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00:00:00Thank you very much.
00:00:30Thank you very much.
00:01:00Thank you very much.
00:01:30Thank you very much.
00:02:00Thank you very much.
00:02:30Thank you very much.
00:03:01We had a quarrel.
00:03:04Damn her! She even took what I had.
00:03:07Try to hold out. We'll find some for sure.
00:03:11Please hold out. Please.
00:03:14Go now.
00:03:16Okay. Later. Okay.
00:03:19Goodbye.
00:03:30Goodbye.
00:03:59Oh, your scarf.
00:04:01Thanks. Goodbye.
00:04:29Goodbye.
00:04:55Goodbye.
00:05:25Goodbye.
00:05:38Help me!
00:05:43Jack!
00:05:46No!
00:05:48No!
00:05:50No!
00:05:52Jack!
00:05:54No!
00:05:56No!
00:05:57No!
00:06:00No!
00:06:29No!
00:06:58It seems to have come off again.
00:07:01Want me to fix it?
00:07:03No.
00:07:04No, not today.
00:07:05You can do it tomorrow.
00:07:33Listen, Isabella hasn't turned up again.
00:07:52I don't know what to do with that girl. This is the third time.
00:07:55All I suggest is a penalty. Make her pay a fine.
00:07:59It's all very well. The next time she does it, I'm going to fire her.
00:08:17Good night, madame.
00:08:18Good night.
00:08:22Nicole, look at this dress.
00:08:26I wish you'd take care of the things you wear. Tomorrow's the show. Now look at this.
00:08:30Yes, madame, I'm sorry.
00:08:31Yes, you are sorry, especially when it's time to leave.
00:08:34You have absolutely no mind for anything else.
00:08:38What does she expect? I'm not in mourning like her.
00:08:40Poor thing. She hasn't been the same since her husband died.
00:08:52No!
00:09:23How long were the lights out?
00:09:26About ten minutes.
00:09:28How long has the girl worked for you?
00:09:31About two years.
00:09:33Well.
00:09:35What was she like?
00:09:38She was rather lively.
00:09:41Perhaps lacking discipline. Nothing seriously wrong with her.
00:09:45Did she have many friends?
00:09:49Well, inspector, I'm afraid I can't be of much help to you.
00:09:52I suggest you ask the two girls who lived with her.
00:10:20Inspector Sylvester, Countess Christina Como, the owner of our salon.
00:10:26Good morning.
00:10:27Good morning.
00:10:29But we've already met, haven't we?
00:10:33Oh, yes, yes, I think so.
00:10:37After my husband's death.
00:10:40I remember.
00:10:42The car accident.
00:10:46You certainly can help me.
00:10:48You surely know everything about these girls.
00:10:51Inspector, I don't run a boarding school.
00:10:54When the girls finish here, they're free to go and do as they please.
00:10:59Well, I'll be in the studio.
00:11:02If you'll excuse me.
00:11:04Please.
00:11:16Oh.
00:11:30You say you went outside to repair the metal sign. At what time was it?
00:11:34About seven.
00:11:36Madame Christina complained that the noise got on the nerves.
00:11:39So I went out and I put up the sign again.
00:11:42But I came back inside at once.
00:11:43Mr. Marlin.
00:11:44I demand an explanation.
00:11:47I hardly put my foot inside the gate.
00:11:49When these two grabbed a hold of me.
00:11:51Ask the inspector.
00:11:52Inspector?
00:11:53Calm down and tell me why you're here.
00:11:55Allow me.
00:11:56Marquis Richard Murrell of Castle Fry.
00:11:58All right, all right. Now answer my question.
00:12:00He's here to see me. He's my fiance.
00:12:05Why are you laughing?
00:12:07Because I live with him.
00:12:09Did you know Isabella?
00:12:11Isabella?
00:12:13You introduced me to her.
00:12:15Didn't you?
00:12:17Yes, I can say I knew her.
00:12:19Only slightly, though.
00:12:20Only slightly.
00:12:32Well, you seem to be the only one who cares.
00:12:35They were close friends.
00:12:37The three of you lived together?
00:12:39Yes, entirely.
00:12:40What was she like?
00:12:41Tell me who your friend went out with.
00:12:43I don't know. I don't know.
00:12:45Leave her alone.
00:12:46Everybody knows who Isabella's lover was.
00:12:49Who are you?
00:12:50Cicero.
00:12:51I'm a dress designer.
00:12:53What about the other name?
00:12:54Which?
00:12:55The name of this lover.
00:12:56Ascalo.
00:12:57Frank Scalo.
00:12:58The antique dealer.
00:13:04Police.
00:13:05Tell me where is the inspector.
00:13:06In there.
00:13:11Would you excuse me for a moment?
00:13:17They confirm.
00:13:20Drugs.
00:13:22I see.
00:13:23Yes, sir.
00:13:32So...
00:13:35What kind of a relationship do you have with Isabella?
00:13:39What kind of a relationship was there with Isabella and you?
00:13:44We were just friends.
00:13:46Or lovers.
00:13:50Well, I hope it doesn't become scandalized if I tell you.
00:13:53I don't believe in permanent, exclusive relationships.
00:13:57I see. I see.
00:14:03Ever seen it before?
00:14:06No.
00:14:07I don't know.
00:14:09What is it?
00:14:11Cocaine.
00:14:13It was found in your friend Isabella's house.
00:14:18Isabella?
00:14:20You knew nothing about it?
00:14:22No.
00:14:24Never mind.
00:14:27However, I must ask you to remain at my disposal.
00:14:31I'll see you later.
00:14:36I'll see you later.
00:14:49Turn around.
00:14:51All right, you can go. Hurry.
00:14:58Well, Caesar, what is it?
00:15:00This should have been worn by poor Isabella.
00:15:02Yes, of course.
00:15:03Who shall I give it to?
00:15:04Well, let me see.
00:15:05Oh, Peggy, look.
00:15:06Here.
00:15:07Please, no, not me. No, no, please.
00:15:08Oh, for heaven's sake, stop that. You're going to ruin your makeup.
00:15:12Greta, you model it.
00:15:13Oh, no, I don't think I should wear it.
00:15:15Look, don't be so silly.
00:15:16It carries bad luck, I'm sure.
00:15:17But, girl, someone's got to model it.
00:15:19I'll wear the dress.
00:15:20All right, now, come on.
00:15:22What a cynic.
00:15:23She doesn't believe in anything.
00:15:26That's all right, you can go.
00:15:34I love you, too.
00:16:05Turn around.
00:16:06Walk.
00:16:08All right.
00:16:12Wait.
00:16:14There's something missing.
00:16:17The brooch.
00:16:18The brooch goes there.
00:16:19We'll soon put it right.
00:16:20Where is it?
00:16:21Well, it was Isabella's own.
00:16:23Wait a minute, she kept it in one of the boxes.
00:16:25Let's look for it.
00:16:27Here it is.
00:16:36Hey.
00:16:38Look at this.
00:16:40Isabella kept a diary.
00:16:49This is a gold one.
00:16:51And a silver one.
00:16:53This is a gold mine.
00:16:54Listen.
00:16:55He is a man that awakens such deep feelings in me
00:16:58that afterwards I feel limp.
00:17:01Empty.
00:17:02Let me see.
00:17:04I don't think we should.
00:17:06Come on, are you crazy?
00:17:08This is hardly the moment.
00:17:09Be off with you.
00:17:10Go on.
00:17:11Go on and change.
00:17:16This, you know, should be handed to the police.
00:17:19I found it.
00:17:20If you don't mind,
00:17:21I would like to give it to the police tomorrow.
00:17:26As you wish.
00:18:51Hello?
00:18:52Hello, Frank?
00:18:54Why haven't you come?
00:18:55I'm just leaving.
00:18:57But I don't feel well.
00:18:59I understand.
00:19:01Come out here.
00:19:02I've got some...
00:19:04Listen, Frank.
00:19:06I have found a diary.
00:19:08Isabella's diary.
00:19:10A diary?
00:19:12Who else knows?
00:19:15Isabella's diary.
00:19:17Isabella's diary.
00:19:18Who else knows?
00:19:20Everyone was looking.
00:19:22I didn't realize that there might be something about you in it.
00:19:25By the way,
00:19:26I said that I would give it to the police tomorrow.
00:19:29Good.
00:19:30That gives us time to look through it.
00:19:32I'll be right over.
00:19:34But you are terribly ill, Frank.
00:19:38Frank?
00:19:39Can you hear me?
00:19:41Nicole.
00:19:42I can hardly breathe.
00:19:44If you've got some, I'll feel better.
00:19:46Goodbye.
00:19:48Goodbye.
00:19:54Hurry up, girls.
00:19:55Greta, you're next.
00:19:58Everything all right, Marco?
00:19:59Yes, madam.
00:20:00Good.
00:20:06Well, Caesar, where have you been?
00:20:07Right here.
00:20:08Well, then send them in.
00:20:09Do I have to do everything myself?
00:20:11Nicole.
00:20:13You're wanted on the phone.
00:20:14Me?
00:20:15Yes, you.
00:20:21Hello?
00:20:22Hello.
00:20:23Is that you, Nicole?
00:20:24Yes.
00:20:25Who's speaking?
00:20:26Frank.
00:20:27I can't make it.
00:20:29I feel too bad.
00:20:31You come here, please.
00:20:32I feel like I'm suffocating.
00:20:34How can I come now?
00:20:36I'm afraid I can't.
00:20:37Please.
00:20:38I feel like I'm suffocating.
00:20:39How can I come now?
00:20:42Well, I will do my best.
00:20:45I will come right away.
00:20:51All right, hurry up, hurry up.
00:20:54Frank feels bad.
00:20:55He needs me.
00:20:56I'll have to go over.
00:20:57I can't wait anymore.
00:20:58Please, lend me your car.
00:21:00How are you going to get away?
00:21:01We're right in the middle of a show.
00:21:02Who cares?
00:21:03Please give me your keys, but don't let anyone see you.
00:21:08Peggy.
00:21:10What are you doing?
00:21:11Nothing.
00:21:12I was looking for a handkerchief.
00:21:19Be careful.
00:21:20Berglam is in the glove compartment, right at the back.
00:21:22Sure.
00:21:24Cover me.
00:21:37What are you doing?
00:21:38Cover me.
00:21:39What are you doing?
00:21:40Cover me.
00:21:41What are you doing?
00:21:42Cover me.
00:21:43What are you doing?
00:21:44Cover me.
00:21:45What are you doing?
00:21:46Cover me.
00:21:47What are you doing?
00:21:48Cover me.
00:21:49What are you doing?
00:21:50Cover me.
00:21:51What are you doing?
00:21:52Cover me.
00:21:53What are you doing?
00:21:54Cover me.
00:21:55What are you doing?
00:21:56Cover me.
00:21:57What are you doing?
00:21:58Cover me.
00:21:59What are you doing?
00:22:00Cover me.
00:22:01What are you doing?
00:22:02Cover me.
00:22:03What are you doing?
00:22:04Cover me.
00:22:05What are you doing?
00:22:07Cover me.
00:22:19Frank?
00:22:36Frank?
00:23:06Frank?
00:23:07Frank?
00:23:14Frank?
00:23:16Frank?
00:23:36Frank.
00:23:40Frank.
00:24:06Frank.
00:24:36Frank.
00:25:06Frank.
00:25:36Frank.
00:26:06Frank.
00:26:14Frank.
00:26:17Frank.
00:26:19Frank.
00:26:21Frank.
00:26:36Frank.
00:26:39Frank.
00:26:41Frank.
00:27:06Frank.
00:27:08Frank.
00:27:10Frank.
00:27:12Frank.
00:27:14Frank.
00:27:16Frank.
00:27:18Frank.
00:27:20Frank.
00:27:22Frank.
00:27:24Frank.
00:27:26Frank.
00:27:28Frank.
00:27:30Frank.
00:27:32Frank.
00:27:34Frank.
00:27:36Frank.
00:27:38Frank.
00:27:40Frank.
00:27:42Frank.
00:27:44Frank.
00:27:46Frank.
00:27:48Frank.
00:27:50Frank.
00:27:52Frank.
00:27:54Frank.
00:27:56Frank.
00:27:58Frank.
00:28:00Frank.
00:28:02Frank.
00:28:16Have a good time, but don't come on too late, please.
00:28:18Good night.
00:28:26Peggy.
00:28:28Marco.
00:28:29Why did you get out?
00:28:30I wanted to keep you company till Nicole gets in.
00:28:35Aren't you afraid in there alone?
00:28:38Well, to tell the truth, I'm awfully tired.
00:28:40I want to go to sleep right away.
00:28:42But don't you have to wait till...
00:28:44till Nicole brings the car back anyway?
00:28:48Please.
00:28:50All right. All right.
00:28:52Come on up.
00:28:53Thanks.
00:28:54I couldn't have gone off with an easy mind
00:28:57knowing you were alone in this house.
00:29:21Oh, Clarice, you're still here.
00:29:24Good evening, miss.
00:29:26Yes, I've just finished.
00:29:31Miss Nicole hasn't come home?
00:29:33No, she's gone to a party. She'll be home later.
00:29:35She's always mothering us.
00:29:37Well, I'll be running along.
00:29:39Oh, I left the dinner heating on the stove.
00:29:43Oh, if Miss Nicole wants that mess of hers,
00:29:45she only has to warm it up.
00:29:47Thank you, Clarice.
00:29:48Good night. See you tomorrow.
00:29:57Peggy, you just don't seem to understand.
00:30:02Of course I...
00:30:03Peggy, I'm tired of trying to make you understand.
00:30:08Now, I've told you a thousand times.
00:30:11I've fallen in love with you.
00:30:15I don't care what happens, but...
00:30:18Calm down. Sit here.
00:30:27You see?
00:30:29I'm not well.
00:30:32I know I look like a fool.
00:30:35That's what makes me mad.
00:30:38I'm ill and unlucky.
00:30:41Don't be like that. I understand you. I'm your friend.
00:30:43Come on, cheer up.
00:30:56I'll get yours.
00:30:58Don't touch it! Don't touch it!
00:31:00What's wrong? I just wanted cigarettes.
00:31:03What's wrong?
00:31:06I'll get the cigarettes. You're just untidying my bag.
00:31:26Hello?
00:31:27Good evening, Miss Peggy. This is Inspector Sylvester.
00:31:30I have to ask you something about your car.
00:31:33Your car has been found abandoned.
00:31:35I want to know if it has been stolen.
00:31:38No, I lent it to my friend Nicole.
00:31:41Yes. Yes.
00:31:43She was in a hurry. A friend of hers called to say he felt ill.
00:31:47But has something happened?
00:31:49We'd better talk about this in person.
00:31:51I'll come over and see you right away.
00:31:54Very well, I'll be waiting.
00:31:56What's up?
00:31:57They found my car, but without Nicole.
00:32:00My God, what could have happened?
00:32:02Is he coming here?
00:32:03Yes, he wants to talk to me.
00:32:05Then I'd better leave.
00:32:08I don't want the police to find me here.
00:32:11Yes, it's best. No one knows you've been here.
00:32:14Yes, for me.
00:32:16And especially for you.
00:32:18I suppose so.
00:32:20I'll see you tomorrow.
00:32:21Tomorrow.
00:32:24Good night.
00:32:54October 16, I caught Peggy trying to steal $1,000 from my purse.
00:32:58She began to cry and explained how much she needed it.
00:33:01She was pregnant and not able to face the scandal.
00:33:04I felt sorry and I loaned her the money.
00:33:07It means that tomorrow I will ask him for $2,000.
00:33:25October 16, I caught Peggy trying to steal $1,000 from my purse.
00:33:29She began to cry and explained how much she needed it.
00:33:32I loaned her the money.
00:33:35It means that tomorrow I will ask him for $2,000.
00:33:38It means that tomorrow I will ask him for $2,000.
00:33:41It means that tomorrow I will ask him for $2,000.
00:33:44October 16, I caught Peggy trying to steal $1,000.
00:33:47She began to cry and explained how much she needed it.
00:33:50It means that tomorrow I will ask him for $2,000.
00:33:53It means that tomorrow I will ask him for $2,000.
00:33:56It means that tomorrow I will ask him for $2,000.
00:33:59It means that tomorrow I will ask him for $2,000.
00:34:02It means that tomorrow I will ask him for $2,000.
00:34:05It means that tomorrow I will ask him for $2,000.
00:34:08It means that tomorrow I will ask him for $2,000.
00:34:11It means that tomorrow I will ask him for $2,000.
00:34:14It means that tomorrow I will ask him for $2,000.
00:34:17It means that tomorrow I will ask him for $2,000.
00:34:20No!
00:34:50No!
00:35:20I burned it! I burned it!
00:35:50No!
00:36:20No!
00:36:50No!
00:37:13Miss Peggy.
00:37:20Miss Peggy.
00:37:50Miss Peggy.
00:38:20Miss Peggy.
00:38:37Good evening.
00:38:39I must ask you to excuse me. There's no time to be visiting.
00:38:42But it's a rather urgent matter.
00:38:44Please, make yourself comfortable.
00:38:46Why did you come here?
00:38:49Charles, you may go, please.
00:39:01Well, then?
00:39:03A little while ago, I...
00:39:05I found Nicole lying in my shop.
00:39:08She's been murdered.
00:39:10Oh, my God!
00:39:13I'd gone to the salon to pick up Nicole.
00:39:17Remember? I met you there at the time.
00:39:20I looked for her everywhere, but I couldn't find her.
00:39:24Then I went back to my shop.
00:39:27And believe me, I... I've never seen such a mess.
00:39:30You'll pardon me.
00:39:32But why have you come here instead of calling the police?
00:39:37Nicole was my girlfriend.
00:39:39She was murdered in my shop.
00:39:42The police will be accusing me of it.
00:39:45That ain't an alibi.
00:39:47And you've got to help me.
00:39:49Me?
00:39:50What have I got to do with it?
00:39:52Me?
00:39:53You're just as much to blame for it as I am.
00:39:57We've got to tell the police that we were always together at the salon.
00:40:00Right to the end.
00:40:02I'll back you up. You do the same for me.
00:40:06It's best for both of us.
00:40:07But you're mad.
00:40:09The police had no reason to accuse me of anything.
00:40:12You're the one who's in trouble.
00:40:14You really could have killed her.
00:40:16No, no.
00:40:17Call the police at once.
00:40:19Or I'll have to.
00:40:21All right, go right ahead.
00:40:22But don't forget to tell them about your bad debt.
00:40:24What debt?
00:40:26You signed IOUs to Isabella for a loan of several thousand dollars.
00:40:30And couldn't pay the money back.
00:40:33Is it true?
00:40:34Richard, you never told me.
00:40:35Is it true?
00:40:38My God!
00:40:40You, my dear Marquis, don't have a single dollar to your name.
00:40:43You're absolutely flat.
00:40:44And afraid of a scandal.
00:40:47Which is a good enough reason for...
00:40:49for killing Isabella.
00:40:51At the same time, eliminating the possibilities of her diary being read by the police.
00:40:56Who knows?
00:40:57Perhaps the diary had the dates on which the payments were due.
00:41:01Which diary?
00:41:02I know nothing of it.
00:41:03Don't lie, Richard.
00:41:04I told you, Nicole had found Isabella's diary.
00:41:07As you see, we sink or swim together, Mr. Morales.
00:41:12And if you don't want the police meddling around in your private affairs...
00:41:17I suggest you take my advice.
00:41:20Go back to my shop now and call the inspector.
00:41:24I'll tell him that we were always together.
00:41:26All right?
00:41:29Good evening.
00:41:41Good evening.
00:42:12Good evening.
00:42:26You've got to believe me, I burned it!
00:42:28I tell you, I burned it!
00:42:29There was something about my private life I didn't want anybody to know about.
00:42:32You've got to believe me, I burned it!
00:42:42Please believe me, I burned it!
00:42:45You've got to believe me, I burned it!
00:43:11No!
00:43:13No!
00:43:34How do you think this girl got in here?
00:43:38She had a key.
00:43:39How come?
00:43:41I'd given it to her.
00:43:43She used to come and see me now and then.
00:43:45Her too.
00:43:47Inspector, please don't think that I...
00:43:49Nicole was the reason why I left Isabella.
00:43:53And how many other people had a key to your door?
00:43:56No one else.
00:43:57Except myself, naturally.
00:43:59Naturally.
00:44:00Naturally.
00:44:08Did you take drugs with her too?
00:44:12Why, what do you mean, Inspector?
00:44:13Come, come, come, Scalo.
00:44:16Don't try to fool me.
00:44:19You've got the habit.
00:44:21It's written all over your face.
00:44:23If you like, I'll even tell you where you get the stuff.
00:44:27And, uh...
00:44:28As for the girls who...
00:44:30Who, shall we say, keep you company...
00:44:33They either try to get you to drop the habit, like Isabella...
00:44:37Or join you in it, like this one, for example.
00:44:41All right.
00:44:42Perhaps.
00:44:44But that doesn't make me a murderer.
00:44:47Besides, I...
00:44:48I've got an alibi.
00:44:49I was with...
00:44:50I haven't asked you, for the time being.
00:44:54We'll go on with it later.
00:44:57When?
00:44:58In my office.
00:45:00Come along.
00:45:26Come along.
00:45:42Is this the one?
00:45:43Yes.
00:45:44Are you sure?
00:45:45Oh, yes.
00:45:46Wait a minute.
00:45:47I wrote down the first number.
00:45:49Uh, 453.
00:45:51You can see.
00:45:53Did you see a man or a woman?
00:45:56A man, I am sure.
00:45:57He's dressed in black, but he seemed to not have a face.
00:46:02Perhaps he was wearing a mask.
00:46:04Perhaps. I don't know.
00:46:06I was distracted by the horn.
00:46:07Which horn?
00:46:08The horn of this car, Inspector.
00:46:10I know it.
00:46:11I've serviced it.
00:46:12It blew for a time, and then it stopped.
00:46:19Has this car got a burglar alarm, Sergeant?
00:46:22Yes, it's here, in the glove compartment.
00:46:27How long did it blow?
00:46:28I don't know.
00:46:29I told you.
00:46:31It wasn't for long.
00:46:32This long?
00:46:35Stop.
00:46:36Not longer than that.
00:46:37If you don't know where it is, it would take quite a while to find it.
00:46:43We've wasted a lot of time.
00:46:44We've wasted a lot of time.
00:46:45We've wasted a lot of time.
00:46:46We've wasted a lot of time.
00:46:47We've wasted a lot of time.
00:46:48We've wasted a lot of time.
00:46:49We've wasted a lot of time.
00:46:50We've wasted enough time on this.
00:46:53Let's go to the office.
00:47:26Come in, please.
00:47:39Look at them carefully.
00:47:41Have you ever seen any of them in Miss Peggy's car?
00:47:44Good morning, Mr. Morland.
00:47:45Good morning, Clarice.
00:47:46Have you seen him in the car?
00:47:48Certainly she's seen me before in the car on more than one occasion.
00:47:53What's so strange about that?
00:47:54And who said there was?
00:47:58Let's continue.
00:47:59Him.
00:48:00I've seen him in the car.
00:48:01Of course she's seen me.
00:48:03What does it prove?
00:48:05This is all so ridiculous.
00:48:06Be quiet.
00:48:09You didn't see only me, did you?
00:48:11Open your eyes, you idiot.
00:48:13Look at him.
00:48:14Haven't you ever seen him?
00:48:17Inspector, do you only want to know if I saw them in the car?
00:48:19Why?
00:48:22Because this gentleman came into the flat with Miss Peggy last night.
00:48:28We're beginning to see the light now.
00:48:31You swine.
00:48:32What are you getting at?
00:48:33You want to ruin me?
00:48:34I'll kill you.
00:48:35I'll kill you.
00:48:37Why don't you confess?
00:48:39Confess.
00:48:41Confess.
00:48:42You're the murderer.
00:48:43Inspector, look at his face.
00:48:45He hits women.
00:48:46Look at him.
00:48:47He's the killer, I tell you.
00:48:48He's the killer.
00:48:49He killed them all because he couldn't go with any of them.
00:48:53Why don't you tell the inspector that your wife left you for that very reason?
00:48:58My pills.
00:48:59My pills.
00:49:07Try to hold him still.
00:49:08He could hurt himself.
00:49:09Take him to the hospital.
00:49:16Take him to the hospital.
00:49:19Didn't any of you know he was an epileptic?
00:49:22No, I didn't.
00:49:25You can go home now.
00:49:30Goodbye, Clarice.
00:49:34I'm sorry, but I'm afraid I'll have to ask you to stay here, Mr. Moran.
00:49:39You too, Mr. Lazar.
00:49:41What do you mean, stay here?
00:49:42I mean I shall have warrants made out for your arrest.
00:49:46Pardon me, Inspector.
00:49:47What exactly is the reason behind this?
00:49:54Miss Nicole's murderer had used Peggy's car on other occasions.
00:49:58That's why he knew exactly where the burglar alarm was hidden.
00:50:02Can I go now?
00:50:03And me?
00:50:04No.
00:50:06You both stay too.
00:50:07But that's ridiculous.
00:50:09I've got an alibi.
00:50:11The Marquis has confirmed it.
00:50:12It's true.
00:50:13We were together.
00:50:15Oh, don't worry.
00:50:16I haven't forgotten it.
00:50:18You both were at his house till 11 o'clock,
00:50:21while Miss Nicole was murdered at 10.
00:50:23So what do you want with us?
00:50:25Well, when I called Miss Peggy to say that I had found her car,
00:50:31it was about 11.30.
00:50:33About 15 minutes later, I was at her apartment.
00:50:36She wasn't there.
00:50:38And her apartment had been ransacked.
00:50:39Someone could have killed her and hidden her body in the meantime.
00:50:43And as far as that goes, gentlemen,
00:50:45your alibi isn't really worth much.
00:51:06Nine o'clock.
00:51:07Nine o'clock.
00:51:25Why must we sit in the dark?
00:51:27As if we weren't scared enough already.
00:51:31Do what you want, but please try to keep calm.
00:51:34How are we supposed to keep calm?
00:51:35Doesn't what's happening bother you?
00:51:38I'm frightened too.
00:51:40Don't think I'm not.
00:51:42But getting hysterical doesn't help.
00:51:46If only the men would come back.
00:51:48We're all women left alone.
00:51:56Hello?
00:51:58Oh, Mr. Molan at last.
00:52:01What happened?
00:52:03What?
00:52:07But...
00:52:10But how can they?
00:52:12I mean...
00:52:14I mean on what grounds?
00:52:22I see.
00:52:25All right.
00:52:28All right.
00:52:30All right.
00:52:33Of course.
00:52:35All right, don't worry.
00:52:38Goodbye.
00:52:48They are holding all five of them.
00:52:50But why?
00:52:53The police obviously think one of them is the murderer.
00:52:57I thought so.
00:53:00Madam?
00:53:02Please, can we go?
00:53:04Oh.
00:53:05Oh, yes, yes, go.
00:53:07Goodbye.
00:53:10Good night.
00:53:11Good night, madam.
00:53:15How I envy them.
00:53:16They live together.
00:53:17At least they keep each other company.
00:53:20I must go, madam.
00:53:22All right.
00:53:24All right.
00:53:29Wait.
00:53:30Listen.
00:53:31Why don't you come home and sleep with me?
00:53:33What?
00:53:34I live a few yards from here.
00:53:35And you want me to come out into the countryside?
00:53:38Then I could come and stay at your place.
00:53:41No, I'm sorry.
00:53:42But I'd rather be alone.
00:53:44Anyway, you'd be even more afraid at my house.
00:53:47But aren't you afraid?
00:53:49Isabella and Peggy lived with you.
00:53:51Isabella's been killed and Peggy...
00:53:54Yes, I know.
00:53:57But I don't think anything would happen tonight.
00:54:00All the men are under arrest.
00:54:03And I'm sure the murderer is one of them.
00:54:10Goodbye, madam.
00:54:11Good night.
00:54:13Madam.
00:54:14I'm not going home.
00:54:16I'll sleep here.
00:54:17No, you won't, dear.
00:54:18You're going home just like the others.
00:54:20I'm all alone.
00:54:22I live out in the country, not here in town.
00:54:24Now, Greta, listen to me.
00:54:25Tomorrow we have a very hard day ahead of us.
00:54:28The show must go on, you know.
00:54:30Now, look.
00:54:32Isabella and Nicole were mixed up in some ugly business
00:54:35that has nothing to do with the rest of us.
00:54:37So we have nothing to be afraid of.
00:54:39Do you understand?
00:54:41Go now.
00:54:42Don't worry.
00:54:44Good night, madam.
00:54:45Good night.
00:54:50Good night.
00:55:16Good night.
00:55:17Be careful.
00:55:47Good night.
00:56:17Good night.
00:56:47Good night.
00:56:48Good night.
00:57:17Good night.
00:57:35Good evening, miss.
00:57:36The Marquis rang to say he'd be detained in town by an engagement.
00:57:41I know.
00:57:42I'll dine alone.
00:57:43Immediately, miss.
00:57:47Good evening.
00:58:17Good evening.
00:58:41Hello.
00:58:42Hello!
00:58:47Hello!
00:59:17Hello.
00:59:48I...
00:59:59Your tea, miss.
01:00:01Just a moment, please.
01:00:33Come in.
01:00:48It's all right, Charles.
01:00:50I'll take care of the rest.
01:00:52Yes, ma'am.
01:01:17Charles!
01:01:47Charles!
01:02:17Charles!
01:02:48Charles!
01:02:49Charles!
01:02:50Charles!
01:02:51Charles!
01:02:52Charles!
01:02:53Charles!
01:02:54Charles!
01:02:55Charles!
01:02:56Charles!
01:02:57Charles!
01:02:58Charles!
01:02:59Charles!
01:03:00Charles!
01:03:01Charles!
01:03:02Charles!
01:03:03Charles!
01:03:04Charles!
01:03:05Charles!
01:03:06Charles!
01:03:07Charles!
01:03:08Charles!
01:03:09Charles!
01:03:10Charles!
01:03:11Charles!
01:03:12Charles!
01:03:13Charles!
01:03:14Charles!
01:03:15Charles!
01:03:16Charles!
01:03:17Charles!
01:03:18Charles!
01:03:19Charles!
01:03:20Charles!
01:03:21Charles!
01:03:22Charles!
01:03:23Charles!
01:03:24Charles!
01:03:25Charles!
01:03:26Charles!
01:03:27Charles!
01:03:28Charles!
01:03:29Charles!
01:03:30Charles!
01:03:31Charles!
01:03:32Charles!
01:03:33Charles!
01:03:34Charles!
01:03:35Charles!
01:03:36Charles!
01:03:37Charles!
01:03:38Charles!
01:03:39Charles!
01:03:40Charles!
01:03:41Charles!
01:03:42Charles!
01:03:43Charles!
01:03:44Charles!
01:03:45Charles!
01:03:46Charles!
01:03:47Charles!
01:03:48Charles!
01:03:49Charles!
01:03:50Charles!
01:03:51Charles!
01:04:12Look at how the murderer tortured her.
01:04:14He must have used a red hot poker. He must have been a madman or a sex maniac and homicidal fury
01:04:21Against beautiful women. Yes
01:04:25Perhaps the sight of beauty makes him lose control of himself and kill
01:04:30We'll have to start all over again
01:04:33Excuse me, sir. If you want to see the footprints we found in the garden, we're ready now
01:04:45Let's
01:04:48Look at those footprints the killer drove up to here
01:04:51The footprints show that he started here got out and walked up the embankment to the farm
01:04:57They match the footprints. We found it more lands Villa
01:05:00Are you sure? Absolutely. We have the proof in the plaster cast
01:05:04I
01:05:14Could have sworn that the murderer was one of the five suspects we have do we have to let them go of course
01:05:22This time they've got a really foolproof alibi. I
01:05:27Gave it to them
01:05:30Morale Richard, that's me. You want to check it? Of course. I'll check it
01:05:39Max more land
01:05:59I
01:06:29I
01:06:59I
01:07:10Would like to speak to you for a moment. Yes darling. Come in
01:07:21Mr. Moreland, I'm a calm person. I'm not nervous
01:07:25But the thought that a sex maniac is prowling around your fashion house
01:07:29Well, I don't like it
01:07:32I'd like to take a short holiday. I
01:07:35Have already booked a flight to Paris for tomorrow to Paris
01:07:40Very well feeling. Thank you. By the way
01:07:44You still live with a countess?
01:07:46Yes, why? Oh nothing except a short while ago while the count was alive. I
01:07:52Visited there frequently lovely place
01:07:55You know from the terrace you can see all of Rome
01:07:58Yes, I'd rather see the roofs of Paris at the moment. I understand. Have a nice time. Bye. Bye. Goodbye
01:08:28I
01:08:58I
01:09:28I
01:09:48Burnt Peggy's clothes. There's nothing left to show that she was here
01:09:53Then I had to do something else. I had to get her out of here
01:09:57To give you an alibi and
01:10:00Then I killed Greta perfect
01:10:05Perfectly awful. I
01:10:08Don't know how I did it as if it wasn't bad enough to find Isabel in the wardrobe. Oh
01:10:16I'm nearly fainted. I
01:10:19Wanted to tell you about it, but I couldn't
01:10:22by the way
01:10:23How did you manage to carry Peggy to Morales farm
01:10:28well, I I didn't I
01:10:32Somehow got her into the car
01:10:35And Greta did the rest. Why did you pick on Greta? Well, uh
01:10:41She was alone in the house. That's why
01:10:46Well done
01:10:48The police think it's the work of a sex maniac
01:10:53I
01:11:00First second third fourth
01:11:11Oh darling darling, what's the matter kiss me?
01:11:23Oh
01:11:29What's the matter darling what a mess
01:11:33All because of that idiot that witch
01:11:37Isabella
01:11:38the blackmail
01:11:40Money, she wanted money money too much money
01:11:44She should have realized when she found out about
01:11:49That my husband's death wasn't an accident
01:11:53That it was dangerous and unwise to ask for that money. But no, no, no
01:12:00More that we would give her the more she wanted
01:12:06She asked for it she did she was on topless
01:12:10Too hard my darling. She squeezed too hard. Mm-hmm
01:12:14And the diary that damn diary
01:12:19If it hadn't been for that damn diary
01:12:23Oh
01:12:28It is done now and we have nothing to worry about my darling nothing to worry about
01:12:35No, you're wrong. You're wrong
01:12:37We'll never have any peace
01:12:40Until we've given the police their murder
01:12:43peace
01:12:46Chris listen to me
01:12:49We'll never get away with it unless they find the maniac they're looking for never
01:12:54Until they do they'll keep their eye on us
01:12:57You must remember all the victims worked for us
01:13:01But while they have no evidence against us, the whole thing is blown sky-high the press the scandal the salon being closed down
01:13:10We've got to find a way out
01:13:14What are we going to do
01:13:17Aha, I know darling we're going to fly to the moon
01:13:27We've got to act again one more time you've got to do it
01:13:36Oh, no, yes
01:13:38I'm still being shadowed. Now. Don't worry darling. We'll find an alibi for you. Now. Don't worry. Oh
01:13:45No, Max, no
01:13:47You can't ask me to do anything like that. I can't do it. I can't do it. You know, you've done it before
01:13:54I've done it before
01:13:56I've done it before but that was different, you know, because you in danger I had to do it
01:14:01Do it because unless I hadn't done it
01:14:05Everything would have been lost forever
01:14:09Only my love for you gave me the strength
01:14:11I
01:14:13Thought it was horrible
01:14:23Listen to me you little idiot
01:14:26Listen, there's more danger now than even before more
01:14:33If you don't listen to me
01:14:36everything
01:14:37this horrible nightmare
01:14:39Everything useless useless
01:15:09I
01:15:39I
01:16:09I
01:16:39I
01:17:09I
01:17:39I
01:18:09I
01:18:39I
01:19:09I
01:19:39I
01:20:09I
01:20:39I
01:21:09I
01:21:39I
01:22:09I
01:22:39I
01:23:09I
01:23:34Are you surprised to see me alive max my love
01:23:39Sure your plan was ingenious
01:23:52The shop awning
01:23:56Broke my fall, please silence. I
01:24:03Know what you plan to say, but you didn't do it, but I know you did
01:24:09I know you did because you knew that I would be passing by the ledge if there was any danger remember
01:24:16Remember you told me to you told me to
01:24:22Oh, please you must listen to me you must listen
01:24:28Yes
01:24:30Yes, you had an ingenious plan
01:24:33If the police found my body
01:24:35Everything would have been solved everything and you would have been free
01:24:41Now I understand why we had to get married
01:24:44Secrets in such a hurry
01:24:47It was so much in love
01:24:50So much in love. Yes, but with my house
01:24:54the apartment
01:24:56The salon the money you loved everything I had
01:25:01everything
01:25:05But
01:25:07Me Chris, listen to me
01:25:11You're wrong my darling. I want you
01:25:16I love you
01:25:19It's been a terrible shock for you my darling terrible
01:25:25Christina I love you
01:25:28To you it was an accident trust me
01:25:32Very soon my darling
01:25:35We'll go away
01:25:36together
01:25:37Just the two of us
01:25:39Like we always planned
01:26:04So
01:26:34So
01:26:58Police
01:27:01I want
01:27:03I want inspector
01:27:33So
01:28:03So
01:28:33You