Nuevo Amores de mercado Capítulo 31 Completo HD
Nuevo Amores de mercado Capítulo 31 Completo HD
Nuevo Amores de mercado Capítulo 32 Completo HD
Nuevo Amores de mercado Capítulo 33 Completo HD
Nuevo Amores de mercado Capítulo 31 Completo HD
Nuevo Amores de mercado Capítulo 31 Completo HD
Nuevo Amores de mercado Capítulo 31 Completo HD
Nuevo Amores de mercado Capítulo 31 Completo HD
Nuevo Amores de mercado Capítulo 32 Completo HD
Nuevo Amores de mercado Capítulo 33 Completo HD
Nuevo Amores de mercado Capítulo 31 Completo HD
Nuevo Amores de mercado Capítulo 31 Completo HD
Nuevo Amores de mercado Capítulo 31 Completo HD
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Short filmTranscript
00:00Did you make it up?
00:02I didn't make it up.
00:04I'm out of here.
00:06You're never getting out.
00:08I won't let you do it.
00:10Calm down.
00:12Let him go.
00:14I told you the curse is a lie.
00:16Don't be stupid.
00:18What curse?
00:20You want to kill me?
00:22I don't want to kill you.
00:24You're crazy.
00:26Get out of there.
00:28I'm here with my sister.
00:30I'm going to kill you.
00:32Enough.
00:34Stop.
00:36I don't understand anything.
00:38That's why you asked me
00:40if I was superstitious.
00:42You told me you weren't.
00:44She asked you that?
00:46I'll explain it to you.
00:48Come here.
00:50Come here with me.
00:52Listen to me.
00:54Listen to me.
00:56Do you know what's going on?
00:58Do you know what's going on?
01:00All the men who have slept
01:02with a prostitute
01:04have ended up dead.
01:06That's ridiculous.
01:08I'm not stupid.
01:10It's not ridiculous.
01:12We have a curse on us.
01:14Why didn't you believe me?
01:16What curse?
01:18Why did you think
01:20none of the prostitutes
01:22knew our father?
01:24Because they died
01:26the day they slept with the prostitute.
01:28Do you know what?
01:30If you want a little bit of your life,
01:32take it.
01:34Please, take it.
01:38You know what?
01:42Listen to me.
01:44You told me you didn't believe me.
01:46Yes, yes.
01:48It's true.
01:50I didn't believe you.
01:52But this is a very strange thing.
01:54And also,
01:56let me tell you that
01:58they killed all my passions.
02:00Excuse me.
02:02Remember my promise.
02:06I'm not going to forgive you
02:08for this.
02:10You never listened to me.
02:18Look at the water.
02:20Take it.
02:22Drink all the water.
02:26There's not much left.
02:28Do you realize?
02:30This is the last dinner
02:32before we name our son pastor.
02:34How nice.
02:36Amen.
02:38Amen.
02:40It's delicious.
02:42What's wrong, son?
02:44Nothing. I'm very happy.
02:46Yes, I'm happy.
02:48Very good.
02:50Look, look.
02:52The world has such big contradictions.
02:54We are here,
02:56enjoying this dish,
02:58your dessert, your water.
03:00What are they doing?
03:02Tell him what it sounds like.
03:04It's like a satanic ritual.
03:06There's nothing satanic.
03:08What they are doing is a party.
03:10A healthy party.
03:12No, that's not a party.
03:14Justify it.
03:16Look, it's a party.
03:18I don't see anything wrong in doing that.
03:20Everyone celebrates.
03:22God celebrates.
03:24All those things are celebrated.
03:26Don't mix God here.
03:28It's another kind of celebration.
03:30What are you celebrating?
03:32You have to know.
03:34How am I going to know
03:36if I haven't seen him for a while?
03:38He's like a clandestine.
03:40Are you crazy?
03:42What's wrong with you?
03:44It's a good idea.
03:46Creative.
03:48This country is transformed.
03:50We have to start our own business.
03:52Listen to me.
03:54To put a fruit shop there,
03:56I had to go to the municipality
03:58to ask for permission.
04:00You're so detailed.
04:02That's why nothing could be done.
04:04Where did you get the money for this?
04:06You must have had a little more
04:08to start with this, right?
04:10What business are you in?
04:12I can't tell you that.
04:14Where I got the money is private.
04:16I swore I wouldn't tell you,
04:18so I can't break my promise.
04:20Dirty money, then?
04:22No.
04:24You don't have to care
04:26where I got the money.
04:28The only important thing
04:30is the money you're going to make
04:32with this.
04:34So you don't have to carry
04:36all the weight in the house.
04:38It's for you.
04:40If you insult me,
04:42I'll put you in jail.
04:44I'm not going to jail.
04:46I'm not going to jail, Yera.
04:48What's important is that this is my house
04:50and that I'm in charge.
04:52The business is mine,
04:54so don't try to fool me.
04:58You're saying you're changing,
05:00that you want to change, right?
05:02Not even life in jail
05:04will teach you
05:06how to be a different person.
05:09I'd die shamelessly.
05:11I'd die shamelessly.
05:33My son is going to have everything
05:35I ever wanted to have
05:37and that I couldn't.
05:44And you know what?
05:46We're going to convince your grandfather
05:48to fly a plane like this again.
05:51Yes.
05:53And we're all going to go for a ride.
05:56We're going to fly all over Santiago.
05:59We're going to go
06:01to your grandmother's house.
06:03We're going to go to Mapocho.
06:05We're going to go to the market.
06:10Attention, control tower.
06:12Taking off.
06:19Look, there she is.
06:21Hi, Vicky.
06:23Oh, Rodolfo.
06:25Come in.
06:27Come in, but come in all the way,
06:29so you don't get a headache.
06:32The thing is,
06:34I wanted to talk to you
06:36about something.
06:38Well, as long as you're not so busy, obviously.
06:40Yeah, but when are you going to talk
06:42about so many ceremonies?
06:44Tell me, what happened?
06:46Yes, the thing is,
06:48I didn't know how to tell you
06:50what I have to tell you.
06:52But I can't take it anymore,
06:54so I'm going to tell you what I have to tell you
06:56and God willing.
06:58Yeah, but you're going to tell me
07:00what happened to mine too.
07:02What happened?
07:04No, if it's not for the joke, Mr. Rodolfo.
07:12Oh, I don't know where to start.
07:14From the beginning, Vicky.
07:16Where else are you going to start?
07:18Well, let's see.
07:20What happened?
07:22Did you get a condor or what?
07:24No, none yet.
07:26Did you break a cup?
07:28No, I...
07:32What I wanted to tell you, Mr. Rodolfo,
07:34is something that has to do
07:36with your wife.
07:38With Mrs. Fernanda.
07:40What?
07:42Honey.
07:44I was looking for you.
07:46I was just about to go to bed,
07:48so I wanted to know if you were coming with me.
07:50Of course I'm coming with you, darling.
07:52Not to bed, but yes.
07:54But before that,
07:56I saw that you wanted to tell me something.
07:58What happened with my little queen?
08:00Oh, something about me.
08:02Did you want to tell her?
08:04Me?
08:06No, I have to tell you.
08:08You, you.
08:10No, nothing to do with it.
08:12What happens is that...
08:14The gentleman got confused.
08:16I don't want anything else.
08:18No, but don't worry.
08:20It was nothing important.
08:22I have a lot to do, so I'll leave you.
08:24No, nothing, nothing.
08:26Bye.
08:30What the hell is this?
08:32You know what?
08:34I think you talk to her very bluntly.
08:36So she felt it.
08:38Me? Bluntly?
08:40Yes.
08:42I talk to her like I talk to the staff.
08:44Nothing more.
08:46I wanted her to treat her with silk gloves,
08:48to kiss her.
08:50What happens is that you have a very bad habit.
08:52Don't let her do that.
08:54Everything you do in this house is good for me.
08:56Everything.
08:58Listen.
09:00Why don't we make the kid work better?
09:02I'm not sure.
09:04Bye.
09:10So you work in an alarm monitoring center.
09:12Yes, I answer the calls.
09:14I activate the procedures.
09:16Look, that's interesting.
09:18Yes.
09:20And you work day and night?
09:22Day and night, it depends.
09:24Hey, you...
09:26I mean,
09:28doesn't your boyfriend worry
09:30that you work at night?
09:32No, I don't have a boyfriend.
09:34I don't believe you.
09:36I mean,
09:38I had one.
09:40Not long ago.
09:42I mean, it wasn't something so serious.
09:44It's over.
09:46It's over.
09:48We were super friends,
09:50but that's over too.
09:54Oh.
09:56Why?
09:58Did something bad happen?
10:00Terrible?
10:02I'm sorry.
10:04I'm talking nonsense.
10:06No, no, no.
10:08Don't worry.
10:10I mean, don't you feel afraid
10:12to tell me what's wrong?
10:14Uh...
10:16Yeah.
10:18The thing is, I...
10:22I'm pregnant.
10:26Uh...
10:28He changed his mind.
10:30No, no, no.
10:36I...
10:38I lost the baby.
10:44You know, I...
10:46I'm really sorry.
10:48Uh...
10:50I don't know what to say.
10:52I imagine you felt it.
10:54Uh...
10:56This was a long time ago.
11:00No, no.
11:02No, no.
11:04Don't worry.
11:06If you don't want to talk about it,
11:08it's fine.
11:10I'm sorry.
11:12We were supposed to have a good time
11:14and I start talking.
11:16This is awkward. I'm sorry.
11:18No, don't say that.
11:20I like it a lot.
11:22I trust myself.
11:24Sometimes it's good
11:26to talk about things
11:28that still hurt.
11:30Things hurt you?
11:32Yes.
11:34But not in the other world.
11:36There's always something.
11:38But life has made me resistant.
11:40Well, I could call it that.
11:44Well.
11:46That's what I have to learn.
11:48It seems.
11:50I don't want us to lose contact.
11:54I really like being with you.
11:56Spending time with you.
12:00I have your phone number.
12:04And I have yours.
12:20Excuse me, my queen.
12:24What are you taking?
12:26Is it a medicine?
12:28Don't tell me you feel sick.
12:30No, my love.
12:32I feel perfect.
12:34So what are you taking?
12:36Vitamins.
12:38Especially now that
12:40I'm pregnant.
12:42I have to be strong, right?
12:44You're so smart.
12:48You're going to be the best mom in the world.
12:52You too.
12:54I love you.
13:06We're here. Is this your house?
13:08Yes.
13:10Thank you for bringing me here.
13:12No, please.
13:16You know, I wanted to tell you that
13:18I'm very interested
13:20in seeing you again.
13:24What's wrong with you?
13:26Please don't teach me how to turn off the lights.
13:28I'm going to say something.
13:30No, no, no.
13:32It's dangerous. You never know.
13:34Besides, Pacquiao is going to end the night
13:36in a fight.
13:38He's probably going to pay for it.
13:40We're here.
13:42Where were we?
13:46When are we going to see each other again?
13:48I have to go.
13:50Don't worry.
13:52Thank you. Bye.
13:54Bye.
13:56See you later.
14:02Is that Chabé?
14:06Yes, it's her.
14:08I'll call you later.
14:10Chabé.
14:18Chabé.
14:22Can we talk for a second, please?
14:24I want to talk to you.
14:26I'll be right back.
14:36You made me love you
14:38just like Mónica.
14:42When you're done with your anger,
14:44you're going to understand me.
14:46My anger will never, ever, ever
14:48go away.
14:50What you just did
14:52is destroying my life.
14:54You're so weird.
14:56You were in love with Pelluco a week ago.
14:58So what?
15:00Haven't you heard the saying,
15:02the heart is right,
15:04but the head doesn't understand?
15:06You're a bad person.
15:08You don't care about my feelings.
15:10But Topanga,
15:12I don't care about your feelings.
15:14If you loved me a little bit,
15:16I'd leave you alone.
15:18No, I'll never leave you alone.
15:20Do you know why?
15:22No matter what you do in this life,
15:24I'm going to give you my flower.
15:26If you can.
15:28Of course I can.
15:30No, you can't.
15:34What's up, girls?
15:36Nothing, what do you care?
15:38I'm sure you were fighting.
15:42But cheer up
15:44and be good girls
15:46because I have great news for you.
15:48The problem with the health care
15:50is that it's closed
15:52and tomorrow we reopen the restaurant.
15:54I don't give a shit.
15:56Eat and go to the restaurant.
15:58It's all your fault, you know?
16:02Oh, my God, girls.
16:04Well, it doesn't matter.
16:06From tomorrow on,
16:08she's going to have to entertain herself
16:10because, as I told her not to go anywhere,
16:12she's with a genius.
16:14Hey, why were you fighting?
16:16No, no, nothing.
16:18It's just a little chocolate
16:20that I found out there.
16:22Oh, and you ate it?
16:24No, no, I didn't eat it.
16:26Never again.
16:28Never again in my life
16:30am I going to be able to eat chocolate.
16:32Never again am I going to eat chocolate.
16:34And this, this is your fault, you know?
16:40And where did they hide the chocolates?
16:48And where did they hide the chocolates?
16:56Hey, boss, look,
16:58I'm going to tell you something.
17:00You already did the lady, you know?
17:02You gave the man his money.
17:04I don't think she should worry so much.
17:06She must be jumping on a leg right now.
17:08I don't think so, Basilio, I don't think so.
17:10If I know my friend,
17:12no matter how much money I've sent her,
17:14I don't think she's as happy as you're saying.
17:16I don't think she's as happy as you're saying.
17:18Don't offend me, boss.
17:20I'll tell you the truth.
17:22I'm going to the market.
17:24I've been there many times
17:26and I don't want to keep raising suspicions.
17:28Look, you don't want to keep raising suspicions.
17:30I don't think it costs you much anyway.
17:32Boss, come on, be funny.
17:34Come on, Basilio, please.
17:36I need you to do me this favor.
17:38I need to know how Betsy is doing.
17:40And more than that, I need to know
17:42if my photocopy is treating her well or not.
17:44I'm going to the market.
17:46I'll ask her directly.
17:48I mean, my photocopy.
17:50The other one.
17:52You get it?
17:54Hey, boss, you're confusing me.
17:56You're forgetting who you are.
17:58Don't say that, Basilio.
18:00You know that's not true.
18:02I haven't forgotten who I am.
18:04Because if I did,
18:06I'd do the same thing to my people.
18:08And you know that's not true, right?
18:10You know that?
18:12Now, are you going or not?
18:18But Antonia,
18:20how can you think I'm going to answer you
18:22something like that?
18:24Why not? We're friends. What's wrong?
18:26Oh, because
18:28intimacy with Rodolfo,
18:30intimacy with Rodolfo is something private.
18:32But if that's what it's about,
18:34friends tell each other the most intimate,
18:36intimate, intimate things.
18:38Besides, you used to ignore me.
18:40What's wrong with you?
18:42You just got married.
18:44I have to ask you those things.
18:46What's wrong with you? Tell me.
18:48Well, I'm not going to tell you any details.
18:50Oh, what a pain.
18:52Yeah, well, but something is something.
18:54Just what my decency as a married woman allows me.
19:00Rodolfo is
19:02wonderful.
19:06Wonderful?
19:08Yeah, but
19:10how wonderful?
19:12Wonderful.
19:14I mean, better than before.
19:16I mean, much better than before.
19:20It's very strange.
19:22I had never felt like that.
19:26With him I feel so
19:28loved, so welcomed.
19:30He's so affectionate
19:32with me.
19:34It's like
19:36if I were making love
19:38with another Rodolfo in the morning.
19:40It's very strange.
19:42Yeah, but I'm not going to tell you anything else.
19:44That would be you.
19:50No, it's just that you fell in love.
19:52You fell in love.
19:54You fell in love, I can tell you.
19:56I can't believe it.
19:58Well, yes.
20:00I'm married to him.
20:02I have to be.
20:04Oh, I'm so jealous.
20:08I wish I could say the same, Ignacio.
20:10Really?
20:12Yes.
20:14It's so strange lately with me.
20:16Oh, don't tell anyone,
20:18please.
20:20But sometimes I feel like
20:22our relationship
20:26is like a farce.
20:28As if it were a lie.
20:30I think
20:32it's like
20:34a screen.
21:00Welcome!
21:02Welcome to Bambaruti!
21:04The best restaurant in the country.
21:06That's it, let's go.
21:08Here, very, very,
21:10very food,
21:12very well.
21:14Ladies and gentlemen,
21:16the Curato Peralta is waiting for you.
21:18Low price, best quality.
21:20Here, intoxicating.
21:22Very good.
21:24Very good.
21:26Very good.
21:28Best quality.
21:30Come on!
21:32Come on!
21:34Look!
21:36Look!
21:38Look what we have
21:40prepared for you.
21:42Come on!
21:44Come on!
21:46Come on!
21:48Come on!
21:50Come on!
21:52Come on!
21:54Come on!
21:56Come here.
21:58Get out of here!
22:00Come on, come on!
22:02Be careful!
22:04Be careful!
22:06Intoxication!
22:08This is an insult.
22:10Why are you here?
22:12You are going around
22:14and you are scaring them with so much
22:16shouting and shouting, no!
22:18I wish none of those
22:20immigrants get intoxicated,
22:22I wish.
22:24Chileans, for the re-opening, we have the high-priced Curanto for the Chileans!
22:30Come on! Come on! Come on!
22:33Traitor! I hate you!
22:36Put something on, Mambo Mio!
22:40Mambo Mio!
23:24Betzabe? Hello, Ignacio? Who is this? I'm Betzabe. Do you remember me?
23:54Hello? Hello, who is this?
24:23Hello, who is this? Hello, excuse me, I'm Betzabe, Golden Bell's secretary.
24:30Yes, you are Betzabe, but from Home Total Security. Who are you talking to?
24:38Excuse me, but this is my personal number. Who are you? Why do you have my number?
24:47Hello? Hello?
24:54And you?
24:56Me what?
24:58I don't know, are you okay? Do you need something? You have a strange face, Antonio.
25:05No, I don't need anything.
25:11Is something wrong?
25:15Ignacio, do you really care what's wrong with me?
25:21Really?
25:38Leave me the whiskey there and go to your new place, please.
25:41The whiskey is over, ma'am.
25:43Oh, it's you!
25:45It's too early to drink whiskey. Why don't you drink a fruit juice or something like that?
25:49It's nothing, this dog knows perfectly well that I am unable to drink something at an inappropriate time.
25:54And it's almost twelve, but well, I'm not going to drink anymore, what am I going to do?
25:57What are you doing?
26:00How am I? Observe, my love. I'm reading social networks.
26:04So much frivolity, I swear it's attacking.
26:07And if it's so attacking, why don't you read a good book, for example?
26:12Oh, how heavy you are, how dense.
26:15What do you want? Do you want to tell me something or are you standing there like a kind of Etruscan statue?
26:21No, on the subject of culturalizing.
26:23No, what happens is that I just got a couple of invitations for the ballet today at eight, look.
26:30And I can't, unfortunately, I have lunch at the club.
26:34So I thought about you and suddenly you want to go with someone.
26:38Clarita, for example, why not?
26:41Oh, yes.
26:42It would be a shame to lose because they are good locations.
26:45Yes, yes, yes, I love it, how charming you are.
26:49What ballet is it?
26:50Lucrezia Borgia, look.
26:52And who dances it?
26:53The Bolshoi Ballet.
26:54I had no idea that the Bolshoi is also in Chile.
26:57You have to go.
26:59And you can't go, I'm sorry.
27:01No, unfortunately not.
27:02No.
27:03Unfortunately not.
27:06I'm going to let Clarita know.
27:08She's going to be fascinated with everything she loves you.
27:11She's going to love you a thousand times more.
27:14Send her my regards.
27:16Yes, yes.
27:25The little ones, fresh, frozen, as it should be.
27:28Anything for the empanadas, let me know, okay?
27:30Homero, Homero, can we talk?
27:34Oh, I'm happy in life, but I'm super busy.
27:38Julio, I'm going, they're calling me.
27:40I'm not lying, no Julio is calling you.
27:41Enough, enough, enough.
27:42But don't touch me, please.
27:44You know I can get sick.
27:46No, no, that question is not true.
27:48That's why I want to talk to you, because it's not true.
27:50The curse is a lie.
27:51You have to believe me.
27:53Yes, I don't believe in that curse either.
27:55I don't believe it, calm down.
27:57Really?
27:58Yes.
27:59Then kiss me.
28:03Kiss me a lot.
28:06No, Topacio.
28:08No, no, it's impossible.
28:10Imagine, I see you as a client, Topacio.
28:13You are taking away all the clientele.
28:15Imagine, I'm kissing the enemy.
28:17No.
28:18Why are you doing this to me?
28:20What do you want me to do with my suffering, Homero?
28:23You are suffering for me, Topacio.
28:25Yes.
28:26Don't you realize?
28:28Why do you think I'm wearing sunglasses?
28:31Look at me.
28:32Look at the eyes I have, because I cry all night.
28:35Don't worry.
28:36I don't want people to see me like this,
28:37because I have an image here to take care of the market.
28:39Do you understand me or not?
28:40But my heart was very broken, Homero.
28:43Not Topacio, no.
28:45Not Topacio.
28:48Not Topacio, Homero.
28:52Look, if you want ...
28:53Hello.
28:55If you want us to talk,
28:57we could meet later, what do you think?
28:59Really?
29:00Yes.
29:01Yes, I think that's great.
29:02Then we'll find the cell phone.
29:03No, no, no.
29:04I said meet, but not in person.
29:05We'll talk on the phone, on Zoom.
29:07We'll talk on the phone, okay?
29:09They're calling us.
29:10Charge the cell phone.
29:11Julio, I'm going.
29:12Okay.
29:13Come on.
29:14Come on.
29:15Come on.
29:16Come on.
29:17Come on.
29:23I need to know how Betsy is doing.
29:25And more than that,
29:26I need to know if my photocopy is treating her well or not.
29:28And for that I need you to go to the market.
29:30Ask her directly.
29:32I mean, my photocopy.
29:34The other one, right?
29:35Let's go.
29:37Let's go with everything empty.
29:47You?
29:49Hello, hello.
29:54It's good to see you here.
29:56Yes.
29:57And why are you so happy to see me?
30:00Do you want to know why?
30:02Yes.
30:03Because I'm sure we've worked together somewhere.
30:06And you're going to tell me right away where.
30:09Are we?
30:14Come on, look.
30:15I brought you a snack to remember.
30:17Girl, are you alone?
30:18Did you know that you should be paid double
30:20because you're covering all these kids' shifts?
30:22But it's breakfast time, Pochaki.
30:24Ah.
30:25Hey.
30:26Hey.
30:27You didn't tell me anything.
30:29That Ignacio was so handsome.
30:32You should have left him for me.
30:34How silly.
30:35Oh, yes.
30:36How silly.
30:37How could you send me a blind date in a zoo?
30:41Well, what's wrong?
30:43The truth is, the truth is,
30:44it was the first thing that came to my mind.
30:46Like a place, a wild place.
30:48For you to get wild.
30:50There, in front of the colorful monkeys.
30:53What you didn't tell me is how it went afterwards.
30:56Well, he's nice.
30:59He's nice.
31:00Yes, he's nice.
31:01And what else?
31:03And then he tried to...
31:06To?
31:07To give me a kiss.
31:09What?
31:10What did you say?
31:11He tried to give me a kiss.
31:13Let me see.
31:15Oh, what a good thing.
31:17He tried to propose to you.
31:20And what did he do?
31:22What happened is that we were there.
31:24And we started walking around.
31:26And we talked about a lot of things.
31:28Like super interesting ideas.
31:29We got in the car.
31:30We started to...
31:31But stop.
31:32Come on, the kiss, please.
31:33The kiss.
31:34At the sensual moment.
31:35Well, we went through a lot of places.
31:36And then he left me.
31:37And we got out of the car.
31:38And we were saying goodbye.
31:39Then he...
31:41He approaches.
31:42And I...
31:43And I stayed.
31:44And he starts to approach.
31:46And suddenly...
31:48A car with high beams passed by and I lit up.
31:51And...
31:52And then I just left.
31:54For a car with high beams.
31:56I got so nervous.
31:57You know?
31:58I've been stuck in front of cars with high beams all my life.
32:01And nothing happens.
32:02I can't be so stupid.
32:04You know, this guy is good.
32:05He's good for you.
32:06He's like...
32:07A good person.
32:08I...
32:09I think he's going to be good for you.
32:11So that at least one of the two
32:13has a happy heart.
32:16Oh, girl.
32:18What?
32:19What's wrong with you?
32:20That's how I know what's wrong with you.
32:21Yes, well, if you know what's wrong with me,
32:22Saul...
32:23He's being ordered as a pastor tonight, right?
32:26Yes.
32:27Yes, my mom is doing some weird things in the house.
32:30What weird things is she doing?
32:32I don't know.
32:33She's preparing a series in the morning.
32:34Oh, girl.
32:35It's just that you don't know how much I'm going to miss him.
32:37Because I'm going to miss him forever, you know?
32:42It's just that I'm going to have to become a nun.
32:44I don't want to.
32:47Yes, it's just that...
32:49I don't want to see him anymore.
32:52Saul...
32:56You know what's going on?
32:57I don't...
32:58I don't understand.
32:59Don't play the idiot.
33:01You know exactly what I'm talking about.
33:04It's true that I can be a little out of my mind,
33:06but I need you to help me organize myself.
33:09Yeah, but...
33:10Why would it have to be me?
33:14What do you mean why?
33:15Because you're part of the world of the fucked up, right?
33:18Yes?
33:19And maybe of fear too.
33:21If I really dedicate myself to what I think I dedicate myself to.
33:24Boss, don't talk to me about this, please.
33:26Boss, wait.
33:27Why did you call me boss?
33:28No, no.
33:29Am I your boss somewhere?
33:30No.
33:31What kind of boss am I?
33:32I'm a mafia boss.
33:33No, no, no.
33:34Listen to me.
33:35No.
33:36I'm going to tell you something.
33:37I have no reason to let you take me.
33:39So I'm going to retire.
33:40With all due respect, I say.
33:42And with a lot of permission.
33:56Lisa, sit down.
33:57Sit down.
33:58Sit down here.
33:59Take it.
34:00Drink some water.
34:01Breathe deeply.
34:02Breathe.
34:03Calm down.
34:04Take it.
34:05This will help you.
34:06Let's see.
34:07A little over here.
34:08I can't believe you did this to me.
34:10Breathe.
34:11I can't believe it.
34:12I can't believe it.
34:13What thing?
34:14What happened?
34:15He did the worst thing.
34:16What can happen to a woman?
34:17What do you mean the worst?
34:18The worst.
34:19The worst.
34:20That's what he did.
34:21The worst thing that can happen to a woman.
34:22Who?
34:23Why did he do that to me?
34:24Ignacio.
34:25Who am I talking about?
34:26Ignacio.
34:27Ignacio?
34:28Yes.
34:29What did he do to you?
34:30He cheated on me.
34:31He cheated on me.
34:32I just found out.
34:33Oh yeah?
34:34Yes.
34:35And how do you know?
34:36Are you sure of what you're talking about?
34:40How can I not be sure?
34:42Fernanda.
34:43I just found out.
34:45And the worst thing is that I know who he is.
34:48Oh yeah?
34:49Yes.
34:51And who is he?
34:52What...
34:53Spicy.
34:54Ordinary.
34:55A woman who works in an alarm operator.
34:59Something like that changed me.
35:00Me for a woman who works in an alarm operator.
35:03Imagine.
35:04Yes.
35:05Yes.
35:07And how do you know that?
35:08How do you know that Ignacio is with this woman, this alarm operator?
35:10That he knows her.
35:11Do you remember one time when Ignacio told me about a girl named Betsy V?
35:18Who was like a secretary that had Israel Goldenberg.
35:22Yes, I remember.
35:23And I asked Ignacio about that Betsy V, an ordinary girl.
35:29And he denied her.
35:31And when a man denies a woman, it's because he has something with her or not.
35:35Yes.
35:37Betsy.
35:38Yes, you're absolutely right.
35:41I can't believe it. I can't believe it.
35:44Ignacio was in that.
35:46That hypocrite.
35:47Liar.
35:48With an alarm operator.
35:50I can't believe it.
35:53What's wrong with you? Calm down.
35:56Wait, wait, wait.
35:57If I tell you about Ignacio, it's because it's what's happening to me.
36:02No, yes, yes.
36:03Sorry, sorry.
36:04What happens is that it takes me out of my box when I know a man is cheating on a woman.
36:09I get very angry, especially if that woman is your friend or a friend of mine.
36:15You're beautiful.
36:17Oh, how loving, how adorable, how empathetic.
36:21That's why it's worth having friends, obviously.
36:26Oh, Fernanda, thank you.
36:29Thank you for being there. I love you very much.