La Promesa - Capitulo 519 - video Dailymotion
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00:00♪♪
00:30I promise you, I swear I won't let our dreams fall into disarray.
00:36Congratulations, but...
00:38But nothing, this is nonsense.
00:40You broke your promise only weeks ago,
00:42and now it turns out that you are engaged.
00:44Yes, because Jaco asked me to marry him and I said yes.
00:47The truth is that I was expecting another reaction on his part, you know?
00:50It is still to be seen.
00:51May this be a joy, dear.
00:53If Mrs. Pia suspects something, I think we have to be more careful than ever.
00:56So none of the four of us will set foot in that room.
01:00But now we have discovered the letters.
01:02Precisely because of that, Marcelo, we could lose everything.
01:05So we have to stop.
01:06Yes, Teresa is right.
01:08And measure everything we say a lot.
01:10We never know who might be listening.
01:12Then I'm going to go to Lujan to see my son, Diego.
01:16And, well, I thought the same, I don't know, he would like to accompany me,
01:20that we were together, maybe.
01:22Yes.
01:23Yes, if you want, yes.
01:25He said yes?
01:26Well, he misses you.
01:28I'm going to be delighted.
01:30My fear is that you are going to rush.
01:33And I confess that I also get dizzy from time to time, but ...
01:37It happens to me when I'm with him.
01:39Once you do it, there is no going back.
01:40I know.
01:41I know this seems like the result of a robbery, but it is not, it is not.
01:44Really, Curro, it is not.
01:46I just want you to be happy.
01:48But I promise you that I will be.
01:50Who founded the refuge?
01:52Do you know him?
01:53I know him.
01:54And he is a very special man.
01:56He only thinks about others.
01:58But he prefers to stay hidden.
02:00If you thought I was going to say something about all this,
02:03you would never have trusted me to take the car.
02:05You know I have the power to change the turns, right?
02:09You won't dare.
02:11Get away from me.
02:15You know you get very pretty when you're alone, right?
02:18Get away, I say.
02:20Really?
02:21Do you really want me to ...?
02:24Yes.
02:35Don't kiss me again, Lorenzo.
02:37Don't say something like that again.
02:38Calm down.
02:39Calm down.
02:40You don't have to be so aggressive.
02:42If you had said it, it would have been enough.
02:45You'd better calm down if you don't want to get another kiss.
02:48It's not the first time I've done it and, of course, you've never been like this.
02:51How dare you?
02:53Don't be ridiculous.
02:54We know each other too well.
02:56Don't say that again.
02:59You want to leave things as they are, I understand.
03:02What happened will not happen again, I assure you, Lorenzo.
03:06Well, it's a shame because we have enjoyed a lot together.
03:10It can be seen that I have idealized the memories of the past and you see them as that.
03:14As memories.
03:15I'm not kidding.
03:16If you talk about this again ...
03:18I'm a grave.
03:19If you say something like that again ...
03:21I'll see you with Doña Leocadia de Figueroa.
03:25It has become clear to me.
03:27I swear you will regret it all your life.
03:29Calm down.
03:31I'm not one of those who beg for a woman's affection.
03:36It will be for fish in the sea.
03:38Well, don't waste your time.
03:40Run, Carlos.
04:51We are the love when life or death is lived.
04:55A long way to go.
04:59In the promise you will be a matter of luck.
05:03We are like a jump to the defense.
05:07We are the love when life or death is lived.
05:11A long way to go.
05:15In the promise you will be a matter of luck.
05:21In the promise you will be a matter of luck.
05:42But if this is a matter of time, I'm not going to be worth it.
05:47Can I know what you're doing?
05:50Sorry?
05:54Don't play dumb with me, Hanna.
05:56I've been talking to the fashion designer.
05:58I called him to ask him when I would have these new dresses ready.
06:02And do you know what he answered me?
06:04I guess he will have been informed that I contacted him to cancel the order.
06:08Well, I don't know who gave you permission for this.
06:10But it seems incredible to me that you do not value the efforts I am making
06:14so that you have a decent wardrobe.
06:16I'm very sorry I wasted your time.
06:18And you're still making me lose it now.
06:21It will be better if I leave and call Don Sergio to continue with his work.
06:24Don't do it, please.
06:27What do you say?
06:28I have more than enough clothes.
06:30Well, that will be what you think.
06:32Hanna, now you are Manuel de Luján's wife.
06:35You have to dress according to her.
06:38Look, you also know, like me, that the Marquis is not having his best time.
06:43I told you that was none of your business.
06:45And stop putting your nose in the accounts books of La Promesa.
06:49I'm just listening to what Mr. Marquis said about being more competent, nothing more.
06:54One thing is to save and another very different is to dress like a whore.
06:59Besides, we can't dispatch the Modesto like that.
07:02People will find out and think we are starving.
07:06Don't worry, I made sure to tell him it was a personal decision.
07:10Perfect, then everyone will think that you are the starving one.
07:13Let them think whatever they want.
07:15I've never lived from appearances and I'm not going to do it now.
07:20And what are you going to do with all this clothes?
07:23I don't like this clothes.
07:25And what are you going to do with it?
07:27I'm going to fix it, together with Teresa.
07:30But what are you saying?
07:32You are the wife of the future Marquis, please.
07:35Not a vulgar seamstress, this is ridiculous.
07:38Well, look, I'm going to do what suits me best to the Marquis.
07:42And anyway, don't worry.
07:44They are not inviting us to too many social events, so I won't be able to make a fool of myself.
08:02Are you sure about what you say?
08:04The numbers don't lie, father.
08:06Rent is our main source of income.
08:09Well, that's why I think it's counterproductive to raise rents.
08:13The tenants could break the contracts and then we wouldn't even see a penny.
08:17Well, we could always talk to them and tell them the situation.
08:21And put them on the lookout for our shortcomings?
08:23No, we have to find another solution.
08:25Well, I don't know which one.
08:27Unless we find another source of income.
08:32Good afternoon.
08:33Good afternoon.
08:35Martina!
08:37What a joy!
08:39And more with that smile.
08:41We are working on the accounts of La Promesa.
08:43And ... do they fit?
08:47Well, let's say that framing the accounts of such an extensive estate as this one would not be easy.
08:52But we don't want to bore you. See you later at dinner.
08:54No, no, no. I just wanted to talk to ...
08:56Yes, but at another time.
08:57It has to do with the estate.
09:01Look.
09:03And this folder?
09:04Well, that folder ...
09:07Do you remember the percentage of La Promesa that belonged to my mother?
09:11The one that he snatched from the captain of the Mata?
09:13Exactly. The 25% that he snatched from that tomb.
09:18Well, now it belongs to me.
09:21What?
09:23Yes, that since my mother does not plan to return to La Promesa soon, she has given it to me.
09:30Jacobo!
09:31What are you doing here?
09:33Well, they told me that I would find you in the library.
09:36I don't know if I'm interrupting something.
09:37No, no, no. No, don't worry.
09:40How are you finding each other, Jacobo?
09:42Well, very well. Right now I was looking at the gardens in the company of Don Francisco and I have to confess that I am totally amazed.
09:48And that, you have only seen a small part of the farm.
09:51Oh yeah? Really?
09:53In fact, if you want, we can go for a walk and I'll show you my favorite corners.
09:58Ah, well, it will be a pleasure.
10:00Gentlemen.
10:03Let's go.
10:28Does he come from town?
10:30Ah, I hadn't seen him, sorry.
10:33Don't worry, I've seen that he was thinking about his things.
10:36Yes.
10:39So, does he come from town? No, he hasn't answered me.
10:42Ah, no, no.
10:44Well, I was taking a walk in the gardens with Mr. Monteclaro's company.
10:50Martina asked me to give him a little tour.
10:56Martina and you get along very well, don't you?
10:59Yes, we are cousins.
11:01And is she your favorite cousin?
11:06I think she's getting too fond of Sir Arthur Conan Doyle's novels.
11:12You haven't started reading Sherlock Holmes, have you?
11:15No.
11:17It wasn't a deduction of mine. Catalina told me this morning. I'm not that brilliant.
11:22Anyway, forgive me if I was indiscreet when asking so much.
11:26No, it wasn't a very good secret.
11:28That's exactly what she told me. That you've been very close since you were kids.
11:32Yes, we've spent long seasons here in La Promesa and that has forged a good friendship.
11:39But not so much so that you can keep track of his privacy, right?
11:45What do you mean?
11:46Last night when you introduced your fiancé Jacobo, you didn't seem to be aware of what he had done in recent times.
11:51I see.
11:53That's because Martina, when she left La Promesa, didn't leave many clues about his whereabouts.
11:57Yes, I found that story a bit confusing, to say the least.
12:01It isn't.
12:03But the important thing is that Martina is back.
12:07I see.
12:11I'm leaving.
12:12Forgive me if I meddle where I'm not called.
12:15But it's just that since I've seen you together, I've found you to be...
12:19well, something more than welcome cousins.
12:22Well, yes. You do meddle where you're not called.
12:27So you've stuck together.
12:29No, of course not.
12:32I'll say it again, Martina and I are just cousins and that's it.
12:35Then why didn't you introduce her to me at the Ballester dance?
12:38And you reacted in a strange way when you saw her with Jacobo.
12:43It's just that I didn't know who he was.
12:45And that's why you didn't tell your family that you had seen her at the dance?
12:48Look, enough already.
12:52Can I know what this interrogation is about?
12:55No, it's not an interrogation.
12:56It was just out of curiosity.
12:59But I'm sorry if I've bothered you.
13:01Well, yes, you've bothered me.
13:04And for the future, I recommend that you don't meddle where you're not called.
13:09What happened to her?
13:12Leave her alone.
13:26Is everything correct?
13:28Check the date.
13:30Father, apparently Aunt Margarita formalized these documents before leaving La Promesa.
13:35If she had planned to leave for Canada, it makes sense that she would let her daughter go.
13:41So she doesn't plan to return?
13:43I don't know what Margarita is thinking.
13:46But we have to focus on what this affects us in the situation we are in.
13:53At first glance, it's good news.
13:56Martina has always been a member of the family.
13:58Yes, she is closer to us than her mother.
14:02And this could change things.
14:06To begin with, Martina's percentage is out of the contract we are going to present to Lorenzo.
14:13According to how we have written it, yes.
14:17That is to say that, in a way, that part is insured.
14:22Yes, but that part is Martina's, not ours.
14:24Yes, but it is practically back in our hands.
14:27Father ...
14:28It will be easier to deal with Martina when the time comes.
14:31I'm not saying otherwise, but that doesn't solve our problems right now.
14:35What we need now is to find a new source of financing.
14:39And sign that damn contract.
14:45I know.
14:47Take that hot chocolate.
14:50And you'll see how things will be different later.
14:55I hope so, Mona.
14:57But it seems to me that now your remedies don't work.
15:00But what has happened?
15:02Until recently you were happy.
15:05It can't be that bad.
15:07Unfortunately, yes.
15:10I'm full of fears and I feel like I'm going to die.
15:12Unfortunately, yes.
15:15I'm full of fears and I feel like my world is coming down.
15:19But those fears are normal.
15:22We have all been through those fears.
15:25Did you also think that you were going to die in childbirth and you were going to leave your children helpless?
15:30Well ...
15:31Yes or no?
15:32That it is not normal to have these black scum?
15:35Let's see, miss.
15:37Fears are free.
15:39Yeah, but I think I'm not going to survive childbirth.
15:42What nonsense is that you're saying?
15:45In short, those omens have no basis.
15:48But they can happen.
15:50Why wouldn't they happen to me?
15:52Besides, a pregnancy is already a very big risk for any woman.
15:55God watches over all of us.
15:58If not, humanity would not move forward.
16:01Not all of us, Simona.
16:03There are some who stay on the road when they give birth.
16:06Yes, it is true that this also happens, unfortunately.
16:10And more if you have twins.
16:12But there are also twins who are born every day from healthy mothers like you.
16:17And at night they sleep with their mother, one on each side.
16:20And that's what's going to happen to you.
16:22Just like your mother, Mrs. Carmen.
16:26No, Simona, I can't deny the reality.
16:29My pregnancy is being very problematic and it may not survive.
16:33And denying it will not make it disappear.
16:36But just now the doctor has told you that you are evolving very well and that you are out of danger.
16:42Yes, but the worst of all is that if I die, my children will be at the mercy of Cruz.
16:46No, that's not true.
16:48That's why we are here.
16:50In a way, we are also family of those creatures.
16:54Yes, yes, I know that up there they will also take care of them,
16:57but no matter how hard they try, they will not be able to get rid of my stepmother.
17:01Mrs. Marquesa has her things, but she is not a hero either.
17:07Do you want me to remind you how she treated me and Tomás when he came to this house?
17:11My mother had just died.
17:14No need, miss.
17:16I remember perfectly well that you and Tomás took refuge from her here, in the kitchens.
17:22Sometimes I dream of the memories of all that torture I lived.
17:26And the worst thing is that it has not improved, quite the opposite.
17:30But you are strong now and you can face it.
17:34No, if I don't survive the birth.
17:37And if Cruz does the same thing he did to me and I'm not there to protect them.
17:42And why would he do something like that to those innocent creatures?
17:45Because for her they are nothing more than bastards.
17:47Why do you think I asked my father for the palace of Cádiz?
17:50I don't know, miss.
17:52Well, to give them a safe home, far from here and far from Cruz.
17:56What did his father tell him?
17:59Actually, it doesn't matter what he says, but what she says.
18:03And to no one's surprise, I have denied it.
18:04And I don't know what to do, Simona. I don't know what to do.
18:07Miss, stand up. Do me a favor.
18:10And leave those fears and those omens behind.
18:13And do me the favor of trusting. Trust that everything will be fine.
18:28Samuel!
18:32Are you sure you can do that?
18:34María, you were here.
18:36Well, yes.
18:38And I'm sorry I scared you and almost made you fall.
18:41Don't worry, these crutches are very resistant.
18:45And I couldn't stay lying in bed all day.
18:51You know I'm in favor of you moving, but ...
18:55You don't have to do it yourself.
18:59María, were you coming for something?
19:01No.
19:04Well, yes.
19:06I wanted to talk to you, precisely.
19:11Oh yeah?
19:14You can imagine why.
19:19About the mattress I asked you to take to the shelter.
19:22The mattress is important, but ...
19:25I was referring to something that affects us both.
19:28I see.
19:30About what happened between us.
19:34María, if I remember correctly, the last thing I asked you was ...
19:38for you to take the mattress.
19:40And go ahead with the mattress, it has nothing to do with the mattress.
19:44Well, whatever it is, we'll talk about it later because now we have a visitor.
19:50Miss Ángela, what can I do for you?
19:53I have been told that Father Samuel was here and I thought it would be a good opportunity to meet him.
19:59Well, his wish would be that Father Samuel could go to the noble plant.
20:02What else? Is there a border in this palace?
20:05Besides, being how Father is, I understand that it would be a hard task for him.
20:10How are you, Father?
20:12Better, thank you very much.
20:14And who do I have the honor to greet?
20:17Of course, I make the presentations, there would be more missing.
20:20Miss Ángela, daughter of Mrs. Leucadia.
20:24Both guests of Mrs. Cruz.
20:26Delighted.
20:27Likewise.
20:28And Father Samuel, parish priest of Luján.
20:30Excuse me if I don't get up, it's just that ... with my leg like this ...
20:34Don't worry.
20:36And I'm going to stick to the deal.
20:38If there are borders in this palace, there must not be any between people either.
20:42It seems appropriate to me.
20:44And can I ask you ... ask you what happened to your leg?
20:49An unfortunate motorcycle accident.
20:52But thank God, I only broke my leg.
20:55Thank God. I wasn't going to leave one of his things lying around.
20:58It surprises me that a member of the clergy uses such a modern means of transportation.
21:03We left the chairs behind a long time ago.
21:06But yes, I guess everyone thinks I'm such a peculiar priest.
21:11Yes, I know.
21:13And I have been able to verify it.
21:17I have visited that refuge where those poor people are served.
21:21Oh yeah?
21:23And how is that possible?
21:26Well ...
21:30I asked Miss Ángela for help to carry the mattress.
21:35Really?
21:37The mattress was very large and Marcelo could not carry it alone on the bicycle.
21:41So I asked Miss Ángela for help to carry it in the car.
21:46Thank you very much, then.
21:49I thank you.
21:50And I hope that María has also made special emphasis on the importance of this place not being known to the gentlemen.
21:56Although she has already broken the rule by telling you.
22:00Don't worry. Really, no one will know about me.
22:06To reach certain ears could mean your closure.
22:10That is the last thing I want.
22:12And I was really impressed by what I saw there.
22:15Oh yeah?
22:17I even got emotional.
22:19And I am very curious to know how a place like this is carried forward.
22:26Well, in that case, if you have any questions, here I am to clarify it.
22:49Are you still working at this time, sir?
22:52Yes. I'm afraid I'm late, too.
22:55Maybe you should ...
22:57Get some rest. I wouldn't like anything more.
23:00But I have to keep working.
23:02I don't recommend it to you.
23:04You may not make much progress at this time.
23:06I have to keep trying.
23:08I insist, sir.
23:10It may be difficult for you to keep up with the accounts.
23:13Do you know what's going on, Rómulo?
23:14Do you know what's going on, Rómulo?
23:16It's not about finding a flaw in the balance sheet.
23:19Unfortunately, the numbers don't lie.
23:22I'm very sorry, sir.
23:24I know it's not the first time we've been in this situation, but this time it's different.
23:28What do you mean, if I may ask?
23:32That we are in a very serious crisis.
23:36Much more than we can bear.
23:38I thought that the loan from Captain De La Mata would provide some liquidity.
23:42That money will be used to pay off late debts.
23:46It will give us time, but it won't solve the problem.
23:48So what can we do?
23:50Isn't it enough for us to keep pressing on the belt?
23:53We have to do it.
23:55But that won't stop the debacle.
23:57You put it that way, it sounds devastating.
24:00I feel failed.
24:02No, that's not true, sir.
24:04Yes, it is, Rómulo.
24:06I am responsible for supporting my family, my wife, this entire palace.
24:09And I can't even pay Hanna's modesty.
24:12I don't think that's a serious problem.
24:15I understand that she has underestimated that service.
24:18Besides, I know Mrs. Hanna and she doesn't care about that.
24:22That she doesn't care doesn't mean that I don't care.
24:25Sometimes circumstances put us in difficult situations to control.
24:30And this is one of them.
24:32And then we have no choice but to do what you are already doing.
24:35What you are doing.
24:37Moving forward with perseverance and resisting.
24:41That's what I'm trying to do.
24:43Besides, it's not bad that 100 years last, sir.
24:46The Lujans will move forward once again.
24:48God willing.
24:50Do you have any doubts about it?
24:52All of them.
24:54Besides, I can't allow it because I have to transmit security to everyone.
24:58In this family there are two pregnant women who have to get to a good port.
25:01Yes, especially Miss Catalina's.
25:05She's the one who's more at risk.
25:07That's precisely what I wanted to talk to you about.
25:12About my daughter?
25:14Yes, look.
25:16I'm afraid I've made a small indiscretion.
25:20Although she hasn't seen me, I've heard something I shouldn't have.
25:24And do you think I should be aware?
25:26No.
25:34I know you've come to see him, but I was very surprised to see how much Diego has grown.
25:40Yes, well, Veni takes care of him very well, there is no more mystery than that.
25:44Well, you light his face when you talk about him.
25:46I can't help it, it's my illusion and what makes me get up every morning.
25:51I understand perfectly.
25:52Yes, I suppose you would also have wonderful moments with Santos.
25:57Well, especially as a child.
25:59That's why now I'm surprised that we have such a great distance between us.
26:04Sorry, I didn't mean to bring up the subject.
26:07No, no, don't worry, don't worry.
26:09That helps me to know that you can learn a lesson from everything.
26:13What lesson?
26:15Well, you have to make the most of the time you spend with your children.
26:19What happens with children is that you don't know what life is going to give you.
26:24One day they are adorable and affectionate and the next day they don't want to hear about their parents.
26:34Well, we had a good time, didn't we?
26:38Yes, very good.
26:42I guess it's time to say goodbye.
26:45I guess so.
26:47I'll be in my office for a while, fixing some things for tomorrow.
26:52I'm not going to go to bed yet, it's early.
26:56Yes, yes, it's still early, of course.
26:58Yes, I'm going to take the opportunity to talk to Hanna and Maria, if you don't mind.
27:03Yes, of course.
27:04Good night.
27:14Tell them to remove all those flowers, they are all wilted.
27:17Yes, ma'am, you're right.
27:20We'll put fresh flowers tomorrow.
27:22I hope so, because what I was missing was that the flowers in the garden were also wilted.
27:26I don't know if you know the saying that says that even if the storm calms, the flowers continue to open.
27:32Now you come to me with absurd proverbs.
27:35Excuse me, ma'am, it was not my intention to bother you.
27:38I immediately ordered them to be removed.
27:41I'm not angry about the flowers, but about Hanna.
27:45That woman would end up with the patience of the Holy Eye.
27:49She used to have the audacity to answer me, after cancelling the request for the modist.
27:54She is ungrateful and does not miss the opportunity to leave you wrong in front of everyone.
27:58And the worst thing is not only what she does, but how she replicates me.
28:02With a parsimony and a shame that boils my blood.
28:06But you must be very careful with her, ma'am.
28:09Because every day that passes she feels more powerful.
28:11I know, Petra.
28:13You don't have to come to me with news.
28:15If there is nothing else to look at, where does she come from?
28:17She was nothing more than a maid, a simple servant.
28:21And she has become the future Marquise of Lujan.
28:24Inaudible, I know.
28:25She managed to seduce her son, marry him and now get pregnant.
28:33The worst of all is that if we don't do something, she will get what she proposes.
28:38And what are you going to do, ma'am?
28:40Well, I don't know yet, but something will come to me.
28:45I am like the rock in front of the sea.
28:48No matter how much the waves hit me, they can't take me down.
28:50That's true.
28:52I've never seen her faint or give up.
28:55And I'm not going to do it now.
28:57Maybe Hanna has taken advantage of me right now.
29:00But I will not rest until I get rid of her forever.
29:03Well, I don't know why, but I sense that you have already done something about it.
29:08That's right.
29:10With Hanna's movement, I have recovered the money that we gave to the modist.
29:15And what are you going to do with it, ma'am?
29:17Give it to that blackmailer.
29:18Give it to that blackmailer.
29:20The damn photographer.
29:22That Miguel Ángel Tornel.
29:24As soon as he has his money, he will give me the letter of the person who betrayed me.
29:28And as my suspicion is confirmed that it is Hanna who is behind all this,
29:33she can run now.
29:35Because I will attack her mercilessly.
29:37And that will show everyone who she belongs to.
29:41Sooner or later, my son will realize that this woman does not deserve his trust.
29:46And much less his love.
29:48And much less his trust.
29:56Well, I understand, Mrs. Pia.
29:58If you have not discussed or had a bad time with each other,
30:01I don't know where that bad atmosphere comes from,
30:04between Mr. Pellicer and you.
30:06Well, I don't know how to explain it well, Maria.
30:08But it's like, being together, we are not comfortable.
30:12I see.
30:14But they have gone to see Diego, right?
30:16Sure. And she should be happy, right?
30:18At home, on the avenue, she had a smile from ear to ear.
30:22But she has gone too far.
30:27Well, you don't look like a seal either.
30:29It's not the joy of the garden, but between a leek and a celery.
30:33Too much. You have to throw it in the trash.
30:35More or less, yes, Maria.
30:39The thing is that things are not going well with Mr. Ricardo.
30:42Well, it's neither good nor bad, Hanna.
30:44I think that everything that has happened to us is really affecting us.
30:46And I don't want it to sound selfish,
30:49but the situation with Santos doesn't help him either.
30:52Selfish? Why?
30:54Well, selfish, Maria, because I get bored talking about the same thing all day.
30:56And I understand that for him it is important, of course.
30:58Well, it's just that Santos bores me a lot.
31:00And more, to hear about him.
31:02Well, that's why it's different.
31:04Because I should be there to help him and support him in everything.
31:06And he's doing it.
31:08I'm convinced because he's a good person.
31:10Well, I won't be such a good person when I'm ...
31:12I'm thinking about things.
31:17Oh.
31:19Things like what?
31:21Well, things like ...
31:23Well, like leaving the relationship.
31:25Or more serious things, like ...
31:27Abandoning the promise.
31:29What?
31:31But what was that going to do for you?
31:33Let's see, I only think about it when I'm desperate, Maria.
31:35But it's just that the need I have is to escape, to run away.
31:38Yeah.
31:40To run away from Mr. Ricardo,
31:42as his first wife was supposed to do.
31:43As his first wife, yes.
31:45And I don't know why I get those thoughts, really.
31:47Well, maybe because you've heard Santos
31:49give his mother's opinion about Mr. Ricardo
31:51and he wonders if it could be true.
31:53No, I know that Ricardo is unable to hurt anyone, Hanna.
31:55At least that's what I think,
31:57in my moments of sanity, of course.
31:59Yeah.
32:01But I understand that he doesn't want to run into a copy of Gregorio.
32:04Well, no.
32:06That's just thinking about a mistreatment or a bad word.
32:08It's just that ...
32:10I get chills, really.
32:11Of course, you get chills when cold water flows.
32:14It's not exactly like that.
32:16Yeah, well, cold water is my harvest.
32:18My heart is my harvest.
32:39Another day coming,
32:41we're going to eat the leftovers of a breakfast we didn't have.
32:45Again, complaining as usual, Candela,
32:46As always, Candela, you're mumbling more than you speak.
32:48It's just that I'm mad.
32:50I haven't tried the croissants that López made.
32:52Don't worry about that. I'm going to make you some toasted
32:55colored butter that will take away your sense of smell.
33:01Miss Martina,
33:04wasn't there anything you liked for breakfast?
33:06Can we make you something else?
33:08No, no, no. Not at all. Everything was perfect, as always.
33:11The only thing is that Jacobo had never tried López's croissants.
33:14And he wanted to come down to congratulate you in person.
33:17Yes, indeed. They were delicious.
33:19Thank you very much, young man.
33:21Let me introduce you. They are Candela, Simona and López.
33:25A cook in a stove. How original.
33:28López, with his innovative ideas, is responsible for those flavors
33:31that you have undoubtedly noticed.
33:33Of course I have.
33:35And then there are Candela and Simona,
33:36who are more of the betrayal in the kitchen.
33:40A good combination. I trust that the result is excellent.
33:43In fact, I would dare to say that this team would be the envy
33:45of any restaurant in the capital.
33:48We thank you very much for your words
33:50and the gesture that you have come down here to tell us.
33:53But it was not necessary.
33:54A maid would have told you and it would have been the same for us.
33:57Although it was also nice that they tell you personally.
34:00Excuse the interruption, Miss Martina.
34:04What is your visit due to?
34:06Well, nothing has happened.
34:07I was just showing Jacobo the palace
34:10and we have decided to go down to the kitchens to personally congratulate the cooks.
34:15Yes, that's right.
34:17Although, to tell you the truth, we have not only come to congratulate them.
34:20Ah, of course. How can we help you?
34:23Well, apart from introducing you to my fiancé Jacobo,
34:27I also wanted to ask you if it was possible to prepare something special to eat.
34:34Of course. Something like what?
34:37Well, I wanted to treat Jacobo to his favorite dish.
34:39Ah, very good. And what is his favorite dish?
34:43Faisan. Although I don't know if he will have time.
34:46Of course, Faisan is ...
34:47Of course, yes. No problem.
34:50Yes?
34:50Of course.
34:51Thank you very much.
34:53It's just that you haven't tried something like this in your life.
34:55I'm sure.
35:08Samuel, can you stop making efforts on your own?
35:12María, I'm never alone. God always accompanies me.
35:16Yes, but God is not going to appear to give you a hand and ...
35:19and to take you down the stairs.
35:20You don't know that.
35:23Well, call me and I'll do whatever you want, but I'll stay calmer if Marcelo helps you.
35:28By the way, where is Marcelo?
35:29I'm afraid I was the one who fired him.
35:32He had offered to help me, María.
35:35And why did you do that?
35:37Because I have to stand up for myself.
35:43Samuel, I repeat that you have to let yourself be helped.
35:46That when people are recovering from something like yours, they tend to go fast.
35:50And in the end, they hurt much more.
35:53That now you are a doctor?
35:55No. But everyone knows that.
36:00But I'm not ...
36:03I'm not everyone, María.
36:08And now, please leave.
36:11Samuel, you have to stop avoiding conflict now.
36:17María, I'm hungry and ...
36:21I want to go down to have breakfast.
36:23Stop being stupid, because we have to talk about what happened in there the other day.
36:28And the reality was that they kiss us.
36:33And ...
36:50So we can't keep acting like nothing happened.
36:52Nothing has happened.
36:57And now I have to move so that I can stand up.
37:02So my leg is loaded.
37:25Mr. Ruiz, can you think of anything else but to tell Miss Martínez
37:30about her promise that she was going to serve them faysan for lunch?
37:34And without making up or saying goodbye or the devil.
37:36And the worst, without taking into account the economic situation in which we are.
37:40Miss Martínez doesn't seem to know any of that.
37:42And we have no reason to inform her.
37:44Yeah, but how are we going to make faysan? This is very expensive.
37:47Yes, and we had to order it in time.
37:49Well, the only thing I can ask for is forgiveness.
37:53But when Miss Martínez was here, there was faysan all week,
37:56and I haven't been able to tell her no.
37:57That's clear.
37:58Calm down, calm down.
38:00Now what we have to do is find solutions.
38:03Well, I'm afraid we have no choice but to talk to Miss Martínez
38:06and explain to her that unfortunately she will not be able to eat faysan.
38:08We are not going to do that, Mrs. Arcos.
38:11It is up to Mr. Marqués to inform Miss Martínez about this.
38:16Yes, you are right.
38:17But this complicates things much more,
38:20because we cannot make a fool of Mr. Jacobo
38:23if we don't want rumors to start circulating.
38:25No, you're right, you're right.
38:27We cannot allow rumors to start circulating about the Lujan missers,
38:30who have not even been able to serve a misser or faysan.
38:34So what are we going to do now?
38:36I don't know, you, Mr. Ruiz,
38:38who has the talent to solve these issues,
38:41can you think of a solution,
38:43some alternative to hide, let's say,
38:46this with your culinary skills?
38:49Uh ... but when you talk about alternatives,
38:52what do you mean exactly?
38:53What she did the other time,
38:55serving chicken or another type of bird instead of faysan.
38:59In other words, cat with hare, as it is commonly said.
39:02Yes, but ...
39:04You have to swear that this is not going to come out of here.
39:07Yes, Mrs. Baeza, but faysan has a very different flavor from all birds.
39:12And the texture is also very different.
39:14Yes, it is something that cannot be concealed by adding some spices.
39:18That's right, we can get imaginative with the elaborations, but ...
39:22With raw material, miracles cannot be made.
39:26I think ...
39:28I think I know how to get out of this mess.
39:31You?
39:33And how are you going to do that?
39:38Faysan?
39:40Yes, it is Jacobo's favorite dish.
39:43And work, too.
39:46I know some of your cousin's literary tastes,
39:48but I wasn't aware of the cooks.
39:51Have you had time to talk about books?
39:54We have had time to talk about ...
39:57Many things, really.
40:01Wow, wow.
40:03I don't know if I understand that tone.
40:07I don't want to be indiscreet, but I'm going to ask the clear ones.
40:12Is there something between Curro and you?
40:16Wow, a woman who doesn't walk through the branches.
40:19Yes.
40:21As she gets to know me, she will find it less shocking, but ... but yes.
40:25In a way, I am like that too.
40:28So I have no problem answering your question.
40:31And the answer is a resounding no.
40:33In fact, Curro and I get along terribly.
40:37That it is so forceful makes me think.
40:40That's why they say that ...
40:42Lovers are the most beloved, right?
40:46In this case, I'm afraid there is a lot of grumbling and no love.
40:50But why don't you ask yourself?
40:52I understand that you have a lot of confidence.
40:54After all, you are his favorite cousin.
40:58Curro has also told you that.
41:03I have to confess that I already did it.
41:06I already asked him.
41:08Oh yeah?
41:10And what did he answer?
41:13Well, it was quite cryptic.
41:16And it's weird, since I'm his favorite cousin, right?
41:22He just told me that you studied in Switzerland.
41:26Wow.
41:27That's a real snitch.
41:30It is that, according to Curro, he can be extremely crazy or completely hermetic.
41:36And now he has given it to him for the second time.
41:39Exactly.
41:40And that's why I decided to ask you.
41:43To know firsthand what place he occupies in my cousin's heart.
41:48Well, now you know.
41:50None.
41:51I don't occupy any place.
41:52And of course he doesn't occupy mine either.
42:07Good morning, Mrs. Darre.
42:11What's up?
42:12Is it a cleaning product?
42:15What do you mean?
42:17The cream that Curro just changed.
42:20That's none of your business, Teresa.
42:26As you say.
42:29Well, first I want you to clarify what you are doing,
42:32questioning the entire promise service.
42:34The most veterans, specifically.
42:37I don't know what you mean.
42:39I mean the questions about a Lola who supposedly lived here, in Palacio, a while ago.
42:46Well, Lola is a very common name.
42:49But if you ask about her, how could you ask about a Lucia or a Carmen?
42:54Yes, that's right.
42:55Don't take me for a fool, Teresa.
42:58I don't, Mrs. Darre.
42:59And I apologize if I have made you understand that.
43:01I think so, and I don't like it.
43:03Because I think you are very intelligent.
43:07But with a small flaw, Teresa.
43:10You don't know how to lie.
43:13I don't usually do it either.
43:14Well, don't do it.
43:16And tell me what this is about.
43:17What are the questions about a secret passage or a supposed Doncella of the past?
43:20I assure you that they are just gossip from the break.
43:23Gossip.
43:25That's why the other day when I approached you, you shut up and talked about something else.
43:31I don't remember.
43:33Teresa, I think you and I have lived many things.
43:37And it seems to me that nothing can be more serious than what happened that night.
43:43So I'm going to ask you one more time.
43:46What is going on?
43:52Okay.
43:57I think we have discovered something very important.
44:02Something that you have discovered.
44:06I'm going to show it to you, Mrs. Darre.
44:09It will be better if you see it with your own eyes.
44:12Come with me.
44:22Well, I'm very happy for you then.
44:24And me too.
44:26It's just that Jacob is very, very special.
44:30I don't know, I think it's very difficult to find someone who understands you just by looking at you.
44:36Wow!
44:38Are you here?
44:39Good morning, mother.
44:41Yes, Martina was talking to me about your fiancé Jacob.
44:44So if you don't mind, I'll stay too.
44:47I'm eager to hear from him.
44:49Since I wasn't very clear about the dinner the other night.
44:52How did you meet?
44:54Who exactly is his family?
44:56And is that a personal curiosity or does he come in thirds?
45:01Thirds?
45:03I think what worries Martina is that those questions come from her friend, Mrs. Cruz.
45:09In that case, I'm afraid I'm the gossip.
45:14I've never heard of the Monteclaro last name and I'm curious.
45:18Well, it's not so strange that I don't know, mother.
45:21After all, you've been away from Spain for a long time and there will be many families you don't know.
45:26That's true.
45:28But I don't think Cruz has many references to them either.
45:33Yes, what worries him is whether he belongs to a wealthy family or not.
45:38That's right.
45:40They are not absurdly rich, but they lack nothing.
45:44And do they belong to the nobility?
45:46Well, yes.
45:48Yes, his father has a title.
45:49He is the Baron of Monteclaro.
45:52Do you want to know anything else?
45:54I don't know, the bracelets that illustrate the family shield, for example?
45:59I can tell you, delighted.
46:05Good morning.
46:06Good morning.
46:09I bring you a lemonade as a refrigerator.
46:13And since I see you, Miss, I could ask you a question.
46:16Sure.
46:18Have you already taken your fiancé to the village to eat?
46:21Well, no.
46:22No, because I would have to take him to the village.
46:25Well, I know that Don Jacobo knows the gardens, he knows the palace, but he does not know Luján and its charming places and corners.
46:34I don't know them either.
46:36I didn't even know they existed.
46:38Well, yes, there are.
46:40And it seems to me a wonderful idea in reality, but ...
46:43The point is that I had already notified the cooks to cook faisan and ...
46:47Well, don't worry about that, Miss Martina.
46:50I can let them know right now if you want.
46:54Well, perfect.
46:56I'm going to propose to Don Jacobo that ...
46:58I don't know, something tells me that he will be much calmer outside the walls of this palace.
47:02Well, with your permission.
47:12Thank you very much for your invitation.
47:14I would appreciate it if we settled this matter as soon as possible.
47:17At any time they will come to give me a notice to go have lunch with my family.
47:20Including that woman of such a humble origin of yours?
47:24I insist, let's get to the point.
47:26I think it's good today.
47:28If it's okay with you, make me a delivery of the money.
47:32I'm sorry, I don't have the money.
47:34I don't have the money.
47:36I don't have the money.
47:38I don't have the money.
47:40I don't have the money.
47:43Here you go.
47:45What you asked for.
47:51I don't distrust you, Mrs. Marquesa.
47:53But there is a lot of swindler out there with the appearance of a great man.
47:57Is everything there?
48:00Everything is there.
48:02Well, if you now have the goodness.
48:03This is the letter of the person who contacted me to give me the notice of the peculiarity of his son's wedding.
48:11And he didn't contact you again?
48:13I already told you that he only contacted me once and in this way.
48:16Very well. And who is it?
48:20I repeat that he did not contact me again.
48:22Mr. Leo left me the money along with the letter.
48:25Leo?
48:33Leo?
48:49I guess we have to wait for Cruz.
48:52Where are Martina and Jacobo?
48:55Well, Martina has decided to take Jacobo to eat in town.
48:59It's a shame. I wanted to get to know that boy better.
49:04Sorry for the delay. I had an important matter to attend to.
49:10By the way, where are Martina and her fiancé?
49:14Your keymaker suggested that Martina take Jacobo to town and she thought it was a good idea.
49:19It was a bit difficult for her to decide.
49:21She had already made the order in the kitchens to prepare faisal and she was in a hurry to leave.
49:25Well, we'll enjoy it.
49:27I'm afraid I can't.
49:29As I said, it's a very expensive dish.
49:32We will have to dispense with this and other delicacies for some time.
49:36But I'm sure that in the kitchens, with their good work, they will know how to make up for it.
49:40I'm sure there won't be any problem with it, Father.
49:43There is no other choice, Manuel.
49:45We have to accept it.
49:47The finances of La Promesa are not going through their best moment.
49:50Please, Alonso. In front of our guests.
49:53We can't hide it much longer, Cruz.
49:55And I prefer you to know my version of the facts.
49:58Don't worry.
50:00We won't say a single word.
50:02Good.
50:04I can only say that I'm doing everything I can to get out of this mess as soon as possible.
50:08We know, uncle.
50:10And I want you to know that you have our full support.
50:13This is a problem that affects all of us and we all have to find a solution.
50:17And having said that,
50:19I would like to announce that
50:22Hanna has an idea to get new sources of income.
50:26And what sources of income have you been thinking about?
50:29I don't think Hanna knows more sources than Lujan Square.
50:36Aviation.
50:39What did you say?
50:42I think Manuel could go back to aviation.
50:45Do you know that I can't stop thinking about that refuge of yours, father?
50:48Ah, that speaks highly of you.
50:51I would love to continue helping, as far as I can.
50:54And obviously, with total discretion.
50:56And what have you been thinking about?
50:58Well, I could continue to carry things, like the mattress.
51:01Lujan won't be surprised if I ask them for the car from time to time.
51:05And what about you?
51:07Well, I could continue to carry things, like the mattress.
51:10Lujan won't be surprised if I ask them for the car from time to time.
51:12Yes, it seems like a good idea.
51:15What I don't understand is how you could pay the doctors of Mrs. Hacienda so expensively.
51:22Well, we'll see.
51:24It was hard for me to discern if that was true.
51:26Well, it's true.
51:28I was one of the maids of this house and I have a lot of honor.
51:31I hope you don't mind that.
51:34Can you tell me where this came from, Mrs. Darre?
51:37Can you tell me where this came from, Mrs. Darre?
51:41I already told you that that palace is the inheritance that Mr. Juan left to his daughter
51:45and that she is not in favor of me giving it to you.
51:47Cruz can only eat with potatoes if he wants.
51:49The only thing that bothers me about all this is that Cruz is not going to do anything with the property.
51:53Beyond preventing me from taking advantage of it.
51:55Neither the argument with your father nor the quarrel with Mr. Baeza were for so long.
51:59And maybe you are getting carried away by frustration.
52:02I can't keep living like this.
52:04With this mess.
52:05And what are you going to do, Santos?
52:07I think I've already decided.
52:10Why so much urgency and intrigue?
52:15You see, Hanna, I've brought you here to tell you something very important.
52:19What is it about?
52:21I've been investigating the strange behavior of Marcelo, Teresa and Vera.
52:24But Hanna, they have discovered something very fat.