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Short filmTranscript
00:00:00The news is interesting. You haven't opened your mouth since I brought you the press.
00:00:19Being informed of what is happening in the world is fundamental.
00:00:22It will be. What I don't understand is how you can be focused knowing the big role you
00:00:27have in front of you.
00:00:30Not at all, Iván.
00:00:35Yesterday was the reopening of La Moderna and there were hardly any customers.
00:00:38Today three quarters of the same will pass.
00:00:40Fermin is on fire.
00:00:44You'll see how when he comes, he comes with a, let's say, more open talent.
00:00:48It's better for us.
00:00:51Still, you have to tighten his nuts and convince him to sell you his shares.
00:00:56I'll do it, although I don't think you have to tighten him too much.
00:01:01You know, his financial situation has changed a lot since the first time we spoke.
00:01:07What?
00:01:09It has changed.
00:01:10Dad, it's gotten worse. You don't have to use euphemisms with me.
00:01:14Euphemisms?
00:01:16I'm starting to like your vocabulary.
00:01:20You've even noticed the slippery ground that Fermin steps on.
00:01:25Look, you don't have to be a lintel to know that three days of losses would make any business go up in smoke.
00:01:32Three days and what's next.
00:01:34The forecasts are not very promising for La Moderna.
00:01:38Fermin will have to act quickly if he wants to save his beloved tea room.
00:01:42And that action involves selling you his shares.
00:01:46Well, I think it's the most direct way to get money.
00:01:50And he's going to need it.
00:01:52In a few days, he won't have the money to pay his suppliers or his employees.
00:01:57And without suppliers or employees, you'll tell me how La Moderna is going to work.
00:02:01Very good. You learn by force.
00:02:07I have a good teacher.
00:02:10If I had listened to you before...
00:02:14It's never too late if the word is good.
00:02:16Come on, sit here, sit here, sit here next to me, man, yes.
00:02:19Don't worry, the conversation won't be very long. You won't get tired of standing up.
00:02:24Sir, a boy has brought this note for you.
00:02:29Without remittance?
00:02:32And has he told you who sent it?
00:02:33No.
00:02:36There's no need to do it.
00:02:39From the first lines, I can already deduce that it's from Fermin.
00:02:42From Fermin?
00:02:44But why would he send you a note if he's going to see you in a few minutes?
00:02:48Because the very ungrateful one has decided to give me a hard time.
00:02:53And he hasn't even had the decency to call me on the phone to apologize personally.
00:03:02He says he has something very urgent to resolve.
00:03:05Well, what could be more urgent than saving his business?
00:03:09This man is losing his mind.
00:03:11Does the gentleman want to answer or should I tell the boy to leave?
00:03:14No, no, no, no, let him go, let him go.
00:03:16I'm a man of honor, I don't need messengers.
00:03:26Do you know what this is, Ivan?
00:03:30This is a message in itself, clear and unequivocal.
00:03:37Not so long ago, Fermin would never have dared to give me a hard time.
00:03:42And why does he do it now?
00:03:45Because he has disrespected me.
00:03:49And when someone disrespects you, you have to act quickly, forcefully, mercilessly.
00:03:58And we will do it, dad.
00:04:01But you yourself have taught me that decisions should not be taken hot.
00:04:06Revenge is a dish that is served cold.
00:04:11I swear I will regain his respect.
00:04:16Fermin is not aware of how little he is interested in following this path.
00:04:26Good morning, Facielo.
00:04:28I see that the worker is already at full performance.
00:04:31As always.
00:04:33Do you need us to squeeze more with some sweet?
00:04:36No, no, it's fine like this.
00:04:40There are not many customers, right?
00:04:42No, not many.
00:04:43They will come in drop by drop, just like yesterday.
00:04:46But that is not why I want to lower the rate of production in the laboratory.
00:04:50No, no, of course, of course, don't worry.
00:04:52We will bake buns and cakes as always.
00:04:55Whether there are two customers or two hundred.
00:04:57That's what I want.
00:04:59I would not like the discontent among the employees to spread, and much less among the workers of the laboratory.
00:05:05No, no, of course.
00:05:06I will do everything that is in my hand, Mr. Fermin.
00:05:08And here it is not very complicated, because we do not realize how many people are in the room.
00:05:13We can't see if there are many or few people.
00:05:16Well, that's an advantage then.
00:05:18The worker is the soul of the business and cannot come down.
00:05:23Yes, be careful.
00:05:25As for the surplus of sweets, because everything suggests that there will be, I have already spoken to Teresa.
00:05:32We will donate it to a charitable institution.
00:05:35It's a great idea, Mr. Fermin.
00:05:38Although if you want, we can stop baking at any time.
00:05:41No, no, no, no.
00:05:42I want the displays to always be full.
00:05:45The food also enters through the eyes.
00:05:48And a tea room without supplies would give a very bad image.
00:05:52Yes, of course.
00:05:54Do you want to show that we are still alive?
00:05:56Yes, sir.
00:05:58And I count on you to get it.
00:06:00Because today I am going to leave the city and I will not be able to be aware.
00:06:05Don't worry, Mr. Fermin.
00:06:07You can be calm.
00:06:08I will not allow even a tray in the display to be empty.
00:06:14Very well.
00:06:24Yes, well.
00:06:25Well, leave these here and prepare some trays for the cookies.
00:06:31Okay?
00:06:36Of course, there is no hurry.
00:06:41Okay, I'll wait for your call back.
00:06:44And thank you very much.
00:06:47Goodbye.
00:06:49Excuse me, ma'am.
00:06:50As I did not know if you preferred coffee or infusion, I brought you both.
00:06:55What can I do for you?
00:06:56The infusion.
00:06:58A coffee would upset me more than the bill.
00:07:01And it is the last thing I need right now.
00:07:03I still have many calls to make.
00:07:08It's not coming out as I expected.
00:07:11No, not at all.
00:07:13The ladies I'm calling have not yet confirmed whether they are going to make a donation to the foundation or not.
00:07:20And I don't know, maybe they are my imaginations, but I notice that they treat me with distrust.
00:07:27And it could not be that you have been in this house for too long.
00:07:33But are you also going to come to me with that canteen, Pepita?
00:07:36What's up?
00:07:37Did Paula ask you to interfere?
00:07:39No, ma'am.
00:07:41I'm just saying that this isolation can cost you more than you think.
00:07:45And more in the circles where you move.
00:07:48What do you know about that, Pepita?
00:07:51What I've been seeing all my life.
00:07:53And it doesn't matter if one is rich or poor.
00:07:56If people stop seeing her, in the end they end up forgetting about one.
00:08:00Well, that's precisely why I'm making all these calls.
00:08:03To remind the ladies and ladies of Alta Alcurnia, of this city,
00:08:07that they are still active and dedicated to my foundation.
00:08:11And if that weren't enough?
00:08:14Could you organize an auction?
00:08:17Or a charity party?
00:08:19Like the ones you celebrated when we settled in Madrid.
00:08:23Ma'am, forgive me if I'm exaggerating,
00:08:25but if I tell you all this, it's because I'm worried about you, I can assure you.
00:08:30And like yesterday, I gave it more energy.
00:08:34I know, Pepita.
00:08:36And in other circumstances, I would have carried out that idea, without a doubt.
00:08:42But I don't have the body for parties.
00:08:44I have enough to resume the issues of the Patronato, don't you think?
00:08:50Well, honestly, no, ma'am.
00:08:52I don't think so.
00:08:55Pepita, I have to remind you that I've lost the only man I've ever loved in my life.
00:09:00I know.
00:09:02But it's not the first time I've suffered a loss like this.
00:09:06Life is hard for everyone, believe it or not.
00:09:08The only difference is that some can choke on grief,
00:09:11and others have no choice but to carry on.
00:09:16I think you don't understand what I'm going through.
00:09:19You don't know the pain I have inside,
00:09:22because you haven't lost the love of your life in such harsh circumstances.
00:09:26Nor do you know what it's like to have to look for a reason to get out of bed every morning.
00:09:30I understand perfectly, ma'am.
00:09:33What happens is that people like me can't decide whether to get out of bed or not.
00:09:36They get up and start working like a mule,
00:09:39whether they've lost a loved one or not.
00:09:43We're not allowed to be sad.
00:09:45We just have to work to survive.
00:09:51I know I've lost Cesar.
00:09:53And I know it was the love of his life.
00:09:57I also lost the love of my life.
00:09:59And do you know what I did the next day?
00:10:02I got up and worked from dawn to dusk.
00:10:07Everyone suffers.
00:10:09And they learn to move on.
00:10:11I think it's time for you to do the same.
00:10:14Don't you think?
00:10:29What do you mean he's leaving Madrid?
00:10:32No, I'm not calm.
00:10:33He's going to Las Bravas and he doesn't tell us where or why.
00:10:37No, I don't understand.
00:10:39Okay, he'll tell us that mystery as soon as he gets back.
00:10:43Go carefully and call us, please.
00:10:47Goodbye.
00:10:50The guy who's going to take care of some urgent, personal and apparently secret matters.
00:10:57But hasn't he told you anything else?
00:10:58Has he told you anything else?
00:11:00That he has a relationship with Mrs. Lázara, but I've tried to get more information out of him and I haven't been able to.
00:11:05My mother, what a big head this man is.
00:11:08Yes, I doubt it. She could trust her nieces more.
00:11:11And I guess we don't know where he's going to make that mysterious trip.
00:11:14No, he told me it was going to be a long trip, so I imagine it could be any city in Spain.
00:11:19I don't like any of this.
00:11:28If you're done, I can withdraw the service.
00:11:35I'm very sorry about what happened before.
00:11:38I shouldn't have gotten like this with you.
00:11:41I hope I can accept my apologies and the promise that it won't happen again.
00:11:48I accept both.
00:11:53Wait, Pepita.
00:11:56Because I want to ask you something.
00:12:03It's a delicate matter and I'd like you to answer me without hesitation.
00:12:09Tell me the truth.
00:12:12I will.
00:12:14The man you were talking about.
00:12:17The love you lost.
00:12:20Who was it?
00:12:22Emiliano.
00:12:26That's right, ma'am.
00:12:29You don't know how much I loved him.
00:12:32Although I always knew it wasn't for me.
00:12:35I already knew we couldn't get married or start a family.
00:12:38He had to marry a lady like you, not a peasant like me.
00:12:44And yet, it was you who ended up keeping him.
00:12:50No, ma'am.
00:12:52I know very well what my place is in Emiliano's life.
00:12:55I'm just a ventriloquist.
00:12:58I'm someone who has a hand to entertain himself.
00:13:04At first, I deceived myself, you know?
00:13:07I convinced myself that he did love me.
00:13:10And that I was the woman of his life, even though he was married to another woman.
00:13:15And now you don't think it's like that?
00:13:18Now I know it's not like that.
00:13:21To him, I'm something of his property.
00:13:27Something he can use whenever he feels like it.
00:13:31And that's always been the case.
00:13:34Then why are you still with him? Why are you still by his side?
00:13:38Why do you do it?
00:13:40Why have you put up with Emiliano's treatment all these years?
00:13:44For my children.
00:13:46And why didn't I have a place to go to?
00:13:50Well, there's your answer.
00:13:53A mother does anything to get her children through.
00:13:56And to give them a future.
00:13:58That's why.
00:14:07You would have found shelter in the best families in Argentina.
00:14:12I didn't even have a house with doors to knock on.
00:14:20But now I do.
00:14:31Is there anything else you want me to look at?
00:14:34I'm not the one who wants to talk to you.
00:14:37Kiko, Mr. Fermin asked us to postpone Marcelina's interview
00:14:43until the saloon was back to normal.
00:14:46Great idea.
00:14:47Well, it depends on how you look at it.
00:14:50The thing is, neither Cañete nor I,
00:14:54much less Marcelina, had told him about it.
00:14:57So I wanted to know if it was you.
00:14:59We're asking everyone. It's nothing personal.
00:15:02I didn't know he was talking about anything else.
00:15:05Since it's a matter that directly affects La Moderna,
00:15:08I thought Mr. Fermin would know.
00:15:10So it was you?
00:15:12Yes. I'm sorry, I don't know.
00:15:14I coincided with him while he was ordering some glasses.
00:15:17I thought it would make him happy to know
00:15:21that a journalist was interested in interviewing his new employee.
00:15:25But why did you think it would make him happy?
00:15:29Because it's a great publicity to get the clients back.
00:15:34Look, Kiko.
00:15:36I assume you didn't do it on purpose.
00:15:40But you have to understand that it wasn't up to you to give this information.
00:15:44It was me, the manager.
00:15:46Or, in this case, your uncle, the head of the waiters.
00:15:49I see.
00:15:51I also thought that, as a waiter, I had to give the orders.
00:15:54My uncle, not you.
00:15:56Kiko.
00:15:58No, no, no. Leave me alone.
00:16:00Listen, Kiko, I think you don't understand how things work here.
00:16:03Everyone here knows what their role is.
00:16:07And in the hierarchy, I'm above your uncle.
00:16:10So you're not only going to follow my orders,
00:16:12but you're going to do it without complaining.
00:16:14Do you understand?
00:16:16Yes, I understand.
00:16:18It won't happen again.
00:16:20I hope so.
00:16:22And now you're going to go to the warehouse
00:16:24and help the waiters collect the sugar bags.
00:16:26Come on.
00:16:32Then he asked me to find out who the mysterious beneficiary was
00:16:36who answered the initials C.E.
00:16:39And you found out?
00:16:41Yes. Carida de Slava.
00:16:42Mr. Fermin assumes that it is a relative of Mrs. Lázaro.
00:16:46A sister, perhaps.
00:16:48But how strange, he never told us he had a sister.
00:16:51Because he didn't know either.
00:16:53That trip, I suppose, has to do with that woman.
00:16:56Your uncle is on his way to Sigüenza.
00:16:58The last residence that woman is known to be in
00:17:00is the convent of that town.
00:17:02Well, and what do you expect to get out of that trip?
00:17:05Any information or clue that helps him with Mrs. Lázaro's whereabouts.
00:17:08That's all I know.
00:17:09I swear I haven't left a single detail.
00:17:12Don't worry, I don't doubt you.
00:17:15And just so you know, I'm usually not that serious,
00:17:18but I've gotten into the role of the intrepid spy to get information.
00:17:22Ah, well, you're a very good actress.
00:17:25You managed to scare me.
00:17:27Thank you, and I'm sorry,
00:17:29we just didn't want to be left with this uncertainty.
00:17:32I understand.
00:17:36Excuse me.
00:17:48So, is it true what the doctor said?
00:17:52Yes, he told me loud and clear.
00:17:54The child is completely recovered.
00:17:56The operation has gone very well,
00:17:58he has no sequelae, the hearing is recovered.
00:18:00Oh, my God, my little Neon is the best.
00:18:04I just hope nothing like this ever happens to him again.
00:18:07I don't think so.
00:18:09It's clear that the child has taken the strength of the grandmother.
00:18:11Well, I don't know who took it from, but...
00:18:13I don't know.
00:18:15But all I want is that I never have to take it out again.
00:18:19Come in, it's open, Marcelina.
00:18:30Hello.
00:18:32I hope I don't interrupt.
00:18:34But I need advice and I don't have anyone else to go to.
00:18:39Come back here, man, that's what we're here for.
00:18:42That long face.
00:18:50It's work.
00:18:52Aren't you comfortable?
00:18:54No, quite the opposite.
00:18:56I love being a waitress.
00:18:58Although, well, it's true that now there's not much clientele.
00:19:01Yes, really.
00:19:02Today I haven't sent a single candy all morning.
00:19:05How can things go on like this?
00:19:07Well, you know how it is in Árbol.
00:19:09I don't know much about business or anything.
00:19:12No, Leonora, that's not what's bothering me.
00:19:16It's just that...
00:19:18There's a partner, his name is Kiko.
00:19:22Yes, he's Cañete's nephew, remember?
00:19:24Exactly.
00:19:26Well, you'll see, it's just that...
00:19:29I don't finish trusting him.
00:19:30But I don't want to be at odds with a partner,
00:19:33much less one who's a relative of the waiter's boss.
00:19:37But, Martina, he's done something for you to doubt.
00:19:41I, Trini, prefer to call you the sinner and not the sin.
00:19:46It's just that...
00:19:48I could get in trouble with boss Cañete.
00:19:55Well, I could...
00:19:57Well, I could...
00:20:00I don't know, intervene.
00:20:02But let me tell you something.
00:20:04Cañete is one of the most honest and honest people I know on this planet.
00:20:09So, if Kiko ever bothers you,
00:20:12no matter how much he's Cañete's nephew,
00:20:14I'm sure he'd stand by you.
00:20:16That's it, Marcelina, don't worry about anything.
00:20:19My daughter is going to talk to him and you'll see how everything is resolved.
00:20:22Thank you, girls, but I think that could be counterproductive.
00:20:27I'd rather...
00:20:30fix it myself.
00:20:32Are you sure?
00:20:34Yes, it wouldn't be the first time I face someone who hates women.
00:20:38Facing someone doesn't sound very flattering, Marcelina.
00:20:41Quite the opposite.
00:20:43Don't worry, the blood won't get to the river.
00:20:47Look, I thought I could give him a gift.
00:20:51Maybe he'll tame the beast.
00:20:53Well, taming the beast doesn't sound very good either.
00:20:57But, well, do what you think you have to do, no problem.
00:21:01But let me tell you something.
00:21:03If Kiko bothers you, you can talk to anyone from La Moderna.
00:21:06We're all a family.
00:21:08Oh, and speaking of colleagues,
00:21:11Antonia gave me a message.
00:21:13Really?
00:21:15Yes, she told me that in a while we should go out to the patio.
00:21:17It looks like she's made a huge potato omelette
00:21:19and she's inviting us all to have a snack.
00:21:20Trini, it's her birthday and you didn't tell us.
00:21:23No, I know, but come on.
00:21:26Hi, honey, hi, hi.
00:21:32I know, it's not her birthday,
00:21:34but, well, neither a good potato omelette
00:21:37nor Antonia can make her an ugly one.
00:21:38Come on, let's go.
00:21:48I take it that you didn't do it on purpose.
00:21:52But you have to understand that it wasn't up to you
00:21:55to give this information,
00:21:57but to me, who is the Enchanted One.
00:21:59But why did you think you'd give her joy?
00:22:01I'm going to give you joy.
00:22:03What do you lack?
00:22:09So you're not only going to disobey my orders,
00:22:11but you're going to do it unregistered.
00:22:13Do you understand?
00:22:15No woman gives me orders.
00:22:39If I hadn't told you anything,
00:22:41it would have taken me a while
00:22:43to come and shake your hand.
00:22:45In the end, you're going to be right, Maria Trinidad.
00:22:50I'm not used to you calling me that.
00:22:53And what was I right about, Maria Trinidad?
00:22:56That you're closer to her than a mule.
00:22:58If you tell me you don't like her,
00:23:00I'm going to tell you I don't like her.
00:23:02I'm going to tell you I don't like her.
00:23:04I'm going to tell you I don't like her.
00:23:05And what did you say?
00:23:07That she's closer to you than a mule.
00:23:09If you tell me you don't like her,
00:23:11I'm going to tell you I don't like her.
00:23:13We're going to be a lot of people.
00:23:15Well, I hope all the neighbors, really.
00:23:17Does it bother you to be with a lot of people?
00:23:19Me?
00:23:21Oh, on the contrary.
00:23:23I'm very excited to be at a table
00:23:25surrounded by so many people,
00:23:27as if we were a big family.
00:23:29Well, that's exactly what we are here in La Corrala.
00:23:31And now that you're another neighbor,
00:23:33you're part of it.
00:23:35Can you get me a glass of water, please?
00:23:37Sure, I'll be right back.
00:23:43Oh, this is the most beautiful party in La Corrala.
00:23:46Look at Antonia.
00:23:48How can I not miss him?
00:23:50My grandson is the one who has the most parties.
00:23:53Well, for the party you have set up here,
00:23:55I don't know what you celebrate,
00:23:57but come on, me, welcome.
00:23:59Yes, well eaten, because the tortillas look great.
00:24:01Oh, as soon as we eat it,
00:24:03I'm going to get some pancakes that I already had prepared.
00:24:05And don't worry,
00:24:07I'm going to wash the dishes,
00:24:09and when they're clean and dry, I'll put them on the table.
00:24:12Oh, well.
00:24:14What a welcome.
00:24:16And this table looks great.
00:24:18It deserves the occasion, of course.
00:24:21Don't pretend.
00:24:23This is Antonia's thing,
00:24:25but no one here knows what the party is about.
00:24:27But what are you all doing here?
00:24:29What are you celebrating?
00:24:31Well, we don't know,
00:24:33we're just asking,
00:24:35for a woman
00:24:37who doesn't let go of her clothes,
00:24:39who doesn't celebrate anything,
00:24:41who just wanted to offer a snack to the neighbors,
00:24:43to the friends,
00:24:45as we used to do, remember?
00:24:47Of course I remember.
00:24:49I think it's a great idea, Antonia.
00:24:51It's been a long time since anyone organized something like this.
00:24:53Before, every week.
00:24:55Really.
00:24:57There was a lot to celebrate,
00:24:59not like in recent times.
00:25:01Well, but that's changing, my love.
00:25:03You've recovered from your illness
00:25:05and you're getting better.
00:25:07Leon,
00:25:09he's as fit as a fiddle.
00:25:11And Marcelino got a job.
00:25:13Don't tell me that's not worth spending time with.
00:25:15Say yes, Antonia,
00:25:17you're right about a saint.
00:25:19Well, a saint.
00:25:21You understand me.
00:25:23You have to take advantage of the good times.
00:25:25You've had a great idea.
00:25:27Well, it wasn't just my idea.
00:25:29I thought of it when I heard you sing the aria the other day.
00:25:31I'm sorry, Antonia,
00:25:33but I don't know what that has to do with the snack.
00:25:35Everyone was watching the snack,
00:25:37singing and dancing.
00:25:39Exactly.
00:25:41When I heard you singing the aria the other day,
00:25:43I thought it was a good time
00:25:45to celebrate the good things in life.
00:25:47The little and the big things.
00:25:49We've had some bad months,
00:25:51but we're getting through it.
00:25:53And I think that deserves
00:25:55a celebration worthy of it.
00:25:57Don't you think?
00:25:59Yes, absolutely.
00:26:01Now we have to eat,
00:26:03and I don't want to cry,
00:26:05because everything is better in the lab.
00:26:07Yes, because Mr. Fermin has returned to Pietro.
00:26:10And he'll be in charge of the lab again.
00:26:12Well...
00:26:14We have to celebrate that.
00:26:16Not just because of this,
00:26:18but because we've finally gotten rid of Simon.
00:26:20Don't say that.
00:26:22Come on, let's eat.
00:26:24Who wants to go?
00:26:26Me.
00:26:28You're great, Antonia, really.
00:26:30I want you to be my wife
00:26:32in the best thing that's ever happened to me.
00:26:33Without a doubt.
00:26:36You always know how to surprise me
00:26:38and make me smile.
00:26:43We'll see.
00:26:45This is a nice family.
00:26:47Well, you're part of it now, Marcelina.
00:26:51Delicious!
00:26:53Let's eat!
00:26:58It's time.
00:27:00Where could she have gone?
00:27:03I was worried.
00:27:05And she's doing well.
00:27:07We have reasons to worry, you know?
00:27:12What happened to the money she got?
00:27:15Something like that.
00:27:17Where the hell does that money come from?
00:27:20The important thing is that we have it.
00:27:22Forget about the details.
00:27:24But she just told me that I have to worry about that.
00:27:27Not about the origin.
00:27:30Mr. Bernardo has summoned me to his office tomorrow.
00:27:33Mr. Bernardo?
00:27:35That's strange.
00:27:37You just met him.
00:27:39And he calls me every now and then to see how the production is going.
00:27:42Yes, yes, it's very strange.
00:27:44That's why I'm worried, you know?
00:27:46Mr. Bernardo never meets anyone if he has no reason to worry.
00:27:51Look, Romayo, I understand that you don't want to tell me where the money comes from.
00:27:55But I think your boss should tell you.
00:27:58Do you understand?
00:28:00Yes, yes, yes. Maybe.
00:28:03I don't know.
00:28:13Do you want another one?
00:28:17No, no.
00:28:19One is enough.
00:28:21You don't have to overdo it.
00:28:23Besides,
00:28:27you don't know how much I want to go to bed and...
00:28:33You're not waiting for anyone tonight, are you?
00:28:35No, not at this time, of course not.
00:28:37This will be Ivan who has forgotten the keys.
00:28:39It's not the first time that happens to him.
00:28:41No, no. It's not Ivan. He's in his room.
00:28:43And he's also reading a book.
00:28:45It seems that you have addressed him.
00:28:47Yes, it seems that the boy is changing.
00:28:49Well, let's see how long it lasts.
00:28:52So it will be a drunk who has confused himself with Portal.
00:28:56Or a street vendor.
00:28:58He will get tired.
00:29:00I don't think so. They are insisting a lot.
00:29:03Don't worry, woman.
00:29:05Besides, you and I have more important things to deal with in your bedroom.
00:29:09Emiliano, not here, please.
00:29:14This is too much.
00:29:17Go to your room and I'll go now.
00:29:19Let's see if I find out who is the pesado who is ringing the bell.
00:29:30Well, well.
00:29:32Well, Fermín, what are you doing here at this time?
00:29:35How do you come like this without warning?
00:29:37Thank you, Marisa.
00:29:39Has something happened to you?
00:29:41I come straight from Sigüenza.
00:29:44I have discovered that my wife has died.
00:29:50That your wife has died?
00:29:52It can't be.
00:29:55And why didn't you tell me?
00:29:58I could have accompanied you to Sigüenza
00:29:59so that you didn't have to discover it yourself.
00:30:02I'm sorry.
00:30:04Dear friend, I'm sorry.
00:30:06I'm here to receive your condolences, Emiliano.
00:30:09I want to know if you have something to tell me about it.
00:30:15But wait a moment.
00:30:18Let's go in parts.
00:30:20Are you telling me that you know that your wife has died
00:30:24or that you think that Lazara is dead?
00:30:27Don't answer me with another question.
00:30:29But you show up at my house like this,
00:30:32with such tremendous information.
00:30:34Did you know?
00:30:36Answer simply yes or no.
00:30:38Simply no.
00:30:40And I don't like a hair that you talk to me in that tone, Fermín.
00:30:43I understand that you are upset,
00:30:45but you show up at my house at this time of night to tell me what?
00:30:49What? Are you accusing me of something?
00:30:51Are you accusing me of something?
00:30:52No.
00:30:58Come on, let's have a drink.
00:31:00I'm not here to have a drink.
00:31:02I'm here to ask you for answers.
00:31:05And I'm going to give you answers.
00:31:07I'm going to give you everything you want,
00:31:09but please, let's sit down like two civilized people.
00:31:11Please.
00:31:23Come on.
00:31:29Come on.
00:31:31Let's breathe.
00:31:34How are you so convinced that Lazara is dead?
00:31:37Is it because the police told you?
00:31:39The police don't even know where the air comes from.
00:31:42I see.
00:31:44Lazara is dead, Emiliano.
00:31:47And not precisely of natural death.
00:31:49I insist that I am very sorry, but ...
00:31:54How did it go?
00:31:56Or how did you find out?
00:31:58Explain to me.
00:32:03What did those detectives tell you when you were investigating Lazara?
00:32:09What? What did they tell me?
00:32:11They told me the same thing as you.
00:32:13You read the report.
00:32:15You know what I'm telling you?
00:32:16I have a copy of that report.
00:32:18If you want, we can review it together
00:32:20and see if anything has escaped us.
00:32:47Here you have it.
00:32:50Although I don't know what you expect to find.
00:32:58It's curious.
00:33:00What is curious?
00:33:02That you told me it was a detective agency of the first order.
00:33:07For what you charge,
00:33:09it's not a detective agency.
00:33:11It's not a detective agency.
00:33:13It's a police agency.
00:33:15For what they charge, they can be.
00:33:18I swear it is one of the most prestigious agencies in the country.
00:33:22Well, at least it is curious that they have overlooked
00:33:25that Lazara had a sister, because here ...
00:33:28It doesn't say anything about that.
00:33:31Lazara had a sister.
00:33:34Caridad Slava.
00:33:36It's a nun.
00:33:38It doesn't sound like anything to you?
00:33:40Obviously not.
00:33:41How would it sound to me if you didn't even know her?
00:33:46What is clear is that on that subject,
00:33:48the investigators have skated.
00:33:50And it's not that he lived abroad or anything like that.
00:33:53No, no, he lived in a convent.
00:33:56In Siuenza.
00:33:58Four hours by car.
00:34:00Yeah.
00:34:02And you know, there's something else
00:34:06that catches my attention.
00:34:08From the first moment
00:34:09you have tried to convince me that Lazara
00:34:12had an affair with César Morel.
00:34:17I have tried to convince you of that.
00:34:20You mean the police,
00:34:22who have thoroughly investigated this matter
00:34:24and who have discovered the damn handkerchief?
00:34:28By the way,
00:34:31have you spoken to the police?
00:34:35No.
00:34:37But well, Fermín, for God's sake!
00:34:40It has become very clear to me
00:34:42that you have no good opinion of them.
00:34:44But man, I think you have to share
00:34:46information like this with the police.
00:34:48If you really think
00:34:50that Lazara was murdered.
00:34:52Who told you that she was murdered?
00:34:54I didn't say that.
00:34:56You haven't told me
00:34:58that it wasn't a natural death.
00:35:00But it could have been a traffic accident.
00:35:03It could have been a suicide.
00:35:05I understand.
00:35:07I understand, yes.
00:35:09But if you have entered with those inquisitive airs,
00:35:11well, man,
00:35:13take it as if you were talking about a crime.
00:35:16Look, don't think I don't understand you.
00:35:18I understand your situation.
00:35:20And I understand that you are desperate
00:35:22to find culprits.
00:35:24But whatever you do,
00:35:26you have to go to the police.
00:35:28Tell them, come on.
00:35:30Whatever you don't want to tell me,
00:35:32tell them.
00:35:34Yes, because the important thing in these cases
00:35:36is that the truth is known.
00:35:37The truth.
00:35:39Don't you think so?
00:35:41Of course.
00:35:43Whoever falls.
00:35:48Indeed.
00:35:51Whoever falls, yes.
00:35:54Don't get it wrong, Fermin.
00:35:56I'm your friend here.
00:35:58I'm on your side.
00:36:01And to give you support in everything you need.
00:36:07Good night, Emiliano.
00:36:26So, dear Pietro,
00:36:29I hope that when this letter arrives,
00:36:31everyone is fine.
00:36:33I apologize in advance for the shortness of this letter,
00:36:35but I don't have much time now.
00:36:37However,
00:36:39I wanted to rush
00:36:41to accept your generous invitation
00:36:43to visit Madrid.
00:36:45That you come to Madrid.
00:36:47What a joy.
00:36:49That you come here, that you come here.
00:36:51I can't believe it.
00:36:53I thought I wasn't going to be able to.
00:36:55And they tell you when they come?
00:36:57No, nothing.
00:36:59He says goodbye, greets me here and nothing else.
00:37:01And here is a drawing.
00:37:03Look, look how beautiful it is.
00:37:05I have to do a lot of things.
00:37:07We have to do a lot of things.
00:37:09We have to organize everything, Antonio.
00:37:11No, no, no.
00:37:13Now I have to go to the bookstore
00:37:15to buy some books for Pedrito
00:37:17and then I have to buy a soccer ball
00:37:19to play in the yard.
00:37:21And I have to buy pencils and paper
00:37:23that the child likes to draw.
00:37:25No, no, no.
00:37:27Honey, listen to me.
00:37:29We're going to do all this.
00:37:31Don't worry.
00:37:32I can't smell it.
00:37:34I think they're burning.
00:37:36Oh, Madonna, Santa.
00:37:38The cookies are burned.
00:37:40But I love you.
00:37:42The cookies are burned.
00:37:44The cookies are burned.
00:37:46I love you, I love you.
00:37:48What strikes me the most
00:37:50is that Lázaro's sister
00:37:52left the convent
00:37:54just the day before my wife disappeared.
00:37:57It is obvious that they had planned to leave together.
00:38:00Yes, that's what I think, yes.
00:38:02Sir, could it be
00:38:04that the anonymous call you received
00:38:06was from Caridad?
00:38:08I wouldn't be surprised,
00:38:10but as you will understand,
00:38:12I have not been able to ask her.
00:38:14I mean, if it is true
00:38:16that your wife died,
00:38:18I tell you with all due respect,
00:38:20who could know better than your sister?
00:38:22Yes, but still,
00:38:24even if Caridad was the insurance beneficiary,
00:38:27it is impossible that she charged him.
00:38:30True.
00:38:32But to be able to charge the insurance policy,
00:38:34he would have to have a death certificate.
00:38:37But if he had a death certificate ...
00:38:39The police would be aware of Lázaro's death.
00:38:42And obviously he would have told me.
00:38:44And for now, Lázaro is still in search and capture.
00:38:49But then, sir,
00:38:51we should assume that his wife died
00:38:54having already reunited with her.
00:38:56But it is that ...
00:38:58if it was really Caridad
00:38:59who called to tell me
00:39:01that Lázaro was dead,
00:39:03so much security
00:39:06had to be because he had seen her dead.
00:39:12And in the convent, what do they say, Mr. Fermín?
00:39:15The poor nuns do not understand anything either.
00:39:18They are still surprised to see
00:39:20how Caridad left without prior notice.
00:39:23Of course, they have no idea where she may have gone either.
00:39:26No, no, she left no sign.
00:39:28In short,
00:39:30she is hiding.
00:39:32Surely.
00:39:34What we do not know is
00:39:36what or who she is hiding from.
00:39:39Perhaps from the same people who murdered Mrs. Lázaro,
00:39:42if she was murdered.
00:39:44My God.
00:39:46So many questions
00:39:48and not a single answer.
00:39:50This is ...
00:39:52This is desperate.
00:39:54Mr. Fermín, you already know.
00:39:55I'll find her and I'll do it.
00:39:57If you have to go on a trip, I have no problem either.
00:39:59It's just that right now, Rodrigo, I don't even know what I want.
00:40:02Well, of course I know.
00:40:04I want to find that blessed nun sister.
00:40:07But where? Because right now she is as missing as Lázaro.
00:40:11Let's think, Mr. Fermín.
00:40:13Something will happen to us.
00:40:15What I do recommend to you, if you don't mind,
00:40:17is that any inquiry you have to make,
00:40:19I entrust it to my cousin.
00:40:21So everything will be more discreet.
00:40:23Yes, yes, you are right, because ...
00:40:25If that woman answers and calls me anonymously,
00:40:28she doesn't trust me.
00:40:30It's better if she doesn't know that I'm looking for her, of course.
00:40:34Are you giving her gin?
00:40:36Gin?
00:40:38It's the best thing to clean the bar.
00:40:40Well, and the windows, they look like a patina.
00:40:42Customers, don't signal.
00:40:49It was close.
00:40:51There's no way.
00:40:52When they look out and see that there is no one,
00:40:54they throw for the Negresco or for the Granja de Enar.
00:40:57People, don't signal, damn it.
00:40:59Good morning.
00:41:01Good morning, Captain.
00:41:03A loaded coffee and two fingers of warm milk.
00:41:06Damn, you know it well.
00:41:08A pleasure.
00:41:11Excuse me.
00:41:17All this is very dead for the hours that are.
00:41:19Yes, they have locked us up for two days
00:41:21because of a problem we had in the workshop
00:41:23and you see, we don't get up our heads.
00:41:25The famous intoxication.
00:41:27I hope I don't get out of here intoxicated too.
00:41:29No, for God's sake.
00:41:31That was a fault of one who worked in the workshop,
00:41:33but be careful,
00:41:35that one doesn't come here again.
00:41:37In addition, we are going to invite a cake with coffee.
00:41:39What do you prefer?
00:41:41Sweets, buñuelos, cookies?
00:41:43Buñuelos, thank you.
00:41:45Quico.
00:41:47I suppose you know that last night
00:41:49the hooded man attacked again.
00:41:51Don't bother me, I didn't know.
00:41:53Yes, to a woman who was walking near the gallery.
00:41:57Again?
00:41:59Yes, apparently the woman was passing through Madrid
00:42:02and was attacked when she was going to her hotel.
00:42:07And how is she?
00:42:09Delicious.
00:42:11And the perfect temperature.
00:42:13I appreciate it, Captain, but I was referring to the woman.
00:42:15Ah.
00:42:17Fine, as long as it fits.
00:42:21How eager I am to catch that criminal.
00:42:23That may depend on you, young man.
00:42:30I am very grateful to you.
00:42:32Your generous donation will be a ray of hope
00:42:35for those children so helpless, Mr. Duque.
00:42:39Of course, we will do it, don't worry.
00:42:40No, thank you for everything.
00:42:42And may God bless you.
00:42:45Goodbye, see you soon.
00:42:49Excuse me, ma'am.
00:42:51I have taken the liberty of asking you
00:42:53to bring a stool.
00:42:55I know that lately you prefer not to have breakfast,
00:42:57but I thought it could make you feel better.
00:42:59Thank you, Pepita.
00:43:01Because the truth is that I'm hungry.
00:43:05And I couldn't help but listen to you.
00:43:07I'm very glad to hear that.
00:43:08Well, those children have no one else.
00:43:10You are helping them a lot.
00:43:12And you yourself, too.
00:43:14What were you missing, ma'am?
00:43:16The truth is that having an occupation
00:43:18helps to cheer up.
00:43:20Believe it or not,
00:43:22the procession is going on inside.
00:43:24Well, dear, but in your case,
00:43:26more than a procession,
00:43:28it's a whole dawn, right?
00:43:30With the Calvary and all that.
00:43:32I'm going to have to go.
00:43:34Goodbye.
00:43:36Goodbye.
00:43:38The Calvary, the Macarena and the Great Power,
00:43:40all together there.
00:43:45Get me a coffee, Pepita.
00:43:47Pepita has prepared tea.
00:43:49Don't you think a lemon tea would be better?
00:43:52Tea, dear, is a drink for the sick
00:43:55and for the English.
00:43:57And I, thank God,
00:43:59I'm neither of those two things.
00:44:02Excuse me.
00:44:06I also feel healthier.
00:44:08I managed to get the Duke of Anniversary
00:44:11to make a donation of 2,000 euros to the foundation.
00:44:14Look how good.
00:44:16And he has also committed
00:44:18that if he organizes a charity event,
00:44:21he can bring great people from Spain
00:44:23to also contribute to the cause.
00:44:25I am very happy for you, dear.
00:44:27Let's see if you stop mortifying me
00:44:30with your ghost floors.
00:44:33Well, I was thinking
00:44:35about celebrating it here,
00:44:36in the house.
00:44:42It would be good.
00:44:44You know, this house needs a little activity,
00:44:47a little joy,
00:44:49because lately it looks like a cemetery.
00:44:51So, do you like the idea?
00:44:54I think it's fantastic.
00:44:56And if, by the way, you get rid of that darkness
00:44:59that you carry both inside and outside,
00:45:01it will have been worth it.
00:45:07Why don't you think about
00:45:09receiving your guests dressed as a crow?
00:45:15Are you going to tell me
00:45:17how I have to dress too?
00:45:20Maruja,
00:45:22no one in your family has died.
00:45:25If you show up in society
00:45:27in that guise,
00:45:29everyone will know
00:45:31that you keep mourning for your lover.
00:45:33I won't let Aires
00:45:34to the four winds
00:45:36that Emiliano rocks.
00:45:38He's a cuckold.
00:45:40As strange as it may seem,
00:45:42this has nothing to do with you.
00:45:44You are not the center of the world.
00:45:46If I do it, it's for charity, nothing more.
00:45:48I'm not going to Aire anything.
00:45:50Whatever you want.
00:45:52But if you want to give that damn party,
00:45:54you're already looking for a normal dress.
00:45:56I will not allow mourning to be undressed.
00:45:58Well, as if I had seen myself in the closet.
00:46:01I will never forget Cesar.
00:46:02I carry mourning inside.
00:46:04Well, keep carrying it inside,
00:46:06well, well inside.
00:46:08Don't force me to have to remind you
00:46:10who wears the pants in this house.
00:46:13Emiliano,
00:46:15it seems you forget that I'm not afraid of you
00:46:17because you can no longer hurt me
00:46:19more than you have done to me.
00:46:21And you know something else?
00:46:23I'm stronger than you think.
00:46:26Enjoy your coffee.
00:46:33As the captain says.
00:46:35I mean, catching that hooded man
00:46:37is the job of the police.
00:46:39But it also depends on the citizen collaboration.
00:46:41More specifically,
00:46:43the collaboration of you,
00:46:45the staff of La Moderna.
00:46:47The captain was telling me
00:46:49that the last victim
00:46:51had just had coffee here in the living room.
00:46:53Seriously?
00:46:55Yes, yes, yes.
00:46:57That's why they've seen a suspect,
00:46:59a client, a distributor.
00:47:00I guess that's not very helpful
00:47:02because for me it can be anyone.
00:47:04Exactly.
00:47:06It could be anyone.
00:47:08Even you.
00:47:11Don't make those jokes, captain, please.
00:47:13They're not jokes.
00:47:15Considering that the last attack
00:47:17took place near the gallery,
00:47:19my hypothesis is stronger than ever.
00:47:21I'm convinced that the aggressor
00:47:23works in the gallery,
00:47:25maybe even in La Moderna.
00:47:27Or in the pension, or in the bookstore, or in the cinema.
00:47:28Exactly.
00:47:30So don't be surprised
00:47:32if we interrogate you again.
00:47:34Again?
00:47:36Yes, yes, yes.
00:47:38But that was as possible witnesses.
00:47:40Now it would be more like...
00:47:42Are you telling me
00:47:44that we've become suspects?
00:47:46I wouldn't say that exactly.
00:47:48I would say that they are people
00:47:50of interest to the investigation.
00:47:52Of course, captain.
00:47:54Any help we can give
00:47:56to catch that criminal is little.
00:47:58I'll let the manager and the manager know.
00:48:00But if I think
00:48:02that it could be someone from here,
00:48:04I'm in big trouble.
00:48:06That's the way it is.
00:48:08We could have him right in front of us.
00:48:18Hi.
00:48:20Hi.
00:48:22Can we talk for a moment?
00:48:24Yes, of course.
00:48:26Alone, if you don't mind.
00:48:29Whatever you have to tell me,
00:48:31you can hear it, Rodrigo.
00:48:35I'd like to know
00:48:37how I've treated you with Mercedes.
00:48:39Well, I wouldn't know what to tell you, Iván.
00:48:42I think I made him come to his senses,
00:48:44but I wouldn't dare swear either.
00:48:46Don't annoy me, Paula!
00:48:48If something happens to him,
00:48:50I won't forgive myself.
00:48:52And what do you want me to tell you, Iván?
00:48:53It's dangerous for him to confront his father.
00:48:55But Mercedes is an adult woman.
00:48:57In the end, she'll do whatever she wants.
00:48:59But you were with her.
00:49:01Do you think she's going to do something crazy?
00:49:03Iván, if you'll allow me,
00:49:05I know I have nothing to do with this
00:49:07and that I wasn't there to talk to Mercedes.
00:49:09But put yourself in her shoes.
00:49:11Imagine someone had had your sister killed
00:49:13and you knew who it was.
00:49:15Well, she doesn't know.
00:49:17All right.
00:49:19It's clear that we all know
00:49:21that my father is in jail.
00:49:23He has the right to take justice into his own hands.
00:49:25And secondly,
00:49:27until it's proven that he's guilty...
00:49:29Iván, what Rodrigo means is that you don't trust him.
00:49:32We don't know where Mercedes might come from.
00:49:34So what do I do?
00:49:36I don't know. If you want,
00:49:38I can try talking to her again.
00:49:40Yes, yes.
00:49:42Well, I'll tell you something.
00:49:44But thank you anyway.
00:49:46But wait. What are you going to do?
00:49:48I don't know. I don't know. I'll think about it.
00:49:53I'll think about it.
00:50:00I'll leave this here.
00:50:02It's from table 8.
00:50:04But I was the one who was serving table 8.
00:50:06Yes, I know.
00:50:08But I saw you were talking to the manager
00:50:10so I thought I'd help you.
00:50:12I don't need you to help me.
00:50:14I've had enough.
00:50:16Especially now that there are almost no customers.
00:50:18I'm sorry. I didn't do it on purpose.
00:50:20No, you did it with the sole intention
00:50:21of helping me.
00:50:23No, man. Don't be so suspicious.
00:50:25I have nothing against you.
00:50:27We're colleagues.
00:50:29Unfortunately.
00:50:31Oh, Gruñón.
00:50:34Here.
00:50:36I brought you a gift so you can see.
00:50:38So I can see? What do I have to see?
00:50:40That we can get along
00:50:42and be good colleagues.
00:50:44Don't you want to open it?
00:50:46No.
00:50:48You can come back later and take it into account.
00:50:49No.
00:50:51Look, I've noticed
00:50:53that you always wear very shiny shoes.
00:50:56So I thought
00:50:58a concrete can would be good for you.
00:51:03Here, take it.
00:51:05No, I don't want to owe anything to anyone.
00:51:07But you're not going to owe me anything.
00:51:09Leave me alone!
00:51:20Oh, I just crossed the hairdresser.
00:51:22Let's see the collection.
00:51:24Oh, perfect.
00:51:26Yes? Do you like it?
00:51:28Yes, yes, yes. Let's see, move.
00:51:30Do you notice it's resistant?
00:51:32Yes, I think you can blow up a hurricane.
00:51:34This doesn't move.
00:51:36Well, look, this was what I was most worried about
00:51:38about the market scene.
00:51:40No animals, no people.
00:51:42It's a mess.
00:51:44It's a mess.
00:51:46It's a mess.
00:51:47It's the fault of the market scene.
00:51:49No animals, no people, nothing.
00:51:51Your hair doesn't cover your face.
00:51:53Well, it's not going to cover my face.
00:51:55Don't worry.
00:51:57That's a ...
00:51:59Yes, yes, forgive me.
00:52:01The doorman gave it to me for you.
00:52:03I guess it's Celia's, right?
00:52:12Well, I've finally arrived in Istanbul.
00:52:15Great.
00:52:17Well, crossing the Bosphorus has been very exciting
00:52:20and I hope we'll meet soon.
00:52:22What a relief to finally receive news.
00:52:25Of course.
00:52:27And are you still thinking about going with her?
00:52:29Well, I think about it, but I'm not so sure anymore.
00:52:33But why?
00:52:36Because it's going to be for the guy.
00:52:38I don't feel good traveling around knowing he's not well.
00:52:43Have you seen him today?
00:52:44No, I haven't eaten at La Moderna,
00:52:47but neither has he appeared, nor has Rodrigo.
00:52:50I don't know, maybe when the shoot is over
00:52:52we can go get him to have dinner with him.
00:52:54It's true, the shoot you're shooting.
00:52:56Well, you've already seen my hair, you can go now.
00:52:59No, don't worry, I'm waiting for them to finish lighting.
00:53:02And if not, the assistant will come to get me, don't worry.
00:53:05Perfect.
00:53:07And is the day going well?
00:53:09Yes, yes, yes.
00:53:11We were a little late, but it seems we've recovered.
00:53:14Are you sure? You seem worried.
00:53:18No, I'm not worried, I'm intrigued.
00:53:22Intrigued by what?
00:53:24Haven't you noticed Agustín and Ramaya?
00:53:27What should I have noticed?
00:53:29I don't know, I think they're up to something.
00:53:31And one thing I've noticed while directing
00:53:34is that when there's a big problem,
00:53:36the first thing the team does is try to hide it from me.
00:53:39But Averines, what problem is there going to be?
00:53:41I think they're your imaginations.
00:53:44Come on, go back before they miss you.
00:53:47Yes, yes, you're right.
00:53:49You're very pretty.
00:53:53Goodbye.
00:54:06Marcelina, can we talk for a moment?
00:54:09Of course, of course.
00:54:11Should I leave?
00:54:12Yes, leave.
00:54:15I wanted to ask you what happened with Quico.
00:54:18Because I thought he was pushing you.
00:54:20What?
00:54:22No, no, no, no, no, no, no, no.
00:54:25He wasn't pushing me.
00:54:27Well, I thought a little more and you'd fall to the ground.
00:54:30What? What are you talking about? Did he kill him?
00:54:32No, no, no, no, no.
00:54:34It really wasn't anything.
00:54:36I wanted to have a detail with him,
00:54:38I wanted to give him a gift,
00:54:40and the boy didn't want it.
00:54:42And you think this is reason enough
00:54:44to push you and throw you to the ground?
00:54:46No, really, it wasn't a push.
00:54:48I've been very insistent, Trini.
00:54:51You know how I am.
00:54:53I wanted to give him the gift in his hand,
00:54:56I wanted to put it in his hand,
00:54:58and he pushed it away.
00:55:00It's true that it was a bit abrupt,
00:55:02but really, it doesn't matter.
00:55:05Really.
00:55:07Look, Marcelina,
00:55:09I know what you're doing.
00:55:10I know what you're doing.
00:55:13And what am I doing?
00:55:15Well, protecting a partner.
00:55:18I understand that you don't want to end up like a whore.
00:55:21That's it, right?
00:55:23Well, yes, that too,
00:55:25but really, it doesn't matter.
00:55:28No, I think it does.
00:55:30These things can't happen in the modern world,
00:55:32much less that a partner, a man,
00:55:34raises his hand to a woman.
00:55:36You'll understand that this has to be known to Don Fermín.
00:55:38No, no, please, please, Mrs. Teresa,
00:55:40don't say anything to Don Fermín, please.
00:55:42He must have a thousand more important things
00:55:45to worry about than this whorehouse.
00:55:47Whorehouse? Marcelina, please.
00:55:49A man has raised his hand to you.
00:55:51Come on, in the middle of work.
00:55:53Please, Marcelina, no, no,
00:55:55this is not right.
00:55:57No, really, it's just that it was an accident.
00:56:00You don't have to turn it around.
00:56:03Please, Mrs. Teresa, don't say anything to Don Fermín.
00:56:06I was the last one to arrive.
00:56:08I don't want to be the first to complain about a partner.
00:56:10Please.
00:56:15Look,
00:56:19I'm going to let it pass because you ask me like this,
00:56:23but you're going to promise me one thing.
00:56:25Whatever you want.
00:56:27Well, at the very least,
00:56:29but at the very least,
00:56:31that you have a problem with Kiko,
00:56:33you come and tell me, okay?
00:56:35Understood.
00:56:37Because I'm not going to tolerate this kind of thing.
00:56:38I promise you that I give you my word
00:56:41that if something similar happens again,
00:56:43you will be the first to know.
00:56:45Well, I hope so.
00:56:48Okay, I'm going.
00:56:54How have you seen your mother?
00:56:56Well, much better, really.
00:56:58Look at how things are.
00:57:00With just a couple of calls to manage the foundation,
00:57:02it was as if they were born again.
00:57:04She's thinking about celebrating a party at home.
00:57:06I won't tell you more.
00:57:08A party?
00:57:10Wow, it has changed, yes.
00:57:12Well, it's not a strictly celebrated party,
00:57:15but a charity event, but ...
00:57:17Good afternoon, God's people.
00:57:19Good afternoon, Mrs. Amadora.
00:57:21Son, how close to the door you have sat,
00:57:23you will have to speak in voices.
00:57:25That's not what the norm says either.
00:57:27It's to hold the door.
00:57:29Don't close it with the current or something.
00:57:31Well, man, if it closes, you will open it.
00:57:33No need to exaggerate.
00:57:34Everything okay around here?
00:57:36Yes, everything is fine.
00:57:38I have come to inform you that dinner will be late tonight,
00:57:41that now I am going with some friends to the theater,
00:57:43and the play lasts two hours,
00:57:45so I will not be back until nine thirty.
00:57:47At least.
00:57:49Are we?
00:57:51We are. Enjoy it.
00:57:53Thank you. Two hours minimum.
00:57:55And I'm not telling you that at the exit
00:57:57we'll have a drink at the theater friend.
00:57:59Very good, okay.
00:58:01I have already notified all the guests.
00:58:02And there are some who have already said
00:58:04that they prefer to have dinner
00:58:06in the dining room in the corner.
00:58:08Specifically, the opposite of the room next door.
00:58:10He has already left
00:58:12and it will take time to return too.
00:58:14Understood.
00:58:16You are practically alone in the pension.
00:58:18At least in this corridor,
00:58:20you are the only ones left.
00:58:22Anyway, I'm leaving,
00:58:24I don't want to be late for the theater.
00:58:26Goodbye.
00:58:28Goodbye. Have a good time.
00:58:33What I think just happened.
00:58:35He is giving us permission to close the door.
00:58:39I think he was practically asking us.
00:58:42Well, let's not be ungrateful.
00:59:00Pepita told me you wanted to see me.
00:59:02Yes, come in.
00:59:04Can I serve you a drink?
00:59:06No.
00:59:08I'm still working.
00:59:10At this time?
00:59:12What can I do, son?
00:59:14I have to leave everything very well tied
00:59:16for the meeting with the Americans.
00:59:18Until Fermin doesn't sell me his 1%,
00:59:20I have to do juggling
00:59:22to keep these people interested.
00:59:26Sooner or later they will suspect
00:59:28that something is happening.
00:59:29I see.
00:59:31But before that happens,
00:59:34I have thought of a game
00:59:36that Fermin is waiting for us.
00:59:38Really?
00:59:40Yes. He thinks he's very smart.
00:59:42He thinks he has me trapped
00:59:44with his happy 1%,
00:59:46but I have an ace up my sleeve.
00:59:49And when he plays it,
00:59:51he will know how to come on his knees
00:59:53to beg me to buy his shares.
00:59:55And what do you do with that ace up your sleeve?
01:00:00I'll tell you when the time comes.
01:00:03Now, what I want to ask you
01:00:05is that you do me a favor.
01:00:07You see,
01:00:09it turns out that Lazaro had a sister.
01:00:11Well, he has a sister.
01:00:14And?
01:00:16Well, that Fermin had no idea
01:00:18of her existence until now.
01:00:20That she is a nun,
01:00:21for more signs.
01:00:23Her name is Caridad.
01:00:25Sor Caridad.
01:00:27She lived in a convent in Sigüenza.
01:00:29She lived?
01:00:31And what happened to her?
01:00:33No, son, no.
01:00:35What happens is that she has left
01:00:37without saying goodbye to anyone.
01:00:39No one knows where she is.
01:00:41And you want me to find her.
01:00:43Exactly.
01:00:45The first thing you're going to do
01:00:47is go to Sigüenza
01:00:49and talk to the nuns
01:00:51who have been there for a long time.
01:00:53She must have left a trace.
01:00:55What's her last name?
01:00:58Like her sister.
01:01:00Slava. Lazara Slava.
01:01:02Caridad Slava, son.
01:01:04Well...
01:01:09I'll do it.
01:01:11That's the way I like it.
01:01:13If I find her, what do you want me to tell her?
01:01:15Nothing.
01:01:17Nothing at all.
01:01:19I don't want her to know
01:01:21that you're looking for her,
01:01:23and the nuns don't either.
01:01:25Don't pretend to be a public servant.
01:01:27Something like that.
01:01:29Whatever you want,
01:01:31but don't let them know who you are.
01:01:33And if you find her,
01:01:35come here and tell me.
01:01:37Period.
01:01:39Yes, tell me.
01:01:41Inés, I'm Agustín.
01:01:43Agustín, is something wrong?
01:01:45No, nothing.
01:01:46No, why?
01:01:48I was with him here in the office and he doesn't show up.
01:01:51You're still in the office at this hour?
01:01:53Yes, well, I have to solve some issues.
01:01:55Have I woken you up?
01:01:57No, no, don't worry.
01:01:59We were already in bed.
01:02:01Are you sure everything is fine with Ramallo?
01:02:03Yes, yes, everything is fine.
01:02:05I imagine he will have entertained himself and will appear.
01:02:07Good night, my love.
01:02:09Rest well.
01:02:11See you tomorrow.
01:02:16See you tomorrow.
01:02:23Ramallo, what's wrong with you?
01:02:25I'm fine.
01:02:27Calm down, calm down.
01:02:31Sit down, sit down, calm down.
01:02:36Do you want water?
01:02:37Drink.
01:02:46Drink, drink.
01:02:48What happened?
01:02:59They just beat me up.
01:03:02What do you mean?
01:03:04Who?
01:03:05It's better if you don't know, Comas.
01:03:08Don't tell me this has to do with the money, Ramallo.
01:03:13You're right.
01:03:15We shouldn't have gotten involved in this mess.
01:03:17Inés convinced me.
01:03:20You did what you had to do.
01:03:22You did the best for the film.
01:03:25Comas.
01:03:29We have to finish the film on time.
01:03:32And return the money as soon as possible.
01:03:33Because if we don't...
01:03:35If we don't what?
01:03:40Are you telling me they're going to beat me up too?
01:03:44Don't bother me, Ramallo.
01:03:46This money has been spent practically until the last penny.
01:03:50Well, it's better if the film turns out well.
01:03:52Because if not, God will catch us red-handed.
01:04:03Miss, please, you have to wait.
01:04:05No, miss, I don't feel like it.
01:04:08You and I have to talk.
01:04:10Sir, I'm sorry.
01:04:12The miss didn't expect to be announced again.
01:04:15Don't worry, Pepita.
01:04:17Don't worry.
01:04:19Leave us alone.
01:04:25Indeed, I told you that if you wanted something from me,
01:04:28you would come and get it.
01:04:30But I didn't mean that you would come to my house at this time of night.
01:04:34Unless you're looking for company.
01:04:42If I were looking for company,
01:04:44I can be sure that it wouldn't be yours.
01:04:47And it's not the only person who has the right
01:04:50to make unforeseen visits.
01:04:53As far as I know, I haven't shown up at your house.
01:04:56The Madrid Cabaret is a public place.
01:04:59Right?
01:05:01Well, I understand that you don't like my face,
01:05:05but if I enter the Madrid Cabaret,
01:05:08at a commercial time,
01:05:11I don't think you can consider it an unforeseen visit.
01:05:20Why don't you have a drink?
01:05:24I haven't come to drink with you.
01:05:31I've come to settle accounts.
01:05:38Well.
01:05:41I'm sorry.
01:05:44I don't have ice.
01:05:47Lower your fist.
01:05:49Girl, don't hurt yourself.
01:05:53Lower your fist.
01:05:55No.
01:05:57He's going to pay for his crime.
01:05:58How can I tell you that I have nothing to do with your brother's death?
01:06:01Liar!
01:06:03You're wrong.
01:06:05The police can be fooled, but not me.
01:06:08Let's do one thing.
01:06:10I have no intention of reporting you.
01:06:12You're on time.
01:06:14All you have to do is turn around and go out that door.
01:06:17Don't think of leaving until I'm done with you.
01:06:21You know what I'm thinking?
01:06:25I don't think you're going to do it.
01:06:29Because to kill a human being you need a lot of courage.
01:06:32And you don't have it.
01:06:39Do you know what it feels like when someone is about to die?
01:06:45You're not going to do it.
01:06:47You're not a murderer.
01:06:49Shut up!
01:06:51Maybe you are.
01:06:53Okay.
01:06:54Finish me off.
01:06:56But know that you will be punishing an innocent person.
01:06:59And that will burden your conscience for the rest of your life.
01:07:03A life that you will spend in jail.
01:07:05I don't care what I think.
01:07:07The only person responsible for your brother's death is Lazara Slava.
01:07:12I know you want me to be the one to blame.
01:07:15I know you've talked to the police.
01:07:17They haven't confirmed the truth.
01:07:20Yes, but you don't want to accept it, do you?
01:07:24Do you want to go on with this madness?
01:07:27Go on, go on!
01:07:29Go on!
01:07:31I'm not going to defend myself.
01:07:33Come on, come on!
01:07:35You're trying to confuse me.
01:07:37No, no, I'm trying to confront you with reality.
01:07:40The truth, Mercedes.
01:07:42Your brother died because of a despised lover.
01:07:44No! No!
01:07:46That's not true!
01:07:48You're 100% sure that I'm to blame.
01:07:51Are you 100% sure that what you think is true?
01:07:56Because if that's not the case,
01:07:58you have no right to take justice into your own hands.
01:08:01You'll end my life,
01:08:03but you'll turn yours into hell.
01:08:06Hell for the rest of your days.
01:08:20No!
01:08:47What do you think?
01:08:49This is the idea I came up with for the new season.
01:08:53It looks impressive.
01:08:56And they smell wonderful.
01:08:59We just have to try it, Mr. Fermin.
01:09:02What is it made of?
01:09:04Cream and puff pastry.
01:09:06And as I was saying,
01:09:08it's one of the ideas I have
01:09:10to expand the offer of the modern pastries.
01:09:19This is exquisite.
01:09:22Yes?
01:09:23Exquisite.
01:09:25Well, then we have to offer it to the customers as soon as possible.
01:09:29I'm glad you like it, Mr. Fermin.
01:09:32And if you like it,
01:09:34I'll be able to take out a couple of trays right now.
01:09:38And I'm glad to see you so enthusiastic.
01:09:42Well, let's see.
01:09:44And I'm glad to see you so enthusiastic.
01:09:48Because, my God, Pietro,
01:09:50the calvary you've had to go through
01:09:52during these weeks at the behest of that bird of Simon.
01:09:56That's already forgotten, Mr. Fermin.
01:09:58Now we all have to work together.
01:10:00The pity is that we still have so few customers.
01:10:03But that's just a bump we'll get out of.
01:10:05With a template like the one we have,
01:10:07we can't fail.
01:10:09This is for sure, Mr. Fermin.
01:10:10We're going to leave our lives
01:10:12so that modernity can be what it was.
01:10:14And I'm so glad to see you so well.
01:10:17With this spirit, I'm sure we'll get over this crisis very soon.
01:10:21Much sooner than we all think.
01:10:23I'll tell you one thing.
01:10:25As soon as I have the sweets I have in mind ready,
01:10:28I'll give it to you to try.
01:10:30I think it's great.
01:10:32And I also have an idea
01:10:36that could be very interesting
01:10:38for the company.
01:10:40And you're not going to tell us anything?
01:10:42No.
01:10:44Before I share it with you,
01:10:46I have to mature it a bit.
01:10:48So I beg you,
01:10:50be patient.
01:10:59Cañete, please.
01:11:05Do you need anything else, Captain?
01:11:06No, coffee is enough.
01:11:08But maybe you can help me with that.
01:11:13Is this the list I made with all the employees of La Moderna?
01:11:16That's right, and I think I made a mistake.
01:11:20What do you mean?
01:11:22I think I took too much of the list of possible suspects.
01:11:25Vera, after the latest version,
01:11:27I want to expand this list to drivers,
01:11:29and people who come and go by La Moderna frequently.
01:11:31Also with the former employees
01:11:33who worked here in recent times.
01:11:35I can help you with that without any problem.
01:11:38I would also like to interview the staff of La Moderna again,
01:11:41in case something has gone wrong.
01:11:43Very well.
01:11:45You know that Don Fermin will not object to this.
01:11:47Although I still do not believe
01:11:49that the hooded man at the door of the sun
01:11:51may be on this list.
01:11:53Well, maybe he works here
01:11:55or in another establishment in the gallery.
01:11:57We can't rule out anyone.
01:11:59Captain, I've known everyone who works here for a long time,
01:12:01and it's hard for me to believe
01:12:03that they are capable of committing such atrocities.
01:12:06Everyone at La Moderna is hoping
01:12:08that they catch that bastard.
01:12:10Well, don't be so surprised.
01:12:12That kind of criminal
01:12:14tends to have a more normal look.
01:12:17Well,
01:12:20thank you for that.
01:12:22I have to go.
01:12:24Have a nice day.
01:12:25Bye.
01:12:31Hi, Ian.
01:12:34What are you doing here?
01:12:36We've decided to come and see you
01:12:38while Father is away.
01:12:41You're scaring me.
01:12:43How can I help you?
01:12:45I'm going to be very honest with you.
01:12:48We don't understand your behavior in the last few days.
01:12:52And what exactly don't you understand?
01:12:53Your conciliatory attitude with us
01:12:55has us puzzled.
01:12:57That's why we haven't answered you well.
01:12:59But we're going to make amends.
01:13:01We've been very cold to you
01:13:03and we want to apologize.
01:13:05We also want to lend you a hand.
01:13:07We are willing to forget
01:13:09everything that has happened between us
01:13:11and start over.
01:13:13If you decide to stay away from Father,
01:13:15you can count on us.
01:13:17My answer is no.
01:13:20What do you mean no? Why?
01:13:21Look, sister.
01:13:23I think it would be better
01:13:25if we kept our distance.
01:13:27Let's see if now we're going to have to eat
01:13:29from the same plate every time we meet.
01:13:31That's not what we were offering you, Iván.
01:13:33Even so, I'm fine the way I am.
01:13:35Thank you for worrying.
01:13:37I don't understand you, Iván.
01:13:39When you asked me to talk to Mercedes,
01:13:41I didn't hesitate to help you.
01:13:43And I thanked you.
01:13:45End of story.
01:13:47No, don't try to fool me.
01:13:49There was something else.
01:13:51Your answer was honest.
01:13:53I asked you out of personal interest.
01:13:56Only you could convince Mercedes
01:13:58of how dangerous it is to face our father.
01:14:01Do you really think you'll always be fine
01:14:03manipulating others?
01:14:05At the moment, I can't complain.
01:14:07My life is quite pleasant.
01:14:09I'm heartbroken to see
01:14:11that you haven't changed a bit.
01:14:13And me, checking how innocent
01:14:15you can be.
01:14:17What a shame, Iván.
01:14:19What a shame.
01:14:21What a shame.
01:14:30I'm sorry, sister.
01:14:32But the further away we are,
01:14:34the better for you.