સપ્તક સંગીત મહોત્સવના ચોથા દિવસે કલા જગતના બે સ્વર્ગીય દિગ્ગજોનો પોતાની કળા દ્વારા સ્વરાંજલિ અર્પાઈ. જુઓ સપ્તકના ચોથા દિવસની મહત્વની ઝલક...
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00:30people come and listen to it with the same enthusiasm and happiness.
00:36This is a very simple thing, but it becomes a unique thing in itself.
00:41So if something has been going on for 45 years and is going on with the same fun,
00:46then something good will definitely happen.
00:48This is a unique thing about Sabtak.
00:51You have been with the Sastry Sangeet for 7 generations.
00:57You have been in contact with Imdadi Dharana.
01:00So why is there so much freshness in all this music and singing today?
01:05Sir, this is my job.
01:08I have been practicing singing and dancing since childhood.
01:13Programming, making people happy, trying to make people happy.
01:17This is my job.
01:19And people have given me a lot of love and respect.
01:23So when I sit on the stage, I feel like I am sitting with my family at home.
01:28Sir, you had a long relationship with Manju sister and Gujarat through Sabtak.
01:35So which thing did you like the most in Gujarat?
01:38Gujarati Thali.
01:40What is there in it?
01:42Undhiyu.
01:44Undhiyu.
01:46Are you going to give a long answer?
01:48No, no. Undhiyu.
01:50And Gujarati Garba, Gujarati Bhajan, Gujarati Folk.
01:53You asked me what I liked the most.
01:55I said Thali and Undhiyu.
01:57If you are saying, then I like Garba too.
02:02See, every region has beautiful things.
02:05Folk music is very rich here.
02:07Art is very rich.
02:09Garba is there.
02:11So all these things together look good.
02:14And it is very special.
02:16Every place has a special thing.
02:18There is a very good atmosphere here.
02:20And everything is associated with music.
02:22It looks good.
02:24Sir, this new generation is associated with western music.
02:27And associated with film songs.
02:29So in that, the classical music.
02:31How will it be able to improve itself?
02:34Or how will it be able to survive?
02:37If young people like film music, then it is a very good thing.
02:44And as far as classical music is concerned,
02:48how many people must be sitting outside?
02:50How many?
02:522-3 thousand.
02:54So if 2-3 thousand people are coming to listen,
02:56will it be able to survive?
02:58And what more do you want from it?
03:00It is already surviving.
03:02Classical music was like this before and after.
03:04No matter what people say,
03:06it feels very good.
03:08People come to listen.
03:10Classical music has its own place.
03:12It is not made for panwaris.
03:14It is not made for rickshaw drivers.
03:16But those who think deeply,
03:18they come to listen.
03:20There is no need to worry.
03:22Sir, the classical music of India
03:24has become the identity of the world.
03:26So in its improvisation,
03:28or to make it reach more people,
03:30what more should be done?
03:32I don't know many people.
03:34But there are a lot of people.
03:38Classical art is called fine arts.
03:40Fine arts,
03:42those who work in the fields,
03:44those who drive a rickshaw,
03:46what do they have?
03:48You sing a song for them for 3 minutes,
03:50you sing a song for them,
03:52someone is dancing,
03:54someone is drinking alcohol.
03:56They become happy.
03:58So what do we have?
04:00Classical music has its own place.
04:04If you like it,
04:06you will have to go to that music.
04:08It will not come to you.
04:10This is a great lesson
04:12of Ustad Sujath Hussain Khan
04:14that you have to go to classical music.
04:16And this is the strength
04:18of Indian classical music.