Deniz is the daughter of a wealthy family as a child. She is so special for her school because of her beauty and popularity. Yiğit is the short and fat kid with glasses that everyone is making fun of at school. These two cross paths with each other while they are in middle school. Even though Yiğit is frozen out by everyone, Deniz takes him under her wing. They build up an unforgettable bond. Deniz becomes Yiğit's first friend and childhood crush.
However, when Yiğit turns 15, he has to move to the USA, and they get separated from each other. Then, Deniz has other changes in her life. First, her family's printing company goes bankrupt. Then, she loses her beautiful genes from her mother, and her father's not-so-beautiful genes emerge. Deniz loses her fascinating beauty. Deniz, who goes through a streak of bad luck, can't find a job after university. When she turns 29, she, with her own words, misses her life. Meanwhile, Yiğit loses weight and becomes a very handsome man, and on top of that, he has a constantly growing career.
Actors: Zeynep Çamcı, Gökhan Alkan, Gonca Sarıyıldız, Yiğit Kirazcı
Credits:
Yönetmen: Yusuf Pirhasan
Script: Aksel Bonfil, Hakan Bonomo, Rüya İşçileri
Category
📺
TVTranscript
00:00I mean, look at this.
00:02What are you doing in the mountains?
00:04Who are you?
00:05What do you think you are?
00:06Are you Ceylan?
00:07Are you Sincat?
00:08What's going on?
00:09You're the one who's Ceylan, honey.
00:11Tuna is hitting himself in the mountains because of you.
00:15Excuse me?
00:16What does that have to do with anything?
00:17I mean, please.
00:19Let's not talk like this.
00:21It's not funny.
00:22It's just a joke.
00:24Are you blind?
00:25Can't you see what's close to you?
00:26I'm telling you, the boy is like the moon, like the sun.
00:29He's crazy about you.
00:31He's hitting himself in the roads.
00:36Can you close the subject?
00:38What does it have to do with anything?
00:40What does it really have to do with anything?
00:41I mean, don't put so much pressure on the girl.
00:43Obviously, it's not like that.
00:44Look, she's saying it's not like that.
00:46What is it, honey?
00:47I'm not saying anything weird.
00:49I mean, can such things happen between people who work together?
00:52You spend time together.
00:54You go out to eat.
00:55You go out to drink coffee.
00:57You laugh together.
00:58You fight from time to time.
01:00How are we going?
01:01We're going straight, but let's not go the wrong way.
01:03Am I going to go back somewhere?
01:04What am I going to do?
01:05Let's ask someone about this.
01:06What are you going to ask?
01:07It's straight.
01:08Anyway, what was I saying?
01:10I mean, I'm saying it's possible.
01:12I mean, closeness is possible between people who work together.
01:15After all, you spend a lot of time together.
01:17There are times when you contact each other by mistake, right?
01:21Sorry, I touched you.
01:23I don't know.
01:24I mean, watching from a distance while working.
01:26Speaking of watching, there is such a good observer in the future.
01:30I mean, we have to eat this.
01:32Eating this is a must.
01:33It will be in the future.
01:34Of course, yes.
01:35We'll have a drink of ayran on top of it.
01:37Oh.
01:38Oh.
01:39I swear, it made me hungry.
01:40Deniz, didn't you say we should find Tuna as soon as possible?
01:43Where did the observation come from now?
01:45Did we go on a trip?
01:46Oh, you two didn't let me talk.
01:48I couldn't finish my word.
01:50I was stubborn, I'll tell you the end of it.
01:52Our Orçun.
01:53Of course, he has a friend from work.
01:55They are very close to the girl, okay?
01:57They spend a lot of time together.
02:00One day they were alone in the office for work.
02:03They try to apologize for fighting.
02:06Then they get closer as you know.
02:09Oh.
02:10Oh.
02:11I can't stand it anymore.
02:13I'll tell you.
02:14What are you going to say?
02:15What are you going to say, Deniz?
02:17Am I not human?
02:18Huh?
02:19I'll tell you.
02:20Don't be mad at me.
02:21Don't be mad at me right now.
02:22I can't stand it anymore.
02:23I'm telling you now.
02:24I'll tell you.
02:25Oh, I was so curious.
02:26Now I'm going to burst out of curiosity.
02:27I'm going to burst out, too.
02:29But not out of curiosity.
02:31Mr. Yiğit, please stop the car.
02:33Please stop the car as soon as possible.
02:35Deniz, why should I stop the car?
02:37Look, we're going so well.
02:38We're on our way.
02:39The traveler is on his way.
02:40Right, Deniz?
02:41I'm stuck.
02:45Are you stuck?
02:47So that was it?
02:48Please, let's stop as soon as possible.
02:50Let's open the doors.
02:51I'll throw myself out.
02:52I'll relax.
02:53I'll say, oh, Deniz.
02:54Please.
02:55No, that's not going to happen.
02:56I'll put you in a gas station in the future.
02:57You'll take care of it there.
02:58Take a deep breath.
02:59Don't think about it.
03:00Don't think about it.
03:01I don't think about it.
03:02You...
03:20I'm going to the market.
03:44See you.
03:45Okay, dear.
03:46You go.
03:48You go.
03:50Deniz.
03:53Can you wait a minute?
04:05Hello, Mr. Tioman.
04:07Are you still calling me Mr. Tioman?
04:10What should I call you?
04:11Should I call you dad?
04:12Dad doesn't come to my mind at all.
04:14What do you want?
04:15Food? Money?
04:16What is it this time, boss?
04:17Neith wants you to leave.
04:19I'm not surprised at all.
04:21I think you shouldn't be surprised either.
04:23My daughter.
04:26You will fix my relationship with Neith.
04:29What do you mean?
04:30Do I have to do this?
04:32Yes, if I can't.
04:36Mr. Tioman, look.
04:38Neith hates you.
04:40I don't think there's any way.
04:42I think you should accept this, face it, and go on with your life.
04:45because some mistakes don't come back.
04:48I'm not asking you, girl.
04:50I'm not asking you to do what you can.
04:52I just want you to fix things between us.
04:54That's all.
04:55Okay, but what if I don't?
04:57Don't you know what will happen?
04:59I'll tell Yiğit everything.
05:01Yiğit will leave you.
05:04His dreams will be destroyed.
05:07Your life will be ruined.
05:10Is that what you want?
05:16I can't stand you in the car.
05:20When you said I had to talk, I was a little...
05:22I'm stuck.
05:24But I'm stuck in the corner.
05:26I mean, it happened again.
05:30Last night.
05:32I mean, last night was very strange.
05:36I admit it.
05:38It happened all of a sudden.
05:40I didn't understand how it happened.
05:42I just let myself go.
05:45Two planets collided all of a sudden.
05:48The balance of the universe broke and BAM!
05:53Big explosion.
05:55Stars fell from their places.
05:59The sun was cold.
06:02Where is love?
06:05The mountain ran away.
06:07Where is the mountain?
06:09The cow drank.
06:12All of a sudden, everything burned down.
06:16Deniz, did you shut up?
06:21I shut up.
06:23Because it's not important.
06:24It was just a momentary thought.
06:26It's not a big deal.
06:28I mean, it's not important.
06:30It's not important.
06:32It happened all of a sudden.
06:33I wasn't aware of what I was doing.
06:36It's not even worth talking about.
06:38It's such a ridiculous thing.
06:40It's a little thing.
06:42I made a small mistake.
06:44It's not a big deal.
06:47We should forget about it.
06:49You say we should forget about it.
06:53There is no need for anyone to know about it, right?
06:59Why?
07:03Did you forget about it?
07:05It's over.
07:06It's over.
07:07Let's go.
07:11Let's go.
07:13Let's go.
07:32We need a volunteer for the video shoot.
07:34Yes.
07:38Guys.
07:40Our party is tomorrow.
07:42I don't think we're going to celebrate our 20th anniversary with limonata and dry cake.
07:45Right?
07:46We need to shoot a video for Barco Vision.
07:48Yes, Ms. Neşe.
07:49I definitely agree with you.
07:51You're right.
07:53But we still don't have a volunteer.
07:55You're right about that, too.
07:58Since you agree with me so much, Cemal, then the job is yours.
08:01No, no, no.
08:02I don't agree with you.
08:03I don't agree with you.
08:04Since you agree with me so much, Cemal, then the job is yours.
08:06No, no, no.
08:07Ms. Neşe, I can't do that.
08:08It's not my job.
08:09I mean, it's not my job.
08:10It's not a job for me.
08:11I can only handle my own devices.
08:13I can't touch someone else's camera or something.
08:15It's dirty.
08:16It has microbes or something.
08:17I was expecting a better excuse than you, Cemal.
08:19But it's not an excuse, Ms. Neşe.
08:21It's not an excuse, it's a matter of character.
08:23I'm already stressed about something.
08:26What am I going to do in that ballroom tomorrow?
08:28It's so crowded.
08:30It's so crowded.
08:31Bags.
08:32Onion rings.
08:33Microbacteria on the one hand.
08:34S.
08:38Pocket?
08:42I have a lot of things to do.
08:44By the way, I'm thinking of taking care of them, Ms. Neşe.
08:47What are they?
08:49Well, let's not get ahead of ourselves right away.
08:52New things for our next number.
08:54I'm evaluating the gossip in the office.
08:56Let me update them.
08:58Then, not just with this, then...
09:00Then...
09:02Then there's...
09:04Oh, that paper throwing thing.
09:06I mean, guys, don't do it, please.
09:08I mean, you use one side of those papers.
09:10You don't use the other side.
09:12It's a shame, it's a waste.
09:13I'm thinking of a campaign in the office.
09:18So you don't take me seriously.
09:20Thank you all very much, friends.
09:23Because I've seen the place in your eyes.
09:27I can't stand you.
09:29No, Ms. Neşe.
09:30Partner.
09:32You misunderstood me.
09:34I never misunderstood you, Buket.
09:37No, sir, she didn't misunderstand you.
09:40Shame.
09:42Shame, shame.
09:43Shame.
09:44Shame.
09:46You all upset this woman.
09:50You ruined this woman's face.
09:53Kazi, what are you doing?
09:54Don't exaggerate, calm down.
09:55Don't be afraid, Ms. Neşe.
09:56I'm here.
09:57I'm here.
10:00What do you know about video and shooting, Gazi?
10:02I'm sorry, Ms. Neşe.
10:03I'm a shooting man.
10:05You know Tarkovsky's dark narrative, right?
10:08You know, the indicators lead people to darkness.
10:11My understanding of cinema is exactly opposite of that.
10:17I believe that there is a life energy in all disasters.
10:23And if God permits, I will direct my camera to show that life energy.
10:30And action.
10:34Bravo, Gazi.
10:39If he does this job, Gazi does it.
10:41You're a man, girl.
10:42I'm not a man, I'm ugly.
10:45I'm ugly.
10:47Ms. Neşe, I want those videos.
10:54If that's the case, the video job is yours, Gazi.
11:00Let's go.
11:07I won't make you look bad.
11:09I have a sharp look.
11:12I have a sharp chin.
11:16I have a sharp chin.
11:18I have a sharp chin.
11:20I have a sharp chin.
11:21I have a sharp chin.
11:27I have a sharp chin.
11:34I'm so happy to find you.
11:42Here, here, here.
11:43He left this here.
11:44He didn't even take the gas.
11:45He's thoughtless.
11:46Where are you?
11:47Where are you?
11:48Tuna!
11:49Don't hide!
11:51Don't hide!
11:54Why are you afraid of the roach?
11:57I'm going.
11:59I'll find him.
12:00As soon as I find him, I'll...
12:01I'll find him.
12:04What's up, guys?
12:06There's a tall boy.
12:08His name is Tuna.
12:09Did you see him, brother?
12:11That crazy boy is gone.
12:12He's in the woods.
12:14He's in the woods?
12:15Why?
12:16Is he going to collect wood?
12:17Why?
12:18What's going to happen?
12:19He's thirsty.
12:20Why is he thirsty?
12:21Uncle, what are you talking about?
12:22Water is flowing everywhere.
12:23The woods are not dangerous.
12:25Uncle, why are you saying such things?
12:27Do you think you're in a horror movie?
12:30This forest is cursed.
12:31If you're going to say things like this, let's get out of here.
12:34The woods are very dangerous.
12:36Those who enter the woods are mindless.
12:38The wise one loses his mind there.
12:40Uncle is right.
12:41Uncle went into the woods and came out.
12:44No mind.
12:45I'm going.
12:46I'm not afraid of anything.
12:47I don't have a mind anyway.
12:48He doesn't have a mind.
12:49No one has a mind.
12:50I have nothing to lose.
12:51Deniz, where are you going?
12:52He says he's not afraid of the woods.
12:54Don't be afraid.
12:55If necessary, we can order some breads.
12:57Maybe we can find that house with cream whipped cream.
13:01Anyway, I'm going.
13:02Deniz!
13:03Don't be ridiculous.
13:04You can't go alone.
13:05He's right.
13:06Don't be ridiculous, please, Deniz.
13:07Let's call Tuna first.
13:09Uncle, does he answer the phone here?
13:12He's not afraid of the woods.
13:14So he doesn't answer.
13:15A wonderful conversation is going on between you.
13:17I wish you a good conversation.
13:19I guess we're losing our minds as we take steps.
13:21I'm going.
13:22Deniz, one minute.
13:23I'm coming with you.
13:25Deniz, take the key.
13:27Sit in the car and lock yourself up, please.
13:29Okay?
13:30We're going.
13:32One minute.
13:33Are you two going to the woods alone?
13:36This is the woods.
13:37We're not in Istanbul.
13:39There are two people here, so it's crowded.
13:42Deniz!
13:43Let's go.
13:46Aşkpaşa in the woods.
13:49I'm not Tekin.
13:51Hey, wait for me!
13:56I'm not Tekin in the woods!
14:00Tuna!
14:01Tuna!
14:02Tuna!
14:03Tuna!
14:06Deniz, are you okay?
14:07What's going on?
14:08You're screaming like a seal.
14:11Something got stuck in my foot.
14:13Why are you trying to scare me by saying you're a seal, Deniz?
14:16Are we going to deal with you or look for Tuna?
14:18For God's sake.
14:19I wish you were with Uncle Tekin.
14:21Oh, sorry.
14:22Uncle Tekin?
14:23I'm not Tekin in the woods.
14:27Okay, sorry.
14:30Deniz.
14:31For God's sake, what is this?
14:34It's full of rags.
14:35Everything gets in it.
14:36It gets in the acrylic, too.
14:37Don't wear such things in the woods.
14:38You're making fun of him, but I think he might know something.
14:43He's not talking for nothing.
14:44He says he's not Tekin, but we're here like spectators.
14:47What would that man know, for God's sake?
14:49He's crazy.
14:51And he found us in the city and made fun of us.
14:54It's like we're in Africa.
14:55It's like we're in the rainforest.
14:57These woods are not Tekin's.
14:59The locals can get out any minute now.
15:01Now?
15:02Now I'm like Indiana Jones.
15:04I'm getting into the mood.
15:06Deniz, don't scare me.
15:07Please.
15:08It's a beautiful movie, isn't it?
15:09Do you want the arrows to come, Mr. Yiğit?
15:14They're hanging us from our feet.
15:16No, dear.
15:17That's not possible.
15:18They're here.
15:20It's beautiful.
15:21You two are a team.
15:22You scare me.
15:23You're really great.
15:24It's a joke.
15:25That's not possible.
15:36What's going on?
15:37Girls, calm down.
15:38There must be a logical explanation.
15:40I think so.
15:41I think so.
15:42Calm down.
15:43Calm down.
15:51The woods are not Tekin's.
15:55Run if you love your life.
15:56Run.
16:05Watch where you're stepping on.
16:07Deniz.
16:09Deniz, stop.
16:12Deniz, come here.
16:14Stop.
16:15Deniz, come here.
16:16Stop, Deniz.
16:17Calm down.
16:19Girls.
16:20Deniz.
16:21Calm down.
16:22Calm down, girls.
16:23Okay?
16:24Okay?
16:25Look.
16:26We have to stay together.
16:27Okay?
16:28Yes.
16:29If we're together and close, nothing will happen to us.
16:30Yes.
16:36What's this?
16:37Don't shoot.
16:38Don't shoot.
16:41Are we close enough, Deniz?
16:43I can't move.
16:45I'm stuck.
16:47Help.
16:48Help.
16:49Don't shoot.
16:50Please.
16:51Don't defend.
16:52Stop.
16:53Stop.
16:54We're friends.
16:55Help.
16:56Help.
16:57Help.
16:58Don't shoot.
16:59Don't shoot.
17:00He's suffocating.
17:01Can you stop him?
17:02I'm trying to stop him, Deniz.
17:04I'm trying to stop him.
17:24Hello
17:34Welcome to Qazi and Negotiating hours.
17:38Dear.
17:41Before introdu you,
17:42why did you think of Go Flamingo?
17:45Can I talk about that?
17:47Go Flamingo.
17:48Go Flamingo.
17:50That meant comfort to me.
17:51Because the most comfortable game is played here.
17:55It's very comfortable.
17:57Look.
17:59Where will you find this comfort?
18:01So you're playing this game.
18:03You confess now.
18:05It's not on the record, is it?
18:06No, I'm not, honey.
18:07I'm playing a little bit, honey.
18:08I'm playing a little bit.
18:10Go flamingo has only one meaning for me.
18:13Career.
18:14Let's say we have a full city,
18:17There is a female tiger.
18:20Of course.
18:21Besides, working in the fashion world is very advantageous.
18:24For example, my friend who started working at the Kolkola magazine
18:27found his life partner in just three months.
18:31Moreover, the man is very rich.
18:33Really?
18:34An Arab sheikh.
18:35He was also a partner of the company.
18:37Of course, our company cut him off from the first day.
18:41You know the rest.
18:43Moreover, the man bought a baby bag for the girl as a wedding gift.
18:48So can we understand this from here?
18:50Your career goal is wealth and a baby bag.
18:53So you keep your bag high.
18:56I keep it much higher.
18:58Then you need a gorilla.
19:00Okay, Gazi.
19:01If you want, cut it off.
19:03Okay, okay.
19:04I'm not doing an interview with you.
19:06I really like giving people what they wear.
19:08I am very happy that I work in this magazine.
19:10And this way I can follow fashion closely
19:12and catch the most trendy pieces.
19:14It's incredible that the photos you take reach people
19:17and I see the fashion trends.
19:20You are a director like Mr. Yiğit.
19:22What else can I do?
19:23Do you have tea, Gazi?
19:24You make good tea.
19:26You understand the spirit of coffee very well.
19:29Not everyone understands.
19:31You are good at your job.
19:33Is that all?
19:34Are you sure you are asking the right questions, Gazi?
19:36Yes.
19:37What am I saying for you?
19:41Will you leave the recording?
19:44Yes.
19:58Don't move.
20:00This is the truth.
20:10Are we saved?
20:14How are we going to get out of that hole?
20:17I've been working at Go Flamingo for five years.
20:20We can say it's my second home.
20:22I spend more time in the office than in my own home.
20:25That's why this magazine is very important to me.
20:31Why did you leave the recording?
20:33Your life has always been a job.
20:35So?
20:36Don't you have a dream of your own?
20:40I dream from time to time, of course.
20:43What, for example?
20:45Sunday breakfast.
20:49The fresh smell of freshly brewed tea.
20:52The rustle of the newspaper.
20:54The taste of the omelette.
20:57The slippers that keep your feet warm.
21:01All by yourself?
21:06With my family.
21:08Family is also very important to me.
21:11But I don't know.
21:13It's very difficult for a person to find someone he can easily build a family with.
21:19I mean, someone he can trust.
21:21Trust is important.
21:26But being compatible is much more important.
21:29For example, I can never be with a man who makes my job difficult.
21:33For example, I can never be with a man who makes my job difficult.
21:38I agree with you completely.
21:41A person should understand your stress.
21:45He should know your passion for work.
21:47He should know you.
21:48I even go to the mountains.
21:50He should work with you in the same place.
21:53You have someone in mind.
21:55I do.
21:56And I think I know very well who that person is.
22:03Don't bother.
22:05I hope so.
22:07Mrs. Nazan.
22:09Our floor attendant.
22:11I was sure of it. I was right, wasn't I?
22:13Gazi.
22:16I was absolutely right.
22:17My feelings never let me down anyway.
22:20Maşallah.
22:21I mean, it's a matter of fate.
22:23What do we say?
22:24Good luck.
22:28I have a meeting in the second floor now.
22:30Of course.
22:31Good luck.
22:35It's Mrs. Nazan.
22:37Mrs. Nazan has a grandson your age.
22:40It's Mrs. Nazan.
22:47This is not going to work.
22:58It's not picking up.
23:00Of course it's not.
23:02The guy warned us.
23:04He said it's not Orman Tekin.
23:06Why didn't we listen to him?
23:08Deniz, please calm down.
23:10Calm down.
23:14Deniz.
23:16Deniz.
23:17Deniz!
23:18I'm coming.
23:20Don't scare me!
23:21Friend!
23:22Friend!
23:23Friend!
23:24What did you do? Did you sleep?
23:26I'm...
23:28I'm so upset.
23:29I've never seen such a sadness in my life.
23:31I can't believe it.
23:32How can you sleep?
23:33We're in this situation because of you.
23:35What should I do?
23:36Should I beg?
23:37Should I live in fear?
23:39I slept like a log.
23:40What should I do?
23:41There's clean air.
23:42We're here.
23:43What should I do?
23:44Should I feed myself to you?
23:45Should I starve to death?
23:46Or should I eat my boobs?
23:47Eat my boobs.
23:48Mr. Yigit, would you like to add salt?
23:50There's no need for me to add salt, Deniz.
23:52Because I'm solving the problem.
23:53I'm telling you.
23:55When you cut one of these,
23:57the others will come to you like socks.
24:00When I was in America,
24:01I had an outdoor training.
24:03Oh my God!
24:04Now be careful.
24:05Protect your heads.
24:07Because soon...
24:09Ouch!
24:22Are you okay?
24:30The world is so small, isn't it?
24:34Tuna!
24:35Tuna!
24:39Tuna!
24:41Now you're out of the ocean.
24:43What are you doing?
24:44What are you doing?
24:45Sit down, you stinking ox!
24:47One second.
24:51A pale-faced, crazy horse. Here you go.
24:53Do you know my nickname Red Crazy?
24:55You don't.
24:56Don't kick the plane.
24:57Okay, whatever.
25:00Come on, let's go.
25:01This is all your fault, isn't it?
25:05Did you set up these ridiculous traps to hunt animals?
25:07I'm against animal hunting.
25:09And I didn't set up these traps.
25:11Oh my God!
25:12Then who did?
25:22Hands up!
25:23Why?
25:24I said hands up!
25:31Who are they?
25:32Bandits.
25:34Are you the one who broke our traps?
25:38No.
25:41The expected action has come.
25:47Come on, let's go.
26:04You'll stay here until the bandit dies.
26:06My friend, don't be ridiculous.
26:07He's just trying to set us up.
26:09No way.
26:11A few hours of welcoming.
26:12Let's call it a guest.
26:14Okay?
26:16If you're thinking of locking us up in those cages,
26:18you must be out of your minds.
26:19I'm not going in there.
26:21We're taking precautions for the safety of both sides.
26:23Brother, let the girls go.
26:24What does it have to do with girls?
26:25Don't be ridiculous.
26:26Okay, honey.
26:27Okay.
26:28We'll let them go.
26:33Let's go back from the hunt.
26:34We'll let you all go.
26:36It's none of your business.
26:37Come on, guys.
26:38Come on, come on.
26:40Look, my friend.
26:41I don't like the way you and your weird friends
26:44act, move, talk.
26:47I don't like it at all.
26:48You should know that.
26:49First, put your hands up in the air.
26:51Okay.
26:52Don't worry.
26:53We're not getting married anyway.
26:54Go to that cage with that curly girl.
27:00Mr. Hunter.
27:01Can I ask you something?
27:04Please.
27:05I'm curly.
27:06She's curly, too.
27:09Shall we go for two curls?
27:10It's nicer.
27:11Very logical.
27:13No, no.
27:15You look better.
27:24Brother, this is the only return visit of this guest.
27:27It's a shame to send the plate empty, isn't it?
27:29We won't.
27:30Come on, my friend.
27:31Come on.
27:32You talk too much.
27:33Let's walk.
27:34We'll walk.
27:35Don't stop me.
27:36Okay.
27:37Come on, let's go.
27:40Let's go.
27:41Actually, it's like in the movies.
27:45The stage will open soon.
27:46The guys will start shooting.
27:50Tuna.
27:51Try to untie those ropes as soon as possible.
27:53Because I think I saw something.
27:54Did a mouse pass by?
27:55What happened?
27:56Irem, this is a ship knot.
27:57It's not that easy to untie it.
27:58One.
27:59Two.
28:00The mice I know don't do anything to people.
28:01The last mouse I met was on the run.
28:03That's why I think we need to calm down.
28:06Don't talk to me about being calm right now.
28:08I can't be calm.
28:10I don't like nature anyway.
28:11I don't like grass or anything.
28:13I don't like anything that moves according to its head.
28:18I'll tell you something.
28:20What's going on?
28:21I think I saw a mouse.
28:23How?
28:24Wasn't it?
28:25Didn't you see it?
28:33What is this?
28:34What kind of tying method is this?
28:36Why did they tie us face to face like this?
28:42In movies, they tie people back to back.
28:46When they kidnap them.
28:47The main girl, the main boy.
28:48Back to back.
28:49And they rest like this.
28:51That's what I meant.
28:54The main girl, the main boy, huh?
28:57That's good.
29:00What's funny?
29:01You didn't have to make fun of me.
29:03I just gave you an example from the movies.
29:06I'm not making fun of you.
29:07I like it.
29:16Who are you, Deniz?
29:21Are we taking a deep breath from the nose now?
29:26We're taking a deep breath.
29:31Now we close our eyes.
29:34And we imagine ourselves in a place where we find a lot of peace.
29:45I'm in Bahamas right now.
29:49The smell of the sea.
29:51The sun burns your skin.
29:52People around you.
29:54You're in Chezong.
29:56Who's next to you?
29:57Yigit.
29:59We're drinking a cocktail together.
30:03Both of you have an umbrella in your cocktail.
30:06Yours is green, his is blue.
30:08You're about to get a sunburn.
30:10And you're going to sunbathe.
30:12I have a question for you.
30:15Do you think Yigit would have the same dream?
30:18Would it be you?
30:22What do you mean?
30:24I don't mean anything.
30:26I just asked a silly question.
30:27Are you implying something?
30:30Are you thinking about someone else?
30:32I don't want to say anything.
30:34You just said it yourself.
30:37Tuna, I think we're going to stay here a little longer.
30:41And it's time to talk about something.