Category
📺
TVTranscript
00:00This time, we will start the opening from inside the car.
00:05I feel like this is the first time we are doing an interview outside of Osaka.
00:13This is the person I want to meet no matter what.
00:16Is that so?
00:17In Osaka, this person is called the owner of Osaka.
00:21Owner?
00:22Yes.
00:23Sometimes when I'm tired, I lie down under the desk of Jaws and I step on him once.
00:28Really?
00:29What do you think?
00:31Really?
00:32It's smooth.
00:34Have you met him before?
00:35Yes, I have.
00:36You did an interview with him in a magazine.
00:39Yes.
00:46I thought it was interesting.
00:48Can I call you Mr. Hamamura?
00:50No, no.
00:51Mr. Jun Hamamura.
00:52Are you originally from Kyoto?
00:53Yes, I am from Kyoto.
00:54When you speak, it's Kansai dialect, but when you correct it to Katsuji, it becomes Tokyo dialect.
01:01I see.
01:02I see.
01:03I wonder if that's what Hamagura-bushi is.
01:06What?
01:07Hamagura-bushi.
01:08Hamagura-bushi.
01:09Let me tell you.
01:10It's amazing.
01:11Yes.
01:12You know Ryuutarou Kamioka, right?
01:13Yes.
01:14He is the master.
01:15What?
01:16Ryuutarou Kamioka's master is Jun Hamamura?
01:21Is that so?
01:22Yes.
01:23I haven't seen him for a long time.
01:25I haven't seen him for a long time.
01:27I haven't seen him for a long time.
01:29It's been a long time.
01:30I don't think he's 90 years old.
01:3290 years old.
01:33So I thought I'd do that kind of work in Tokyo, but I couldn't receive much in Tokyo, so I came back to Osaka, right?
01:41I don't know much.
01:43I thought it was the same feeling as Tsurube-san at first.
01:45I was angry.
01:46I went crazy and came back by myself.
01:49Leave me alone!
01:51Around this time.
01:53Yes.
01:54I don't know why I was so crazy.
01:59And the two went to Tenma in Osaka.
02:04Do you want to go to sushi?
02:05Sushi is good.
02:07Sushi in Osaka.
02:08Segare.
02:09Segare.
02:10Izakaya.
02:12Where is this place?
02:14This is Tenma, right?
02:15Tenma.
02:16Tenma.
02:17Tenma.
02:22It's a lively place.
02:24That's nice.
02:25Oden all the time.
02:26This is it.
02:27Here?
02:28Yes.
02:29This is it.
02:31Is this a shop that Tsurube-san knows well?
02:33No, I've been there before.
02:37Really?
02:38Don't look at my face.
02:40Good evening.
02:41I'm sorry.
02:42Good evening.
02:43Thank you for coming.
02:45Thank you for coming.
02:47I'm sorry to keep you waiting.
02:48Thank you for coming.
02:49Thank you for coming.
02:50Thank you for coming.
02:51I'm so sorry to keep you waiting.
02:52I'm sorry to keep you waiting.
02:55A legend that Osaka is proud of.
02:58A film critic who is a radio personality.
03:02Jun Hanamura.
03:05Have you met Mr. Kasagi?
03:06I've met him.
03:07Noriko Aoya.
03:08Mr. Aoya.
03:09There were a lot of Yashiro Aiki.
03:12Yashiro.
03:15His popularity is the best in the entertainment world.
03:20He will be back in the fall.
03:23So please look forward to it.
03:27There are songs, oden, and famous poets.
03:33There are old memories on the back of the invisible eyelids,
03:37such as the twilight of Hatoba.
03:41Tsurube-chan and Sawako-chan.
03:43Two strange people with a great senior in Showa.
03:50Tsurube-chan.
03:53The oden shop has been running for many years.
03:59Its name is Zutto Oden.
04:02Let's toast to our meeting.
04:04That's right.
04:07Cheers.
04:08Thank you for coming.
04:10Thank you for coming.
04:11Thank you for coming.
04:12Thank you for coming.
04:13Thank you for coming.
04:14I can't make a toast.
04:15No, you can't.
04:20It's delicious.
04:21It's delicious, isn't it?
04:23Before I met Mr. Hamamura, I knew his name.
04:29At first, I thought he was an announcer.
04:34But it wasn't like that.
04:36The other day, we appeared on the program of Mr. Kuroyanagi.
04:41We said, it's been a long time.
04:44It's been 33 years.
04:47I went to Tetsuko's room 33 years ago.
04:52We looked at each other's faces and said, you're old.
04:56We're about the same age, aren't we?
05:00No, she's older.
05:03Is Tetsuko older?
05:05She's definitely older.
05:06The other one is Kusabue Mitsuko.
05:09Kusabue-san is also young and healthy.
05:13She wears heels and dances.
05:16The other one is Tatsuya Nagadai.
05:20Tatsuya Nagadai.
05:21He's doing well, isn't he?
05:22He's doing well, isn't he?
05:23He's also in a theater troupe.
05:24He's also in a theater troupe.
05:25He's doing well.
05:26He's doing well.
05:27He's a great man.
05:29If you say Mr. Hamamura,
05:31you can watch him here or on TV.
05:34I'm serious.
05:35I've been working with him for a long time.
05:39How many years has it been?
05:40I've been in this world for 53 years.
05:43Since your debut?
05:44My debut was in 1932.
05:461932.
05:48It's been 70 years since your debut.
05:52It's been 70 years since you debuted.
05:54That's right.
05:57What year was that show?
05:59That was in 1950.
06:00In 1950.
06:01Today is the 50th anniversary of this program.
06:04I'm thinking if I do it for another 50 years,
06:06it will be good.
06:07I was thinking of turning to a new person.
06:10ーDrama Kizudarake no Tenshiがヒットしー
06:16ーNagashima Shigeoさんが現役を引退した昭和49年ー
06:24ーその後、50年続くラジオ番組ー
06:28ーありがとう!ハマムラジュンですが始まりますー
06:32ー50年というと一番笑いますねー
06:36ーI was born in the year I started this showー
06:40ーand I'm the chief director nowー
06:44ーReally?ー
06:46ーYesー
06:48ーSo I can't say anything bigー
06:52ーYou were born?ー
06:54ーYesー
06:56ーI was born in the year I started this showー
07:00ーThat's trueー
07:02ーAll the staff are like a teacherー
07:08ーThey are all teachersー
07:10ーThey are all your grandchildrenー
07:12ーNo one can replace youー
07:14ーYou wake up earlyー
07:16ーI still listen to youー
07:18ーI'll see you every day when I come backー
07:22ーThank youー
07:24ーHow long have you been doing this show?ー
07:26ーIt's been 53 yearsー
07:28ーYou've been doing this for a long timeー
07:30ーPlease don't call me teacherー
07:34ーYou used to call me teacher when you were youngー
07:38ーWe don't do thatー
07:40ーI've told you not to call me teacherー
07:44ーI seeー
07:46ーI've been doing this show for 50 yearsー
07:50ーbut I started this show when I was 6ー
07:54ーYou were a violinistー
07:56ー50 years agoー
07:58ー50 years agoー
08:00ーThat's rightー
08:02ーYou were a young boyー
08:04ーA young boyー
08:06ーThere was a manzai artist named Osaka Kidー
08:10ーI don't know what he was talking aboutー
08:12ーHe said I look like Tsurube-chanー
08:18ーHe said that a lotー
08:20ーI told Tsurube-chan that I look like Tsurube-chanー
08:24ーI've never heard of such a jokeー
08:28ーYou don't think soー
08:30ーI don'tー
08:32ーI've never heard of such a jokeー
08:34ーThat's interestingー
08:36ーHe called me a lotー
08:38ーWhen you had afro hairー
08:40ーI don't know this eraー
08:42ーWhen you had afro hairー
08:44ーyou must be lonelyー
08:46ーThat's rightー
08:48ーThere is a word song named Adios Pampamiaー
08:52ーAdios Pampamiaー
08:54ーAdios Pampamiaー
08:56ーIt means a grand funeralー
08:58ーAdios Pampamiaー
09:00ーAdiosー
09:04ーI've been called many timesー
09:06ーbecause I don't know the meaningー
09:08ーYou don't know the meaningー
09:10ーI can't remember the line in a movieー
09:14ーI heard it todayー
09:16ーIt's the 35th love letterー
09:18ーIt's from Harada Tomoyaー
09:20ーIt took him 40 minutes to introduce the love letterー
09:26ー40 minutes?ー
09:28ーHe told me that I should watch itー
09:30ーIs he a movie critic?ー
09:32ーI was shocked at the movie descriptionー
09:38ーI was shockedー
09:40ーHe was so good at explaining itー
09:42ーI was so impressed with his actingー
09:44ーAfter watching the 35th letterー
09:46ーI was impressed with his actingー
09:48Oh, did you see it? The 35th love letter.
09:50Yes, I saw it.
09:51That's great.
09:52What do you think?
09:53He's an honest and cute man.
09:56It was published in March.
09:58Oh, I see.
09:59It was published in March.
10:00Yes.
10:01It was published in November last year.
10:03You did a lot.
10:04Yes.
10:05I can't forget it.
10:06I spent 40 minutes to introduce it so that you wouldn't forget it.
10:10That's great.
10:11How did you introduce it?
10:13The love letter that Tsurui-san wrote.
10:18My wife read it.
10:21She said,
10:22It was hard for me to marry you.
10:26My wife said,
10:27It was hard for you to marry me?
10:30No, she said,
10:31I was happy to marry you.
10:35It's hard to say happy.
10:37It's hard.
10:38You're missing one side.
10:41You're missing one side.
10:44If you're happy, that's enough.
10:47That's what Tsurui-san said.
10:49I remember that scene.
10:51Oh, really? Thank you.
10:53I hardly remember it.
10:55You don't remember it.
10:57You don't remember the lines?
10:58You don't remember the lines?
10:59You don't read the script?
11:00No, no.
11:01I don't read the script.
11:03I read the script.
11:04You read the script?
11:05Yes.
11:06Director Yoichi Yamada.
11:08I thought he'd get angry, but he didn't.
11:10He was laughing.
11:12He was a difficult director.
11:14He was a difficult director.
11:15He was a difficult director.
11:16He was a difficult director.
11:17He was a difficult director.
11:18He was a difficult director.
11:19He was a difficult director.
11:20He was a difficult director.
11:21He was a difficult director.
11:22He was a difficult director.
11:23He was a difficult director.
11:24He was a difficult director.
11:25He was a difficult director.
11:26He was a difficult director.
11:27He was a difficult director.
11:28He was a difficult director.
11:29He was a difficult director.
11:30He was a difficult director.
11:31He was a difficult director.
11:32He was a difficult director.
11:33He was a difficult director.
11:34He was a difficult director.
11:35He was a difficult director.
11:37It was so funny, wasn't it?
11:39Yes.
11:40That person would turn his tongue, but he was funny, wasn't it?
11:45He would turn his tongue, but he was funny, wasn't he?
11:48Please, don't.
11:49That person would turn his tongue, but he was funny, wasn't he?
11:52So there you have it.
11:53OK, you.
11:55Listen to this.
11:57Please, everyone.
11:58Everyone.
12:02I was attracted to him.
12:03I'm a little bit older than you.
12:05You look much older than me.
12:07I'm serious.
12:09You have a great son.
12:11He's a very serious person.
12:13Is that so?
12:15I've been a guest for three times already.
12:17Oh, I see.
12:19I'm sorry.
12:21Don't be sorry.
12:23I'm a parent.
12:25When I was a child.
12:27And you, Taro.
12:29You've been a parent.
12:31Yes, I've been a parent.
12:33Well,
12:35I have a very kind son.
12:37His name is Ganjiro Nakamura.
12:39He's from Narikomaya.
12:41I've been a guest for four times already.
12:43What?
12:45I can't imagine how many guests
12:47you've been a guest for.
12:49It's terrible, isn't it?
12:51I've been a guest for several times already.
12:53It's terrible, isn't it?
12:55No, it's not.
12:57I'm sorry.
12:59How long have you been a guest for?
13:01I'm sorry to ask you,
13:03but you've been a guest for
13:0552 years already,
13:07and it's your 32nd year.
13:09I've been a guest for a long time.
13:11I've been a guest for
13:1352 years already,
13:15and it's your 32nd year.
13:17You've been a guest for
13:19exactly 10 years.
13:21And I've been a guest for
13:23a long time already.
13:25I've been a guest for
13:27a long time already.
13:29I'm surprised.
13:31Why are you surprised?
13:33I've been a guest for
13:35a long time already.
13:37I've been a guest for
13:39a long time already,
13:41and I've been a guest for
13:43a long time already.
13:45You're a scholar, aren't you?
13:47No, I'm an old man.
13:49I've been a guest for
13:51a long time already.
13:53I've been a guest for
13:55a long time already.
13:57But I've never met you.
13:59But I've never met you.
14:01It's a love affair.
14:03I'm sorry.
14:05You've been a guest for
14:07a long time already.
14:09You've been a guest for
14:11a long time already.
14:15Mr. Hamamura
14:17likes movies and jazz.
14:19He's been a guest for
14:2132 years already.
14:23He's now starting his
14:25own entertainment business.
14:29The one who brought me here
14:31was Mickey Curtis.
14:33The three men.
14:35Kei Yamashita, Masaaki Hirao,
14:37and Mickey Curtis.
14:43It's been a year since
14:45Frank Nagai's
14:47movie, Let's Meet at Yurakucho.
14:49It's been 32 years since
14:51Frank Nagai's movie, Let's Meet at Yurakucho.
14:55Mr. Jun Hamamura
14:57has moved to Kyoto
14:59to start his own
15:01entertainment business.
15:05When you were a student,
15:07you knew a lot about
15:09jazz and movies.
15:11Did you get close
15:13to Shin Watanabe,
15:15a professional potter?
15:17We used to play together
15:19after Shin Watanabe passed away.
15:21Did he teach you?
15:23Yes, he did.
15:25He invited me
15:27to his house
15:29and I moved to Tokyo.
15:31I was a host
15:33at a jazz bar.
15:35I didn't know much about it.
15:37The one who brought me here
15:39was Mickey Curtis.
15:43He was wearing a white shirt.
15:45At that time,
15:47there were three men,
15:49Mr. Yamashita,
15:51Mr. Masaaki Hirao,
15:53and Mr. Masaaki Hirao.
15:55Mickey Curtis was the only one left.
15:57It was very lonely.
15:59You stayed at Mr. Watanabe's house.
16:01Did you live with The Peanuts?
16:03Yes, it was a big house.
16:05I lived with The Peanuts.
16:09I haven't heard much
16:11about The Peanuts.
16:13I want to follow you
16:15and cling to you.
16:19I remember that song.
16:21I was watching you
16:23digging a soap bubble.
16:25I'm going to burn.
16:31You can sing, right?
16:33Yes, I can.
16:35That's it.
16:37Stop it.
16:39It's a one-man show.
16:41I didn't know
16:43that you lived with The Peanuts
16:45at that time.
16:47Mr. Watanabe was a very nice person.
16:49He was kind.
16:51Everyone said that.
16:53What kind of person was he?
16:55He was very kind.
16:57He was a musician, right?
16:59Yes, he was.
17:01Mr. Fumisa was a good musician.
17:03He said,
17:05He said,
17:07Mr. Shin was next to him.
17:09There were many things.
17:11He was a generous person.
17:13He took care of me.
17:15I see.
17:17Mr. Hamamura,
17:19you have a strong memory
17:21of the entertainment world.
17:23You have a strong memory.
17:25I'm going to forget it.
17:27Please tell me
17:29if you forget it.
17:31I want to forget it.
17:33There is no one who can forget it.
17:35I can't remember what I forgot.
17:37That's right.
17:39You were told.
17:41Apart from the movie
17:43that was released in 1935,
17:45is there any movie
17:47that you watched recently?
17:49The movie that was released?
17:51The movie that I watched.
17:53Regardless of the title.
17:55The movie that I watched last year
17:57and I thought it was interesting
17:59was Golden Kamuy.
18:01Golden Kamuy?
18:03It was like Hokkaido.
18:05It was like an action movie.
18:07That's right.
18:09It was a map of the places
18:11where the gold coins were hidden
18:13on the backs of several students.
18:15It was a map of the places
18:17where the gold coins were hidden
18:19on the backs of several students.
18:21I had to collect the skins
18:23of 18 students.
18:25I had to collect the skins
18:27of 18 students.
18:29I didn't know where the gold coins were hidden.
18:31I didn't know where the gold coins were hidden.
18:33There was a soldier
18:35called Sugimoto who lived
18:37during the Sino-Japanese War.
18:39He was rampaging
18:41on the stage of Hokkaido.
18:43Sugimoto's opponent
18:45was a girl
18:47from the Ainu tribe
18:49called Ashi-Riba.
18:51Sugimoto got close to her
18:53and saved her.
18:55It was an interesting story.
18:57I thought you were just listening.
18:59No, no.
19:01Do you know where the gold coins were?
19:03I don't know.
19:05I don't know.
19:07I don't know why I didn't make a story.
19:09I don't know why I didn't make a story.
19:11I don't know if I can say this.
19:13You can say it.
19:15I don't have money for the TV station.
19:21I only told you this much.
19:23I only told you this much.
19:25You should have told me.
19:27The original work is
19:29selling well.
19:31Is the original work a comic book?
19:33Yes, it is.
19:35Please watch it.
19:37Mr. Hamamura is impressed
19:39by the original comic book.
19:41I'm impressed.
19:43The way he talks to the girl
19:45is very good.
19:47She is about 10 years old.
19:49Does he play a child's role?
19:51He plays a child's role.
19:53He plays a child's role.
19:55He plays a child's role.
19:57He is good.
19:59He is good.
20:01He speaks Osaka dialect well.
20:03He speaks Osaka dialect well.
20:05He is not from Osaka?
20:07He is from Osaka.
20:11What is the meaning of this?
20:13He is from Saitama.
20:15He is good.
20:17He is good.
20:19Since he was born,
20:21I've been on TV before, so I'm used to it.
20:25In Kanto, there are a lot of people who can speak Kansai dialect.
20:31It's because of the power of Kansai.
20:35Kansai is fashionable.
20:38It's because of Sanma.
20:40Everyone speaks Sanma.
20:43But when Tsuruhashi-san started appearing on TV,
20:47people didn't like the Kansai dialect.
20:52Mr. Hamamura once came to Tokyo.
20:55He tried to do a lot of work, but his reputation didn't improve.
21:00Then he suddenly returned to Osaka.
21:02Now it's gone.
21:04The name has changed.
21:05There was a program called NET TV.
21:08TV Asahi?
21:09Yes, TV Asahi.
21:11It was called Japan Education TV.
21:14They made educational programs.
21:16But the ratings weren't very good.
21:18They had to air 20% of the entire program.
21:24That's how it was.
21:26That's why they made a Kansai dialect program for the first time.
21:30I didn't think it would go well.
21:35But it was amazing to imitate Musei Tokugawa.
21:41Of course.
21:43Please try it.
21:45Wait a minute.
21:47Don't do that.
21:48It's a long intro.
21:50I know.
21:52But I don't want you to do it.
21:55It feels good.
21:57Of course it feels good.
21:59I don't want you to do it.
22:01I don't want you to do it.
22:04I don't want you to do it.
22:05I don't want you to do it.
22:12Let's listen to it.
22:14I don't want you to do it.
22:17I think I can do it now.
22:20You're the only one who says that.
22:23I don't speak Japanese anymore.
22:26It's old-fashioned.
22:28It's old-fashioned.
22:31Try it.
22:33It's like this, right?
22:40It's from 7.5.
22:427.5, 7.5, 7.5...
22:46The memories of the days gone by behind the invisible eyelids are brought to life.
22:53I'm discouraged now.
22:56I used to be able to speak.
23:00I understand.
23:04Let's try it.
23:06I have no power.
23:08Awamori-san is going to sing a song, so please sing it for us.
23:10Oh, me?
23:11You're going to sing a song, aren't you?
23:13No, I haven't sung it yet.
23:20In her long career as an actress,
23:23Jun-san Hamamura has worked with many people.
23:30Kasane-san is a singer,
23:34and in Tokyo style,
23:36she's a very good singer.
23:38She's a very fun person.
23:40Have you met Kasane-san before?
23:41Yes, I have.
23:42One day,
23:43Kasane-san was on a radio show.
23:48At that time,
23:49a bunch of people were walking around
23:53in their stage clothes
23:55and making a lot of noise.
23:57They were walking around making a lot of noise.
23:59All the staff members were scared.
24:03They were making a lot of noise.
24:05So Kasane-san came out
24:07and said,
24:08Hey, come over here.
24:10You can't line up.
24:12Every time you see my stage,
24:14I'm sorry to say this,
24:16but are you doing it because you're an actor?
24:18She said,
24:19Pon, pon, pon.
24:21It's soft,
24:23because it's Kansai dialect.
24:25A young man,
24:27very happy,
24:29said,
24:30I'll do it!
24:31He jumped out
24:33and said,
24:34Hey, come over here.
24:35You can't line up.
24:37Every time you see my stage,
24:39I'm sorry to say this,
24:41but are you doing it because you're an actor?
24:43She was like that.
24:47You were close to Aoya-san, weren't you?
24:49I was close to Aoya-san,
24:57but I got along well with him.
24:59I got along well with him.
25:01I see.
25:02You were praised for your vision.
25:04Mr. Noriko Aoya.
25:06When he sang the farewell blues,
25:08he was from Aomori,
25:10so he spoke Tohoku dialect.
25:12I couldn't sing this song
25:14in Japan's small town.
25:16The army didn't like it.
25:18There were a lot of entertainers
25:20who went to war
25:22to question the soldiers
25:24who went to war.
25:26In Yoshimoto's case,
25:28there were a lot of comedians
25:31who went to war
25:33and sang the farewell blues.
25:35I wanted to make them laugh.
25:37I wanted to make them laugh
25:39when I wanted to make them laugh.
25:41Mr. Aoya also went to war
25:43to question the soldiers.
25:45At that time,
25:47he was already a foreigner.
25:49For example,
25:51he sang the farewell blues
25:53when he was in Japan
25:55on the Chinese continent.
25:57I see.
25:59He was angry
26:01and he sang it
26:03to convince the soldiers
26:05that he didn't have to
26:07sing the farewell blues
26:09when he was in Japan.
26:11I know this song very well.
26:15It was great.
26:17I didn't know
26:19I could hear their duet here.
26:21The American Hatobano!
26:26I'm not trying to pick up trash.
26:31Please sing it in a more cute way.
26:34I understand, I'm sorry.
26:36I got excited.
26:37I learned it during the war.
26:39When a soldier learned Awae-sensei's song in Imondan,
26:44and came back to Japan after losing his life,
26:47he sang that song again.
26:49That's how it became a hit?
26:51That's right.
26:52I see.
26:53Awae-sensei told me in the dressing room.
26:56I was talking on the stage.
26:59Awae-sensei was so happy.
27:01He said,
27:02because of the commentary,
27:04the audience started to get excited.
27:07If it's a song like that,
27:09why don't you sing it?
27:11That's how the atmosphere was.
27:13It was easy for me to sing.
27:16It was easy for you to sing.
27:18He praised me.
27:19He praised you.
27:20But he gave me pocket money.
27:22You know a lot.
27:23I was watching.
27:25How much did he give you?
27:27How much?
27:28But Awae-sensei...
27:30It was a wonderful story.
27:32I was called a stuffed toy.
27:35I was called a stuffed toy.
27:37You were called a stuffed toy?
27:39I was called a stuffed toy.
27:41I met you in the magazine interview.
27:44I met you.
27:45I asked you to come to my house.
27:47You were all old.
27:48We were all old.
27:49You were all old.
27:50I said,
27:51Bye-bye.
27:52And you said goodbye.
27:53He was a lovely person.
27:55He was lovely.
27:56He was lovely.
27:57Anyway,
28:00the story was interesting.
28:02He was a charming person.
28:04He was.
28:05He was so charming.
28:07Everyone was scared.
28:09When I couldn't sing well,
28:13he became a model for a student.
28:16I've been doing that kind of part-time job for a long time.
28:20The artist's name is also a very famous person.
28:24Oh, really?
28:26But a lot of people really like Alain Dron and Sophia Loren.
28:32Alain Dron and Sophia Loren?
28:35Richard Gere.
28:36Richard Gere!
28:38He's a guest.
28:40He's a radio personality, but he's someone you absolutely want to work with.
28:46When he was promoting a movie, he said,
28:48Stop it!
28:51Stop it!
28:52Stop it!
28:54What are you talking about?
28:57It's delicious.
28:58It's delicious, but stop it for once.
29:01Listen to me.
29:03I asked Alain,
29:05What's the secret to being fashionable?
29:07It's about dressing up.
29:11I was surprised.
29:12Do you dress up in places you can't see?
29:14What should I do?
29:16I dress up.
29:17Do you dress up?
29:18Yes, I do.
29:19Are you wearing fashionable underwear?
29:20No, I'm not going to show you.
29:23You're not supposed to show me.
29:25Who's going to show me?
29:29You're a fashionable woman.
29:33I never thought I'd be able to work with him.
29:38But he was strict about music, too.
29:41He was bad at singing.
29:44I can't say much, but I hated Enka.
29:47Oh, really?
29:48I hate Enka.
29:51So I gave him the name of a famous singer.
29:54I hate it.
29:55I hate how he sings.
29:59Have you ever been a guest of Hibari Misora?
30:01Yes, I have.
30:02There were a lot of Yashiro Aki.
30:05Yashiro Aki.
30:06Yashiro Aki is the queen of Enka.
30:10Why did she die?
30:12I sent her a visit when she was hospitalized.
30:16She replied,
30:17I'll be back in the fall.
30:21Please take care of me again.
30:24I love her.
30:26I really love her.
30:30I went to her house, too.
30:32Really?
30:33Yes.
30:34She asked me to eat curry.
30:36So I ate curry.
30:38It was delicious.
30:40She said it was really delicious.
30:43I interviewed another person.
30:45She said,
30:46I'm still in the show.
30:48She said,
30:49You were in the second episode.
30:51I said,
30:53I'm sorry.
30:54I'll be in the second episode.
30:56I ate curry.
30:57She said,
30:59I'm sorry.
31:00I'll spit it out.
31:03How much curry should I put in?
31:05Three times the amount of curry.
31:07Anyway, she was a cute person.
31:09Yes, she was cute.
31:10Yashiro Aki and Ichiro Aki
31:14came to my 45th anniversary festival.
31:17That's amazing.
31:18Next time, the fans brought flowers.
31:22I said,
31:24But I prefer cash.
31:27Yashiro Aki said that.
31:29Yashiro Aki said that.
31:30I don't hate her.
31:32Yashiro Aki said that.
31:34I don't hate her.
31:36At the front seat of the theater,
31:38a man was looking at me with an opera glass.
31:41Yashiro Aki said,
31:43Uncle, if you don't use an opera glass,
31:46you can't see my face.
31:48It's a bomb.
31:50It's a cute way of saying it.
31:52I don't hate her.
31:55I understand.
31:56I was on a bullet train,
31:58and I was trying to put my luggage on the shelf.
32:01It's too small to reach.
32:03It was like this.
32:05I said, Are you okay?
32:07I wore a mask, glasses, and a hat.
32:09A tall man said, Are you okay?
32:12I said, Yes.
32:13Yashiro Aki said, Yes.
32:16He helped me.
32:17He helped you.
32:18He called me again when he got off the train.
32:20He's so cute.
32:21There are some people who are cute.
32:23I was surprised.
32:24I didn't understand what he said at first.
32:26He said, Yes.
32:27I said, Yes.
32:28He said, Yes.
32:29Yashiro Aki said, Yes.
32:31I cried when he passed away.
32:35Me, too.
32:39I thought he was suffering.
32:41I thought he was suffering.
32:43He must have had a lot of courage.
32:46I see.
32:48I agree.
32:50But the funniest thing was
32:52when I went to Mr. Hattori's house.
32:55It was Mr. Hattori's birthday.
32:58Mr. Hattori, who grew up in Kasagishi, Bugi-Ugi.
33:01Mr. Hattori told me a lot of stories.
33:04He was from Osaka.
33:06He remembered it and did it for me.
33:09At that time, a girl named Kasagishi,
33:12who was popular in Osaka,
33:14came to Tokyo.
33:16When she came to Tokyo,
33:18she was wearing a 3-centimeter-long pigtail.
33:21Her eyes were small.
33:23She looked down and muttered,
33:25but she didn't speak.
33:27I thought,
33:29Why is this girl so popular in Osaka?
33:32At the time of the performance,
33:34Mr. Hattori took a bow.
33:36Then, Kasagishi put a 3-centimeter-long pigtail on her.
33:42When the performance began,
33:45Mr. Hattori jumped out of the stage
33:48and danced, saying,
33:50Odore! Odore!
33:52When Kasagishi said that,
33:54Kasagishi said,
33:56Odore! Odore!
33:58Odore! Odore!
34:00Odore! Odore!
34:02He kept dancing.
34:04I thought,
34:06Is this girl's charm here?
34:08When I went on stage,
34:10I drank a lot of curry soup.
34:14The novel,
34:16Aoi Sanmyaku,
34:18was published in the Newspaper.
34:21It was serialized.
34:23At that time,
34:25it became a movie in Toho.
34:27However, the theme song was
34:29composed by Yasuo Saijo.
34:31Yasuo Saijo.
34:33The composer was Ryuichi Hattori.
34:35The song was made,
34:37but it was difficult to remember.
34:39At that time,
34:41Mr. Hattori had a business trip
34:43from Osaka to Kyoto.
34:45He took the JR train,
34:47which at that time
34:49was called the Koku-tetsu,
34:51to go to Kyoto.
34:53Mr. Hattori was in a hurry
34:55because he couldn't see
34:57when the Yamiya old man
34:59was carrying the Yami-bushi.
35:01When Mr. Hattori got on the train,
35:03he saw a blue train
35:05passing by.
35:07When he looked out the window,
35:09he saw Aoi Sanmyaku
35:11leaning over the train.
35:13He thought,
35:15this is Aoi Sanmyaku.
35:19Suddenly,
35:21the intro came to his mind.
35:23He took out a notebook
35:25and tried to write a musical score.
35:27There were a lot of Yamiya old men
35:29around him,
35:31so there was no time
35:33to write a musical score.
35:35He wrote the number
35:371, 2, 3, 4, 5, 6
35:39on the notebook.
35:41The Yamiya old man
35:43who was sitting next to him
35:45looked into the notebook
35:47and said,
35:49Mr. Hattori,
35:51you are making a lot of money.
35:53This story was very interesting.
35:55When I listened to the song,
35:57I could feel the difference
35:59between the number 1, 2,
36:01and 3.
36:03— Dattatattata...
36:06They were very unique details
36:08from pre-war Japan.
36:11There was that sound
36:13of a drag train
36:15passing bytime.
36:17Oh, there was a professional
36:19music and sound engineer
36:21working on these two videos.
36:23It was an extraordinary speed,
36:25but I think the expression
36:27of that experience
36:29in Japan itself
36:31Chan-chan-chan-chan-chan...
36:34It's long, right?
36:35Yes, it is.
36:36Chan-chan-chan-chan-chan...
36:37Chan-chan-chan-chan-chan...
36:38Chanchan-chan-chan-chan-chan...
36:39A young, bright singing voice.
36:42The waves are disappearing and the flowers are withering.
36:45I remember.
36:46I remember.
36:47Ah, the blue mountain range, the snow-capped cherry blossoms.
36:53Chan-chan-chan-chan-chan-chan-chan...
36:55Choko-chan-chan-chan!
36:57Chan-chan-chan-chan-chan!
36:59Tee-dee-tee!
37:01Tee-dee-dee!
37:03I'm not good at it at all.
37:05I'm impressed.
37:07It's a great song.
37:11Mr. Hamamura, you love jazz.
37:13Do you play jazz or sing?
37:15Of course not.
37:17But, Mr. Hamamura,
37:19I was born in the 10th century.
37:21So, the moment Japan lost the war,
37:23American culture came into the country.
37:27At that time,
37:29I didn't have a lot of luck.
37:31Especially in Osaka.
37:33But, when it comes to American culture,
37:35jazz is the representative.
37:37From A to Z,
37:39it was the era of jazz.
37:41I just fell in love with it.
37:43So, you learned a lot
37:45from the critics.
37:47That's right.
37:49Even now,
37:51I'm doing a jazz program.
37:53Are you doing a radio program?
37:55Yes, I'm doing a radio program.
37:57I'm so happy
37:59that I can do
38:01what I want to do
38:03until that age.
38:05That's right.
38:07Actually, I want to write
38:09that it's hard,
38:11but I'm happy
38:13that I can do it
38:15for the sake of Japan.
38:17It's been 50 years since
38:19you came to Japan.
38:21You came here
38:23on Saturday for the first time last year.
38:25That's right.
38:27Saturday and Sunday.
38:29That's right.
38:31But,
38:33it's been a week
38:35since you came here.
38:37I have to get ready.
38:39I see.
38:41It's a little easier now.
38:43I don't have to watch movies.
38:45You've been at home
38:47for a long time.
38:49That's right.
38:51But, I like it,
38:53so I don't mind.
38:55Is there anything
38:57that you started
38:59after a while?
39:01No.
39:03I still watch movies.
39:05You still watch movies.
39:07But, I feel lonely
39:09when I watch movies.
39:11I see.
39:13When I go to a movie theater
39:15there are three or five people
39:17there.
39:19A movie theater?
39:21I see.
39:23I'm looking for a love letter
39:25for the 35th anniversary.
39:27Do you want to go to a movie theater?
39:29I don't feel lonely when I watch a movie.
39:31I'm glad I watched it.
39:33I'm glad I paid
39:351,500 yen or 2,000 yen.
39:37I want many people to come.
39:39You talked on the radio
39:41for about 40 minutes.
39:43Can you tell me
39:45about your love letter
39:47for the 35th anniversary?
39:49I'm asking you because
39:51I have a request.
39:53Do you remember
39:55the last scene
39:57when it snowed?
39:59Yes, I remember.
40:01You were chasing snow.
40:03Yes, I remember.
40:05You were chasing snow.
40:07Yes, I remember.
40:09You were chasing snow.
40:11There is no famous sushi restaurant
40:13in Nara.
40:15Really?
40:17There was a famous
40:19sushi restaurant
40:21called Tsushitsune.
40:23I remember that scene.
40:25Mr. Sasano came running
40:27and told me to wait.
40:29He hired me
40:31even though I didn't have a job.
40:33He said,
40:35even if you don't have a job,
40:37you can still make a living.
40:39He said,
40:41it would take 3 hours
40:43to deliver the order.
40:45I couldn't read the letters.
40:47I couldn't read the name of the town
40:49or the address of the restaurant.
40:51That's true.
40:53He said,
40:55even if you don't read the letters,
40:57you can still make a living.
40:59That's a good line.
41:01I finally understood that.
41:03My wife,
41:05who plays Tomoya,
41:07got married to me.
41:09That's true.
41:11It's written in the love letter.
41:13At that time,
41:15the best typewriters
41:17were hired.
41:19At that time,
41:21the best typewriters
41:23were
41:25the office ladies.
41:27The elevator girls.
41:29The elevator girls.
41:31The tour guides.
41:33The tour guides.
41:35My wife was the best.
41:37My wife was the best.
41:39She is still healthy.
41:41She is a wonderful person.
41:43She is a wonderful person.
41:45I had a hard time
41:47in that movie.
41:49I couldn't remember the lines.
41:51I couldn't remember the lines.
41:53Why do you understand so much?
41:55When I got the love letter
41:57from Mr. Tsurumi,
41:59it said,
42:01it said,
42:03and it said,
42:05and it said,
42:15But I remember it now.
42:19That's an important scene.
42:21That's an important scene.
42:23What happened when it said,
42:25I don't know if I remember it.
42:27I don't know if I remember it.
42:29I don't know if I remember it.
42:31I was like, this isn't right, this isn't right, this isn't right.
42:35He wasn't moved at all.
42:37I was shocked, too.
42:39I was like, he put so much thought into it,
42:41but it ended up being a failure.
42:43Then I realized later on.
42:45You realize how hard it is
42:47to be happy.
42:49That's right.
42:51The other day, at the Lion's Club,
42:53I spent 40 minutes introducing him.
42:55He's so kind.
42:57Mr. Hamamura.
42:59The people there were crying.
43:03I'm sure they were.
43:05Mr. Hamamura's story is so interesting,
43:07what if we don't get to see the movie?
43:09No, that's fine.
43:11I'll skip all the important parts.
43:13You're really going to skip them, right?
43:21Have you ever wanted to make a movie?
43:23Yes, I have.
43:25Please do it now.
43:27I don't have enough funds.
43:29Mr. Tsurube will pay for it.
43:33You said it so easily.
43:35Mr. Hamamura accepted it.
43:37I'll be the publicity director.
43:39Everyone, everyone, everyone.
43:43I think it'd be interesting if we get to see it.
43:45I think it'd be interesting.
43:47I want to make an interesting movie.
43:49And Mr. Hamamura will be the narrator.
43:51Yes, I'll be the narrator.
43:53Isn't that amazing?
43:55Are you going to make a silent movie?
43:57Shut up!
43:59I'll tell you what I think from now on.
44:01That's interesting.
44:03That's why you're making a silent movie now.
44:05I still make silent movies in Osaka.
44:07Do you?
44:09No, I don't.
44:11Mr. Kumiko Oomori.
44:13He was a speech therapist
44:15at the University of Taifu.
44:17He was a speech therapist?
44:19I often make silent movies.
44:21I'm doing it with the name of
44:23the beloved Aoi Obasawa of Suzan.
44:25It's an oligo.
44:27That's interesting.
44:29You're making a silent movie?
44:31I used to work at the Aoi cinema in Akasaka.
44:33I used to work at the Aoi cinema in Akasaka.
44:35There was a speech therapist
44:37named Toshio Fukuhara.
44:39He never spoke in a speech.
44:41He never spoke in a speech.
44:43He never spoke in a speech.
44:45It's rare.
44:47He spoke normally.
44:49But a college student
44:51put a stick in his chest
44:53and went out of the theater.
44:55But a college student put a stick in his chest and went out of the theater.
44:57He was angry.
44:59He wasn't reliable.
45:01He lacked energy.
45:03He looked like little bad boy.
45:05And smelly.
45:07When he was making
45:09that movie,
45:11everyone was angry
45:13because they wondered
45:15where was he going.
45:17It's new, isn't it?
45:19Yes, it is.
45:21The audience said,
45:23your voice is unreliable.
45:25It's like the voice you hear in a dream.
45:27It's unreliable.
45:29That's why I named it
45:31Musei.
45:33Tokugawa Musei.
45:35It's amazing.
45:37It's interesting.
45:39The movie theater I was in
45:41was called Aoi in Akasaka.
45:43Aoi was always
45:45the head of the Tokugawa family.
45:47That's why I named it
45:49Tokugawa Musei.
45:51It was a piece of cake,
45:53but it's wonderful.
45:55I'm glad you liked it.
45:59There was a quiz
46:01on MBS TV.
46:03Yes, there was.
46:05The first host was
46:07Koike Anagusa.
46:09With Sasaki Mie.
46:11Tokugawa Musei was the guest.
46:13Koike Anagusa asked him,
46:15Musei,
46:17you are said to be
46:19a master of Maotoru.
46:21What is Maotoru?
46:23Musei said,
46:25I see.
46:27After two minutes,
46:29or three minutes,
46:31it was a live broadcast.
46:33It was a live broadcast accident.
46:35That's the hard part
46:37of being a host.
46:39I was praying,
46:41and after a while,
46:43Musei said,
46:45I'm home.
46:47That's the real thing.
46:49That's great.
46:51Koike said,
46:53I'll kill you someday.
46:55He didn't know
46:57how hard it was.
46:59I'll kill you someday.
47:01Stop it.
47:03I'll keep it down.
47:05But Koike said,
47:07I'll kill you someday.
47:09But Koike said,
47:11Musei,
47:13I want you to know
47:15how hard it is to be a host.
47:17Please continue
47:19to introduce
47:21good old songs
47:23and movies.
47:25There are a lot of good things
47:27in the Showa period.
47:29The words are very beautiful
47:31and easy to understand.
47:33There is Misora,
47:35and Misora's story will be
47:37in the Showa period.
47:39It's time.
47:41Mr. Hamamura,
47:43how did you feel
47:45today?
47:47It wasn't a hard day.
47:49It was a happy day.
47:51I'm glad.
47:55Please watch the 35th Love Letter.
47:57It's gentle.
47:59Please remember this scene.
48:01It's not hard.
48:03It's a happy day.
48:05The director wrote all the script.
48:07It's a happy day.
48:09It's a happy day.
48:11It's a happy day.
48:13I was surprised.
48:19Finally,
48:21a great senior in the Showa period.
48:23Life words from Mr. Jun Hamamura.
48:25Life words from Mr. Jun Hamamura.
48:27Life words from Mr. Jun Hamamura.
48:29Don't ever
48:31regret love.
48:33I'm Jun Hamamura.
48:35I'm Jun Hamamura.
48:37I'm Jun Hamamura.
48:39I'm Jun Hamamura.
48:41Next time,
48:43Nara's Yoshinoe.
48:45A friend from Agawa,
48:47Mr. Kumida Kawaki.
48:49I don't think
48:51it's that hard.
48:53The end of the filming.
48:55We're going to talk about a lot of things,
48:57but we have to ask about the law.
48:59Who's going to ask?
49:01Who's going to ask?
49:03I don't know.