• 11 hours ago
Director: Iacopo Caravaggi
Director of Photography: Amelia Restuccia
Editor: Michael Penhollow
Producer: Chase Lewis
Producer, On Set: Chiara Fadda
Supervising Producer: Enrico Fiandri
Associate Producer: Lea Donenberg
Audio: Alessandro Bechi
Stylist: Marc Forné
Skin Prep: Sophia Sinot
Hairstylist: Fernnando Miranda
Production Coordinators: Sofia Setti, Ava Kashar
Production Managers: Tatiana Conter, David Alvarez Paz, Natasha Soto-Albors
Senior Director, Production Management: Jessica Schier
Assistant Editor: Fynn Lithgow
Post Production Coordinator: Holly Frew
Supervising Editor: Erica DeLeo
Post Production Supervisor: Alexa Deutsch
Director, Post Production: Nicholas Ascanio
Associate Talent Manager: Phoebe Dishner
Senior Talent Manager: Mica Medoff
Director, Content Production: Rahel Gebreyes
Senior Director, Digital Video: Romy van den Broeke
Senior Director, Programming: Linda Gittleson
VP, Video Programming: Thespena Guatieri

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Transcript
00:00Here we have the invite to the Prada show.
00:10So I'm feeling really good. I slept from 11.30 p.m. till 8.00. I feel great and
00:17today we're getting ready for the Prada show in Milan. This is for winter 25. The
00:23Prada shows are always just like such a spectacle and it feels like an honor
00:27every time to be in the room when it's happening. It feels like it's really
00:31really cool to be able to say that you were there you know. I'm already a
00:34creature of habit but I have like the same Milan trip every time I come
00:37because I stay here and then I go to the same incredible restaurant every time.
00:43Yeah it's always fun. So after Sweat Tour I went back to Australia and toured
00:48Australia. We did Australia, New Zealand and then that went into the holidays and
00:52I was just like at home. And then I went back to LA like just before the fires
00:57and everything. So I've been kind of like it's been a crazy few weeks over there.
01:01I use Prada as like sort of a North Star. Just kind of like to me the core values
01:08of it. It really does feel so modern but at the same time just so so so classic.
01:14It's this like timeless effortless cool that I think is like probably the
01:18hardest kind of cool to achieve. I'm really excited as well because I brought
01:22today, he's not in this room right now, but my bestie songwriter friend Leland.
01:28We write like all of my music together and I think one of the things that I
01:31love most about like coming to these shows, I've brought my mum to one, I
01:35brought my little brother to one, I brought my sister to one. It's it's
01:38really fun for me to be able to kind of like share this with with people and
01:41especially kind of going into the album making process that we're about to start
01:44I think that he's gonna be really inspired. Thanks Prada.
01:48Shout out Prada.
01:54Do we meet? I think we met for the first time in Cannes. Yeah we met in Cannes the
01:58first time. We had a talk before but we met for the first time in Cannes for sure.
02:02Yeah yeah. I know that there's a photo of us walking down the street. Yeah I think
02:07Troy's personal style is organic, natural. He dresses how he wants every day. It's
02:13quite messy too, but that's what makes it like cool to me because he would just
02:17like put on whatever he feels like and that's like the biggest characteristic
02:21of his style. My favourites would be a McQueen look that we did in Cannes, the
02:27Valentino looks that they did custom for him in Cannes. On tour there's like
02:32hundred looks that I loved that we collaborated with so many like small
02:36designers and they were all amazing. I wouldn't even know where to start from.
02:39And then with Prada at LACMA he wore this like blue shirt cropped from this
02:46spring-summer collection that was beautiful and I think it was like a
02:49moment to me. I have prescription glasses that I've never worn. I've never worn to like an event
02:54before. I mean I can see fine without them but but I know I love, no I mean I
02:59have an astigmatism. I feel like people always think that it's just like
03:04plastic, you know what I mean? No, they're real. Where are they? Oh, here they are.
03:10Like I wear them mostly just at night or when I'm driving or reading or whatever but so many
03:14styling tips that I've learned from Mark. Actually I hear Mark's voice in my head
03:17like pretty much every day when I'm getting dressed. He's like, that hat again?
03:21Because I wear, I love a good like basic that I will absolutely rinse for
03:28years at a time. I've taken a lot of fashion risks over the years. Everything
03:33from wearing a dress to the Met Gala, that was fun. On tour, the initial plan
03:39was to have like kind of three versions of the show and within those three
03:44versions there would be kind of like you know a sort of amount of changes but we
03:48could kind of alternate between those three versions of the show every night.
03:51Cut to the fitting, I think we ended up with 80 something looks total. It was
03:57basically like a completely different show every night and Charlie did the
04:00same so there was so many clothes on that tour, like so many clothes. I mean
04:06some of them were like insanely risky. I think there's one that we all call
04:10sparkly dick. It was like chapped legs with a sort of like rhinestone speedo.
04:17Yeah, it was crazy. If I get to keep this look, which I hope that I do, I would love
04:23to keep this leather jacket. I feel like I'll keep this for like my son, you know
04:27what I mean? Or then also I love, love, love, love, love these shoes. Yeah, I think the
04:32show's gonna feel super industrial.

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