¡La jueza fue muy franca!
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00:00that some people had described your show as a flight show.
00:04Did you get angry with that?
00:06No, I didn't get angry.
00:08I think they give more space to the press than I would like to give.
00:11For me, it doesn't have a bigger turn or a bigger story.
00:14I think that Chile is, in general, a classist country,
00:18an upright country.
00:20There are many, many people who don't realize that they do it.
00:24And I feel that to this day it still happens.
00:28And I think it's because of the kind of show I do
00:31that it's enough for some people to classify everything
00:34as a flight show or whatever they want to call it.
00:37It's unfair that we should leave behind
00:41those nominations or those qualifications.
00:43I think we work with the most needed people in our country,
00:48with the misery of our country,
00:49with the most common conflicts in our country.
00:52And there are people who don't like that
00:54because they just don't want to see it.
00:56Did you feel discriminated against by your coworkers?
00:59It's not that I felt discriminated against.
01:00I think it's still like that.
01:04I still receive prejudices because of the kind of work I do,
01:10because of the work I do,
01:12because of the people I work with,
01:14because of the songs I play,
01:16because of the way I deal with the songs.
01:18Because they expect me to say,
01:19Oh, sir, please pay the rent.
01:23And not that I tell them things in their name,
01:25openly and so on.
01:26That's why it bothers me.
01:26And that happens between people with faces on television
01:31that we've talked to.
01:32Why did you vote for Pancho?
01:33Because they know me better and because we've talked about things.
01:36No, never, never, never.
01:38The other way around, the other way around.
01:40It's the same.
01:41I don't like it when they focus on names
01:45because they're not people in particular.
01:47I think it's an environment in general
01:50in front of the kind of show I do that they don't like.
01:52Have you ever felt that way?
01:54Or never?
01:55What?
01:55That television is classist,
01:56that executives are often classist.
01:58Yes.
01:59But what do they find in your show?
02:00That the club lets you eat.
02:01Look, once we were with Freire,
02:02we were just recording and leaving with the club,
02:04we were on air,
02:05and a producer came,
02:07and I think you may have met him,
02:08no, I'm just kidding, poor guy.
02:10And he came and said,
02:12What are you doing here?
02:13And we were on that staircase, that bridge that was there.
02:15Yes.
02:16Towards those cubicles, in that poverty, in Alqueria.
02:19Yes.
02:21It was a corridor.
02:22Television used to be a corridor.
02:23It was a corridor, yes.
02:24First a corridor was made,
02:25and then offices were built around the corridors.
02:27And when it grew a lot, they put containers in offices.
02:29Yes.
02:30That's the level.
02:30They were already in containers.
02:31Containers too.
02:32Yes, second floor, containers.
02:34And last.
02:35And this producer came and said to Sergio and David,
02:37What are you doing here?
02:39No, we, before we finish, we have to answer.
02:42The prizes of the shows are charged in advance.
02:46In advance they are charged.
02:48You have nothing to do here,
02:49the prizes go to look for them there.
02:52And I, with my things that I have,
02:55you already know me.
02:56I can tell you,
02:57they put a whistle on it later.
02:58I said, who do you think you are,
02:59you son of a bitch.
03:02Like this.
03:03Fine to start.
03:04They put a whistle on it.
03:05Fine to start.
03:06Soft.
03:07We are doing a show.
03:10And the Club de Bebés came out like two weeks,
03:12and it went well.
03:13And then he came to apologize to us,
03:15and everything, I fell, really, I made a mistake.
03:18And one day he invited me to his office,
03:20and to talk, and I obviously forgave him,
03:23and well, he can make a mistake,
03:25and I have a poster of General Piroche in the office.
03:31What does that have to do with it?
03:33What an imbecile.
03:34Really, no, just as an anecdote.
03:38And next to the poster of General Piroche,
03:40a picture of Pancho Saez.
03:42What do I have to do with that idiot?
03:45He's going to hit you with those things now.
03:47What?
03:48Do you want me to tell?
03:49What?
03:53Hey, but you know what, for your peace of mind,
03:56I had to work in Telemundo in the United States,
03:59and Dr. Polo was in a container too.
04:03Oh yeah?
04:04Yes, but in a container like that.
04:06But in a gigantic container.
04:07It was like 20 by 60.
04:09But those office containers?
04:11No, containers of 40 feet.
04:14Containers of 40 feet?
04:15Containers, man.
04:16But remodeled.
04:17But air-conditioned inside.
04:18And we were sent some from the port,
04:20those who voted for the port.
04:22There were fish heads and everything.
04:24Lies, Pedro.
04:25Right?
04:26Right?
04:27The bald metal.
04:30You knocked on the walls of the container,
04:31and the dogs of the PDI would come.
04:33There were couples who were born in the containers.
04:36Oh, no.
04:37Like the love bathroom of Canal 13?
04:39Love was made in the containers.
04:41A love bathroom?
04:42Really?
04:43Now, all those containers were bought by Javier Marga.
04:49To see him sleep, man.
04:51Container fantasy.
04:52Who hasn't done it?
04:55Hey, sorry.
04:56I know you're going to start already.
04:58Red carpet and I don't know what.
05:00But I want to ask you something.
05:01When did I do that?
05:02Because you always tell me something,
05:03and you're going to make me guess the question I'm going to ask.
05:05But...
05:07I'm not going to say case closed.
05:08Did you close the case with Fran García Huidoblo?
05:12What?
05:14But I just want to know because I knew...
05:17You said it in the interview.
05:18I don't have a case with Fran.
05:20The press loves her because she has to sell the story.
05:23I don't have a case with Fran.
05:25What I have a case is with anyone who wants to talk badly
05:29about the work we do on the show.
05:31Be it laughing at the wigs, as she says,
05:33which seems like a bad joke to me.
05:35And it also seemed to me that the one who made a comedian
05:37the other day in Ormoy, who put a face of Orto,
05:39and yes, he charged me.
05:40Who made a joke?
05:41Someone made a joke about the wigs.
05:43No, you didn't.
05:44No, you didn't.
05:45You were a bad class.
05:47Get out of here.
05:49Get out of here.
05:50But be careful, because Pedro didn't say it,
05:52he could have written it.
05:53No.
05:56Who was it?
05:57I don't remember if it was a bad joke or not.
05:59It bothers me because...
06:00Maybe he wrote it.
06:01Because it's prejudice.
06:03Because it's prejudice, you know?
06:04When they say, no, the wigs have lice.
06:07So, the reading is that people who can make wigs...
06:10Is it true that wigs have lice?
06:11No, you idiot.
06:12I don't know, I'm just asking.
06:14Because lice needs blood.
06:16Now I've met people who are very angry with lice,
06:18so don't fool me.
06:19When I was a kid, I had lice.
06:21What kind of lice?
06:22Lice.
06:25The judge is shocked with us.
06:27Now what you have is with the hammer.
06:28She's going to hit us with the hammer.
06:29When I was a kid, when they gave me my diploma,
06:31they gave me a diploma,
06:32my little lice that I had here.
06:34The school wasn't good.
06:36The school wasn't good.
06:37No, but you see, because of the wigs,
06:39they even stole a checkered shirt from me in the car.
06:41Where?
06:42What does the wig have to do with the checkered shirt?
06:43Hold on, man.
06:45Hold on, man.
06:46Cut.
06:47Hold on, Panchito.
06:52We almost cut here.
06:53But where?
06:54In which part?
06:55Where are we talking about?
06:56I parked my car outside...
06:57In Chelechón?
06:58No, outside the Teatro San Ginés,
06:59of Juan Pablo Saez.
07:00I parked outside and they opened the car for me.
07:02And they stole all my things and a checkered shirt.
07:05And they spent 64 million,
07:0884 million pesos.
07:10Millions of pesos?
07:11With my checkered shirt.
07:12Ah, that was when you realized it.
07:1484 million.
07:18And I had published that they had stolen everything,
07:20the procedure, the publications, the diaries, everything.
07:23So you didn't charge them against you?
07:24No.
07:25But they call me one day from the PDI.
07:28And I had to go to the PDI in Las Condas.
07:30And I got to the point.
07:31I enter a room and the police arrive
07:33and they tell me that I have to write their name 100 times.
07:36And I wrote my name 100 times like Bart Simpson.
07:39And from now on...
07:40No, I have to leave the checkered shirt in the car.
07:42No, I have to leave the checkered shirt in the car.
07:44Oh, man.
07:48Oh, man.
07:50And then my signature, 100 times.
07:52100 times.
07:53And two others come in,
07:55all plastered with the checks that had been stolen
07:58because they had caught the guys.
08:00And they say, no, it's not the signature, it's not the signature.
08:02And the signature...
08:03Oh, I was more angry with the signature than the robbery.
08:05Why?
08:06Because the letter was horrible.
08:08It was obviously not yours.
08:10I was angry that someone had written my name so badly.
08:13I was like...
08:15A horrible calligraphy, like a drunk.
08:19No, I was angry.
08:20And what's funny is that they pay you the same
08:22and suddenly it's the signature of one,
08:24that one makes it different and signs you discontent.
08:26I was like...
08:27Yes, for a little detail.
08:29For a little detail.
08:30For a little detail.
08:31And they said, no, no, it's not yours.
08:33They explained everything to me, that they had caught them,
08:35I don't know.
08:36And I said, what do I have to do now?
08:37You have to go to court,
08:38to declare that you don't know them.
08:40And then the days passed,
08:41they picked me up in a car,
08:42they took me to court,
08:43and I entered a room
08:45and there was a lady,
08:46a lady,
08:47with makeup and wigs.
08:49Ah, a protected witness, right?
08:50Of course.
08:51And she tells me,
08:52protected witness, exactly.
08:53And she tells me,
08:54do you want to put on a wig?
08:56And I said, no, the truth is that I don't.
08:58Beard?
08:59I already have a beard.
09:01So, look,
09:02what we are going to do
09:03to protect you,
09:04because there are the guys who robbed you,
09:05we are going to put on a wig.
09:06I have to stop in this part.
09:08We are going to put on a wig.
09:09And they put the wig here.
09:11And here I spoke.
09:13And here was the door
09:15where I entered.
09:16Then they say,
09:17what happens in front of you,
09:18Pedro Rumio?
09:19And I pass in front of the guys.
09:24And I sit behind the wig.
09:30The biggest idiot.
09:32Dude, I swear it's true.
09:33And?
09:34And he tells me,
09:35do you know this person?
09:37And I had the beard.
09:41And I tell him,
09:42what happens is that there is a beard,
09:43I can't see it.
09:48And they had to come running,
09:50the beard.
09:51And I did like this.
09:52No, no, the truth is that I can't see it.
09:54Yes, dude.
09:56Even the guys laughed.
10:00Thank you very much.
10:01Look, we're going to go to the grill
10:03because there is a special surprise
10:05prepared for you.
10:06And we are going to play a game called
10:07Guilty or Innocent.