• 2 weeks ago
Brazilian director Walter Salles discusses his latest film I'm Still Here, why he's moved by Morocco and why cinema is one the best antidotes to AI.
Transcript
00:00It's a very personal story, it's a story of a family, I'm very close to them, I'm
00:30very close to, that I befriended when I was 13 years old in Brazil during the military
00:36dictatorship. And in the house of that family, you had the reverse angle of that dictatorship,
00:43there was music playing all the time, political discussions were free, there was light in
00:48the house, even the relationship between the people, everything on a tactile standpoint
01:00was different as well, different from what existed in my house. And we were all enamored
01:05by what happened there. And then suddenly, destiny did strike in that specific house
01:13and the mother of that family, she had five kids, and she had to find a form of resistance,
01:21or forms of resistance, that could allow her to go through and the whole family to go through
01:28those dark ages. So it's a story of reinvention, it's very life-affirming, it's about loss,
01:36it's about joy first, it's about loss, and it's about reinvention. And at the end of
01:44the day, it's about hope as well, because you have to believe that there's a way out
01:50of this mess we're in.

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