'm sorry.
23:35I'm sorry.
23:36I'm sorry.
23:37I'm sorry.
23:38I'm sorry.
23:39I'm sorry.
23:40I'm sorry.
23:41I'm sorry.
23:42I'm sorry.
23:43I'm sorry.