Marco Art Director Sudhi Surendran Interview: Marco Art Director Sudhi Surendran talks about the efforts of Team Marco and Unni Mukundan for the making of the movie. Sudhi Surendran said you will see more of it once Marco release on OTT. Watch our Exclusive Interview with Marco Art Director for these and much more | മാർക്കോയിൽ കട്ട് ചെയ്തുകളഞ്ഞ സീനുകൾ ഏതൊക്കെ
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സിനിമ ഹിറ്റായപ്പോൾ ചിദംബരത്തിന് കിട്ടിയത് ആട്ടിൻ കാട്ടം ഒന്നുമല്ലല്ലോ... അരി തന്നെയല്ലേ..?; മറുപടിയുമായി സായ് :: https://malayalam.filmibeat.com/features/secret-agent-aka-sai-krishna-reacted-to-chidambarams-malayalam-review-culture-related-interview-123943.html?ref=DMDesc
ആ സ്റ്റേജിലായിരുന്നുവെങ്കിൽ അനുഷ്കയെ പ്രപ്പോസ് ചെയ്തേനെ, ഇനി ധൈര്യമായി പെണ്ണ് ചോദിക്കാം; ചർച്ചയായി വീഡിയോ! :: https://malayalam.filmibeat.com/features/fans-re-discussing-the-old-video-where-unni-mukundan-revealed-his-crush-on-anushka-shetty-123797.html?ref=DMDesc
എന്റെ മക്കളും ഈ സിനിമയിലുണ്ട്, ഉണ്ണിയുടെ ആത്മവിശ്വാസമാണ് മാർക്കോ; നിർമാതാവ് ഷരീഫ് മുഹമ്മദ് അഭിമുഖം :: https://malayalam.filmibeat.com/interviews/marco-producer-shareef-mohammad-opens-up-about-how-he-made-this-action-movie-123687.html?ref=DMDesc
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സിനിമ ഹിറ്റായപ്പോൾ ചിദംബരത്തിന് കിട്ടിയത് ആട്ടിൻ കാട്ടം ഒന്നുമല്ലല്ലോ... അരി തന്നെയല്ലേ..?; മറുപടിയുമായി സായ് :: https://malayalam.filmibeat.com/features/secret-agent-aka-sai-krishna-reacted-to-chidambarams-malayalam-review-culture-related-interview-123943.html?ref=DMDesc
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NewsTranscript
00:00It's a very good film.
00:17The beginning of the film is Jagadeesh's hand.
00:19As we saw in the frame, it's the same hand that's kept in the box.
00:22He was very happy when we showed him this detail.
00:27There are a lot of scenes that got cut.
00:29There was a sequence that was very important.
00:31When we were shooting, there was a breathing scene.
00:35For that, we gave him an airbrush pump.
00:38The machine that you see in the film is an original machine.
00:43That's why we took 240 liters of bread.
00:46We take a little more than we need.
00:49If we take a transport, it will take us from Ernakulam to Munnar.
00:52We take 20-28 liters of bread and take it to the bus.
00:54There's a sequence where he smiles.
00:57What did you do for that?
00:59When we were shooting, Kalaimastu told us that there was an idea like this.
01:03Of course, we started doing it.
01:05That day, we worked in a silicone.
01:07We locked the egg in this.
01:09If you lock it, it will sit like this.
01:11We saw this in the film only after Kochi was shot.
01:15In the film, there is a live-action scene.
01:18That's how creative it is.
01:21We shot everything.
01:24But there was no one to watch it.
01:35These are our Marco Secrets.
01:38If you have seen this face somewhere, it is absolutely fantastic.
01:43How much effort did you have for this?
01:45We started this workshop a month before we started shooting.
01:48He was from Bombay.
01:50We brought him to Kochi from Kerala.
01:52We took the mould of his head.
01:54The mould that we saw in the video.
01:56Yes, yes.
01:58We shaved the alginate and took the mould from the silicone.
02:01It took 2-3 hours to take the mould.
02:03It was his first experience.
02:05He enjoyed it.
02:07He was tensed because he didn't know how to do it.
02:10But after that, he was very happy.
02:12He got a good mould.
02:14We started with Jagadeesh's hand.
02:16The hand that we saw in the frame.
02:18The hand that was kept in the box.
02:20This was the first thing we started with.
02:23We started with that.
02:25We showed it to Harithik.
02:27He was very happy when we showed this detail.
02:31Because that much detail and originality was there.
02:36The skin tone.
02:38Yes, we brought it to the skin tone.
02:40We had to take the skin tone, growth, and texture.
02:42That was a big success.
02:44We did the rest of the work.
02:46The mould that we got...
02:48The artist who did the prosthesis did it.
02:52The reference that we give to the prosthesis is moulded.
02:56The colour toning and other effects are done by a make-up man.
03:00We created it to get the originality.
03:04When we give an artwork, they make a mould.
03:07When we design it, they do the mould.
03:09Because they do the artwork.
03:11They do it.
03:13This is the brain of the villain.
03:17There are a lot of cut scenes.
03:19This is one of the main sequences.
03:21At what stage will this be?
03:25Without colour?
03:27This will be normal.
03:29We have to give colouring, blood and effects.
03:31It won't be like this.
03:33When we shoot, it will be full of blood.
03:37It will get a breathing.
03:39We did it in that vibe.
03:41Is there a gap in this?
03:43To fill it?
03:45No, it will be a gel.
03:47We fill it.
03:49If it breaks, it will crumble.
03:51If it crumbles, it will be a new piece.
03:53We show the head coming from inside.
03:57This is the heart.
03:59In the scene where we take the heart,
04:01Aneesh said that
04:03we should have this breathing.
04:05We gave an airbrush pump for that.
04:09It was a timing pump.
04:11We worked with that.
04:13When you look down,
04:15there is a pumping.
04:17After the pumping,
04:19it breaks.
04:21We have shot all that.
04:23When you take that shot,
04:25will there be a gap?
04:27Yes, there will be.
04:29There will be a crew.
04:31This can only work this way.
04:33We need people for everything.
04:35How many days will it take to shoot the climax?
04:37This is a 20 day shoot.
04:39In a factory.
04:41The last day was 2 days.
04:43It was a continuous day 4 night shoot.
04:45We started at 6 am and
04:47finished at 11 am.
04:49This is Anwar's hand.
04:51Yes, Anwar's front hand.
04:53This is his full hand.
04:55We did it with full detail.
04:57We did it to cut it live.
04:59He holds his hand like this.
05:01The machine you see in the movie
05:03is the original machine.
05:05We did it with the
05:07original machine.
05:09There is a safety machine.
05:11We did the same thing
05:13with that.
05:15There is a scene where
05:17we cut it live.
05:19It was very violent.
05:21We only showed it after the movie.
05:23This is a tube for that.
05:25We pumped blood.
05:27Like we said in the interview,
05:29to suck the blood.
05:31We pumped blood here.
05:33Then the blood pressure will be there.
05:35That is the feel
05:37when you pump blood on your face.
05:39Does this blood have
05:41a smell or
05:43does it look like water?
05:45It will have a thickness
05:47and it will be sweet.
05:49It will have a sweet taste.
05:51Otherwise there is no smell.
05:53Because of the seeds,
05:55itch comes quickly.
05:57When we use blood in the body,
05:59itch comes quickly.
06:01There is no bad smell.
06:05Is there an expiry date for that?
06:07Yes, there is an expiry date.
06:09There is a problem with the climate.
06:11That is why we take 240 liters of blood
06:13for a small amount.
06:15The transport metal from
06:17Ernakulam to Munnar
06:19is 20 liters.
06:21There is a climate problem.
06:23It is cold.
06:25The color of the blood changes
06:27due to climate change.
06:29That is why
06:31we cannot use a lot of blood.
06:33There were 11 fights.
06:35All the fighters
06:37needed blood.
06:39Everyone needed blood.
06:41Was there blood in the climax?
06:43Yes, there was blood in the climax.
06:45The art department
06:47made some blood
06:49on the ground.
06:51There is a sequence
06:53where you smile.
06:55What did you do for that?
06:57We did a prosthetic.
06:59It was a shoot
07:01without planning.
07:03We had a plan.
07:05We could have done it earlier.
07:07When we were shooting,
07:09the art department told us
07:11that they had a plan.
07:13We worked with a silicone
07:15on both sides.
07:17We loaded the blood
07:19and took the shot.
07:21Many people have doubts
07:23about how it was done.
07:25We did it with a silicone.
07:27There is a making video.
07:29It was done in one day.
07:31It was completed in one shot.
07:33If it was a retake,
07:35it would not have been possible.
07:37We did it well.
07:39We got a good response.
07:41It was done in a short time.
07:43It was done with a silicone.
07:45We made a patch on both sides
07:47and colored it.
07:49It was done with blood.
07:51Was it the same
07:53with a silicone?
07:55Yes.
07:57There is a dummy of a safety
07:59gun.
08:01We created a head
08:03when we crushed it.
08:05It was breaking.
08:07There is a head
08:09with a wig.
08:11We created it
08:13with the feeling of crushing.
08:15When we did it with the
08:17help of VFX,
08:19it was more original.
08:21We locked the hands
08:23and shot it with the feeling
08:25of crushing.
08:27It was stuck like this.
08:29There is a spring.
08:31We could not do it with
08:33one hand.
08:35That is the main importance
08:37of prosthetic makeup.
08:39To give more excitement.
08:41Kalei master is the king.
08:43He crushed it.
08:45We could not do it
08:47with one hand.
08:49It is a hand that
08:51helps us a lot.
08:53How did you do it?
08:55Did you take a mold?
08:57We took a mold in this state.
08:59We did it to lock it.
09:01Inside this?
09:03We are locking it in this belt.
09:05We are locking this belt in the skin.
09:07We folded the hands
09:09and locked it.
09:11We did it like this.
09:13We are locking it in this belt.
09:15It will be like this.
09:17It will be like this.
09:19It will be like this.
09:21It will be like this.
09:23It will be like this.
09:25That is it.
09:27This is good.
09:29Technical terms.
09:31This is the most important
09:33portion of Marco.
09:35When you shot this,
09:37did you feel...
09:39When we shot this scene,
09:41we were very nervous.
09:43He did not sleep for 5 days.
09:45We created it in such a stage.
09:47This is not the color you see now.
09:49Skin tone, full blood.
09:51What we saw in the movie
09:53was after Kochi was shot.
09:55The movie itself
09:57was shot live.
09:59The liquid coming out of it
10:01and the strain.
10:03Everything was shot live.
10:05But we had the right to
10:07watch it live.
10:09We did it for weight balancing.
10:11When you take it like this,
10:13there will be a strain.
10:15Did you do anything inside?
10:17We did weight balancing.
10:19It will be weight from here to there.
10:21Did Unniyettan see all this?
10:23Yes, he saw it.
10:25He is usually not
10:27into all this.
10:29He was very involved in everything.
10:31He supported us a lot.
10:33It was a work that gave us a lot of results.
10:35In all the movies,
10:37is it like this?
10:39The child is born like this.
10:41It can be like this in many ways.
10:43Not like that.
10:45Is it possible to bring a child in a movie?
10:47It is difficult to bring a child in a movie.
10:49The child is born like this.
10:51They do mold work.
10:53They do mold work.
10:55The people who do mold work
10:57did this.
10:59It was done by a team from Hyderabad.
11:01They have to do weight balancing.
11:03They did it for weight balance.
11:05It was done by a team from Hyderabad.
11:07It was done by a team from Hyderabad.
11:09It was done by a team from Hyderabad.
11:11It was done by a team from Hyderabad.
11:13When you do make up,
11:15do you need VFX?
11:17Do you need VFX?
11:19Do you need VFX?
11:21Yes, of course.
11:23When I submitted this film,
11:25I told the production side
11:27that we will do the maximum
11:29make up.
11:31We will do the maximum make up.
11:33We will need VFX.
11:35We will need VFX to show the details.
11:37We will need VFX to show the details.
11:39We have Prashanth in all the shots.
11:41He listens to my options.
11:43I listen to his options.
11:45We have a good understanding.
11:47Have you done VFX in this?
11:49Yes, we have done VFX.
11:51Jagadish hasn't done anything.
11:53It is our work.
11:55VFX is not possible for these parts.
11:57VFX is not possible for these parts.
11:59It is like a hand.
12:01It is like a hand.
12:03We used the bone.
12:05We also have a VFX for this.
12:07Blood should come while running.
12:09We also need blood.
12:11For making it original,
12:13we needed the VFX.
12:15We are using the VFX for this.
12:17We are using the VFX for this.
12:22Is your family visible?
12:25Is your family visible?
12:27I can see it, but my mother is the only one in my family who doesn't go to the movies.
12:31My sisters have told me not to go to the movies.
12:33But I can see it for my family.
12:35I am not a person who does it for the sake of my family.
12:38So how can you use all this for Marko 2?
12:41I don't know if I can use it for Marko 2.
12:43Because all of us have used it for Yes Paul.
12:46So Marko 2 has to be shown on the other side of this.
12:49What do you do with this?
12:51Is it only for the As of Us movie?
12:54We can't hold the silicone material for a long time.
12:59There are holes in it.
13:01It is made of plastic.
13:03So we can't hold it for a long time.
13:05But I have kept it safely.
13:07It is a memory.
13:09It is a benchmark.
13:11It will be with us.
13:13But if we need it for a production or a movie, we will definitely use it.
13:17So these are Marko's and prosthetic's secrets.
13:21We have used a lot of prosthetic's in Tamil movies.
13:26But now in Malayalam, it has become a new benchmark.
13:32It was done in Malayalam.
13:34It was done in Malayalam.
13:36It was done in Malayalam.
13:38It was done in Malayalam.
13:40I hope to see more of these in the upcoming movies.
13:45Thank you for the time.