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Short filmTranscript
00:00:00Subtitulado por Cristina PĂ©rez Cerezo
00:00:30We'll have to wait and see what the authorities say.
00:00:33But the authorities have already said that it will only be 48 hours, right?
00:00:36Prolonged, depending on the assessment they make of our performances.
00:00:40And can they have the hall closed as long as they want?
00:00:43It's not about what they want, Inés.
00:00:46There are a series of technical guidelines that have to be adapted to the current health regulations.
00:00:53Assuming that the closure of the hall can go for a long time, right?
00:00:55It shouldn't, but it's not impossible either.
00:00:5848 hours is a long time.
00:01:00How many of these people do you think can put up with a closed business without ruining their owner?
00:01:04The only important thing is that Mr. Fermin reacted immediately and showed all the good faith in the world.
00:01:08And the administration should value that.
00:01:10It's better for us.
00:01:11Well, I'm going to see if they've finished with the disinfection and we can go home.
00:01:16Uncle, wait a minute. Why don't you put a claim to the administration?
00:01:19What do you want me to claim, daughter?
00:01:21Can't you present a written statement or go to the town hall to protest?
00:01:25As soon as we have medical recognition, of course we will present a written statement saying that we have taken the necessary measures
00:01:31to avoid future contaminations and requesting reopening.
00:01:34And if they don't accept it?
00:01:35Well, if they don't accept it, they'll explain to us why they haven't accepted it.
00:01:40It is possible that they ask for a new performance.
00:01:42Yes.
00:01:43Replace the machinery of the worker or ... I don't know.
00:01:46Well, what was missing. That he has to buy new machinery.
00:01:49Well, I appreciate that you worry, but ...
00:01:53We don't have to get into the worst.
00:01:56Hello, good afternoon.
00:01:58Don FermĂn, what a job. I hope everything will be solved very soon and it will be clarified as soon as possible.
00:02:03Thank you, Paula, thank you very much.
00:02:04By the way, I think you should talk to those ladies over there.
00:02:08Uncle ...
00:02:09No, no, no, you don't have to tell them anything.
00:02:12But what should I ...
00:02:13I don't need any advice, really.
00:02:15And I don't want to be unpleasant, but if what worries you is the future of La Moderna,
00:02:19don't worry, I know perfectly well how I have to run my business.
00:02:24And I assure you that I will not allow anyone to sink my ship.
00:02:28What do you mean by that? Who wants to sink the ship?
00:02:33Well, everything, everything in due time.
00:02:36In due time, everyone will know.
00:02:4675 pesetas, I'm telling you.
00:02:49Listen, Icafono, the indisputable sovereign of portable phonographs.
00:02:54Look, read it yourself.
00:02:56Hear in this wonderful device the new records of great success.
00:02:59The Leandras by Celia Gámez,
00:03:01Las Luces de Buenos Aires, tangos by Carlos Gardel, Blanca Flor,
00:03:04by Imperio Argentina, cantos Iboné y rumbazos ...
00:03:06Look, look at the price.
00:03:08Icafono, the indisputable sovereign of portable phonographs.
00:03:12Las Luces de Buenos Aires, tangos by Carlos Gardel,
00:03:15Blanca Flor, by Imperio Argentina, cantos Iboné y rumbazos ...
00:03:18Look, look at the price.
00:03:1975 pesetas. Well, if it's cheap to be portable ...
00:03:22We could put music here, in the courtyard.
00:03:24Music? The funeral march would have to be put.
00:03:27Hi, Marcelina.
00:03:28Hi.
00:03:29What's wrong with you?
00:03:30Well, if La Moderna doesn't open in a couple of days,
00:03:32the matter of continuing to charge is over.
00:03:34Don FermĂn says that everyone who is not essential
00:03:36will have to go home, without charging, of course.
00:03:39It's normal, boss Cañete.
00:03:41Does it seem normal to you that they give me a job
00:03:43and after two days they send me home without earning a real?
00:03:46What bad luck, mine.
00:03:47Well, woman, don't get mad.
00:03:49Besides, all this is in case the closure lasts more than two days.
00:03:53Because I ...
00:03:55essential, essential, well, I don't know ...
00:03:58How are you going to be essential? You just got in.
00:04:01You don't raise the rooster, here we are all colleagues.
00:04:04I have told you a hundred times that the lady is spoken to with respect.
00:04:07It's a joke, man, I can't make a joke to my partner.
00:04:09No, and if it was a joke, I didn't think so.
00:04:13Marcelina, do you want a glass of wine or a soda?
00:04:15No, thank you very much, no.
00:04:17Well, I'm going to pay, I'm losing another day.
00:04:19Very well.
00:04:29Hey, what more lustrous shoes do you always wear?
00:04:33Thanks, mine is hard for me.
00:04:35I can imagine.
00:04:36And with all the respect in the world,
00:04:38I have to tell you that you shouldn't speak of bad luck,
00:04:41having the job you have, which, to begin with, you shouldn't have given it to yourself.
00:04:45Come on, and why not?
00:04:47Because it's not work for a woman.
00:04:50Throughout God's life, a tea salon has to hire male waiters.
00:04:55I see.
00:04:56Well, I think God is not very interested in deciding these things.
00:05:01And Mr. Fermin, on the other hand, who is the owner of the tea salon,
00:05:05decided that a woman could be a waitress.
00:05:08And as far as I'm concerned, I have nothing more to add.
00:05:12Wow, you're a good answerer.
00:05:14I'm not surprised you're still single.
00:05:16Of course, let's see who's the handsome guy who can stand you, right?
00:05:20Well, maybe I'm still single because I don't feel like getting married.
00:05:23But you don't worry,
00:05:25that the day I decide to get married,
00:05:27I will look for a tolerant and respectful man.
00:05:30No, I'm not going to hear anything else.
00:05:32I'm leaving because the atmosphere here is a bit heavy.
00:05:35Goodbye.
00:05:36Goodbye.
00:05:43Marcelina?
00:05:45I wanted to take a walk.
00:05:47Well, I'm going home.
00:05:49I'm going with you.
00:06:00Come on.
00:06:17Good evening, Father.
00:06:19Well, here's the prodigal son.
00:06:24How was your day?
00:06:26Come on, have a couple of drinks.
00:06:30No, thanks.
00:06:32What do you mean, no?
00:06:35I want to drink.
00:06:37And I don't like to drink alone.
00:06:40I'll serve you whatever you want.
00:06:42But I prefer not to start tonight.
00:06:44I'll know how to finish later.
00:06:45It would be the first time in your life that you despise an invitation to drink.
00:06:49Maybe the company is not up to you.
00:06:53Father, don't talk nonsense.
00:06:56Okay.
00:06:58We'll drink together.
00:07:00Come on.
00:07:08Did you give the envelope to Simon?
00:07:10Yes, of course.
00:07:11I was waiting for him at his house when I came back from work.
00:07:14And?
00:07:15How was it?
00:07:18I could say that he almost dirtied his pants.
00:07:23I like it that way.
00:07:25You didn't have to beat him.
00:07:27No, it wasn't necessary.
00:07:29And he won't open his mouth, I can assure you.
00:07:32He was more afraid than eleven women.
00:07:35Very good, son.
00:07:41I want you to leave Mercedes alone.
00:07:44What's that about?
00:07:47I thought everything was clear this morning.
00:07:51What happened?
00:07:53You've been with her and she's been crying.
00:07:55That's it, isn't it?
00:07:57No, she hasn't been crying.
00:08:00But I did go to see her and she told me about the little kiss you gave her.
00:08:04It was very unpleasant for her.
00:08:06I don't want it to happen again.
00:08:07And look how the rooster protects his hen.
00:08:09I'm talking to you very seriously.
00:08:12I want you to promise me that you won't go back to Madrid, Cabaret.
00:08:16I want you to promise me that you won't go back to Madrid, Cabaret.
00:08:22I promise.
00:08:24Okay.
00:08:26What?
00:08:28What's with that face?
00:08:31You thought there was going to be a fight, didn't you?
00:08:36No, son. I thought that woman was a whim for you.
00:08:38But if you tell me that she's important, I respect it.
00:08:43I won't go near her again.
00:08:49You don't have to thank me.
00:08:51You're my son.
00:08:56I've been in front of La Moderna.
00:08:59And?
00:09:01Closed in Calicanto, right? I hope.
00:09:04And with a big sign at the door saying that the closure is by order of the authorities.
00:09:09I've also seen Don Fermin.
00:09:10He was going from top to bottom of the gallery.
00:09:13He looked like the watchman. He only needed the cap.
00:09:17What's going on?
00:09:20I've also seen Fermin.
00:09:23Right here.
00:09:24I've been talking to him.
00:09:29He's come to beg, hasn't he?
00:09:31No.
00:09:33He's come to give me back his disgusting pride.
00:09:37What? What did he say to you?
00:09:39I called him to tell him that I kept the price of the shares.
00:09:42That I didn't want to take advantage of his business being in low hours.
00:09:46Because he rejected my money.
00:09:50Again? I can't believe it.
00:09:51He says he has enough to put up with the blow.
00:09:54And what kind of businessman do I think he is?
00:09:57Well, an idiot who obviously doesn't know how to take advantage of opportunities.
00:10:01Right.
00:10:02But you see, everything we've organized has been useless.
00:10:07On top of that, we've filled that pastry man's pockets.
00:10:10Be patient, dad.
00:10:12The closing has been today.
00:10:14He'll come begging when the customers don't come back.
00:10:18I can't wait, son.
00:10:21The buyers don't wait.
00:10:24I need that 1% now.
00:10:28Do you have any idea how much money those Americans are putting on the table?
00:10:33It's more than I've ever earned in my life.
00:10:37Enough so that I don't have to work again.
00:10:40Neither you nor I.
00:10:42Then you'll have to offer more money to Don Fermin.
00:10:45We can't let him ruin our business.
00:10:47This is no longer a matter of money.
00:10:51Then?
00:10:53Then maybe it's time for you to earn your share.
00:10:58Once you told me you were willing to do anything for the family.
00:11:03Of course.
00:11:05If Fermin doesn't come to his senses, we have to get rid of him.
00:11:11Will you be able to do it?
00:11:25I thought the boy was crying.
00:11:28Don't you want to go to bed?
00:11:30Later.
00:11:31Later.
00:11:33I don't know if I should make myself a blanket.
00:11:36I'm sorry, I didn't mean to bother you.
00:11:38If you want to make yourself a blanket, do it.
00:11:40If not, don't.
00:11:41But stop getting dizzy.
00:11:47What's wrong with me?
00:11:49At dinner, it's the same.
00:11:50You've only told me what to say to get rid of me.
00:11:54And you should never have talked to Clara.
00:11:56Instead of being there, with a face of vinegar, all day long.
00:12:00That's it.
00:12:01I can't read.
00:12:02Don't worry.
00:12:04Are you going to leave me speechless?
00:12:06What do you want to talk about?
00:12:08About you, how you are, why you treat me like that.
00:12:11About what happened yesterday with Marcelina.
00:12:13That's it.
00:12:14I couldn't spend a minute without talking about Marcelina.
00:12:16You'll admit that the scene you set up yesterday deserves to be discussed.
00:12:20Don't you think I talked a lot yesterday?
00:12:22You talked too much.
00:12:23That's it, I don't want to talk anymore.
00:12:24I don't think it's good.
00:12:25Because poor Marcelina doesn't know where to go.
00:12:28Marcelina.
00:12:29I feel sorry for her.
00:12:30She's very upset.
00:12:31She thinks she's going to lose her job.
00:12:33Me too.
00:12:34Me too.
00:12:35Mom.
00:12:37We both work in the same place.
00:12:39And it's your fault.
00:12:40I remind you.
00:12:41Because, of course, you didn't have enough.
00:12:43With putting her inside my house.
00:12:44That you also had to put her in my job.
00:12:46And the last thing you need is to put her in my room.
00:12:49With respect.
00:12:50Can you tell me what's wrong with that girl?
00:12:52What's wrong with you?
00:12:53Mom.
00:12:54You are all day long.
00:12:55Marcelina up.
00:12:56Marcelina down.
00:12:57Marcelina down, man.
00:12:59Are you jealous?
00:13:00Jealous?
00:13:01Look, mom.
00:13:02I'm going to make it very clear to you.
00:13:04Marcelina is not my friend.
00:13:06And I never want her to be my friend.
00:13:08Period.
00:13:09What's wrong?
00:13:13You are scandalized.
00:13:15No?
00:13:16Like a damsel?
00:13:21No.
00:13:23But you will understand that it is striking that you ask me to get rid of Don Fermin.
00:13:28That until recently he was your best friend.
00:13:32Is that what you want?
00:13:33Yes.
00:13:36That's what I want.
00:13:38Eliminate Fermin.
00:13:41And you want me to do it?
00:13:43Well.
00:13:45You would have it much easier than me.
00:13:47Considering the fragile moment our friendship goes through.
00:13:51Also.
00:13:54It would be a good way to prove your worth.
00:13:58No?
00:14:00Yeah.
00:14:02I understand all that.
00:14:04And if you want, we can plan how to do it.
00:14:08But I would like to know what you think you're going to get by doing something like this.
00:14:12Because one thing is to bribe a baker to cause an intoxication.
00:14:15And another very different thing is to take a life.
00:14:19And more of Don Fermin's.
00:14:22You are very young and I do not want to disappoint you.
00:14:29But you will see, son.
00:14:31Sit down, sit down.
00:14:34Over time you will learn that it is not convenient to have too much attachment for nothing or for anyone.
00:14:40Because even the strongest friendships, even those of all life, end up crumbling.
00:14:46Look what I'm going through.
00:14:48My best friend has betrayed me.
00:14:53Even so.
00:14:54Even so what?
00:14:57You don't want to do it?
00:14:59Right?
00:15:00Well.
00:15:03Don't worry, man, nothing happens.
00:15:06What this is about is solving the problem without being splashed.
00:15:11As you will understand, I have no intention of staining our reputation.
00:15:14Or that we end up between bars.
00:15:16Neither you nor I.
00:15:18So what we have to do is find the right person who is able to do it for us.
00:15:29It would not be easy to find someone who takes care of doing something like that.
00:15:34Do not believe, it is not so difficult if you know where to call.
00:15:38You do not worry about that, I have a lot of numbers on my agenda.
00:15:45Dad.
00:15:48I respect that you are very angry with him.
00:15:52That in addition to the negative to sell his tiny part of the business,
00:15:55you are hurt by the support he lends to Paula and Rodrigo.
00:15:58But...
00:15:59But what?
00:16:03Okay.
00:16:05Let's say we kill Fermin.
00:16:07If you had to deal with his heirs to get that 1%,
00:16:10the sale to the Americans could not be delayed even more.
00:16:13Sooner or later, he will come to his senses.
00:16:15And with the new problems in the modern world, he will need you.
00:16:19He has all the time in the world not to be right.
00:16:23He has plenty of money.
00:16:25But the closure has its effects.
00:16:28And not just the closure, the great blow to the reputation of the modern.
00:16:32Who is going to take cakes to a place whose sweets have put people on the verge of death?
00:16:37It is true.
00:16:39Although you will recognize that my solution is definitive, permanent.
00:16:48With all due respect, dad.
00:16:51It makes no sense to kill someone who is already dying.
00:16:56And much less when everyone is watching.
00:16:59Everyone is aware of what is happening in the modern world.
00:17:02And more now that Captain Davila is going around the place,
00:17:04trying to find the hooded man of the door of the sun.
00:17:12You're right.
00:17:19You're absolutely right.
00:17:21I admit it.
00:17:24I do not know if you have matured,
00:17:26or simply that before you had no intention of helping me.
00:17:35Is that a compliment or a criticism?
00:17:38I say it to defend myself or thank you.
00:17:43It is neither of the two things.
00:17:45You do not have to do anything.
00:17:53I just like being with you in this.
00:17:59We will wait.
00:18:01But not long.
00:18:03I have to close that sale, Ivan.
00:18:07And in one way or another, Fermin, it has to stop being a problem.
00:18:13Of course.
00:18:16Good.
00:18:36What's up, Miguel?
00:18:38As Mr. Fermin has not told me anything, I bring the newspapers of the day.
00:18:41Good. So when we finish the job, we can see what's going on in the world.
00:18:45And tell us something about what has happened here in the modern world.
00:18:49I do not have time to read. No, I do not know.
00:18:51Oh yeah?
00:18:53It seems to me that you are hiding a news there, yes?
00:18:57It's fine. It's fine.
00:19:00They are coming out a lot of news and in various media.
00:19:04Every time they are taught a little more and more things are invented.
00:19:08Inventions that do not favor us, I suppose.
00:19:09You suppose well.
00:19:11And what do they say?
00:19:13Well, a little bit of everything. They talk about ...
00:19:16carelessness, jade, negligence.
00:19:20Anyone who has been to the modern world knows that all this is a lie.
00:19:24All they want is to fill the pages with the first thing that comes to mind.
00:19:28What a bad faith.
00:19:30Of course.
00:19:32There is a journalist who, at least, has given correct data.
00:19:35And he says that, recently, the address had changed to Maestro Repostero.
00:19:44All this, added to the fact that, apparently,
00:19:48the gallery is the place where the hooded door of the sun
00:19:52acts more frequently,
00:19:54it does not look good for the modern world.
00:19:57Nor for any place in the gallery.
00:19:59Pietro, listen to me. You do not have to feel guilty.
00:20:02It is not even clear that it was your fault.
00:20:05Cañete is right.
00:20:07All businesses have high and low moments.
00:20:10You can not throw it on your shoulders.
00:20:13He has always behaved like a professional, like the glass of a pinot.
00:20:19Do you want a coffee?
00:20:21Yes, if it does not intoxicate me.
00:20:28I'm coming.
00:20:33Iván?
00:20:35Wow, I woke you up.
00:20:38I saw that I brought churros to give you a surprise.
00:20:42Man, I work at night, so I try to rest in the morning.
00:20:48Yes, it makes perfect sense.
00:20:51I'm sorry.
00:20:53No, nothing happens.
00:20:55If there is something I like more than sleeping, it's the churros.
00:20:59Come in.
00:21:14I should have thought about it.
00:21:16It was silly to wake you up.
00:21:19No, it's okay.
00:21:21The only thing that surprises me is a visit so early.
00:21:25Well, after waking you up, I think you deserve to be honest with you.
00:21:32I'm listening to you.
00:21:39I know you asked me not to do anything.
00:21:43But the visit of my father seemed to me that it was totally out of place.
00:21:47So I talked to him and he assured me that he would not bother you again.
00:21:53Well, I do not know how you did it, because your father is one of those people who does not change his mind easily.
00:21:58He is very stubborn, yes.
00:22:00And it has cost me a confrontation with him.
00:22:03But he will not return to Madrid, okay?
00:22:07I am very grateful that you have tried to stop bothering me.
00:22:10But it's hard for me to imagine your father listening to you.
00:22:14Our relationship has changed, Mercedes.
00:22:16Before he did not give a hard time for me.
00:22:18But now he finally takes me into account.
00:22:21I would surprise you.
00:22:23Now he consults me on things.
00:22:25Really?
00:22:27Yes.
00:22:29I would even dare to say that he fully trusts me.
00:22:33You may be right.
00:22:35But let me have my doubts.
00:22:40Well, look, so you can see that I'm telling you the truth.
00:22:43I'm going to tell you something that my father has not done because I told him.
00:22:49I have prevented Mr. Fermin from having something bad happen to him.
00:22:53Something very bad.
00:22:57Bad?
00:22:59How bad? Can you tell me what it is about?
00:23:00It could be said that I have saved his life.
00:23:03What are you trying to tell me?
00:23:05That your father has tried to get rid of Mr. Fermin?
00:23:08But they are very good friends.
00:23:10Obviously they are not anymore.
00:23:12Let's see, when you say you have saved his life, what do you mean exactly?
00:23:19Literally what you are thinking.
00:23:21But I knew how to make him see that ending with Mr. Fermin, annihilating him, was a very bad idea.
00:23:25Your father is the devil himself.
00:23:27The devil himself.
00:23:29Mercedes, my father likes to throw the stone and hide his hand.
00:23:33I wanted to do it so that neither of us were suspicious.
00:23:40But well, at least I have earned some time for Mr. Fermin.
00:23:43Although neither he nor his employees are in a too good situation.
00:23:50If all this you are telling me is true, you should go to the police.
00:23:54And most importantly, warn Mr. Fermin.
00:23:55Obviously I have thought about Mercedes.
00:23:57But it would be my word against my father's.
00:23:59That with his power and his influences, I could end my accusation.
00:24:04Listen to me.
00:24:06My father has to continue to trust me.
00:24:08That way I could control him.
00:24:19Why are you telling me all this?
00:24:21So that you believe me when I tell you that my father will never bother you again.
00:24:26I have influence with him.
00:24:37And now if you excuse me, I have things to do and I need to rest a little.
00:24:43Thank you very much for the churros.
00:24:45Do I walk you to the door?
00:24:47Yes.
00:24:50Of course.
00:25:02Goodbye.
00:25:12Thank you for taking me by car to the shoot.
00:25:14No, no, no.
00:25:16AgustĂn had to leave early to the location and it doesn't cost me anything.
00:25:19The truth is that I'm dying to shoot today's scenes.
00:25:23It's just that after seeing what we filmed yesterday, I'm like very excited.
00:25:28But it's true that it's difficult to keep the same level.
00:25:32You keep the concentration, you know how to do it.
00:25:35I still don't think I'm directing this movie.
00:25:38I don't know, maybe I don't see it impartially, but I guess it's a good sign to be so happy, right?
00:25:44You know I don't like to dance the water to anyone.
00:25:47But I confess that I really liked what I saw yesterday, a lot.
00:25:50I'm glad.
00:25:52The truth is that we are all very motivated.
00:25:54In fact, Laurita has stayed to rehearse and the monologue is being prepared very well.
00:25:58That's perfect.
00:26:00And thank you for helping her with the interrogation scene.
00:26:03No, no, it doesn't matter.
00:26:07You see how life is, huh?
00:26:09It's never wrong to have experiences about certain things.
00:26:11It can serve you for fun things like cinema.
00:26:14And anything to save us takes.
00:26:17She knows that time is money and the negative more.
00:26:20Also, so we won't have to kill anyone if we go beyond the budget, right?
00:26:28It's a joke.
00:26:30It's a joke, but we can't go beyond the budget.
00:26:35I'm going.
00:26:42AgustĂn.
00:26:45What are you doing here?
00:26:47Has something happened?
00:26:52Well, it has happened that we will not be able to shoot in the location of the dead end.
00:26:57A pipe has broken and everything has flooded.
00:27:00But I can't believe it.
00:27:02Additional expenses in sight.
00:27:04Well, it doesn't have to be expensive if we find a location.
00:27:07Although it is true that it will be time.
00:27:09And time is money.
00:27:11In any case, we will have to find a new location.
00:27:15And start as soon as possible with the issue of shooting permits, etc.
00:27:19But there is no one fixing the pipe?
00:27:21Yes, yes, there is a brigade of the town hall.
00:27:23We gave the notice right away.
00:27:25And they told you how long it would take to fix it?
00:27:27Well, they told me that working at a good pace, four days.
00:27:31Minimum.
00:27:33No, no, no.
00:27:35I can still go and tighten the nuts a little so that they go faster.
00:27:38It won't be necessary, Romayo.
00:27:39I've been thinking of an alternative option.
00:27:42We could shoot in the alley of the gallery.
00:27:47But for that, I would have to ask my uncle for permission.
00:27:51And with everything that is happening to him, I don't know if it's a very good idea.
00:27:55I know, Inés, but it would not be wrong to ask him.
00:27:58We are going wrong in time.
00:28:00And money.
00:28:10I have the idea, Trini.
00:28:12I find it strange to see the room so empty.
00:28:15What do you want me to tell you?
00:28:17Let's see if the inspection resolves soon and we lift the closure.
00:28:22Have you ever drank something like that?
00:28:28MarĂa Trinidad.
00:28:30What?
00:28:32Girl, are we always going to be like this?
00:28:34Well, I don't know.
00:28:36We are working.
00:28:37We really have to have the same conversation as the other day.
00:28:41Well, look, we are not working right now.
00:28:44And I think we do.
00:28:46That we have to have the same conversation as the other day.
00:28:49Because I would like to know why you are so tense with me.
00:28:52I can't believe it.
00:28:54What?
00:28:56I can't believe you're asking me for explanations. Really.
00:29:00What's up? Have you talked to my mother?
00:29:02About what?
00:29:03Well, that when we were little I was very jealous of you
00:29:07because of the relationship she had with you.
00:29:09Or that when we were little you were my only friend.
00:29:13No.
00:29:15Your mother hasn't told me any of that.
00:29:18You know what?
00:29:20I don't care.
00:29:22You can leave me alone, both of you. I don't care.
00:29:24But what's wrong with you?
00:29:26Look, I guess you can't understand it because you don't want to understand it.
00:29:29But having you in front of me, seeing you every day,
00:29:33brings me bad memories.
00:29:36But we had a great time together.
00:29:39No, you had a great time.
00:29:41You had a great time. I didn't have a great time.
00:29:43But what have I done to you?
00:29:45Do I really have to tell you?
00:29:47That when we were little and we did anything,
00:29:50whatever it was, it was always your fault and it was always your idea.
00:29:53My mother forgave you with a smile.
00:29:55Or with good words, always.
00:29:56On the other hand, she punished me.
00:29:58She made me kneel on the wall for hours.
00:30:02Don't you remember that?
00:30:04That when we showed my mother an essay or a drawing,
00:30:09she told you how good you were,
00:30:11how perfect you were,
00:30:13how talented you were.
00:30:15On the other hand, I only found mistakes and more mistakes
00:30:18or I didn't even look at that essay or see it.
00:30:22But I don't think that was exactly what happened.
00:30:24I don't think that was exactly what happened.
00:30:27Your mother was always very affectionate.
00:30:29She was affectionate with you.
00:30:31Not with me.
00:30:33She was affectionate with me now that I'm older and I have a son.
00:30:37But I always got lost in the comparisons between you and me.
00:30:41Always.
00:30:43I'm very sorry that you feel that way, Maria Trinidad.
00:30:46Please, please, please.
00:30:48Can you stop calling me Maria Trinidad?
00:30:51I've asked you a thousand times and it looks like you're doing it on purpose.
00:30:54I'm sorry, it's just that I feel lonely. I'm sorry.
00:30:59If she treated us so differently, I never realized it.
00:31:02And I didn't realize how much damage that was doing to you.
00:31:05Of course, you never realize anything.
00:31:07You never realize anything at all.
00:31:09My mother was my best friend.
00:31:11Before you came.
00:31:13She was the only person I had.
00:31:15The only one who was always by my side.
00:31:17I just don't understand it.
00:31:19I don't understand that she sees you now and has seen you all her life.
00:31:22I just don't understand it.
00:31:24I don't understand it.
00:31:33What?
00:31:37Satisfied with my explanations?
00:31:50Something's wrong with you.
00:31:52Isn't it ironic that you raise suspicions while being silent?
00:31:57Emiliano, I don't know where you're going.
00:32:01I feel like a stranger in my own house.
00:32:04Yes.
00:32:06I'm the stranger here.
00:32:08While my dear wife
00:32:10wanders like a soul in pain through the corridors and the rooms.
00:32:13But of course, she's been with that absurdity for so long that she
00:32:16seems normal to us.
00:32:21Don't you have anything to say about it?
00:32:24After the conversation we had yesterday,
00:32:27I don't think I have anything to say.
00:32:29Come on, woman, you could get involved a little.
00:32:31You could talk to her.
00:32:33Don't look at me like that.
00:32:35You've been fighting a lot lately.
00:32:37She's going to pay more attention to you than to me.
00:32:40Couldn't you tell her that what she's doing doesn't make any sense?
00:32:43And if not, come up with something, Pepita, for God's sake.
00:32:46You're women, right?
00:32:48Between you two, do you understand each other?
00:32:50It's not as easy as you say.
00:32:52Look, I'm not telling you to choose.
00:32:55I'm telling you that I can't stand seeing Maruja with those looks around the house.
00:33:00With that hurtful attitude that stirs my guts.
00:33:04Pepita, it makes me want to vomit.
00:33:06So, please, for your own good,
00:33:09can you tell her to behave like a normal person?
00:33:12I've really tried.
00:33:14And it's not working.
00:33:16But I'll tell you one thing.
00:33:17If I try again,
00:33:19it won't be because of your threats,
00:33:21it will be because I really want to help the lady.
00:33:23Iván, Iván, come here, come on.
00:33:27Hello.
00:33:29Come on, sit down, Pepita is going to serve us the food.
00:33:33I don't think I'm going to eat, Dad.
00:33:35I don't feel well at all.
00:33:37Do you want me to ask them to make you something soft?
00:33:39No, no, I'd rather go to my room and rest.
00:33:42As long as you don't need anything, of course.
00:33:44No.
00:33:45No, no, no.
00:33:47I don't need anything, you can go upstairs and rest, yes.
00:33:55Do you know where he's from?
00:33:57No, I don't know.
00:33:59He got up early this morning and left without breakfast.
00:34:03Pepita, please don't put my service on the table.
00:34:07I've come to tell you that I'm not going to eat with you.
00:34:10Yes, ma'am.
00:34:12Maruja!
00:34:16Can you tell me why?
00:34:19Why?
00:34:24I know you don't care,
00:34:26but since you're asking me, I'm going to answer you.
00:34:30Because I don't have a body
00:34:32or a mood to eat.
00:34:34You're never going to get tired of punishing me.
00:34:37If you think I'm like this because of you,
00:34:39it's because you haven't understood anything, Emiliano.
00:34:42Come on, Maruja, come on.
00:34:43It's obvious that you enjoy annoying me
00:34:46every time you cross paths with me around the house.
00:34:49You've been looking for a way to torture me all your life
00:34:52and you've finally found it.
00:34:55And all this because I don't eat with you?
00:34:57As I remember, you preferred other companies.
00:35:00So don't make me talk, Emiliano.
00:35:02No, no, no, no, sorry.
00:35:04Talk, talk, please, Maruja.
00:35:06Let's see if that's how I find out what the hell I've done
00:35:09to deserve this constant contempt.
00:35:11Enough!
00:35:13Even if you don't acknowledge Cesar's death,
00:35:16you're not going to convince me that you had nothing to do with it.
00:35:19Listen to me.
00:35:21I can stand you dressing up as a widow.
00:35:23I can stand you denying me even some of your despises.
00:35:26But what I'm not going to tolerate
00:35:28is that you accuse me of such barbarity in my own house.
00:35:32I'm sorry.
00:35:35I'm very sorry, Maruja, to see you like this.
00:35:40You're a ghost,
00:35:42making accusations against your husband.
00:35:44You should look yourself in the mirror.
00:35:47Maybe that way you'll regain a little bit of dignity.
00:35:50All those insults show that I'm not making anything up.
00:35:54I had nothing to do with the death of that ruffian.
00:35:57But if I did, which is not the case,
00:36:00the only person to blame for this house would be you.
00:36:04You, Maruja, yes!
00:36:06You, who got into his bed like a whore!
00:36:07You're going to blame me for looking for someone else's bed?
00:36:11You're going to blame me for that?
00:36:13I'm going to blame you for whatever I want as long as it keeps you!
00:36:16If you want to die, go ahead.
00:36:19Let yourself die.
00:36:21But do me a favor. Do it in your room.
00:36:24That way you'll save me from seeing you represent this ridiculous role of a martyr.
00:36:30Don't worry.
00:36:32I'll save it for you.
00:36:37I'll save it for you.
00:36:46Well,
00:36:48nothing.
00:36:51It seems that in the end I'm going to eat alone.
00:36:56You won't be of any use to Tata Maruja that way.
00:37:01Don't talk to me like that, Pepita.
00:37:03I knew you were going to take her side.
00:37:06It doesn't matter.
00:37:08Can we serve the food now?
00:37:10Yes, yes, please.
00:37:12By the way, don't expect me to be up tonight.
00:37:15I think I'm going out.
00:37:30I'd like to tell you something that I haven't told anyone.
00:37:35I don't mind taking responsibility for what I did or stopped doing.
00:37:40But I don't want you to think badly of your mother.
00:37:44It's a bit difficult for me to change my mind, to be honest.
00:37:49Trini, I'm sure that in your childhood there were good times and bad times.
00:37:55And listening to you, it's clear to me.
00:38:01But my childhood was hell.
00:38:05My...
00:38:12My father hit me.
00:38:17With or without an excuse.
00:38:21Almost every time he saw me, he found a reason to take off his belt and...
00:38:31That's why I had to become the perfect daughter.
00:38:34Because if I gave him reasons to reproach me, he'd hit me more.
00:38:41And much harder.
00:38:46It was a matter of survival.
00:38:54But, Marcelina, I...
00:38:57I never saw anything.
00:38:59I know.
00:39:01But your mother did.
00:39:05That's why she treated me with more consideration.
00:39:09And...
00:39:11That's why she was less indulgent with you.
00:39:15Because she knew the nightmare I was living at home.
00:39:20And that's why she hung up all the mischief on you, even if sometimes you dropped some.
00:39:25Because she knew that I received too much at home.
00:39:33I don't want you to think that your mother didn't love you.
00:39:36Or that she doesn't love you now with all her heart, Trini.
00:39:40Although she always behaved wonderfully with you and me.
00:39:44I was always very envious to see how she talked about you.
00:39:50The kisses she gave you.
00:39:52The kisses she gave you.
00:39:55How she cared about your things.
00:40:01Your mother made an effort for us to be friends.
00:40:05It's because she knew that spending time with you would make my life less miserable, Trini.
00:40:11Less hard.
00:40:15And because that way, by the way,
00:40:18she saved me from some other problem.
00:40:22If she always took me out for a walk or to do things with you, it was to protect me.
00:40:31That's why she always invited you to eat, to have dinner, to sleep, every day.
00:40:39And she accompanied me to ask my parents for permission.
00:40:46And why didn't you tell me anything?
00:40:48And why didn't you tell me anything?
00:40:54Because I was ashamed.
00:41:04I'm very sorry, Trini, very sorry, that you feel so bad.
00:41:12But if I tell you this,
00:41:14it's because your mother is the best person I've ever met in my life.
00:41:22And if it weren't for her,
00:41:26who knows?
00:41:30Maybe I wouldn't be here now.
00:41:43Maybe I wouldn't be here now.
00:41:48So, sir, about the suppliers, it was the last thing, right?
00:41:51Yes, yes, the last thing. It took us all day, but in the end we got it.
00:41:55Congratulations, boy.
00:41:57Excuse me, sir, but the idea of ​​advancing the needs of the next few days has been yours.
00:42:02Yes, but you have done the hardest part of the job, so we are tied.
00:42:08Thank you, sir.
00:42:09By the way, Rodrigo, the matter of the notification.
00:42:13The one with the reporting permit?
00:42:14Yes, yes, yes. We haven't received it?
00:42:16No, sir.
00:42:18Well, I hope it's as soon as possible.
00:42:20Tomorrow morning as late as possible,
00:42:22because then 48 hours have passed since the closure.
00:42:26I'm sure it will arrive by then.
00:42:29I'm going, sir.
00:42:34Go ahead.
00:42:36Don FermĂn Villanueva.
00:42:37Yes, yes, I am. And who are you?
00:42:40Pablo MarĂn, insurance agent. I need to talk to you.
00:42:46Of course, of course. Accompany me to the office, please.
00:43:00For the first time, Esperanza and I are in the same boat.
00:43:03Yes.
00:43:06Well, honey, we are all in that boat.
00:43:10If something has been made clear, it is that SimĂłn cannot raise the situation.
00:43:14Well, to begin with, because he has not appeared in the room all day.
00:43:18It's a shame, Antonio.
00:43:20The first time I saw him, it didn't give me a bad feeling.
00:43:23But it is clear that I was wrong.
00:43:26He's a scammer.
00:43:28I don't know, Antonio, I don't know.
00:43:29I mean, I may have been part of the blame, but not all.
00:43:34And he could be guilty, of course.
00:43:37And you can't know what damaged the pastry cream?
00:43:41No.
00:43:42I really don't understand it.
00:43:43I don't understand how that man throws the stone, hides his hand, and you can't know what happened.
00:43:48And we can't know how it is possible that no one realized that the cream was bad.
00:43:53Come on, Pietro, please.
00:43:55Does SimĂłn get into the investigation bag?
00:43:57No.
00:43:58Why do you get involved alone?
00:43:59Because these things can happen, Antonia.
00:44:02I've told you a thousand times.
00:44:03Accidents can happen.
00:44:06And this accident is a bit strange.
00:44:10Because it doesn't make sense.
00:44:11That's it.
00:44:12What doesn't make sense?
00:44:15No, Antonia, I don't want to talk.
00:44:17Please, I'm tired of the subject.
00:44:19Well, but I want to know what you think.
00:44:21But what's going to change?
00:44:23What's going to change, Antonia?
00:44:24What matters is what you think.
00:44:25I don't care what I think.
00:44:27But I'm the person I love the most and I don't like to see you like this.
00:44:31Tell me.
00:44:33Okay.
00:44:36What's strange, Antonia, is that I filled the tartlets from the first batch in the morning.
00:44:41Yes.
00:44:42I've left the tartlets ready so you just have to fill them and bake them.
00:44:47There you have the first tray.
00:44:49You can contaminate it, yes.
00:44:51But there was a second batch in the afternoon.
00:44:54And what's strange is that I didn't do it.
00:44:58And the customers also got intoxicated.
00:45:02You didn't do the second batch in the afternoon?
00:45:05No.
00:45:06Have you told that to anyone?
00:45:08No.
00:45:09You have to tell them, Pietro.
00:45:12Maybe not to Don FermĂn right now because of the situation, but Cañete and Teresa have to know.
00:45:18No, Antonia, I'm not going to accuse Simon without evidence.
00:45:20But he accused you.
00:45:21I don't care if he accuses me.
00:45:23I don't care.
00:45:24I'm not like him.
00:45:26I'm not going to put myself at his level.
00:45:34We are in contact.
00:45:35Have a good afternoon.
00:45:42Goodbye, Mr. MarĂn.
00:45:46Excuse me, Mr. FermĂn.
00:45:48All in order.
00:45:52Well, I don't know what to tell you, Rodrigo.
00:45:55I'm a little ...
00:46:00Do you mind if we don't sit down?
00:46:02No, not at all.
00:46:09You see, that man has come to bring me the documentation of a insurance policy.
00:46:14It is a policy ...
00:46:16A policy that Lázaro contracted.
00:46:21But I didn't know about it.
00:46:24It's weird, isn't it?
00:46:26Well, they know from the press that my wife has disappeared and they have come to tell me
00:46:32that without Lázaro's body the payment cannot be made effective.
00:46:37It is a measure they have to avoid scams.
00:46:41And as he has also told me, my wife contracted this policy
00:46:47shortly after the incident she had with that Juana.
00:46:51Are you aware of what happened?
00:46:53Yes, I am.
00:46:54It was a real luck that Mrs. Lázara managed to escape.
00:47:00It can't be.
00:47:03What's up, Mr. FermĂn?
00:47:05Well, the agent has brought me the documentation thinking that I was the beneficiary of the policy, but ...
00:47:11But that's not what I put here.
00:47:14Look down there, Rodrigo. Down there.
00:47:18The two initials.
00:47:20Beneficiary C.E.
00:47:24Mail section 288.
00:47:27Yes, the mail section is from here, from Madrid.
00:47:30But it is clear that that is not me.
00:47:32Those are not my initials.
00:47:35But sir, this must have an explanation.
00:47:38Nobody comes up with those initials.
00:47:44I have no idea who could be the beneficiary of this policy.
00:48:05Reina, I need to talk to you.
00:48:07Yes, yes, but low. It has cost me a lot to sleep the kid.
00:48:10Yes, yes, but low. It has cost me a lot to sleep the kid.
00:48:12Yes, low, but leave this for a moment, please.
00:48:14I need you to attend to me, please.
00:48:16Sit down.
00:48:18Oh, but ...
00:48:19What's wrong with you?
00:48:26You have nothing to tell me that I don't know about when Marcelina and I were little.
00:48:32What do you want me to tell you?
00:48:36Well ...
00:48:38About Marcelina's childhood.
00:48:44Did Marcelina tell you anything?
00:48:48Well, she told me that her father beat her.
00:48:51At all hours.
00:48:53And that you knew it.
00:48:55That's why you blamed me for all the things she did.
00:49:00Is that true?
00:49:08Mom ...
00:49:11Why didn't you ever tell me?
00:49:15Because ...
00:49:17I don't think Marcelina would have been very happy about it.
00:49:20But I thought about doing it more than once and more than twice.
00:49:24And what a relief to know that you know now.
00:49:28So that you can grow up with her later.
00:49:30With what she appreciates you.
00:49:32She loves you very much.
00:49:34She loves you very much.
00:49:37Yes, I ...
00:49:39I don't know, all this has been a surprise and I couldn't imagine it.
00:49:43I never saw anything when we were little. I didn't know.
00:49:47Well, it's just ...
00:49:49The things that hurt one ...
00:49:52They don't usually happen.
00:49:53Only if they ask you.
00:49:55Or if the person cares about you.
00:49:58Phew ...
00:50:00And I blaming her that you and I were always arguing.
00:50:07And ...
00:50:10Well, I would like to know what you thought.
00:50:16Of what?
00:50:20Well, that she would blame you for all the things she did.
00:50:28Well, I was going to think, mom, that you loved her more than me.
00:50:32I've always thought about that all my life.
00:50:34Didn't you see that I didn't stop doing things to see if you loved me a little?
00:50:38And that I have always had a very bad time with this subject, mom.
00:50:41Wait a minute, Trini, Trini. But let's see, Alma de Cántaro.
00:50:43How am I going to love a neighbor more than my own daughter?
00:50:46I don't know.
00:50:47I don't know.
00:50:54It wasn't right for you to blame yourself for things that didn't belong to you.
00:50:59But it's just that ...
00:51:01I don't know, between the good girl you've always been and the burden the poor girl had at home,
00:51:07I thought that ...
00:51:11You have to see, trying to help her, I ended up hurting you.
00:51:17Do you forgive me?
00:51:22Mom, of course.
00:51:24I know you did the best you could at that moment.
00:51:29I know.
00:51:30The thing is that I was a little girl.
00:51:32At that moment, I didn't understand anything, mom.
00:51:36And ...
00:51:39I don't know.
00:51:40I know it seems silly to think that you loved her more than me, but ...
00:51:46That's what I felt at that moment.
00:51:50And I apologize.
00:51:53Because I know that lately I've been behaving like a girl.
00:51:56Well, yes.
00:51:58Well, look, let's leave it at that the blame is on both.
00:52:03One for being silly and the other for being even sillier.
00:52:08I'm sorry.
00:52:10Come on, you and me don't like to be silly all the time.
00:52:14You more.
00:52:15No, you more.
00:52:16Hello.
00:52:30What are you doing here so soon?
00:52:33So soon? It's the usual time.
00:52:35Hey, I was thinking.
00:52:37In the end, what are we going to do with the house that Marcelina has to rent?
00:52:42What?
00:52:43Don't you remember?
00:52:44We didn't decide what to do with that issue.
00:52:47If we give up or complicate her life, as you said.
00:52:51No, Miguel.
00:52:52We will try to help her in everything we can.
00:52:55Ah.
00:52:56And that sudden change?
00:53:00Well, nonsense.
00:53:02We've done a lot of nonsense lately.
00:53:04And I, especially.
00:53:07And the time has come to do things right.
00:53:12You cook.
00:53:18We wanted to go to his office, but I had a lot of work.
00:53:23Don't worry about me, you have enough with your affairs.
00:53:28Why don't you come by tomorrow for the shoot?
00:53:30That way you'll be distracted and forget about your problems.
00:53:32I wish I could, but I'm afraid I'll have to talk to the health department.
00:53:35See if they can speed up the process of notification of reopening the room.
00:53:41They haven't given it to you yet?
00:53:42No.
00:53:43No.
00:53:44Bureaucracy is very complicated.
00:53:46And of course, those officials don't have the rush that I do.
00:53:50And can't you ask a friend for help?
00:53:52I'm sure you know some high-ranking administration official who can help you.
00:53:57Yes, I do have someone to call.
00:53:59But at the moment, the matter has acquired a certain repercussion.
00:54:03And no one wants to get involved.
00:54:05And I don't want to compromise any friendship.
00:54:07That's normal.
00:54:10I just hope the closure doesn't get any longer.
00:54:12Because if it doesn't...
00:54:15My God.
00:54:16Everything will be solved, uncle.
00:54:17In a month this will be left at a standstill.
00:54:19You'll see.
00:54:20I hope you're right.
00:54:21I hope.
00:54:23If only that were the case.
00:54:26Is there anything else?
00:54:29Yes, Laurita.
00:54:30Yes, there is.
00:54:33This afternoon, an insurance agent has shown up in my office.
00:54:39An insurance agent?
00:54:41But why?
00:54:43He wanted to explain to me that Lazar had signed a life insurance policy with them.
00:54:47And that policy can't be made effective because no one knows for sure
00:54:53what really happened with my wife.
00:54:56Well, your wife was very cautious and I suppose she was looking for a beneficiary in case something happened to her.
00:55:01The problem is that the beneficiary of that policy is not me.
00:55:08But who was he going to leave the money to if not you?
00:55:11We don't know.
00:55:13We only know his initials from the beneficiary.
00:55:16C.E. and an email address.
00:55:19288.
00:55:20288.
00:55:21But why would he do something like that?
00:55:23I have no idea.
00:55:26And what is he going to do now?
00:55:27He must find out who that person is, right?
00:55:29Of course, of course I have to find out.
00:55:30Of course I do.
00:55:32But that will be after he manages to reopen the company.
00:55:35That is now my priority.
00:55:38Maybe he can find some clue in the email section.
00:55:41It will have to be someone that Lazar will appreciate a lot to leave him that money.
00:55:44Yes, but those are all assumptions, conjectures, hypotheses.
00:55:47We don't know anything for sure.
00:55:50Nothing.
00:55:52Tell us the truth.
00:55:53He has not stopped thinking about what happened to his wife, right?
00:55:59That's right, Laurita.
00:56:00That's right.
00:56:02And I'm not going to rest until I know what really happened.
00:56:06Maybe my imagination is wasting me bad pasts.
00:56:09But it is that ...
00:56:13It seems to me a lot of coincidence
00:56:15that the disappearance of Lazar
00:56:17and the disaster of the Modern
00:56:20happens almost at the same time.
00:56:41Sorry for the delay.
00:56:43Here are your drinks.
00:56:45And now, enjoy the night.
00:56:46It's your home, you know.
00:56:47Welcome.
00:56:51Hello, Mercedes.
00:56:56You see,
00:56:59I told my friends
00:57:00that in this place they would treat us with silk gloves.
00:57:04Would you give us a good table?
00:57:08Sure.
00:57:09That table next to the stage.
00:57:11Come, gentlemen.
00:57:13I already warned you that the most interesting thing about the place
00:57:15is the sweetness of the hostess.
00:57:18Come on.
00:57:26Mr. Pedraza,
00:57:27would you have a moment, please?
00:57:29Of course.
00:57:30If you excuse me.
00:57:39I don't put you on the street
00:57:41because of your friends.
00:57:42But you know that here
00:57:43you are not welcome.
00:57:45I don't understand you.
00:57:47We come to make an important expense.
00:57:49We want to have fun.
00:57:52Aren't you aware of the damage you are doing to me by coming here?
00:57:55Are you going to threaten me again
00:57:56or are you going to keep laughing at my brother's death?
00:57:59You know, to be the owner of a cabaret
00:58:01you are a little depressing.
00:58:05Being in front of the person responsible for what happened to Cesar
00:58:08doesn't make me want to make jokes, precisely.
00:58:10Leave that canteen, Mercedes.
00:58:12You don't convince anyone.
00:58:14I had nothing to do with your brother's death.
00:58:17I just came to have a drink.
00:58:19Well, there are many places that would be willing to receive you.
00:58:23Why do they have to come here?
00:58:27Because they have forbidden me to come.
00:58:31I don't understand him.
00:58:32Yes.
00:58:34You see,
00:58:35to me, actually,
00:58:36this place
00:58:37seems like a real ordinariness.
00:58:41If I wanted to have fun,
00:58:42I can think of many other places with much more class.
00:58:47But it turns out that your dog Faldero
00:58:49warned me not to come here.
00:58:51And I have no choice but to disobey him.
00:58:55And here we are.
00:58:59Are you calling dog Faldero Ivan?
00:59:01Yes.
00:59:02Yes.
00:59:03Dog Faldero.
00:59:06The poor thing
00:59:07still hasn't realized that he can't tell me what I should or shouldn't do
00:59:11because I do whatever I want.
00:59:14I think he should treat his son with more respect.
00:59:16I don't know. I know he deserves it.
00:59:18Do you think so?
00:59:19He's a much better person than you think.
00:59:22In that case, you see in him things that I haven't discovered yet.
00:59:25Maybe that's why he's so obsessed with you.
00:59:29If they're doing well here,
00:59:30it's because I treat them with respect and sincerity.
00:59:34No.
00:59:35No, Mercedes, no.
00:59:36Don't be fooled.
00:59:37If Ivan spends so much time with you,
00:59:40it's because he needs to be with a lower being
00:59:43to increase his self-esteem.
00:59:45It's very clear.
00:59:46He has no interest in you.
00:59:49I'm not going to get into his stupid game.
00:59:51You just want to hurt me.
00:59:54Or
00:59:55protect my son Ivan from
00:59:57some kind of jinx.
01:00:01Don't lie.
01:00:03You only care about one person in the world.
01:00:06Yourself.
01:00:08Okay, think whatever you want.
01:00:10But in the meantime,
01:00:11could you serve us a bottle of your best champagne?
01:00:14Yes.
01:00:15It has to be cold.
01:00:16Please.
01:00:17Of course, of course.
01:00:20But I demand
01:00:21that you leave when I finish the glasses.
01:00:23Yes, yes.
01:00:24Don't worry.
01:00:25I wasn't going to spend too much time in this club either.
01:00:29Oh yes, one more thing.
01:00:31Next time you want something from me,
01:00:33come looking for it.
01:00:35No intermediaries.
01:00:36Do you understand?
01:00:37No intermediaries.
01:00:38Do you understand?
01:01:02What are you doing awake at this hour?
01:01:05Having a coffee
01:01:06before going to La Moderna.
01:01:08And for what?
01:01:09There's nothing to bake.
01:01:11I know, Antona, I know, but
01:01:13I want to behave like I always do.
01:01:15To maintain my routine,
01:01:16so I don't lose my head.
01:01:18Maybe they'll let me go to La Moderna today, right?
01:01:21Well, I don't think so, really.
01:01:23Because I have a bad feeling.
01:01:26And why?
01:01:27It's been two days since the closure.
01:01:29Yes, but yesterday when we left the club
01:01:31there was no news of the reopening.
01:01:33Yes, I know, but it's not ash, right?
01:01:36The closure was temporary.
01:01:38Well, we'll see.
01:01:40Pietro, he's thinking about it a lot.
01:01:42What we talked about yesterday.
01:01:44And I think it's with Don FermĂn
01:01:45that you should talk about your suspicions about SimĂłn.
01:01:48Yes, darling.
01:01:50Please.
01:01:53Antona, I'm going to do what I have to do.
01:01:55That's it.
01:01:56Yes.
01:01:57And what you have to do is talk to Don FermĂn.
01:02:00No.
01:02:01I told you yesterday.
01:02:02I'm not going to accuse SimĂłn of anything
01:02:04in front of no one without evidence.
01:02:08You're taking too long to say what you think, darling.
01:02:12Especially when that man threw the stone and hid his hand.
01:02:15Don't you forget that man is missing?
01:02:18Of course.
01:02:19Everyone is as they are.
01:02:21This man is overcome with everything we are going through.
01:02:24Oh, poor thing.
01:02:25What a bad boss Don FermĂn has been looking for, right?
01:02:28Running away when the hand is so bad.
01:02:30Please.
01:02:31And you there at the foot of the canyon.
01:02:33Well, the difference will be obvious.
01:02:34Sure, and what do I do?
01:02:36I can't hide after what I did.
01:02:38But what have you done, Pietro? You haven't done anything.
01:02:41It's getting less and less clear that you've done something.
01:02:43Look, the only thing you're guilty of
01:02:45is letting SimĂłn convince you
01:02:47that you're responsible for this disaster.
01:02:49That's it.
01:02:50It could be.
01:02:51We can't be sure of anything, Antonia.
01:02:54Of anything.
01:02:55I'm not going to accuse SimĂłn in front of Don FermĂn without evidence.
01:02:58Please.
01:02:59Very good.
01:03:00Very good.
01:03:01Well, if you don't talk to him, I will.
01:03:03No, no, no. Not this.
01:03:04Yes, I'm going to do it because I'm not going to let you
01:03:06carry a responsibility that is not yours.
01:03:09Do you understand?
01:03:10Either of us has to do it, I'm sorry.
01:03:12There's no other way.
01:03:14Please, Pietro.
01:03:19Okay.
01:03:21Okay.
01:03:22But I'm not sure we're doing the right thing, Antonia.
01:03:25Well, we'll see about that.
01:03:27Then you'll be happy to have made this decision.
01:03:29And if we're going to complicate things further...
01:03:31Complicate it further?
01:03:32Yes, further.
01:03:33Well, I doubt it because we're already in deep shit.
01:03:53Ma'am, how are you feeling this morning?
01:03:56Well, like every morning.
01:03:59Lately, every day they look like each other.
01:04:04Well, I think it's always been like that.
01:04:08Maybe what I'm bringing you is the joy.
01:04:11I would need all the coffee in Brazil to cheer me up.
01:04:14No.
01:04:15I don't mean the coffee.
01:04:16I mean that letter that the postman brought right now.
01:04:19I came from Argentina.
01:04:22Are they good news?
01:04:25Yes, that's what it seems.
01:04:29One of the guys who were awarded by the Foundation
01:04:32has completed his degree.
01:04:35He's a very good man.
01:04:38He's not a bad guy.
01:04:41I don't know if he's a bad guy.
01:04:44He's a good man.
01:04:46He's a good man.
01:04:48He's a good man.
01:04:49He's a good man.
01:04:50He's finished his degree and it seems he's done it with excellent grades.
01:04:56Is it that Santiago de los Esteros boy you were telling me about?
01:05:00Yes, that's right.
01:05:02Raymundo Apanco.
01:05:03I'm so glad.
01:05:05That boy knew from a young age that he was going to go far.
01:05:11Ma'am,
01:05:13it's the first time I've seen you smile in a long time.
01:05:19Well,
01:05:21lately I didn't have many reasons to do it.
01:05:27Well, if this made you feel better,
01:05:29you should think about it.
01:05:33What do you mean?
01:05:36It's a shame that his work is lost.
01:05:39There are many children like Raymundo who need an opportunity.
01:05:43No, Pepita, the Foundation will keep going.
01:05:45Yes,
01:05:46but without its direction,
01:05:48it will end up fading away little by little.
01:05:52I just...
01:05:54I don't have the strength to keep going.
01:05:57Yes, I understand that you made a pact with your husband
01:06:00and that the death of Mr. Morel...
01:06:02The death?
01:06:03No, Pepita, not the death.
01:06:05The murder of CĂ©sar Morel.
01:06:07That the murder of CĂ©sar Morel
01:06:10is postponed.
01:06:13But those boys need it.
01:06:14I couldn't leave them in the slums.
01:06:19Yes, I guess the financial reserves are running out, I know.
01:06:24I'm sure they're about to enter the red numbers.
01:06:27And if you're not looking to get funds
01:06:29or talk to the donors,
01:06:31it won't last long.
01:06:34You're right about that.
01:06:35That's undisputable, I know.
01:06:37And in other circumstances,
01:06:38I would be doing all kinds of things
01:06:40so that all the necessary funds could be obtained.
01:06:44I know.
01:06:45And why don't you do it?
01:06:47Because I don't have the strength to do such a task.
01:06:50Ma'am,
01:06:51you have to find that strength again, no matter what.
01:06:54The Foundation is the great project of your life.
01:06:57Yes.
01:06:58For many years,
01:07:00it was one of the reasons that kept me going.
01:07:04Then CĂ©sar came
01:07:06and I got excited about everything again.
01:07:12And now there's nothing left.
01:07:14Ma'am, no.
01:07:15You're wrong.
01:07:17There are many families that depend on you
01:07:19so that their children have a future.
01:07:21And that should be enough
01:07:24to get you out of the pit you're in
01:07:26and face life again.
01:07:31Pepita,
01:07:33I have enough with Emiliano not threatening Paula and Rodrigo.
01:07:36Well, you're getting there.
01:07:38So now you can think about getting back to work.
01:07:42Ma'am, please.
01:07:44If she stays here, locked up,
01:07:46watching time go by, she'll get sick.
01:07:49Of course.
01:07:50She'll dry up like a sunless plant.
01:07:55Think about it.
01:07:57At least think about it.
01:08:09Where are you going all packed?
01:08:11To see Don FermĂn.
01:08:12So he can tell me what's going on.
01:08:14Don FermĂn doesn't have the head to explain things to anyone, Esperanza.
01:08:18Someone will have to do it.
01:08:20I can't go on like this.
01:08:22I'm cold about cleaning to keep myself busy.
01:08:26I know the same as you.
01:08:27And I try to stay calm.
01:08:29It's no use losing our nerves.
01:08:31Much less losing the others.
01:08:34Yes, that's fine.
01:08:36In theory.
01:08:37But are we going to open or not?
01:08:39Esperanza, I know the same as you.
01:08:42And Don FermĂn will tell us when he thinks it's convenient.
01:08:45Okay?
01:08:47Yes.
01:08:48This all sounds terrible to me.
01:08:50I think we're living the end of the modern era.
01:08:52Well...
01:08:53Or not.
01:08:54It can all be fixed, Esperanza.
01:08:57Or we might end up in jail
01:08:59for poisoning half of Madrid.
01:09:01You're being ridiculous.
01:09:03It's not our fault.
01:09:05They can't take us for accomplices in the poisoning.
01:09:10And you'd be more to blame than the others.
01:09:12Because you have a higher position in this company.
01:09:16Esperanza, this was an accident.
01:09:19And how does it have to be treated?
01:09:21You'll tell me when we're in jail
01:09:23at the Arcala gallery.
01:09:25Oh, God.
01:09:26I hope they put us in the same cell.
01:09:28Come on, come on.
01:09:29You're exaggerating.
01:09:30It's not going to happen.
01:09:32Not at all.
01:09:33Teresa, do you have a moment?
01:09:35Yes, of course.
01:09:36Mr. FermĂn, tell us the truth.
01:09:38What's going on?
01:09:40Are we getting out of this or going to jail?
01:09:42If I lose my job at my age,
01:09:45who's going to hire me?
01:09:46Look, Esperanza.
01:09:47We're doing a temporary draw as soon as we can.
01:09:50But I hope we'll be back to normal soon.
01:09:53Well, that's the same as not saying anything.
01:09:55Are we going to open or not?
01:09:57Soon, Esperanza, soon.
01:09:58But I still don't have the permission to reopen.
01:10:00And I hope we get the notification.
01:10:02Notification?
01:10:03Well, throughout the morning.
01:10:05Well, we're in a hurry.
01:10:07Oh, my God.
01:10:08What are we waiting for? A paper?
01:10:09For a paper?
01:10:10I already read it.
01:10:11It's the competent authorities
01:10:12who have to inform us when...
01:10:15I'm going.
01:10:22Ah, come in.
01:10:23Mr. FermĂn.
01:10:24Come in.
01:10:27It's terrible.
01:10:29It's terrible to have to look at the Moderna like this.
01:10:33Without a single client sitting at their tables.
01:10:36Yes, it's devastating.
01:10:38You don't know how much we regret it, Mr. FermĂn.
01:10:43Teresa, if you're so kind as to wait for me in the office,
01:10:46I'll be right there.
01:10:47Of course.
01:10:48Esperanza, come with me.
01:10:50Follow me.
01:10:55And no matter who,
01:10:57I've made a decision.
01:10:59And I'm not going to change my mind.
01:11:01Even if that means
01:11:03losing my true love, or even my life.
01:11:09What do you think?
01:11:11Well, if you do that in front of the camera,
01:11:14the viewers will get a nosebleed.
01:11:18Well, I've already got a nosebleed, and it's not usual.
01:11:21That's because you're excited.
01:11:23Excited? Nonsense.
01:11:24I'm going to see how the team is doing,
01:11:26because if they don't hurry up, we'll be late.
01:11:28Well, this is incredible.
01:11:30You've reached Ramallo's heart,
01:11:32and look what we thought he didn't have.
01:11:34How's your uncle?
01:11:35When I got here, I couldn't see him.
01:11:37He was locked up in his office.
01:11:38Well, yesterday he came to see us,
01:11:40and the truth is that we were very worried
01:11:42about everything we told him.
01:11:43Yes, he found out that Mrs. Lazara had a life insurance,
01:11:46and he wasn't the beneficiary.
01:11:48That's strange, isn't it?
01:11:51That's going to be heavier on his shoulders.
01:11:53I don't know how much pressure he's going to be able to bear.
01:11:56Well, I don't think it's much more.
01:11:58And the truth is that it makes us quite worried.
01:12:00Laura, I don't want to sound selfish,
01:12:02but I hope your uncle's case doesn't influence your interpretation.
01:12:05No, no, no.
01:12:06Laurita is going to do a great job.
01:12:08Right?
01:12:09Yes, I'm worried, but I'm going to defend my words
01:12:11as if I were the spy herself.
01:12:14AgustĂn, haven't they brought the food yet?
01:12:19The restaurant is closed.
01:12:21They can't serve us.
01:12:22Well, ask them somewhere else.
01:12:24I was going to ask for it in a cafe next door,
01:12:27but I haven't closed it with Ramallo yet.
01:12:29He's giving me a hard time.
01:12:30Yeah, but we can't have the team starving.
01:12:34Ramallo, can you come here for a moment, please?
01:12:38Is there a problem with the food?
01:12:41Yes, we won't be able to eat today.
01:12:43AgustĂn has looked for a place
01:12:45where they charge us too much for the service,
01:12:47so for today we will have to do without that luxury.
01:12:50Yeah, but this team is giving their all
01:12:52to get the job done,
01:12:54and we can't mistreat them this way.
01:12:56So I want plenty of food and I want it now.
01:12:59Yes, you're absolutely right.
01:13:01We have to take care of the team,
01:13:02so I'm going to order food and drink urgently.
01:13:05Very well, thank you.
01:13:11I don't believe it.
01:13:14I can't believe they still won't let you open your establishment.
01:13:22It has to be terrible for you.
01:13:24Yes, it is.
01:13:25If it continues like this, I'm going to end up in a ruin.
01:13:30You can always sell me your 1% of my business.
01:13:33No.
01:13:35I don't believe it.
01:13:36You can always sell me your 1% of my business.
01:13:39No.
01:13:40I'm not going to do it.
01:13:43Why?
01:13:45Why, FermĂn?
01:13:47It would alleviate your financial situation for a long time.
01:13:50Stop insisting, Emiliano.
01:13:52You know perfectly well what my position is on this matter.
01:13:55All I want is to help you so you can continue to fight for the model.
01:13:59And that's what I'm going to do, but without selling that percentage.
01:14:03And now, if you'll excuse me, I have to deal with my manager.
01:14:06You know the way, right?
01:14:19How do you become such good friends?
01:14:23It's a long story.
01:14:26It's a story that goes back to the days we spent in that boarding school.
01:14:31I don't like to talk about that, Iván.
01:14:34Don't ask me anymore.
01:14:36Now we have to focus on how to keep pressuring him.
01:14:41Because the alternative, you know what it is, right?
01:14:48I guess you're behind the delay in the reopening permit.
01:14:53Me?
01:14:54What are you saying, Iván?