A grieving divorcee takes a housekeeping job only to be haunted by her employer's dead wife's ghost.
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Short filmTranscript
00:00Behind the darkness of the night, behind the shadows and whispers that are not seen and heard,
00:10there is a story that is waiting to be unraveled and a story that is almost forgotten by time.
00:18We bring you through places that are full of questions,
00:23places and stories that you have never heard, seen and experienced.
00:30Behind the whispers of sin, there are amazing stories.
00:37Not only on the path of the story, which is full of questions and mysteries,
00:42but also on the experiences experienced by the crew and actors during the production.
00:53Behind the whispers of sin, there is a story that is almost forgotten by time.
00:58Behind the whispers of sin, there is a story that is almost forgotten by time.
01:06Behind the whispers of sin, there is a story that is almost forgotten by time.
01:18Each crew has its own role.
01:22Now, inside there, one scene is being recorded.
01:27Just like them, some are resting and waiting for the next task.
01:32The chosen house is indeed in line with the path of the story of this film.
01:52Behind the whispers of sin
01:55Behind the whispers of sin
02:00So, Faizul, as a director, how do you want to create a sense of horror
02:07when people see that this horror is different from the others in this story?
02:13How?
02:14I made a lot of illustrations.
02:17I mean, before this, I was a fan of horror movies.
02:22So, I will see the horror stories that are scary for me,
02:26I will compile the best ones, and I will put them in this film.
02:48A film by
02:52A film by Faisul
02:56A film by Faizul
02:59A film by Faizul
03:02A film by Faizul
03:05A film by Faizul
03:08A film by Faizul
03:11A film by Faizul
03:14A film by Faizul
03:17A film by Faizul
03:20A film by Faizul
03:22What was the biggest challenge during the shooting?
03:26Actually, the biggest challenge was to prepare this film in a short time.
03:34But I overcame the challenge because of the current technology we have.
03:39Of course, the pre-production started a year ago.
03:47So, the initial planning was done until we reached the production stage.
03:55And during the production, we also prepared the editing in a month.
04:00Editing and color, we did it together on set.
04:04Then, the audio will be sent to the audio team every day.
04:09So, they will clean up and add music and so on.
04:12Was there a scene where you had to do it two or three times without paying attention?
04:16People might think it's easy if the stunts are done.
04:20I mean, as far as closing the door.
04:22But actually, it has already harmed the actors if they are not careful.
04:27During the other rehearsals, when we wanted to take it, everyone wanted to do it.
04:32So, that's what happened.
04:35It did happen.
04:37But to make it perfect, we had to face a lot of challenges.
05:03Okay, cut.
05:05And action.
05:16What motivated you to make a horror film?
05:20A scary film.
05:22I didn't just focus on horror in Bisikan Dosa.
05:26But also the story of a family.
05:31A family member who has been through a lot of problems.
05:40The real problems.
05:42That's true.
05:43But, when I met Bomo or anyone else,
05:48I think what I saw was what brought me there.
05:54And, my objective in this film is
05:58no matter how you meet Bomo, she will always haunt you.
06:02Even if you are rich, she will always haunt you.
06:05She will always haunt our family.
06:07That's my objective.
06:29Iman.
06:33Dr. D.
06:36Are you and Iman okay?
06:42Did you hit Iman?
06:58I'm sorry.
07:04So, what's the backstory of Salimah?
07:09Salimah is a woman...
07:14...who has nothing to do with Mr. Aiden's family.
07:19So, she wants to start a new life.
07:22She started working for Mr. Aiden's family.
07:28Mr. Aiden.
07:35Mr. Aiden.
07:42Salimah, right?
07:45You say?
07:49But, since she came into this house,
07:51there are many secrets about this family...
07:54...and this house that is open to her.
07:57Her secret is...
07:59...she wants to find out what happened in this house before this.
08:28When will you finish this?
08:30There are many layers in Salimah's character.
08:33There are three layers.
08:34First layer, second layer, and third layer.
08:38I have...
08:43I want to try something different.
08:45I want to try to run away from Salimah.
08:49I want to run away from Salimah.
08:51I want to run away from Salimah.
08:53I want to run away from Salimah.
08:55I want to try to run away from...
08:58...the characters that I've done before.
09:01But, so far, it's okay.
09:03How do you work with...
09:06...other actors like Farid Kamil?
09:11I kind of like it because...
09:13...it's nice to see old, familiar faces.
09:17When I first started, I worked with Farid.
09:20I also worked with Mrs. Jolana Evans.
09:24And then, we have Mr. Sam Rose.
09:26So, it's nice to actually do...
09:29...one project that...
09:31...uses faces that...
09:33...we've never seen before.
09:35I have a question.
09:37The sound of sin...
09:39...appears in the scene where...
09:42...the audience is expecting something new...
09:46...in the local cinema.
09:49Is it a preparation?
09:53Or is it a ritual?
09:59Is it a ritual?
10:01My preparation as an actor...
10:05...is actually...
10:08...prepared with...
10:10...a good script...
10:13...from a professor.
10:17And a script that I think...
10:21...can make...
10:24...a horror film in Malaysia...
10:26...the most terrifying film of 2025.
10:31Men are all the same.
10:34What is the reason...
10:37...to make...
10:38...this character?
10:41Alhamdulillah.
10:42When the producers...
10:44...gave me a good script...
10:48...and they also gave...
10:51...a reference...
10:53...to me.
10:55Farid Kamel.
10:56When you read this script...
10:58...the character...
11:01...is similar...
11:03...to...
11:04...this family.
11:05And this family...
11:07...is very...
11:09...popular...
11:10...in Malaysia.
11:18To be continued...
11:49Hehehe.
11:50Hehehe.
11:51No, I know.
11:52I don't really talk to him.
11:54He's always like this.
12:04I don't know what you want.
12:06But please don't mess with me.
12:08This is not your world anymore.
12:10One.
12:12Two.
12:13Three.
12:15This flower water is good.
12:17If it's not good...
12:18...you can drink it.
12:26Imah.
12:28I can't live here anymore.
12:32They're all hypocrites.
12:34Uncle Farid.
12:35Do you think...
12:37...he's conspiring with Dr. T...
12:40...to steal Papa Iman's property?
12:44Imah!
12:47Don't you regret it.
12:53Don't do it!
13:03Let me go!
13:11This is a very important part.
13:14The make-up.
13:18The make-up.
13:19It's very important.
13:20To give...
13:22...the real image...
13:24...in...
13:25...the character.
13:27Everyone knows that.
13:29But I...
13:31I want to ask...
13:32...why are there holy verses in the Quran?
13:35Do you think...
13:37...they need to be protected...
13:39...from disturbances?
13:42When the director said...
13:44...he wanted the character...
13:48...to be burnt...
13:50...what was the first thing you did?
13:55First of all...
13:57...when he said he wanted it to be burnt...
13:59...we had two things to ask.
14:01How much is it?
14:03Which part?
14:05So...
14:06...we'll take a little bit...
14:08...and we'll mix it.
14:09For example, if he said...
14:11...he wants it to be burnt 50%.
14:13Usually 50% will be dry, right?
14:15But we want it to look fresh...
14:17...so we'll add blood...
14:19...or gel to make it look fresh.
14:22We'll discuss the combination with them.
14:25If they agree with the look...
14:28...then we'll proceed.
14:29How long did you use it for...
14:32...the make-up session?
14:34Four to five hours.
14:36For the face and hands...
14:39...two and a half hours.
14:42The rest is for the hands.
14:43Five hours in total.
14:45Because we...
14:47...won't use his hair for the bald cap...
14:50...because we want to cut it...
14:52...and make a half.
14:53So we'll take the hair...
14:55...and cut it in half.
14:57And we'll make the burnt part.
15:00If there's hair...
15:02...it'll be a bit annoying.
15:03So we'll use the full bald cap...
15:05...and cut it.
15:08Peace be upon you.
15:09I'm Faisal Zainul.
15:10I play Zara...
15:12...in Biskan Dosa.
15:14And I play Farid Kamil's wife...
15:17...Aiden.
15:19And I play Iman.
15:21Iman.
15:23Iman, don't be afraid.
15:26They did this to you.
15:29They hurt you.
15:31They tortured you.
15:35You have to stop all this...
15:37...so they won't hurt you again.
15:40The biggest challenge for me...
15:43...is that...
15:46...I'm the victim.
15:48The black sheep.
15:49I have to...
15:51...do the right and left.
15:56The second challenge is...
15:58...the make-up.
16:00It takes hours.
16:01Because sometimes...
16:03...from the afternoon...
16:05...until the next morning...
16:06...there's a scene where I have to run...
16:08...on the road.
16:09I fell down.
16:11I didn't think I'd fall.
16:13So I didn't wear any safety gear.
16:15So I had to use my hands.
16:17I hope that everyone out there...
16:20...who watches this film...
16:22...will accept...
16:24...what I've tried to give the best...
16:26...that I've tried to do for this film.
16:29And enjoy the story.
16:31Because the story is very close to us.
16:33So it's about us.
16:35It looks modern.
16:37It looks urban.
16:38But actually...
16:40...the mentality is still ancient.
16:42We use black magic...
16:44...and sorcery...
16:46...to get what we want...
16:47...using bad things.
16:49So it eats you up.
16:53So...
16:54...do you think your character...
16:56...is challenging?
16:58In my opinion...
17:01...for me...
17:03...as an individual...
17:05...my personal preference...
17:07...is challenging.
17:08Falik is...
17:10...Dalina's personal assistant.
17:13But along the way in the story...
17:15...there will be a bit of...
17:17...an element where...
17:19...Falik...
17:21...is he a good person?
17:23Or...
17:24...does he have a hidden agenda?
17:27Is there something bad about your family?
17:31Do you want to sell it?
17:32Yes.
17:37How much?
17:39Is it hard to get the director's approval?
17:42We try our best.
17:43But I'm satisfied...
17:45...because...
17:47...the director's...
17:49...vision...
17:50...and his instructions...
17:53...for us...
17:55...are very clear.
17:57Which character...
17:59...do you like the most?
18:01His character?
18:04Me and...
18:06...Sarimah.
18:08We had a little fight.
18:10My leg got cut.
18:12I said, it hurts.
18:15I hit the wall and the door.
18:17For me, that's a character...
18:20...that I'm very satisfied with.
18:23For me, Dr. Delina is...
18:26...she's a doctor.
18:28So, she believes...
18:30...she's more scientific.
18:32So, she's not...
18:34...I would say she's not superstitious.
18:37She's a bit ignorant.
18:39Not ignorant like...
18:40...purposely being ignorant.
18:42Just like...
18:44...when something weird happens...
18:46...she's not like...
18:48...because...
18:49...she's...
18:51...a doctor...
18:52...so, she doesn't believe...
18:55...in these paranormal things.
18:57Sarimah, did you go to Mrs. Sri's room?
19:02Did Mrs. Sri call me?
19:05I'm sorry, Dr. D.
19:07I fell asleep.
19:09I didn't realize anything.
19:11This movie is like a psychological thriller, right?
19:14To be honest, actually...
19:16...me, myself, I like...
19:18...this is my favourite genre of movies.
19:20I like survival movies.
19:22I like...
19:24...psychological thrillers...
19:26...massive plot twists...
19:28...and changes in characters.
19:31She's a bit more challenging because...
19:33...Mrs. Sri Halidah...
19:35...towards the end, she...
19:38Is it okay for me to say that?
19:41She's a bit grumpy.
19:43She's grumpy.
19:44When it comes to her character, she's grumpy.
19:46She can't talk.
19:48She's grumpy.
19:50So, she communicates with...
19:53...her family members...
19:55...by writing...
19:57...and...
19:58...using sign language.
20:18To be continued...
20:49...but what about Indonesia?
20:51I hope that...
20:53...our movie...
20:55...can be...
20:57...ready for...
20:59...the audience overseas.
21:01With the character...
21:03...I mean...
21:05...what I said earlier...
21:07...about the character...
21:09...her strength is...
21:11...when the scene is filmed...
21:14...it's not like...
21:16...a scripted scene.
21:18It means that...
21:20...the character speaks...
21:22...as usual.
21:24So, I see that...
21:26...scripting is...
21:28...avoided.
21:30That's what I meant when...
21:32...the cast...
21:34...has a group...
21:36...a group session...
21:38...to memorize...
21:42...each character.
21:44So, I think this is...
21:46...a good opportunity...
21:48...to bring this movie...
21:50...to overseas.
21:52I think so.
22:14What?
22:15Selamat malam.
22:44Selamat malam.
23:14Selamat malam.
23:16Selamat malam.
23:44Selamat malam.
24:14Selamat malam.
24:15Selamat malam.