• yesterday
Transcript
00:00:00Oh
00:00:12Look man
00:00:16Sorry, it's being attacked
00:00:20Go easy big boy shit
00:00:26It look
00:00:31I don't know man. I mean, it's it's the cup, you know
00:00:39Shouldn't be that hard to find you're gonna tell me. Oh
00:00:46Man
00:00:49Swear to God man. I don't know what you're talking about. Oh, you know what the fuck I'm talking about
00:00:53You know where the fuck it is
00:00:56Damn
00:00:57All right, man
00:01:00One-day, okay. All right, that's it. Okay. No problem. Thanks. I'll find it man. You got it and it's in your pocket
00:01:07No problem
00:01:08Absolutely, dude
00:01:12How was that
00:01:15Yeah, thanks
00:01:18Let's go check the gate camp, okay
00:01:21Yeah, and slap you too hard dinner
00:01:26Sorry, it's all right
00:01:29So, uh, when do we shoot again, uh, we're gonna get this developed just a couple weeks say first next month, okay, cool
00:01:36Awesome. All right. Oh, you know, hey, I'm gonna grab this light you guys are on your own with a camera
00:01:47Are you slapping you just started blubbering
00:01:54We gotta hurry up no
00:01:59Okay
00:02:03Okay, run that way away from the truck and then circle back run like Michael Green, yeah, I met Michael Green once
00:02:09Oh shit. Yeah, we were doing the Olympic PSA
00:02:19Hey, hey, hey, what do you guys think you're doing Johnny wanted us to shoot the b-roll
00:02:25B-roll, I don't there's no b-roll on the shoe. Oh my god
00:02:28Are you kidding me?
00:02:29Okay, don't tell Johnny we screwed up because he will freak what Johnny say. Oh, no, it's it's cool
00:02:35They were there. I didn't recognize your b-cam operators. We got no b-cam
00:02:48All right
00:02:58I
00:03:10Guess finished. Yeah, but listen, I'm just gonna be like a really pissed off commercial crew coming by later on
00:03:28I
00:03:58I
00:04:29It's all yours dad, I'm gonna take it straight to audio and jump in the code direction as soon as I'm done with that
00:04:40Dude the timing on your movie here could not have been better with the cup coming to town though
00:04:47One opportunity knocks
00:04:58I think maybe we just go straight to distribution
00:05:22How tough this is gonna be with the cup in town security press
00:05:28It's the cup, you know, just walk in and take a picture
00:05:33Hey, pardon me guys. We're making a movie
00:05:35Can you step aside for a second? We're good. Yeah, thanks
00:05:42Right in front of it doesn't I didn't say it wasn't fun. I'm gonna say it wasn't
00:05:58Done
00:06:28I
00:06:59We want the money
00:07:00Dude, what the fuck?
00:07:02Who rents this shit? We want the money
00:07:06You do
00:07:09Well, I need this one
00:07:23I mean, how hard can it be to find?
00:07:28I
00:07:35Mean how I could it be fine
00:07:40Wait, hold it. Can we make that singular?
00:07:44It's room booked for nine o'clock
00:07:47Talk to Dylan. Yeah, I've had it booked for like a week. He was meant to come tell you
00:07:51Yeah, I would have sworn. I thought we told I gotta get on here. I really have to finish my demo
00:07:56I'm not gonna graduate so
00:07:58Do you guys even go to school here anymore?
00:08:07Yeah, yeah, I guess we can go
00:08:11But I fully intend to use this editor for as many billable hours as equal to my student loans
00:08:24Thank you
00:08:29So, what is it it's the cup
00:08:37So, what's it for it's for my movie whoa, no, what's your movie about?
00:08:46Some kids steal a famous Russian cup, you know, it's the perfect crime drama
00:08:55See who that is
00:08:59You
00:09:06Man 55 suit goofy hat
00:09:16How are you sir, I am great my name is Larry Larry nice to meet you I'm King
00:09:22King
00:09:23That's a name
00:09:25King
00:09:28Want to show you something
00:09:40You know anything about that
00:09:42Hello
00:09:44Well, I don't want to display the original I want a duplicate
00:09:49Kinko's
00:09:51Cop shops get weird
00:09:54You don't get weird do you
00:09:57No, no, I don't get weird I didn't think so I
00:10:01Worked with you guys last year. I've had you in mind ever since
00:10:04Well, you must have seen my work
00:10:07You kidding?
00:10:09Jimmy Mac. Oh
00:10:12man
00:10:13Internet went crazy for weeks
00:10:16Most people can't even tell the difference. Yeah. Well most people don't have a two million dollar sports memorabilia hobby
00:10:21Two million
00:10:23Kidding that ain't nothing. Do you know that I rank it in the bottom 50% nationally? Yeah. Yeah, it's true
00:10:32All those big collectors at the national shows multi-millionaires huge collections
00:10:40I'll give you a hundred bucks if you give me a good copy on clean stock
00:10:45Okay, I'll have it for you on Monday
00:10:48Hello Tim suppose you want to bring that script to me, huh? Yes, sir. I'm picking it up right now. Let's meet say
00:10:55tomorrow
00:10:57Tomorrow tomorrow, you know what tomorrow's great
00:10:59Tomorrow tomorrow tomorrow, you know what tomorrow's great
00:11:12Got a producer ready to see your script
00:11:15Money right lots of money. It's not his first time either
00:11:20As long as he can come up with the fun. He can come up with the funds. Do you the script ready?
00:11:29I
00:11:33Excellent
00:11:35All right. We'll give him a week. So to read it, you know, let his advisors do their advising and I'll get back to you
00:11:41Keep in mind my scripts copyrighted and it's protected by the Writers Guild. Of course. I'll call you later, right?
00:11:54It's registered with the Writers Guild
00:11:59I
00:12:03Can hate this place, sorry
00:12:13Harley Hernandez makes 15 million a year for 10 years
00:12:20That's softball anyway, you can't hit I can hit I
00:12:26I
00:12:28Think I had a lead on some money
00:12:35Really
00:12:37Who is he
00:12:40Producer he has money. Yes. You sure? Yes, and he has a script. He's gonna call you in a week. Here's your number
00:12:47Yes, ma'am today. Yes, I call you a week from today. Yes
00:12:50Yes
00:12:52Can I quit yeah, no tell me to give him a week
00:13:00And then what
00:13:03What do you mean then what then he calls me did you never yes, of course he has my name
00:13:09Love the script
00:13:14No, just be patient just give me some time
00:13:21Because he's gonna call give him a week
00:13:26Okay
00:13:29Now get out get out
00:13:34Yes, it's gonna be a little tight, but if we got a bail I'm just gonna cut and run it's not like I paid for it
00:13:41anyways
00:13:42You mean a wireless? Yeah, I know
00:13:45I'm working on it. Yeah. Okay. Can you hold that please?
00:13:51All right, so here's the deal security rolls once an hour every hour it's one guy and there's no way he'd catch both of us
00:13:57There is now
00:14:01So he takes a smoke break every hour, yeah, what time is it? That's about 1120. I think it's time we start
00:14:14We get split up run back that way double back around the building and pick up the camera
00:14:19Well, it depends on how close they are
00:14:31There we go, check it out nice he's got the guard check right here you go
00:14:44Well, hold on
00:14:50Oh
00:15:00Right, well the characters need multiple escape routes for visuals obviously
00:15:06What about pole vault
00:15:11Well, they could hide it at the mark
00:15:13Yeah, and maybe one of those mini trampolines
00:15:15No still turn jetpack now cuz if you did that you'd have to get a stunt double because you know the actors were just
00:15:29Larry
00:15:30You know him? Yeah
00:15:32Guy came into the store today asked me to fake a card for him after he saw everything I had on display shit
00:15:37Then he tells me he's got a two million dollar collection
00:15:40Doors
00:15:47He's driving a piece of shit like that
00:15:58There it is, okay
00:16:00So, you know what we need what a distraction?
00:16:03Like a third person or something somebody faking a hard-hit timing
00:16:06You know, like a third person or something.
00:16:08Somebody faking a heart attack or a...
00:16:10Like a smoke bomb or something, you know?
00:16:12A diversion?
00:16:13Yeah.
00:16:14You know, I have been thinking about writing an epic character.
00:16:16Well, see, if you did that,
00:16:17actually, we could bring in somebody famous.
00:16:19You know, put him in for only, like, one scene.
00:16:22Hey, watch the monitor, man.
00:16:28And...
00:16:32Yeah, you like that?
00:16:33You like that? Come on, come on.
00:16:37Ah!
00:16:40Oh, my God.
00:16:42Well...
00:16:45The hero turns him in.
00:16:47This brings more exposure to the hero.
00:16:51Maybe he'd actually get to meet Chris Clayton
00:16:52in, like, this big old press conference.
00:16:55Cool.
00:16:56Where's security at?
00:16:58Ah, oh, crap. Next run over, man.
00:17:00Let's get out of here.
00:17:07Let's go.
00:17:18Oh, he is so freaked out.
00:17:22Well, the pic worked.
00:17:23Yeah, so did the monitor.
00:17:25Okay, so...
00:17:27The way I'm figuring it,
00:17:28the characters can get in and out in about ten minutes?
00:17:33Yeah. Remind me to write that down.
00:17:36Okay.
00:17:45So that's the script?
00:17:46Yes, sir.
00:17:50And it's all yours?
00:17:51All mine.
00:17:59How much?
00:18:00That's based on your reaction.
00:18:03Ha-ha-ha-ha!
00:18:06My reaction, huh?
00:18:08Look, I know you're gonna love it.
00:18:09That said, my partners and I are putting hard numbers to a business plan.
00:18:13We just wanted to give you first look.
00:18:32What the hell?
00:18:46Hello?
00:18:48Larry.
00:18:50Đ”ĐŸĐ±Ń€Ń‹Đč ĐŽĐ”ĐœŃŒ.
00:18:52Yes, sir.
00:18:54Could you hold on a minute?
00:18:58Look, Tim,
00:18:59I'm sure I'm gonna love it,
00:19:01but I gotta take this call.
00:19:03Thanks. I'll call you, okay?
00:19:10Plan is perfect.
00:19:12Thank you, sir.
00:19:13Nobody's gonna keep an eye on a Russian cop in Dallas, Texas.
00:19:16Dallas, Texas?
00:19:17Dallas, Texas!
00:19:19This cop belongs to Russia.
00:19:22I agree with you.
00:19:23It's a disgrace to all the hockey fans out there.
00:19:27It's a sin.
00:19:29Ha-ha.
00:19:30I couldn't...
00:19:31I couldn't put you...
00:19:32I-I-I...
00:19:33I couldn't agree with your sentiment.
00:19:36Larry.
00:19:38One million dollars.
00:19:43All for you, Larry.
00:19:45It'll make you rich and a legend.
00:19:47I'll deliver it to you at your location,
00:19:49at the time we specify.
00:19:51Yes.
00:19:52That's perfect.
00:19:56ĐĄĐżĐ°ŃĐžĐ±ĐŸ. Đ”ĐŸ сĐČĐžĐŽĐ°ĐœĐžŃ.
00:19:59God bless.
00:20:09That's a lot of money.
00:20:28Oh, my God.
00:20:32Oh, my God.
00:20:38Oh, jeez.
00:20:41What the fuck?
00:20:46What the fuck?
00:20:49Did you say anything to him?
00:20:51No, I said nothing to him.
00:20:53Did he say anything to you?
00:20:58I didn't say anything to anybody, I swear.
00:21:00It wasn't me.
00:21:01How did that fucking kid know that we were going to steal that fucking cop?
00:21:05Of course I don't know.
00:21:07It wasn't me, okay?
00:21:08Me.
00:21:09God damn!
00:21:11Jeez.
00:21:15Jesus H.
00:21:18What am I going to do?
00:21:20Oh, man.
00:21:21What are we going to do?
00:21:28Dude, you guys are going to flip out.
00:21:31I'm sorry, it's gone.
00:21:33The head of the department had me nuke those drives for the editors.
00:21:36Ex-students coming up in here, working, and they couldn't get there.
00:21:39Graduation piece is finished.
00:21:43You backed everything up.
00:21:45Backed everything up.
00:21:48Right?
00:21:51Graduation?
00:21:52Oh, fuck.
00:21:53What the fuck is this school doing?
00:21:54This is an art school.
00:21:55Nothing you do here matters until after you graduate.
00:22:01There's nothing I can do.
00:22:04Sorry, fellas.
00:22:16What the fuck?
00:22:19Look, man.
00:22:20I know that edit by heart.
00:22:23Give me a week, I'll put it back together.
00:22:27I know, Jack.
00:22:46Gentlemen, I am so very sorry.
00:22:48It's a no-budget short film.
00:22:50I understand that.
00:22:51But, really, do you think you're going to get any clients from this?
00:22:55Clients?
00:22:56Yeah.
00:22:57We are the clients.
00:22:58We're not trying to shoot commercials.
00:22:59And that's exactly my concern.
00:23:01You see, I have just a little bit of a problem with these little independent film production projects.
00:23:08They don't make any money.
00:23:09Not if you don't give us our negative, we don't.
00:23:11Render us payment and we'll surrender the negative.
00:23:15Didn't Bob mention our deferment agreement?
00:23:18Maybe he did, maybe he didn't.
00:23:20I don't know.
00:23:21In any case, he's no longer here.
00:23:22I am.
00:23:23And just between the two of you and me, this is evidence as to why.
00:23:28You're really going to hold a negative?
00:23:30Yes, sir.
00:23:32How much?
00:23:37Looks like $4,200.
00:23:40Do you like baseball?
00:23:42I have assigned Jerome Ordonez home run ball.
00:23:48Ooh.
00:23:51Look, do you two want to work out a payment plan with me?
00:23:59Take out security, get the cup.
00:24:04And relaxation.
00:24:07Take out security, get the cup.
00:24:11Take out security, get the cup.
00:24:19Start out with a wide shot from back here.
00:24:21We can probably just go into a close-up on the front door.
00:24:24Here on the slide with like a Bolex or something.
00:24:31What's this guy doing?
00:24:34I do not know.
00:24:35I hope they're not beefing up security with the cup coming.
00:24:41No, he's not security.
00:25:05No, he's not.
00:25:36What the fuck, punk?
00:25:59What the fuck, punk?
00:26:00Fuck, punk!
00:26:03Ah!
00:26:06Ah!
00:26:13God.
00:26:17God, I fucking hit him right in the neck.
00:26:25Great.
00:26:30Fuck.
00:26:47Tim called for you. He said he has excellent news.
00:26:51Seriously?
00:26:52Yep. He said you need to call him back ASAP.
00:26:55Holy shit.
00:26:57I wonder if he really got the money.
00:26:58Dude, I hope so.
00:27:00What happened to your neck?
00:27:02Check this out.
00:27:12Hello?
00:27:14Hey, what's up, superstar?
00:27:16I don't know. You tell me.
00:27:18I will tell you.
00:27:19All our problems are solved.
00:27:22Come on, King. What have you been crying about the whole time I've known you?
00:27:26I got the money.
00:27:27You got the money.
00:27:29Yeah, baby, I got all the money.
00:27:30They want to write the checks.
00:27:31And they loved your script.
00:27:33Well, they should.
00:27:35So, what's the agreement?
00:27:37Well, go on. We're going to have to get together and meet with them
00:27:39and sign some papers and put together a budget.
00:27:42Wow. I can't believe it.
00:27:44And you know what?
00:27:45You need to get this thing together soon because we're going to meet right away.
00:27:48Hey, thanks, Tim.
00:27:49Well, you can thank me when we premiere at Sundance.
00:27:51I don't know if Sundance is the best showcase.
00:27:54Whatever. Just get the budget together, okay?
00:27:56Alright, man.
00:27:58Alright.
00:28:04What happened?
00:28:06I got the money.
00:28:10Praise the Lord.
00:28:15I got the money.
00:28:19You're going to quit?
00:28:20Hell, yeah.
00:28:22Well, take me with you.
00:28:24Okay.
00:28:28What do you do?
00:28:31Art director.
00:28:35Sweet.
00:28:43We got the money.
00:28:45You got the money for the negative?
00:28:47Mm-mm.
00:28:48New negative.
00:28:50Feature.
00:28:53Feature?
00:28:55Yep. And we want to book two weeks for dailies.
00:28:58Okay.
00:29:05Cassandra.
00:29:07We have a new feature booking in.
00:29:09Will you please come and show these two gentlemen around?
00:29:20Let me show you around.
00:29:28Okay.
00:29:46Key grip.
00:29:48Two weeks?
00:29:49Yeah, gaffer.
00:29:51Two weeks.
00:29:53Assistant.
00:29:55No, you don't get paid.
00:29:58No, you don't get paid.
00:29:59No, you don't get paid.
00:30:00No, you don't get paid.
00:30:01No, you don't get paid.
00:30:02No, you don't get paid.
00:30:03No, you don't get paid.
00:30:04No, you don't get paid.
00:30:05No, you don't get paid.
00:30:06No, you don't get paid.
00:30:07No, you don't get paid.
00:30:08No, you don't get paid.
00:30:09No, you don't get paid.
00:30:10No, you don't get paid.
00:30:11No, you don't get paid.
00:30:12No, you don't get paid.
00:30:13No, you don't get paid.
00:30:14No, you don't get paid.
00:30:15No, you don't get paid.
00:30:16No, you don't get paid.
00:30:17No, you don't get paid.
00:30:18No, you don't get paid.
00:30:19No, you don't get paid.
00:30:20No, you don't get paid.
00:30:41Full deal, matte box, camera, everything, about $1,500 a day.
00:30:49out the lens.
00:31:12Now my rate is $4.50 a day.
00:31:13What's your daily rate?
00:31:19$4.50 a day?
00:31:23$3.50?
00:31:24$300?
00:31:25Alright, yeah, we'll be in touch.
00:31:31Thanks.
00:31:32$4.50 a day? $3.50. $300.
00:31:39Alright, yeah, we'll be in touch. Thanks.
00:31:43Okay. Oh, that's great.
00:32:02Okay, with your discount, that'll be $500 an hour, plus prep, plus processing, plus
00:32:16tape stock, plus...
00:32:19If we just outright grab it, outrun him, go to the fake, make the switch, they're not
00:32:28gonna know what hit him until I'm gone.
00:32:36You keep saying I. I'm in your character, right?
00:32:41Yeah, that's the way to go. Outright grab it.
00:32:46That's the way to do it. I mean, that's the way anyone would do it. It's ballsy, it's
00:32:50like rugby.
00:32:51What if we just got, like, the smoke and mirrors and shit, you know, the whole illusion, sleeping
00:32:55gas kind of thing going on?
00:32:58Yeah, I'll think about that.
00:33:04I told you this place is perfect. This is gonna be so easy.
00:33:10You actually think about doing this, aren't you?
00:33:16I'm actually thinking of not borrowing any money to make this film. I mean, we've worked
00:33:20so hard already, and I don't want to go away owing everything. We're the ones that have
00:33:24done all the hard work, all the legwork. We wrote the script, we've done all the production.
00:33:28Some joker's gonna walk in here and write a check and then take all the credit. That's
00:33:32not what I'm doing this for.
00:33:33No, we could go to prison, King. Never to finish the film. Ten more years of talking
00:33:38about it. No.
00:33:41You don't think all this research is gonna pay off? What are we doing all this hard work
00:33:45for?
00:33:46No, King, we're gonna take the money. That's the way it's done. We're fucking lucky just
00:33:51to have gotten a deal this far.
00:33:55I was just thinking out loud.
00:33:56Yeah, leave it to the characters, all right?
00:34:08Morning.
00:34:13Hey, what's up?
00:34:14Hey, how's it going?
00:34:15I'm good, how are you?
00:34:16I'm all right. So, how is everything?
00:34:17I think we're ready to go.
00:34:18Okay.
00:34:19We've got the shooting script, production, crew, talent, gear. The only thing we need
00:34:22to finalize is the budget.
00:34:23Great, so you ready for me to take it?
00:34:25No.
00:34:26I'm sorry, I thought you'd want me to present it.
00:34:30If we're all gonna be at the meeting, then why wouldn't I just bring it?
00:34:34You're right, forget it.
00:34:41Tim, what are we talking about?
00:34:44You know what, it's gonna be a late lunch. I still need to confirm with him and get an
00:34:46address, but you know what, I'll call later for sure.
00:34:48Sounds good. Thank you, appreciate it.
00:34:50You're welcome.
00:34:51Hey, King, get some sleep, man. You look stressed.
00:35:14Hello?
00:35:15Larry?
00:35:16Yes, sir.
00:35:19Sir? Yes, sir, we're right on schedule.
00:35:24When can I expect to be paid?
00:35:27First the cup, then the money. Cash.
00:35:33That's a lot of cash. It makes me nervous.
00:35:40That's how it works, Larry. The cup, million dollars.
00:35:48Oh, you'll manage. Yeah.
00:35:52Oh, you'll buy a lot of baseball cups.
00:35:59Good day.
00:36:19Yo.
00:36:20Larry, it's Tim.
00:36:22Hey, I just wanted to verify our meeting for tomorrow, my crew's waiting.
00:36:28And you want the money?
00:36:30Yes, sir, the money is the issue.
00:36:32Okay, okay, look, look, we'll meet tomorrow, just like we said.
00:36:37Great, where should we meet?
00:36:43Look, look, let me call you back, Tim, okay? Yeah, yeah, yeah, give me an hour or so, okay?
00:36:51Okay, I'll be waiting.
00:36:56Tim's a little slimy, huh?
00:36:58Yeah, but only the slimy guys get the money, man.
00:37:02Hey, I'm just glad we didn't make the movie.
00:37:04Shit.
00:37:13Son of a bitch.
00:37:17What?
00:37:18I never believed he was out there.
00:37:20Where?
00:37:21Come on.
00:37:25Shit, man.
00:37:27You think he's a cop?
00:37:29No, why would a cop be outside?
00:37:31Well, you snoop around a lot.
00:37:34Sucks, Jack.
00:37:35How in the hell did they find my apartment?
00:37:38Fuck if I know.
00:37:57He's going through with it.
00:38:00Did you find out who he was working with?
00:38:02Well, I got a possible location.
00:38:05This punk-ass motherfucker is working with whoever the fuck is in there, I think.
00:38:13Now you tell me what to do.
00:38:15Okay, okay.
00:38:16Get back here.
00:38:17We need to get ready.
00:38:19His partners will show their faces soon enough.
00:38:22Okay, I'm on my way.
00:38:43Bad, bad, bad.
00:38:44This is so bad.
00:38:51This is bad.
00:38:53They're setting us up, you know that.
00:38:55Yeah, it doesn't look very good.
00:38:57All right, hold up.
00:38:59This guy comes to the store, some of the guys at the museum, and they're sitting outside your apartment?
00:39:05What do these guys want?
00:39:09I don't know.
00:39:12Want to confront them?
00:39:17I don't know.
00:39:19I think they're vice cops.
00:39:21Hey, look, he came to me to counterfeit that card, and he never said he was going to sell it.
00:39:25That's true.
00:39:26Cops don't have collections like that, man.
00:39:32No doubt he's blackmailing us.
00:39:35How would he ever find out who it was?
00:39:37I don't know.
00:39:38Sick.
00:39:40The whole thing is sick.
00:39:43He wrote an entire screenplay about it.
00:39:45Crazy fucking bastard.
00:39:48He's just a really big fan of irony.
00:39:56You know, maybe you're right.
00:40:01Maybe he's just got a really funny sense of humor.
00:40:06What are we going to do about it?
00:40:09I don't know.
00:40:10Probably he's not going to get out of my head.
00:40:12And I'm sure as hell not going to pay him off.
00:40:17So you tell me, Mookie.
00:40:20What are we going to do about it?
00:40:42Tim, it's Larry.
00:40:52I like your budget.
00:40:54Let's do lunch, just like we talked about.
00:40:57Little place I have?
00:40:582600 Throckmorton?
00:41:01Oh, yeah.
00:41:02And don't forget to bring your partners with you.
00:41:05See you later.
00:41:12King, hey, it's Tim here.
00:41:14Look, we finally have a meeting with the producer.
00:41:17Look, I'm preparing the limited partnership forms right now.
00:41:20Just, you know, let me handle the numbers
00:41:22and you concentrate on selling the story.
00:41:24Oh, yeah, here, it's at 2600 Throckmorton at 1 o'clock.
00:41:29All right, buddy, see you tomorrow.
00:41:38It's the city.
00:41:42All right, so how do I look?
00:41:44Unrecognizable.
00:41:46No, I'm kidding, you look good.
00:41:48So are you excited?
00:41:49Yeah, you?
00:41:50Yeah, I'm excited.
00:41:52You know, I never thought we'd be this close to the money.
00:42:01Cool, all right.
00:42:10Motherfucker.
00:42:19This is such bullshit.
00:42:21I'm getting really tired of this shit.
00:42:43I'm so fucking pissed off.
00:42:46So what are we going to do now?
00:42:50You want to scare him?
00:42:51Yeah, I do.
00:42:52I want you to go around back, take the car,
00:42:54I'm going to go right in through the front door.
00:42:56Sweet.
00:42:57Can I fix your drink, Tim?
00:42:59Yeah, thanks.
00:43:00Hang on a minute, let me get these lights first.
00:43:04Yeah, I didn't know you owned this place.
00:43:06Really?
00:43:09I thought you knew a lot.
00:43:12I know a few things.
00:43:31So, where's your crew?
00:43:35It's 1230.
00:43:36Yeah, I don't know, you know they're supposed to be here.
00:43:40Larry, about this business plan, this is mine, my say so.
00:43:44These guys are just laborers.
00:43:46I'm the boss.
00:43:56Well, I'll tell you what, while we're waiting,
00:44:00I'm going to go get a drink.
00:44:21All right, motherfuckers, come out with your hands up,
00:44:23it's the police.
00:44:48Put your hands up!
00:45:05Tim?
00:45:09No cops, no cops!
00:45:29Lock the door, get in the van!
00:45:30He took a fucking picture!
00:45:32No, no, no, go for the tree!
00:46:02There's a fucking cop in the game, right?
00:46:29So, they've got a guest left or right?
00:46:31Right.
00:46:56I don't know.
00:47:24Let's see if they get out.
00:47:34Shit.
00:47:51These guys are going to kill us, you know that.
00:48:22Don't worry, I know where they live.
00:48:37Look at this.
00:48:54There's no body, there's no evidence, there's no crime.
00:49:23They're going to clean it up.
00:49:25No, man.
00:49:26We've got pictures.
00:49:28Two eyewitnesses.
00:49:33They're fucked, right?
00:49:36But they saw us.
00:49:41So, what do we do?
00:49:45Call the cops?
00:49:46No.
00:49:47I don't.
00:49:49I know where I live.
00:49:51Shit.
00:50:15Hey.
00:50:16Where's Stacy?
00:50:18I don't know.
00:50:19I guess she left.
00:50:21They called me in about three.
00:50:26Is there a phone I can use?
00:50:27It's over there.
00:50:29Do you all know how to work this?
00:50:37I want that camera.
00:50:43Hello.
00:50:44Stacy, where you at?
00:50:46I'm in the back of a van being kidnapped.
00:50:48What?
00:50:53King?
00:50:55Maybe.
00:50:56King, old buddy.
00:50:58Hey, this is getting a little bit out of hand.
00:51:02What do you want?
00:51:04Well, I need for you to quit blackmailing me.
00:51:10You are so fucking whack, dude.
00:51:14I'm not trying to blackmail you for shit.
00:51:17Keep in mind, I'm not the one that got caught killing somebody in front of somebody else with a fucking camera.
00:51:24Oh, fuck him.
00:51:25I'm concerned about the damn cup, and you're fucking it all up.
00:51:29What?
00:51:30The cup.
00:51:32Don't play stupid.
00:51:34You are not getting that cup.
00:51:36You are not getting a dime out of me, and you are not keeping me from getting it.
00:51:41It's time to calm down.
00:51:43You lose, King.
00:51:46What do you want?
00:51:48I want you to do nothing for 24 hours.
00:51:54If I see you, if I hear you, I will hunt you down, and I will eventually find you.
00:52:02Not to mention what Mookie's going to do to your girlfriend here.
00:52:08After 24 hours, you will get directions on where to deliver the camera in exchange for the girl.
00:52:14Don't fuck with the camera.
00:52:20Okay.
00:52:21Remember this, punk bitch.
00:52:23I know you.
00:52:24I know where you're going to be before you're there.
00:52:38Fuck.
00:53:08Keep looking.
00:53:38Jack.
00:53:42He stole my script.
00:53:48He killed him to steal the script?
00:53:51I told you it was good.
00:53:53Oh, shit.
00:53:55But he said he's getting the cup.
00:53:59He's getting the heist.
00:54:02Why kill your idea, man?
00:54:05He said he was tired of me blackmailing him, though.
00:54:10Dude, the script is blackmailing him.
00:54:13He wanted to steal it before he even read it.
00:54:16God, that dumbass put his name on it.
00:54:19I told you it was good.
00:54:30Tim, it's Larry.
00:54:32I like your budget.
00:54:34Let's do lunch just like we talked about.
00:54:36Little place I have, 2600 Throckmorton.
00:54:40Oh, yeah.
00:54:42And don't forget to bring your partners with you.
00:54:44See you later.
00:54:53This is turning O.J. real fast.
00:54:56So what do you want to do?
00:55:05What the fuck are you doing?
00:55:07I don't have my wrench.
00:55:08I can't get it done without it.
00:55:10I can't do it without it.
00:55:12I know you don't have your wrench, but we're not even using that shit.
00:55:15Well, I'll tell you what.
00:55:17I need that wrench so I can get this done for you anyway.
00:55:21You need your wrench?
00:55:23Yeah.
00:55:25You need your wrench?
00:55:27Yeah.
00:55:29I need that wrench so I can get this done for you anyway.
00:55:33You need your wrench?
00:55:40Are you hearing the same fucking shit I'm hearing?
00:55:43What, you want me to tell him what to do?
00:55:46You fucking high? You think I'm going to give that big motherfucker orders?
00:55:50Did Jeff tell you that we painted the floors earlier?
00:55:54I had no idea. I had no idea.
00:55:57I also didn't tell him about the fucking problems in the Middle East.
00:55:59You want me to catch him up on that shit?
00:56:02What the fuck you keep looking at me for?
00:56:05Do I have Union Boss printed on my shirt?
00:56:16Hey, I heard that. I come down here. High school dude.
00:56:19You can't hit me with your teeth down.
00:56:21Plus, we're not even supposed to be using the electrical things.
00:56:23Hey, try clamping your ass cheeks down. I'll see if you can turn it that way.
00:56:26Okay, you guys continue to work and figure out what this dude wants.
00:56:32Yeah, you luck. You're working your ass off, Jesus.
00:56:35Go shave your head again, motherfucker.
00:56:41Tim comes staggering out, gashing his neck.
00:56:44This clown comes out right behind him, finishes him off right in front of us.
00:56:48No problems.
00:56:51This has to go down rock. I mean, there can't be any bullshit.
00:56:59Oh, damn.
00:57:02Black people don't do hockey.
00:57:07Black people don't like hockey?
00:57:09Hell no.
00:57:13It's a full proof, man.
00:57:16So, do I get to hurt him?
00:57:22Perfect.
00:57:29Do you have what I need?
00:57:35Um, I'll tell you where we'll be meeting later, okay?
00:57:39All right.
00:57:41Later tonight, we'll be finished, we'll have what we need,
00:57:44and I'll tell your boyfriend where you are.
00:57:47Well, boss, I thought we were meeting Boris here with the cup.
00:57:50Shut up. She doesn't need to know that shit.
00:57:53I just thought we would move her after we get it here.
00:57:55Shut up, shut up, you stupid motherfucker.
00:57:59Look, you fucking be good, Stacy, and you won't die.
00:58:03How's that?
00:58:29Listen, I just traded a script for some major cards.
00:58:31It's some pretty good swag.
00:58:32And you need to come collect right away, all right?
00:58:36Yeah, bring a van and the dolly, because this dude's got a lot of shit.
00:58:40Oh, so you know that place.
00:58:42All right, then you know what I'm talking about.
00:58:49I don't know. You think this will all fit in the van?
00:58:59Can I get my hands on that motherfucker?
00:59:04Son of a bitch.
00:59:29Test, test, test.
00:59:34Jack, you read me?
00:59:37Yeah, we're good to go.
00:59:40Perry, you read me?
00:59:45Yeah, we're good to go.
00:59:47All right, guys, I'm putting on the microphone.
00:59:49I'll be right back.
00:59:52Yeah, we're good to go.
00:59:54All right, guys, I'm putting on the microphone.
01:00:14That one's yours.
01:00:22You ready to knock this motherfucker out?
01:00:27All right, guys, I'm ready.
01:00:29Hey, defense wins games now. Let's watch my back.
01:00:51No.
01:01:15No.
01:01:16What?
01:01:17That's not gonna work.
01:01:19Yeah.
01:01:25That's pretty good, Inspector Gadget.
01:01:27Mustache?
01:01:28There you go.
01:01:31The Casanova.
01:01:34That's what the ladies call me.
01:01:39Okay, there's Larry and the big guy.
01:01:45Here's the camera.
01:01:47Okay, just like the script.
01:01:49Just like the script.
01:01:51Let's do this.
01:02:18Okay, now remember,
01:02:20when he goes down,
01:02:22head for the car and pick me up in the back.
01:02:24You want me to just walk up and grab it?
01:02:26Yes, I want you to just walk up and grab it.
01:02:29Should I use my knife?
01:02:31Yes, you can use your knife if you want to.
01:02:34Now just go.
01:02:35Okay, okay.
01:02:37So, is this the Museum of Science?
01:02:40No, no, Museum of Science is on Pearl.
01:02:44Go right out to St. Perl's.
01:02:47You can see the work of William A. Perl.
01:02:50He was a very good writer.
01:02:52He was a very good writer.
01:02:54He was a very good writer.
01:02:56He was a very good writer.
01:02:58He was a very good writer.
01:03:00He was a very good writer.
01:03:02Science is on Pearl. Go right out this door, take a left, and you'll come to St. Paul Street.
01:03:11Take a right on St. Paul until it crosses Pearl, and the Museum of Science is right
01:03:18on the corner. There'll be a police officer on the corner named Pete. He's got a bad leg,
01:03:27but he can still communicate with us. He's a nice guy. To help you...
01:03:31Bitch, guys, where is this trophy at? I've been sent to take it.
01:03:36You're in the right place, but you can't... No, no, you can't have this camera. You can't...
01:03:40Come on. Let me have the camera. You cannot have that camera in here.
01:03:45I've got to get lots of pictures. We're going to put it on TV.
01:03:48Yeah, but I don't know who you talked to, but you can't have this camera in here.
01:03:51You're going to have to... Cameras are forbidden in here. You're going to have to...
01:03:54Calm down, bro. I was told I could come take video images.
01:03:58You're going to have to leave that camera.
01:04:01Come on. Let me have the camera. You can do whatever you want.
01:04:05You don't understand. You cannot have that camera in here.
01:04:08I'm going to take the pictures of the trophy. That's what I was sent down to do.
01:04:11Give me the camera. You can't... You don't have to leave your camera.
01:04:14I don't know anything about the footage. Come here.
01:04:17Give me the camera. What the hell is wrong with that kid?
01:04:22He must be a hockey fan. Are you a big hockey fan, Larry?
01:04:30Can I take your picture, Larry? Thank you.
01:04:34Why do you want to fuck with me?
01:04:47Okay. Get it. Get it.
01:04:52Get it.
01:05:23Kidnapping? Attempted armed robbery?
01:05:26Oh, my God. Is that you?
01:05:29Committing what? Murder?
01:05:52Oh, my God.
01:06:22Oh, my God.
01:06:52Okay. So who's got the trophy now?
01:06:55This old guy. Best way I can describe him to you, grey hat, grey mustache.
01:07:02Hell, he was grey. But he moved pretty fast for a while.
01:07:05He was a good guy.
01:07:07He was a good guy.
01:07:09He was a good guy.
01:07:11He was a good guy.
01:07:13He was a good guy.
01:07:15He was a good guy.
01:07:17He was a good guy.
01:07:19He was a good guy.
01:07:21But he moved pretty fast for the old guy.
01:07:23Yeah, and the old guy said that you would want to see this camera right here.
01:07:44Holy shit.
01:07:47Uh, this is 218. I need a CSI unit here at the African American Museum.
01:07:54Oh, my God.
01:08:15Everything's cool. Come in and get up against the wall.
01:08:18Is that you, Larry? Shut up and get against the wall.
01:08:25Is that the money? Where's the cup?
01:08:35Yes. Take it. It's all here.
01:08:45Whoa, whoa, whoa, whoa, whoa.
01:08:47Settle down, Larry.
01:08:50Thank you. Thank you.
01:08:52Bless you.
01:08:54No problem at all.
01:10:19Whoa.
01:10:49Oh, shit.
01:11:19Oh, shit.
01:11:28The fuck?
01:11:35Who's there?
01:11:49Who's there?
01:12:19Who's there?
01:12:25Now, where the fuck's somebody gonna hide that cup?
01:12:28You can't walk around with it. It's the fucking cup.
01:12:32Sorry.
01:12:36He's a professional mob leader, for God's sake.
01:12:39That was a textbook heist. A textbook.
01:12:42That cup's probably halfway to Japan by now.
01:12:47Japan.
01:12:49Japanese.
01:12:51That's what I said.
01:12:54I thought it was Russian, but...
01:12:59Russian, Japan.
01:13:08Going downtown?
01:13:10Going downtown.
01:13:12Where you headed?
01:13:14We're going downtown.
01:13:18Okay.
01:13:29Hey, what the hell?
01:13:31He's a drunk.
01:13:33Gotta be careful.
01:13:35Jeez, my God.
01:13:40Oh, my God. What the hell?
01:13:44Hey, you random guy. Look what I found.
01:13:47Oh, shit.
01:13:48That's a motherfucking cup right there.
01:13:50That's what you were just talking about.
01:13:52What are you talking about?
01:13:54Where'd you find that?
01:13:56Where?
01:13:58Would you put it down?
01:13:59Oh, shit.
01:14:00You gotta be kidding me.
01:14:02That's a fucking cup.
01:14:04Oh, hang on. I gotta tell you. Hang on.
01:14:06This is way... This is too much.
01:14:09I gotta go search for more water.
01:14:12Do me a favor. Do me a favor.
01:14:15Come on.
01:14:17Wait a minute.
01:14:21Wait, wait, wait. Hang on.
01:14:23No, wait, wait a minute. I work the train.
01:14:26So I'm gonna be the next one.
01:14:32I'm getting off.
01:14:34Congratulations. Have a great day.
01:14:41I'm getting off.
01:15:11Everything revolves around you.
01:15:13Yeah, just in time.
01:15:15Because we're exactly mirrored from where we were.
01:15:18Someone finally said it.
01:15:20This is so much fun.
01:15:41You're welcome.
01:16:11You're welcome.
01:16:33What?
01:16:34You don't like that bit?
01:16:35No, I was just...
01:16:36The look?
01:16:37Just the look, the pose, the hey.
01:16:39Let's do it one more time.
01:16:41What's up?
01:16:42We're all waiting for the line.
01:16:45Kyle, what's up?
01:16:51Kyle!
01:16:52Dude, what?
01:16:56You guys are killing me.
01:16:58Okay, no name.
01:17:00What's up, jackass?
01:17:01Actually, you say, hey, Kyle, down here.
01:17:03Hey, pig fucker.
01:17:05Can I say that, please, just once?
01:17:10Holy shit.
01:17:12You okay?
01:17:14Yeah, I'm good.
01:17:15Man, you got to be careful there.
01:17:20What do we have here?
01:17:24I'll be damned in shit.
01:17:26Lucky.
01:17:28Hey, you random guy, look what I found.
01:17:31Oh, shit.
01:17:39It doesn't help when you start laughing.
01:17:43Yeah.
01:17:45That's weird.
01:17:50What the fuck is your inside voice?
01:17:54This is a great movie.
01:17:57What?
01:17:58You want me to steal it?
01:18:10La, la, la, la.
01:18:22Ryan, you start.
01:18:26Dude, it's your lucky day.
01:18:30Okay.
01:18:35Alright, kid.
01:18:36Did it sound alright?
01:18:39Yeah.
01:18:40Alright.
01:18:41Alright.
01:18:42Alright.
01:18:43Alright.
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01:21:46Alright.
01:21:47Alright.
01:21:48Alright.
01:21:49Alright.
01:21:50Alright.
01:21:51Alright.
01:21:52Alright.
01:21:53Alright.
01:21:54Alright.
01:21:55Alright.
01:21:56Alright.
01:21:57Alright.
01:21:58Alright.
01:21:59Alright.
01:22:00Alright.