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00:00Previously on When Calls the Heart.
00:04What's going on?
00:05We know that the eagle coin was found in a poker game in Union City.
00:08The Toddy Davis.
00:09Maybe we can do business.
00:10The cattle crossing has contaminated the stream where the salmon spawned.
00:14Does that girl not know any other songs?
00:16It's this new curriculum where everything is led by the student's curiosity.
00:22There's something about the autumn air.
00:25There's an almost magical sense of possibility.
00:30My students constantly inspire me.
00:33And their own curiosity is taking them further than I could ever imagine.
00:37Is it this way?
00:39I don't know.
00:40Looks like it.
00:42I think we're supposed to be here.
00:44And I'm pretty sure it's that way.
00:47Wait here.
00:51Leigh surprised Rosemary with a trip to Cape Fullerton to see a performance of The Importance of Being Earnest.
00:57And now she wants to put on her own production, which she will direct, produce, and star in, naturally.
01:05With Fiona's encouragement, I wrote a guide to my new curriculum.
01:09She said she wants to send it to publishers and other educators.
01:14I never imagined trying to create a new form of teaching.
01:17But Fiona makes everything seem possible.
01:22As for Nathan and me, it all feels new and exciting.
01:27There's so much we still don't know about one another.
01:30And so much more to discover.
01:32We're enjoying every moment together.
01:34Excited for all that's to come.
01:38I'm assuming you've seen these numbers?
01:40Yes, I know. It's not good.
01:43No, it is not good.
01:45Ava Riel is simply too expensive for us to support.
01:48Ain't got money, oh, but honey, ain't we got fun?
01:53With all that singing, where does she find the time to do it?
01:56I don't know.
01:57I don't know.
01:58I don't know.
01:59I don't know.
02:00I don't know.
02:01I don't know.
02:02I don't know.
02:03I don't know.
02:04I don't know.
02:05With all that singing, where does she find the time to eat this many meals?
02:08She is running up a tab, but she's also good for business.
02:12Yeah, the customers do seem to like her.
02:14But still, this bill is way too high.
02:16Oh, let me guess, Miss Riel up?
02:18Yes.
02:19Any word from her folks yet?
02:20She told me that she just got a letter from them last week.
02:23And?
02:24They're extending their trip.
02:26Oh.
02:27They went to see the Northern Lights in Norway.
02:29Oh my goodness, no, it's Norway?
02:31First it was the Dolomites, then it was the coast of Croatia.
02:34You'd think the parents of an heiress would be more concerned with making sure their daughter was sufficiently taken care of.
02:40In the meantime, in between time, ain't we got fun?
02:45No, Eva, we don't got fun.
02:48Sweetheart, look on the bright side.
02:51Look what just came back from the printers.
02:53Audition notices?
02:55You betcha.
02:56The Hope Valley players present the importance of being earnest.
03:01Who will be cast? Only time will tell.
03:04It's very exciting.
03:05It is.
03:06I was thinking of auditioning myself.
03:08If you think I'd be any good?
03:11Yes, please do.
03:15And Eva was asking about it too.
03:20The stage is not for everyone, Hickam.
03:27Let's distribute, Lee. Now.
03:29Okay, I'll be right back, Mike.
03:31Nothing else goes on that tab.
03:36Girls, we've got so much to do.
03:39Oh, Lee!
03:40Yes?
03:41Did you get them?
03:43Unfortunately, they're really hard to come by.
03:45But my guy came through.
03:48You're very welcome. Have a good time.
04:00So, I found this on my desk.
04:03Hmm.
04:04Two train tickets to Union City.
04:06Care to explain yourself?
04:08No, I don't think I do.
04:11So, I'm just supposed to follow you blindly on this adventure?
04:15You'll just have to put yourself in my hands.
04:18Oh, what if I don't trust you?
04:19You're just gonna have to try.
04:22What's going on?
04:23Tell me what's going on.
04:25We're going to the new Buster Keaton picture at the movie palace.
04:31Are you serious?
04:34I was wrong to doubt you.
04:36Forgive me.
04:37Always.
04:38Anyway, we won't be back until late.
04:40So, Allie will be at Angela's and little Jack will be staying with Talia.
04:43And a taxi's set to pick us up this afternoon.
04:46Ah, well, I'll be ready.
04:49Ah, well, I'll be ready.
04:55I'm gonna... I'll be ready.
05:20What?
05:22Oh, listen, that holiday pageant was ten years ago.
05:26But you only had one line.
05:28I know. I know.
05:31I'll be fine. I'll be fine. I'll be fine.
05:35Do you think that's the best offer we're going to get?
05:38I don't know.
05:39I don't know.
05:40I don't know.
05:41I don't know.
05:42I don't know.
05:43I don't know.
05:44I don't know.
05:45I don't know.
05:46I don't know.
05:47I don't know.
05:48Do you know what we're going to get?
05:49It's a full service salon and it comes with all the supplies.
05:54I see.
05:56Well, I'll talk with my partner, Mr. Weaver, and we'll get back to you with a decision.
06:06Is that what I think it is?
06:07I was up half the night finalizing.
06:09It just never seemed finalized.
06:12Oh.
06:14Good.
06:15They're going to love it.
06:16These publishers are really bold.
06:18Department of Education?
06:19Why not?
06:21Is that too forward?
06:22I mean, usually you'd send a query first, but that's okay.
06:26No, no, you're right.
06:27It's too much sending the whole thing.
06:29No, no, no, no.
06:30You never know.
06:31Fortune favors the bold.
06:32You just have to look at the introduction again.
06:34And, um, and add some more artwork.
06:36Leap and the net will appear.
06:40It's what my mother used to say.
06:42Was your mother in the circus?
06:46No.
06:54The very essence of romance is uncertainty.
06:58If ever I shall marry, I will certainly try to forget the fact.
07:02Wonderful.
07:03Thank you, Hickam.
07:05I did prepare a few more scenes.
07:07No, no.
07:08It's perfect.
07:09I have all the information I need.
07:11Okay.
07:13I just moved it all to the side.
07:15Thank you so much for coming.
07:16Is that okay?
07:17You were terrific.
07:18Shall we?
07:20Do you think, um, maybe I should ask them if I could do it again?
07:24No, I don't think so.
07:26Okay.
07:29What am I going to do?
07:30What do you mean?
07:31I thought he was very good.
07:33He was fine, serviceable.
07:37Algenon is supposed to be swashbuckling and rebellious, debonair and dazzling.
07:44Hickam?
07:45Ned?
07:46Jed?
07:48They are all caution.
07:49And stability.
07:50Hesitation.
07:51Insecurity.
07:53My...
07:54Oh my goodness.
07:55Do you think I could just, uh, do it again a different way?
07:57Uh, no.
07:58Every woman becomes like their mother.
08:00That is their tragedy.
08:02No man does.
08:03That's his.
08:04Hickam.
08:05It was...
08:08perfect.
08:11Yes.
08:14Ha.
08:17Who in this town is swashbuckling and bold, pushing boundaries with a little glint in their eye?
08:27Oh my goodness.
08:28Yes.
08:29Why didn't I think of that myself?
08:30He's perfect.
08:31He's everything.
08:32Do you think he'll do it?
08:33There's only one way to find out.
08:35Yes.
08:36Thank you, everyone.
08:37Callbacks will be posted this afternoon.
08:39Oh, goodbye.
08:40Well, just put them out of their misery now, Rosemary.
08:45It's not marked on the maps, but...
08:47But I think it was more in this direction.
08:49No, I think it was up here.
08:50No, look.
08:51It's right there.
08:53This could work.
08:54We need to show Mrs. Thorne.
08:55Why don't you take it straight to the governor?
08:57He said he wanted to help you solve your cow problem, didn't he?
09:01You really think he'd see us?
09:04Ask for Mr. Mitchell.
09:05He'll love it.
09:06Okay.
09:09Hey, Dad.
09:10Hey.
09:11We're going to see Mr. Mitchell.
09:12Hey, Dad.
09:13Hey.
09:14We're going to see the governor.
09:15Hi, sir.
09:18Edwin?
09:20You think Edwin's going to let them in?
09:22No.
09:23But at least I'll have some peace and quiet while I fill you in on the Garrison Gang case.
09:26Oh.
09:27Finally, you caught a break?
09:28Maybe.
09:29Inspector McGill sent a report.
09:31Apparently two double-headed eagles showed up in Amsterdam
09:34at a rare coin and stamp dealer's showroom.
09:36The Dutch police said they couldn't get the guy to admit how they got there.
09:40That's all well and good, but it still doesn't answer the big question.
09:43Where did Garrison Gang hid the rest of the gold?
09:45Exactly.
09:46Somewhere there is a hidden fortune.
09:49We should get the public involved.
09:50Sponsor a valley-wide treasure hunt.
09:54Don't.
09:55It's too much publicity.
09:56Is there such a thing?
09:57It might scare them off.
09:58All right, fine.
09:59In the meantime, Bill, I have a question for you.
10:04You once mentioned that you worked on an espionage case with the British Colonial Office.
10:10And what about it?
10:11You said you posed as a U.K. embassy official.
10:15I assume your accent must have been pretty persuasive, hmm?
10:19Well, persuasive, huh?
10:22Mm-hmm.
10:27The undersecretary has requested an update of the situation in Devonshire.
10:32Please gather the latest dispatches and prepare a summary for the meeting this afternoon.
10:37Oh!
10:39You, sir, are my Algernon.
10:43Your what?
10:44The importance of being earnest.
10:47No, no, no, no.
10:48No, no, out of the question.
10:49Please!
10:50I'm desperate.
10:51You're the only one who can do it.
10:53The swashbuckling panache, the confident joie de vivre, the masculine yet sensitive charmer, hmm?
11:01Swashbuckling panache?
11:03Mm-hmm.
11:05Well, I suppose.
11:08Ah!
11:09Wonderful!
11:10You won't regret it.
11:14That was persuasive.
11:22Ahem.
11:24The Inspector General will be conducting a tour of the operation next month.
11:29So, kick-kick, cally-ho!
11:31Cally-ho!
11:36I will pray every time I feel...
11:43Well, hello, little friend.
11:45Heard you could use a hand.
11:47That'd be very welcome.
11:48I'm just nailing these together for some backdrops.
11:51How is it the Rosemary manages to convince us to do this stuff?
11:56Inspiration and gentle persuasion.
11:59The best way to gather a flock.
12:01I think it's more persuasion than anything.
12:04Thought I might be seeing you up on that stage.
12:07No, you did not.
12:08You did not think that.
12:10Well, if not the play, we could use a hand with the church choir.
12:14You know, Minnie and Rosemary are always looking for some new soloists.
12:18Well, trust me, my singing is not going to bring anybody closer to God.
12:24Up on the mountain, when my God spoke
12:29Out of His mouth came fire and smoke
12:33I looked around me, it looked so fine
12:38I asked my Lord if all this was mine
12:42Every time I feel the Spirit moving in my heart
12:49I will pray
12:54Governor, there are two children here to see you.
12:59Something about a pasture?
13:01I have told them to make an appointment and go through the proper channels.
13:04That's alright, Edwin. I for one happen to like kids.
13:07Send them in.
13:11Thank you, Governor Bouchard.
13:14The last time you unrolled maps at me, I ended up in a lot of hot water.
13:19This might get you out.
13:22What we have for you is a way for everyone to co-exist.
13:27There's a wildlife corridor the cattle can take to an even bigger summer pasture.
13:31And they never have to cross the stream at all.
13:33And then the fish will be able to spawn again.
13:35It's even called the old meadow.
13:38I wonder why the ranchers aren't using it.
13:40Maybe they don't know about it.
13:42We only found it because we were...
13:44Looking at maps.
13:46Part of it is blocked here, apparently.
13:48But maybe it can be cleared.
13:51Nice work.
13:53You two make a good team.
13:56I'm going to keep this.
13:59Edwin.
14:00Sir.
14:01Reschedule my appointments for this afternoon.
14:16You know, I've heard that Buster Keaton is the funniest man in the world.
14:21And now I can see why.
14:23The look on his face when that horse melted.
14:27How did they do that? It was incredible.
14:33You're incredible.
14:38I love this song.
14:46Danny.
14:52Oh.
14:57Danny boy.
15:03Do me a favor. Call me Danny for the next few minutes.
15:05Danny?
15:06Danny.
15:07Danny.
15:08Hey, Toddy, you old dog.
15:10This must be your wife.
15:12Diane, yes.
15:13Diane.
15:14Danny's told me so much about you.
15:16Oh.
15:17Toddy and I, we met the other night when I was out wearing my white dinner jacket.
15:21The one you got me, darling.
15:24Turns out we were in the same line of work.
15:26We were talking artifacts, coins.
15:29What a marvelous coincidence it is, running into you, of all people.
15:33You know, I just got back from the Netherlands with quite a haul.
15:37For a certain select clientele, of course.
15:40Oh, it sounds tempting, really.
15:43You go on ahead.
15:44It's fine. I'll see you back at home.
15:48Toddy!
15:49You have to invite them over.
15:51What a great idea.
15:52My wife, Trudy, and I would love for you to join us.
15:55We're hosting a bit of a bash.
15:57It's just a few close friends up the hill.
16:00Oh.
16:01Oh, that's a fabulous idea.
16:04Really, um, but we're not really dressed for a party.
16:09We've got you covered.
16:11Oh, and I know the perfect dress. It'll look smashing on you.
16:16We really couldn't.
16:17Why? You got a better invitation?
16:22Yeah, I thought you wanted to do business.
16:27I guess there's nothing stopping us.
16:34I guess not.
16:36Come on.
16:42Diane.
16:47Miss Fairfax.
16:49Uh, just one second.
16:51Lee, you need to stay on your mark.
16:54Yes.
16:55All right, let's just take it again.
16:57Miss Fairfax.
16:59Oh my goodness, I love it. It's perfect.
17:02Where did you find her?
17:03Miss Fairfax.
17:05Yes.
17:06Yes, uh, let's just hear the cue again.
17:09Miss Fairfax.
17:11Gwendolyn, by my word.
17:14On second thought, I think we may also need the walking cane.
17:19Let's look.
17:20Yes.
17:21Yes, do we have one?
17:22Choices.
17:25Algy, kindly turn your back.
17:27I have something very particular to say to Mr. Worthing.
17:30Really, Gwendolyn?
17:32Why, I don't think I can allow this at all.
17:34Algy, you always adopt a strictly amour attitude towards life.
17:38You're not quite old enough to do that.
17:40Uh, thank you.
17:41Gosh.
17:43Ava doesn't even need the script.
17:44Oh, I was in an amateur production at my boarding school in Maryland.
17:49I would really love to help out in any way that I can, Mrs. Coulter.
17:52Wonderful.
17:54Uh, why don't we take a short break, shall we?
17:58We just took a break.
18:00Five minutes, Bill.
18:01I don't think I can work this way.
18:03Sweetheart, she just really wanted to help with costumes, so I told her to come down and have a look.
18:09That's all.
18:11Mm-hmm.
18:12Can I just say, you make a wonderful Gwendolyn.
18:17Not many actors have your verve.
18:20Uh, well, thank you very much.
18:23Uh, I appreciate it.
18:24Especially coming from Clearly and obviously an earnest expert.
18:28Stop.
18:30Perhaps you could be in charge of, uh, props for the rehearsal only.
18:36Really?
18:37I'd love to.
18:41Let's take it from the top.
18:43From Miss Fairfax or the top?
18:46Just say something.
18:50Miss Fairfax.
18:59You did it again, my dear.
19:30Wow.
19:32Those moving pictures, they don't have anything on you.
19:35Well, if he's talking to any.
19:37Oh, so we are married now?
19:41Yes.
19:42We live in the city.
19:43We spend our summers by the lake.
19:44And your husband worships the ground that you walk on.
19:47Mm.
19:48And his wife thinks he's just as handsome as the day of their wedding.
19:51So, Toddy...
19:53Yes, he's an estate dealer.
19:56Trades in illegal coins, like the one found in the mercantile.
19:59Oh.
20:00Turns out it was part of a notorious train robbery, and Toddy may be the key to the case.
20:06So, who are you to Toddy?
20:10A shady coin dealer.
20:12And you're his wife?
20:14Yes, I am.
20:17Who are you to Toddy?
20:19A shady coin dealer.
20:21And I'm your dame?
20:23Yeah.
20:24So we're the bad guys?
20:26We're the bad guys.
20:27For tonight, anyways.
20:29Elizabeth, I'm...
20:31I'm sorry, this is not how I pictured our evening going.
20:35Neither did I.
20:37But here we go!
20:40Denny, look at Sharp!
20:42Oh, Diane!
20:44You both look stunning!
20:46I can't thank you enough.
20:47Not at all.
20:48I said I had the perfect dress, didn't I, Tod?
20:50Always trust Rudy with fashion.
20:52I think it's time we see that dress shimmy!
20:55Oh, and now I...
21:00You're a gadabout.
21:02Let's get out there and show her stuff.
21:04Come on.
21:05Oh, um...
21:07You know, I'm not...
21:08Come on!
21:09Ooh!
21:10Hi, Drew.
21:14Hey!
21:44Ooh!
21:45Ooh!
21:46Ooh!
21:47Ooh!
21:48Ooh!
21:49Ooh!
21:50Ooh!
21:51Ooh!
21:52Ooh!
21:53Ooh!
21:54Ooh!
21:55Ooh!
21:56Ooh!
21:57Ooh!
21:58Ooh!
21:59Ooh!
22:00Ooh!
22:01Ooh!
22:02Ooh!
22:03Ooh!
22:04Ooh!
22:05Ooh!
22:06Nice moves, Danny Boy.
22:07Let me get you a drink, come on.
22:08Oh, Diane.
22:10Oh, no, no.
22:11Cheers!
22:12Now, you must tell me.
22:13How did you get that dapper gentleman to call himself yours?
22:17Oh, um...
22:19Well, I, um...
22:23I bid on him.
22:25At a bachelor charity auction.
22:27No.
22:28Cost me a pretty penny, but I think it was a good long-term investment.
22:32Diane, that is too good.
22:36There's nothing I love more than a great love story.
22:40Tell me more.
22:41No, no, you, you tell me about you and Toddy.
22:49I was a chorus girl. He was a backstage Johnny. Oh, um, oh, um.
22:54I want to hear all about this auction.
23:05Evening.
23:08Miss Martell?
23:11Oh, what a nice surprise.
23:13Well, I was looking for you.
23:16Because I've come across what I think is a potential solution to our problem.
23:21And here I was hoping you were joining me for dinner.
23:23I can't do both.
23:32Well, some students, an exemplary Mountie cadet and a budding naturalist,
23:38found an old path running the perimeter of the parkland that leads directly to a summer pasture.
23:43It's promising.
23:45So much for me doing my due diligence.
23:49What do you think?
23:53It's interesting, no doubt.
23:57You will have to draft a proper proposal before they'll consider it an alternative option.
24:02Absolutely. I will get that done as soon as possible.
24:06In fact, I could use your help with the finer points of the legalese.
24:13Actually, I, I, I just remembered I'm late for a meeting.
24:21Shame. I was looking forward to dinner.
24:26So was I.
24:36So, have the men been talking business?
24:39Uh, no. No, no. No business. Just, uh, just lots of sports.
24:44Did you know they were high school sweethearts?
24:46High school sweethearts? What about the bachelor auction?
24:51What about the bachelor auction?
24:55The bachelor auction, where we met.
24:58Just after high school.
25:00You two, uh, you want to get your stories straight.
25:03Why?
25:04You know, it's all on the level. It's just two different parts of the same story.
25:08You see, we, we met in high school.
25:10Although I'm not sure she noticed me, but I noticed her from the audience.
25:16She was on stage singing at the, the spring talent show, and it's still my favorite song.
25:22What was it?
25:25Uh, you made me love you.
25:28Oh, that's a sweet one.
25:32And then just a few years later, I was at an auction, and what did I hear but,
25:36you made me love you, being sung by one of the men up for bidding.
25:41She jumped right up on stage and finished the song with me.
25:44Ever since then, it's been our song.
25:47And it's been the five happiest years of my life.
25:50That's a long engagement. You said you've been married two years?
25:55Well, we, uh, we said the I do's two years ago, but I started counting the moment I fell in love with her.
26:05When was that?
26:08Uh, there's so, so many moments.
26:14I mean, you know, the moment she said yes, that, that was a moment.
26:20But there was a moment before that, actually, when she was kind to someone that I, I care a great deal about.
26:29I think that was the moment that I officially started counting.
26:34Did you hear that, Toddy? True love.
26:39That's a good story.
26:41It's not a story. Look at them.
26:45You should sing the song.
26:48What song?
26:49Your song. You made me love you.
26:52Oh.
26:53Oh, no, no, no one wants to hear that.
26:55Of course we do.
26:58Go tell the band, True.
27:00Well, they might not know.
27:04Let's see this true love story.
27:12I guess we should give our hosts what they want.
27:16It's a good idea, Diane.
27:23You made me love you.
27:24We heard it at the movies. I thought you knew it.
27:39Do you want to start?
27:49You made me love you.
27:53I didn't want to do it.
27:55I didn't want to do it.
27:58You made me want you.
28:02And all the time you knew it.
28:04I guess you always knew it.
28:07You made me happy sometimes.
28:11You made me glad.
28:16But there were times, dear,
28:20You made me feel so sad.
28:23I'm sorry, Danny.
28:25You made me sigh for
28:28I didn't want to tell you.
28:30I didn't want to tell you.
28:33I want some love that's true.
28:38Yes, I do.
28:39Indeed, I do.
28:40You know I do.
28:42Give me, give me what I cry for.
28:46You know you got the brand of kisses that I'd die for.
28:51You know you made me.
28:55You know you made me.
29:00You know you made me love you.
29:24Yes?
29:27I saw your light on.
29:29Do you always work late?
29:31It's for your distractions.
29:33Oh, like someone knocking at your door?
29:36A welcome exception.
29:38What are you working on?
29:40The proposal we discussed.
29:41The wildlife corridor.
29:43Oh, so you're serious about that.
29:46Aren't you?
29:48Well, actually, at the moment,
29:50I am more interested in a game of cards.
29:57I think Hickam can really do it.
30:00And you, of course, wonderful.
30:05I had a wonderful coach.
30:08Bill, on the other hand, that was a surprise.
30:10Brilliant, isn't he?
30:12He was.
30:13Everyone is just...
30:14They're just...
30:18We are still short a few parts.
30:20Too bad you can't play them all, right?
30:22I wish I could play a few less parts.
30:24Well, if you're serious about passing the baton,
30:28Ava seems to know the play pretty well.
30:30Please, that over-the-top show-off
30:32is not coming anywhere near my play.
30:35All right.
30:37Well, maybe you could get some help with the direction then.
30:40Lee, this is my baby.
30:44Not my real baby,
30:46but I care about this far too much
30:48to just hand it over to some amateur in a tiara.
30:54Let me ask you.
30:56What is it about Ava that bothers you so much?
31:00She is just so...
31:02So?
31:04Dramatic.
31:05She just takes up all the oxygen.
31:09No, don't say it.
31:11I know.
31:12Of course, there is a shadow of a resemblance,
31:18but we are not the same.
31:21For starters,
31:23I am not some poor little unlucky heiress
31:28who's lost my money and my clothes
31:30and my parents in the Alps.
31:32And secondly, I...
31:37No one is my Rosie.
31:40Sweetheart, you were brilliant
31:44acting, directing, and producing.
31:47This play is gonna be a smash.
31:50I just know it.
31:52Thank you
31:54for always standing by me.
32:01I love you so much.
32:03I love you.
32:10An interesting choice.
32:13Gin.
32:16Okay, well, that's what I get
32:18for playing a known card sharp.
32:21Mm-mm.
32:22Don't believe everything you read in the press.
32:24I am no sharp.
32:25Then I guess I'm just a poor player.
32:27Hardly.
32:28But you do have a tell.
32:29A tell?
32:30A little gesture.
32:32Tells you when a player's hiding something.
32:35A good card.
32:36A bad card.
32:38Something they don't want their opponent to know.
32:40I see.
32:42And what's, uh, my tell?
32:46You fiddle with your ring finger.
32:50You did it today.
32:52At the cafe.
32:53When I asked you if you thought it was a good plan.
32:56I know that you did not come to my office
32:58in the dead of night only to play cards,
33:00so...
33:02is there anything you want to share?
33:05I do.
33:07I have, um...
33:09a thought.
33:16Drop the proposal.
33:18Pretend like you never heard about this other pastor.
33:21You're saving a lot of people from a lot of trouble,
33:24including yourself.
33:26Where is this coming from?
33:28I'm afraid that's a matter of attorney-client privilege.
33:32I'm afraid that's a matter of attorney-client privilege.
33:36I see.
33:39So, once again, we find ourselves on opposite sides.
33:43Well, wasn't the only reason I came here tonight.
33:48We can still be friends playing cards, can't we?
33:53I believe it's your deal.
34:03You know, I watched you play poker in Union City.
34:06You know what I noticed?
34:08That the cards weren't in my favor?
34:11But you always bet big.
34:13Even when you had none.
34:15Actually, that's a virtue.
34:17You know, it's a virtue.
34:19Even when you had none.
34:21Actually, that's a virtue.
34:23Maybe not in poker,
34:25but it tells me you have confidence.
34:28Guts.
34:30I do like to take risks,
34:32but I always protect my clients.
34:35I know I liked you, Demarco.
34:38You know, I've got this one guy.
34:40The hotter the merchandise, the better.
34:43He likes it when there's a story.
34:45Swords, medallions, stamps.
34:48If he takes a shiny two,
34:51he'll pay top dollar.
34:54I think I may have something for him.
34:58What do you got?
35:01Not here.
35:04Isn't this your house?
35:1224 carats.
35:14Some two-bit rancher got his hands on a crate of these.
35:18What's a rancher doing with a crate of gold?
35:21Is he still there?
35:23No. No, he died last year.
35:26The place was a real double deal.
35:28You get all kinds of eccentrics.
35:31How many of those you got?
35:33I could sell a few to you.
35:36I don't know if the story's gonna be enough for your guy.
35:39Dead rancher sitting on a pot of gold?
35:41I could spend that.
35:43Where'd you say this guy was again?
35:45One of the valleys past Spencer Mills.
35:48Around there.
35:51Talk to my guy?
35:57Have you ever been bored at your own party?
36:01More drinks! More dancing!
36:03Actually, it's, um...
36:05It's getting late.
36:06We should go.
36:07Well, if you want to be party poopers.
36:11We'll call you a cab.
36:37Rosie?
36:40Coming.
37:08Any news?
37:09Not yet.
37:10I'm waiting for a call from Mr. Weaver.
37:12See if he wants to accept the offer.
37:17You ready to let go of this place?
37:21No.
37:25I suppose there's something better waiting for you.
37:30I suppose.
37:36I still haven't decided.
37:39It's a big one.
37:41Yeah.
37:43I'm not one of those girls who dreamed of their wedding day,
37:47the white dress, the happily ever after.
37:50I wasn't either.
37:52When I studied in Chicago,
37:54the closest I ever thought I would get to a husband
37:57was a forged marriage certificate.
37:59And then?
38:00You met Mike?
38:02Yeah.
38:04And I realized that's what I wanted.
38:06Well, you do seem happy.
38:09But you...
38:12You have a spark.
38:14And I think you should follow it.
38:23Hello?
38:24Hi, Mr. Weaver.
38:26Yes, I know, I was hoping for better too.
38:29As they say, bird in the hand.
38:33Okay.
38:36I'll see to it.
38:38Thank you, Mr. Weaver.
38:55It's done.
38:57It's done?
39:00One adventure ends and another begins.
39:03Yeah.
39:07Yeah.
39:17And? They never suspected anything?
39:19They did at first. We couldn't get our story straight.
39:22But you pulled it off.
39:24I guess your acting skills have improved.
39:27Nathan had a whole character for me.
39:30I was Diane DeMarco, wife of a shady antiques dealer.
39:34Wait, was Nathan Danny DeMarco?
39:37How did you know?
39:39Well, I was the one who invented him.
39:41You know what, it's a long story.
39:43But clearly, you both should have auditioned for the play.
39:46Oh, how did the rest of your auditions go?
39:48Did you find what you needed?
39:50Well, almost.
39:53Seems this Ava Riella is quite the performer.
39:57She memorized the entire play.
39:59It was a bit excessive.
40:01Quick study.
40:03Don't you think it's odd that this sheltered heiress from Baltimore
40:08is suddenly parading around town like a one-woman vaudeville act?
40:12I seem to recall someone else arriving in Hope Valley
40:15with a bit of a dramatic flair.
40:18She's supposed to be your doppelganger, though, not mine.
40:21Well, maybe she's a bit like both of us.
40:24Were we ever that wide-eyed and lost?
40:28I know I was.
40:31Sometimes I miss that feeling that life could just take you anywhere.
40:36Well, our adventures are far from over.
40:38Clearly.
40:40You spent the night hobnobbing with gamblers and doing the Charleston.
40:44I just wish I could have joined you.
40:47You know, I was referring to what I mailed in the post this morning.
40:51No, you didn't.
40:53You sent the curriculum.
40:55So what changed your mind?
40:57A leap in the net will appear, I hope.
41:02All right. I'll do it.
41:05I will offer the careless heiress a role in my play.
41:09If anyone can wrestle a serviceable performance out of her, it's me.
41:17To more adventure.
41:20To more adventure.
41:27To more adventure.
41:57.