Amor Amargo Capitulo 49 Completo HD
Amor Amargo Capitulo 49 Completo HD
Amor Amargo Capitulo 49 Completo HD
Amor Amargo Capitulo 49 Completo HD
Amor Amargo Capitulo 49 Completo HD
Amor Amargo Capitulo 49 Completo HD
Amor Amargo Capitulo 49 Completo HD
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🎥
Short filmTranscript
00:00And that in your plans you were going to kill her?
00:02Don't you dare!
00:03Do it.
00:04Do it so you can see how it goes, you idiot.
00:08Don't scare me.
00:09No, Vera, don't interrupt anything.
00:12I was just telling Francisco that
00:15the doctors determined that whoever
00:19tried to poison me
00:21and I was just asking him if he had noticed anything strange.
00:25Oh, Javi.
00:27Don't tell me that.
00:29There's so much evil in this world.
00:33You didn't notice anything strange at the party?
00:35No.
00:36Well, only Tomas' surprise arrival.
00:38You told me he wasn't coming, right?
00:41Yes, of course.
00:43And you?
00:44Why are you here?
00:45Do you need something?
00:47Oh, I was just going to check these documents.
00:49Nothing important.
00:50It's about the loans we made.
00:52And is there a problem with that?
00:54No, no, no, no.
00:55Everything is fine.
00:56It's just so I can keep up with the numbers.
01:00And Francisco?
01:01I thought you didn't work for this company anymore.
01:04Francisco is going to stay here.
01:06And if you want, you can check the documents with him
01:09or we can go to my office and we'll check them together.
01:13Really? You're staying?
01:15Oh, what a pleasure, right?
01:17See?
01:19We're all very happy that you're still here.
01:22Well, I'll leave you to check that.
01:25Excuse me.
01:28What happened with Marlon?
01:29Is there any news?
01:30Yes.
01:31We confirmed that Marlon was run over in the place indicated by the anonymous
01:34and that Francisco's car is involved.
01:36But hey, he has a fourth confirmed.
01:39Sit down, please.
01:40Can I offer you something to drink?
01:41Do you want something?
01:43Are you okay?
01:45Well, but they could have agreed to cover each other, right?
01:48Well, I would like to tell you yes,
01:49but the evidence confirmed that it was not Francisco who left the car in the mirror.
01:53How do you know?
01:55We found the tracks inside and outside the car
01:57and they do not correspond to Francisco's footwear.
01:59I verified the same.
02:01So what's going to happen?
02:02Who did it?
02:04I don't know.
02:05The corresponding investigations are being done.
02:08That fact is classified as a homicide.
02:15Tomás, on the other hand,
02:17I wanted to tell you what I'm going to do with the videos you gave me of that woman
02:20who met your father before he died.
02:22What?
02:23I don't know.
02:24I decided, if you allow me,
02:26that we can set up a campaign to look for her here in the town.
02:29The videos you gave me,
02:30honestly, are much better than the picture you mentioned.
02:33It may be easier for someone to recognize her on social media
02:35or perhaps in community groups.
02:37Well, let's do what we have to do
02:39so that this investigation progresses.
02:46And now they made peace or what?
02:49What's wrong with that?
02:52You know that the love I feel for Gabriela is very strong.
02:55And where there was fire...
02:59Oh, don't be ridiculous, please.
03:02Look, there's a group of men with a dose of very big stupidity.
03:06And what a shame to tell you, but you belong to them.
03:10Do you think Gabriela is going to look at you again?
03:12How naive.
03:13Why not?
03:15Gabriela just fought with Tomás at the meeting.
03:17He got very aggressive and she stood by her grandmother.
03:20What?
03:22That's weird.
03:24They just died of love a few days ago.
03:27Well, I don't know how it was,
03:29but now Gabriela suspects Tomás.
03:34She thinks he was the one who wanted to poison her.
03:39Well,
03:41it seems that despite all the stupidity you used,
03:45the plan worked.
03:50No.
03:55I'm just asking you
03:57to be prudent this time.
04:01Prudent is not to tell her that you were the one who killed her
04:04and that in your plans you were going to kill her?
04:06Don't you dare.
04:07Do it.
04:08Do it so you can see how stupid you are.
04:12Don't scare me.
04:14And of course I'm not going to do it.
04:17You have to start treating me like I deserve.
04:21And how should I treat a sick person like you?
04:25Well, let's change the subject.
04:30Now what I need is to find out why they stole my car to kill that guy
04:34and why they wanted to involve me.
04:37I already told you.
04:39Because you became a nuisance.
04:42It is clear to me that they want to get rid of me.
04:46What they don't know is that before they do,
04:49I'm going to ruin their lives one by one.
04:53Including you, Vera.
04:55So you're alert, huh?
04:57No, don't scare me, please. I beg you.
05:04Better sign these papers. I need them.
05:09Let the owner of the company sign them.
05:18Okay.
05:24I'm sorry, I was just finishing tidying up your room, but I'm leaving.
05:30No, no, don't worry.
05:32They're very pretty.
05:35It's just a little detail to brighten up the day and make it less sad.
05:43I'm leaving.
05:48It's been very difficult to lose Marlon.
05:52I know.
05:54If you need to talk, you know you can count on me.
06:01Excuse me.
06:03I was just thinking about you.
06:06And that?
06:08Do you miss me as much as I miss you?
06:11Yes, but I miss you a lot more.
06:14Hey, listen, Francisco and Vera are together in the office right now.
06:19And it's obvious that they're going to be together.
06:22I'm sure.
06:24I'm sure.
06:26I'm sure.
06:28I'm sure.
06:30Okay.
06:31But for now, don't get upset.
06:32Let's go slowly, Gabriela.
06:35Let's go slowly, Gabriela.
06:37Let's go slowly, Gabriela.
06:40I just called to tell you that I love you and that I love you too.
06:44I just called to tell you that I love you and that I love you too.
06:47I love you.
06:49Hey but we can talk later.
06:51I don't want Mavin to listen to me.
06:53I love you, I love you.
06:54And I love you.
06:55Y yo a ti.
07:07Tomás.
07:09Qué bueno que te veo.
07:14Como te dije, solamente un asunto interno, Âżeh?
07:17Cuentas claras, amistades largas.
07:20Pues esto me parece lo mejor.
07:22A mĂ me preocupaba que no se estuviera aportando el dinero,
07:26pues sin tener claras las condiciones de estos préstamos.
07:30Mi tĂo tiene todo muy claro.
07:32No hay condiciones, es entre amigos.
07:35Y una disculpa, la verdad es que fui yo la de la idea.
07:38Yo soy muy estricta con los nĂşmeros, porque tĂş no,
07:41pero yo tengo un jefe a quien rendirle cuentas.
07:46En realidad venĂa por una firma de Dolores,
07:49pero aprovecho para platicar contigo.
07:51SĂ, claro, ÂżquĂ© pasa?
07:53Es sobre Julio y el famoso encendedor.
07:56Yo creo que está coludido con Paulo, por eso me lo entregó.
08:00No entiendo.
08:01Que me entregaron una prueba falsa.
08:03Le intenté poner un cuatro a Enrique
08:05para asustarlo de que tenĂa pruebas en contra de Paulo
08:08y ni siquiera se puso nervioso.
08:10¿Y por qué lo pone sobre aviso?
08:12QuerĂa comprobar mi sospecha.
08:14Con permiso.
08:16Gracias.
08:17Gracias, Dolores.
08:18De nada.
08:19Y yo creo que tener a Julio aquĂ ya no es de utilidad,
08:23podrĂa ser peligroso.
08:25A mĂ ese hombre no me da buena espina.
08:28Lo voy a correr.
08:29No, no, no, todavĂa no.
08:32Estoy segura que algo se trae con Magdalena.
08:34Los he visto varias veces platicar cuando creen que nadie los ve.
08:38Y Lupita me comentĂł que vio cuando ella le dio dinero a Julio
08:42y los vio muy sospechosos.
08:44ÂżComo para quĂ© le darĂa dinero?
08:46No, no quiero adelantarme, pero...
08:48Dame unas semanas.
08:49A ver si puedo averiguar qué es lo que se trae.
08:51SĂ, yo creo que Dolores tiene razĂłn.
08:53Vamos a aguantarnos a ver qué se traen esos dos.
09:17Hola.
09:19Quedamos a ir a comer y querĂa ver si tienes tiempo hoy.
09:23AvĂsame, Âżva?
09:39Te ofrecĂ todo, Beatriz.
09:41Te ofrecĂ todo, Beatriz.
09:46Todo.
09:49Y me lo rechazaste.
09:52Quizá porque nuestros destinos no estaban ligados.
10:00Y si es asĂ...
10:06Ya no vamos a estar juntos.
10:11No.
10:29Te voy a ir.
10:41No.
10:55Mi tĂo jamás pierde.
10:57Él sabe detrás de qué va.
11:00¿Y a qué te refieres con eso?
11:03A que es un hombre exitoso.
11:06Él sabe muy bien de negocios.
11:08Él es consciente de la situación en la que está la fábrica
11:10y sabe que va a ser muy difĂcil que le regresen el dinero pronto.
11:16Pero...
11:18¿Pero qué?
11:21No sé si él tenga en mente otra cosa.
11:25ÂżCĂłmo?
11:27¿Cuáles son los términos del préstamo?
11:29Ah, no. Mi tĂo les prestĂł de buena voluntad.
11:32Más bien, tú pon los términos.
11:35Bueno, te dejo los documentos y me avisas cuando los firmes.
11:37Yo paso por ellos.
11:39Ah.
11:42Por cierto, estuve hablando con Tomás hace rato.
11:47PerdĂłn, es que lo vi muy triste, desanimado y no pude evitar abrazarlo para consolarlo.
11:54ÂżTienes otro asunto pendiente o ya fue todo?
11:58Entonces, Âżfue en serio, Gaby? ÂżYa se pelearon? ÂżYa no andan?
12:02SĂ, eso ya se acabĂł.
12:03Me cansé de defender una relación que no tiene futuro.
12:07Y pues es un hombre que solamente busca venganza para destruir a mi familia.
12:11Ay, no, bueno.
12:13¿Hasta qué reaccionaste, Gaby?
12:16Bueno, ¿tienes algo más que decir?
12:19No.
12:20Te encargo que lo revises y le salida lo antes posible, por favor.
12:33Hola.
12:35Quedamos a ir a comer y querĂa ver si tienes tiempo hoy.
12:39AvĂsame, Âżva?
12:43DĂgame, patrĂłn.
12:46Quiero que me expliques cĂłmo es que llegĂł ese encendedor de Paulo a tus cosas.
12:51Ya se lo dije al señor Emilio.
12:53¿Qué?
12:55¿Qué?
12:57¿Qué?
12:59¿Qué?
13:00Ya se lo dije al señor Emilio.
13:02VenĂa entre mis cosas que me regresaron cuando me sacĂł de la cárcel.
13:06Y no es mĂo, es de mi primo, Pablo.
13:09ÂżPor quĂ© lo tenĂas tĂş?
13:24Respira, Magdalena, respira.
13:27Ay, no puedo.
13:28¿De qué estarán hablando este par?
13:32¿Por qué me pasa esto a m�
13:35Maldito Jaime.
13:38Si suma dos más dos,
13:40le da que fue Pablo el que sembrĂł en mi casa todo lo del incendio.
13:44¿Y por qué no lo denunciaste antes?
13:46¿Usted por qué cree?
13:48Todo el mundo sabe de lo que es capaz mi primo.
13:50Ya se lo dije al señor Emilio y
13:52le pido a usted también que sea discreto con esa información.
13:56ÂżY no has hablado con tu primo?
13:58SĂ, pero solo para despistar.
14:01Julio, no estás tratando con ningunos tontos.
14:05Dile a Pablo que ya sabemos cuál es su juego.
14:08Gracias, te puedo saludar.
14:16Tengo una prueba que se encontrĂł en casa de Julio,
14:18el hombre que supuestamente iniciĂł el incendio.
14:21ÂżTe acuerdas que me comentaste que viste a varios hombres
14:23arrojando varias botellas encendidas?
14:25SĂ.
14:26Bueno, me gustarĂa que pasaras a la comisarĂa
14:28para verificar un detalle muy importante.
14:30Tengo que hacerlo.
14:32Eva, un simple detalle nos puede ayudar a descubrir muchas cosas.
14:36Esa gente le ocasionó mucho daño a Tomás.
14:39SĂ, lo sĂ©.
14:41Solo que no quiero meterme en problemas.
14:43Con todas las cosas que han pasado en este pueblo,
14:46nadie quiere hablar.
14:48Tienen que les ocurra algo, pero...
14:50Eva, por favor, no te vas a meter en problemas.
14:52Te lo aseguro.
14:54Bueno, ok.
14:56ConfĂo en ti.
14:58Ya me tengo que quitar todos estos miedos.
15:00Y pues si esto va a ayudar a descubrir algo, lo voy a hacer.
15:03Por Tomás y por Andrés.
15:05Bueno, yo en un par de horas voy a regresar a la oficina.
15:07Ok.
15:09Voy a repartir toda esta informaciĂłn en algunos lugares
15:11donde la puedan ver.
15:13Por cierto, a ver, Eva, dime, Âżla conoces?
15:15Espérame.
15:21ÂżEntonces?
15:23No. ¿Quién es?
15:24Alguien que necesitamos encontrar.
15:26Quizás nos pueda dar información de lo que pasó
15:28el dĂa del accidente de tu mamá y el papá de Tomás.
15:32¿Y quién puede ser ella?
15:34No lo sabemos, pero la tenemos que encontrar.
15:36Ok.
15:38Yo voy a preguntar a ver si alguien la conoce.
15:40Bueno, déjame, doy prisa.
15:42Nos vemos en la comisarĂa.
15:44Ok. Bye.
15:55Mira.
15:57Te traje.
16:00ÂżTe gusta?
16:03Gracias.
16:05Está muy bonito.
16:07¿Por qué estás triste?
16:09SĂ© que te casaste conmigo a la fuerza, pero...
16:11pero de verdad te quiero.
16:14Mira, si pusieras un poco de tu parte,
16:16verĂas que tienes un esposo que te quiere mucho.
16:18ÂżY tĂş?
16:20ÂżY tĂş?
16:21Mira, si pusieras un poco de tu parte,
16:23verĂas que tienes un esposo que te ama.
16:28No pienses más en Enrique Olivares.
16:44Dolores, ven.
16:46Quiero que veas algo.
16:48A ver, voy.
16:49A ver.
16:51Gracias.
16:53Quiero que veas esto
16:55y que me digas si la reconoces.
17:00Es la misma mujer que dicen que estuvo hablando
17:02con mi papá y con Beatriz aquà en el pueblo
17:04antes del accidente.
17:06Ay, no, pues no.
17:08No creo haberla visto nunca.
17:10Pues esta mujer parece que tuvo una plática
17:12muy importante con mi papá y con Beatriz.
17:15¿Pero cómo? ¿De qué me estás hablando?
17:17SĂ.
17:19Esta mujer tiene algo que ver
17:21con la vida de mi papá o la de Beatriz,
17:23por eso es muy importante saber quién es.
17:25ÂżPero es la misma?
17:27SĂ. Candela me entregĂł estas imágenes.
17:29Fue a buscar a mi padre el dĂa que decidiĂł
17:31venir a Todos los Santos.
17:33SĂ, es obvio que lo buscĂł para verse acá.
17:35ÂżEntonces Emilio debe de saber?
17:37¿El viajó con tu papá?
17:39No, lo hicieron por separado.
17:41Algo estaban planeando juntos.
17:43O ella planeĂł su muerte
17:45y por eso lo trajo a Todos los Santos.
17:47Bueno, Âży Candela no?
17:49ÂżNo preguntĂł en la empresa
17:51si hay más videos de esta mujer?
17:53SĂ, pero al parecer esta fue la Ăşnica vez
17:55que lo fue a ver.
17:57Que no hay más videos de ella.
17:59Tenemos que saber quién es esta mujer
18:01y por qué se reunió con mi papá.
18:04Emilio me dijo que cuando llegaron al pueblo
18:06mi padre venĂa decidido a firmar
18:08la compra de la fábrica San José,
18:10pero que de pronto algo pasĂł
18:12y cambiĂł todo.
18:14¿Pero qué te hace pensar
18:16que pudiera haber sido esta mujer?
18:17Es la única persona extraña
18:19con la que se reunieron
18:21en ese restaurante.
18:23Los vieron hablando
18:25y luego viene lo del accidente.
18:27Esta mujer algo sabĂa.
18:29Está raro.
18:31Muy raro.
18:38ÂżLes incomodĂł?
18:40Es que me senté a solita en mi recámara
18:42y me dije, Magdalena,
18:44hay vida detrás de esa puerta,
18:45no vivas acorralada.
18:47¿De qué estamos hablando?
18:49De que aĂşn nos faltan piezas por atar
18:51para saber qué pasó con mi papá
18:53al dĂa que llegĂł al pueblo.
18:55A propĂłsito, Magdalena,
18:57nunca me he sentado a hablar contigo.
18:59¿Qué te dijo mi papá
19:01antes de viajar a Todos los Santos?
19:03Que me odiaba.
19:05Creo que yo también se lo dije.
19:07Pero estábamos casados,
19:09ÂżquĂ© Ăbamos a hacer?
19:11Creo que su Ăşltima frase
19:13fue algo asĂ como
19:15no te soporto.
19:19Bueno, tengo que regresar a la oficina.
19:21TodavĂa tengo pendientes que resolver.
19:26AdiĂłs, hijo.
19:28Nos vemos.
19:30ÂżY mi beso?
19:32Nos vemos después.
19:46So, you decide.
19:48Should we change our lifestyle
19:51or not?
19:59Answer, Grandma, answer.
20:01Leave a message.
20:03Grandma, where are you?
20:05Look how long it's been
20:07and you're not reporting.
20:09I'm not reporting.
20:11I'm not reporting.
20:13I'm not reporting.
20:15I'm not reporting.
20:17Please call me to know you're okay.
20:19What happened?
20:21Grandma went to Dr. Hernandez's house
20:23and I don't know what she's doing
20:25because she's not answering.
20:27I was so close.
20:29Now I have to take care of her.
20:31What's wrong with her?
20:33They're adults.
20:35I know, but when I think
20:37she's out with the doctor...
20:39At least someone here has fun.
20:41Don't laugh, Gabriela.
20:43It's my grandma.
20:45Don't imagine it.
20:47No, shut up.
20:49What are you doing here?
20:51Come here. Sit down.
20:56I only had a moment
20:58to mislead Francisco
21:00with his application
21:02and he thinks he can fool me.
21:04Gabi, stop that.
21:06Turn it off.
21:08I have to set him up
21:10to unmask him.
21:12I have to stop this now
21:13and if I don't,
21:15I'll go to the police.
21:17Let's go. I'm your witness.
21:19Yes.
21:21But at the same time,
21:23it hurts me to have to do this.
21:25No, it doesn't hurt you at all.
21:27Once, Francisco had to do
21:29with that guy.
21:31That guy almost kills you, Gabriela.
21:33Besides, you said you wanted
21:35to unmask them, right?
21:37One by one. Do it.
21:39Don't worry.
21:44What's up, Francisco?
21:46I saw you going to the art workshop
21:48a while ago
21:50and I had to go out to buy something.
21:52I don't know if you want
21:54to meet or talk.
21:56I'd like to talk to you.
21:58No, I have to solve
22:00some issues with Citlal.
22:02I'll see you at the factory. Bye.
22:08That's it.
22:10Damn it.
22:11I don't want to go out
22:13and give him a hard time.
22:15He's already humiliated me
22:17by going to mass,
22:19but for me,
22:21it had to do with Marlon's death.
22:23I think it happens to everyone.
22:25That's what I want to find out.
22:35Joaquin.
22:37Are you serious?
22:39Are you still looking for ghosts?
22:41That's right.
22:43Let's see if the ghosts
22:45answer the questions I have to ask them.
22:58Sit down, dear nephew.
23:01Can I ask you a question?
23:03Yes, of course.
23:05I called you because I have something
23:07very urgent to talk to you about.
23:09I love being here, Aunt Hermosa.
23:11That's great.
23:13Come in, dear.
23:16I asked Gabriela to be here
23:18to tell you
23:20that you're looking for a lawyer.
23:23What do you mean, a lawyer?
23:25What's going on, dear?
23:27What's all this?
23:29You don't realize
23:31what happened at the distributor.
23:33Thanks to your bad behavior,
23:35we have serious problems today.
23:37It was easy for you to betray me
23:39and go with my worst enemy.
23:41I told you
23:43I was going to teach you to honor your blood.
23:45And this is going to cost you dearly.
23:48Maybe the little cop,
23:50the little lawyer
23:52who is with your boss can help you.
23:54Guillermo,
23:56you have to clarify the situation
23:58of what happened at the distributor.
24:00Prevent this from going any further, please.
24:02Let's see, aunt.
24:04First, you kicked me out of here.
24:06And second,
24:08I thought this was already clarified.
24:09Why are you making me go through this embarrassment?
24:12And third, get out of here.
24:15Go play with your friends.
24:18Out!
24:26I need you to review this, grandmother.
24:39Carmen, answer me, damn it.
24:42This can't be happening to me.
24:44Carmen!
24:47Miriam.
24:49Miriam, Miriam.
24:51Do you have a minute so we can talk?
24:53I need you to listen to me.
24:55Miriam, please.
24:57Don't leave me like this.
24:59No, I can't help you.
25:01Please, don't leave me at this moment.
25:03I'm not in the use of my faculties.
25:05Miriam, please listen to me.
25:07Can you hear me?
25:09I miss Gabriela asking you to sign those papers.
25:13It looks like she doesn't, but she's very crafty.
25:16I'm sure she thought you'd never charge her or whatever.
25:20Did she sign it?
25:22No.
25:24She's going to look at it to define the terms.
25:26I mean, you do her a favor and she's going to define the terms to pay you.
25:30I'm sure you won't even care.
25:32Well, you did what you had to do, didn't you?
25:35No, uncle.
25:36And now I have to make sure she gives me back the signed documents.
25:41Don't do anything.
25:43Remembering Gabriela's debts with me is more than enough.
25:46And it's good that you know who to go to when you need it.
25:49No, you know that.
25:51But the important thing is that she pays us.
25:54That she pays us or that she pays me?
25:57I'll see how I do it.
25:59Okay, uncle.
26:01You always know.
26:03That's why I'd like to tell you something I saw.
26:07Something very strange is happening between Gabriela and Francisco.
26:10What's wrong with that idiot?
26:12Well, I saw them very close again.
26:14When I tell you that he even defended him
26:16and he almost shouts at every lung that Francisco stays in the factory.
26:20It seems that now that he broke up with Tomas, he decided for Francisco.
26:26What the hell are you talking about now?
26:28Well, it's the gossip from the factory, uncle.
26:30Oh, gossip.
26:32Well, he confirmed it to me.
26:34He doesn't want anything with Tomas anymore.
26:36He even put himself on Leonor's side now.
26:39Oh, that Gabriela.
26:41It's like...
26:43Like a ticket.
26:45One day he wants one,
26:47and the other the other.
26:51Oh, uncle, and he never turned to see you again.
26:54Should I tell you another one?
26:56No.
26:57Let's go.
27:05He knew what conditions we were in
27:07and insisted a lot to lend us that money.
27:10And now he wants us to sign that.
27:12But if you read it well, there is nothing clear.
27:15Neither the percentage of the interests nor the date of payment.
27:18So if we sign it, he will charge us when he decides.
27:22No.
27:24Enrique is not going to do that.
27:25He is a great friend of the family,
27:27always willing to help us.
27:29Well, then I went to talk to that kind friend
27:32to clarify in what conditions he wants me to sign that.
27:36And on the other hand,
27:38I'm going to introduce you to a series of cuts we're going to do.
27:41Cuts?
27:43Look, I know you fight to keep an image and prestige of San Jose
27:46in front of others.
27:49But the reality is that we have no way to sustain it.
27:52And we can end up on the street
27:53if we don't do something right now.
27:56But what's wrong with you?
27:58We are distinguished people from the town.
28:00If Enrique and Tomás had not supported us,
28:02we would have had to close the factory.
28:04And maybe even sell the hacienda.
28:07So, well, you decide.
28:09Or we change our lifestyle.
28:13Or that's not going to happen.
28:54I was reviewing the financial statements
28:56that the auditor sent.
28:58And it is perfectly clear here
29:00that the distributor's money
29:02began to deviate more than a year ago.
29:04Are you listening to me?
29:06If you don't explain where all this money is,
29:09you're going to get into a serious problem.
29:11You're going to go to jail.
29:14It's hard for me to accept that.
29:17I still signed up.
29:19I don't square my accounts.
29:20But for a couple of million,
29:22they're not going to expel me from the family.
29:24Let them take it as if it were part of my inheritance.
29:26You stole a couple of million.
29:29No.
29:31Tomás.
29:33Guillermo, the money we're talking about
29:35is a lot more.
29:37You need more than a couple of million.
29:39And if you don't solve this problem,
29:41you understand that you are in a much more serious one.
29:47I don't have anything.
29:49I don't have anything.
29:51Miriam, I gave up everything I had.
29:54David wanted to close the distributor.
29:56And that's where the matter ended.
29:58Well, it's not like that.
30:00We're almost in the ruin.
30:02Because this amount is missing.
30:04Because of you.
30:06Let's see, who else besides you had access
30:08to the bank accounts?
30:10Carmen, of course, Beatriz.
30:12Of course.
30:14Carmen thought it was a good idea
30:16to hire a financial advisor.
30:19I thought it was okay
30:21because he told me we were going to triple the investment.
30:23What's that advisor's name?
30:25Camilo.
30:27Camilo Ariza.
30:30But Carmen only has contact with him.
30:32And I don't want to talk to Carmen.
30:34Well, you're going to have to talk to her, huh?
30:36Because this problem in which you were involved
30:38is very serious.
30:49Hey, we're looking for people
30:51to work in the offices.
30:53Would you like to work with us?
30:56Do you want my grandmother and Miriam
30:58to kill me?
31:00No, I'm serious.
31:02So you won't have to look for excuses
31:04to see me like ...
31:06Hi, Andres.
31:08Hey, yes, let's see each other,
31:10but don't see each other.
31:12Let's go to the Blue Mountain.
31:14I've never said Blue Mountain.
31:16Well, the mountain that's on the other side of the river.
31:18Let's go.
31:29Hey,
31:32what's going on with my sister and Tomas?
31:34Do you know anything?
31:36Well, look, today they got really ugly at the factory.
31:39I think this time Gaby told her things that
31:42I don't know if my sister can forgive so easily.
31:45It's been very strange since this morning.
31:46I don't understand, Crema.
31:48But Gaby insinuated that my sister tried to kill him.
31:51No, no, that can't be.
31:53That comes straight from my grandmother, I know.
31:55I heard it when I told her.
31:58But what I can't believe is that she's doing her job.
32:07Tomas,
32:09I need your permission to go to my house.
32:13Why? What's wrong with you?
32:15I want to die.
32:17I want someone to kill me.
32:19Please.
32:21Okay, no problem.
32:23Really?
32:24Yes, go.
32:26Really?
32:28Of course, if that's what you need.
32:32It's not necessary.
32:39How can you stand it?
32:41How can you stand it?
32:54Do you want me to bring you something, sir?
32:56No.
32:58An explanation of why life is like this.
33:01I want someone to look for Carmen and tell her that she's killing me.
33:05I can't take it anymore. I trust her.
33:07Maybe a tea from Tila will help you.
33:08No, no.
33:10I don't think that will get me out of the sadness I'm in
33:12and the problem I'm in.
33:14All for wanting to give her a good life.
33:16Well, I'll go get your tea.
33:25Don't leave him alone.
33:27Try to find out what's wrong with him.
33:29What's wrong with him?
33:30That it doesn't work.
33:32I really don't understand why you insist on having him working here.
33:34He cries because he went to see his aunt,
33:36because his wife left him,
33:38because his wife left him, Tomas.
33:41What?
33:43Why are you laughing?
33:45You put it that way and it makes me laugh,
33:48but poor man.
33:50Go see what's wrong with him.
33:52Please.
34:02Hello.
34:04Do you have time?
34:06I need to ask you a favor.
34:08Okay. Yes.
34:10Kisses.
34:12Hey.
34:14I love you.
34:16I love you.
34:27Hello, Francisco. What happened?
34:29What happened is that you said you would see us
34:32and look at the time.
34:34Yes, but I can't right now.
34:36Why?
34:38Lali had a problem with her car and I'm going to help her.
34:41Let's see.
34:43Are you telling me the truth or did you just change your mind
34:45and you don't want to tell me?
34:47I'm telling you the truth.
34:49Maybe later.
35:05Eva.
35:06I'm going to ask you a few questions
35:08and if your testimony helps me,
35:10I'm going to talk to your sister to make a statement
35:13because you're a minor. Do you agree?
35:16Yes. Okay. Fine.
35:29Are you going to go there again?
35:31Honey, you have to leave that for peace.
35:37Yes, it's this one.
35:39This is the lighter that one of the hooded men was carrying.
35:42I saw it.
35:46When you were chasing me,
35:48I ran into Julio and Paulo,
35:50but I don't know which one of them fell.
35:54But I'm sure it's this one.
36:06Let's go.
36:08Go. Go.
36:10What are you doing?
36:36Who are you looking for, Francisco?
37:07I'm going to ask you a few questions
37:09and if your testimony helps me,
37:11I'm going to talk to your sister to make a statement.
37:13Do you agree?
37:15Yes. Okay. Fine.
37:17Let's go.