素っ頓狂な夜 2025年2月26日 笑福亭鶴瓶とリリー・フランキーによる台本なしのフリートーク番組！ #5
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00:30Thank you very much.
00:37He is different from the last time.
00:41He went to Hawaii.
00:43At the end of the year?
00:45Yes, from the end of the year to the 11th.
00:48He was with my wife.
00:51Why are you angry?
00:53No, I think it's good.
00:55Why is he talking for so long?
00:57I think he is talking for a long time.
00:59He has been working very hard.
01:01He has been at home for a long time.
01:05He has been in the hotel for a long time?
01:08Yes, it's his house.
01:10What?
01:11He has a house in Waiha?
01:15It was a long time ago.
01:16I bought a house in 1954.
01:18What?
01:20I don't know if I can say this age.
01:23I was working in Osaka for a long time.
01:26I had a house in Osaka.
01:29I didn't plan to have a house in Tokyo.
01:33So I went to my favorite place in Osaka.
01:36I bought a house in Hawaii in 1954.
01:42After that,
01:44Why are you angry?
01:46No, I think it's good.
01:49I don't know if I can say this age.
01:52I bought a house.
01:54After that, my children grew up.
01:57I bought a condominium a long time ago.
02:01It's a so-called apartment.
02:04I finally decided that this place was good.
02:07It's a house, so it's a house here.
02:10It's like a house over there.
02:12But you don't have to go into the sea.
02:14That's right.
02:16So you live in your house.
02:17Yes, I live in my house.
02:18Isn't that in Osaka?
02:20Is it on the river?
02:22It feels like a vacation.
02:25It's a vacation.
02:27The sun is different.
02:31Is that what you want?
02:34I want to bathe in the light of the South Pole.
02:37It's always cloudy over there.
02:43It's not cloudy.
02:45Don't you go to Hawaii?
02:46Hawaii doesn't suit you at all.
02:48I've been there once.
02:51My mother, my mother's brother, and my mother got cancer.
02:57We decided to go to Hawaii to make memories.
03:02My mother, my mother's brother, my mother-in-law, my mother-in-law, five people, and me.
03:08I think I was in my thirties when I went to Hawaii with my mother-in-law.
03:19I was in Japan, so I was having a meeting with everyone.
03:26As soon as I arrived, I put my luggage down and went to make Moomoo.
03:30I want to wear the finished one again.
03:33Then, without my mother-in-law, everyone came home wearing Moomoo.
03:39I don't know who taught me, but I was told that there was a way to wear it.
03:44I was told that I had to wear it with no panties and no bra.
03:49I've been in Hawaii all the time.
03:51My mother and my mother-in-law have been around me with no panties and no bra.
03:56It's dirty.
03:59I said the same thing at that time.
04:02But that's what Japanese people say.
04:04When you wear a kimono, you have to wear no panties.
04:07It's no panties and no bra.
04:11That's what they say.
04:12By the way, you said no panties and no bra.
04:17I want you to wear underwear under your kimono.
04:22I don't care if I wear it or not.
04:24If there's a rule that says no panties, I don't care if it's no panties.
04:28I also design underwear.
04:31Wait a minute.
04:33Why are you making such a fuss?
04:35I think I know a lot about underwear.
04:40From the point of view of underwear design,
04:43I'd like to see the extremity of the yo in the kimono.
04:47I'd like to see the extremity of the yo coming out of the yo.
04:53I understand.
04:55What kind of underwear is it depending on the underwear?
05:00It's too obvious to be a zurosu coming out of the yo.
05:04It's better to be a little T-shaped from the yo.
05:09What?
05:10It's a Japanese-style underwear.
05:13It's a Japanese-style underwear.
05:15It's a strange story if I say it out loud,
05:18but it's a story about a couple who don't know what to do with their kimono.
05:24They're going around in a circle.
05:28They're going around in a circle, and when T comes out, they stand like this.
05:32What do you think?
05:33What do you think?
05:36T.
05:37I don't like T-bags.
05:40Why?
05:41T-bags.
05:42T-bags.
05:44T-bags.
05:45T-bags.
05:47I don't like them.
05:49I don't like normal underwear.
05:51I don't like T-bags.
05:53You don't like them?
05:54No, I don't like them.
05:55So you prefer people who wear plain underwear?
05:58I prefer that.
06:00But T-bags aren't that special.
06:03Like you, Mr. Bei,
06:05if you wear something like that,
06:07it doesn't make you look like you're having fun.
06:10I've said this many times,
06:12but when you imitate me,
06:14you go like this.
06:16If you say T,
06:18it's like you're playing around.
06:20What are you imitating?
06:22No, no, no.
06:24What I don't like is the butt.
06:27That's a good point.
06:28No, no, no.
06:29That's a good point.
06:31You're conservative.
06:33Yes, I am.
06:34I'm conservative.
06:36I don't hate it that much.
06:38How about this?
06:40There's a trend now
06:42to wear a striped T-bag.
06:44Women wear a striped T-bag.
06:46No, no, no.
06:48No, no, no.
06:49Why do you care?
06:51That's an important point.
06:53Right?
06:54That's when I was naked.
07:00You don't have to protect me anymore.
07:03Why do you have to wear a striped T-bag?
07:06What are you going to do with it?
07:08I'd rather be naked than wear a striped T-bag.
07:11I'd rather be naked than wear a striped T-bag.
07:13I'd rather be naked than wear a striped T-bag.
07:15I talked to Mr. Tamo about the striped T-bag.
07:18When he was in love with the garden in Kyoto,
07:21he said,
07:22everything about me looked like a garden.
07:25He said,
07:26he liked a striped T-bag.
07:28He said,
07:29he was a Neo-Dadaism.
07:31He was against design.
07:33I asked him what he thought.
07:36He said,
07:37there was a garden in Kyoto.
07:39There was a single branch in a place
07:41where there was nothing.
07:43He wanted a single long one
07:45in a smooth place.
07:47That's a good apology.
07:50It's a waste of money.
07:52You can take it off.
07:54I like a striped T-bag.
07:56I don't like a striped T-bag.
07:58I don't like a striped T-bag.
08:00I don't like a striped T-bag.
08:02I don't like a striped T-bag.
08:04I don't like a striped T-bag.
08:06I don't like a striped T-bag.
08:08I don't like a striped T-bag.
08:10I don't like a striped T-bag.
08:12I don't like a striped T-bag.
08:14I don't like a striped T-bag.
08:16I don't like a striped T-bag.
08:18I don't like a striped T-bag.
08:20I don't like a striped T-bag.
08:22I don't like a striped T-bag.
08:24Mr. Okibayashi
08:26wrote down the sound of a dead body.
08:28So if you're not careful,
08:30you might miss a lot of things.
08:32That's what I mean.
08:34I get it.
08:35You're still shooting in a sanitary way.
08:39I see.
08:41On your sleeve,
08:43you're looking at a small piece of paper.
08:47You're looking at a small piece of paper.
08:51What is that?
08:53What are you looking at?
08:55I can't do long things.
08:57I can't do long things.
08:59It's like a diary.
09:01Do you want to see it?
09:03I've been doing this since the era of Papepo.
09:07Moka Kamishirashi said that.
09:09Yes, yes, yes.
09:11When Tsurube-san was in A-Studio,
09:13he said,
09:15I'm doing it now because I've seen it once.
09:17I said,
09:19A-Studio doesn't do that.
09:21This is it.
09:23This is it.
09:25That's why I'm checking
09:27what I've talked about
09:29so that I don't talk about the same thing.
09:31That's true.
09:33And I can't read such a small character.
09:35I'm writing it,
09:37so I can't read it at all.
09:39But I can read anything.
09:41It's a valuable part.
09:43I've been doing this since a long time ago.
09:45When I talk, I talk like this.
09:47I talk about what would happen if I did this.
09:49I don't put any effort into it.
09:53I say what I want to say,
09:55but I'm planning
09:57what I'm going to say.
09:59Really?
10:01Yes, yes, yes.
10:03You can read it.
10:05I don't say what I want to say.
10:07How about this?
10:09You're toasting to your family, right?
10:11Yes, yes, yes.
10:13I heard a rumor
10:15that Tsurube-san
10:17is coming to Kyoto.
10:19Villagers are coming.
10:21It's not limited to the village,
10:23but it's not only in Hekichi.
10:25I've never been to Hekichi.
10:27I'm toasting to my family.
10:29It's interesting.
10:31People are coming.
10:33There was an old man
10:35who came to Kyoto later.
10:37The person who came earlier
10:39said,
10:41I saw him.
10:43I knew right away.
10:45I told him I had a story
10:47about him for two years.
10:49He said,
10:51I heard a rumor that he was a gossip.
10:53I was in the story.
10:55That's amazing.
10:57That's a great story.
10:59It's shocking.
11:01I was more surprised
11:03by the old man
11:05who came later.
11:07I was like, what?
11:09I heard a rumor
11:11that the old man was a gossip.
11:13I heard a rumor
11:15that the old man was a gossip.
11:17I understand.
11:19The old man seems to be a gossiper.
11:21If he's coming to the village,
11:23he must be a gossiper.
11:25I don't like to say this,
11:27but there are
11:29many people who are a gossiper.
11:31I don't want to be a gossiper.
11:33I understand how you feel.
11:35I'm toasting to my family.
11:37I haven't decided anything.
11:39When I go to a place
11:41that I don't know at all,
11:43I go in without knowing anything.
11:45When I went to Kanazawa before,
11:47there were two people
11:49named Boso
11:51and Stjadlapar.
11:53I didn't know Kanazawa at all.
11:55By chance, we met at an art museum.
11:57We decided to go somewhere.
11:59You know a lot about
12:01folk songs, don't you?
12:03I like it.
12:05The name of the folk cafe
12:07is Puka Puka.
12:09It's located in Nishioka-kyozo.
12:11It's called Puka Puka.
12:13Yes.
12:15The building is old.
12:17The interior is old.
12:19It's been decades.
12:21There was an old man.
12:23He said,
12:25this is the first time
12:27I've seen your face.
12:29But he was a rapper.
12:31We were drinking tea.
12:33He said,
12:35why don't you sing a song?
12:37But in a place like this,
12:39even if you do that,
12:41people will definitely say,
12:43you don't know anything.
12:45The name is Puka Puka.
12:47A college student came in later.
12:49He said,
12:51let's sing a song.
12:53The young people
12:55started doing something.
12:57It was Sazan.
12:59What?
13:01They went around for weeks
13:03and finally
13:05got here.
13:07The master said,
13:09after a few weeks,
13:11the Sazan in Puka Puka
13:13is funny.
13:15It's getting
13:17more and more difficult.
13:19Even if it's a student folk,
13:21are you still
13:23doing that?
13:25I see.
13:27So I said,
13:29let's sing a song.
13:31There's a way
13:33to say it.
13:35Mr. Takuro Yoshida.
13:37When I got home,
13:39I asked him
13:41how many years
13:43he had been doing this.
13:45He said,
13:47since last year.
13:49Kanazawa is a place
13:51with a long history.
13:53Puka Puka is a place
13:55where his father was oppressive.
13:57Since last year?
13:59Since last year,
14:01there's a way
14:03to say it.
14:05But you can't be
14:07underestimated.
14:09That's why
14:11I wanted to sing
14:13Sube Sazan.
14:15It's an amazing place.
14:17Do you still do it?
14:19I think so.
14:21Even if I did,
14:23it was more than 10 years ago.
14:25More than 10 years ago.
14:27I see.
14:29Mr. Sugitaro Tamabukuro
14:31was a snack critic.
14:33He was a snack critic?
14:35Yes, he was.
14:37He told me
14:39how to find a snack.
14:41It's hard to find a snack
14:43just by looking outside.
14:45So I opened the door
14:47and waited for him.
14:49Then I went in.
14:51When I was singing a song,
14:53I looked at the curtain.
14:55I looked at the history of the curtain
14:57and I found the song.
14:59You have to pick a song
15:01that's different from the song
15:03that you usually sing.
15:05That's how you know
15:07if it's a good song.
15:09So next time,
15:11you can look at the history
15:13of karaoke boxes.
15:15You can see the history
15:17of this place.
15:19Tamabukuro has been doing that
15:21for a long time.
15:23If you know the history,
15:25you can look at the history.
15:27But I've never been
15:29a snack critic.
15:31I don't think you do karaoke.
15:33No, I don't do karaoke.
15:35If you had to sing,
15:37what would you sing?
15:39Sake to Namida to Otoku to Onna.
15:41Kawashima Eigo.
15:43Eigo was always with me.
15:45He was always with me
15:47when I was alive.
15:49He told me to sing a song
15:51that I want to forget.
15:53Doushiyoumonai
15:55Kanashisa ga
15:57Tsutsumareta
15:59Why do you think that's better?
16:01Kanashisa was the wrong lyrics.
16:03It was smooth.
16:05That's better.
16:07But it's a little low.
16:09No, it's much lower.
16:11Much lower, right?
16:13Much lower.
16:15It's much lower, right?
16:17It's being attacked.
16:19I thought it was a little higher.
16:21I was conscious of it,
16:23but when I thought about it,
16:25it was much lower.
16:27I'm probably one turn
16:29from you.
16:31You're a rabbit.
16:33I'm one turn
16:35from you.
16:37My one turn
16:39is Mitsumangurobe
16:41and Uchida Yukichan.
16:43Mitsumangurobe is two turns
16:45from you.
16:47My one turn
16:49is from you.
16:51The other one
16:53is from Hashimoto Kanna.
16:55How do you know that much?
16:57I'm curious about
16:59the rabbit.
17:01Hashimoto Kanna
17:03is four turns from you.
17:05When Hashimoto Kanna
17:07was 20 years old,
17:09we drank together.
17:11He asked me if I was 20 years old.
17:13But he said
17:15three turns from me
17:17and I was old enough
17:19to drink with him.
17:23I can drink
17:25four turns from you.
17:27But I don't think
17:29Hashimoto Kanna
17:31is that old.
17:33The way he looks at me
17:35is like
17:37he's been in the NHK for 15 years.
17:39It's amazing.
17:43I was impressed
17:45when you said
17:47you were impressed.
17:49I was impressed, too.
17:51I was the only one
17:53who did it.
17:55Did you do it in the NHK?
17:57Of course.
17:59Why did you do it
18:01somewhere else?
18:03Did you do it
18:05in Osaka?
18:07No.
18:09I did it with
18:11Ito Saori last year.
18:13You did it with Ito Saori.
18:15I heard
18:17you read books
18:19in a singing program.
18:21I didn't do it at all.
18:23I told him
18:25I didn't have a script.
18:27He said,
18:29don't read it.
18:31If you don't read it,
18:33you won't do it.
18:35Did you do it the following year?
18:37I didn't.
18:39It was a good song.
18:41It was a good song.
18:43Don't say
18:45I did it.
18:47What are you talking about?
18:49I really like
18:51impersonating imperfections
18:53in front of people.
18:55It's fun.
18:57I was wondering
18:59what the magic cap is.
19:01What is it?
19:03It's a magic cap.
19:05It's a magic pen.
19:07You can't
19:09get rid of
19:11one magic cap.
19:13You can't get rid of it.
19:15You can't find it anywhere.
19:17You can't get rid of it.
19:19There are so many.
19:21Why is that?
19:23It's like an episode
19:25of Nogizaka46.
19:27You can't get rid of
19:29one magic cap.
19:31Why did you
19:33write it here?
19:35I wrote it
19:37as an episode.
19:39It's weak and cute.
19:41It's too cute.
19:43I wrote it
19:45because I was angry.
19:47It's up to me.
19:49Right?
19:51You didn't
19:53put it in the trash.
19:55I wrote it
19:57by myself.
19:59I thought it would be good
20:01if I put it in the trash.
20:03You put in a lot of effort.
20:05You put in a lot of effort.
20:07You didn't put it in.
20:09I didn't put it in
20:11because I didn't want to.
20:17It's not good
20:19to be the manager of a virgin.
20:21A virgin doesn't
20:23look like a manager.
20:25I heard
20:27a video of
20:29a virgin's
20:31choir.
20:33Can I watch it?
20:35Only the song.
20:37A group of virgins
20:39sing a song.
20:41There's a group of virgins
20:43that only virgins can join.
20:45The song that
20:47virgins don't sing
20:49is called
20:51Time to say goodbye.
21:03The song that
21:05virgins don't sing
21:07is called
21:09Time to say
21:11goodbye.
21:29I will be a parent soon
21:31I
21:50Was over there
22:01See me in the clouds one day
22:05The Chairman of the Bridesmaids club is not good.
22:08The chairman of the Bridesmaids club is not good.
22:11Miami amore
22:14Ottoliviero
22:17Miami amore
22:22See me in the clouds one day
22:31Oh, that's nice.
22:32You want me to collect them and sing for you?
22:35Yes, yes, yes.
22:36And then, you know, Doatama...
22:37Doatama...
22:38Oh, that's good.
22:39Don't you think so?
22:40There's this one guy named Gioniku who's really good at it.
22:43He's the one who broke up with his partner recently.
22:46All he's got left is a bunch of losers.
22:49I don't know.
22:50I don't know.
22:51I don't know.
22:52I don't know.
22:53I don't know.
22:54I don't know.
22:55I don't know.
22:56I don't know.
22:57I don't know.
22:58I don't know.
22:59I don't know.
23:01Why didn't he tell you that he lost a virgin?
23:05Why didn't you tell him?
23:07Well, that's really...
23:09Well, I have a duty to report, so...
23:12And Gioniku's mother also wrote that he lost his virginity.
23:16What?!
23:19So, I'm really looking for a virgin now.
23:22There are certain frequencies that you can't get unless you're a virgin.
23:28Hmm...
23:29If there is one, I'd like to see Kyoshu.
23:57That's all for now.
23:59For more information, please visit the program's website.